Giuleanu, Victor - Tratat de teorie a muzicii (Vol.1)

RITMUL BINAR. RITMUL TERNAR

DrrlrA orclinea in care apare accentul ritmic, f onnulele ritmice pot f i

dr: tlorrar feluri :

mice-.(nthuinrQhr.ien"airn) care caz eccentul ritmic apare din 2 in 2 elemente rit"

:

* Iernare. in cafe caz accelrtul ritrnic apare din 3 tn 3 elcmente rit'

miee {ri trn terniir).
Operele nrr,zicale se bazeaza!. din punct de vedere ritmic, fie pe formrrle

citnrics bilare. f ie pe cele ternare, f ie pe intrepiitrutrtleri 9i cornlinapii ale

d(:es [{}ril

l,'orrnulele care nu se incadrcazi in ritmul binar satt tertlar sint eeie
ulcatrrrte tlrp qrrnatoarele diviziuni excepiionale: cvintoletul" septoletul,
nont,letul etc., pe earc le'-atn nurnit dilizluni excepgionale prin ele irlsele --
neputirrd face parte nici din ri trnr:,I lrinar" nici din eel lernar"

S 66. Ilitmul binar

Ritmul binar cel mai sirnplu const6 din gruparea a doui durate egale,
cu accentuarea prirnei durate din grup. astfel:

atla tau .b .b

Formula binari. in stadiul ei ce'l mai simplu (cind este alefrtuite nu"
mai din valori egale), eoincide cu rnerul binar. I\[a'i departe itrsA, ciLcl

252

a9a

'€[ s rszr g

el axpjuezaJd tuls rdtutlejrluct.) !( erlorrns lrrlnoa a.lei a)rurxr.l alain(ruoJ I

",,,#,WLLtrUT UUIJg^U T

I r'LI faaaa 11 UUUU
r-U[J rcjr ru Iril rUU
Uff T I r l'r I I 'f r r'l I I l'r

: (gfiuenug elou nlduraxa a.rds) arnurq !.tolun

taun b pluuJou oalvrlarp utyt utoo.td aJDc 'oJvutq aJnullJ aymun{ 'u

I nldtuexe eO 'alBJgurnuau luls 'r "ropdrurle"rluoc r$ "roledoarrrs '.rolaznud e r$
urnaa.rd 'a.rrEnn1a.rd ap rnln-o1o8a1 u r* rnlnlcund Be.nsoloJ ur.rd aluurtl JoIIJo[
.pA e alstuJorr rrunrzt,rlp BzBq ad uliqo es ac neJ€urq arrurlrJ elopluJo,{

".reurq d11 ep oclrutrr elnuuol €p
iJnla{ alJB olln{u sour eullqo lod as Eo EuuuasuU ao Baao 'aleFaur nes, a1e5a

'il-e ipL!)t-rJ, eI , t sse.leJ.ta 1i???? 7l ltaleeila

I

- ,.tooi

n,4ed elJ?
.l-!(. ??-?(r nesL.)-J ;) P,ueilg

lg ?'t I

-

: s[nu.{.!o1 aqm n! 1$ "reurg alsrfn.rF lI lod gsrrr olercJng

"ffiirytrlry reulq allu'
deulq n4afi
: lselace ou!u?.r (Jeurq) lmlaur pugc ad 'xeld,tuoo eurt

.ap (auurq) Inulu 'u.rolsace elu lunlzt^rpqns tS ale8our uolel rsesolol et

lt' Jormule ri!mit:e birtareo ttt catlrul ci.trrtrtt esle .{olosit 1tulr:ttil .pi
le gato-rfi, rlr: prpl,u,n s^ire.

JJJF-eFliLJJfrIiIi',hd)r lJ'r',LJ.h'Jj'lJ*.l.tilijJ.*,J;.JT,'r{--:JJ?; '

,.:.. f or,tttle rit,ilt:e ttiwtre. iyt cutlmt,l. uit.,t.tt t_t1xtr Stttu:e!,e :

J tJt;tJ J, JiJ; J qlJ; fi{dm },

1J)) )i r.$J ;1fii J itJii;.r.duii

?JJ q). rJJlrqJ,; 1J.bJ ;qffi,/J) J t;

I J rf;f;t;..-- q.J)fl,t fi,bJ ,b ;,etc

Ixetrl[,lc tliu lit,.r,:rtiirrl rurrzica.la i.are lu{u.-cs c rittttLtl hitru.t :

Chr. W. Ctuck (tT14-t?S7i
Uvertunia ia opera ,,lfigenia in Auiida,'

illelodta

ftitnu/

99c'

lll tsiuojuJls
( t a6 t -9881 ) suae5-lules ':)

? ? rp ep J0! uJ

t i'er l0, l

,,lllxnl saJJJtsJ" lnlalEB
pnuqt!w 'o

ro f rap 30/ uJ r
L.E__J
I

InlalolJl lEz!l!ln alsa uJoJEr lnrps] ul JlEf,tzntu aldrrrax3

'i.).molliiu.lrt .ri.ritlur;r+ rrrp

l?l.rosqo alBor[ s"- rurur l-rdnp oJt?uJa] Ic] nJ .Iuulq Inlnur]tJ uoJi]punlltrrla.t 1tr1

Bzvozllt;,JJ os olnurJoJ alsa?B ur.ld : e.reurq Jolt.roiE,r a1u aluuoridoJXo ILrurzrrup

rrijuoc ilJpJ JJlr-dlr.r arleprurJol cnpE o JnIrIq lllrIIlrJ I!i Glp.lar.lr? \ ;l.rtnt ()

lnat/a

e,tpcleN

xl tsruolujlS 'n '1
(mgt*a2t) uanoqlaeg

ffi ntntocde

P" Sarasate (tS44-t908)
Dansuri spaniole

t fnlocde
JJ )
--

ilI. Ravel (t875-r0B7l

Rapsodia snaniolir

3

Ja) fn loc dei

J. Haydn (lZB2_t809)
Sonata pentru pian in mi minor

L9Z I lot 'trrtzsu e rrrorl Jp .lgler [, "- l(

g Ju "1{rls suB0
(tOOt-pSl) rt-eJonc.V

?- ? ? f epzotu!

l-.{_|-t

t 'ril 'Zri 'r:lo ,rttrunq aluttrsaAod
{ eSO t- 159I ) nargotord 'S

? ) P ? epaltut , ? t n
::

(ssa"ld-l!Spaeol)" ered6
nesaug'9

Iaprotur I f" I I
3

lnlelolulAt l"zlllln alss BJoJgJ InJpur u! elut!znu alduraxg

Exemple nruzicale in cadruI cilrora este utilizat sextoletul

,ry1'*J .n h bc o,e ,f:T:

[-. Delibes ( l83c-- r 89 ! )

Opera ,,Lakm6

fnloc'de fTfr

Cl. Debussy (lBC2-tgtS)

Dan;i profan

nd#JE,I=JJJ ln loc de

Th. Rogalski (t901-tgb4)
Trei dansuri rominegti

258

ril: o

3

6 'do 'lBABurB-)

(SgSt_OtS1) uuerunqrs .X

Lff_f epsotut llllf-fl

1n1a1o1des lezlllln else sJoJpf, lnrpef, u! elurrznul a;durexg

,,allauueaf Jp secou sa1.. u:ad6

(tasl-aast) 9ssu1ry 'n

ep ,01 u!

B+]aruoJUrS u{so aV4au 'apqoTuoc

n3sejilluno 'l I apcot:u::!:|=|f|,|-.'

f-l- eprotu! Tfl

, tn lae de frfi t-r-l

))%R J J J J J odde

G. Errescu ( t 881 -- I S55)

Ilapsodi;r nr.2

,fG:iffifJi )ll)J ln loc de

J. Haydn (!732- l80S)
Anelante Si variatiur-ri pentru pian, op 83

Exernple rnuzicale in cadrul cflrora sint utilizafi nonoletulo decimoletul,

undecimoletul

P. L Ceaihovski (1840-lSSB)

Simfonia \,'

L. v. Eeethoven ( 1770-1827
Sonata nn. 5. op, n I

197,

'Jeurot rlt ap 0JftnlrJ slnr[.ro] ry
rrnleJ rtle all,rrru €iu[ ailrlqo lod o$ gc BUUTBASUT AA f?aAt 'atru8eur nes o1u3e

'rra(??? ???) esPiet!3 t H?g?.t?t-J? 7) Easauc
€H
,1J_- f )- nltd e*t ( f (r *'(f rt gnap eJp

: Jolpil{JTr lrrlo1 {r! rg J€uJfl s-!ndn.lfi iJ lotT Fsu.! ololpJng

,rytrry ff?*m?ff? q ;:::::;:

: rselacu aulurBJ (.reu.re1) IrlJlaui l.rugir ad 'ralrlmcc
eur^op (.rut,le1 ) Inrutlll'.rop.ro1e,r o1e luulzl,rrpqns rS eluffeur lJol€a csJo;
-olo1 o$ puga'gsu1 at.redoll l€ll[ 'JBuJatrlnJ]aru nc opiculo]'(e1uEa lJollt^ rIP
mrultrr qtrtnlgl,le) n1'clurrs tBm trac lgr InlPBl$ rn 'g.reuJ:a1 EcIuIllJ elntuJod

I r((( ne,e r

:1opse "dn.l8 urp oleJnp tetut.rd nc.tl?nluc:')iln nt
'a1t 3a rle.rnp Ii).r] rl Ea.rutl,riJf rlrp U4suoa nldurrs rB{u treJ JnxIJaI lnl'll!'ty

ruuJ'dl Inmllu 'r$ s

LI 'Ju "I 'do 'gJsoIA nllLlad llllltJdE3

(OtSt -a*et) ru;ue5u6 'N

Infinite 9i variate sint frl'rnuie,lc ritnricc tei'rrare ce se oblin pe baza
rrliviziurdi nornrale a val<irii telnare. prin foiosirea legato-ului de prelr.ingire,
nrrerum gi a pauzelor, sincopelcrr gi i:ontratimpi,ior. De exemplu:

a. !ormule ritmice ternure core prouin tlin rliuiznrea nnrntulti tt uuei
oalori ternare (in eazul de rnai jos, doirrr.ea cu prrnct):

'r - )n)il,lni.j,m'IJJJ,JJ IJ'JIJJ'J.l )'Jfr)'

rmIl .l iJTfiJ )

eiFoielId a , l-nfr] J *, JTJ ] *J JTJ ierc,

b' Jatmule ritntice tenutre tn eudrul tarunt este f olttsit leg,..te tlc. 7n'e.

llurt,gire :

J = J.'fi,,fJ:) ,[T-] '.m-J ,).,.-m

J..._fr} ,rLtJ. ri Xi ,J Afl] ,fi,J:ffiJ
J J-FJ,Lt:J 'r[:-'l fl ;lT*J.-,ffi,*,.

c. fermLtl,e ritmice ternore ln codrul t;dr\re elrur puu:ti..

$t'U'8).-J l;rJ rJ

|J*[71 ,). Jl-lJt
J)rr)J;1 J., J;.J ' Jr ,

1 | J.. .b t ; a JI

J#?J I rm&J-nT ,*j)ffJ mLJ lE-'l
,J-F&. s -)l_dI ,
id
,r.n_J"rt a'l,h.,

; l.i *D;"rr

I', rerl'ple dirr l.iteratr.lra rrluzica,la irr cr;irlrLrl !'ilr'orii este fr)losit rilntttl

,tern{tt:

Fr. Schubert (I797-1828)
Cvartetul nr. 15, op l6i

lte10dh

ftitmut

2ti!

€9A

.>-

rBlndod llls uI alpolaw
sue!lerc .A

rrraecq'rItf,

Inlelonp lezlllln else eJOruf, Inrper ul el"Jlznu eldl'UexS

.8urJn Joa eJ"c oleldutoxe urp e'r.rog
-qo aluod 3s rtrnc tr{np '.leurq [oa nc JsuJa] rnlnurlp BeJapun.rlnda.rlul Bzeez
-ri8oJ ab- elnut,{oJ i}lsaJU fiud : OJBuJal .rollJo[eA a1c eluuoridoJxo runrzlatp
uriuo;r il.lua ?[rnu]r.r olirlnuuoJ cnpu o JBuJel lnultJ rrl clulauul oJt?ut f]

Inatta

elp0taw

nsl)aelrrpnid.rd" sruoJuJrs lntuaod
(gssr-- +zsit 'JC

J-'l rn toc de JJ

Ailegro appassionato Ed. Grieg (1813- lS07)

Prinravara

ne J-,n
in lOc de
Ed. Lalo ( 1823-1892)
Sinrlonia spaniold

Exemple muzicale in cadrul c6rora este utilizat cvartoletul

JJ-4"- JJ ln loc de )lctl.

J Sibelius ( 1865 * 1957)
Simfonia nr. l, op. 39

264

arpolch-

nuuaFltc 'A

aprot u! ? ? ? I

(a 'ru) purnlroN elu"puv
(orgl-OlSt ) u1doq3
ulep rot f._il_l'

I'JuusllI!nrglal'r8E^)

Exernple muzicale in cadru! c5rora este utilizat cvintoletut

_5_*-_,

J)J)) hlocdc J )J

Allegro agevole A. N. Skriabin (r872_t915)

|--,-. Vals, op. 3g

,

,n l1c de

Alleg:retto Fr. Chopin (r8t0-*t849)
Nocturnj (nr. 3;

oFFIa-rJa i J fn bcde J=t / j

Andantino Aos D. Alexandrescu

Melodie

5

LJ6

olplepotr/\J

,,alnqJSroqrrauallN" urp arpolalt
seruoql 'g

"rle Inlelotulrepun'1nlelou
-grap 'lnlaJouou ';n1a;o1ro 1iuzgl;1n luls sJoJsf, lnlp"J ur ol?Jtzn.$ atrdru*xg

0g '{-to uuur:able r11ng '3
( tZOl-SSgt) sugeg-1uru5

ep 3q at ?re ?????f

ffi

,;lnqcsJoqJsJ"ueuroeqrlll".aulp arpolaw olPrep0SrT
$
ep 0q at rflr[rrr

1n1a;o1das luzllllrl else BJoJpJ lnJpur u! alpirlznru elouaxa

Larghetto Chopin i l8l0*!849)

l{octu rnd

N. A, Rimski-Korsakov { 1844 -- 1908)

5rheraze11a

{ilf. lr;rr{ictlarit*{i irl rrtiliz*rtn diviziunilur r:xeepfionalo
in ritmrrl llinar qi ternar

,"lttt itr ritrtttil, hirwt" ct.$ si,'rn ritwtul irrnttr pi]i('Iri iiililirr ftlrnrtrle
rittnicc mai r:nrttplcxe. ctt diviziuni ext:eplionale. atrcltuite din r"aiori t.rtj-
egaL:, in cdre {iitz totalril valorrl,,r: r'{}ri:lxrllairle !r|lrttir,: sA coresputrda cil
valoare;r unitard ,lifi c:are derir.i.

l-in.nrti '

J )Ir-)tsrJn) , JtHuJJJJ : -3- s

,J-"'l

jqt-r-3)i J -- 1-, ,.ff:"-t3I-Tarr J

,1 J , era
")

268

6yG

a ru '0/ 'do 'FuusaFueq)Je"l ftr=ir
L ti -€i
tf68l-€€BI) sruqurg'1

tb/ LA-J tr 8+ /3 -ew

'c, t_luo,*,i.tlgi - 3.9 -nW erp-6- -Jgtl e! - 90J +f r

-f,-

'/ej a8

,.;-tUtop it aJdlu!.) 00atd stlsalo) ultl o?srapow

leieip4 utp gulSBW teat5ta, tlJ= ,t9.4
gI
-*-

: Plr?rlzntlrl €rnlejal!l ulp oldruoxg

l'.' uEtr' {_"r-.g
LJti_o_CL.s.a_l g .g-.O
a 'll
I

: pJlwJAl aj,nolllit o t?{ cp ptrtlrJo{l 'e

J I J-ri=-if3l.-t-'rn- Ilt. M. Ippolitov-lvanov { 1859-tg3b)

,,Lezgrrinka", dans ca ucazian

JJI-J3-]S-- J J = -3- J J. Sibelius (1865-lti57)

En Saga, op^ I

R. Strauss { l864-1S49)

Zarathustra, op. 30
'3

J-3-,}IJJ - r-h M. de Falla (1s76-ls4s)
.-t1
$apte cintece populare spanrole
- 3-l Nr.
5 - Nana (Berceusel
27C

tLa
.B/ttqag pan 6aeq 08 qe 'retl

g 'Ju '06 'do 'puaqy aJa.iKqJS JaC
(gSAl-Otg1) uuuunqrg'6
iglerqnw BJnleJel!t u;p elduexg

: nltlrrrcxa ag 'orincexa W li-efpcr;rp Elurzard
e.ruc eortulr.r eu?sop Iou '[oJ tscce u!'es-np{rloJr.(r"rpc$nu t nes Z):du!f
€ nBs 6 ad olrnqr.rlsrp csasgS es aleuoridecxe Jolrrrnrzr^lp alelnurJoJ p,u!c
Eerl! rJnzuc 1u!S'Jol erincexa pzra:n$n a? soec'B1e.rofr,rrp eJe;,r*rur g.rnFurs o
ed nus drurl un acl rsou1ltu! as a1ouotltlacxa aTrunvlarp ,laorqo a0

rt-.-

uerd(ZrS* eBlJ-BaoSTSAln) ;lgu4esdno|u.e"ruu.{Bz[S.]J'}n]coN lr=u_tfttt(t
?HII +?+
a

t/lI30 a )t

E&tidJ
= e fi )

I {e.rpu A'9i6g'1c-logt'}uAe0rdu!unerluuiqaudi-tnr'pAnio'SJd I

,r-5ll- JJ R. Wagner (1813-1883)

.-3-* Opera,n,t\rntrrgul zeilor"
'"-S----
JC J = J aI
M. Ravel ( 1875- 193? ]
ll!leX-
Ci:nredia,,Ora spanioli"
ooo =o aI
R. Strauss ( 1864- 1919)
J fiI] :J )
Zarathustra, up. iiO

Cintec armean

dupd H. S l(ugnarev

z',i2

tlT s?snrrloun : c'e]s r€4q4 'erl^otr I 'lon ,.r?rznu ts rtruar tp rrlerl - gl

ap alu[eu! : ,csle ap alur,euI .a.rlaol
$?sn,', grear8 equr[I uI r

eznrJepu 92nrSetsa €znrJ

s8n] -

r -ggg r
)X 11qFrnu1se1's:y 'r

(osr

:*j, r' se t u :::,;' r" :l':,: "'."':- l"; ,;;, Tj:Jj:: :" Hj ::' :: :l
D z n t t n7 a r

'D2nrc ; ri.rgtl &uop r,acp 6ur1s;p es c,r.r.ri drl ap gJrrulrJ FInrrJo; o.rlr.rI

'uuli1 inlSYdSB

urirrndt nlu!^tr un-Jlur.rd'lsolpFald arzn.reeun rnln[tlTJ ezeq od a]lnflsuoo

elillnrrJoJ'1udrc.ur.rd crurlu Inluac.)e Fp o or EoJIJBloq 1$ u1F.reua,1nuu1a
ilo ta?Jrp daaug crzruc rnJuurlrJ ezeq ed olrnJlsroJ slalnrrJol pul? ad

'rclznJJn'utt lnuyl.t a.ralSeu Et zec aJBr) u-r 'f1nru.ro; urp iudrcur"rd crur
-lF lnprtuaccu ele a.ruolrl?8a.rd aluatuole allnu rerr nus lnun-,qur.rd 6

: cEnJ) lnurllJ o.relSeu iljr. zec eJBc {r! 'la1ftur
-Jol lp 1rdruur.rd JrrulrJ finlucooe Bposod aJuJ lnluarucla nc lo?Jrp 1

: Fnls, Enop ul ad,a.ru1 tod alrurlr.r olalnruJod

irolznJililuu rS oolznJo rJnmlg '69 -"s

*g-

arpolJW rr=rmr
nrrearSnl',1 LtJ

Inlr-o lrirrrrrll ri tmir,ir tle tip anarrrrrzic se distirig trei l,tLi : awu'u.il.,
paftea Pt'i]girtlloi.irc ir r:larrirlui, CrA-:{!, i}attL.a (tilfe Iri.r'rlli cerltrirl de for'1a
(cLiutu.x; lt ntt)lucru7.r, pal.tca l)(i carr(r rc iacl rlestirrdr"rt:a, tcl :txrt r',.:a t:ri.{zt},ri.

l-. V. Beelhoven (r770-r827)
Sonata r-rp. 2 t-tr I

Ijrrr:ori. ana('ruza ritnriear coine.ide cu elenleutele unei Ina5uri incomplete,

eu r'dro irrsA nu trellrie conluntla16.

Altct,ri. anacruza ritmica €ste alcdtnitir din mai multe miisuri - odea
pre.srrpune o analizi atentA a f orrnulci ritnrie e,

Exr:urple <[in literatura muzicalA :

Fornrule ritnrice cruzice

L.v. Beethoven ( I 770-1827 |
Simfonia V

/7]efACrUZe

G Verdi (1813-lU0l

0pera ,,Traviata'"

metacruze

917, gzNs gznneaP
€znreepil|
-l -
i.,allnolFua alsrpoqlBf, s'1")
uBld nJluad rrpnlard

(Stgt-agg1i fssnqag "t3

,,ELuJo11" erado e; erntJaAn FZtt,t9EJeU e2nfi
(98St-t08t) !u!llas A

Pztlfigpa pznJ1

("O,raOuSnrrf-zeeae;11)" ulnplJfoelpgJO'f

atlznJseuu ef,lurllJ elnujoJ

g?nJ1epu

,,cllf,cpJrofl" e1a:ado El BJnl.leAf I
(sOSl-ale1) gddng'rg

S 70. Poliritrnia

in lrr serrs lurg. rr tilizirrcil cortcornilenri a unor forrnnle ritrniee rlifer';te.
lrrt:lir-i pe llni ttttrlte vorio p()irrttl nrrntele
ic lt,iiritrrric t. l'uliritnria este
propice atit stilrrlrri arruouie" cit 9i stilrrlui polif,rnic, care 0 <lezvolti la

nl:r \;lllnln-

l)in irunt't de rctlerc esteti(; irrsi. nu orice srrprapnncrc n unor fornlule
ritrrrir:c difr:ri tt: p{)atc fi consirlerata poliri tmie. caci socolinl poliritnr e

nurniri aeelc'snpraprrneri de ritnruri creatc in rnod intcngionat rle cornpozitor

cu scopul rle a rerla. prin acest nrijloc de expre.sie, anumitr: inraqini in

opera rle artii. l)entnr poliritrnie sint caracteristice suprapunerile de forrnule

ritnrice binare cu ecle ternare. la cale se adauga cele prorenitc rlin variate

divizirrni cxceplionale.

tll e:xcnrllrr 1lg poliritmie nr fi suprapllncrea urrnrr toarclul f orrntrlc rit-

nticc cu rlrrlir tri tle o p:ilri me : I

Poliritnria este rrlilizata nlai ales lrr lucrarile or,-ire"tral", intrrteil in
orcltestrir. datortta rli{erellierilor ile tirnbru ale insllrrmcntelor. ea rl)ilre
miri evirlcntii. lltfel, ar trece ncobservlta.

Iirenrplc: de poliritnrie din litcratura mrrziealrt:

B Bartok { l88l - 1954 )

Doua dansuri rominesti
{reduc{ie din partituray

Lento

0lot f€",7

Ccrn
Ita)

Harfi

Cw,tpt na_
de cmile
limba greacA potXts : numeros. nlult Si rhythntos : ritm
276

LLZ

q3

tt^

8s',J

6J
q0

(PrnltlrBd utp etlsnpar)
,,gJsl pl eJBolBqJeS" JruoJruts lnolqel

nuBJisnl 'A

(g:nrrlled ulp atlJnprr)

JOlgUl op ilt r?iliu.l rUlq

ur(ii tt

c A t'I't (,1- L] l- t'l t l

ELEMENTE METRO.R ITMICE

flnclt: elentr:ntc ale ritrnului mrrziiral, cunr srnl siucolra 9i cliritratirnpul,
aparlrn, din punct de redere [e.oretic, atil metrului. cir ,ui ritrnului propriu-
zis, ceea ce ne f:rcc s{t le cousitlerfim ua elemen.te utelro-rilm,ice.

Mni inainte insd dr,iir trata acesil.(] olefircn[t rilrlro-ili1rni(.:e sA irD&lieiirn
rapultul ce se stabile$le itrtre formula ritnrirtr ;l metnr.

S 71. Formula rilrnicX qi raportul ei err nlctriea

llitmul are putern;(:e afinitliti ou III€lrLrl gi ni8surn. de;i. dup;i cun] aflr
rnzul, e|e nu trcbr.rie coufurrdate. [)in,ce,le cr rrrn]eaz;i sc invedere;rza 1i nrat
rnult acest lucru.

() {ormu16 ritmir.a oarerlArc poare f i incar}ral& irr orice !n; sur;i l,ri rt tL-u
;rltn distribuire a ar:centelor ntetria:c,.

ln acest caz- deji sl.rL]{"turfi ritmirti a {orlnulei !"i1x!}lne act:eilyl. in
{iecarr: masure nouA ea r"af}rit;r o inrlividualitate apartc. rlatorila trqcz:tri i
c.i pe a'lt cadnr tnetric.

Si luanr. spre errtnplu. rxnnliXt(t&rea frtrntrrlli ritntilit:

J-] J:-J JI .JI JJ+ J'
1
-

qi "fi o tnt'aql r:i tn in rlif erite m:l srtri. fie complt'te. f ie inromplelr'! :

1 lrnoluexl esmiupleclhejadra$tei.aatcurncecni tuctirnrditme-sicte principal al formuier rllfiuct '$I pe6-
incadrat in mdsttr6.
treaz.l

278

Idull g ap lrnsRut uI
ldull t ap lrnsBtu ul

ldull I ap lrrsFru uI

ldrull Z ep lrnsBu ul

In nrdsuri de 6 timpi

$', DJ--J1J t+rtrE+ff:_*+

etc.

Dirr accste exemple putem ol)serva inei o datir importan{a covirgitonre
a inr:arlr;tri r rilrnului iltr-o rniisura I)rccisa, precunl gi rnarcle leajuns pro
yocat rle irrscrierea ritnrrrlui fari masurri.

[letrrrl 1i ntAsura sint deci elernentele care asigura fide a execu{ie a
ritrnrr.lui ogrcrei de artii ruuzrcali.

S 72. Sineopa
sin,'i1v1 este o fornntli ritnricit ce constd ditr legarea tintpului tare cu
tin,pul :luh precerletLt. p( rtote de aceeosi tndllinte.

Crr alte ouvinte. eontopirea arsis-l/resis pe note de aceeagi indllillie ee
ilUnle:te sitreoprl.

Ca efect al sinropei se produce o deplasare a acccntrrlui de pe tinrptrl
tare pe tinrpul precetlent slab:

'fdnd dncopd'.

cu flncopa "

Ea se formeazfi nn gnirrpmeaippaerlitimdepitiirinnptrie(gjui raniamt6t[isi,utrriei i-rni.csafeiurtuenxorrnle-
pti lrrrrrlpirleetem.).nicrsrueso-nrliltia:i ca si se lege o pilrte rle tirnp acc€ntuata, cu parlea

dc ti rnp prccetlontS, neaccelltuata :

E i etncnn,a rofm2ri ?-

- J- t.

280

IA3

II EruoJuilq
/69t-gg8t ) suqurg .r

./r\rozr-lfisiri i:X.?'"?t.v :a1efa apuep P,P ult adocu$(e

^Bls?oo'B urp 'prrr,ru : Elecrznru elirzoduoc u! olrJelrp olcoJe .qztt*.)
lsol P runs pse oaleFeeu elou ap rJol?A urp nes _
elB5,e etou ep -rJolB.l olf BllltrrJol runile Eulcl FSIJJSap
- 11 etnotl udoonrg

: a1 rdolrroc 11 I otl

elodoaurs ?zu'cur.ToJ as e.rei urf! stort ep alr.lolpl 'rrJnsgur InJolJolrn rr I
duu att troua#' ue eJelu,pt eooJgt,g tJ

du4 ap u!a^4 ulp gleyAoJ pdstuls {q

q 6ri?cope de vatori de note egale 5r oeegale illar{ian Negrea
Suita ,.Poveqti din Glui"

ln masrrrile tle ll timpi, se consider[ ca sincopi ;i contopirea tinrpuirri
iloi cu timprrl trei. datorita f aptultri c[ timpu,l tlci este tttai acrrrrtrra I irr

eonrparir!ie cu timpul doi.

Se obline ir! acest caz o sincopir - l)e care o lrutttint sinr:rtlxi rn,xtle -
pulin viguroasii tlttt'i1 rrea
mai olri15rruriti :

Cintec popular din regiunea Craiova
Din colec{ia ,.200 cintece gi doine''
Moderato poco mbat0

foa- ie ver de ftori ne frln - te ) 0e.o,8 d-

-fa la mun - te) la tup - ne dc- 0t

Din punet de redcre cxpresiv. s,incolrir {'eDe () artcniilar(i tiliri Frorrltrt-

!atii decit aceea dati tle accenlele metrice . Iiind,';r nolit sittrop:t l;r "onlinu
inlr-iuFa alil acceiltu,l ei pr'oprirr tlc na Irrr'ri ri lmir';r. rril fi acccnlul rnrtr,io

ulnri tor t .

t Andr6 Souris nume$te sincopa conflictul dintre ritm $i mdsurA, dupi cum
ritrnuiri (Revi;sta ,.Pol]'phonje" - Farjs, Xe).
polili,tmia este conflic{"uJ din,ire dou.5

282

T

88A

..uBJgi !$ leod" sl BJnlro^n
(gogr-Ors1) 9ddn5 'rJ

,,o11a1ots99.. erad6 ossoru TId

)( roo r -e re t !praA 'c

(rs.,surru-?rosnssr)ueenl1u"ttecra'dt6'w

: elrdocurs oorrIIlr.r e[nff.roJ

asJo^rp esrrudnc luls eJoJEJ IllJpBc ur'Fleatznur sJuluJaltl rnp alduax:{

Dolee V. luSceanu
Vals din ,,Suita ile balet'"

S 73. Contratimpul

csonnrttrrlanttli,pn"dnlptrilrtrp.loaAr cpaecraicnsetdnptauinunlzoteecrd-rieretluicmuip.npitaedurrizn,aetlrettrmepebrudioieecsiesc6ne r-itnt{itc tintpilor acrpntrrntr
apari pourtd nuntele rle
cel pufin de 2 ori
itt motl periorl ie pentru a avea caracterul tle ronlratirnp. ln rrrrria illonrririi
tirrrpilor accellltrati prin pauze, sunelele ce formeaza cootratrlnl.rul pr:rrucco

ilcccu [e,

Contratimp pe timpi intregi

Contratimp pe perti de timp

I Unele t.ratate nu mentioneazS contratimpul considerindu-l ca un sir de
dscjoiaenarccaaoeccpteeeuerniaps|trenioccuiel daitnarpestaeebrm.tudenieeafatrc).t.toadnuezfdlueen.isdDeiaeeatrlreraceruaevlceiseaintsccaionopcnsoati.Draeetxiinis(odteuinnl tlraeesstcaeauprFDroppmeririieiioorienllediatesrrtpeaaxpmorueazsuiiczeapllcdnI,r:

284

-T

986

,,JepurYs3ruov,, sJado

IZ6t-'g8l ) q;u;p.radung 'e

rpm

: 7 trlo.tuts rndwqotTrto, gJelSpu vr zee aJBc {r! 'gtlocurs rg 11c .lndurrt
-sJluoE lllB sqJltullJ BllrnlJol rsueacB r!'n1e1oe1 csou[!lr! as uorrull

lBJ(dodg{ulzuar-ls'rgJuugtrlqn)rpqlnnrulaetJgrdd^,sel'lf

j lBnlrroccB leurJorr
ruJndurrl e,lulndurl aF.reur oo $.neJgrut o ua salelul c,mqeJl Jrrdurle.rluo3

'rt,

:ra

: IJETII TBW E'!tN

-lu rJBllo^zap nc 'exeldnroc reul oJrurlrJ JTnrnJol rA trtrwlu! 'sns leru esuo
-6Op lsoJ nB {IInJ e$e'rrrlrrdurrlBJluoJ a1e +1dur.rs elalnruJlrl ep EJEIE ul

Allegro con anima P. I. Ceaikovski ( lB40-lB9g)

Sirufonia V

'eantabtle ed espre*s -< ===:-

Ca utilizare in crca!ie. contratimpul se intilnegte indcosebi in aeom-
parriarnotrtul instrunrental '1 numite cerinle. derivind din con[inrrtul operei
de artd, perruit insd folosirea contratimpului 9i in melodie.

Exemple din literatura muzicali

Contratimp in melodie

: fi. P. Borodin (1833-tS87)

Dansurile polov{iene

G. Verdi (r8r3-r901)

0pera ,,Rigoletto 3'

,F,

fe- li CE c0 f€, c0r

to {er -g0ou - BCn non 8eo pta

286

$sPqaqu03

$eru0p!

eptl

+9=f olsB.rJ u$$ll0!

(g.rn1r1.red urp surlxa) I !u!t0!
.qauBABD" Blrns urp Jolilqps InsuBo
!0c0
uPlrnlelJuH 'v flnei.,l
luauBluudruoJu u! dru;1ur1uo3
99r

A. Sloia

H a tegana (extras din partiturit

0boi
Vni.I Itr

*

Atit sirir,olra, cit 9i contratirlpul, constitrrie mi jl*a,rc rle rrrf i,--ir' ;,psr1r'
folosite in ritnrul tnuzical"

AceEte miiloace invioreazi. atic din punct de vctlet','ltlelrico r'it iI
din punct de vedere ri tmic. melodia gi armonia, rlinrl o rtourt tli!1r'il,rrire
a acreutclor rnetriec Ai ri tmice,

Lucrdrilc muzicale r-.are confin asemelrcil de*erte r';tp:ilii tnrtilri r ig;oart
li o iuten-.itate ril-uricb dcosehitR.

686 I 'lo^ {l}rzno I .!l@l rp l8lHI. - 6l

'olrdel rp luls elunsEttr Pulc Jnzsc u! IaJ 13e1a:rn tn gztorfn,r8 as nn uole,r
rgnrolacn olrunlzlArpqns 'arielou u! etsnf 11.rpt[ru,3 rnlnrdrotrr.rd ezeq a]

Pdn,t6

Vqflffiffitedn'/6aa

: aluauo.durou aldurls alrensqur ed

rB 11a 'tdutrl od Ule scel o€ .roluot{rA ua*edn"r8'asnrlu{o:r e[unsvur u!

pdn,t6

pdor6au

: uJo1.solli r1d.urr1 +d aoul Js JoIr,Jolr!A udrud;lr.rii'.rykuts slrJliJEtu ttl

'ricsrrl ;,lrJns9tu ri unsgru rerrn
.rolrdrull ua.recrJrlrr.,pl BlBpur +p fptllsotl i}IJ r"rr- 1t.rtr1 n1a.1 Pill u!'a1ou e;r
Jolrdotru^ e a.rerlnJE op llnFe.l alr,urnue alucrls+.r ;)s f s cJcrJJs ui uc .lasotlclr
elso 'lEr,rznw rn[.nlxe] Intlllr elnBn u n.rlrrorf 'uTElurur,.lJlsrrr Blllznttl rrJ

lrnsBrrr orl ;6 rdtult ad .roJt.rolen ee.rudn.rl) '?f S

'rJrriuur ilJlur[] uiuopuorlso.roc';
: rrnspru ed tS rdurll ocl roprole,r eer.r:cln.r8 'l
; aur.rlrltxil lelsaJu a1e eleodsu qnop gJrr! nzrleue u ap olursul laroqcilr
lero,prsuoc 11 aluorl nu elearznm lrllrrulu r* nlulaur [s crloJocl lntpr4S

U]YJIZNW VAUAIUf,S NI lISIWJIU-OUJAW A!{E-IAOUd

xl lnTo.LI,tv3

in mir--rrrile rle ] pi ,1" .{ * de exemplu - subtliviziunile rloimrii eu
punct trcbrric ri in tnotl rlif eri t
fie grupltc

Vaioirrc nc,livizatri :

Dir iz:rtlr itt I PIrl r

egale

Divizati in 3r pf,rti

egale

Div iza ld i. l pir;i r" J:Ifl=r]rg I-U f.-E

egale, ro

? r

Divizltir pirrli

egale

';Jllil in 6 Perli
e tc.

Gruphrile grepite a'le valo,r,i,lor derutoaza ciri.tul textu,lui rnuzica[, protlLr-

cind mari dificultili.
Citeva exernple de gmpare gregitd a valorilor rle note, [)roeun.r si grLr-

parea lor corectf,:

cruparegrepitr, * $J $ )nA.b-j )o
n

Acelagi desen l"itrnit, t

,gru,pat corer:t

G.rp,aregresita' $ lJ l ff8) " n

Acela6i desen ritml,
gr*pat {'orect t

Gnrpare gre;it'i ,
Aeelagi deseu ritmit'

gr,pat corect:

290

i6a

-lu -ee;-dw 96 - an1 - e .t0l ea 17 teJ - ez

uer L(:J 6-r

w we!- p un? - lzet

lc' 4C-

(ZS,S,roI-3S1S1Sn1z)uauu;p3o" ruo;ged'4g 'y e6=r ol"repoJl

: rnlnlxal opqelrs ud'np reorcp ep oo€I as eeJed,nJE '!1vcon rnrznu u!

fl,.ng* orrr", -t tl-I f -?+ grwrtr etnurot
gclut!,tetnuJo!
?fire,rnryuq1. qsa o giluJ!,r epuJo!
f; ,rnn"* urrrn ,,,
g! runop* u! eJsefl ,,, gqqlretnurut

8O*! ernqu ale/re €rluttr efiulo!
Frlag,r eparo!
9l ru*gror""r

: slle

slt Fs arnqoJl no:rrrln.rF ap,un I rp n.rr]sEtr rr! flu I ap e.lnsu,ur uI olsa

tltlrrul IJ BxnurJo,,I

: alssoce

EzeoJlsn1x err sof ruur ep alold,urexg 'flec'lpul lso1 u nrn Els,Bocs TtEp JBrr[c
'ir.rnsFu.r tr.nIaJ rlrqBls aluod as Jolr.rolul e1e olsnf .ro1rrgdn.r,ff uzeq aJ

D. D" Botez
Clntec pentru {ara Sovietici

f.Dfo clerato lna tte ed wpresseuo

fula re epti pa-fri- e-a

$, -moa - Lea-gdn al vi-ee-lor
pu- tet'-ni cd

Ff - e ffi-ft veci ,r6-n- flo - re,s!i,--

S 75. (ionesponden$a dintre rnhsuri

lX usur"ile care f r-ricsesc ca unirAii ilflri-i:ice v*loril.: biriale, cum sirit cr;Ie

"le 2,3, "1, i gi ? linrpi, lrot di substituits'rin srrris oru ltr:'tsrtni care {'olosesi-.
r:a unitlili metrice valorilc [ern;Itre, cetrn sirrt cele nl,: 6. !i, 12, 15 ;i 2l olc

fi11;lri- rlesenuL rilmirr i,1 exeeu$il.r 6estttr'elriitrn trici 11 ,*c:[irtt.[;are.
Ilirr aceasLi (:aix?,i1. rnil,surile din prinrr, categor,ie1.rnnsliluit {"6tr$sl,ur}-

dente'le celor din * tloua otategorie gi viceversa"
SgListiluirca urrli nr.!lr"lr tlin prinra ciliegorirl de mr:lsurri. u ilretrr-ri cJirr

a doua categ'rie tle rniiuuri s'e o;'hIiru: prin fullotiir'eix 'l]r1]i,.:tullii coqrstilrrtir' 1

ri rr ili r-iziirnilor" ercc'plionili,r rrl,: vainnilor"
ile axeitlphr :

l. crlhslitrrirea rnirsurii de ?',u3

At rJ .l r,,!' $rfl Ih r.ffi.ffffi 1ffrf'T 1"4

IgJ nJ ri,-tJrfi JTi rilh"m rfhJ:3 F,

I Fuectu.n cnoinsLitudit deternalnd valc,area t€rnana.

?92

s63

u,\r={-q neg,r -r'Ff "es r-(-l'

: nldtuoxaao "€atq9wnf :f rBI {InFaJlui - z, e.rea "i" ;tl:9+I'z9 : loJtse 'olelaund

z
all}eq €p EutroJ u! alarJlS l
ralou a e-rllBrxJa+Ew €oJBo[ea E4trrzarcla.r 7,

c

'oJJrc.ISuol

-AeI n:t il.rrl.rgdul Ur.rtJ.g.luuiq aJug[t],e 41 F;rlJla111 ittrll]llru gt AJ$ aJBC'elJF
a;cls 'Eleula.;l ar.rrollr,r o BetJlaui olRllun Bii are oJP{} llJ[]sEul {r ul ap -

I: a1ee1
-lC rt3 e.rrilnruul ur.rtl'g.tuu.iel 0.lsulue o qcl.lXaut ollll{ul} $J AJB O"lE.i "l?lpr
al"rcls 'gleurttr cJulllts,t u !3'.rLrleut 611u1tun.9{ oJB aJBt EJnsFur o Bl ep -
: I loJlsB eteli rc nc purirttlu![ nPS prrri
Joll"tnsR[,, InlnJlBJ lrrur
llf_iifo11o nJltr.-tr'X cIloJ(]al
-ll ;r.ln:! fir,i|ltl,)lruldsJJo'r

uste\ ruri-f urtHtgg'Cr.g#Lj'frI 'r(lr 'ry rJJBl
f "f tUff.t8
qet lH*J
1j

.9g1 rs[l.r I flp ilJlr$E[l r]o.Lir].ltlsqu;'F

#ogrtttrrfi-ui'']a'rrycryaT'f,lq1lgJEr;y,cr'jrrrrfr!f' t'rtr "r'r I '-fi
s
f 7r -g

, *, nu I np rrrnssur Ba.Irnt llsgns '€

,qet\"r\?.tsrtlrlfyf "f UJ I [j f ;l .? r rr'r 'r8
grpr r
rl$r i rr I rr

r

na '* ap tunsEru ea.lrnltlsqns '7,

Prin inmultire (numarAtorii iutle ei 9i nurnitorii intre ei) :

fi ? 8\Jniwn x dd mi,rara corerpondenfi J j.J

* 2 &tJ )8md,sura J. I
dd mtuun corapondentd
J.)J.
! tJ J ifr xn,4,rura
dd m6,ru,a core,ryondenld E

mdwra $ x I ?"rJdendwracoreryondenftt ) ) -; )' J

6 x ! j"nisura 'b , J) -'b '[''b ]
ddmituracoreryondcntd 16,

masura I x I fdenauracoretpondenta t,J J J J ) :]'l'J'i'J'

ndtura E x lderaou,acorerpandent; fiE;[-f1nfi -JT:n'fi
| n IT fixndwra $
fi ;lftc,respndcnft tTtr - Jn JTl'
^asu,a

elc

Frin int4fir[r]re (nurnirAtorii intre ei qi nunritorii irltre ei]:

.nawra 6 / de rau', eararpondenld 22'd,r' l o :) )

4 fr de naura twe,rpondentl tr;).J' i -) ) J
! da ,awn mretpondenlE Z,) J ) J. -) J ) )
ndwa II
Irndlum 72 I dd *,itrn coreopondcaE i,JJ.',J.i.-l)JJ)
,f@dsura I oa ,awra corespondille 1r, t J'J'i'.i'J J' - I J ) ) J J J

ndtura 2It

294

967'

PwpundseJ0S
u!eqepfl

lqa$u6

eAePtY

eznlBpuY t
ueld nrluad alorueds
asatd
(gtol - gzst) "ltBJ
ep 'w

gtepu0dsel
-0t eJrcPa
at elJetofl

g1e.u16yo

2llelofl

(rOtogl-'edtoSp1u)rn8lcao;Nrg 'pg

: sof ruur ulJesqo alsod os urno gdnp eSe 'st;tcs u! Ietunu UIUIFJ allJtqosoep

'pJotsocn lnur]lJ u! oJeqrun{cs oeJA ?ul^Jalul Bs BJqJ I "t ,, 'dur1t rseloce
uI 'Esrrcs r; aluod f; ng Esr.rcs Fluc-rznru gserd o un.r gdnp $ u5 rs 'rl'urn
u1 gsr.rcs gleclznw gsard o onldnrax+ ag
rsepce u1 'qsucs 11 oleod I '[a] sl ?lBIlrlp ry aluod sc

{jurrreasu! crJ EeaJ 'qcrJlotu a}Blrun ua 'aluuJal rJolBA n} re eluapuodseroc
u3 rS 11c Ecr.rleu olulnrn ec'e.ruurq r.rolul na q,rnsBLu o-Jlul lllu €sIJos It

aleurI plecrzrnu psard o'aluepuodseJor rolrJnsgul Flr.rolBp'Ec,rtcu"rd uJ

LS^.ovn.atIateentrh.o4venin{1D7o70r-nta8io2r7,

liobt;e
wigiatd

tfolatie fn
cordpordenti

flentru a[egerea uneia $au niteia {irnlrtl rrrasurile r:o'rrncslaruqrtalerfretleiueuiet
giridam dupd prepontlerenfa valorilor hinare sau ternare

ra folosim eit mai pu{ine rlil,iziuni exr:eppionale.

alaledr"uud 13 osursuX pr4^e ((rnlnu}oBo.ll€ui e gunxEru '€rBr*ruj ap 41sr.1pu[
IS Eurruru elltull) BSU*0*
eI op []trepBJF n] F.leJs o pge 3s [nlntrrouoJlaru s glErrl,ro^ gpu€q o od

'ES.raAAJI"4, !3 A.reJ !€ul luis BrnlsarE slTJElsrur llle n) 1J4A

aJds F:tu ql€za3e olse EalelnarB trIa rq3 "ln1n1npuad BamlFunl gXeotr ad elelnw I;
al€od aJ Ellqolu aXelnaJF o qIJe os aJe] ad lBJrl,ra^ Inpuad un aJetsitu r4 eund
ar 'uu"r.oseal ap tusllteJ€ul un-Jq.utp sncluioo alsa Tazigry rnl InuouoJlatr I

'9IBI uI 'lszlBIN

IrLruodaN uueqof 'euarn urp aruslaul IS 1ulrf,lzniri un ap ?Elu€Aul .lazlelt Inwouo.l4

-aur alsa Enrzn'ru r.r! ruotro4aru lezlijln leut trae "LuouoJlaLu lnunuap lp.Jede un ap
ullsotroJ au alelrznlu asald laun mtrnoduta? B F1a€xa eaJsulur.rclap ruquad

t.-.

nur{}urlJlatr{

tr

--i

og.f 'W'J^[ o$aq8r"T '
i

: r:lthuaxa a11 t]i]ririou(r.rli]lr] niiEJrpul ap iJ,o+uil ritiobit! ]rrrri rS *puurJrr;r
ll11rlril u! taJrqo ilp {!r,rp.r;}n I lnln(li]ruI lrt oaJl Os ?Jeclrur ;tJ] iluoru.lrJI
'adua1 nos- rJDJs?fii ap xuau)a! ap alaunu r27.ruett! dl.r . t:nlu ")$t)td
' ':i tanrr 'oaJaoftu nns ppai,nt ap 'Xnpn.tfr WWU! aJ'D] !.lITuaMra7 aalnlqD?oJ

(odmaX) $rso$.1ur ap nuamra.L .!lI S

'a,t11'"rcrl-*dJ ql.rR a[] i+;atka lnlnuriuorr urp lrur.irls*1r
as oa ns113'.r1a11 rlrJ!!1s rS i.rloluanrrlrliir_-r e,tala;{ (ersa.idrl} lttral:.rn.nJ

'Elt;itznui Fs+r{l o
Elntaxil as g.rec Llr oJril:^il.ri ol) nEs Blpajni cp lnpe.is gru ildxo .trnatlrua,l

'illaOlzrllu Jolasald Yt.ratrcprn"li .El oJBolrJaJil.l ulcrr tl ltuxlutaT **ot
-tJd oJel altlferrpur nB I! lilelJodrrn ap 'glqa:-oafl l(u Lnr ',ur:1,t.rrl1.c1lrr rr1

rallnf,gxa rillis-[3vHV] rt'lnoar4lEr

x 'tn1(1,1,Liv)

Numerrele indicate pe scard arate cite miqcdri face pendulul intr-un minut.
DacA asezdm, spre exemplu, greutatea in dreptul nurn5rului 60, atunci pendulul
va oscila de 60 de ori pe minut; cind greutatea va fi aSezatb na numSrul 80,
pendulul va oscila de 80 de ori pe minut etc.

Indicatria metronomice se pune la incepuiui piesei rnuzica.Xe sau la schim-
barea tempoului. De exemplu : M.M. dlt = 60 sau M.M J ' :80 etc., ceea ce
inseamaEr cE in primul caz l,om executa 60 de p6t,rimi pe rninut, dec! al :;

djntr-u:: rninut, iar in al dailea caz voirn executa 80 de pdtrirni pe minut, deci
r1
J :- dintr-un minut.

l. Termenii prineipali de migeare

Dupri sensu,l pe care-i exprimir, termenii de migcrrre pot fi I

a. cu caracter constant, uniform. in execu{ie. alcatuind term,enii Stro-

priu-zi5i do mi$core;

b. eu caracter 'r€constant, neunifornr in exc cufie, al,cdtuind termenii

u gogici.

7'ermenii propriu-zigi de nti$mre se noteflzA Ia inceputul piesei mu.

zicale ;i sint valabili pina la aparilia unui nou lormel de rnigcare-
Terntenii agogici modifica pe parcurs 5i in mnd ternporar mr;car,ea do
bazi a piesei lnuzicale, rilrind-o sau accelcrind-o.

29a

666

o-)tu!p aP$tzpuv : od@tx ls5)s o! ssrjts Slrl?JJnl nllu.d 1].Iqns t) SaraPtsoos .alc [email protected] ,{l9go,
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rzacuBtt guuuuaE FSnJ ?utruroJ garlerurxorde gu€i tBll
equll-l €qul!'I eqtul'J
Bqru!'I EquIl-t FCIrIIOrroJlArU

BIiurtpuJ

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ilal snlotlr gv-0, Bqur!'I
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! rruor[.&n {rlJd olBper lrrls ar.rr arJp7slw

'tzod?r rS rrcolfrru 'olnJ rl€cSrur : olBdrt
.{rrJd rrgcsilu pJl ule5urlslp aluc,lznlu ropsord lB ElBoinr op InpBrS ul

eJef,Sluj ep lslz-nudoJd luelurel 'e

I{iscdril.e repezi. slnt redat€ prin torurenii :

Limba I Indicatia Lirnba -
italian$ I metrononricS romlnS. Lriumshi{aserm| anl,lf,r"a'0n"cezE| ,,-o-
I a proxirnativi
repede
I iute, vir.t
fcarte netrrede
Allol;roi 120 * 138 cft0po :chnoll gal
clt se poate
\tlvacr *152 1dS IINIIBO lebhatr r;ivemeff
de cepede
l'rcsto 176 * X92 6nrerpo eilig press6

['restissim{t 200 - 20[t ogcRu 6r,rc- iiusserst trds
Tpo schnoll press6

t, 'l'errneni agogici

{ine \{ndifit'area {f}iltpOului pe ag{ojagri{cr{i r?rs.uelaureneinidcieo:mi pacoczeillieirarnreuazicsaalne se oi].
priu folosiren ternrenilor
rAriren

acestuia
"

Termenii {gogici rare {ndic6 o r5rire treptat[ a tempoului

rallentando (rall.) rarind treptat mi5carea. incetinind
ritardando (ritard") intirziind (rarinrl rni;carea!
ritenuto {rit.)
allargandc (allarg. ) reIinind
slargando (slarg.) largind {ceva mai mult rlecit rn/l.,}
largi nd
slentan dn
ineetinind
strasci n ando
tfraganind. rf,rind

Ternrenii agogicl aare tndicf, rl accelerare treptath a tempoului

accelera!1d0 (accel.) dccelerind rnigr-rat'ea (intind)
atfrettando (affret.)
incalzando grabind
precipitand0
zorind. insu flelind
stretto precipitind miScarea
ingustind, $trimtind rnigcarea
stringendo stringind rniF,carea! gritrind"

I Partea intii u soei simfonii sau a uoel sonare, crecufindu-rc de rbicei lt atleErr:, tt:*srrr rrwe{f..
pentlq aodicarea pridei mi$ceri I acestom : drrd& o de roria.i.

2 in limba greac{. egogike : a mi$ca

300

t08

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a.rcctirl 13dnp

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qs r:ra.rd

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: IUEIIN

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