Filmski Festival Palic

POKROVITELJI

PATRONS



Republika Srbija ap vojvodina
Ministarstvo kulture i pokrajinski sekretarijat

informisanja za kulturu i javno
informisanje

Grad subotica otvoreni univerzitet
subotica
OSNIVAČ FESTIVALA
FOUNDER OF THE FESTIVAL ORGANIZATOR I IZVRŠNI PRODUCENT
ORGANISER AND EXECUTIVE PRODUCER

Septembar 12-18 2020

PALIĆ 2020

6 Neizvesnost prati naš Festival od njegovog nastanka. Retke su godine kada smo
Festivalu mogli u potpunosti da se posvetimo i ne mislimo šta će ga ugroziti, odnosno,
European da li će ga uopšte biti.
Film Početkom 90-tih, kada smo osnovali Festival, to nisu bili samo problemi koji su normalni
Festival kada uspostavljate nešto novo,već i činjenica da je on osnovan u vreme sankcija.Izašli
Palić smo iz sankcija 1995. Godine, „videli svetlo na kraju tunela“, ali te godine Festival nije
2020. održan, jer nije bilo dovoljno sredstava. Na samom kraju te dekade dočekala nas je
agresija NATO Alijanse i bombardovanje…Ipaksmo te 1999.godine,uprkos svemu,
održali, kako smo ga nazvali, Festival kontinuiteta.Trajao je samo tokom jednog
vikenda.
Sa novim milenijumom promenili smo koncept, koji traje i danas, posatali smo Festival
evropskog filma. Naročito je bio relaksirajući period posle potpisivanja Memoranduma
između Ministrastva kulture Republike Srbije, Pokrajine Vojvodine i grada Subotice
koji je predviđao, precizno, koliko ko od potpisnika odvaja sredstava za nesmetano
odvijanje Festivala. Na žalost, kao i kod mnogih stvari koje dobro funkcionišu, iz nama
nepoznatih razloga odustalo se od tog uspešnog koncepta. Ponovo smo zapali u krizu
koja je kulminirala pre tri godine. Bili smo veoma blizu 1995. godini i neodržavanju
Festivala.
Ovu godinu karakterišu dve stvari koje su ugrozile Festival.
Prva je, za nas, u najmanju ruku, veoma čudna odluka Komisije Ministarstva kulture
da nam, godinama uobičajenu dotaciju smanji, u prvom trenutku, za 80%. Posle
razgovora, ubeđivanja, objašnjavanja...dotacija je povećana u dva navrata. I pored
toga, na toj stavci zakinuti smo za četrdesetak posto. Legitimno je pravo Komisije da
donosi odluke po svom nahođenju, ali je i naše pravo da znamo zašto je, tako drastično,
samo naš Festival iz grupe Festivala koji su imali ravnopravan status, zakinut za tako
značajna sredstva.
Taj problem smo kako-tako prevazišli.
Drugi problem ne mogu da reše nikakve dotacije. Mesecima se čovečanstvo bori sa
pošasti koju smo upoznali kao Koronu, pa Kovid19. Svi imamo iskustva koja govore da
se borimo sa nepoznanicom koja svakodnevno odnosi ljudske živote i koja ugrožava
način života koji smo vodili do sada. Maske, socijalna distanca, bez skupova na kojima
ima više od 500 pa 100 pa 10 ljudi, zavisno da li je na otvorenom ili zatvorenom prostoru.
U času kada nastaje ovaj tekst „Ambasadori zemalja članica EU 27 skinuli su Srbiju
sa liste zemalja za koje je do sada važila preporuka za mogućnost putovanja preko
spoljnih granica Šengena“. Ako dobro razumem teško će se neko usuditi da se uputi i
na ovu stranu.
Zato, zbog pogoršane epidemiološke situacije mi ne možemo da računamo na jedan
izuzetno važan segment, a to su gosti. Bez njih Festival nema sve one kvalifikative koji
ga razlikuju od obične smotre filmova.
Teško je da tu mi kao Festival možemo nešto da promenimo. Ostaje nam nada da ova
mera neće trajati dugo i da će ovaj tekst u našem katalogu moći da pročitaju gosti
ovogodišnjeg Festivala kojima kao i uvek, ove godine posebno, želim dobrodošlicu.

Radoslav ZELENOVIĆ,

direktor Međunarodnog festivala evropskog filma

palicfilmfestival.com

PALIĆ 2020

Uncertainty has been following our Festival from its beginning. Rarely have we ever had 7
a chance to dedicate ourselves to the Festival itself, without thinking about what could
jeopardize it or would it be held at all. European
In the early 90’s, when we started the Festival, those were not normal establishing problems, Film
but we dealt with international sanctions. In 1995 we were free of sanctions, seeing the light
at the end of tunnel, but the Festival wasn’t held because of the lack of funds. At the end of Festival
that decade in 1999 we faced NATO bombing… But despite aggression we organized, as we Palić
called it, Festival of Continuity. It lasted just for a weekend. 2020.
We established new concept at the beginning of new millennium, we became European
Film Festival. Especially relaxing was the period after signing memorandum between
Serbian Ministry of Culture, Province of Vojvodina and Subotica’s Municipality, which was
precise about funding of the Festival. Unfortunately, like in many other things, for no good
reason, this well functioning concept was soon abandoned. We found ourselves in crisis
once again. We were very close to the decision similar to 1995 one.
This year’s Festival is endangered by two things.
The first one is, in our opinion, very strange decision made by Commission at the Ministry
of Culture, to reduce our budget for 80%, at first. After many talks and negotiations they
increased it, but it remained reduced for about 40%. Commission has legitimate right
to decide about budgeting, but we also have right to be informed about reasons for this
drastic reduction of only our funds among all other festivals with the same status.
This problem we have somehow overcome.
The second problem cannot be solved by donations. Humanity has been fighting against
Corona virus or COVID 19 for months now. We have all been experiencing fight against
unknown enemy that takes human lives on the daily basis and that jeopardize the way of
life we used to live. Masks, social distancing, no gatherings of more than 500 then 100 and
finally 10 persons, whether they are indoors or outdoors.
As I write this text, ambassadors of 27 EU countries removed Serbia from the list of countries
recommended for traveling outside of Schengen. If I understood well, hardly will anyone
dare to come to the region. Therefore we cannot count on one of the most important
segments of the Festival – guests. Without them our Festival is nothing but a common film
manifestation.
We aren’t able to change anything of mentioned. We hope that this situation won’t last
too long and that this text in our catalog will be read by this year’s Festival guests, who are
welcome as always.

Radoslav ZELENOVIĆ,

director of International Festival of European Film

Septembar 12-18 2020

8 ŽIRI FESTIVALA
FESTIVAL JURY
European
Film
Festival
Palić
2020.

palicfilmfestival.com

9
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

10 Goran Radovanović

European Goran Radovanović rođen je u Beogradu 1957. godine. Diplomirao je istoriju
Film umetnosti na beogradskom Filozofskom fakultetu 1982. godine. Nakon
Festival stipendije Gete instituta, radio je kao pisac i režiser igranih i dokumentarnih
Palić filmova. Član je Evropske filmske akademije i Udruženja filmskih umetnika
2020. Srbije. Radio je kao gostujući profesor na EICTV (Međunarodna škola za film
i televiziju), San Antonio de los Banos, Kuba, VGIK; Moskva, Oberlin College,
Ohio, SAD, ESAP - Escola Superior Artistica do Porto, Portugal, DFFB, Berlin,
Nemačka. Takođe je bio mentor na radionicama koje je na brojnim filmskim
festivalima organizovao EDN (Evropska mreža dokumentarnih filmova).

Goran Radovanović was born in Belgrade in 1957. He graduated art history
from Belgrade’s Faculty of Philosophy in 1982. After he attended a scholarship
awarded by Goethe Institute, he has worked as writer and director of both
feature and documentary films. He is a member of the European Film Academy
and Film Artists Association of Serbia. He worked as guest professor at EICTV
(International Film and Television School), San Antonio de los Banos, Cuba,
VGIK; Moscow, Oberlin College, Ohio, USA, ESAP - Escola Superior Artística do
Porto, Portugal, DFFB, Berlin, Germany. He also acted as a tutor at workshops
organized at nomerous film festivals by EDN (European Documentary Network).

Michelle Carey

Mišel Keri je berlinska filmska selektorka koja radi za Međunarodni filmski
festival u Roterdamu a kao savetnica i za Njujorški filmski festival. Urednik je
i filmskog sajta Senses of Cinema. Pre toga, od 2011. do 2018., bila je umetnički
direktor Međunarodnog filmskog festrivala u Melburnu kao i selektor za
Melburn sinematek od 2002. do 2018. Takođe, radila je za Australijski centar
pokretnih slika, RIMT univerzitet i Filmski festival u Adelaidu. 2017., od strane
francuske vlade, dodeljen joj je orden za umetnost i književnost.

Michelle Carey is a Berlin-based film programmer for the International Film
Festival Rotterdam and advisor for the New York Film Festival. She is also an
editor at the film website Senses of Cinema. Previously she was Artistic Director
of the Melbourne International Film Festival from 2011-2018 and a Programmer
for the Melbourne Cinémathèque 2002-2018. She has also worked at the
Australian Centre for the Moving Image, RMIT University and Adelaide Film
Festival. In 2017 she was recipient of the Chevalier de l’ordre des arts et des lettres
from the French Government.

palicfilmfestival.com

Igor Ivanov

Igor Ivanov je Makedonski filmski reditelj i scenarista rođen u skoplju, 1973.
Poznat je po filmovima BUGS, PREVRETENO, SOBA SA KLAVIROM… Njegovi
su radovi prikazivani i nagrađivani na mnogim festivalima, uključujući
Berlinale, Locarno, Karlovy Vary, Chicago…. Trenutno radi na svom novom
filmu HOMO.

Igor Ivanov is a Macedonian film director and screenwriter born in Skopje, in
1973. He is known for films BUGS, UPSIDE DOWN, THE PIANO ROOM… His works
have been screened and awarded at many festivals, including Berlinale, Locarno,
Karlovy Vary, Chicago Film Festival…. He is currently working on his new film
HOMO.

11

European
Film

Festival
Palić
2020.

Septembar 12-18 2020

12 FIPRESCI ŽIRI
FIPRESCI JURY
European
Film
Festival
Palić
2020.

palicfilmfestival.com

13
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

Anton Sidorenko

Anton Sidorenko je novinar i filmski kritičar rođen u Minsku u Belorusiji 1978.
godine. Diplomirao je žurnalistiku na Beloruskom državnom univerzitetu.
Kao filmski kritičar piše za magazin Mastactva. Od 2017. do 2020. bio je šef
odeljenja za scenarije Nacionalnog filmskog studija Belarusfilm. Njegova
oblast posebnog interesovanja u kinematografiji je dokumentarni film.

Anton Sidorenko is journalist and filmcritic born in Minsk, Belarus in 1978. He
holds degree in journalism (Belorussian State University). As a film critic he
writes for the Mastactva magazine. From 2017 to 2020 he has been head of script
department of Belarusfilm National Film Studio. His area of special interest in
cinema is documentary film.

14 Esin Küçüktepepinar

European Esin Kučuktepepinar je turski filmski kritičar i filmski novinar, radi kao
Film frilenser za nacionalni dnevni list Sabah i razne mesečne umetničke i filmske
Festival časopise, kao i za tursku filmsku internet stranicu sinema.com.
Palić
2020. Esin Kücüktepepinar is a Turkish film critic and film journalist, working as a
freelancer for the national daily paper Sabah and various monthly art and
cinema magazines as well as for the online Turkish movie site sinema.com.

palicfilmfestival.com

Víctor Paz Morandeira 15

Viktor Paz Morandeira je novinar, kritičar i selektor. Poslednje decenije European
radio je na festivalima u Španiji kao što su Plai-Doc, Curtocircuito ili Gijon, Film
a saraživao je i sa međunarodnim festivalima kao što su FIDMarseille,
Indielisboa ili Edinburgh. Osnivač je www.acuartaparede.com, web stranice Festival
za koju nastavlja da piše do danas. Takođe je objavljivao svoje članke u Palić
listovima Mubi Notebook, Senses of Cinema, Caiman, Cuadernos de Cine i 2020.
Debordements, i drugim. Možete ga redovno slušati u popularnoj španskoj
radio emisiji El Septimo Vicio (Španski nacionalni radio - Radio 3). Poslednje
tri godine života proveo je posvećen CGAI (Galicijska regionalna kinoteka),
a nedavno se pridružio bioskopu DUPLEKS, posvećenom nezavisnim
bioskopskim izdanjima, filmskim klasicima i novim trendovima koji dolaze
sa filmskih festivala.

Víctor Paz Morandeira is a journalist, critic and programmer. In the last decade
he has worked for festivals in Spain such as Play-Doc, Curtocircuito or Gijon and
contributed to others internationally like FIDMarseille, Indielisboa or Edinburgh.
He is the founder of www.acuartaparede.com, a site for which he continues to
write to this day. He has also published his articles at Mubi Notebook, Senses
of Cinema, Caimán. Cuadernos de Cine or Débordements, among many others.
You can listen to him regularly on the popular Spanish radio broadcast El
séptimo vicio (Radio 3, Spanish National Radio). He has spent the last three years
of his life devoted to CGAI (Galician regional cinematheque) and has recently
joined DUPLEX Cinema, devoted to independent cinema releases, film classics
and new trends coming from film festivals.

Septembar 12-18 2020

16 TAKMIČARSKI PROGRAM
OFFICIAL SELECTION
European
Film
Festival
Palić
2020.

palicfilmfestival.com

17
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

NEMA FILMSKOG FESTIVALA BEZ PUBLIKE

18 Kao i ostale oblasti društvenog i kulturnog života, tako su i film i kinematografija
pogodjene aktuelnom Covid-19 pandemijom. Slično je i sa filmskim festivalima.
European Od onih A kategorije koji nisu mogli da budu održani - Kan, Karlove Vari - do
Film velikog broja onih manjih koji su ili otkazani ili su održani on-line, što je, po mom
Festival mišljenju, tek surogat filmskog festivala. Kao što je svojevremeno Kusturica
Palić govorio da “nema kina bez mraka”, baš tako nema ni filmskog festivala bez
2020. publike.

Ove godine, shodno novonastaloj situaciji, uobičajena komunikacija na relaciji
novi filmovi-producenti-programeri festivala nije mogla biti ostvarena na
optimalan način pa je rad na izboru filmova i komponovanju programa palićkog
festivala bio krajnje otežan. Ipak, po mom sudu, ovogodišnji program nudi filmove
koji ulaze u vrh aktuelne evropske produkcije, one koja je bila u mogućnosti da se
javno pojavi pre pojave pandemije, dakle zaključno sa ovogodišnjim Berlinskim
festivalom.

U Glavnom programu su četiri nova filma poznatih evropskih autora.
Jedan od najznačajnijih savremenih italijanskih reditelja Mateo Garone (GOMORA,
RIJALITI ŠOU, DOGMAN) u filmu PINOKIO predstaviće osobenu, krajnje originalnu
verziju poznate bajke sa sjajnim Robertom Benjinijem u ulozi Đepeta; poznati
francuski autor starije generacije Filip Garel koji je svojevremeno stasao na
poetici francuskog Novog talasa, biće na programu sa novim filmom SO OD SUZA;
veteranka poljskog i svetskog filma Agnješka Holand biće u konkurenciji s novim
filmom ŠARLATAN u kojem uobličava jednu od njenih omiljenih tema – sudbinu
pojedinaca u osetljivim istorijskim okolnostima. Najzad, jedan od najosobenijih
nemačkih reditelja Kristijan Pecold dolazi s filmom UNDIN, netipičnom ljubavnom
pričom koja se otima bilo kakvoj uobičajenoj kategorizaciji.
Filmovi mlađih ili manje poznatih reditelja dolaze iz Danske, Norveške, Bugarske,
Mađarske.

Sigurno najintrigantniji i najkontroverzniji film glavnog programa biće NATAŠA,
jedan od filmova obimnog projekta DAU ruskog reditelja Ilje Hržanovskog. To je
bio film o kojem se najviše govorilo na ovogodišnjem Berlinalu.
Na glavnom programu, u konkurenciji, je i jedan od filmova koji su ušli u zvanični
program ovogodišnjeg neodržanog festivala u Kanu, poljsko-švedski film
ZNOJ švedskog reditelja Magnusa Von Horna, film koji problematizuje neke od
fenomena današnjeg sveta, posebno među mladom populacijom.
Najzad, već dugo nije bilo u evropskoj produkciji filmova o Drugom svetskom ratu.
Film LEKCIJE IZ PERSIJSKOG ukrajinskog reditelja Vladimira Perelmana donosi
nam jedno sveže, originalno viđenje stradanja u koncentracionim logorima.

Kriterijumi za odabir filmova odnosili su se na sinematičke vrednosti filmova,
nezavisno od njihove tematske odrednice ili zemlje porekla. Ispostavilo se, na
kraju, da filmovi u ovom programu odražavaju upravo i tu raznovrsnost. Od tema
kojima se bave – ljubav, socijalne teme, Drugi svetski rat, staljinizam, sudbina
pojedinca – do kinematografija iz kojih dolaze – Nemačka, Francuska, Italija,
Poljska, Češka, Bugarska, Rusija, Madjarska, Danska, Norveška.

Selektor Glavnog takmičarskog programa
Nenad Dukić

palicfilmfestival.com

THERE IS NO FILM FESTIVAL WITHOUT AUDIENCE

Like other areas of social and cultural life, film and cinema have been hit by the 19
current Covid-19 pandemic. Film festivals have similar destiny. Beginning with A
category festivals that could not be held - Cannes, Karlovy Vary - to a large number of European
smaller ones that were either canceled or held online, which is, in my opinion, just a Film
surrogate for a film festival. As Emir Kusturica once said “there is no cinema without
dark”, so there is no film festival without audience. Festival
Palić
This year, due to the new situation, the usual communication between new film 2020.
producers and festival programmers could not be achieved in an optimal way, so the
work on film selection and program composing for the Palić festival was extremely
difficult. However, in my opinion, this year’s program offers films from the top of
current European production that was able to appear publicly before the pandemic,
ending with this year’s Berlin festival.

The main program includes four new films by well-known European authors.
One of the most important contemporary Italian directors Matteo Garrone
(GOMORRAH, REALITY SHOW, DOGMAN) in PINOCCHIO presents extremely original
version of the famous fairy tale with the great Roberto Benigni in the role of Geppetto;
the famous French author of the older generation, Philippe Garrel, who grew up on
the poetics of the French New Wave, is in the program with his new film THE SALT
OF TEARS; Polish and world film veteran Agnieszka Holland competes with her new
film CHARLATAN in which she deals with one of her favorite themes - the fate of
individuals in sensitive historical circumstances. Finally, one of the most distinctive
German directors, Christian Petzold, comes up with the film UNDINE, an atypical love
story that escapes any common categorization.
Films by younger or lesser-known directors come from Denmark, Norway, Bulgaria
Hungary.

Certainly the most intriguing and controversial film of the main program will be
NATASHA, one of the films from the extensive DAU project by Russian director Ilya
Khrzhanovskiy. It was the most talked about film at this year’s Berlinale.
In the main program, in competition, is one of the films that entered the official
program of this year’s Cannes Film Festival, the Polish-Swedish film SWEAT by
Swedish director Magnus Von Horn, a film that problematizes some of today’s
phenomena, especially present among young people.
Finally, for a long time in European film production there weren’t many films about
the Second World War. Film PERSIAN LESSONS by Ukrainian director Vladimir
Perelman brings us a fresh, original vision of suffering in concentration camps.

The criteria for the selection of films referred to the cinematic values of the films,
regardless of their thematic determinant or country of origin. In the end, it turned
out that the films in this program reflect exactly that diversity. From the topics they
deal with - love, social issues, World War II, Stalinism, the fate of the individual - to the
cinemas they come from - German, French, Italian, Polish, Czech, Bulgarian, Russian,
Hungarian, Danish, Norwegian.

Programmer of the Official Selection
Nenad Dukić

Septembar 12-18 2020

Srbija/ Serbia, 2020

IME NARODA

The Name of A People

20 Istorijska saga o Svetozaru Miletiću, uglednom advokatu, gradonačelniku Novog Sada Režija/ Director: Darko Bajić
i jednom od najznačajnijih i najuticajnijih srpskih političara u Austrougarskoj u drugoj Scenario/ Writer: Milovan Vitezović
European polovini 19. veka. Fotografija/ Cinematography: Zoran
Film Jovanović S.A.S.
Festival A historical saga about Svetozar Miletić, a respected lawyer, former major of Novi Sad and Kostimograf/ Costume designer: Boris
Palić one of the most important and influential Serbian politicians in Austro-Hungary in the 19th Čakširan
2020. century. Scenografija/ Production Design: Dejan
Anđelković
DARKO BAJIĆ Kompozitor/ Composer: Dejan Pejović
Uloge/ Cast: Ljubomir Bandović,
Darko Bajić (Beograd, 14. мај 1955) je diplomirao 1982. godine dugometražnim igranim Žarko Laušević, Katarina Žutić, Anja
filmom Direktan prenos. To je bio prvi slučaj da student diplomira dugometražnim Pavićević, Andrija Kuzmanović, Nikola
igranim filmom. Ovo ostvarenje biće višestruko nagrađivano: specijalna nagrada žirija za Ristanovski, Milutin Mima Karadžić,
debitantskog reditelja na Filmskom festivalu u Puli, Zlatna vrata Pule za najbolju produkciju Dragan Petrović Pele, Radovan
i desetina nagrada na festivalima u Jugoslaviji i tri oficijalne nagrade na međunarodnom Vujović, Ana Franić ,Arpad Mesaroš,
filmskom festivalu u Manhajmu. Atila Girić, Aleksandar Matić, Ivan
Režirao je TV seriju “Sivi dom” (1984–1985) izuzetno popularnu širom SFRJ koja je bila Bekjarev, Jovan Ristovski, Pavle
„odskočna daska“ za mnoge mlade glumce tog vremena. Redovni je profesor filmske i TV Mensur, Isidora Janković…
režije na Fakultetu dramskih umetnosti u Beogradu. Produkcija/ Production: Košutnjak
Film, Zilion Film
Darko Bajić (Belgrade, May 14, 1955) graduated in 1982 with the feature Producent/ Producer: Lazar Ristovski
film Direct Transmission. It was the first time a student had graduated Izvršni producent/ Executive Producer:
with a feature film. This achievement will be awarded many times: Zoran Janković
Special jury award for debut director at the Pula Film Festival, the
Golden Gate of Pula for the best production and a dozen awards at FILMOGRAFIJA/ FILMOGRAPHY
festivals in Yugoslavia and three official awards at the International 2019 Linija života
Film Festival in Mannheim. 2015 Bićemo prvaci sveta
He directed TV series “Gray Home” (1984-1985), extremely popular 2011 O Gringo
throughout the SFRY, which was a “stepping stone” for many young 2008 Na lepom plavom Dunavu
actors of that time. He is a full professor of film and TV directing at the 1997 Balkanska pravila
Faculty of Drama Arts in Belgrade. 1992 Crni bombarder
1988 Zaboravljeni
1982 Direktan prenos

palicfilmfestival.com

Češka, Irska, Poljska, Slovačka/ Czech Republic, Ireland, Poland, Slovakia, 2020

ŠARLATAN

CHARLATAN

Režija/ Director: Agnieszka Holland 21
Scenario/ Writer: Marek Epstein
Fotografija/ Cinematography: Martin Uzbudljiva priča o čoveku obdarenim izuzetnim sposobnostima u totalitarnim European
Štrba pedesetim XX veka. Film
Montaža/ Editing: Pavel Hrdlicka
Scenografija/ Production Design: Milan The breathtaking story of a man gifted with exceptional abilities set against the background Festival
Býček of the events of the totalitarian fifties. Palić
Kostimograf/ Costume designer: 2020.
Katarina Bielikova
Muzika/ Soundtrack: Antoni AGNIESZKA HOLLAND
Łazarkiewicz
Uloge/ Cast: Ivan Trojan, Josef Trojan, Agnješka Holand je poljska filmska i televizijska rediteljka i
Juraj Loj, Jaroslava Pokorná, Joachim scenaristkinja, poznata po političkim doprinosima poljskoj
Paul, Assböck Jan Vlasák, Martin kinematografiji. Karijeru je započela kao pomoćnica režisera Kšištofa
Myšička, Marek Epstein, Jana Oľ hová, Zanusija i Andžeja Vajde. Najpoznatija je po svojim filmovima Europa
Václav Kopta, Jana Kvantiková Europa (1991) i U tami (2011), koji je na 84. dodeli Oskara bio nominovan
Trajanje/ Duration: 118’ za najbolji film na stranom jeziku.
Produkcija/ Production: Marlene Film,
Madants Sp. z o.o., Film and Music Agnieszka Holland is a Polish film and TV director and screenwriter,
Entertainment (F&ME) Ireland known for her political contributions to Polish cinema. She started her
Producenti/ Producers: Šárka career as an assistant director to Krzysztof Zanusii and Andrzej Wajda.
Cimbalová, Kevan Van Thompson She is best known for her films Europa Europa (1991) and U tami (2011),
Koproducenti/ Co-Producers: Mike which was nominated for Best International Feature Film at the 84th
Downey, Klaudia Smieja, Sam Taylor Academy Awards.

ODABRANA FILMOGRAFIJA/
SELECTED FILMOGRAPHY
2019 Mr. Jones
2017 Pokot/ Spoor
2013 Horící ker/ Burning Bush (TV Mini-
Series)
2011 W ciemności/ In Darkness (AAN,
Best Foreign Language Film)
2009 Janosik. Prawdziwa historia/
Janosik. A True Story
2007 Ekipa (TV Series)
2006 Copying Beethoven
2002 Julie Walking Home
1999 The Third Miracle
1995 Total Eclipse
1993 The Secret Garden
1990 Europa, Europa (AAN, Best
Screenplay)
1988 To Kill a Priest
1985 Angry Harvest/ Bittere Ernte (AAN,
Best Foreign Language Film)

FESTIVALI/FESTIVALS
2020 Berlin International Film Festival

Septembar 12-18 2020

Nemačka, Ukrajina, Ujedinjeno kraljevstvo, Rusija/ Germany, Ukraine, United
Kingdom, Russian Federation 2020

DAU. NATASHA

22 Natasha je šefica kantine u tajnom Sovjetskom istraživačkom institutu. Mnogo pije… Režija/ Directors: Ilya Khrzhanovskiy,
neprestano priča o ljubavi… upušta se u ljubavnu vezu sa francuskim naučnikom… Jekaterina Oertel
European interveniše Državna bezbednost. Ovo je, koliko radikalna toliko i provokativna, priča Scenario/ Writer: Ilya Khrzhanovskiy,
Film o nasilju. Jekaterina Oertel
Festival Natasha works in the canteen of a secret Soviet research institute. She drinks a lot, likes to Fotografija/ Cinematography: Jürgen
Palić talk about love, all of this leading to an affair. State security intervenes. A tale of violence that Jürges
2020. is as radical as it is provocative. Scenografija/ Production Design: Denis
Shibanov
ILYA KHRZHANOVSKIY Montaža/ Editing: Brand Thumim
Dizajn zvuka/ Sound Design: Stefan
Ilya Khrzhanovskiy je rođen 1975. u Moskvi. Studirao je na Likovnoj Smith, Rob Walker
akademiji u Bonu, a diplomirao na Gerasimov filmskom institutu Zvuk/ Sound: Maksim Demydenko, Borys
(VGIK) 1998. godine. Njegov debitantski igrani film 4 je 2005. godine Peter
osvojio nekoliko nagrada, uključujući Golden Cactus i Tiger Award na Kostimografi/Costume designers: Irina
Međunarodnom filmskom festivalu u Roterdamu (IFFR). Tsvetkova, Lyubov Mingazitinova, Elena
Bekritskaya, Olga Bekritskaya
Ilya Khrzhanovskiy was born in Moscow in 1975. He studied at the Bonn Uloge/ Cast: Natasha Berezhnaya,
Academy of Fine Art and graduated from the Russian State Institute of Vladimir Azhippo, Olga Shkabarnya, Luc
Cinematography (VGIK) in 1998. In 2005, his debut feature film 4 earned Bigé, Alexey Blinov
him multiple awards including a Golden Cactus and Tiger Award at the Trajanje/ Duration: 145’
Rotterdam International Film Festival (IFFR). Produkcija/ Production: Phenomen Berlin
Filmproduktion, Berlin, Germany
JEKATERINA OERTEL Koprodukcija/ Co-Production: Phenomen
Ukraine, Kiew; Phenomen UK, London;
Jekaterina Oertel je rođena 1966. u Sankt Peterburgu (tada Lenjingradu). Phenomen Films, Moscow
Godine 1987. diplomira na Moskovskoj školi za pozorište i film, nakon čega Producent/ Producer: Sergey Adoniev
započinje karijeru kao šminkerka u DEFA studiju (Istočna Nemačka). Za Koproducenti/ Co-Producers: Susanne
DAU projekat radi od 2008. Počela je kao šef šminkernice, potom preuzela Marian, Philippe Bober, Erik
i montažu i, na kraju, i korediteljsku funkciju u postprodukciji. Hemmendorff, Christina Voloshina,
Natalia Osipova
Jekaterina Oertel was born in St. Petersburg (then Leningrad) in 1966. In Izvršni producenti/ Executive Producers:
1987 she graduated from the Moscow Film and Theatre School. The same Alexandra Timofeeva, Svetlana
year, Oertel began her career as a make-up artist assistant at the DEFA Dragayeva
Studio in the GDR. She has been working on DAU since 2008. During
filming, she was the Head of Make-up and Hair Design, pivoting to an FILMOGRAFIJA/FILMOGRAPHY
editing and co-direction role during the post-production.
Ilya Khrzhanovskiy
2020 DAU. Nora Son
2020 DAU. Conformists
2020 DAU. Tri diya
2019 Dau
2004 4
1999 Ostanovka

Jekaterina Oertel
2020 DAU. Nora Mother
2020 DAU. Tri diya
2020 DAU. Nikita Tanya
2020 DAU. Katya Tanya
2020 DAU. Sasha Valera
2020 DAU. Nora Son

FESTIVALI, NAGRADE/ FESTIVALS,
AWARDS
2020 Berlinale – Silver Bear for
Outstanding Artistic Contribution (Jürgen
Jürges)

palicfilmfestival.com

Norveška, Švedska/ Norway, Sweden, 2019

NADA

HOPE/ HÅP

Režija/ Director: Maria Sødahl 23
Scenario/ Writer: Maria Sødahl
Fotografija/ Cinematography: Manuel Odnos dvoje umetnika, Tomasa i Anje, zapada u krizu, nakon što Anji dijagnostikuju po European
Alberto Claro život opasno oboljenje. Film
Montaža/ Editing: Christian Siebenherz
Umetnički direktor/ Art Director: Jørgen The relationship between artist-partners Tomas and Anja is put to the test after Anja gets a Festival
Stangebye Larsen life-threatening diagnosis. Palić
Kostimograf/ Costume designer: Ellen 2020.
Dæhli Ystehede
Muzika/ Soundtrack: Johan Söderqvist MARIA SØDAHL
Uloge/ Cast: Andrea Bræin Hovig, Stellan
Skarsgård Nakon prvog kratkometražnog filma Life Is Hard And Then You Die
Trajanje/ Duration: 125’ (1989) Maria Sødahl diplomirala je 1993. na danskoj Nacionalnoj filmskoj
Produkcija/ Production: Motlys AS, školi. Napisala je i režirala nekoliko televizijskih drama, dokumentarnih
Oslo Pictures, Zentropa International i kratkih filmova. Njen debitantski igrani film Limbo (2012) dobio je
Sweden, Film i Väst odlične kritike i osvojio pet godišnjih norveških filmskih Amanda
Podrška/ Backing: Norwegian Film nagrada.
Institute (NO), Nordisk Film & TV Fond
(NO), Eurimages Maria Sødahl graduated from the National Film School of Denmark in
Producent/ Producer: Thomas Robsahm 1993. Before this, she made her first short film, Life Is Hard And Then
Koproducent/ Co-Producer: Lizette Jonjic You Die in 1989. She has written and directed several television dramas,
Izvršni producenti/ Executive Producers: documentaries and short films. Limbo (2012) is her debut feature film,
Espen Osmundsen, Yngve Saether which received rave reviews and a total of five Amanda Awards.

FILMOGRAFIJA/FILMOGRAPHY
2010 Limbo
2000 De syv dødssyndene
2000 Vrede (short)
1995 Love & Hate –
European Stories1: Sara
1993 Bulldozer–Gullstolen (The Golden
Chair) for the Best Norway Short Film
(Maria Sødahl)
1989 Life Is Hard and Then You Die (short)

NAGRADE/AWARDS
2020 Berlinale – The Europa Cinemas
Label (Best European Film in the
Panorama section)
2020 Amanda Awards, Norway
– Best Actress in a Leading Role (Andrea
Bræin Hovig)
– Best Production Design (Jørgen
Stangebye Larsen)
2019 Kanonprisen
– Best Actress in a Leading Role (Andrea
Bræin Hovig)
– Best Actress in a Supporting Role
(Gjertrud L. Jynge)
– Best Production Design (Jørgen
Stangebye Larsen)

Septembar 12-18 2020

24 Danska/ Denmark, 2020 Režija/ Director: Jeanette Nordahl
Scenario/ Writer: Ingeborg Topsøe
European KRV I MESO Fotografija/ Cinematography: David
Film Gallego
Festival WILDLAND/ KØD & BLOD Montaža/ Editing: Michael Aaglund
Palić Kostimografija/ Costumes: Emilie Bøge
2020. Nakon tragične smrti majke u saobraćajnoj nesreći, Ida se useljava kod tetke i rođaka. Dresler
Njihov dom je ispunjen ljubavlju, ali izvan njega, ovu porodicu čine nasilnici i kriminalci. Muzika/ Score: Puce Mary
Ida moves in with her aunt and cousins after the tragic death of her mother in a car accident. Dizajn zvuka/ Sound Design: Philip
The home is filled with love, but outside of the home, the family leads a violent and criminal Nicolai Flindt, Adrian Aurelius
life. Zvuk/ Sound: Jakob Garfield
Scenografija/ Production Design: Helle
Lygum Justesen
Šminka/ Make-up: Birgitte Samson
Uloge/ Cast: Sandra Gulberg Kampp,
Sidse Babett Knudsen, Joachim
Fjelstrup, Elliott Crosset Hove, Besir
Zeciri, Carla Philip Røder, Sofie Torp,
Frida Sejersen, Omar Shargawi,
Benjamin Kitter
Trajanje/ Duration: 88’
Produkcija/ Production: Snowglobe
Films, Kopenhagen, Denmark
Producenti/ Producers: Eva Jakobsen,
Mikkel Jersin, Katrin Pors

JEANETTE NORDAHL FILMOGRAFIJA/FILMOGRAPHY
2015 Nylon (short)
Jeanette Nordahl je danska rediteljka, rođena 1985. godine. Diplomirala 2012 Waiting for Phil (short)
je 2012. na nezavisnoj filmskoj školi Super16. Diplomski rad Waiting for
Phil nominovan je za najbolji danski kratkometražni film 2013. godine. FESTIVALI/FESTIVALS
Tokom studija radila je kao pomoćnik reditelja i reditelj druge ekipe na 2020 Berlin International Film Festival
više nagrađivanih danskih filmskih produkcija. (Panorama selection)
2020 Transilvania International Film
Jeanette Nordahl is a Danish film director born in 1985. She graduated Festival
from the independent film school, Super16, in 2012 and her thesis
film Waiting for Phil was nominated for a Danish Academy Award for
Best Short film in 2013. During her studies, she worked as a assistant
director and second unit director on acclaimed Danish productions.

palicfilmfestival.com

Režija/ Director: Viktor Chouchkov Jr. Bugarska, Nemačka, Severna Makedonija, Srbija, Belgija/ Bulgaria, 25
Scenario/ Writer: Hilary Norrish, Dolya Germany, North Macedonia, Serbia, Belgium, 2020
Gavanski, Zachary Karabashliev European
Fotografija/ Cinematography: Nenad 18% SIVE Film
Boroevich
Montaža/ Editing: Nina Altaparmakova, 18% GREY Festival
Vessela Martschewski, Elena Palić
Seimenova Nakon što ga supruga napusti, Zack, fotograf iz Bugarske upušta se u uzbudljivo 2020.
Scenografija/ Production Design: Judit putovanje iz Londona u Berlin. Na putu otkriva istinu o izgubljenoj ljubavi, ali i ne baš
Varga ugodna saznanja o sebi samom.
Muzika/ Soundtrack: prof. Viktor When his wife leaves him, struggling Bulgarian photographer Zack sets out on a wild trip
Chouchkov from London to Berlin. It is a journey that reveals the truth about his lost love - and ultimately
Kostimograf/ Costume designer: Eka to uncomfortable discoveries about himself.
Bichinashvili, Nadine Kremeier
Uloge/ Cast: Ruscen Vidinliev, Dolya VIKTOR CHOUCHKOV
Gavanski, Ron Cook, Joke Emmers,
Boris Van Severen, Orlando Seale, Viktor Chouchkov diplomirao je na Visokoj školi likovnih umetnosti
Norman Bowman, Susanne Wuest, u Sofiji, a režiju na Nacionalnoj filmskoj akademiji. Režirao je brojne
Samuel Finzi, Madeleine Cannon muzičke spotove i reklame. Njegov dugometražni debi Tilt učestvovao
Trajanje/ Duration: 110’ je na 37 festivala i osvojio 14 nagrada.
Produkcija/ Production: Chouchkov Viktor Chouchkov has a Master in Directing from the National Film
Brothers, Ostlicht Filmproduktion Academy and is a graduate of the High School of Fine Arts in Sofia.
(Germany), Bulgarian National TV, He has directed numerous music videos and commercials. His feature
Cinnamon Films (Serbia), Raised by film debut Tilt has participated in 37 festivals and has won 14 awards.
Wolves (Belgium), Sektor Film (North
Macedonia)
Producenti/ Producers: Georgi
Abrashev, Borislav Chouchkov, Viktor
Chouchkov, Guido Schwab, Dolya
Gavanski, Marcel Lenz
Koproducenti/ Co-Producers: Vladimir
Anastasov, Angela Nestorovska,
Nevena Savić, Ivica Vidanović,
Miroslav Mogorović, Peter Bernaers,
Veerle Zeelmaekers, Jules Debrock,
Gerry Maguire

FILMOGRAFIJA/FILMOGRAPHY
2010 Tilt

FESTIVALI/FESTIVALS
2020 Sofia International Film Festival

Septembar 12-18 2020

26 Rusija, Nemačka, Belorusija/ Russian Federation, Germany, Režija/ Director: Vadim Perelman
Republic of Belarus, 2019 Scenario/ Writer: Ilya Zofin (based on
European the story ’Erfindung einer Sprache’ by
Film ČASOVI PERSIJSKOG Wolfgang Kohlhaase)
Festival Fotografija/ Cinematography: Vladislav
Palić PERSIAN LESSONS/ PERSISCHSTUNDEN Opelyants
2020. Montaža/ Editing: Vessela
Okupirana Francuska, 1942. Belgijanac Žil, zajedno sa drugim Jevrejima, poslat je u Martschewski, Thibault Hague
logor. Uspeva da izbegne pogubljenje zaklinjući se stražarima da on nije Jevrej Žil, već Scenografija/ Production Design:
Persijanac Reza. Dmitriy Tatarnikov, Vlad Ogaj
Occupied France, 1942. Gilles is arrested by SS soldiers alongside other Jews and sent to a Kostimograf/ Costume designer: Alexey
camp in Germany. He narrowly avoids sudden execution by swearing to the guards that he Kamyshov
is not Jewish, but Persian. Šminka/ Make-up: Ekaterina Odintsova
Muzika/ Soundtrack: Evgueni
VADIM PERELMAN Galperine, Sacha Galperine
Dizajn zvuka/ Sound Design: Boris Voyt
Kuća peska i magle (2003) bio je rediteljski debi kanadsko-američkog Uloge/ Cast: Nahuel Pérez Biscayart,
reditelja ukrajinskog porekla Vadima Perelmana sa nominacijama Lars Eidinger, Jonas Nay, Leonie
za tri Oskara. Vadim je inovativni reditelj reklama (neki od klijenata Benesch, Alexander Beyer, Luisa-
su Microsoft, Panasonic, Nike i Coors), kao i nagrađivanih muzičkih Celine Gaffron, David Schütter,
spotova. Guiseppe Schillaci, Antonin Chalon,
Vadim Perelman made his directorial debut in 2003 with House of Mehdi Rahim-Silvioli
Sand and Fog. The film, starring was nominated for three Academy Trajanje/ Duration: 127’
Awards and also marks his first screenplay credit. He established Produkcija/ Production: Hype Film
himself as an innovative director of commercials (his clients included (Moscow), LM Media (Berlin)
Microsoft, Panasonic, Nike and Coors) as well as award-winning music Koprodukcija/ Co-Production: ONE
videos. TWO Films (Berlin)
Podrška/ Support: Belarusfilm
Producenti/ Producers: Rauf
Atamailbekov, Timur Bekmambetov,
Pavel Burya, Murad Osmann, Vadim
Perelman, Ilya Stewart, Ilya Zofin
Koproducent/ Co-Producer: Sol Bondy

FILMOGRAFIJA/FILMOGRAPHY
2018 Kupi menya
2016 Yolki 5
2007 The Life Before Her Eyes
2003 House of Sand and Fog

FESTIVALI/FESTIVALS
2020 Berlinale (Berlinale Special
selection) world premiere
2020 Beijing International Film Festival
(Panorama selection)

palicfilmfestival.com

Poljska, Švedska/ Poland, Sweden, 2020

ZNOJ

SWEAT

Režija/ Director: Magnus von Horn 27
Scenario/ Writer: Magnus von Horn
Fotografija/ Cinematography: Michał Tri dana iz života jedne fitnes instruktorke. Silvija Zajac je poznata na društvenim European
Dymek mrežama, okružena je vernim saradnicima i obožavateljima, ali ono što ona stvarno želi Film
Montaža/ Editing: Agnieszka Glińska je prava intima.
Scenografija/ Production Design: Jagna Festival
Dobesz Three days in the life of fitness motivator Sylwia Zajac, a social media celebrity surrounded by Palić
Kostimograf/ Costume designer: loyal employees and admirers but is really looking for true intimacy. 2020.
Malgorzata Fudala
Muzika/ Score: Piotr Kurek
Dizajn zvuka/ Sound Design: Michał
Robaczewski
Uloge/ Cast: Magdalena Koleśnik,
Julian Świeżewski, Aleksandra
Konieczna, Zbigniew Zamachowski
Trajanje/ Duration: 105’
Produkcija/ Production: Lava Films
Producenti/ Producers: Mariusz
Włodarski
Koprodukcija/ Co-Production: Zentropa
Sweden, Film i Väst, DI Factory,
CANAL + „EC1 Łódź – Miasto Kultury”,
Opus Film
Sufinansijeri/ Co-financed by: Polish
Film Institute, Swedish Film Institute,
Media Creative Europe
Pridruženi producenti/ Associate
Producers: Sophie Erbs, Tom Dercourt

FILMOGRAFIJA/FILMOGRAPHY MAGNUS VON HORN
2015 Efterskalv/ The Here After
2011 Utan snö Reditelj i scenarista Magnus von Horn (1983, Geteborg, Švedska) studirao
2008 Echo je na Poljskoj nacionalnoj filmskoj školi u Lođu u kojoj je nastavio da
2007 Mleczaki predaje filmsku režiju. Živi i radi u Poljskoj. Njegov prvi igrani film
2007 Radek Efterskalv/ The Here After (2015) dobio je godišnje Guldbagge nagrade
Švedskog filmskog institute za najbolji film i najbolju režiju. Film Znoj
FESTIVALI/ FESTIVALS uvršten je u zvaničnu selekciju (za sada otkazanog) festivala u Kanu.
2020 Cannes Official Selection
Magnus von Horn (1983, Gothenburg, Sweden) is a director and screen
writer. He is living and working in Poland. He graduated from the
Polish National Film School in Łódź in 2013, where he now teaches
directing. His first feature film Efterskalv/ The Here After (2015) received
the Guldbagge Award (Swedish equivalent of the Academy Awards)
for best film and best director. Sweat was selected in official selection
in Cannes 2020 (so far delayed).

Septembar 12-18 2020

28 Italija, Francuska, Ujedinjeno kraljevstvo/ Italy, France, UK, 2019 Režija/ Director: Matteo Garrone
Scenario/ Writer: Matteo Garrone, Massimo
European PINOKIO Ceccherini (based on The Adventures of
Film Pinocchio by Carlo Collodi)
Festival PINOCCHIO Fotografija/ Cinematography: Nicolai Brüel
Palić Scenografija/ Production Design: Dimitri
2020. Adaptacija klasične priče o drvenom, pa živom lutku Pinokiju. Capuani
Live-action adaptation of the classic story of a wooden puppet named Pinocchio who comes Montaža/ Editing: Marco Spoletini
to life. Kostimograf/ Costume designer: Massimo
Cantini Parrini
MATTEO GARRONE Šminka/ Make-up: Dalia Colli, Mark Coulier
(prostetic makeup)
Matteo Garrone (Rim, 1968) je italijanski reditelj. Za film Gomora Frizura, Stajling/ Hair Design, Styling:
dobitnik je nagrade za najboljeg reditelja na dodeli Evropskih filmskih Francesco Pegoretti
nagrada (European Director), David di Donatello nagrade Vizuelni efekti/ Visual Effects: Theo Demiris,
za najboljeg reditelja i Velike nagrade žirija na frestivalu u Kanu 2008. Rodolfo Migliari
Istu nagradu u Kanu dobio je i 2012. za film Reality. Muzika/ Score: Dario Marianelli
Matteo Garrone (Rome, 1968) is an Italian filmmaker. For Gomora Uloge/ Cast: Federico Ielapi, Roberto
he won European Director award, David di Donatello Award for best Benigni, Rocco Papaleo
director and Grand Prize of the Jury at Cannes Film Festival 2008. Four Trajanje/ Duration: 125’
years later he was again Cannes Grand Prize of the Jury laureate for Produkcija/ Production: Archimede, Rai
Reality. Cinema, Le Pacte, Recorded Picture
Company (RPC)
Producenti/Producers: Paolo Del Brocco,
Matteo Garrone, Anne-Laure Labadie,
Jean Labadie, Jeremy Thomas

FILMOGRAFIJA/ FILMOGRAPHY (feature
films)
2018 Dogman
2015 Il racconto dei racconti/ Tale of Tales
2012 Reality
2008 Gomorra
2004 Primo amore/ First Love
2002 L’imbalsamatore/ The Embalmer
2000 Estate romana/ Roman Summer
1998 Ospiti/ Guests
1996 Terra di mezzo

NAGRADE/AWARDS
2020 David di Donatello Awards
– Best Production Design (Dimitri
Capuani)
– Best Costume Design (Massimo Cantini
Parrini)
– Best Make-Up (Dalia Colli, Mark Coulier)
– Best Hair Design/Styling (Francesco
Pegoretti)
– Best Visual Effects (Theo Demiris,
Rodolfo Migliari)
2020 Italian National Syndicate of Film
Journalists
Guglielmo Biraghi Award – Special Mention
(Federico Ielapi)
Silver Ribbon – Best Director (Matteo
Garrone)
– Best Supporting Actor (Roberto Benigni)
– Best Production Design (Dimitri Capuani)

palicfilmfestival.com

Francuska, Švajcarska/ France, Switzerland, 2019

SO OD SUZA

THE SALT OF TEARS/ LE SEL DES LARMES

Režija/ Director: Philippe Garrel 29
Scenario/ Writer: Jean-Claude Carrière,
Philippe Garrel, Arlette Langmann Mladić iz provincije putuje u Pariz na polaganje prijemnog ispita za fakultet. Sreće European
Fotografija/ Cinematography: Renato devojku sa kojom započinje kratkotrajnu vezu.. Film
Berta
Montaža/ Editing: François Gedigier A provincial youngster who travels up to Paris to sit an entrance exam for a “grande école”. Festival
Kostimograf/ Costume designer: His path crosses that of a young woman and they strike up a short-lived relationship. Palić
Justine Pearce 2020.
Muzika/ Score: Jean-Louis Aubert
Zvuk/ Sound: Guillaume Sciama PHILIPPE GARREL
Miks zvuka/ Sound Mixing: Thierry
Delor Philippe Garrel (1948) svoj prvi film Marie pour mémoire režirao je 1967.
Scenografija/ Production Design: godine. Pet godina kasnije režirao je kultni film La cicatrice intérieure/
Emmanuel De Chauvigny The Inner Scar o rok ikoni Niko. Iza sebe ima opus veći od 25 filmova
Uloge/Cast: Logann Antuofermo, koji se često odnose na proteste 60-ih, u kojima je i sam učestvovao.
Oulaya Amamra, André Wilms, Louise
Chevillotte, Souheila Yacoub, Martin Philippe Garrel (1948) directed his first film Marie pour mémoire in
Mesnier, Teddy Chawa, Aline Belibi 1967. Five years later, he directed the celebrated cult film La cicatrice
Trajanje/ Duration: 100’ intérieure/ The Inner Scar with and about the rock icon Nico. He has
Produkcija/ Production: Rectangle directed more than 25 films, which often relate to the the 60’s protest,
Productions, Paris to which he belonged.
Producenti/ Producers: Laurine
Pelassy, Edouard Weil
Koproducenti/ Co-producers: Joëlle
Bertossa, Flavia Zanon
Koprodukcija/ Co-production: Close Up
Films, Genf
U saradnji/ In cooperation w. Arte
France Cinema, RTS Radio &
Télévision Suisse, SRG SSR

ODABRANA FILMOGRAFIJA/
SELECTED FILMOGRAPHY
2017 L’amant d’un jour/ Lover for a Day
2014 L’ombre des femmes/ In the
Shadow of Women
2013 La jalousie/ Jealousy
2011 Un été brûlant/ That Summer
2005 La frontière de l’aube/ Frontier of
the Dawn
2001 Sauvage innocence/ Wild
Innocence
1998 Le vent de la nuit/ Night Wind

FESTIVALI/FESTIVALS
2020 Berlin International Film Festival
(competition)
2020 San Sebastián International Film
Festival

Septembar 12-18 2020
Nemačka, Francuska/ Germany, France, 2020

UNDINE

30 Undine je istoričarka i drži predavanja o urbanom razvoju Berlina. Nakon što je partner Režija/ Director: Christian Petzold
ostavi, sustiže je drevni mit - mora da ubije čoveka koji ju je izdao i vrati se u vodu. Scenario/ Writer: Christian Petzold
European Fotografija/ Cinematography: Hans
Film Undine works as a historian lecturing on Berlin’s urban development. But when the man Fromm
Festival she loves leaves her, the ancient myth catches up with her. Undine has to kill the man who Montaža/ Editing: Bettina Böhler
Palić betrays her and return to the water. Dizajn zvuka/ Sound Design: Martin
2020. Steyer, Dominik Schleier,Benjamin
CHRISTIAN PETZOLD Hörbe, Bettina Böhler
Zvuk/ Sound: Andreas Mücke-Niesytka
Christian Petzold je rođen u Hildenu 1960. godine. Nakon studija Scenografija/ Production Design:
nemačkog jezika i drame na Slobodnom univerzitetu u Berlinu (Freie Merlin Ortner
Universität Berlin), upisuje se na Nemačku akademiju za film i televiziju Kostimograf/ Costume designer:
u Berlinu (DFFB), gde studira filmsku režiju i istovremeno radi kao Katharina Ost
pomoćnik reditelja kod Haruna Farockog i Harmuta Bitomskog. Uloge/ Cast: Paula Beer, Franz
Rogowski, Maryam Zaree, Jacob
Christian Petzold was born in Hilden in 1960. After studying German Matschenz, Anne Ratte-Polle
and Drama at the Freie Universität Berlin, he enrolled in Berlin’s Trajanje/ Duration: 90’
German Academy for Film and Television (Deutsche Film-und Produkcija/ Production: Schramm Film
Fernsehakademie Berlin–DFFB). There he studied film direction while Koerner & Weber
at same time working as an assistant director to Harun Farocki and Producenti/ Producers: Florian Koerner
Hartmut Bitomsky. von Gustorf, Michael Weber
Izvršni producent/ Executive Producer:
Anton Kaiser
Koprodukcija/ Co-production: Les Films
du Losange, Paris
Koproducent/ Co-producer: Margaret
Menegoz

ODABRANA FILMOGRAFIJA/
SELECTED FILMOGRAPHY
2018 Transit
2014 Phoenix
2012 Barbara
2008 Jerichow
2007 Yella
2004 Gespenster/ Ghosts
2002 Wolfsburg

FESTIVALI/FESTIVALS
2020 Beijing International Film Festival

NAGRADE/AWARDS
2020 Berlin International Film Festival –
Silver Bear for Best Actress (Paula Beer)
– FIPRESCI Prize

Režija/ Director: Bagota Béla palicfilmfestival.com
Scenario/ Writer: Bagota Béla Mađarska/ Hungary, 2019
Fotografija/ Cinematography: Garas
Dániel VALAN – Dolina anđela
Scenografija/ Production Design:
Damokos Csaba VALAN – Valley of Angels/ VALAN - Az angyalok völgye
Montaža/ Editing: Szalai Károly
Muzika/ Soundtrack: Márkos Albert 31
Kostimograf/ Costume designer: Judit
Sinkovics
Uloge/ Cast: Csaba Krisztik, András
Hatházi, Emőke Pál, Gábor Tollas,
László Mátray, Júlia Nyakó
Trajanje/ Duration: 97’
Produkcija/ Production: Matrix Film
Producent/ Producer: Kántor László
Izvršni producenti/ Exec. Producers:
Bagota Béla, Faragó Attila, Rajna
Gábor, Szirmai Árpád

FILMOGRAFIJA/FILMOGRAPHY Valan, transilvanijski rudarski grad; istraga o nestaloj sestri uvodi Petera u lavirint European
2010 Tiszta kézzel prošlosti, u kojoj se otkrivaju gresi, mnogo bolniji no što je mogao i zamisliti. Film
2009 Hódomb
2008 Különös történetek In Valan, a Transylvanian mining town, Peter’s investigation about his missing sister leads Festival
2008 Egymás mellett him to the maze of the past where more painful sins and solutions are revealed than he Palić
would ever thought. 2020.
FESTIVALI/FESTIVALS
2020 Aubagne International Film BÉLA BAGOTA
Festival
2019 Warsaw International Film Festival Béla Bagota je snimio nekoliko kratkometražnih filmova tokom
(world premiere) studiranja: Side By Side, Mea culpa, Frustration. Njegov film With
Clean Hands je 2010. godine osvojio nagradu za najbolji diplomski rad
NAGRADE/AWARDS na Univerzitetu za pozorište i film u Budimpešti. Valan je njegov prvi
2019 Alexandre Trauner Art FF, Szolnok, dugometražni film.
Hungary–Best Production Design
(Csaba Damokos) Béla Bagota made several shorts films during his university years:
2020 Hungarian Film Critics Awards – Side By Side, Mea culpa, Frustration. His short film, With Clean Hands
Best Director (Bagota Béla) won the Best Graduation Film of the University of Theatre and Film
2020 Hungarian Film Week – Best (Budapest) in 2010. Valan is his first feature film as a director.
Cinematographer (Dániel Garas)
2020 Fantasporto – Directors’ Week
Award – Best Director (Bagota Béla)
– Best Screenplay (Bagota Béla)

Septembar 12-18 2020

32 Rusija, Srbija/ Russian Federation, Serbia, 2020 Režija/ Director: Konstantin Statskiy
Scenario/ Writer: Vasiliy Kutsenko,
European HOTEL BEOGRAD Anatoliy Molchanov, Vyacheslav Zub
Film Fotografija/ Cinematography: Ulugbek
Festival HOTEL BELGRADE/ ОТЕЛЬ БЕЛГРАД Khamraev, Fedor Struchev
Palić Muzika/ Score: Ivan Kanaev
2020. Paša je bogati naslednik i vlasnik prestižnog hotela Beograd. Kada se u njegov svet Scenografija/ Production Design:
uključe beogradska mafija, luda nevesta, stara ljubav i čudna porodica, njegov, nekada Jovana Grahovac
ležeran život, pretvara se u avanturu u kojoj ništa nije nemoguće. Kostimi/ Costumes: Kristina Savić
Paul is a wealthy heir and owner of the prestigious Belgrade hotel. When into his world The Dizajn zvuka/ Sound Design: Srđan
Belgrade mafia, crazy bride, old love and quirky family are involved, his leisurely life turns into Milovanović
an adventure where anything is possible. Vizuelni efekti/ Visual Effects: Stas
Basko
KONSTANTIN STATSKIY Uloge/ Cast: Miloš Biković, Diana
Pozharskaya, Ljubomir Bandović,
Boris Dergjaćov, Miodrag Radonjić,
Srđan Žika Todorović, Jelisaveta
Sabljić
Trajanje/ Duration: 106’
Produkcija/ Production: Yellow, Black &
White (Russian Federation)
Koprodukcija/ Co-production:
Archangel Studios (Serbia)
Producenti/ Producers: Miodrag
Radonjić, Mikhail Tkachenko, Tatjana
Žeželj Gojkovic

Filmski i TV reditelj Konstantin Statski rođen je 29. maja 1978. u Sankt Peterburgu (tada FILMOGRAFIJA/FILMOGRAPHY
Lenjingradu). Jedan je od najnagrađivanijih ruskih TV reditelja. Njegov prvi TV serijal, 2019 Sekretnoe oruzhie/ Secret
Weapon
Мажор/ Silver Spoon bio je prvi ruski TV program koji je otkupio Netflix. 2018 Мост/ The Bridge (TV series)
Мажор mu je doneo nagradu APKiT za režiju ruskog Udruženja filmskih 2017 Trotsky (eight episodes TV series)
i TV producenata (The Association of Cinema and TV Producers). Istu 2014 Мажор/ Silver Spoon (TV series, 3
nagradu, ali i nagradu TEFI Ruske TV akademije (Russian Academy of seasons, 40 episodes)
Television), primiće 2018. za TV seriju Trocki. 2012 Skazka. Est
2012 Ded Moroz vsegda zvonit... trizhdy!
Film and TV director Konstantin Statski was born on May 29, 1978 in St.
Petersburg (then Leningrad). He is one of the most awarded Russian
TV directors. His first TV series Silver Spoon was the first Russian TV
program to be bought out by Netflix. It brought him the APKiT award
for directing by the Russian Association of Cinema and TV Producers.
The same award, but also the TEFI award by the Russian Academy of
Television, he received in 2018 for TV series Trotsky.

palicfilmfestival.com

33
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

34 ŽIRI KRITIKE
CRITICS JURY
European
Film
Festival
Palić
2020.

palicfilmfestival.com

35
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

Greg de Cuir Jr

Greg de Cuir Jr je pisac, prevodilac i nezavisni kustos koji živi i radi u
Beogradu. Njegovi eseji objavljivani su u časopisima Cineaste, Sight & Sound,
Millennium Film Journal, Jump Cut, Politika, CURA I mnogim publikacijama i
katalozima. Učestvovao je u mnogim projektima koji se tiču kinematografije.

Greg de Cuir Jr is a writer, translator and independent curator who lives and
works in Belgrade, Serbia. His essays have been published in Cineaste, Sight &
Sound, Millennium Film Journal, Jump Cut, Politika, CURA and in many volumes
and catalogs. He participated in loads of projects concerning world’s cinema.

36 Jelena Đurović

European Jelena Đurović je Novinarka i spisateljica, urednica portala AgitPop.
Film Diplomirala pozorišnu i radio produkciju na FDU. Sarađivala sa većinom
Festival domaćih štampanih i online medija. Jedan od osnivača prvog web-radija
Palić u Srbiji „Novi Radio Beograd“ (2008). Filmskom i TV kritikom se bavi već
2020. desetak godina u okviru platforme www.agitpop.me kao i na YouTube
kanalu agitpopkultura. Popularizovala filmsku i TV umetnost na tribinskim
programima koje je vodila u ustanovama KC Grad, Parobrod, SO Vračar i
Kulturni centar Beograda. Objavila preko hiljadu tekstova i radijskih emisija
na temu filma, televizije i pop-kulture.

Jelena Đurović is a journalist and writer, editor of the AgitPop portal. She
graduated in theater and radio production at the FDU. She has collaborated with
most Serbian print and online media. She is one of the founders of the first web
radio in Serbia “New Radio Belgrade” (2008). She has been dealing with film and
TV critics for ten years within the www.agitpop.me as well as on the YouTube
channel agitpopkultura. She popularized film and TV art in the institutions
like KC Grad, Parobrod, SO Vracar and the Cultural Center of Belgrade. She has
published over a thousand texts and radio shows on film, television and pop
culture.

palicfilmfestival.com

Zoran Janković 37

Zoran Janković je završio engleski jezik i književnost na Univerzitetu European
u Novom Sadu. Sarađivao je ili sarađuje s popularnima štampanim i Film
elektronskim medijima, kao što su: RTS, Vreme, NIN, Yellow Cab, Huper,
Pressing, Status, Filaž, Optimist, Etnoumlje, Pazi, snima se, Espresso… Od Festival
2007. do 2013. godine pisao je književne prikaze, recenzije albuma i filmova, Palić
tematske tekstove i kolumne za veb-magazin Popboks, a od 2013. piše za 2020.
portal i štampano izdanje City Magazina. Stalni je saradnik emisije „Velika
iluzija” na RTS-u i dopisnik magazina Film New Europe iz Srbije. Janković od
2016. godine uređuje portal Filmskog centra Srbije. Uz Đorđa Bajića i Ivana
Velisavljevića autor je knjiga „Kritički vodič kroz srpski film 2000-2017” (2018)
i „The Best Serbian Films of the 21st Century” (2019), obe u izdanju Filmskog
centra Srbije.

Zoran Janković graduated in English language and literature at the University
of Novi Sad. He has collaborated or is collaborating with popular print and
electronic media, such as: RTS, Vreme, NIN, Yellow Cab, Huper, Pressing, Status,
Filaž, Optimist, Ethnoumlje, Pazi, snima se, Espresso… From 2007 to 2013 he has
written literary reviews, album and film reviews, texts and columns for Popbox
web magazine, and since 2013 he has been writing for the portal and the print
edition of City Magazine. He is a regular contributor to The Great Illusion TV show
and a correspondent of Film New Europe magazine. Since 2016, Janković has
been editing web portal of Serbian Film Center. Along with Đorđe Bajić and Ivan
Velisavljević, he is the author of Critical Guide to Serbian Film 2000-2017 (2018)
and The Best 21st Century Serbian Films (2019), books published by Serbian Film
Center.

Septembar 12-18 2020

38 PARALELE I SUDARI

European
Film
Festival
Palić
2020.

PARALLELS AND ENCOUNTERS

palicfilmfestival.com

39
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

40
European
Film
Festival
Palić
2020.

palicfilmfestival.com

PARALELE I SUDARI

Ove godine smo ja i moj saradnik Miroslav Mogorović odabrali 15 filmova, uključujući i tri kratka – od kojih
će se 11 takmičiti za nagradu – koji predstavljaju veliki broj zemalja u okviru programskog interesa selekcije
Paralele i sudari, naime Centralnu i Istočnu Evropu. Kao i obično trudili smo se da selekcija bude što šira kako
u geografskom tako i u tematskom smislu, od polu-dokmunentarnih eksperimentalnih filmova kakav je FREM
preko radikalnih animacija (UBIJ, PA NAPUSTI GRAD) do soc-realističkih drama i filmova interesantnog žanra.
Kao uvek kada je u pitanju kinematografija ovog dela sveta, ozbiljne političke teme su retko daleko od površine
pa reditelji često prate uticaj nedavnih istorijskih događaja na sadašnjost – iako smo u nekim filmovima
neposredno upućeni na prošlost, kako bi napravili paralele između prošlih vremena i sadašnjosti. Posebno
smo srećni jer smo pronašli mnogo jakih naslova ženskih autora – počevši od poznatih imena kao što je letonka
Laila Pakalnina, pa sve do novijih, kao što je ukrajinka Kristina Sivolap – koje se izražavaju na iznenađujuće
hrabar način.

Selektor, Nil Jang

41

PARALLELS AND ENCOUNTERS European
Film
This year I and my fellow selector Miroslav Mogorović have chosen a total 15 films, including three shorts -- 11 of
which will vie for the section’s prize -- representing a wide range of countries in the “Parallels and Encounters” area Festival
of interest, namely Central and Eastern Europe. As usual we have tried to make the selection as wide-ranging as Palić
possible both in terms of geography and also in terms of theme, from experimental semi-documentary (FREM) 2020.
to radical animation (Kill It And Leave This Town) to social-realist dramas and films with an exciting “genre” touch.
As always with filmmaking from this part of the world, serious political issues are seldom far from the surface and
often the directors trace the impact of recent historical events on the current era -- though in some instances we are
plunged directly into past periods, invited to draw parallels between those epochs and current situations. We were
particularly happy to find so many strong titles by female directors -- ranging from established names like Latvia’s
Laila Pakalniņa to relative newcomers such as Ukraine’s Christina Sivolap -- expressing themselves in surprising and
adventurous ways.

Programmer, Neil Young

Septembar 12-18 2020

Letonija/Latvia, 2019

OČAJANJE

DESPAIR/ IZMISUMS

42 Gatis, u nemogućnosti da se suoči sa svojim problemima, zapada u depresiju. Režija/ Director: Kārlis Lesiņš
Nenadano, postaje član nepoznate okultne grupe za terapiju, koja naizgled pokreće Scenario/ Writer: Kārlis Lesiņš
European njegov process samoisceljenja, iako Gatis oseća kao da polako gubi razum. Da li je na Fotografija/ Cinematography: Mārtiņš
Film putu ozdravljenja ili ludila? Jurevics
Festival Scenograf/ Production Designer: Gints
Palić Unable to deal with a personal crisis, Gatis is dealing with depression. He feels like he is Sippo
2020. burning out. By accident he ends up in a strange cult-type therapy group that seems to Montaža/ Editing: Toms Krauklis,
trigger his self healing process, though it feels like he is losing his sanity. Is he healing or Oskars Morozs
going insane? Kostimograf/ Costume designer:
Patrīcija Poikāne
KĀRLIS LESIŅŠ Šminka/ Makeup Artist: Patrīcija
Kokina
Kārlis Lesiņš je režiju diplomirao na Letonskoj akademiji kulture, a Muzika/ Soundtrack: Edvards Broders
stekao je i master diplomu scenariste i reditelja. Režirao je nekoliko TV Uloge/ Cast: Kaspars Zāle, Alise
dokumentarnih filmova, dugometražnih dokumentaraca, kao i onih u Danovska, Līga Zeļģe, Vita Vārpiņa,
žanru fikcije. Dva njegova dela su nagrađena državnom nagradom za Kaspars Gods, Dārta Daneviča
film Lielais Kristaps. Trajanje/ Duration: 75’
Produkcija/ Production: Red Dot Media,
Kārlis Lesiņš is a young director who has graduated the Latvian Woodpecker Pictures
Academy of Culture and has Master’s degree in film directing and Producenti/ Producers: Kristīne
scriptwriting. He has directed several TV documentaries, feature Āboliņa (Red Dot Media) Dominiks
documentaries and fiction. Two of his works have received the National Jarmakovičs, Lelde Prūse
film award Lielais Kristaps. (Woodpecker Pictures)
Podržano/ Supported by: State Culture
Capital Foundation

FILMOGRAFIJA/ FILMOGRAPHY
2019 Ally (TV documentary)
2018 Project: Resettlement
(TV documentary)
2018 Under the Upturned Moon
(feature documentary)
2018 D is for Division
(feature documentary)
2017 Exporters of Revolution
(TV documentary)
2017 Clay Children (TV documentary)
2017 Spirits of Mountains
(TV documentary)
2017 Tender Giants (TV documentary)
2016 Converts (short fiction)
2016 Grandfather’s Father
(TV documentary)

FESTIVALI/FESTIVALS
2019 Riga International Film Festival

palicfilmfestival.com

Ukrajina/ Ukraine, 2020

SLUŠKINJA

FELIX AUSTRIA aka MAID-IN-LAW/ ВІДДАНА

Režija/Director: Christina Sivolap Stanislavov, austrougarska provincija, 1900. godine. Kontroverzni odnosa sluškinje 43
Scenario/ Writer: Alina Semeryakova, Stefanije Čorenko i plemkinje Adele Anger.
Sofia Andrukhovych European
Fotografija/ Cinematography: Aleksey The plot revolves around the controversial relationship between maid Stefania Chornenko Film
Lamakh and blueblood Adelia Anger against the backdrop of the provincial city of Stanyslaviv, Austro-
Kostimograf/ Costume designer: Lesia Hungary, in 1900. Festival
Patoka Palić
Muzika/ Soundtrack: Evhen Filatov 2020.
Uloge/ Cast: Marianna Januszewicz,
Alesya Romanova, Roman Lutsky,
Oleksandr Kobzar, Sergiy Volosovets,
Ada Rogovtseva, Kateryna Kukhar,
Yevhen Yanovych, Natalya Vasko,
Irma Vitovska, Vazha Goderdzishvili,
Sebastian Cybulsky, Yasin
Faradzhallakh, Maryna Koshkina
Trajanje/ Duration: 103’
Produkcija/ Production: FILM.
UA Production w. the supp. of the
Government of Ukraine and the
Ministry of Culture of Ukraine
Producenti/ Producers: Nadiia
Zaionchkovska

FILMOGRAFIJA/FILMOGRAPHY CHRISTINA SIVOLAP
2018 Only the love matters (TV series)
2017 Kafe na Sadovoy/ Cafe on Christina Sivolap (1991) diplomirala je TV režiju i dramaturgiju na
Sadovaya Street’ (TV series) Državnom univerzitetu I. K. Karpenko-Kari u Kijevu. Rediteljka je i
2017 Papa Den/ Step Dan koscenaristkinja kratkometražnog filma Not Today, sponzorisanog
(format adaptation, TV series) od strane Ukrajinske državne agencije za film, a nagrađivanog na
2015 Davay ne syogodni Filmskom festivalu u Trstu, Međunarodnom festivalu kratkog filma u
2014 Not Today (short) Lavovu i na Festivalu Jula u Nemačkoj.

Christina Sivolap (1991) is an Ukrainian director, schooled at the Kyiv
National I. K. Kaprenko-Kary Theatre, Cinema and Television University.
She is the director and co-writer of the short film Not Today, which was
sponsored by Ukrainian State Film Agency and was awarded at Trieste
Film Festival, Lviv International Short Film Festival and Jula Festival.

Septembar 12-18 2020

44 Mađarska/ Hungary, 2019 Režija/ Director: Attila Hartung
Scenario/ Writer: Yvonne Kerékgyártó,
European FOMO Attila Hartung
Film Fotografija/ Cinematography: Kristóf
Festival Strah od propuštanja/ Megosztod, és uralkodsz/ M. Deák
Palić Fear of Missing Out Montaža/ Editing: Péter Gábor Duszka
2020. Scenograf/ Production Designer: Petra
Gerga i njegovu grupu tinejdžera interesuju samo tri stvari: žurke, seks i društvene Vinnai
mreže. Na žurci, jedne noći, Lilla postaje njihova žrtva. Izazov koji se oteo kontroli ovim Kostimograf/ Costume Designer: Lilla
će tinejdžerima preokrenuti život. Schreiter
Gergő and his teenage friends are into three things: partying, sex, and their online following. Muzika/ Soundtrack: Dávid Konsiczky,
One night, at a party, Lilla falls victim to the boys. A dare gets out of hand and the youngsters’ Henri Gonzalez
world changes forever overnight. Zvuk/ Sound: Viktor Lente
Kostimograf/ Costume designer:
ATTILA HARTUNG Schreiter Lilla
Uloge/ Cast: Yorgos Goletsas, Panna
Attila Hartung (1991) studije filmske režije (Akademija filmske i László, Gergely Bouquet, Ábel
pozorišne umetnosti u Budimpešti) završio je u klasi Ildikó Enyedi, Pokorni, Sipöcz András, András Stohl,
dobitnice Zlatne kamere u Kanu i Zlatnog medveda u Berlinu. Adrienn Herczeg, Viktória Szávai,
Režirao je nekoliko filmova koji su dobili priznanja na međunarodnim Gabor Peter Vincze, Murányi Panka
festivalima, a Fomo je njegov prvi dugometražni film. Trajanje/ Duration: 91’
Attila Hartung was born in Hungary in 1991. He studied film directing Produkcija/ Production: Filmteam
at the Academy of Theatre and Film Arts, Budapest. He finished his Koprodukcija/ Co-Production: Vertigo
studies in the class of the Cannes Caméra d’Or, Golden Bear winner Media
Ildikó Enyedi. He directed several short films which were awarded at Producenti/ Producers: Petra Iványi,
international film festivals. Fomo is his first feature film. István Major (Filmteam)
Koproducent/ Co-Producer: Dr Norbert
Korom (Vertigo Media)
Podrška/ Supported by: Hungarian
National Film Fund (HU)

FILMOGRAFIJA/ FILMOGRAPHY
2018 Paparazzi (short)
2018 Christmas (short)
2017 Víg Theatre (webseries)
2015 Deliver us (short)
2014 Ischler (short)
2014 Fasírt (short)
2012 100/1 (webseries)
2011 Dreamer (short)

FESTIVALI/FESTIVALS
2019 Tallinn Internation al Film Festival
(International premiere)
2020 Transilvania International Film
Festival

NAGRADE/ AWARDS
2020 Hungarian Film Week – Best
Editing

palicfilmfestival.com

Češka, Slovačka/ Czech Republic, Slovakia, 2019

FREM

Režija/Director: Viera Čákanyová 45
Scenario/ Writer: Viera Čákanyová
Fotografija/ Cinematography: Tomáš FREM predstavlja burnu, ponekad i nelagodnu reakciju na aktuelni talas European
Klein, Viera Čákanyová posthumanističkog, antropocentričnog razmišljanja prouzrokovanog klimatskom Film
Montaža/ Editing: Marek Šulík, Viera krizom koja izmiče kontroli i eksponencijalnim širenjem veštačke inteligencije.
Čákanyová Festival
Uloge/ Cast: Martin Kovačík As the climate crisis becomes increasingly urgent beyond the point of no return, and artificial Palić
Zvuk/ Sound: Dominik Dolejši, Miroslav intelligence expands exponentially, FREM presents a striking and sometimes uncomfortable 2020.
Tóth, Stanislav Abrahám reaction to the current wave of post-humanist, anthropocentric thinking.
Trajanje/ Duration: 73’
Produkcija/ Production: Hypermarket VIERA ČÁKANYOVÁ
Film
Koprodukcija/ Co-Production: Vjera Čakaniova je rođena 1980. godine u Bratislavi. Diplomirala je
Punkchart Films na Akademiji scenskih umetnosti u Bratislavi, a potom i na fakultetu
Producenti/ Producers: Nina za film i TV (FAMU) Akademije scenskih umetnosti u Pragu. Njeni
Numankadić kratkometražni filmovi su prikazivani i nagrađivani na nekoliko
Koproducent/ Co-Producer: Ivan međunarodnih festival. Frem je njen prvi igrani film.
Ostrochovsky
Viera Čákanyová (1980) was born in Bratislava, Slovakia. She graduated
FILMOGRAFIJA/FILMOGRAPHY from the Academy of Performing Arts in Bratislava in screenwriting
2014 Rupicapra and received a BA from the Academy of Performing Arts in Prague
(part of the Project Slovakia 2.0) in documentary film (Film and TV School FAMU). Her films were
2014 Flying Horse presented at several international festivals and won a number of
(part of the Project Gottland) awards, Frem being her first feature.

STUDENTSKI FILMOVI/
STUDENTS FILMS
2011 Update
2011 Olda
2009 Alda
(Famufest 2009 Best Diresctor, Best
Editor)
2009 100 Days
2007 Worms
2007 Piranha (Famufest 2007 Best
Film)
2006 Under Underground

Septembar 12-18 2020

Poljska/ Poland, 2020

UBIJ, PA NAPUSTI GRAD

KILL IT AND LEAVE THIS TOWN/
ZABIJ TO I WYJEDŹ Z TEGO MIASTA

46 Režija/ Director: Mariusz Wilczyński
Scenario/ Writer: Mariusz Wilczyński
European Montaža/ Editing: Jarosław Barzan
Film Muzika/ Soundtrack: Tadeusz Nalepa
Festival Glasovi/ Voice Cast: Krystyna Janda,
Palić Andrzej Chyra, Maja Ostaszewska,
2020. MałgorzataKożuchowska, Andrzej
Wajda, Anja Rubik, Gustaw Holoubek,
Barbara Krafftówna, Marek Kondrat,
Magdalena Cielecka, Tomasz Stańko,
Irena Kwiatkowska
Trajanje/ Duration: 88’
Produkcija/ Production: Bombonierka
Production
Producenti/ Producers: Ewa
Puszczyńska, Agnieszka Ścibior

U bekstvu od očaja zbog gubitka najdražih, ovaj junak se sklanja u svet uspomena u FILMOGRAFIJA/ FILMOGRAPHY
kojem vreme stoji, a njegovi najdraži žive. Uvidevši da i u tom svetu oni stare i da večna 2007 Kizi Mizi
mladost ne postoji, naš se junak odlučuje za povratak u realnost. 2005 Śmierć na pięć/ Death To Five
2004 Niestety/ Unfortunately
Fleeing from despair after losing those dearest to him, the hero hides in a safe land of 2000 Wśród nocnej ciszy/ In the
memories, where time stands still and all those dear to him are alive. But when our hero Stillness of the Night
discovers they have all grown old and so eternal youth doesn’t exist, he decides to return to 2000 Mojej Mamie i sobie/ From the
reality. Green Hill
1999 From the Green Hill
MARIUSZ WILCZYŃSKI 1999 Szop, Szop, Szop, Szopę…
1998 Czasy przeszły/ Times Have Passed
Mariusz Wilczyński je samouki umetnik koji više od dvadeset godina stvara autorske 1998 Allegro ma non troppo
animirane filmove prikazivane, između ostalih, na Berlinskom filmskom festivalu i u
Nacionalnoj galeriji u Londonu. 2007. godine ga je New York Times prozvao jednim FESTIVALI/FESTIVALS
od najbitnijih savremenih stvaralaca umetničke animacije. Trenutno radi kao profesor 2020 Berlin International Film Festival
animiranog filma u Filmskoj školi u Lođu. Autobiografski, tradicionalno animirani, Kill It and (In Competition - Berlinale Encounters)
Leave This Town je njegov prvi celovečernji film.…I have carried “Kill It and Leave This Town”

around with me for a very long time. And working on this film took a
quarter of my life…( Mariusz Wilczyński)

Mariusz Wilczyński is a self-taught artist who has been creating
animated auteur cinema for over twenty years. His animations were
shown at the National Gallery in London and at Berlinale. In 2007, the
New York Times called him “one of the most important contemporary
creators of artistic animation”. He is a professor of animation at the
Film School in Łódź. Autobiographical, traditionally animated, Kill It
and Leave This Town is director Mariusz Wilczynski’s debut feature
film.…I have carried “Kill It and Leave This Town” around with me for
a very long time. And working on this film took a quarter of my life…
(Mariusz Wilczyński)

palicfilmfestival.com

Hrvatska, Srbija, Francuska, Bosna i Hercegovina/
Croatia, Serbia, France, Bosnia and Herzegovina, 2019

MATER

MATRIARCH

Režija/Director: Jure Pavlović U ovoj beskompromisnoj psihološkoj drami, Jasna se vraća u rodno mesto kako bi 47
Scenario/ Writer: Jure Pavlović zbrinula bolesnu, nepokretnu majku. Međutim, Jasnino strpljenje i dobrota nisu
Fotografija/ Cinematography: Jana uzvraćeni, te je primorana da se suoči sa složenom i narušenom dinamikom odnosa European
Plećaš sa majkom. Film
Montaža/ Editing: Dragan von
Petrović, Jure Pavlović Jasna, a Croatian ex-pat, returns to her hometown to take care of her dying mother. But even Festival
Uloge/ Cast: Daria Lorenci Flatz, when lying bedridden, her mother’s immobile body still radiates daunting authority over Palić
Nevena Rošić, Vera Zima, Anka those who surround her. As days go by, Jasna gets tangled in the web of grudges that she 2020.
Vučković, Marijo Jurković was desperately trying to escape. Will she finally confront her mother or lose herself in her
Trajanje/ Duration: 93’ smothering embrace?
Produkcija/ Production: Sekvenca
Koprodukcija/ Co-Production: Wake JURE PAVLOVIĆ
Up Films, Les Films de L’oeil Sauvage,
Novi Film, Peglanje Snova Jure Pavlović (1985) je diplomirao režiju na Akademiji dramskih umjetnosti u Zagrebu.
Producenti/ Producers: Bojan Kanjera, Učestvovao je u raznim međunarodnim radionicama i programima poput Berlinale Talents,
Biljana Tutorov, Jure Pavlović Sarajevo Talent Campus, Sources 2 itd. Njegovi kratki filmovi prikazivani su i nagrađivani na
Koproducenti/ Co-Producers: Quentin brojnim međunarodnim festivalima (Berlinale, Clermont-Ferrand). Kratki film Piknik osvojio
Laurent (FRA), Srđan Šarenac (BiH) je nagradu Evropske filmske akademije za Najbolji kratki film 2015 godine. Mater je njegovo
Pridruženi koproducenti/ Associated
Co-Prod: Veronika Kuhrova & Michal debitantsko dugometražno ostvarenje.
Kračmer (CZE), Louise Bellicaud &
Claire Charles-Gervais (FRA) Jure Pavlović (1985) graduated film directing at the Croatian Academy
of Dramatic Arts. He participated in various international film
FILMOGRAFIJA/FILMOGRAPHY workshops – Berlinale Talents, Sarajevo Talent Campus, Sources 2… His
2015 Piknik (short) short films were screened and awarded at numerous international
2012 Kišobran (short) festivals, including Berlinale and Clermont-Ferrand. His short film
2010 Pola ure za baku (short) Piknik won the European Film Academy Award for Best Short Film, in
2015. Mater is his first feature film.
FESTIVALI/FESTIVALS
2020 66. Taormina Film Festival – Best
actress (Daria Lorenci Flatz)
2020 Festival mediteranskog filma Split
2020 FEST Beograd - Nagrada “Nebojša
Đukelić” za najbolji film regiona
2020 Vilnius International Film Festival
2019 Tallinn Black Nights Film Festival

Septembar 12-18 2020

Litvanija, Ukrajina, Francuska/ Lithuania, Ukraine, France, 2019

PARTENON

PARTHENON/ PARTENONAS

48 U jeftinom bordelu, u podnožju atenske tvrđave, čovek prepričava značajne događaje Režija/ Director: Mantas Kvedaravičius
svog života. Potraga za ljubavlju i slavom ponovo ga prožimaju, ali kroz tuđe živote: Scenario/ Writer: Mantas
European prostitutke nepobitne prošlosti; gangstera gonjenog nesrećom; slikara bez vere… Kvedaravičius, Evangelos
Film Sećanja ga zavaravaju, ali je siguran da će u jednom od tih života biti ubijen. Koutsourakis
Festival Fotografija/ Cinematography: Mantas
Palić In a cheap brothel at the foothills of an Athenian fortress, a man recounts the magnificent Kvedaravičius, Viacheslav Tsvetkov
2020. events of his life. His search for love and glory is retold and relived by many: a prostitute with Montaža/ Editing: Dounia Sichov,
an unredeemable past, a gangster haunted by bad luck, an icon painter who has no faith… Mantas Kvedaravičius
Memories betray him, but he knows for sure that in one of these lives, he will be killed. Kostimograf/ Costume designer: Agnė
Rimkutė
MANTAS KVEDARAVIČIUS Uloge/ Cast: Mehdi Mohammed,
Hanna Bilobrova, Garip Özdem, Rita
Mantas Kvedaravičius rođen je u Litvaniji 1976. godine. Studirao je antropologiju na Burkovska
Oksfordu, a trenutno na Kembridžu radi disertaciju na temu efekata bola. Držao je seminare Trajanje/ Duration: 119’
o religiji, pravu i političkoj teoriji u Njujorku, a 2006. je bio vođa istraživačkog projekta o Produkcija/ Production: Studio Uljana
mučenjima i deportacijama na Severnom Kavkazu. Barzakh, njegov prvi film, prikazan je Kim, ESSE Production House, Rouge
International, Extimacy Films
2011. u programu Panorama Berlinskog filmskog festival, a potom na Producenti/ Producers: Uljana Kim
više od 50 festivala u svetu osvojivšI više od 15 nagrada. Koproducenti/ Co-Producers: Vitalii
Sheremetiev, Natalia Libet, Nadia
Mantas Kvedaravičius was born in Lithuania in 1976. He studied cultural Turincev, Julie Gayet, Antoun
anthropology at Oxford University and is currently working on his Sehnaoui, Mantas Kvedaravičius
Cambridge University dissertation on the topic of the effects of pain.
He has held seminars in New York on religion, law and political theory, FILMOGRAFIJA/ FILMOGRAPHY
and in 2006 was leader of a research project on torture and deportation 2016 Mariupolis
in the Northern Caucasus. Barzakh, his first film, participated on more 2011 Barzakh
than 50 international film festivals and won more than 15 awards
including Amnesty International Award-Berlin International Film FESTIVALI/FESTIVALS
Festival, 2011; Best Film-Belgrade International Documentary Film 2019 Venice International Film Critics’
Festival, 2011 and Best Film-Ljubljana Documentary Film Festival 2012. Week

palicfilmfestival.com

Austrija/ Austria, 2018

KRALJEVSKO PLAVA

ROYAL BLUE/ ROYALBLAU

Režija/Director: Dinko Draganović 49
Scenario/ Writer: Dinko Draganović
Fotografija/ Cinematography: Roman Na putu da odvede svoju ćerku na gimnastiku, otac, ovisnik o kocki, zaustavlja se ispred European
Chalupnik (aac) kladionice, ostavljajući devetogodišnju ćerku samu u kolima. Po povratku, shvata da Film
Montaža/ Editing: Dinko Draganović više ništa neće biti kao pre.
Muzika/ Soundtrack: Moussaka Festival
Zvuk/ Sound: Atanas Tcholakov On his way to take his daughter to gymnastics, a gambling addict stops at a betting shop, Palić
Dizajn i miks zvuka/ Sound Design & leaving the 9-year-old girl in the car. When he returns, he realizes nothing will ever be the 2020.
Mix: Matthias Ermert same again.
Uloge/ Cast: Rubina Mia Jungwirth,
Ljubiša Lupo Grujčić
Trajanje/ Duration: 15’
Produkcija/ Production: Forafilm
Producenti/ Producers: Dinko
Draganović, Siniša Vidović

FILMOGRAFIJA/FILMOGRAPHY
2012 Waiting for Elegy
2012 Tatin ponos

NAGRADE/AWARDS CHRISTINA SIVOLAP
2019 Austrian Film Festival – Best
Drama Dinko Draganović je rođen 1988. godine u bivšoj Jugoslaviji. Master
2019 Lucania International Film Festival studije umetnosti i dizajna završio je na Univerzitetu u Lincu u kojem
– Best Actor i živi. Pored kratkih filmova i muzičkih spotova, snima reklame za
2018 Jahorina Film Festival – Best televiziju i film i gostujući je predavač na univerzitetu. Trenutno radi na
International Student Film svom prvom dugometražnom filmu Milf, društvenoj drami o mladima
2018 Linz International Short Film i pornografiji.
Festival – Best Austrian Film
2020 Short to the Point–Best Actor Born in 1988 in former Yugoslavia, Dinko completed his master degree
(February 2020 Winners) at the University of Arts and Design in Linz, where he is currently
living. Next to some short films and music videos, he is directing
commercials for television and cinema. Furthermore, he is working
as a guest lecturer at an university. A social drama about youth and
pornography titled Milf is going to be Dinko’s feature film debut, which
he is working on right now.

Septembar 12-18 2020

Srbija/ Serbia, 2020

SUTRA JE JOŠ UVEK JULI

TOMORROW IS STILL JULY

50 Tokom istrage misterioznog ubistva igračice Patre Kleo, beogradski privatni detektiv Režija/ Director: Dejan Vlaisavljević
Džoni Paluba i suspendovani policijski inspektor Todorov dolaze do izgubljenog Nikt
European srpskog filma, snimljenog za vreme Drugog svetskog rata. Scenario/ Writer: Dejan Vlaisavljević
Film Nikt
Festival An investigation behind the murder of dancer Patra Kleo, brings Džoni Paluba, a private Fotografija/ Cinematography: Predrag
Palić detective from Belgrade, and ex-inspector Todorov to a discovery of an old Serbian film, Bambić
2020. made during the Wold War II. Montaža/ Editing: Dejan Vlaisavljević
Nikt
Muzika/ Soundtrack: Dejan
Vlaisavljević Nikt
Uloge/ Cast: Violeta Goldman,
Danijel Nikolić, Milica Sužnjević,
Ana Bretšnajder, Dejan Vlaisavljević
Nikt, Arnaud Humbert, Saša
Radojević, Predrag Bambić, Petar
Milošević, Aleksandra Širkić, Nenad
Racković, Nebojša Pajkić, Goran
Koljanin
Trajanje/ Duration: 99’
Produkcija/ Production: Remaining
Light, Les Films DV NIKT, Griffith’s
Riders
Producent/ Producer: Dejan
Vlaisavljević Nikt

DEJAN VLAISAVLJEVIĆ NIKT FILMOGRAFIJA/FILMOGRAPHY
2016 Paluba Ispod Terazija/ Signature
Dejan Vlaisavljević Nikt rođen je 1967. godine u Beogradu. Učenik Work
Miroslava Bate Petrovića i Jovana Joce Jovanovića, filmom je počeo 2006 Veliki Poljubac/ Big Bang Kiss
da se bavi 1982. Obrazovan je na klasičnom Holivudu i klasičnom 2002 Undertaking
avangardnom filmu u Jugoslovenskoj kinoteci i drugim svetskim 2001 Uvrnute Duše/ Twisted Spirits
kinotekama. Bavi se muzikom i transmedijalnim performansom, autor 1998 Film neće biti prikazan/ The Film
je brojnih alternativnih filmova, muzike za film, rok albuma i stripova. Will Not Be Screened
Živi i radi u SAD.
FESTIVALI/ FESTIVALS
Dejan Vlaisavljević Nikt (1967, Belgrade), a student of Miroslav Bata 2020 FEST Međunarodni filmski festival
Petrović and Jovan Joca Jovanović, started his filmmaking career in Beograd (program FEST Fokus, world
1982. His film education came from classic Hollywood, avant-garde premiere)
and Yugoslavian cinematography. Vlaisavljević’s interests also lie in
music and transmedia performances, for he is an author of numerous
alternative films, film sountracks, rock albums and comics. Currently,
he is living and working in the USA.