Filmski Festival Palic

palicfilmfestival.com

101
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

102 NOVI MAĐARSKI FILM
NEW HUNGARIAN FILM
European
Film
Festival
Palić
2020.

palicfilmfestival.com

103
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

Mađarska/ Hungary, 2019

RAZDVOJENI

NEITHER WITH YOU / SEVELED

104 Gergőva majka opsednuto želi unuče. Ozbiljan je srčani bolesnik kojem je preostalo Režija/ Director: Orosz Dénes
nekoliko dana života. Želeći da joj ulepša poslednje trenutke, Gergő zamoli komšinicu Scenario/ Writer: Orosz Dénes, Várady
European Saci, koja je u petom mesecu trudnoće, da zajedno posete njegovu majku u bolnici i Zsuzsi
Film da joj ona saopšti da čeka Gergővo dete. Ali, majka transplatacijom dobija novo srce i Fotografija/ Cinematography: Fillenz
Festival Gergő i Saci su prinuđeni da nastave da igraju svoje uloge. Ádám, H.S.C.
Palić Montaža/ Editing: Kovács Zoltán, HSE
2020. Gergos mother is obsessed with having a grandchild. She has a serious heart desease and Scenograf/ Production Design: Valcz
has only days left to live. To give his mum some joy during her final hours, Gergo asks his Gábor
neighbour Saci, who is five months pregnant, to visit his mother in hospital with him and tell Kostimograf/ Costume designer: Oehler
her that she is carrying his child. It all goes smoothly, but a new heart arrives, and mum is Diana
operated. Therefore, Gergo and Saci are forced to play the roles of the loving couple. Muzika/ Soundtrack: Csengery Dániel,
Csorba Lóránt
DÉNES OROSZ Dizajn zvuka/ Sound design: Tőzsér
Attila, H.S.A.S.
Dénes Orosz je reditelj, scenarista i producent, rođen 1977. u Mađarskoj. Uloge/ Cast: Mészáros Béla,
Diplomirao je socijalnu pedagogiju na Njiređhaza koledžu, a studije Tenki Réka, Básti Juli, Eszter
nastavio na Akademiji filmske i pozorišne umetnosti u Budimpešti, na Ónodi, Áron Molnár, Judit Rezes,
kojoj je diplomirao 2001. Iste godine je započeo i doktorske studije koje György Cserhalmi, Luca Bercovici,
je završio 2006. Bodrogi Gyula, Boldoghy Borbála,
Telekes Péter, Szakács Hajnalka,
Dénes Orosz is a Hungarian director, scriptwriter and producer born Pálmai Anna
in 1977. He graduated as a social pedagogue at Nyíregyháza College, Trajanje/ Duration: 90’
and continued his studies at the University of Theatre and Film Arts, Produkcija/ Production: T2O, Hungarian
Budapest. He graduated in 2001 and started his doctoral studies, National Film Fund w. RTL Hungary
which he finished in 2006. Producenti/ Producers: Tőzsér Attila,
Orosz Dénes, Gábor Ferenczy/ T2O

FILMOGRAFIJA/ FILMOGRAPHY
2013 Coming out
2012 Hacktion Újratöltve (TV series)
2009 Poligamy
2005 Melletted
2003 3 mp
2002 Ott vagy még?
2000 Igor
2000 Kulcslyukon surranó szerelem
2000 Idegenek

palicfilmfestival.com

Mađarska/ Hungary, 2019

U TIŠINI

ON THE QUIET / SZÉP CSENDBEN

Režija/Director: Nagy Zoltán Osamnaestogodišnji David je prva violina orkestra muzičkog konzervatorijuma 105
Scenario/Writer: Nagy Zoltán, Horváth koji pohađa. Njegov mentor i dirigent orkestra Friđeš predstavlja očinsku figuru
János Antal za Davida. Pred kraj školske godine orkestru se pridružuje nova studentkinja Nori. European
Fotografija/Cinematography: Gulyás Ona uskoro postaje Friđešova miljenica, što je čini nepopularnom među vršnjacima, Film
Nándor no David uskoro otkriva da je četrnaestogodišnjakinjina suviše bliska veza sa
Montaža/Editing: Kornis Anna šezdesetogodišnjim dirigentom nešto više nego što se isprva činilo... Suočivši se sa Festival
Muzika/ Sountrack: Zombola Péter teškim odlukama i nemarnim svetom odraslih, u potrazi za istinom, Davidov život Palić
Zvuk/ Sound: Róbert Juhász, Tamás ubrzo dobija nekontrolisan tok. 2020.
Székely
Scenografija/ Production Design: 18-year-old Dávid is the lead violinist in his music conservatory’s orchestra. His mentor and
Nyitrai Anna their conductor Frigyes is sort of a father figure for Dávid. Nóri, a freshman student joins
Kostimografija/ Costumes: Katerina the orchestra at the end of the school year. She enjoys Frigyes’ unlimited attention, thus
Csomor, Lujza Pócsik making her unpopular among her peers, but Dávid soon finds out that the 14-year-old girl’s
Uloge/ Cast: Major Erik, Bognár Lulu, suspiciously close relationship with their 60-year-old conductor is more than what it seems…
Máté Gábor, Antóci Dorottya, Lengyel While looking for the truth, Dávid’s life soon starts to spiral out of control as he faces tough
Benjámin, Schell Judit, Szamosi Zsófi, decisions and the adult society’s negligence.faces tough decisions and the adult society’s
Varga Mária, Láng Annamária negligence.
Trajanje/ Duration: 80’
Produkcija/ Production: Filmfabriq NAGY ZOLTÁN
Producenti/ Producers: Osváth Gábor,
Dreissiger László Zoltán Nagy je, pre nego što je primljen na Akademiju filmske i
Koproducenti/ Co-producers: György pozorišne umetnosti u Budimpešti, studirao režiju na Sapientia
Kárpáti, Ferenc Pusztai univerzitetu u Transilvaniji. Njegov kratkometražni Switch (2015) je
prikazivan na nekoliko međunarodnih filmskih festivala. On the Quiet
FILMOGRAFIJA/FILMOGRAPHY mu je prvi dugometražni film.
2016 Enyhén sós
2015 Kikötö Nagy Zoltán first studied directing at Sapientia Hungarian University
2015 Átváltozás of Transylvania, Romania, before getting accepted to the University
2014 Otthon van, nincs itt of Theatre and Film Arts, Budapest. His short film Switch (2015) was
2013 Társbérlet presented at several international film festivals. On the Quiet is his first
feature film.
FESTIVALI/FESTIVALS
2019 Tallinn Black Nights Film Festival
2019 Copenhagen East by Southeast
Film Festival

Septembar 12-18 2020

Mađarska/ Hungary, 2019

ZATVORENICI

CAPTIVES / FOGLYOK

106 Mađarska u ranim pedesetim prošlog veka. Iako malo verovatna, istinita je priča o Režija/ Director: Deák Kristóf
porodici koja, iz potpuno nepoznatih razloga, biva zarobljena u svom stanu od strane Scenario/ Writer: Vörös András
European tajne policije. Kako dani prolaze i broj zarobljenih u tom stanu se povećava… Fotografija/ Cinematography:
Film Francisco Gózon
Festival Early 1950s, Hungary. An unlikely-yet-true story about an ordinary family that becomes Montaža/ Editing: Csillag Mano
Palić trapped in their own flat by the government’s secret police, for no clear reason whatsoever. Kostimograf/ Costume designer:
2020. As days go by, more and more people arrive, and all become captives in this apartment... Sinkovics Judit
Muzika/ Soundtrack: Balázs Ádám
Uloge/ Cast: Szamosi Zsófia, Fekete
Ernő, Sodró Eliza, Porogi Ádám,
Molnár Levente, Lengyel Ferenc,
Jászberényi Gábor, Kardos Róbert,
Csőre Gábor, Vasvári Emese
Trajanje/ Duration: 87’
Produkcija/ Production: Filmfabriq Kft.
Producenti/ Producers: Dreissiger
László, Osváth Gábor

FILMOGRAFIJA/ FILMOGRAPHY
2018 Best Games Ever (short)
2016 Sing (live action short film -
Academy Award winner in 2017)
2012 Losing It (short)
2012 The Boss (short)

KRISTÓF DEÁK FESTIVALI/ FESTIVALS
2019 International Film Festival of India
Deák Kristóf je režiser, scenarista, producent i montažer, poznat po
kratkom akcionom filmu Sing, koji mu je doneo i priznanje kritike i NAGRADE/ AWARDS
Oskara za najbolji kratkometražni igrani film na 89. dodeli Oskara 2017. 2020 Hungarian Film Critics Awards –
godine. Captives je njegov prvi dugometražni film. Film Critics Awards
2020 Hungarian Film Week
Kristóf Deák is a Hungarian film director, screenwriter, film producer Best TV Film
and editor who is best known for his work on Sing, which earned Best Actor in TV Film
him critical appraisal and recognition including the Academy Award Best Actress, Best Cinematography for
for Best Live Action Short Film at the 89th Academy Awards in 2017. TV Film
Captives is his first feature-length film. Best Director
Best Make up
Best Music for TV Film
Best Production Design
Best Sound for TV Film

palicfilmfestival.com

Mađarska/ Hungary, 2020

PRONALAZAČ

THE INVENTOR / A FELTALÁLÓ

Režija/Director: Gyöngyössy Bence Film istražuje najdramatičniji period u životu dr Jožefa Bereša, prateći uzbudljivu 107
Scenario/Writer: Petényi Katalin, priču o njegovom pronalasku Bereš kapi. Pun osećanja i uzbudljivih scena, film prati
Gyöngyössy Bence, Kabay Barna, upornu borbu istraživača sa neprijateljski nastrojenim vlastima i istovremeno prikazuje European
Fonyódi Tibor, Czető Bernát László ogoljenu sliku Mađarske šezdesetih i sedamdesetih, njen (ne)funkcionalni socijalizam Film
Fotografija/Cinematography: Csukás kao i laži i prevare kojima se plete mreža kontrole svakog društvenog sloja.
Sándor Festival
Montaža/Editing: Tusor Bálint This film explores the most dramatic period in the life of Dr. József Béres as it examines Palić
Kostimograf/ Costume designer: Breckl the exciting story of his invention of Béres Drops. Full of emotion and thrilling scenes, we 2020.
János follow the stubborn researcher’s ongoing battle with the hostile authorities and at the same
Muzika/ Soundtrack: Csont István time receive an all-too-real depiction of the Hungary of the sixties and seventies, its (dis)
Dizajner zvuka/ Sound Designer: functioning socialism and the lies and deceit that weave a web of control throughout every
Császár Ferenc strata of society.
Uloge/ Cast: Gáspár Tibor, Huszárik
Kata, Miklós Székely B, Anikó Für, GYÖNGYÖSSY BENCE
András Hatházi, Zoltán Seress, Zsolt
Trill, Szabolcs Bede-Fazekas, Sándor Bence Gyöngyössy je rođen 1963. u Budimpešti. Studirao je poslovnu
Lukács, Pál Oberfrank administraciju na Državnom univerzitetu u Minhenu, a kasnije i režiju
Trajanje/ Duration: 122’ na Akademiji za televiziju i film, takođe u Minhenu. Od 1983. godine
Produkcija/ Production: Projekt Film je aktivan na raznim filmskim i televizijskim projektima. 2019. je
Kft. osvojio nagradu Béla Balázs za izuzetno životno dostignuće u oblasti
Producenti/ Producers: Barna Kabay umetničkog filma.

FILMOGRAFIJA/ FILMOGRAPHY Born in 1963 in Budapest, Bence Gyöngyössy studied business
(director) administration at the Ludwig Maximilian University in Munich and
2019 Cseppben az élet/ Lifedrops (TV later directing at the Hochschule für Fernsehen und Film (University
Mini-Series) for Film and Television) in Munich. Since 1983 he has been active
2015 Janus (TV film) working in various film and television projects. In 2019 he was awarded
2011 Utolsó rapszódia/ The Last the life achievement Béla Balázs Prize in Hungary for outstanding
Rhapsody (TV film) creative contribution in the field of motion picture art.
2008 Papírkutyák/ Paperdogs
2006 Egy bolond százat csinál/ One
Fool Makes a Hundred
2005 Egy szoknya, egy nadrág / One
Skirt and a Pair of Trousers
1997 Romani Kris – Cigánytörvény/
Romani Kris
1992 Magány (documentary)
1990 A feltámadás lányai
(documentary)
1989 Az utolsó Volga német zenetanár
(documentary)
1988 Idézet (documentary)

Septembar 12-18 2020

Mađarska/ Hungary, 2019

ONI KOJI SU OSTALI

THOSE WHO REMAINED/ AKIK MARADTAK

108 Oni koji su ostali prikazuje proces isceljenja preživelih iz holokausta, viđen očima Režija/ Director: Tóth Barnabás
mlade devojke u posleratnoj Mađarskoj. Po romanu Žuže F. Varkonji. Film je bio Scenario/ Writer: Muhi Klára, Tóth
European kandidat mađarske kinematografije za najbolji strani film na dodeli nagrada Američke Barnabás
Film akademije 2019. godine. Fotografija/ Cinematography: Marosi
Festival Gábor HSC
Palić Those Who Remained reveals the healing process of Holocaust survivors through the eyes of Montaža/ Editing: Mógor Ágnes
2020. a young girl in post-World War II Hungary. Based on a novel by Zsuzsa F. Várkonyi. Hungary’s Kostimograf/ Costume designer:
entry for Best International Feature Film at the 2019 Academy Awards. Lengyel Rita
Muzika/ Soundtrack: Pirisi László
TÓTH BARNABÁS Zvuk/ Sound: Bálint Zándoki
Uloge/ Cast: Hajduk Károly, Szőke
Tóth Barnabás, rođen 1977. u Strazburu, studirao je na Akademiji Abigél, Nagy Mari, Simkó Katalin,
filmske i pozorišne umetnosti u Budimpešti. Scenarista je i reditelj dva Horkay Barnabás, Lukáts Andor
dugometražna filma – Camembert Rose (2009) i Those Who Remained Trajanje/ Duration: 88’
(2019). Njegov kratkometražni film My Guide (2013) je prikupio preko 1.8 Produkcija/ Production: Inforg-M&M
miliona internet pregleda i time postao jedan od najuspešnijih kratkih Film
filmova mađarske kinematografije. Producenti/ Producers: Mécs Mónika

Born 1977 in Strasbourg, Barnabás Tóth studied at the University of FILMOGRAFIJA/FILMOGRAPHY
Film and Theater 2018 Susotázs/ Chuchotage (short,
(Budapest). He wrote and directed two feature films, Camembert Rose shortlisted for the Oscars 2019)
(2009) and Those Who Remained (2019). His short film My Guide (2013) 2017 Van egy határ/ Operation Stone
has been viewed over 1.8 million times on Vimeo, making it one of the (short)
most successful short films ever made in Hungary. 2015 Az Elmenetel/ The Leaving (short)
2013 Újratervezés/ My Guide (short,
qualified for the Oscars 2014)
2009 Rózsaszín Sajt/ Camembert Rose
2006 Egy szavazat/ One vote (short)
2005 Szerelem meg hal/ Getting Even
(short)
2005 Autogram/ Otograf (short)
2003 Vonaton/ On a Train (short)

FESTIVALI/FESTIVALS
2020 Palm Springs International Film
Festival
2020 Sofia International Film Festival
2020 Festival of European films in Paris
2019 Cairo International Film Festival
2019 Jameson CineFest – Miskolc
International Film Festival
2019 Antalya Golden Orange Film
Festival
2019 Telluride Film Festival

NAGRADE/AWARDS
2020 Hungarian Film Critics Awards –
Film Critics Award
2020 Hungarian Film Week – Best
Actor, Best Director, Best Screenplay,
Grand Prize
2019 Jerusalem Jewish Film Festival –
The Schoumann Award
2019 Anchorage International Film
Festival – Best Feature

palicfilmfestival.com

Mađarska/ Hungary, 2019

SITNE PRIČE

TALL TALES / APRÓ MESÉK

Režija/ Director: Szász Attila 109
Scenario/ Writer: Köbli Norbert
Fotografija/ Cinematography: Nagy Mađarska, 1945. Nedugo nakon kraja Drugog svetskog rata, dok zemljom još uvek European
András vladaju haos i nesigurnost, prevarant pokušava da iskoristi situaciju. Prisiljen da napusti Film
Montaža/ Editing: Hargittai László Budimpeštu, sklonište nalazi u šumi kod tajanstvene žene i njenog sina. Pokušavajući
Scenografija/ Visual Design: Valcz da se izbori sa svojim demonima upada u strastvenu vezu sa ženom, čiji muž uskoro Festival
Gábor treba da se vrati sa fronta. Palić
Kostimograf/ Costume designer: 2020.
Sinkovics Judit 1945, Hungary. Shortly after the end of World War II, when chaos and insecurity reign
Muzika/ Sountrack: Parádi Gergely, supreme in the country, a con man tries to take advantage of such confused times. Forced
Pacsay Attila to flee Budapest, he’s given shelter in the woods by a mysterious woman and her son. Still
Zvuk/ Sound: Major Csaba trying to confront his demons, he soon finds himself in a passionate love affair with the
Šminka/ Make-up: Hortobágyi Ernella, woman whose husband is about to return home from the front.
Hufnágel Mariann
Uloge/ Cast: Kimmel Tamás Szabó, SZÁSZ ATTILA
Kerekes Vica, Molnár Levente, Bercel
Tóth, Gyabronka József, Egyed Attila, Attila Szász je diplomirao na Akademiji filmske i pozorišne umetnosti
Tamási Zoltán, Dékány Barnabás, Kiss u Budimpešti 1996. godine. Karijeru je započeo kao filmski kritičar, a
Diána Magdolna, Bakos Éva kasnije osnovao svoju distributersku kuću i postao glavni urednik
Trajanje/ Duration: 112’ VOX-a, najpopularnijeg mađarskog časopisa. 2002. godine počinje
Produkcija/ Production: Film da piše scenarije i režira reklame. Njegovi filmovi prikazani su na više
Positive Productions with the od 180 festivala, dobili više od 50 nagrada, brojna kritička priznanja i
support of Hungarian National naklonost publike širom sveta.
Film Fund
Producenti/ Producers: Lajos Tamás, Attila Szász graduated at the Academy of Drama and Film in Budapest
Köves Ábel in 1996. He started out as a film critic, later founded his own distribution
company and became editor-in-chief of VOX, Hungary’s biggest
FILMOGRAFIJA/FILMOGRAPHY movie magazine. In 2002, he started writing screenplays and directing
2018 Örök tél commercials. His films have screened at over 180 film festivals winning
2015 Félvilág 50 awards combined, received critical acclaim and became audience
2014 A berni követ favorites all over the world.
2005 Most látszom, most nem látszom

FESTIVALI/FESTIVALS
2020 Cleveland International Film
Festival

NAGRADE/AWARDS
2020 Hungarian Film Critics Awards –
Film Critics Award
2020 Hungarian Film Week –
Best Make up
Best Music

Septembar 12-18 2020

110 EKOLOŠKI DOKUMENTARCI
ECO DOX
European
Film
Festival
Palić
2020.

palicfilmfestival.com

111
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

Apoteoza ovozemaljskog života

Iako živimo u epohi epidemije jednog od najopasnijih virusa u istoriji čovečanstva,
suočavamo se sa drugim, ne manje dramatičnim problemima u našoj životnoj
sredini.
Ovaj program i dalje pokušava da osvetli autorski pogled na dominantne i
neuralgične ekološke teme današnjice. Prevedeno na filmski jezik, dobro
odabrana i angažovana tema u sadejstvu sa likovima i rediteljskim senzibilitetom
uz još neke značajne sastojke čini dobar dokumentarac.

112 U ovogodišnjoj selekciji, izdvajaju se filmovi nastali ženskim rukopisom sa mnogo
poštovanja prema esenciji ovozemaljskog života u svom čistom pojavnom obliku.
European Pri tome mislim na žene sa obe strane kamere, kako protagonistkinje tako i
Film rediteljke.
Festival Upravo rediteljke filmova KIRUNA, KADA PARADAJZ SRETNE VAGNERA, A SAD
Palić SE SPUŠTA VEČE, pokazuju da kroz vizuelni rafinman, pravilan tretman i empatiju
2020. čak i obični ljudi iz naroda postaju veći od surovog života u kome su često samo
statisti bez apriori značajne uloge.

Sa druge strane, reditelji se izdvajaju angažovanošću i otkrivanjem istine u
tretmanu kako globalnih tako i naizgled lokalnih tema u aktuelnom ekološkom
dokumentarizmu.
Njihovo polje interesovanja se prostire od dramatičnog apela za spas planete,
posvete nepatvorenoj lepoti prirode i njene održivosti do ukazivanja na ugrožene
životinjske i biljne vrste,
na zemji i pod vodom. I sve je to zaodenuto u ruho autorstva i kreativnog
dokumentarizma.

Selektor, Igor M. Toholj

palicfilmfestival.com

The apotheosis of earthly life

Although we live in the era of the epidemic of one of the most dangerous viruses
in the history of mankind, we are facing other, no less dramatic problems in our
environment.
This program continuously tries to shed light on the author’s view of the dominant
and neuralgic environmental themes of today. Translated into film language, well-
chosen and engaged theme in collaboration with the characters and the director’s
sensibility, along with some other important ingredients, makes a good documentary.

In this year’s program, films made by female authors stand out with a lot of respect 113
for the essence of earthly life in its pure form. I am talking about of the women on
both sides of camera, both the protagonists and the directors. European
Directors of KIRUNA, WHEN TOMATOES MET WAGNER, THEN COMES THE EVENING, Film
through visual refinement, proper treatment and empathy, make even ordinary
people become bigger than a cruel life in which they are often only extras without Festival
any significant role a priori. Palić
2020.
On the other hand, directors stand out by engaging and revealing the truth in the
treatment of both global and seemingly local themes in current environmental
documentarism.
Their field of interest ranges from a dramatic appeal for the salvation of the planet,
dedication to the unadulterated beauty of nature and its sustainability to pointing
out endangered animal and plant species, on land and under water. And all this is
dressed in the spirit of authorship and creative documentary approach.

Programmer, Igor M. Toholj

Septembar 12-18 2020

Nemačka/Germany, 2019

66 METARA - PODIZANJE NIVOA MORA

66 METRES – RISING SEA LEVELS /
STEIGENDE PEGEL – WENN DAS WASSER KOMMT

Režija/Director: Max Mönch, Alexander
Lahl
Fotografija/Cinematography: Jean
Schablin
Montaža/Editing: Mirco Tribanek
Trajanje/Duration: 52’
Produkcija/Production: mobyDOK
Producenti/Producers: Max Mönch,
Alexander Lahl

114 Koliki će biti porast nivoa mora, uzrokovan klimatskim promenama? Procene su glavna
tema rasprava, dok naučnici konstantno povećavaju brojke.
European
Film How high will the oceans rise due to climate change? The projections are the subject of
Festival dispute, with scientists continually correcting their estimates upward.
Palić
2020. MAX MÖNCH

Otkad je završio studije istorije, političkih nauka i sociologije, Max Mönch radi kao autor FILMOGRAFIJA/FILMOGRAPHY
za štampane medije, film i televiziju. Jedan je od koautora nagrađivanog dokumentarnog Max Mönch, Alexander Lahl
filma THE FLAG BEARER. 2019, Brand
2019, Die Tochter
After graduating in history, political science and sociology, Max Mönch has been working 2016, Kaputt
as an author for printmedia, film and television. He is one of the co-authors of the award- 2016, Die Eroberung der Weltmeere
winning big-screen documentary THE FLAG BEARER. und die Macht der Wissenschaft

ALEXANDER LAHL

Alexander Lahl (1979) studirao je društvene nauke u Berlinu,
Vroclavu i Frankfurtu. Trenutno radi kao scenarista, reditelj i
producent. Suosnivač je marketinške kuće Die Kulturingenieure.

Alexander Lahl (born 1979) studied Cultural Sciences in Berlin,
Wroclaw and Frankfurt. He works as a writer, filmmaker
and producer, and is a co-founder of the media label Die
Kulturingenieure.

Režija/ Director: Greta Stocklassa palicfilmfestival.com
Scenario/ Writer: Greta Stocklassa Češka/ Czech Republic, 2019
Fotografija/ Cinematography: Stanislav
Adam KIRUNA, POTPUNO NOVI SVET
Montaža/ Editing: Hana Dvořáčková
Muzika i dizajn zvuka/ Music and Sound KIRUNA, A BRAND NEW WORLD /
Design: Pavel Jan KIRUNA - PŘEKRÁSNÝ NOVÝ SVĚT
Trajanje/ Duration: 87’
Produkcija/ Production: Analog Vision 115
With the support of: Czech Film Fund
In Association With: Sleepwalker
In Co-production With: FAMU
FILMTALENT Zlín Foundation
PFX
Producenti/ Producers: Veronika
Kührová, Michal Kráčmer

FILMOGRAFIJA/FILMOGRAPHY Kako bi izledao vaš svet, da dobijete šansu da ga iznova napravite? Kiruna, potpuno European
2017 Tik tak/ Tic Toc novi svet je portret istovremeno i utopijskog i distopijskog grada ali i beskopromisna Film
2015 Pohledy na Věru Bechyňovou/ refleksija današnjeg društva.
The Still Life of Vera Festival
2015 Středně šedá/ Medium grey What if you got the chance to build a new society from scratch, what would it look like? Palić
2014 Emma má mámu/ Kiruna – a Brand New World is a portrait of a utopian and dystopian town as well as a hard- 2020.
Mum and Emma. Emma and mum. hitting reflection of today’s society.
2014 Nebe v síti/ The sky in a net
2014 Nemocnice/ Hospital – chapter I GRETA STOCKLASSA

FESTIVALI/FESTIVALS Greta je rođena 1993. godine u Opočnom, Češka, u češko-švedskoj
2019 Visions du Réel porodici. Odrastala je u Pragu i Stokholmu gde je završila klasičnu
2019 Thessaloniki International Film gimnaziju. Godine 2013. je upisala studije na dokumentarnom odseku
Festival FAMU-a, a 2015. je bila u najužem izboru za prestižnu Magnesia Award
za najbolji studentski film. Njenih filmovi, u potrazi za identitetom, na
NAGRADE/AWARDS granici su između dokumentarnog, eksperimentalnog i fikcije.
2019 East Doc Platform – Sheffield Doc/
Fest Award Greta Stocklassa was born in 1993 in Opočno, Czech Republic. She
comes from Czech-Swedish family. She grew up in Prague and
Stockholm where she graduated from Södra Latins Gymnasium. In
2013, she started studying in Prague at the documentary department
at FAMU. In 2015, she made it to the short list of best student film prize
Magnesia Award. The main theme of her films is identity, and her work
is on the edge of documentary, fiction and experiment.

Septembar 12-18 2020

Grčka/ Greece, 2019

KAD JE PARADAJZ UPOZNAO VAGNERA

WHEN TOMATOES MET WAGNER/ OTAN O WAGNER
SINANTISE TIS NTOMATES

116 Da li je ukusniji paradajz uzgojen uz dela Riharda Vagnera? Gorko-slatka priča o dvojici Režija/ Director: Marianna Economou
nesvakidašnjih Grka koji prkose industrijskoj poljoprivredi uzgajanjem organskog Scenario/ Writer: Marianna Economou
European paradajza uz zvuke Vagnerove muzike. Fotografija/ Cinematography: Argyris
Film Tsepelikas
Festival Do tomatoes taste better when they listen to the music of Richard Wagner? A bittersweet Montaža/ Editing: Evgenia
Palić story of two ingenious Greek cousins who defy industrial farming by cultivating organic Papageorgiou
2020. tomatoes sensitive to Wagner‘s music. Dizajn zvuka/ Sound Design: Pavlos
Christoforakos
MARIANNA ECONOMOU Uloge/ Cast: Alexandros Gousiaris,
Christos Takas, Olga Lorida, Agathi
Mariana Ekonomu je studirala antropologiju, novinsku Gousiari, Katina Gousiari, Stavroula
fotografiju i filmsku produkciju u Londonu. Od 2000. Govari, Niki Karava
godine režira i producira dokumentarne serijale i nezavisne Trajanje/ Duration: 72’/52’
filmove grčke produkcije i koprodukcije sa emiterima Produkcija/ Production: STEFI&Lynx
poput britanskog BBC-ja, evropskog ARTE i finskog YLE. and Anemon Productions
Osvojila je nekoliko nagrada za svoje dokumentarne Koprodukcija/ Co-production: Greek
filmove, a njen film The Longest Run je 2016. nominovan za Film Centre and COMOTE TV
Evropske filmske nagrade. Podrška/ Support: Creative Europe –
Media, 2/35 and EPT
Marianna Economou studied anthropology, Producenti/ Producers: Rea
Apostolides, Yuri Averof, Spiros
photojournalism and film production in London. Since Mavrogenis

2000, she directs and produces documentary series and FILMOGRAFIJA/ FILMOGRAPHY
2015 O pio makrys dromos/
The Longest Run (documentary)
2013 Food for Love (documentary)
2009 Twelve Neighbours
(documentary)
2008 Bells, Threads & Miracles
(documentary)
2008 Please Listen To Me
2006 My Place in the Dance
(documentary)
2003 Faith is Rock (documentary)
2001 The School (documentary)

FESTIVALI/ FESTIVALS
2020 Hellenic Film Academy Awards
2020 Palm Springs International Film
Festival
2019 Sarajevo Film Festival

NAGRADE/ AWARDS
2019 Heartland International Film
Festival – Audience Choice Award

independent films of Greek production and co-productions with European broadcasters
such as the BBC, ARTE and YLE. She has received many awards for her documentaries, and
her film The Longest Run was nominated for the European Film Awards in 2016.

palicfilmfestival.com

Srbija/ Serbia, 2018

TRITONOV VRT

THE GARDEN OF THE TRITON

Režija/ Director: Dragan Stojmenović 117
Tekst/ Text: Slavko Matić
Glasovi/ Voices: Saša Latinović, Film predstavlja sinematičnu avanturu, sa ekološkom porukom, koja se odvija na European
Miljan Vojinović, Teodora Marčeta, najatraktivnijim podvodnim lokacijama Jadranskog i Egejskog mora. Film
Dragan Stojmenović, Vesna
Ždrnja, Slavko Matić, Nemanja This film is a cinematic adventure, with an ecological message. The tour takes place in the Festival
Milićević, Eldar Zubčević, Ivana most attractive of locations – the depts of Adratic and Aegean Sea. Palić
Pančić, Jelena Simić, Milica Šećerov, 2020.
Nikola Končarević
Fotografija/ Cinematography: Alen DRAGAN STOJMENOVIĆ
Dubajić, Dragan Stojmenović
Montaža/ Editing: Dragan Stojmenović Dragan Stojmenović, rođen 1975. u Novom Sadu. Diplomirao je 2000.
Muzika/ Soundtrack: Dragan godine na odseku za glumu Akademije umetnosti u Novom Sadu,
Stojmenović a 2014. doktorirao iz oblasti filma i medija na Fakultetu dramskih
Dizajn zvuka/ Sound Design: Studio umetnosti u Beogradu. Vanredni je profesor dramskog departmana
Ecology Science Art Akademije umetnosti u Novom Sadu i član uredničke redakcije
Trajanje/ Duration: 25’ Zbornika radova AUNS.
Produkcija/ Production: Ekologija
Nauka Umetnost – ENU/ Ecology Dragan Stojmenović (1975, Novi Sad), graduated acting from the
Science Art - ESA Academy of Arts in Novi Sad in 2000. In 2014, he received his doctorate
Producent/ Producer: Dragan in the field of film and media at the Faculty of Dramatic Arts in
Stojmenović Belgrade. He is an associate professor in the drama department of the
Academy of Arts in Novi Sad, and a member of the editorial board of
FILMOGRAFIJA/FILMOGRAPHY AUNS’s Zbornik radova.
2018 Extravagant Genius Gentle Uncle
(short)
2016 Fortress Phenomenon (short)
2014 Homeland (short)
2010 Tesla’s Cabaret (short)
2009 Talking with Nature, Talking with
Tesla (short)
2006 The Frenzy (short)
2002 The auditor has arrived (co-
director)

FESTIVALI/FESTIVALS
2018 21. Međunarodni filmski festival
EURO-IN, Novi Sad
2018 22. Međunarodni festival
podvodnog filma, Beograd

Septembar 12-18 2020

Srbija, Bosna i Hercegovina/ Serbia, Bosnia and Herzegovina, 2019

A SAD SE SPUŠTA VEČE

THEN COMES THE EVENING

118 Ovaj dokumentarni film prikazuje gorko-slatki život dve starice koje žive izolovano u Režija/ Director: Maja Novaković
brdima istočne Bosne. Priroda je entitet sa kojim one pričaju, kojeg slušaju i poštuju. Scenario/ Writer: Maja Novaković
European Fotografija/ Cinematography: Jasna Prolić
Film Bitter poetry of everyday life in the isolated hills of Eastern Bosnia shows the care and Montaža/ Editing and DCP Mastering:
Festival intimacy of the grannies, both in their mutual relations and in relationship with nature. Marija Kovačina
Palić Dizajn zvuka/ Sound Design: Luka
2020. MAJA NOVAKOVIĆ Barajević
Snimatelj zvuka/ Sound Recording:
Maja Novaković rođena je 1987. godine u Srebrenici. Osnovne i master studije završila je Prvoslav Živanović
na Odeljenju za istoriju umetnosti na Filozofskom fakultetu u Beogradu. Pohađala je Grafički dizajn/ Graphic Design and
radionicu filmske režije u Domu kulture Studentski grad. Trenutno radi na doktorskoj tezi Illustration: Nebojša Petrović
pod naslovom Poetika nasleđa u delima Sergeja Paradžanova. Takođe, radi u Centru Vizuelni efekti/ Visual Effects: Ivan
za muzeologiju i heritologiju matične akademske ustanove i kao istraživač-saradnik na Milosavljević
Matematičkom institutu Srpske akademije nauka i umetnosti. Color Grading: Dušan Grubin
Offline Editing: Josef Kahn
Maja Novaković (1987, Srebrenica, Bosnia and Herzegovina) has Dubbing mixer: Aleksandar Rančić
completed her Bachelor’s Degree and Masters at the Department Uloge/ Cast: Vinka Radić, Obrenija Radić
of Art History at the Faculty of Philosophy in Belgrade. She attended Trajanje/ Duration: 27,30’
a film directing workshop at the Students’ City Cultural Centre – Produkcija/ Production: Students City
Academic Film Centre in Belgrade. Currently Novaković is doing her Cultural Centre, Academic Film Centre
PhD studies with registered thesis Poetics of heritage in the works of in Belgrade
Sergei Parajanov at the Department of Art History at the Faculty of Producenti/ Producers: Maja Novaković,
Philosophy, University of Belgrade. She is a researcher at the Centre Milan Milosavljević
for Museology and Heritology at the same university, and a research
assistant at the Mathematical Institute of Serbian Academy of Sciences FESTIVALI/ FESTIVALS
and Arts. 2020 Kustendorf International Film and
Music Festival
2020 Big Sky Documentary Film Festival
2020 Busan International Short Film
Festival
2020 Riga International Film festival
2ANNAS
2019 Nyon Visions du Réel
2019 Reykjavik International Film Festival
2019 Camerimage
2019 Sarajevo Film Festival
2019 Drama Short Film Festival
2019 BOGOSHORTS Bogota Short film
Festival

NAGRADE/ AWARDS
2020 MiradasDoc International
Documentary Film Festival – Jury Special
Mention
2020 Full Frame Documentary Film
Festival – Jury Award for Best Short
2020 Festival premiers plans D’Angers –
Jury Special Mention
2020 Angers European First Film Festival
– European Jury Award – Special Mention
2019 Cinema Vérité Iran International
Documentary Film Festival
2019 Pancevo Film Festival – Chimney
Award
2019 Entrevues Film Festival – Audience
Award
2019 Auteur Film Festival – Brave Balkans

palicfilmfestival.com

Češka/ Czech Republic, 2020

VUKOVI NA GRANICAMA

WOLVES AT THE BORDERS/ VLCI NA HRANICÍCH

Režija/ Director: Martin Páv
Scenario/ Writer: Martin Páv, Adéla
Kabelková
Fotografija/ Cinematography: Petr
Racek
Montaža/ Editing: Matěj Beran
Muzika/ Soundtrack: Jiří Trtík
Dizajn zvuka/ Sound Design: Adam
Bláha
Trajanje/ Duration: 79’, 52’
Produkcija/ Production: Frame Films,
Czech TV
Producenti/ Producers: Zuzana
Kučerová (Frame Films), Ondřej
Šrámek (Czech TV)

Vratili su se. Kradu i ubijaju. Jednima unose strah, drugima daju nadu. Uzrok su novih 119
podela među nama. Vukovi su se vratili!
European
They have returned. They steal and kill. They bring fear to some and hope to others. They Film
divide our society. Wolves are back!
Festival
Palić
2020.

FILMOGRAFIJA/FILMOGRAPHY MARTIN PÁV
2018 Vote for Kibera! (documentary)
Martin je diplomirao filmsku režiju na praškoj FAMU, nakon čega se
FESTIVALI/FESTIVALS okreće dokumentarnim filmovima. Debitantski Vote For Kibera! je
2020 Visions du Réel 2018. osvojio Nagradu publike na Ji.hlava IDFF-u. Martin trenutno
pohađa doktorske studije na Institutu međunarodnih odnosa
bazirajući svoj rad na postkolonijalnom identitetu sirotinjskih kvartova
i gradova u zemljama “globalnog juga”.

Martin received a degree from FAMU in Directing Fiction but soon
after he started focusing on documentaries. His debut film Vote For
Kibera! won the Audience Award at the Ji.hlava IDFF in 2018. Martin
is now studying for his PhD degree at the Institute of International
Relations where he dedicates his work to the postcolonial identity of
slums and cities in countries belonging to the Global South.

Septembar 12-18 2020

Nemačka/Germany, 2020

SADA

NOW

Režija/Director: Jim Rakete
Scenario/Writer: Claudia Rinke
Fotografija/Cinematography: Philip
Koepsell
Montaža/Editing: Kjell Peterson
Muzika/Sountrack: Nils Strunk
Trajanje/Duration: 75’
Produkcija/Production: Starhaus
Filmproduktion
Producenti/Producers: Rainer Kölmel

120 Od Grete Tunberg do Pobune protiv izumiranja. Za mlade aktiviste pobuna je ujedno i
sredstvo i cilj u borbi za klimu budućnosti.
European
Film From Greta Thunberg to the Extinction Rebellion. For the young activists the rebellion is
Festival both a means and an end in the struggle for the climate of the future.
Palić
2020.

JIM RAKETE

Jim Rakete (1951) počeo je profesionalno da radi kao fotograf za novine, FESTIVALI/FESTIVALS
časopise i agencije sa svojih sedamnaest godina. Fotografisao je brojne 2020 CPH:DOX
poznate ličnosti sa nemačke, kao i međunarodne muzičke, filmske i 2020 Thessaloniki Documentary
političke scene. Igrao je veliku ulogu u nemačkom Novom talasu. Festival

Jim Rakete (1951) began his professional work as a photo-journalist for
newspapers, magazines and agencie at the age of seventeen. Rakete
shot numerous personalities from the German and international
music and film scene and politics. He had a big role in German New
Wave.

palicfilmfestival.com

Nemačka, Austrija/Germany, Austria, 2019

SEM LEPOTE

BUT BEAUTIFUL

Režija/Director: Erwin Wagenhofer
Scenario/Writer: Sabine Kriechbaum,
Erwin Wagenhofer
Fotografija/Cinematography: Erwin
Wagenhofer
Montaža/Editing: Jamin Benazzouz,
Monika Schindler, Erwin Wagenhofer
Uloge/Cast: Kenny Werner, Barbara
Graf, Erich Graf
Trajanje/Duration: 116’
Produkcija/Production: Imagine Film
Cooperation, Rommel Film, Prisma
Film
Producenti/Producers: Sabine
Kriechbaum, Erwin Wagenhofer,
Peter Rommel

121

SEM LEPOTE dotiče se ljudske povezanosti i hrabrosti da se izazovu promene. To je film European
o slobodi da biramo svoju sreću. Film

BUT BEAUTIFUL is about human connectedness and the courage to change. A film about Festival
the freedom to be happy. Palić
2020.

FILMOGRAFIJA/FILMOGRAPHY ERWIN WAGENHOFER
2013 Alphabet
2011 Black Brown White Erwin Wagenhofer (1961) je austrijski pisac i filmski režiser. ENDSTATION
2008 Let’s Make Money NORMAL (1981) je njegov prvi kratkometražni film. Od 1987. je nezavisni
2005 We Feed the World pisac i režiser. Predavao je na Podunavskom univerzitetu u Kremsu, a
od 2002. predaje na Univerzitetu primenjenih umetnosti u Beču.

Erwin Wagenhofer (1961) is an Austrian author and film director.
ENDSTATION NORMAL (1981) was his debut short film. Since 1987 he
is a freelance author and film director. He taught at Donauuniversität,
and is teaching at Universität für angewandte Kunst in Vienna since
2002.

Septembar 12-18 2020

122 NOVI EVROPSKI
DOKUMENTARNI FILM
European
Film
Festival
Palić
2020.

NEW EUROPEAN
DOCUMENTARIES

palicfilmfestival.com

123
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

124
European
Film
Festival
Palić
2020.

palicfilmfestival.com

EVROPSKI DOKUMENTARCI OD SEVERA DO JUGA 125

Surova stvarnost kojom smo okruženi nas svakodnevno prestiže u svojoj neumitnosti. European
Film
Ono što nas, ipak, još uvek inspiriše i intrigira su lični autorski svetovi često zaodenuti u intimizam koji pobeđuje dominantnu i agresivnu
medijsku sliku o savremenom svetu. Festival
Palić
Naročito kada su u pitanju filmovi obeleženi ženskim senzibilitetom 2020.

U ovogodišnjem programu dominiraju upravo takvi filmovi, od introspektivnog Paris Calligrammes doajenke Ulrike Otinger, filma
Norhern drift, koji nas u prvom licu jednine Aleksisa Destopa, u maniru saspensa upozorava na geopolitička strujanja na dalekom
severu Evrope , do filma Punta Sacra, debitantkinje Frančeske Macoleni, poetičnog portreta jedinstvene socijalne zajednice na jugu
Italije, nedaleko od mitske Ostije u kojoj je stradao P. P. Pasolini.

Ako tome dodamo dva filma na Ruske teme - Town of glory, grotesknu sliku militantne omladine u svetlu tradicije 2. Svetskog rata i
Womans day-jedinstvenu posvetu rediteljke Dolje Gavanski heroinama Sovjetskog feminizma, pred nama je panoptikum savremenog
evropskog dokumentarizma u malom.

Selektor, Igor M. Toholj

EUROPEAN DOCUMENTARIES FROM NORTH TO SOUTH

The harsh reality that surrounds us overwhelms us daily with its inevitability.

What still inspires and intrigues us, however, are personal authorial worlds often clothed in intimacy that overcomes the dominant and
aggressive media image of the contemporary world.

Especially when it comes to films marked by female sensibility

This year’s program is dominated by such films, from the introspective PARIS CALLIGRAMMES by the doyenne Ulrike Ottinger, then NORHERN
DRIFT, which in the first person singular of Alexis Destoop, in suspense manner warns us of geopolitical currents in the far north of Europe, to
the PUNTA SACRA, by debutant Francesca Mazzoleni, a poetic portrait of a single social community in Southern Italy, not far from the mythical
Ostia where P. P. Pazolini perished.

If we add two films on Russian themes - TOWN OF GLORY, a grotesque image of militant youth in the light of the World War II tradition and
WOMEN’S DAY - a unique homage to the heroines of Soviet feminism by Dolya Gavanski, we have before us a panopticon of contemporary
European documentaries.

Programmer, Igor M. Toholj

Septembar 12-18 2020

Belgija/Belgium, 2020

SEVERNA STRUJA

NORTHERN DRIFT

Režija/Director: Alexis Destoop
Scenario/Writer: Peter Eckersall, Alexis
Destoop
Fotografija/Cinematography: Alexis
Destoop
Montaža/Editing: Laurence Vaes
Muzika/Soundtrack: Laszlo Umbreit
Uloge/Cast: Erik Lambert
Trajanje/Duration: 57’
Produkcija/Production: An Archer A
Weaver, Stempel Films, Pikene på
Broen
Producenti/Producers: Alexis Destoop,
Luba Kuzovnikova, Erik Lambert

126 Film je retro-futuristička naučna fantastika, antropološki dokument, putopis, pesma,
lavirint. Filozofska istraga odnosa čoveka i njegove okoline.
European
Film The film is a retro-futuristic science non-fiction, an anthropological document, a travelogue,
Festival a poem, a labyrinth. A philosophical investigation of humankind’s relation to its environment.
Palić
2020.

FILMOGRAFIJA/FILMOGRAPHY
2013 Heroine
2012 Kairos

ALEXIS DESTOOP

Alexis Destoop je rođen 1971. godine u Belgiji. Diplomirao je istoriju FESTIVALI/FESTIVALS
umetnosti na Univerzitetu u Gentu. Njegovi radovi istražuju 2020 International Film Festival
delotvornost slike i narativa, dojam vremena i process identifikacije Rotterdam
i pamćenja kroz višeslojne fotografske konstrukcije, instalacije pa i 2020 Thessaloniki Documentary
filmove. Festival

Alexis Destoop was born in 1971 in Belgium. He has a Bachelor’s Degree
in Art History, from the University of Ghent in Belgium. Through
multilayered constructions in photography, installation and film,
Destoop’s work explores the workings of the image and narrative, the
experience of time, and the processes of identification and memory.

palicfilmfestival.com

Nemačka, Francuska / Germany, France, 2019

PARISKI KALIGRAMI

PARISIAN CALLIGRAMS / PARIS CALLIGRAMMES

Režija/Director: Ulrike Ottinger
Scenario/Writer: Ulrike Ottinger
Fotografija/Cinematography: Ulrike
Ottinger
Montaža/Editing: Anette Fleming
Muzika/Sountrack: Timothée Alazraki
Trajanje/Duration: 129’
Produkcija/Production: Idéale
Audience, Zero One Film
Producenti/Producers: Thomas Kufus,
Kornelia Theune, Pierre-Olivier Bardet

127

FILMOGRAFIJA/FILMOGRAPHY Ulrike Ottinger se priseća svog života u Parizu 1960-tih, kada je bila mlada slikarka. European
2016 Aloha Okreće se uspomenama na pariski život i nemire tog vremena, utapajući ih u filmski Film
2016 Chamissos Schatten spev sa Parizom u središtu.
2011 Unter Schnee Festival
2009 Still Moving Ulrike Ottinger, then a young painter, lived in Paris in the 1960s. Now a film-maker, she looks Palić
2009 Die koreanische Hochzeitstruhe back on that time, weaving memories of the Parisian life and the upheavals of the time into 2020.
2007 Prater a cinematic poem with the city at its center.

FESTIVALI/FESTIVALS ULRIKE OTTINGER
2020 Berlin International Film Festival
2020 San Francisco Film Festival Ulrike Ottinger je rođena 1942. godine u Nemačkoj. Od 1962. do 1968.
2020 FID – Marseille se bavila slikarstvom i fotografijom. 1969. je osnovala Visuell film club u
2020 DocLisboa Konstanci, i vodila ga do 1972. godine, a osnivač je i umetničke galerije
galeriepress. Pored filmske, prisutna je i na međunarodnoj slikarskoj
sceni.

Ulrike Ottinger was born in Germany in 1942. She worked as a painter
and photographer in Paris from 1962 to 1968. She founded the Visuell
film club in Konstanz in 1969, and led it until 1972; she also founded
galeriepress, an art gallery. Alongside her film work she is also present
on the international art scene.

Septembar 12-18 2020

Rusija, Češka, Nemačka/Russia, Czech Republic, Germany, 2020

GRAD SLAVE

TOWN OF GLORY

Režija/Director: Dmitry Bogolyubov
Scenario/Writer: Dmitry Bogolyubov,
Anna Shishova-Bogolyubova
Fotografija/Cinematography: Dmitry
Bogolyubov
Montaža/Editing: Phil Jandaly
Trajanje/Duration: 80’
Produkcija/Production: Ethnofund,
Hypermarket Film, Saxonia
Entertainment
Producenti/Producers: Vlad Ketkovich,
Dmitry Bogolyubov, Simone
Baumann, Vit Klusak, Filip Remunda

128 Većina od ukupno 10,000 stanovnika Jelnje oseća nostalgiju prema bivšem SSSR-u i
njegovoj vojsci. Oni svoju decu odgajaju kao vojno obučene patriote. Jelnja čezne za
European danima kada su stvari bile drugačije, a društvo stabilno, čak i ako je to podrazumevalo
Film život po strogim pravilima.
Festival
Palić Most of the 10,000 inhabitants of Yelnya feel nostalgic about the former USSR and its army.
2020. They’re raising the town’s children to be military trained national patriots. Yelnya misses
the days when things were different, when society was stable, even when that meant living
under strict rules.

DMITRY BOGOLYUBOV

Nakon završenog prava, Dmitry Bogolyubov je diplomirao na FILMOGRAFIJA/FILMOGRAPHY
VGIK-u, u radionici za dokumentarnu i TV produkciju. 2013. godine 2017 The Wall
osvojio je nacionalnu rusku nagradu za film i televiziju Strana za svoj 2015 Keepers
dokumentarni film NEGLECTED. Zajedno sa svojom ženom, rediteljkom 2014 On the Edge
Annom Shishovom-Bogolyubovom, snimio je dokumentarni film 2013 St George Monastery
ON THE EDGE, gde je bio i direktor fotografije, za šta je i nagrađen 2012 Other people’s children
nagradom Saint Anna. Član je Ruskog sindikata novinara. 2011 Neglected

After acquiring his law degree, Dmitry Bogolyubov graduated from
VGIK, the documentary and TV production workshop. In 2013 Dmitry
won Russian national cinema and TV award Strana for his documentary
NEGLECTED. Together with his wife, a director Anna Shishova-
Bogolubova they made a documentary ON THE EDGE where Dmitry
was a DoP and got a prize Saint Anna for best cinematography. He is a
member of Russian Journalists Union.

palicfilmfestival.com

Italija/Italy, 2020

SVETI VRH

SACRED POINT / PUNTASACRA

Režija/Director: Francesca Mazzoleni
Scenario/Writer: Francesca Mazzoleni
Fotografija/Cinematography: Emanuele
Pasquet
Montaža/Editing: Elisabetta Abrami
Muzika/Soundtrack: Lorenzo Tomio
Trajanje/Duration: 96’
Produkcija/Production: Morel Film
Producenti/Producers: Alessandro
Greco

129

FILMOGRAFIJA/FILMOGRAPHY Poslednji komad zemlje – poslednji trokut naseljivog prostora na ušću Tiber, među European
2018 Succede stanovnicima poznat kao Punta Sacra, Sveta Tačka. Ovo je priča u kojoj se realno i Film
2015 1989 imaginarno prepliću, zaglavljeni između nostalgije i neizbežnog pragmatizma. Povrh
2015 L’etoile de mer toga, postoji i želja ljudi da ovde ostanu. Festival
2015 Lo so che mi senti Palić
2015 Nowhere The last patch of land – the last triangle of habitable space at the mouth of the Tiber. Its 2020.
2014 Il premio inhabitants call it Punta Sacra, Sacred Point. This is a story where realism and projections
2014 The Empty Boat into the imaginary intertwine, suspended between nostalgia and inescapable pragmatism.
2011 Dobbiamo rubare la ricotta Above all, there is the people’s wish not to leave.

FESTIVALI/FESTIVALS FRANCESCA MAZZOLENI
2020 Krakow Film Festival
Frančeska Macoleni je rođena 1989. u Kataniji. Diplomirala je 2015.
NAGRADE/AWARDS na Eksperimentalnom centru za kinematografiju u Rimu. Njeni
2020 Nyon Visions du Réel - Sesterce kratkometražni filmovi i dokumentarci (NOWHERE, LO SO CHE MI
d’or La Mobilière Best Feature Film SENTI) su osvojili nekoliko nagrada na filmskim festivalima. Mazzoleni
je takođe radila za La ragazza del mondo kao asistent režije.

Born in Catania in 1989, Francesca Mazzoleni graduated from the
Centro Sperimentale di Cinematografia of Rome in 2015. Her short
films and documentaries (NOWHERE, LO SO CHE MI SENTI) have won
several awards at film festivals. Mazzoleni also worked as an assistant
director at La ragazza del mondo.

Septembar 12-18 2020

UK, Nemačka, Rusija, Bugarska / UK, Germany, Russia, Bulgaria, 2019

DAN ŽENA

WOMEN’S DAY / ЖЕНСКИЙ ДЕНЬ

Režija/Director: Dolya Gavanski
Scenario/Writer: Dolya Gavanski
Fotografija/Cinematography: Mariana
Kroutilin
Montaža/Editing: Nina Altaparmakova
Muzika/Soundtrack: Sacha Puttnam
Uloge/Cast: Dina Grigoreva, Svetlana
Alexievich, Natalya Kaspersky, Elena
Krygina, Natalya Malakhovskaya, Olga
Uskova
Trajanje/Duration: 85’
Produkcija/Production: Thea Films
Producenti/Producers: Dolya Gavanski

130 Film prikazuje živote žena u konvulzivnoj eri istorijskih i društvenih promena, pružajući FILMOGRAFIJA/FILMOGRAPHY
jedinstven uvid u ruski feminizam. 2015 Golos: Ukrainian Voices
European
Film The film displays the lives of women living through a convulsive era of historical and social
Festival change. It provides a unique insight into Russian feminism.
Palić
2020.

DOLYA GAVANSKI FESTIVALI/FESTIVALS
Moscow International Film Festival
Dolya Gavanski je časove glume pohađala u Moskvi i Londonu, a diplomirala je na Russian Film Week Festival in London
Kembridžu, odakle dalje ide na doktorske studije iz ruske kulture i pozorišta na Londonski GDONSK
univerzitet (Goldsmiths College). Kao glumica je sarađivala sa poznatim rediteljima – Majkl
NAGRADE/AWARDS
Vinterbotom, Anđelina Džoli, Trevor Nun. DAN ŽENA je njen rediteljski Russia Abroad Festival – Best Film
debi, a GOLOS: UKRAINIAN VOICES, čija je ko-režiserka, je na EuroAsian Bridge Yalta International
Londonskom festivalu nezavisnog filma osvojio nagradu za Najbolji Film Festival – Special Jury Award
dokumentarni film.

Dolya Gavanski followed acting training in Moscow and London with
a degree from Cambridge University. She went on to gain a PhD on
Russian Theatre and Culture at Goldsmiths College, University of
London. As an actress she has worked with leading directors including
Michael Winterbottom, Angelina Jolie, Trevor Nunn. WOMEN’S DAY
is Gavanski’s directorial debut. Her previous film as a co-director
GOLOS: UKRAINIAN VOICES won Best Documentary Prize at London
Independent Film Festival.

palicfilmfestival.com

131
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

132 EFA SHORTS

European KRATKI FILMOVI NOMINOVANI ZA
Film EVROPSKU FILMSKU NAGRADU 2019
Festival
Palić EFA SHORTS
2020.
SHORT FILMS NOMINATED FOR
THE EUROPEAN FILM AWARDS 2019

palicfilmfestival.com

133
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

EFA shorts 2019-
Mnogostruka panorama savremenog
evropskog filma

134 Efa shorts je turneja kratkih filmova Evropske filmske akademije koja donosi najnovije EVROPSKE KRATKE

European FILMOVE – kandidate, nominovane i pobednike po oceni publike širom Evrope i šire. Program prikazuje izbor od 20
Film Evropskih kratkih filmova, od kojih je svaki odabran na jednom od poznatih Evropskih festivala kratkog filma kao
Festival kandidat za Evropsku filmsku nagradu 2019.
Palić
2020. 2019 EVROPSKI KRATKI FILM je predstavljen u saradnji sa sledećim festivalima:

★ Oktobar 2018: Valladolid International Film Festival (Španija)
★ Oktobar 2018: Uppsala International Short Film Festival (Švedska)
★ Novembar 2018: Cork Film Festival (Irska)
★ Decembar 2018: Leuven Short Film Festival (Belgija)
★ Januar 2019: International Film Festival Rotterdam (Holandija)
★ Februar 2019: Clermont-Ferrand International Short Film Festival (Francuska)
★ Februar 2019: Berlin International Film Festival (Nemačka)
★ Mart 2019: Tampere Film Festival (Finska)
★ Maj 2019: Krakow Film Festival (Poljska)
★ Jul 2019: Curtas Vila do Conde - International Film Festival (Portugalija)
★ Avgust 2019: Locarno Festival (Švajcarska)
★ Avgust 2019: Sarajevo Film Festival (Bosna i Hercegovina)
★ Septembar 2019: Venice Film Festival (Italija)
★ Septembar 2019: International Short Film Festival in Drama (Grčka)
★ Septembar 2019: Encounters Short Film and Animation Festival Bristol (Ujedinjeno kraljevstvo)

Sa kompletirane liste od dvadeset kandidata, festivali učesnici nominovali su pet kratkih filmova. Nakon toga, više
od 3600 EFA članova – filmskih radnika iz cele Evrope – glasalo je za konačnog pobednika: BOŽIĆNI POKLON reditelja
Bogdana Muresanua.

*Evropski, za Evropsku filmsku akademiju, znači Evropu geografski, bez obzira na pripadništvo Evropskoj Uniji, a
uključuje i Izrael i Palestinu.

palicfilmfestival.com

EFA Shorts 2019 –
a manifold panorama of contemporary
European filmmaking

Efa shorts is the European Film Academy’s short film tour, which brings the latest EUROPEAN SHORT FILM

candidates, nominees and winner to audiences across Europe – and beyond. The programme features a selection from the

20 European Short Film Candidates, each of them selected at a renowned European (short) film festival as candidate for the

European Film Awards 2019.

In 2019, the EUROPEAN SHORT FILM has been presented in co-operation with the following festivals: 135

★ October 2018: Valladolid International Film Festival (Spain), Uppsala International Short Film Festival (Sweden) ★ European
November 2018: Cork Film Festival (Ireland) ★ December 2018: Leuven International Short Film Festival (Belgium) ★ Film
January 2019: International Film Festival Rotterdam (the Netherlands) ★ February 2019: Clermont-Ferrand International
Short Film Festival (France), Berlin International Film Festival (Germany) ★ March 2019: Tampere Film Festival (Finland) Festival
★ April 2019: Go Short – International Short Film Festival Nijmegen (the Netherlands) ★ May 2019: Krakow Film Festival Palić
(Poland), VIS Vienna Shorts Festival (Austria) ★ June 2019: Hamburg International Short Film Festival (Germany) ★ July 2020.
2019: Curtas Vila do Conde – International Film Festival (Portugal), Motovun Film Festival (Croatia) ★ August 2019: Locarno

Film Festival (Switzerland), Sarajevo Film Festival (Bosnia & Herzegovina), Odense International Film Festival (Denmark),
Venice Film Festival (Italy) ★ September 2019: International Short Film Festival in Drama (Greece), Encounters Film
Festival (UK) ★

From the complete list of twenty candidates, the participating festivals nominated five short films. Afterwards, the more than
3,600 EFA Members – film professionals from all over Europe – have voted for the overall winner: THE CHRISTMAS GIFT by
Bogdan Mureșanu, EUROPEAN SHORT FILM 2019.

* European, in the sense of the European Film Academy, means geographical Europe, both EU and non-EU, and shall
include Israeli and Palestinian

Septembar 12-18 2020 SOK OD LUBENICE

136 WATERMELON JUICE / SUC DE SÍNDRIA
European
Film Španija / Spain, 2018
Festival
Palić Barbara i Pol odlaze u prirodu, na odmor sa grupom prijatelja. Žele
2020. da se zabave, ali i da pronađu miran kutak u kom će uživati u svojoj
intimi. Uz Polovu podršku, vreme ispunjeno suzama i smehom isceliće
Barbarine rane i redefinisati njenu seksualnost.

Barbara and Pol spend a few days on holiday with a group of friends in a
house surrounded by nature. They want to have a good time and find a
peaceful space where they can enjoy their intimacy. With the support of
Pol, in the midst of nature, between tears and laughter, Barbara will heal
old wounds and redefine her sexuality.

Režija/ Director: Irene Moray
Trajanje/ Duration: 22’

JAJE

EGG

Francuska, Danska / France, Denmark, 2018

Žena je zaključana u svojoj kući sa jajetom koje je istovremeno privlači
i plaši. Ako ga pojede, kajaće se. Zato ga ubija – ostavlja jaje da umre
od gladi.

A woman is locked in her home with an egg, which she is both attracted
to and scared of. If she eats the egg, she repents. So she kills it. She lets the
egg die of hunger.

Režija/ Director: Martina Scarpelli
Trajanje/ Duration: 13’

DIZAČ TEGOVA

WEIGHTLIFTER / ШТАНГІСТ

Poljska, Ukrajina / Poland, Ukraine, 2018

Profesionalni dizač tegova, Petro, priprema se za bitno takmičenje.
Međutim, dobija tragične vesti koje ga primoravaju na donošenje
teške odluke. Njegov unutrašnji konflikt pretvara ga u mnogo više od
mehaničkog sklopa mišića.

Professional weightlifter Petro is preparing for an important competition.
But before the competition, he receives tragic news that force him to make
a difficult decision. Petro’s inner conflict makes him into more than just a
mechanical bundle of muscles.

Režija/ Director: Dmytro Sukholytkyy-Sobchuk
Trajanje/ Duration: 30’

palicfilmfestival.com

EREKCIJA

HARD ON

Švedska / Sweden, 2019

U tajnosti – ona sve snima.
Puma, gost, dete i obećanja detetu da će dobiti psa, ako bude poslušno
– sve u jednom ekstravagantnom stanu.

Secretly, she is filming everything.
In a surreal apartment – a cougar, a guest, a child and promises of a dog if
the child plays along

Režija/ Director: Joanna Rytel
Trajanje/ Duration: 19’

CADAVRE EXQUIS 137

Francuska / France, 2018 European
Film
CADAVRE EXQUIS predstavlja vizuelnu, slušnu i mirisnu baladu – lutanje
jednookog psa. U lavirintu uskih ulica Starog Hanoja, svakidašnje i Festival
mitsko se meša uz sinkopirani ritam Hat Xam-a, vijetnamskog bluza. Palić
2020.
CADAVRE EXQUIS invites to a visual, acoustic and odorous ballad through
the wandering of a one-eyed dog. In the maze of Old Hanoi’s narrow
streets, daily life and legends mingle on the syncopated rhythm of Hat
Xam, the Vietnamese blues.

Režija/ Director: Stéphanie Lansaque, François Leroy
Trajanje/ Duration: 10’

BULEVAR PATNJE

PATISION AVENUE / ΛΕΩΦΌΡΟΣ ΠΑΤΗΣΊΩΝ

Grčka / Greece, 2018

Janijeva mama putuje na audiciju za ulogu Šekspirove Viole, kada
shvata da joj je sin ostao sam kod kuće. Kroz niz telefonskih poziva
pokušava da uravnoteži najvažnije uloge u svom životu, dok šeta
najkontraverznijim delom centralne Atine – Bulevarom Patnje.

Yanni’s mum is on her way to audition for a role as Shakespeare’s Viola,
when she learns that her young son has been left home alone. Through a
series of phone calls, she fights to balance the most important roles of her
life, whilst walking in the most controversial area of central Athens, Patision

Avenue.Režija/ Director: Thanasis Neofotistos
Trajanje/ Duration: 12’

Septembar 12-18 2020 SLOBODA POKRETA

138 FREEDOM OF MOVEMENT
European
Film Nemačka / Germany, 2018
Festival
Palić Olimpijski maraton u Rimu 1960; Etiopljanin Abebe Bikila donosi Africi
2020. prvu zlatnu medalju; trčeći bos postaje sportska legenda i simbol Afrike
koja se, pritom oslobađa kolonijalizma.
Reditelji su ovaj događaj rekonstruisali usred rimske kontroverzne
racionalističke arhitekture kao pokret nove rase koja uključuje izbeglice
i imigrante, s pravom na ‘slobodu kretanja’.

Evoking the Olympic marathon in Rome 1960 in which Ethiopian Abebe
Bikila won Africa’s first gold medal, running barefoot and becoming a
sporting legend and symbol of an Africa freeing itself from colonialism
in the process, the artists have re-contextualized this amidst Rome’s
controversial rationalist architecture as a new race involving refugees and
immigrants staking a claim to ‘freedom of movement’.

Režija/ Director: Maroan el Sani, Nina Fischer
Trajanje/ Duration: 29’

ČUDESNE NEZGODE DAME
OD KAMENA

THE MARVELOUS MISADVENTURES OF THE STONE LADY
/ LES EXTRAORDINAIRES MÉSAVENTURES DE LA JEUNE
FILLE DE PIERRE

Francuska, Portugalija / France, Portugal, 2019

Umorna od dosadnog života jednog arhitektonskog ornamenta,
kamena skulptura beži iz Luvra u želji da se suoči sa uličnim životom
Pariza.

Tired of being a banal architectural ornament, a sculpture runs away from
the Louvre to confront real life on the streets of Paris.

Režija/ Director: Gabriel Abrantes
Trajanje/ Duration: 20’

EDNA – JEDNA OD MNOGIH

EDNA – ONE OF MANY / EDNA

Severna Makedonija, Belgija / North Macedonia, Belgium, 2019

EDNA je animacija inspirisana izbegličkom krizom, u kojoj je Makedonija
igrala nesrećnu ulogu tranzitne zemlje; u suštini, ovo je ljubavna priča
smeštena u neobične okolnosti, ispričana na vrlo apstraktan i poetičan
način.

EDNA is animation which was inspired by the refugee crisis, where
Macedonia played the unfortunate role of a transit country; in essence it
is a love story set in a very unusual circumstances, told in a very abstract
and poetic way.

Režija/ Director: Vuk Mitevski
Trajanje/ Duration: 11’

palicfilmfestival.com

REKONSTRUKCIJA

RECONSTRUCTION / REKONSTRUKCE

Češka / Czech Republic, 2018

Olda (17) je optuženik koji čeka na suđenje u pritvoru za maloletne. 139
Jedna letnja noć bila je dovoljna da se jednoličan zatvorski život
pretvori u okrutnu zabavu, koja rezultira smrću. European
Film
Olda (17) is an accused waiting for his trial in a detention centre for juveniles.
It took one summer night for monotone prison life to turn into a cruel fun Festival
that resulted in death. Palić
2020.
Režija/ Director: Jiří Havlíček, Ondřej Novák
Trajanje/ Duration: 15’

SPASIĆE NAS VIŠAK

EXCESS WILL SAVE US

Češka / Czech Republic, 2018

U malom selu, na severu Fransuke, aktivirano je upozorenje za napad
povodom kobinacije dva događaja – početka sezone lova i svađe pijanih
poljskih radnika.

In a small village of the North of France, an attack alert has been set off due
to the combination of two events: the beginning of the hunting season
and an argument between drunk Polish workers.

Režija/ Director: Morgane Dziurla-Petit
Trajanje/ Duration: 14’

DOSTOJAN ČOVEK

A WORTHY MAN / EN VÆRDIG MAND

Danska / Denmark, 2018

Iz noći u noć, Erik je sam u svojoj pekari. Jedino društvo čini mu noćna
radio emisija u kojoj uporno pokušava da pobedi i bude odlikovan
“šaljivdžijom nedelje”. Postepeno se udaljava od porodice, a njegovi
pokušaji da to spreči su uzaludni. Erikova depresija se pogoršava i baca
ga u vrtlog, prisiljavajući Erika na očajnički vapaj za pomoć.

Night after night Erik works alone in his bakery. His only company is the
late-night radio show, which he persistently attempts to get through to
to be honored “Joker of the Week”. He has gradually become more and
more distant to his family, and all his efforts to re-establish the connection
seem in vain. A growing depression hurls Erik into a tailspin, that in the end
culminates in a desperate cry for help.

Režija/ Director: Kristian Håskjold
Trajanje/ Duration: 19’

Septembar 12-18 2020 PSI LAJU NA PTICE

140 DOGS BARKING AT BIRDS / CÃES QUE LADRAM
European AOS PÁSSAROS
Film
Festival Finska / Finland, 2019
Palić
2020. Škola je završena; u vazduhu se oseća užurbanost; ulični kafići Porta
su puni turista. Vićente se vozika na svom biciklu, primećujući kako se
pejzaž njegovog grada menja iz dana u dan, a sa gradom i on. Vićente
isčekuje prve dane leta i početak novog života.

School is over and there’s a bustle in the air. In Porto, tourists fill up the
streets and cafés. Vicente moves around town on his bike, watching the
urban landscape modify day by day. The town is no longer the same, the
world is changing and so is he. Among his family and friends, Vicente lives
with anticipation of the first days of summer and the beginning of a new
life.

Režija/ Director: Leonor Teles
Trajanje/ Duration: 20’

BLESAVI POSAO

(FOOL TIME) JOB

Finska / Finland, 2019

Pedro se zaposlio. Istina – njegov posao je malo čudan, ali u ovo vreme
se ne isplati biti sitničav. Ovo je prava prilika!
Svakako, Pedro nikada nije bio tremaroš…

Pedro has found a new job.
A kind of strange one, but these days, he can’t afford to be fussy. It’s a real
chance!
Anyway, he’s never been the kind of getting cold feet…

Režija/ Director: Gilles Cuvelier
Trajanje/ Duration: 17’

BOŽIĆNI POKLON

THE CHRISTMAS GIFT / CADOUL DE CRĂCIUN

Rumunija, Španija / Romania, Spain, 2018
20. decembar, 1989. godina, nekoliko dana nakon krvavog gušenja
diktature rumunskog vladara Čaušeskua. Mirna noć jednog oca
pretvara se u pravu agoniju kada shvata da je njegov sinčić poslao
pismo sa željama Deda Mrazu. Kako je dete razumelo – očeva želja bila
je smrt Čaušeskua.

On the 20th of December, 1989, a few days after Romanian dictator Nicolae
Ceausescu’s bloody repression in Timisoara, a father’s quiet evening turns
to sheer ordeal as he finds out that his little son has mailed a letter of
wishes to Santa. As far as the child understood, his father’s desire was to
see Ceausescu dead.

Režija/ Director: Bogdan Mureşanu
Trajanje/ Duration: 23’

palicfilmfestival.com

141
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

142 ZSIGMOND VILMOS
FESTIVAL
European
Film
Festival
Palić
2020.

palicfilmfestival.com

143
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

Selekcija filmova sa 4. Žigmond
Vilmoš Film Festivala iz Segedina
u okviru 27. Festivala evropskog
filma Palić

144 Otvoreni univerzitet Subotica, kao izvršni producent Festivala evropskog filma Palić i Centar za organizaciju događaja i
medijskih aktivnosti Segedin (Szegedi Rendezvény- és Médiaközpont Nonprofit Kft.), kao izvršni producent Žigmond Vilmoš
European Film Festivala,uspešno su u partnerstvu realizovali projekat FILMY - Filmska umetnost povezuje mlade ljude, u okviru Interreg
Film IPA CBC programa Mađarska – Srbija.
Festival Projekat FILMY stavio je u fokus razvoj filmske publike i filmskih radnika u prekograničnom regionu realizacijom tri vrste
Palić aktivnosti: 1. Filmska edukacija za mlade, 2. Razvoj filmskih klubova u prekograničnom regionu i 3. Saradnja dva filmska
2020. festivala iz prekograničnog regiona.
Uspešna saradnja dva filmska festivala nastavljena je i nakon završetka projekta te će u okviru 27. Festivala evropskog filma
Palić biti prikazana selekcija sačinjene od 2 filma iz programa 4. Žigmond Vilmoš Film Festivala koji će u Segedinu, Mađarska
biti realizovan u periodu od 08.09. – 12.09.2020. (www.zsigmondvilmosfilmfest.com).

O Žigmond Vilmoš Film Festivalu:

Segedin je rodni grad svetski poznatog, dobitnika Oskara Žigmond Vilmoša, koji je takođe i počasni građanin ovog grada.
Skoro stotinu godina star, sjajni Belvarosi bioskop u Segedinu je jedan od najstarijih tradicionalnih bioskopa u Mađarskoj.
Najveća sala sa pet stotina sedišta u bioskopu nosi ime Žigmonda Vilmoša od 2005. godine, zbog čega je on bio veoma
ponosan. Svaki put kada bi dolazio u Segedin, nije propustio da poseti “njegov bioskop”.
Pored ličnih veza, naš filmski festival inspirisan je veličinom Vilmosa Zsigonda u filmskoj umetnosti, njegovom čašću i
reputacijom. Kvalitet njegovog rada i njegov uticaj na sledeće generacije imaju isti efekat kao i cilj festivala - da skrene
pažnju na važnog ko-stvaraoca filmova, kinematografa.
“Imenovanje festivala jasno pokazuje da analiziramo filmove iz kinematografske perspektive. Međutim, od Vilmosa smo
naučili važnu stvar da se vizija i rad kinematografa ne može proceniti izolovano od drugih elementa. Najbolji primer toga je
upravo njegov rad. Ostvarivanje kinematografskih ideja mora se procijeniti uzimajući u obzir rediteljeve namere ili poruku
čitavog filma. Tako na ovaj način mi ne nagrađujemo samo kinematografski rad, već i filmove kao celine.”

Szabó Gábor HSC, Predsednik žirija

*Vilmoš Žigmond (Segedin, 1930 – Big Sur, Kalifornija, 2016) bio je mađarsko-američki snimatelj/ direktor fotografije, jedan od
glavnih protagonista američkog Novog talasa, čiji rad je uticao na oblikovanje američke kinematografije 70-ih. Sarađivao je
sa Robertom Altmanom, Stivenom Spilbergom (Oskar za „Bliski susret treće vrste“), Majklom Ćiminom (BAFTA za „Lovac na
jelene“), Brajanom de Palmom, Vudijem Alenom...

palicfilmfestival.com

Selection of films from the 4th
Zsigmond Vilmos Film Festival from
Szeged as a part of the 27th European
Film Festival Palić

Open University Subotica as an executive producer of the European Film Festival Palić and Szeged Event and Media Center 145
(Szegedi Rendezvény- és Médiaközpont Nonprofit Kft.) as an executive producer of Zsigmond Vilmos* Film Festival are
partners in project FILMY – Film art connects young people, realized within Interreg IPA CBC program Hungary – Serbia. European
FILMY project focuses on development of film audiences and filmmakers in the cross-border region by realizing three sorts Film
of activities: 1. Film education for youth, 2. Development of film clubs in the region, 3. Cooperation of the two film festivals.
The successful cooperation between the two film festivals continued after the end of the project, so the 27th European Film Festival
Festival Palić will screen a selection of 2 films from the 4th Zigmond Vilmoš Film Festival that will be held in Szeged, Hungary Palić
from 08.09. to 12.09.2020 (www.zsigmondvilmosfilmfest.com). 2020.

About Zsigmond Vilmos Film Festival:

Szeged is the hometown of world famous, Oscar laureate Zsigmond Vilmos, honorary citizen of the town. Built almost
hundred years ago, marvelous Belvarosi Mozi in Szeged is one of the oldest traditional cinema theaters in Hungary. The
largest screening hall with five hundred seats, in 2005 was named after Zsigmond Vilmos, which made him very proud. He
never missed to visit “his cinema” every time he was in Szeged.
Apart from personal connections, our Film Festival is inspired by the significance of Zsigmond Vilmos for the film art, by his
honor and reputation. Quality of his work and his influence on younger generations has the same goals as the Festival – to
pay attention on important film co-worker, cinematographer.
“The name of the Festival clearly shows that we look at film art from the cinematographer’s perspective. However, we have
learned an important lesson from Vilmos – vision and cinematographer’s work cannot be evaluated separately from other
film elements. His work is the best example of this. Realization of cinematographer’s ideas must be in correlation with
director’s intentions and the massage of the film itself. This means that we award not only cinematographers but films as
a whole.”

Szabó Gábor HSC, Jury President

*Vilmos Zsigmond, (Szeged, 1930 – Big Sur, California, 2016) was a Hungarian-American cinematographer. His work in
cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the
American New Wave movement. Over his career he became associated with many leading American directors, such as
Robert Altman, Steven Spielberg (AA for Close Encounters of the Third Kind), Brian De Palma, Michael Cimino (BAFTA for The
Deer Hunter) and Woody Allen.

Septembar 12-18 2020

Mađarska/Hungary, 2020

MAGDALENA

MAGDALENE / MAGDOLNA

Režija/Director: Tamás Buvári
Fotografija/Cinematography: Zsolt Tóth
Montaža/Editing: Anna Vághy
Muzika/Sountrack: Edina Mókus Szirtes
Uloge/Cast: Nagy Katica, Buvári Villő,
Turós-Máté Kinga, Hegyi Zoltán,
Trokán Anna
Trajanje/Duration: 97’
Produkcija/Production: Veszprém
MeilFilm Studio
Producenti/Producers: Kinga Turós-
Máté, Zoltán Hegyi, Tamás Buvári

146 Film MAGDALENA je Biografija jedne mađarske mučenice.
MAGDALENE is a biographical film about a Hungarian martyr.
European
Film
Festival
Palić
2020.

TAMÁS BUVÁRI

Tamás Buvári (1968) je reditelj, producent i scenarista iz Mađarske. FILMOGRAFIJA/FILMOGRAPHY
Studirao je nemački i francuski jezik, nakon čega je pohađao umetničku 2017 I love you
školu Casus, pa Elte Institut za sociologiju. Njegov debitantski film je 2008 Ride
eksperimentalni mađarski film LIFE-SAVING (2000). 2006 Projection
2005 Execution
Tamás Buvári (1968) is a Hungarian director, screenwriter and producer. 2003 Playing Children
He studied German and French, then went to Casus School of Art and 2002 Post soldier
the Elte Institute of Sociology. His debut film was LIFE-SAVING (2000), 2000 Várjá ’Vladimir
an experimental Hungarian film. 2000 Life-saving

Norveška/Norway, 2019 palicfilmfestival.com
147
ŠPIJUN

THE SPY / SPIONEN

Režija/Director: Jens Jonsson
Scenario/Writer: Harald Rosenløw Eeg,
Jan Trygve Røyneland
Fotografija/Cinematography: Anton
Mertens
Montaža/Editing: Joakim Pietras
Kostimograf/Costume designer: Ulrika
Sjölin
Muzika/Soundtrack: Raf Keunen
Uloge/Cast: Ingrid Bolsø Berdal, Rolf
Lassgård, Alexander Scheer, Edvin
Endre
Trajanje/Duration: 109’
Produkcija/Production: 4 ½ Film AS
Producent/Producer: Karin Julsrud,
Turid Øversveen, Håkon Øverås

FILMOGRAFIJA/FILMOGRAPHY Sonja Wigert, zvezda iz Štokholma je primorana da radi u tajnosti, nakon izbijanja European
2014 VoteTrade Drugog svetskog rata. Film
2013 Laka lova 3
2008 Ping-pongkingen Sonja Wigert, a diva and star in Stockholm, is forced to go undercover when World War II Festival
2006 Linerboard breaks out. Palić
2004 Stenjäveln 2020.
2003 Spaden JENS JONSSON
2002 Bror min
2001 Reparation Jens Jonsson je za vrlo kratko vreme postao jedan od međunarodno najpriznatijih reditelja
1999 Avrättningen Skandinavije. Upisao se na Univerzitet za umetnost, zanat i dizajn u Štokholmu, ali je

FESTIVALI/FESTIVALS nastavio filmsku režiju na Univerzitetu za film, radio, televiziju i
2020 IMAGO International Award for pozorište. Dobitnik je mnogih priznanja; BRIOR MIN nahrađen je
Best Cinematography Srebrnim medvedom u Berlinu, a REPARATION i K-G FOR BETTER OR
2020 Zsigmond Vilmos Film Festival FOR WORSE osvojili su srebrne medalje u Kanu.
2020 Kosmorama, Trondheim
Internasjonale Filmfestival Jens Jonsson has in a very short time established himself as one of
Scandinavia’s most internationally recognized directors. He first
NAGRADE/AWARDS enrolled at Konstfack (The University College of Arts, Crafts and Design
2020, Amanda Awards, Norway – in Stockholm), then went on to study film direction at the Dramatiska
Amanda Institutet (University College of Film, Radio, Television and Theatre in
Stockholm). He has won acclaim for a number of films; BROR MIN won
the Silver Bear in Berlin, REPARATION and K-G FOR BETTER OR FOR
WORSE both won silver medals in Cannes.

Septembar 12-18 2020

148 FILMSKI FESTIVAL
KRATKOG METRA – FROM
European
Film
Festival
Palić
2020.

SHORT FILM FESTIVAL – FROM

palicfilmfestival.com

149
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

Zašto FROM -

Filmski festival kratkog metra bavi se idejom da promoviše romsku temu kao osnovni umetnički izazov, ali i da promeni
postojeću svest o ovom narodu koja je duboko u klišeu, koji se prenosi kroz generacije, te kao takav postaje slika objektivne
stvarnosti . Kroz filmski prikaz, različitih filmskih oblika, publika je u prilici da svedoči jednoj drugačijoj kulturi, načinu života
uopšte.

150 Cilj festivala

European Cilj festivala FROM jeste da osvetli različite percepcije pogleda na Rome i romsku zajednicu, kao i da doprinese jednoj vrsti
Film promene paradigme kod Roma, koji još uvek nisu iskoristili svoj društveni i kulturni kapital kod većinske zajednice i drugih
Festival zajednica u prvacu boljeg razumevanja, privatanja, ali i učešća u društvu, “jednakih šansi”. Ovakva vrsta umetničkog dijaloga,
Palić nastoji da se delimično otklone segmetnti urušavanja egzistencije ovog naroda, da se umanje ili u potpunosti spreče, i da
2020. nestanu uzroci siromaštva i dikriminacije, sa kojima se suočava većina građana romske nacionalnosti.

Festival kratkog metra sa ”Romskom temom” jeste doprinos i javnim politikama, kojima su uređeni obrazovanje, zapošljavanje,
stanovanje, zdravstvo, socijalna zaštita, obrazovanje kao i stvaranje preduslova za normative i institucionalne uslove za
faktičko unapređenje njihovog društvenog položaja. Ovaj festival je usmeren i na druge oblasti u kojima bi trebalo postići
utvrđeni cilj, kao što je rešavanje problema u vezi sa ostvarivanjem ljudskih i građanskih prava (naknadni upis u Matičnu
knjigu rođenih, Državljanstvo, lična dokumenta i isprave ), kao i problema izbeglih i raseljenih lica, jačanje položaja Romkinja,
unapređenje kulutre i informisanja Roma, ali i njihovo osnaživanje učestvovanja u svim segmentim javnog života. Ove teme
su povod za festival, koji bi trebalo da na disperzivan i drugačiji način pokaže i usmeri tokove društvenih uključivanja Roma.
Film kao mediji u raznim žanrovima nudi logiku iznošenja mišljenja i stvara iluziju u živom i direktnom razgovoru u formi igre,
dokumentarizma, faktografije, snoviđenja, ideala, i u skladu sa takvim “uznesenjem” želimo da ovaj festival bude u porodici
društvenih projekcija sa akcentom na razumevanju onih koji stvaraju, sa potrebom onih koje to stvaranje percipiraju.

Festival je zasnovan na principima formalno vidljivim i nevidljivim koji se reflektuju na pojam inkluzivnosti, decentralizacije,
racionalizacije, ekonomičnosti, efikasnosti i afirmativnih mera pod snažnim uticajem reflektora interkluralnosti. “Zar to nije
dovoljno za projekciju ? “ Ovo pitanje je u vezi sa mogućim ostvarivanjem ovih principa koji služe svrsi rešavanja ogromnih
problema i nedoumica “ romske teme”, koji se od 2016. godine nedvosmisleno pojavljuju u strateškim dokumentima Republike
Srbije. Ta pitanja se odnose na paradigmu Strategija za inkluziju Roma, odnosno njeno čvrsto društveno, ekonomsko,
političko, institucionalno utemeljenje, i proizilaze iz specifične prirode siromaštva Roma, koja očito, autore provocira. Ovaj
festival prikazuje direktnu projekciju nagomilanih problema. Do sada podršku festivalu dali su vrsni reditelji i glumci ,
filmski kritičari , teoretičari filma kao što su Slobodan Šijan, Janko Baljak, Goran Paskaljević, Ivan Velisavljević, Marko Kostić,
Dragomir Zupanc, Ivan Karl, glumice Danica Maksimović, Ana Sofrenović i drugi.

Direktor festivala,
dr Zoran Tairović