Giuleanu, Victor - Tratat de teorie a muzicii (Vol.2)

r|:zalu r* olu1ssllaJ3D.ls .O?DJsDrs : ap InloJ 'o.lD}?t ls'
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fitHi :;#'il,$ 'r{r*lrs Em''rs .':}:o:'Y-T ap 9.r^r1u'r n* lrn quprl,uap

elalc ug i;Jrrr;n:ir oa;u1nr{ul

;fJisi?ou ol€o,alu!:) u[ e]gou[,UuI as, .]r|$r.usllaur onnneaT ltnsap,!l i)l-r,lro{

L. Staccato s'e reprezintd in scris prin punctul ca,re 'se agaze ,deas,upra

sau'd.edes,ubtul notelor, .m,ic'porln,d cu,ap,roximativ jurnf,ta,te dunata ,acestora:

Notele ,care pirimesc staccato Ee executA 'deta$at Ei ou ,o usoare ac-
centua.r.e, avind ,un caracter ,Si o expresl€ nouA fald de celelalte 'din con-
texttll muzical.

lur compozilie, staccato se folo's,e$te pentru s,ituafii pi ceninle estetice

variate.

Uneori, prin el se imprimd melo{,iei 1n cara'cter vioi, o m,i9,car,e sprin-
tcni, plina .de viall :

M. Negrea
,,Prin Munfii Apuseni"

Tablouri simfonice

t

Alte,ori, ,mai a,Ies c0nd temporrJ. este l,ini,9tit, dornol, prtn staccato se
exprirnd gingdqia, gralia etc. :

L. v. Beethoven (1770-18271

Simfonia I

Audante cantabile

2. Stacmtissirno ,se ,rep,rezinta in scri,s print'r'un p'unct al'ungit care,
r$ezat deasupna sau dedesubtul note{or, rni,cqoreazd cu ap,rox,imativ trei

sferturi dunata acestora : j.?l; ""

t -JA =$vr,;l=
In staccatissrrno, notel€ se exoou,te qi rnai detaqat decit cele car€ au

staccato, iar accentuarea,lor este 9i rnai p,r'onun!at5,

302

r08

v'tc

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'pzeeurrm ewc, plduaxa uJ
tf(tVFV-,fris (h(a(= iii

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(o1n1a7 ozzaul olncrnq ozzalty .[
etsor

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prrl{ocs,,ap.r1sa,qc.ro e,lrJgJ?.rrl

Icntl.lssretcroEdueo:Br ulnullulnemuor1s1B1?rrceuzprl,lelflluarrr

S 140. Aeeentul melodic (culminalia in melodie)

$tudiul aocentelor fo,lo,s'ite jn rnuzi,cd (acoentul metrico ritqnic qi cel

irnp,ns) ,se oompleteazd prin acela al accentului melodic'
lnc,tar+inrtnenfsniat,gamte,,ecn,taFrne'edloedoicbi'cdie,sitie'ns,gtee,r{nieintuonrtduel aduinnat'reunsun,seutLenle€t
rlant prodorrni'

cele mai

inalte ale fragmentului melodic rerspectivo fie unul dintre c'ele c,u duratl
rnai rna'ne. Un aseiuenea sunet -_ posedincl accentul principal al fragirlen"
-unup,lodairnttrtimnrup,nini Otlae rdi eaipnutntiscui raii.tlninant icttts I
tului rnelo,dic sau mel,odic.
Iil se
afli 1.le
Partea din melodie car€ precede punctul culrninant sflu ictusul sf
riirin,egte preictus rqi ,se ,execut[ p,rintr-un ctescendo; iar partea ,tlin ,melodie

ca.rte unn€az5 dupd ictus s,e glumeite postictus ,Fi con,stituie rolaxanca

,'nJ urltatiei
"

[. Vidu (1860-1931]
Freste deal

Pe cin- pul cel- cu It ----'--- b3 -
nln - dre ,r&r

.--_f:*:

;-wt---

I

=:-- Cfn- tind tre - ceam u - tot'----
a
t --=:::*-

* f,; pa-sfr - rea fn- ztor,- ta pa-sd- ree ln

Cele frei ele-qnentc alc ar:ccntu&'rii rnelod,ice -- preiclus, iclus '9i posti,cttts
- ilu ,se gasos.c intot'deau'na in tota'litatea lcr ,ln Lli'nia rne{oili'cd'

1 In trimba laiind ico-icere .= a bate' ap1ealocavicni;cdeinlcfttleuuslsips:risnecbidrpetaafeiler,adlloia{vriattguomrliie. tniImtnutplrueiii
tlnaersi isaisimicdlususrieloxris, tidclduisferseentarefuerrlnddtnouarrne'a:i

rnelodic.

304

908 II 'io^ .rl)rznu e Jpoel op iqrri -* 03

'aluc.rznru JoTIJ?J3il1

I ECllSrrUs rrincoxa BI p'urnqu1,uo,J aJqaJdJelur ull Elsrnf .rol uaJBlcadrsar
'r?rsoJdxa rB liuel.roduir lJolcllJ lrrISl l?isnrrtTsad 13' Tnsnptatd,Tnsnlcl

'.mFurs

rs tsls,rxo pu11nd [3 'cr,pol,out ur,p' ElBp'o,mr'u a1*ra'sdq nrr vsu! InsnrjI

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I ffilc!
I

Tjerc lnJ Pd

rfl---- sngcggso{- -------' sngc!

fera lnrgd nr laclulo1 O^IA

nuBsrlPeJ8 'tr : 1nsn1cn.d er$*sdrq lJoeufl

S 141. Aeeentul melodie provenit din text

In melodiile vocale, pe linga ,accentele descri.se pi,nd acutrn, un rol
irnportant ,il au g.i ,accentele provenite din text. Eile s'int de doua feluri :
ftccente tonice fi acc€nte expresioe (patetice).

'6 Accentul tonic ss,te da,t ls silaba accentuatd, a unrui cuvint. De
e*effil, ; !Io-ri-le, fe-ri-ci-rea, pri-me-va.r.a. mun-ci-lor.

Pentrtu o legd'tu'rd tra,inicd gi f,ireas,cd a textu,lui ,cu ,muzioa, accentul
tonic tnelruie rsf, coincidd cu umul din accontdle rnuzi,ca'le, deci fie cu ac-

centrul rnetric, f,ie c,u cel ritmic, sau cu ictu,su,l ,melodic :

Gh. Dumitrescu
Cavalcada din oratoriul,,Tudor Vladimirescu"

0raz '

00f - neff oan d!. - ri-n oqa na.

Acolo unde ,coincidenp accentelor tonice ,c,u acceutele muzicale nLl
este posibirla, rse irutil,izeazA 'aoelsntele irnpuse, pe care co,mpozitoml le
in,seamnd in ,mod rspecial :

M. Jora
Cintec de fluier

Con malincolia

il- ma mi-e dru - mu/ cu &- i- /e.

lfi-e dru - mul cu pn - ful 0 -;- le.

In ,olntecul populan intilni.m cazu,ri ,cind rac,centele cuviintelor nlt

coinci'd ,cu oele rmuzicale, prin ole se pest,reaze ii,n'sd acea ,originalit'ate ritmicn

306

L0t

Uod - od n4 - uad pull ',t01 -g,t-gd - e Oltd - l/,
'e,eeil-!3p-lu
:ei - e Jez - u'F/ - ap a E

-unp - eJ nrp -ala le !8 $ce p-1,t1.ed M

le iatd et pat6-tiut!

@M'pea- 0!c -eJ al, lae ulu'g
pl -nc.lpw I
--,tOrt - pttd U! pr - es -u-ad €Js

:t'=t =- d

uq8neraolllaopJ3ca.llul3 3e.3ur3 'lTlilulT

: (a1upu11qns, ololurano .so[ reru ap clalcluraxa u5) atu.ralndr IBIIIT [0C
arseJrd'xe lnlnurjuoc . el-recl ceJ oJBO (rp InsJal '-(l lt i?
dJEc alolurAns' nus 'ns eiirzocro.rrl u,[
-
lrnluI'rnc OP lt?p e6a, (ngaTnr! ) at"^axlxa lflgttatxlt
'ay - Pg - gJ gt a!,t - gs P,! ,!u _ !,t _ g,9 _ EJ

P,! alr - g.e Pg 'w1,t - ps ' pc - p6 - prp '!eH.

(1a6ruo3 'A Fdnp)

csauJr.rloJ relndoti co1
ee;eFg;q

'Bwnuaplol'ur ,euru,as, euli nu ac, 'Jolalul4nc als alulrlrre0ou o:[oqr:Ils op

oa.relndrotl rorpolaru gcr;rced,s qc,rpoleur r$

G. Puccini (1858-1924)
Opera ,,Tosca"

-Fru - mo - tu-mi vis a cum F_g___vecr___€_

oa-- pu- ne, Pierd via-ta-n - trea- si mzr ih di't pe-
.!

-k_t9-, .Y mor in drc - pe

In interpreta,re, asolnene,a cuvinte, ca,re pose'd:i 'accent'uar,ea p,atoticd.
vor fi mai suJrliniate ca intens'itate fafe de celelalte din context, pcntru
fl se scoate in widenld c'ontimutul lor ernolional deosebit.

Neg,lijarea accentelor patetice tripseqte interrprertarea rnuzicalu de ttAirea,

sirnfi'rea gi rpitrund'er"ea 0n conlinutul o,perelor ide art[, ,care ,nu ,s€ poate
obtriore feri legatura indisolubila dintre melo'die qi text.

Fraza melodieE

Elernente de sintaxd in melodie

Y,. f l'eoria muzicii oinferarni a-lizadguipciu€nuomag,atemreavamzreulto,-diei l-o,aIe elernentele dp
I ologicd.
'I naturd, morf ca : ambituso inter-

t ?valel.llemmoedn,t,teolenadl.iteatceu,norait,mste,rern{anstau,rcltiectcci. a mel.odiCIi -g3lalidl icadeac{ealpeat raFr
altei
l"'lJ-' privesc f,razarear simet:ia qi arhitect,ura acesteia -
disci,pline gi anurn,e formelor muzic,ale.

Totugi, teoi'ia rnuzic'ii, ar-ild,strinse legitu'ri cu celclalte dis,c,ip,l,i,ne

[--muzi,cologice, trebui,e isA qeqljggze ,o tra,saturf ,tle unire ,qi cu dis'c,iplina
\ Ttiuvrunlr,npbrrol 'psotuzir1liiian,dfr"atzffait,.t,p"erioIaieda),mdauipsdimcupmle ale {raziirii rnuzicale (rno-
1;" ! acut aceasta trirs;-Iturri
af

,de rrnire li ci axmonio., ciud au fo'st analnnale a,cordurile $i notele mel>
dice (striine de acorduri).

308

60r

€tuu un uI :'pp6? ri rJ oluod leru TSu! raz?J} erfaru1s,*o3,'rp"or.*a.l)
zo s.so^rrnlolE'r.cule oxeJl 'E'tut1, o, alse,in+qcl8
ilirzodo"iri 6'arirzodo.rd, o csarnl
z-u:jil? o.\rlow : Ecrps 'sns rilui Ps,r.i3s,0P lsoJ B uno uS*'!r.rlrut{[ i-]JnJ.uu
'dP' alsa acrpolarur ilJgzBJJ l? Bld,{urs iaIu uac r* fJBIc IBiu ?a] BurJod

'?IE]r'znur' eiirzodmoc' nns i
i.(
'/.rrrzntu l.l.s.Lttrslp nulaJ(iui! ;iajiii-cciu apcor.rod alln,ru r,cur nus lrno{l
i

'1n1cund nc :luol'ts,rrrirli) !
\
alsio eflqJor uI srras rGJfc ir; liuJtlRJ o""l1ur.rtl Bunecplolul- ebnl'-53 ee"r.r..ujtl I
'Epror.recl o qdnq 'li5J,!!rrls,op, 'uqdep s.uss un pu1a,e' og.reor.rod,ns EOlitoJ
I
*)€rrn
a.ruzruuBto 'opnol.tarl csa1n1gclu, "crp,'o(lla)trlu"1rn"8r;.n'!l *ro$gp.r1'"cpun:;rt;rlinitc6 .fr',
cJlqror
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qirralBArr.ico riuap€crulos o-t1ui"rd sffT'*et, elBcrznur, ozl]J] iaun 1n4r$r3;.-. )
11 ua;i.idg 'oluoiznul Joll€pl qrql ,uildep
uarsunCxe Broriru! u fsru! crpolau
r,f 3r{ulr.J soiairr! un aiB E'iI'i.trlpolalu p:ui o rsarnllclu (?luaeaesu,o,;;

HIRiuaJ' r$ glrrcp,ecalrrc errn) azlcr!-e,lnavr ncs irjizoiibfal r,lnog T:D{j ior

-ldap fs "artl{l"lo,\ TlilpL lal,ni3JI.4. fusiIASi gsrug qCrS,U{}l .

arnqalr?. nu oJao 'slrrdsinrues {rn 'a,tr.}ow oJl[rl, lloop c.reru reul erin.r
-rdse"r o 'a^rud,o qlJncs o crSol portr u! qze€urlflt Tz1;J!-Ezzerrt o, TdnG

'pzat!-rnzau nes ofirzod
-oJCI aV alotunu n^iJe{t?f glelduroc r€m f?rpolaur oepir o..4u1 (luearosuo1 un

rs luapoJalrB um) olrunor e^Uo[Ir !?noo "(nzu{-nzzaut) mft:aA,Jotr .7
,
'o{rqJo^ urp u1n3"rr,r na ltiioli,rrqoe bisd occrJ cs ,roep ,.r€1,

6g.ruseoau trnloslfl€ olss nu onqour; Enop eJlu,I ea.rr,Jd,O nuS erjenlcun,;

'luaaiasuoJ ,tIlotu'!.'znt:J

urp 'alsarumii-;s c.rcc rs ar3o1 polu ur EzBcrrum l-oJuc

Inluaparaluo nvs Bo.roqoJlrr! 6uTfASUt--AE arnc{oJrl Io
glsPosB rlou un
83
itulncd
^.sruloer,us

'rnlnnrloru cio:luorlala,iliBl.isua:lrn IB orapo^ ep 1::untl urp.fzBauop.roqn:
d.iBo lrracSa rnrrn lnlnI i:g aledn.lE 1u1's (irnitjail e]!i3 aJric urp roiltx lr?ur
a1t'i-ti:d) rnfturrloru alalnia] 'luc,lzntu
smlcsrp lnFerrlug Btrlo^zop, e,s, Broitrqa ;
eztsq ad olscrznui rau'al ngs ljepl
lnuour.rafi 'erirzorluroo u! .'plurz,ajdbi
I[ 'rrpoloul rS ?rtu]u i);.?l]c,r ep, lcund, urp Bzrl8nprarpur rS elnluoo aluod
-to$u,aeliludJruE'qcJBo'a,etcpru,p!Bolauelucurlrrrlaroquzrrsuc,rooJldur!Eal-iur n?taiIrEJBB'sIloa:uB1oocarTpuj,uzon1ri€Ju,EreJcJlriru{rzEuao1ldrsn,rBndu,rfourAcBlJau.Bont?EuJcJ]o!slirOocelai.znrcana;terrUslueroeldjolfni.{srr.nor.r1]rn1ucl€ru,ptr

'npnolnd $ ozru! '(ozru!-ozzaw) n{uodotl ,1natqotu : ec, alrurJep auJq irmli
'ccs' tr! IBclznut rnlnsmcsrp ua'JBznruE.ro rllqrsod alsa .alecr,znru
JoI,r,JrJcnl
0lrlauns ?iueprae u! 10cs aJBa 'acrpolaur-ociu4lJ Jololua"cE EllrolBo

eeJezuJd

cedent sd ,se ri'srpurnde au 2 mot'ive co,nrseovent€, la o ,propozilie antecedent*

sir se riisrp,unda cu doua pnorpozilii ,conse,cvente e,tc,

I'n dansuri, ca menu,etul, gavotta, g,iga, c,ouranta ,gi altele, rlena,rece
sint ca'ractenizate printr-o'desivirgittr sirnetrie metro-ritm'icr, ng*aqa1e. cal
nrai clar firazarea de tip bintr:

W. A. Mozart (1756-1791)
Opera ,,Don Juan"

Ternpo dinriiruetto

L__ _fra_

gptiyg!-.NI {ant'Ecedentt not'ivullV(coittecrentt t

-za "f anfucedentd

I Imnttyal (antecedent) | I Ifnotivul fton,fecvenry t
lf-----
mezzafraza III lantecedentd) ,
frazaII.-- consecyente--.

I nofiyg!81(antegedmU). I mofivullV(con,vewerrtt t
_qg4at'iaza |Y(conse

I

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3lt)

'EIJB Ap, VJAdo EzeAe.lC-A.r OdsC' IOOE

-alleIp{qlenlacc rr{erd"relur erdsap aunds' es, ulnc e$u u-a.realarJrcBlrSslutSr 'rnln.rolrzodtuoa
'JolIJEJcnl
pfu'ep,rocuocr flcolJod, u! ulr E^r4ontnls{roc
r$ ps,eo.rolul Eluuos.rcd alinqr.r.tuoc o n] EUIA gs uolrnrued a1 ec cqlecrznut
EJnllnc qcruratual o ap r$ nua,tiriiGip- o1a,uu 11etr1r un ep ea1e1lzon1.rr.l" r$

Bcruqal p8u11 ad. 'fc Beeoe urr,rd rS r.r'Eur lsol nu lierd.retrul 1ltp.lu rr.relg i
'cllsluoduloc, alernqur!s rII ea.repunrlpd uud '1u1,rne un"J4tr! ''c1a Irp'l
'-l

ap plnurrluoo 'Burrro1 'FIItr, 'B,ruourrJe 'erpoletu : BJolsel,u e1e eluauodur'oc
Jolaluounolo e gary'riuuqs u'zr1utle, urrudi 'Bue' ep, .lolalardo, u' Ec'rlnroune4 oJe1
-$uounc o-.r1uud 11,cap :lr$.r1Js unq BI snp II eleod nu IoJ Be{raruese un
'aluorznu Jolr{EJcnt ea.reluaza.rid up tn1n1a.rd

-JolrII [B llqasoap InloJ 'eJeolrsJl,roa eelepundsg"l uracnpap BlsBece ur,O

.1n1e:duelur
;

ne purtuJe.tr es JBI) 'lnlolrzodruoe nc adecuS EIB?.rznuD puu ap e.radg *t

'liBC,IZntu

unlnuaruouaJ: Is l?,8 Inur{fln e1$a3"rg,rpsepr rS Ircrznu qiura Ep 1a 'q1.le cl p

ra.ra.clo IB rolu"Jc Bolrop IB alse (lelueurnuqsrur nBs, lecoa) 7n1atdn7u1
'rlrE eP

u"rartro n.rlued uareprd.relur er'E 1-a.ruc ad llqas,oap 1nlor EI i1pu18 ur,u-df "apc

-rzntu r,er'seldxe rs rJoloe; rS eltraurele alerrn lliunuqruu rBur pu!:luo,zofd

+



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rt ' ?iuu,uoze.r tr"r etus, piualueaord e r,S p.rn1

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Joulru !nlnpouj lnulalsls 'g

0t .oru rnlruof Bru JolrcrBs,r.rolcu"reo CIPOI .ZI
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uoJuu,rruJalag'crpolaiui In{o!€tr{

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ro[uur !nlnporu lniue]slS 'V

pow Dl anoytta{at ac,rlaroal itdtcurt4 .III 'doJ

l?, alspom alotdo.r;, 6 s
I6I TBIITOI inlnrulelrS,riSr eleurUE U1 olrrnpJolB;rlaI'InProrE4aI (a)) s

8i Bl,EcIJIPouI, Ecluolslp BUITEC L
Ilt

qI
?IuJnlBu Ec:ruolBrP BruBS 9 s
s
puruE u3 .nololounsr e glua,rude uao r$ (r1e.rn1eu) 91ua.l Baurpdo

punB o7 antoyuata.t alrlaroa! 1ylpult4 II 'drJ

tt alulrleuol 'p'orur opurreE ep uaunrf,og 'p s
ilI 'cruoluIP lEII'ol linuplslS '€
lr'uu)soluc,roJloelIsOr, r$ ear1o.r,oa1 11iercp,rsuo3 '6 s
s

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g ' €JoIIOs, alaluols{s u[ od]acnpoJlrrl 'I s

'rr'a 1rig11euo1 Blroo1

III VSIUVd

lNSNIU.IOS

Pag.

s 14. llinorul anmonic. D,oterrninarea caraoteristicirlor minorului ar. 38
,monric
4l
s 15. M'i,nonul ,rneloilic. Determinanea oaractsris ti,qilor,rninoru,Iui me'
rlodic 43
Minoru,l lui Bach
s 16. al rrnodului major ;i rninor cu variautele 45
s 17. Talrlou c,o,mparativ

lor

Cap. Il/, Principii teoretice referitoare la tonaJ:itate

$ IB. Teoria ,func{ionailitElii. Existenfa tourioii, criteniul funcfioua'

litefli nn rnuzic[ 47
s le. Funclionalitate rnodah, f unclionalitate tonatra 48
s 20. Cvinta ,$i terI,a, i,nter.v,a,le coorndonatoare ale rolaflilo,r funcfi'o'
49
nale in tonaliitate
STi'rrs,eteputne;ttrlo'dnea,ftulneofi,u,ni in to,nalitate 5l
s 21. Ac,ordul, sinteza ,armonicE a tonalititrii
s 22. Aco,ndul de,trei rsu'nste (trirsonr:Ll) 53
s 23. .'a53-
s 24. '.-bb
s 25. Aoo,rdurl de ,septima
s 26. Aoondurl de nona 57
s 27. Acordu,ri pnincipale gi secunda,re. Acor,duri consonante gi 59

,dirsonaute 60

cop. V. Formorea tonqJitd'{i:l'or majore si minorae pe alte sanete

A. Tonalitfl{ile majore

$ 28. Tonalitelile majme cu diezi. Procedee de constnui're a aces
tora pe alte sunete
6l
s 2e. Tablouil gannolor tonalitelilo'r majore crr diezr
s 30. Tonalitalile rn,ajore au berrnoli. P,no,cedee de con'struire a aces' 65
tora pe alte s,u,nete
66
s 31. Tablou,l gam'olor tonalitafllo,r majore c'u bemo'li 69

B. Tonalitflfile minore

s 32. Tonalitelile rninor,e cu diezi. Procedee 'de ,oonstruino a aoes- 70
trora ,pe al.te rsunete

s 33. Tabloul gamolor'tonalitililor m,inore cu diez,i tl

34. Tonalita{ile m'ino'r,e cu bemoli. Pr,ocedee ,de ,co,nstruire a accs-
tora pe a'lte 'suneie
'73s 72

$ 35. Tablo'ul garmelon'lonalital.iior rninore cu Lie,inoli
$ 36. Variantele tonaliteli,lor majore gi rnino're cu diezi Fi ,cu be,rnoli 74
.75$ 37. Tonalita{i ce depiqe,sc 7 alteralii csnistitutive' P,rocedee de

construir.e a ac,e,stora 'pe alte ,Su,nete

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Sistemul mad,al diatonic l3l

s 66. S{odurile antr,ce greceqti 134
s 67. Modurile rnedievale

Cap. X. Modurile populare diatonice

S 68. I{odul io,nian l3l
s 6e. Mod'ul dorian
s 70. Modul frigian :41
$ 71. Modul lidian
$ 72. Modul mixoilidian l4rl
s 73. l\{odul eolian
s 74. Modu,I ,Iocrian 145
s 7q. Al'unnac,lfiizuanimleo,s'duunneiltoerlo'dniat(otr,neipceteploer)bianz6m'od,edutrei tr,ac'or'duri 148
s 76. 150
C,onstruirea modurilor populare diatonice pe alte 'sunete 152
s J /. 154
s 78. Armuna ,modah
156
157
159

Cap. XI. Raporturile ce se pat stabili tntre modurile naturale l6r

s 7e. Mocluri relative [62
s 80. [Ioduri o,monirn,e r63
s 81. Mod,uri inve'cinate
Cap. Xil. Sistemu.l morlal cromatic 164
$ 82. Noliunea de cro,rn,atirsim in aonceptia rno'dah

fi{oduri poputare cromatice de stare majori

.$ 83. Majorml cu lreapta IV urcati Ei VII cobc,'rlti t65
I\{ajorul tretrpetep,tleele11IqI i IV urcate q,i VtrI coborrittr r67
s 84. Majorul cu Ei 'dublu-ar-
s 85. YI cobor:ite (,ma jorul r69
,cu
t7l
moni,c)
Lidianul c'u treapta II q.r'rcat[ ttJ
s 85. B{ixolidianti'I cm treap'ta II urcatd
s 87. r1t'a7A
$ 88. Moilu,l dorm,ina,nte,i
A{te moduri,p,o.puta,rre 'oronnatice de starre ma jord, mai rar 176
s 8e. intilnite

Moduri populare crornatice de stare minorfl

s 90. Minorul cu trerpte,ie IY qi VII urca,te (minorul'dublu'ar- r78
monic) 1Bl
91. Minoru,i cu trea'pta II cobor'iti qi VII uloatf, i82
s 92. l\{inoru,l cu treapta IV uncati mar rar l84
s 93. Dorianul cu tr,eapta IV ur'cat6 186
s 94. Modul ,micFor,at fir isexta 'doriani
s t87
s 95. Alte mod,uri p,opulare cromatice de ,stare minor[

intihrite

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Pag.

Cap. XVIL Note ornamentale

$ 124: Apogiatura ornamenta'la 252
a. Apogiatura ,scurta ('sirnplao 252
b. Apogiatur a lu,ngi dubh, tripl6, rnu,ltiple) 257

S 125. Morde,ntarl ,simplu 259
a. Morden'tu{ 'duhlu
:59
b. Mordentul 26t

s L26. G,rrupetul 263.

s L27. Tri,l'ul 274
s 128. A'rpeggiato 277
s r29. Glis'sando ,7q
130. ,9,
s Porta'me,nto
s t3t. 282
Fioritr:ra :r83

s t32. Cadenfa melodica Lsaru de bbrrravurl

Cap. XVUI. Abreuialiile scrisului muzical

s 133. Sem,ne 'ddeertqrpim,eittieliere (repriza) 29A
s L34. Semne 292
9O'
s 135. P,rescuntiri de naturd metr'icl
Presc,ur,tani 'de natu'rd nitmica . 294
s 136. muzical 2q6
s r37. Alte ,sem'ne de pre,scurtare a scrisului

Cap. XIX. ,4lte elemente ale expresiei in interpretarea muzicald

.S f3B. Legato,'sem'n de expnersie, 'd.e trazare, :melismatic qi legato
Irancez 298

S 139. Prulctul, ,sernn de ,exprosie. Staccato, staccatissimo, n'tezzo
staccato
'(culminalria'1,n rneilo,die), i.i*., 'preictus, 30 I
S 140. Accentul rn,e,lodic
po,stictms
304
s 141. Accentul rmelodic prove,nit din text
306

s L42. Fruza rnelodicl, Elemente 'de rsintaxf, in ,m,elod,ie. 308