Filmski Festival Palic

palicfilmfestival.com

Ukrajina/ Ukraine, 2019

ZABORAVLJENI

THE FORGOTTEN/ ZABUTI

Režija/ Director: Daria Onyshchenko 51
Scenario/ Writer: Daria Onyshchenko,
Claudia Lehmann Istočna Ukrajina. Nina, učiteljica ukrajinskog jezika, ne može da napusti svoj grad, European
Fotografija/ Cinematography: Erol okupiran separatistima. Njen učenik Andrej, ratno siroče, biva uhapšen zbog sitnice, Film
Zubčević čemu je Nina svedok.
Montaža/ Editing: Simon Gutknecht Festival
Scenograf/ Production Designer: Nina is a Ukrainian language teacher who can’t leave her city occupied by separatists in Palić
Volodymyr Romanov Eastern Ukraine. Andrii is a student who was orphaned in the aftermath of the war. They 2020.
Kostimograf/ Costume designer: cross paths when Nina witnesses Andrii being arrested by the police for a trifle.
Kostyantyn Kravets
Šminka/ Makeup Artist: Sergyi Maurin DARIA ONYSHCHENKO
Menadžer produkcije/ Production
manager: Oleksandr Chetyrkin Darja Oniščenko je nagrađivana scenaristkinja i rediteljka, rođena
Vizuelni efekti/ Visual Effects: Oleksii u Kijevu. Diplomirala je na Univerzitetu za TV i film u Minhenu 2013.
Moskalenko & Andrii Dovgy Već sledeće godine završila je svoj prvi dugometražni film Eastalgia,
Muzika/ Soundtrack: Martin Skalsky sa velikim uspehom prikazan na mnogim međunarodnim festivalima.
Dizajn zvuka/ Sound Design: Oleksandr Darja je članica nemačke agencije za režiju Above the Line i Ukrajinske
Shatkvskyi filmske akademije.
Uloge/ Cast: Maryna Koshkina,
Vasyl Kuharskyi, Daniil Kamenskyi, Daria Onyshchenko was born in Kiev, Ukraine. In 2013 she graduated
Oleksii Gorbunov, Maria Kulikovska, from the University of Television and Film in Munich, Germany, wrote
Anastasya Khalpakchi and directed a number of scripts and award winning short films. In
Trajanje/ Duration: 102’ 2014 she completed her first feature film Eastalgia, that was very
Produkcija/ Production: Directory successful at many international festivals. Daria is a member of
Films, Lehmann Sisters the German directing agency Above the Line and a member of the
Producenti/ Producers: Igor Ukrainian Film Academy.
Savychenko, Dmytro Kozhema,
Claudia Lehmann
Koproducenti/ Co-Producers: Johannes
Bösiger, Eva-Marie Neufahrt

FILMOGRAFIJA/FILMOGRAPHY
2012 Eastalgia
2010 Dogs of Ukrainka

FESTIVALI/FESTIVALS
2020 Solothurner Filmtage
2019 Warsaw International Film Festival

NAGRADE/AWARDS
2019 Warsaw International Film Festival
– Competition 1-2 Award – Special
Mention

Septembar 12-18 2020

Letonija/ Latvia, 2020

PRVI MOST

THE FIRST BRIDGE / PIRMAIS TILTS

Režija/ Director: Laila Pakalniņa
Scenario/ Writer: Laila Pakalniņa
Fotografija/ Cinematography: Gints
Bērziņš (LGC)
Montaža/ Editing: Silvija Vilkaite
Ramanauske
Trajanje/ Duration: 12’
Produkcija/ Production: Hargla
Company
Producenti/ Producers: Laila Pakalniņa

52 PRVI MOST je film o granicama, barijerama i načinima na koje ih prelazimo da bismo FILMOGRAFIJA/FILMOGRAPHY
videli šta se dešava i sa druge strane… 2019 Spoon (documentary)
European 2009 Silence (short)
Film THE FIRST BRIDGE is a film about frontiers, barriers, the ways to cross over and see what 2008 Stones (short)
Festival goes on, on the other side. 2007 Fire (short)
Palić 2006 Water (short)
2020. LAILA PAKALNIŅA 2003 The Python (feature)
2001 Papa Gena (documentary)
1998 The Shoe (feature)
1997 The Oak (documentary)
1995 Urbans (documentary)
1995 The Mail (documentary)
1994 The Ferry (documentary)

Laila Pakalniņa je rođena 1962. godine u Letoniji. 1986. godine je FESTIVALI/FESTIVALS
diplonirala televizijsko novinarstvo na Univerzitetu u Moskvi, a 1991. 2020 Visions Du Réel International
filmsku režiju u Moskovskoj školi filma (VGIK). Njen kratkometražni Documentary Film Festival
film The Ferry nagrađen je FIPRESCI nagradom u Kanu, kao najbolji
kratkometražni film.

Laila Pakalniņa was born in 1962, in Latvia. In 1986, she graduated from
the Moscow University, Department of TV Journalism, and in 1991 from
the Moscow Film Institute (VGIK), Department of Film Direction. She
won the FIPRESCI prize in Cannes for the best short film with The
Ferry.

palicfilmfestival.com

Slovenija, Hrvatska, Severna Makedonija, Srbija/Slovenia, Croatia,
North Macedonia, Serbia, 2019

JA SAM FRENK

I AM FRANK / JAZ SEM FRENK

Režija/Director: Metod Pevec 53
Scenario/Writer: Metod Pevec, Ivo
Trajkov Neočekivano nasleđe, ostavljeno od strane njihovog oca, izaziva sukob između Frenka, European
Fotografija/Cinematography: Marko buntovnika koji se još uvek drži starih socijalističkih vrednosti, i njegovog brata Film
Brdar Braneta, klasičnog profitera. Branetova žena Ines, sve vreme zaljubljena u Frenka, sada
Montaža/Editing: Jelena Maksimović se ponovo nalazi između dva brata. Festival
Kostimograf/Costume designer: Katja Palić
Hrobat An unexpected inheritance from their father sparks a dispute between Frank, a rebel 2020.
Muzika/Soundtrack: Mate Matišić who still swears by old socialist values, and his brother Brane, a classic transition profiteer.
Uloge/Cast: Janez Škof, Valter Dragan, Brane’s wife Ines, who has in fact loved Frank all along, finds herself caught between the two
Katarina Čas, Mojca Partljič, Anja brothers once more.
Novak
Trajanje/Duration: 99’ METOD PEVEC
Produkcija/Production: Vertigo,
Interfilm, Small Moves Films, Metod Pevec (1958) filmski je reditelj, scenarista, pisac i glumac.
Backroom Production, RTV Slovenia Diplomirao je filozofiju i komparativnu književnost na Fakultetu
Producenti/Producers: Danijel Hočevar, umetnosti u Ljubljani. Pre i tokom tudija, 1970-tih i 80-tih, igrao je
Ivan Maloča, Maja Vukić, Svetozar nekoliko glavnih uloga u slovenačkim i jugoslovenskim igranim
Ristovski, Kornelija Ristovska filmovima i TV serijama. Takođe je pisac nekoliko romana i zbirke
Markovska, Igor Kecman, Jelena kratkih priča.
Mitrović
Metod Pevec (1958) a film director and screenwriter, novelist and actor,
FILMOGRAFIJA/FILMOGRAPHY who graduated from Philosophy and Comparative Literature at the
2015 Home Faculty of Arts in Ljubljana. Before and during his studies, in 1970’s and
2012 Tango Abrazos 80’s he played several main roles in Slovene and Yugoslav feature films
2011 Alexandrians and TV serials. He also wrote several novels and a collection of short
2011 Good nights, Missy stories.
2008 Hit of the season
2007 Estrellita
2003 Beneath Her Window
1995 Carmen

Septembar 12-18 2020

Bugarska, Srbija/Bulgaria, Serbia, 2019

PATROLE

ROUNDS / V KRUG

Režija/Director: Stephan Komandarev
Scenario/Writer: Stephan Komandarev,
Simeon Ventsislavov
Fotografija/Cinematography: Vesselin
Hristov
Montaža/Editing: Nina Altaparmakova
Uloge/Cast: Ivan Barnev, Assen
Blatechki, Stoyan Doychev, Vassil
Vassilev-Zouek
Trajanje/Duration: 107’
Produkcija/Production: Argo Film
Producenti/Producers: Dobromir
Chochov, Marie Dubas, Nenad Dukić,
Stephan Komandarev, Elie Meirovitz,
Katya Trichkova

54 FILMOGRAFIJA/FILMOGRAPHY
2018 Okupácia 1968
European 2017 Posoki
Film 2014 Sadilishteto
Festival 2010 The Town of Badante Women
Palić 2008 Svetat e golyam i spasenie debne
2020. otvsyakade
2004 Azbuka na nadejdata
STEPHAN KOMANDAREV 2002 Hlyab nad ogradata
2001 The Way of Harmony
Stefan Komandarev je bugarski reditelj, producent i scenarista. Rođen je 1966. u Sofiji gde 2000 Pansion za kucheta
je studirao filmsku i TV režiju na Novom bugarskom univerzitetu. Njegov pretposlednji film
PRAVCI je prikazan u selekciji Izvestan pogled na Filmskom festivalu u Kanu 2017. godine. FESTIVALI/FESTIVALS
2020 FEST International Film Festival
Njegova ranija ostvarenja uključuju nagrađivane dugometražne i
dokumentarne filmove, kao što su SVET JE VELIKI I SPASENJE JE IZA NAGRADE/AWARDS
UGLA, najgledaniji bugarski film svih vremena. 2020 Wiesbaden goEast – FIPRESCI
Prize, Golden Lily
Stephan Komandarev is a Bulgarian director, producer and scriptwriter. 2019 Gijón International Film Festival –
He was born in 1966 in Sofia and graduated in Film & TV directing AISGE Award
at the New Bulgarian University. His feature film DIRECTIONS is a 2019 Sarajevo Film Festival – Best
nominee in the section Un certain regard at the Cannes Film Festival Actress, Cineuropa Award
2017 official selection. His previous works include award-winning
feature and documentary films, such as THE WORLD IS BIG AND
SALVATION LURKS AROUND THE CORNER, which is the most world-
wide theatrical released Bulgarian film ever.

palicfilmfestival.com

Slovenija/Slovenia, 2020

NERAZDVOJNI

INSEPARABLE / NELOČLJIVI

Režija/Director: Marko Naberšnik NELOČLJIVI INSEPARABLE
Scenario/Writer: Marko Naberšnik
Montaža/Editing: Jan Lovše
Uloge/Cast: Ciuha Marko, Jagodić
Gregor, Dragan Bjelogrlić
Trajanje/Duration: 16’
Produkcija/Production: Perfo
Production
Producent/Producer: Aleš Pavlin,
Andrej Štritof

55

Mart, 2020. U vreme pandemije virusa Covid-19, kretanje je ograničeno, a društveni European
život odložen. Film govori o prijateljima koji su, pored svega, našli način da ostanu u Film
kontaktu i okupe se na jedan dan.
Festival
March 2020. At the time of the declared epidemic due to Covid-19, movement was limited Palić
and social life was canceled. The film tells the story of friends who nevertheless found a way 2020.
to connect and come together for one day.
FILMOGRAFIJA/FILMOGRAPHY
2020 Najini mostovi MARKO NABERŠNIK
2018 Posebne zgodbe
2017 Slovenija, Avstralija in jutri ves svet Po završeptrkouduscernetda AnLjEeŠ šPkAVoLlIeN &uAMNDaRrEiJbŠoTRruITO, FMscaernkaroistN&arbežeisrešr nMAikRKzOaNpAoBEčReŠoNIKjezgsotdubda AijLeEŠnPaAVELkINo&nomskom
2015 Matija Vertovec fkarkautkltiefitlum. 1Z9A9MČ6A.ERpTKoOEhNKaA.BđNEaRjiŠomNjIKeemsjeoenpmtaoželeosr žJtaAioNr pLnOraViŠjNeEmojublnjikooirvisšalpkecoitzjvifoziklaampSAosŠkčOoeKjoAaLskAtNaukddoeliojmerisftiijMlim,AgTsEdVkŽeePjiIeRtNesAlneTivmiziiojsskveorjepžrijvei
2014 Die Wälder sind noch grün
2012 Sanghaj na Akademiji za pozorište, radio, film i televiziju u Ljubljani. Od 2002.
2009 The Corridor godine, kada je diplomirao, radi kao docent na Akademiji, reditelj je
2007 Petelinji zajtrk igranih i dokumentarnih filmova, kao i raznih TV emisija.
2004 Izkusnja razlike
After graduating from high school in Maribor, Marko Naberšnik took
up studies at the Faculty of Economics. In 1996 he attended one
semester at the New York Film Academy, where he shot his first short
film ZAČETEK. It was with this film that he passed the entrance exam
and began studies of film and television directing at the Ljubljana
Academy for Theatre, Radio, Film and Television. Since 2002, when
he graduated from the Film Academy in Ljubljana, Marko Naberšnik
has been working as an assistant professor at the Academy, and as a
director of films, documentary films and various TV shows.

Septembar 12-18 2020

Slovačka/Slovakia, 2020

POSLUGA

SERVANTS / SLUZOBNICI

56 Režija/Director: Ivan Ostrochovský
Scenario/Writer: Rebecca Lenkiewicz,
European Marek Lescák, Ivan Ostrochovský
Film Fotografija/Cinematography: Juraj
Festival Chlpik
Palić Montaža/Editing: Jan Danhel, Martin
2020. Malo, Maros Slapeta
Kostimograf/Costume designer:
Katarina Hollá
Muzika/Sountrack: Miroslav Toth,
Cristian Lolea
Uloge/Cast: Vlad Ivanov, Martin Sulík,
Milan Mikulcík, Samuel Skyva, Samuel
Polakovic
Trajanje/Duration: 80’
Produkcija/Production: Punkchart
Films
Producenti/Producers: Ivan
Ostrochovský, Albert Malinovsky,
Katarina Tomkova

Totalitarna Čehoslovačka, 1980 – dva studenta teologije moraju da donesu odluku:
odabrati lakši način i sarađivati ili biti pod nadzorom tajne policije.

Two students of a theological seminary in totalitarian Czechoslovakia must decide if they’ll
choose the easier way of collaboration, or if they’ll subject themselves to the surveillance of
the secret police.

IVAN OSTROCHOVSKÝ FILMOGRAFIJA/FILMOGRAPHY
2015 Koza
Ivan Ostrochovský rođen je 1972. godine u Žilini. Nakon nekoliko 2013 Velvet Terrorists
kratkometražnih dokumentarnih filmova i serija, Ivan režira svoj 2009 Ilja
dugometražni dokumentarni debi PLIŠANI TERORISTI (2013),
premijerno prikazan i nagrađen Tagesspiegel Readers’ nagradom FESTIVALI/FESTIVALS
na Berlinskom festivalu 2014. godine. Ostrochovský je suvlasnik i 2020 Berlin International Film Festival
producent sentimentalfilm-a i Punkchart Films-a. 2020 Odesa International Film Festival

Ivan Ostrochovský was born in 1972 in Zilina. After several documentary
shorts and series, Ivan directed his feature documentary debut VELVET
TERRORISTS (2013), which premiered at Berlinale 2014, where it won
the Tagesspiegel Readers’ Award. Ostrochovský is a co-owner and
producer at sentimentalfilm and Punkchart Films.

palicfilmfestival.com

57
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

58 MLADI DUH EVROPE
YOUNG SPIRIT OF EUROPE
European
Film
Festival
Palić
2020.

palicfilmfestival.com

59
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

60
European
Film
Festival
Palić
2020.

palicfilmfestival.com

MLADI DUH EVROPE uključujući nagradu
UNDERGROUND SPIRIT OF EUROPE

Kao i prošle godine, Mladi duh Evrope sastavljen je od četiri programske celine kratkih filmova po mom
izboru uz uvažavanje mišljenja kolega sa Palićkog festivala ali i u saradnji sa prijateljima sa poljskog festivala
ZubrOFFka i naravno laureatom Underground Spirit nagrade italijanskom rediteljkom Sarom Fgaier. Mladi
duh je čarobno istraživanje veoma ambicioznih filmskih radova, koji se kreću u okviru ali i izvan etabliranih
margina umetničkog delovanja, što podrazumeva umetnički film, muzički video, animaciju kao i najnovije
filmove dokumentarnog i igranog formata.
Rad Sare Fgaier je je sjajan primer nadmoćnog talenta i kreativnosti angažovane u profesiji montaže, koja
je često podcenjena na tlu medija gde dominiraju reditelji, glumci scenaristi, snimatelji. Dobitnica Evropske
filmske nagrade za kratki film GODINE, Sara Fgaier je čuvena po brilijantnoj upotrebi arhivskog materijala, koji
se u njenim rukama transformiše u magično putovanje kroz vreme. Kratki filmovi u Mladom duhu Evrope ne
mogu se lako svrstati po sadržaju ili temi, ali su im zajednički preciznost i ekonomičnost što znači da niti jedan
frejm nije protraćen.

Selektor, Nil Jang

YOUNG SPIRIT OF EUROPE including 61
UNDERGROUND SPIRIT OF EUROPE AWARD
European
Like last year, Young Spirit of Europe comprises four “regular” programmes of eclectic shorts chosen by myself Film
in consultation with EFF colleagues, alongside a “carte blanche” collaboration with an outstanding film-festival
-- this time selected by our friends at “ZubrOFFka” of Białystok, Poland -- and of course the tribute-section to our Festival
Underground Spirit of Europe honoree, namely the acclaimed Italian editor and director Sara Fgaier. Young Spirit is Palić
a thrilling survey of the most ambitious cinematic work, operating on and beyond the established “margins” of the 2020.
art-form, which encompasses artists’ film, music-video and animation as well as fresh takes on the documentary
and fiction formats.
Sara Fgaier’s work is a great example of a superbly talented creative presence operating in a profession - editing -
which too often gets overlooked in a media landscape which is so dominated by actors and directors, followed by
screenplay writers and cinematographers. Winner of the European Film Award for her short film GLI ANNI, Sara
Fgaier is renowned for her brilliant manipulation of archival materials, which in her hands transform the medium
into a magical form of time-travel. The short films showcased in Young Spirit of Europe can’t be easily classified
together in terms of content or theme, but do have in common a concision and economy which means that not a
single frame is wasted.

Programmer, Neil Young

Septembar 12-18 2020 GLASAJ ZA MENE

62 VOTE FOR ME ! / VOTEZ POUR MOI !
European
Film Belgija /Belgium, 2019
Festival
Palić „Moć je najjači afrodizijak.“ (Henri Kisindžer)
2020. Klip je snimljen kao deo Murmuziek projekta koji se sprovodi u zatvoru
Forest kako bi se čuo glas zatvorenika ukomponovan u muziku.

“Power is the ultimate aphrodisiac.” (Henry Kissinger)
Clip produced as part of Murmuziek, a project carried out at Forest prison
with the aim of giving
detainees a voice and putting it into music.

Režija/ Director: Collectif Murmuziek
Trajanje/ Duration: 4’35’’

SOCIJALNO DISTANCIRANJE
VESA ANDERSONA

WES ANDERSON’S SOCIAL DISTANCING

Portugalija/Portugal, 2020

Kratka montaža trenutaka u Andersonovim filmovima u kojima likovi
primenjuju dobre prakse socijalnog distanciranja.

A short supercut of moments in Anderson’s movies where the characters
are practicing good social distancing techniques.

Režija/ Director: Luis Azevedo
Trajanje/ Duration: 2’28’’

KEBAB KING

Belgija /Belgium, 2019

Kebab King je preteća pesnica sa humorističkim obrtom. To je kratki
film o mržnji bez određenog cilja. Suva, hladna zima, prašnjavi auto-
put, stambeni blokovi na horizontu i kožna sedišta VOLVA S40...

Kebab King is shaking fist with a humorous twist. It’s a short film about
hatred that has no
justified target. A dry, cold winter, the smoking dust of a highway, blocks
of flats on the horizon
and the leather seats of a VOLVO S40....

Režija/ Director: Jukka Kärkkäinen
Trajanje/ Duration: 8’20’’

palicfilmfestival.com

POSTDIGITAL FLIPBOOK

Francuska/France, 2019

Algoritam istražuje mrežu označavajući fotografije lica. Potom fotke, 63
koje se broje milionima, bivaju klasifikovane po sličnosti osobina lica uz
pomoć neuronske mreže. Ova vizuelna komponenta big date se zatim European
na zanimljiv način transponuje u slika-po-slika animaciju, oponašajući Film
kinematografski aparat u svojim počecima.
Festival
An algorithm explores the web by indexing images showing faces. These, Palić
which account for millions, are classified by proximity of facial features using 2020.
a neural network. The visual component of big data is thus transposed in a
playful way in the form of an image-by-image
animation, mirroring the cinematographic device at its origins.

Režija/ Director: Pablo-Martín Córdoba
Trajanje/ Duration: 4’40’’

IBARSKA HIGHWAY

Srbija/Serbia, 2019

Film je stvoren u igri ritma brzog kretanja niz užurbani put u smeni
prizora i konteksta, i sa druge strane pokušaja da se fotografijom uspori
ritam i vreme vrati ljudskom životu i prirodi uz sam put, čije bogatstvo
i raznolikost iziskuju vreme za razumevanje i često ostaju nevidljivi ili
redukovani ako se opažaju samo iz brzog toka putovanja...

The film was created by a game of fast-paced rhythm on a busy road of
changing scenes and contexts, and on the other hand by an attempt to
slow down the rhythm and return time to human life and nature along the
road, whose richness and diversity require time to understand and often
remain invisible or reduced if observed only through a fast-paced journey ...

Režija/ Director: Aleksandrija Ajduković
Trajanje/ Duration: 12’

ALGO-RHYTHM

Austrija, Ujedinjeno Kraljevstvo, Senegal/ Austria, UK, Senegal, 2019

Hip hop mjuzikl protiv automatizovane propagande.

A hip hop musical against automated propaganda.
Režija/ Director: Manu Luksch
Trajanje/ Duration: 14’

Septembar 12-18 2020 BUDAN NOĆU

64 UP AT NIGHT
European
Film Belgija / Belgium, 2019
Festival
Palić tama > u dubinama radničkog naselja, u apsurdu ruševina beskrajnih
2020. noći,
noć > u ovoj noćnoj olupini fizičkog i simboličkog isključenja struje,
otpor > prepušten sebi kao pile bez majke, kao lonac bez poklopca, kao
kuća bez prozora, bez vrata, kao vrata bez brave, kao brava bez ključa...
svetlost > prilagodljivost,
tama > a lepota otpora?
darkness > in the depths of the working class neighbourhoods, in the
absurdity of the rubble of endless nights,
night > in this nocturnal shipwreck of the physical and symbolic power cut,
resistance > abandoned to itself like a motherless chick, like a pot without
a lid, like a house without a window, without a door, like a door without a
lock, like a lock without a key...
light > resilience,
darkness > and the beauty of resistance?
Režija/ Director: Nelson Makengo
Trajanje/ Duration: 21’

KA TELU

À CORPS

Francuska/France, 2018

KA TELU je put u sedamdesete, montažom pokretne grafike, u zemlju
seksualnih želja koje opasno vrebaju odmah ispod površine.

À CORPS is a cut out motion graphics trip into the retro 70s land of sexual
desires which lurk dangerously close to the surface.

Režija/ Director: Yoann Stehr
Trajanje/ Duration: 4’

HIER.

Holandija / Netherlands, 2019

Negde u sportskom centru u Bazelu mladi ljudi ne samo da uče hodanje
u okviru smernica već i kako da istražuju date granice. Film je portret
otvorenosti duha devojaka i dečaka koji, svako iz svog ličnog sveta,
dolaze da budu zajedno u ovom mikrokosmosu.

Somewhere, in a sports center in Bazel, young people not only learn to
walk within the lines but also to explore these boundaries. A portrait about
the open-mindedness of girls and boys who, each within their own world,
come together in this microcosm and search for connection.

Režija/ Director: Joy Maurits
Trajanje/ Duration: 16’

palicfilmfestival.com

A RADICAL FILM

Italija/Italy, 2017

Radikalno znači ono što je povezano sa korenom stvari. Film je snimljen
uz pomoć crne rotkve: iseckana a potom pažljivo stavljena i osvetljena
na filmskoj traci. U digitalnoj eri vraćamo se korenima filma!

Radical, means what has to do with roots. The film is made with black
radish: minced and cut in parts, then patiently placed and exposed on film.
In a digital age, we go back to the roots of cinema!

Režija/ Director: Stefano Canapa
Trajanje/ Duration: 2’40’’

193 OKTILIONA

193 OCTILLION

Rusija/Russia, 2019

Mnemonist perestrojke 65

Perestroika Mnemonist European
Film
Režija/ Director: Anya Tsyrlina
Trajanje/ Duration: 1’ Festival
Palić
FURTHER RADICAL 2020.

Italija/Italy, 2020

U RADICAL FILM Kanapa je eksperimentisao sa tankim slojevima crme
rotkve na neosvetljenom filmu referišući na korene filma. FURTHER
RADICAL je isti materijal doveden do svog logičkog ekstrema na
optičkom štampaču. Prava eksplozija svetlosti prolazi kroz mračnu
foto-hemijsku emulziju.

In A RADICAL FILM, Canapa experimented with thin slices of black radish
on unexposed film, a reference to film’s roots. FURTHER RADICAL is the
same material taken to its logical extreme on an optical printer. A veritable
explosion of light goes right through the dark photochemical emulsion.

Režija/ Director: Stefano Canapa
Trajanje/ Duration: 7’

RAJ, ČISTILIŠTE, PAKAO…2020

PARADISE, PURGATORY, HELL…2020

Srbija /Serbia, 2020

Eksperimentalni film.

Experimental film.

Režija/ Director: Saša Petrović
Trajanje/ Duration: 1’9’’

Septembar 12-18 2020 JESI LI GLADAN?

66 ARE YOU HUNGRY? / ONKO SULLA NÄLKÄ?
European
Film Finska / Finland, 2019
Festival
Palić Zaštitinički nastrojena samohrana majka pokušava da bezbedno uvede
2020. svog sina u svet homoseksualnosti.

Overprotective single mom tries to guide her son safely to the haven of
homosexuality.

Režija/ Director: Teemu Niukkanen
Trajanje/ Duration: 12’

STYX

Austrija/Austria, 2019

Svojim apstraktnim, kotrljajućim svetlosnim linijama i oblicima, STYX
evocira nestalne detalje tehno-grafičkog sveta Godarovog ALFAVILA,
ali u boji.

STYX, with its rolling abstract lines and shapes of light, evokes fleeting
details from the techno-graphic world of Godard’s ALPHAVILLE, but in
colour.

Režija/ Director: Billy Roisz
Trajanje/ Duration: 7’

THORAX

Austrija/Austria, 2019

Deci se kaže da ne gledaju u sunce kako bi se sprečio njihov nagon
otkrivanja novih vizuelnih efekata u situaciji oštećenog očnog vida.
Suprotno tome THORAX podgreva adolescentsku iracionalnost i
znatiželju, kao kinematska crvotočina koja vodi iza slika, gde je tromo
ljudsko oko predmet igre zaslepljujuće svetlosti.

Children are told not to look into the sun, to prevent their childish visual
urge to discover from being limited by damaged eyesight. In contrast,
THORAX fuels adolescent irrationality and curiosity, as a cinematic
wormhole leading behind the images, where the sluggish human eye is
subject to a play of dazzling light.

Režija/ Director: Siegfried A. Fruhauf
Trajanje/ Duration: 8’

palicfilmfestival.com

KIŠA 67

THE RAIN European
Film
Poljska /Poland, 2019
Festival
KIŠA je jednostavni animirani film o kolektivnoj svesti. Film govori Palić
o tome kako nas neodgovornost za sopstvene postupke navodi da 2020.
bezpogovorno pratimo gomilu, što može rezultirati tragedijom. Film
takođe oslikava borbu pojedinca sa kolektivnom hipnozom i njenim
uticajem kako napojedince tako i na gomilu.

THE RAIN is a simple animated film on collective consciousness. It talks
about how no accountability for our actions pushes us to thoughtlessly
follow the crowd, which may lead to a tragedy. The film also depicts a
struggle of an individual with collective hypnosis and its impact on both
the individual and the crowd.

Režija/ Director: Piotr MIlczarek
Trajanje/ Duration: 5’

VUKOVI ODOZGO

WOLVES FROM ABOVE

Belgija /Belgium, 2018

VUKOVI ODOZGO je meditacija na temu čopora vukova snimljenih
iz vazduha. Ove divlje životinje naseljavaju tiha prostranstva gde se
zvukovi igre, režanja, njuškanja i lizanja čuju čudnovato blizu. U filmu
se dešava mnogo interakcije. Evidentno je da vukovi komuniciraju, ali
mi kao posmatrači nismo sigurni šta se zapravo dešava.

WOLVES FROM ABOVE is a meditation on a pack of wolves filmed from
the air. The elusive animals inhabit a tranquil space where sounds of playful
growling, sniffing, and licking feel oddly nearby. Many interactions take
place in the video – it is evident that the wolves are communicating, but
we as human viewers are not sure what is happening.

Režija/ Director: Demelza Kooij
Trajanje/ Duration: 5’40’’

IT’S NEVER TOO LATE TO
LEARN ABOUT LEVITY

Poljska / Poland, 2017

Telefonska meditacija o antigravitaciji i lakoći.

A smartphone meditation on antigravity and lightness.

Režija/ Director: Igor Simić
Trajanje/ Duration: 10’37’’

Septembar 12-18 2020 SENČENJE

68 CONTOURING
European
Film Austrija /Austria, 2019
Festival
Palić Animirani film Veronike Šubert baziran je na otiscima tekstilnih šara
2020. na ugljeničnom papiru. U među-igri dobijenih mozaika i zvučnih kolaža
saveta za svakodnevni život i uputstava za šminkanje, SENČENJE izlaže
lepotu i ženstvenost kao društveni konstrukt.
Veronika Schubert’s animated film is based on textile patterns traced on
carbon paper. In an interplay with the resulting mosaics and a soundtrack
collage of lifestyle tips and make-up instructions, CONTOURING exposes
beauty and femininity as social constructs.
Režija/ Director: Veronika Schubert
Trajanje/ Duration: 3’50’’

GOLDMAN CRASH

Francuska/France, 2019

Napad na Svetski trgovinski centar je možda bila najavljena katastrofa
koja se očekivala. Dokaz za to nalazi se u ovom veoma užarenom
filmu vatreno brze montaže, scena uzetih iz 20 godina holivudskih
blokbastera.

The World Trade Centre attack was perhaps a foretold disaster waiting to
happen. The proof is in this highly incandescent film: a rapid-fire montage
of images taken from 20 years of Hollywood blockbusters.

Režija/ Director: Etienne Caire
Trajanje/ Duration: 9’

SCHTUM - SURGE

Austrija/Austria, 2019

Muzički video.

Music video.

Režija/ Director: Billy Roisz & Dieter Kovacic
Trajanje/ Duration: 5’21’’

palicfilmfestival.com

PAMĆENJE

MEMORABLE

Francuska / France, 2019

Slikar u godinama i njegova žena bore se sa njegovom narastajućom
demencijom.

An aging painter and his wife struggle increasingly to cope with his
advancing dementia.

Režija/ Director: Bruno Collet
Trajanje/ Duration: 12’

PARALELNI TOKOVI 69

PARALLEL STREAMS European
Film
Srbija/Serbia, 2020
Festival
Sledeći tokove misli, tokove Interneta i tokove istorije, ulazi se u Palić
paralelne dimenzije - sivu zonu stvarnosti. Ekspedicije u sive zone su 2020.
uvek lične i njihovi rezultati nisu uvek poetični, inspirativni ili lepi. Ovde
se često otkrivaju banalnosti, koje se zatim pretvaraju u misterije, koje
se zatim opet pretvaraju u banalnosti.

Following the flows of thought, the flows of the Internet and the flows of
history, one enters parallel dimensions - the gray zone of reality. Expeditions
to the gray zones are always personal and their results are not always
poetic, inspiring or beautiful. Banalities are often revealed here, which then
turn into mysteries, which then turn into banalities again..

Režija/ Director: Luka Papić & Branka Majstorović
Trajanje/ Duration: 9’30’’

49 YEARS FROM THE HOUSE
ON THE LEFT

Finska / Finland, 2019

Nepozvani povratak.

An uninvited return.

Režija/ Director: Sevgi Eker
Trajanje/ Duration: 8’21’’

Septembar 12-18 2020 STRAŠAN KREM

70 TREMENDOUS CREAM
European
Film Rusija /Russia, 2020
Festival
Palić Literarna ili muzička kompozicija oblikovana od dela različitih autora,
2020. složena na novi način.

A literary or a musical composition formed by selections from different
authors disposed in a new order.

Režija/ Director: Alexei Dmitriev
Trajanje/ Duration: 3’51’’

SUN DOG

Belgija, Rusija / Belgium, Russia, 2020
Fedor je mladi bravar u Murmansku, smrznutom gradu na obskurnom
Ruskom Arktiku. Od mušterije do mušterije luta betonskim ulicama
oživljenim maštom koja ga čini drugačijim od grada i njegovih
stanovnika. Njegovi sni nagrizaju njegov odnos prema stvarnosti i
otvaraju vrata fantazmagoričnog kosmosa; drugo sunce se diže nad
Ruskim Arktikom.
Fedor is a young locksmith in Murmansk, a frozen city in the obscurity
of the Russian Arctic. Client after client, he roams through the alleys of
concrete animated by a fantasy that isolates him from the city and its
population. His dreams corrode his relation to reality and open the door to
a phantasmagoric universe; a second sun is rising above the Russian Arctic.
Režija/ Director: Dorian Jaspers
Trajanje/ Duration: 20’

MOTORAMA: I SEE YOU

Rusija, Španija/Russia, Spain, 2020

Muzički video.

Music video.

Režija/ Director: Kinopravda
Trajanje/ Duration: 3’27’’

palicfilmfestival.com

BOJE CÉLINE SCIAMMA

THE COLOURS OF CÉLINE SCIAMMA

Portugalija/Portugal, 2019

Ovim kratkim videom Luiš Azevedo slavi PORTRET DAME KOJA GORI, 71
film živahne palete boja, rediteljke Céline Sciamma.
European
Luís Azevedo celebrates PORTRAIT OF A LADY ON FIRE director Céline Film
Sciamma’s vibrant colour palettes.
Festival
Režija/ Director: Luis Azevedo Palić
Trajanje/ Duration: 2’02’’ 2020.

PONOVO SU OTVORENI
MOSTOVI U GRADU

THE CITY BRIDGES OPEN AGAIN / ОПЯТЬ В ГОРОДЕ
РАЗВЕДЕНЫ МОСТЫ

Rusija, Meksiko, Austrija / Russia, Mexico, Austria, 2020

Film je zamišljen kao eksperimentalni kratki faund futidž film baziran
na i konstruisan od nekoliko filmova ruskog avangardnog sineaste
Sergerja Ejzenštajna u pokušaju da se dobije verzija njegovog
nedovršenog projekta o Meksičkoj revoluciji.

The film is conceived as an experimental short found-footage film based
on and
constructed from several films by Russian avant-garde filmmaker Sergei
Eisenstein in
attempt to provide a version of his incomplete project about the Mexican
Revolution.

Režija/ Director: Masha Godovannaya
Trajanje/ Duration: 9’34’’

DIVLJE BOBICE

WILD BERRIES

Rumunija, Portugalija, Mađarska / Portugal, Hungary, Romania, 2018

Lutajući poljima i šumama kroz pusti pejzaž, usamljeni dečak kreće se
sve dalje i dalje prema nepoznatom, svakim svojim korakom. Ponekad
pažljiv i strpljiv, ponekad dosadan i nemiran, on traži nešto za šta se čini
da uvek ostaje izvan njegovog domašaja. Osvrće se prema nama, dok
za njim ulazimo u njegov polako raspadajući univerzum, vođen željom
za nečim u sebi što možda nikada nije postojalo.

Wandering through fields and forests in a desolate landscape, a solitary
boy heads further towards the unknown at every step. Observant and
patient at times, bored and restless at others, he searches for something
that seems to remain out of his reach. He looks back at us as we follow him
into his slowly disintegrating universe, driven by a desire for something in
ourselves that perhaps never existed.

Režija/ Director: Marianna Vas, Hedda Bednarszky
Trajanje/ Duration: 20’

Septembar 12-18 2020

72 MEĐUNARODNI FESTIVAL KRATKOG FILMA MIĘDZYNARODOWY
FESTIWAL FILMÓW KRÓTKOMETRAŻOWYCH INTERNATIONAL
European SHORT FILM FESTIVAL
Film
Festival Međunarodni festival kratkog filma ŻUBROFFKA već nekoliko godina gradi kulturni most između istoka i zapada, severa
Palić i juga, zahvaljujući kome se u Bjalistoku i Podlasku susreću energije celog sveta.
2020.
Festival, koji je evoluirao od malog intimnog događaja do najvećeg filmskog događaja u severoistočnoj Poljskoj, je
otvoren i bez granica, poštuje različitosti, i predstavlja mesto susreta stvaralaca otvorenog duha, sa smislom za humor
kao i onih koji cene prirodu i njene tvorevine.

Važan deo festivala su takmičenja – filmovi se prikazuju i ocenjuju u osam kategorija. The Eastward Window i Whole
Wide World su takmičarski programi koji predstavljaju najzanimljivije kratke filmove snimljene van Poljske, dok su
Feature.pl, Animation.pl i Documentary.pl programi filmova režiranih od strane poljskih reditelja. Ostale tri selekcije su
otvorene za domaće i strane filmadžije: On the Edge – takmičenje za najbolji eksperimentalni film i video, Music Video –
takmičenje za najbolji muzički video, and Kids – takmičenje za najbolji film za decu.

palicfilmfestival.com

MEĐUNARODNI FESTIVAL KRATKOG FILMA MIĘDZYNARODOWY 73
FESTIWAL FILMÓW KRÓTKOMETRAŻOWYCH INTERNATIONAL
SHORT FILM FESTIVAL European
Film
ŻUBROFFKA International Short Film Festival for several years has been building a cultural bridge between East and West,
North and South, thanks to which creative energy from all over the world meets in Bialystok and Podlachia. Festival
Palić
The festival, which has evolved from a small intimate event to the largest film event in north-eastern Poland, is open and 2020.
borderless, respects diversity, is a meeting place for open creators, with a sense of humor and those who value nature and its
creations.

An important part of the festival are competitions – films are presented and evaluated in eight categories. The Eastward
Window and Whole Wide World competitions present the most interesting short films made outside of Poland, while the
Feature.pl, Animation.pl and Documentary.pl competitions are directed to Polish filmmakers. The other three competitions
have an open formula for both national and foreign filmmakers, and are as follows: On the Edge – competition for the best
experimental film and video art, Music Video – competition for the best music video, and Kids – competition for the best film
for children.

Septembar 12-18 2020 OBJEKT

74 OBJECT
European
Film Poljska / Poland, 2015
Festival
Palić Ovaj dokumentarac je kreativan prikaz potrage i oporavka odigranih
2020. u prostoru dva sveta, u ledenoj divljini i pod vodom. Film priča priču iz
ugla tima za potragu i tima za oporavak, ronioca koji ulazi u svet pod
ledom i običnih ljudi koji čekaju na obali.

The documentary is a creative image of a search and recovery action played
out in the spaces of two worlds; a wilderness of ice and under the water.
It tells its tale from the standpoints of the search and recovery team, the
diver who penetrates the world beneath the ice and the ordinary people
waiting on the shore.

Režija/ Director: Paulina Skibińska
Trajanje/ Duration: 15’

NEMOGUĆE FIGURE I
DRUGE PRIČE III

PARADISE, PURGATORY, HELL…2020

Poljska / Poland, 2018

Iznenadni susrez Muškarca i Žene otpočinje hipnotički akt – igru
zadovoljstva i nelagode.

A sudden meeting of a Man and a Woman begins a hypnotic act – a game
of pleasure and discomfort.

Režija/ Director: Marta Pajek
Trajanje/ Duration: 12’

NEBULA

Poljska / Poland, 2017
NEBULA je eksperimentalni film koji pokušava da pronađe vezu između
dva trenda koji su se simultano razvijali kroz istoriju filma – Limijeovog
koncepta filma kao snimka stvarnosti i Melijeve ideje upotrebe filma
kao sredstva za stvaranje svetova mašte.

NEBULA is an experiment that aims at finding the link between two trends
that develop
simultaneously in the history of film – Lumieres concept of a movie as a
record of reality and
Méliés’s idea that uses the film as a tool for creation of imaginative worlds.

Režija/ Director: Marcin Nowrotek
Trajanje/ Duration: 4’

palicfilmfestival.com

PAPIRNA KUTIJA

PAPER BOX

Poljska / Poland, 2011

Film je očajnički pokušaj da se sačuvaju uspomene, rekonstruišu 75
događaji i ljudi iz prošlosti. On je impresija o prolaznosti uspomena.
European
This film is a desperate attempt to keep memories, reconstruct people and Film
events of the past. It is an impression on the transitory nature of memory.
Festival
Režija/ Director: Zbigniew Czapla Palić
Trajanje/ Duration: 9’ 2020.

ČAROBNJAK IZ SAD

THE WIZARD OF US

Poljska/Poland, 2016

Čarobnjak iz SAD je socijalna satira – animirani dokumentarac
o emocijama, baziran na temama popularnog američkog
romana Čarobnjak iz Oza, koji prikazuje kako Los Anđeles
omogućava ispunjenje američkog sna.

The Wizard of U.S. is a social satire - an animated documentary
about emotions, based on themes from the popular American
novel The Wizard of OZ, in order to illustrate how Los Angeles
makes the American Dream come true..

Režija/ Director: Balbina Bruszewska
Trajanje/ Duration: 22’

Septembar 12-18 2020

76 UNDERGROUND SPIRIT

European
Film
Festival
Palić
2020.

palicfilmfestival.com

77
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

78 Sara Fgaier - LAUREAT NAGRADE

European UNDERGROUND SPIRIT
Film
Festival AWARD LAUREATE
Palić
2020. Sara je prva italijanka koja je primila Rolex Arts nagradu 2012. Režirala je mnoštvo filmova od kojih je poslednji kratki
film GLIANNI (Venecijanski međunarodni filmski festival 2018, Horizonti), dobitnica je i Evropske filmske nagrade za
Najbolji evropski kratki film 2018 kao i Srebrnu lentu za Najbolji dokumentarni kratki film. 2013 režirala je kratki film
DOLAZAK, potom film srednjeg metra ARTURO (2014) i film SKROMNA ITALIJA prikazan u Veneciji 2014-te u programu
Dani reditelja. Autorka je videa za predstavu PRIČA O PRIJATELJSTVU od Fanny & Alexander.
Zajedno sa Pjetrom Marčelom, sa kojim sarađuje preko deset godina, osnovala je nezavisnu filmsku produkcijsku
kuću Avventurosa. 2015 je montirala i producirala film IZGUBLJENA I LEPA, prikazan u takmičarskom program Lokarno
filmskog festival, koji joj je doneo nagradu za Najbolju montađu na Spelo filmskom festivalu. Montirala je i film TIŠINA
PELŠAJNA (Venecijanski filmski festival - Horizonti, 2011), zatim bila prvi asistent režije, istraživač arhivske građe i
montažer filma USTA VUKA iz 2009-te, koji je pobedio na Torinskom filmskom festival, a nagrade osvajao u Berlinu
i mnogim drugim festivalima. Takođe bila je prvi asistent režije i montaže filma PRELAŽENJE CRTE iz (Venecijanski
filmski festival - Horizonti, 2007).
Montirala je VOZ ZA MOSKVU (2013) reditelja Frederika Feronea i Mikela Mancolinija, film koji je 2013-te prikazan u
glavnom takmičarskom programu na Torinskom festivalu 2013-te a Sari Fgaier doneo nagradu za Najbolju montažu
na Međunarodnom filmskom festivalu u Riju de Žaneiru. Sarađivala je i sa Đanfrankom Rosijem na filmu SVETI GRA iz
2013-te koji osvaja Zlatnog lava na 70-om Venecijanskom filmskom festivalu. Odgovorna je i za arhivska istraživanja u
Italiji i Engleskoj za novi film Aleksandra Sokurova SMEH KROZ SUZE potpuno sačinjenog od arhivske građe.
Pored navedenih filmskih radnika sarađivala je još i sa Mauriciom Braučijem, Alinom Maraci i Frankom Mareskom.

Sara was the first Italian to receive the Rolex Arts Prize for Film in 2012 and she worked under the mentorship of Walter Murch
in New York for one year.
She directed the short-film GLIANNI (THE YEARS, 2018, Venice International Film Festival-Orizzonti), winner of the European
Film Award (Efa) as Best European Short Film of 2018 and
The Silver Ribbon as Best Documentary Short Film. She also directed the short-film L’APPRODO (THE ARRIVAL, 2013), the
medium-length film ARTURO (2014) and L’UMILE ITALIA (HUMBLE ITALY, 2014 Venice International Film Festival - Giornate
degli Autori) together with Pietro Marcello within the anthology film 9 x10, produced by Istituto Luce. She is the author of the
videos for the play STORIA DI UN’AMICIZIA (HISTORY OF A FRIENDSHIP, 2018) by Fanny & Alexander.
She started Avventurosa, an independent film production company, with Pietro Marcello ,with whom she has worked
for over 10 years: film editor and producer of BELLA E PERDUTA (LOST AND BEAUTIFUL, 2015) presented at the official
competition at the Locarno Film Festival, which won her the Prize for Best Editing at the Spello Film Festival; film editor
for IL SILENZIO DI PELEŠJAN (THE SILENCE OF PELEŠJAN,2011, Venice International Film Festival - Orizzonti); first assistant
director, researcher for archival footage and film editor for LA BOCCA DEL LUPO (THE MOUTH OF THE WOLF, 2009), winner
of the Torino Film Festival, The Berlin Film Festival and many other international prizes; first assistant Director and assistant
editor for IL PASSAGGIO DELLA LINEA (CROSSING THE LINE, 2007 Venice International Film Festival -Orizzonti).
She curated the editing of ILTRENOVA A MOSCA (THE TRAIN TO MOSCOW, 2013) directed by Federico Ferrone and Michele
Manzolini (2013 Torino Film Festival, official competition), wich won her the prize for Best Editing at the International Archival
Film Festival in Rio de Janeiro. She also collaborated on Gianfranco Rosi’s SACRO GRA’S (HOLY GRA,2013) editing, Golden
Lion at the 70th Venice Film Festival.
She is responsible for the archival research, for Italy and England for director Aleksander Sokurov’s new film LAUGHTER
THROUGH TEARS, entirely composed of archival material.
She has also collaborated among others, with Maurizio Braucci, Alina Marazzi and Franco Maresco.

palicfilmfestival.com

79
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

80 ČELJUSTI VUKA SKROMNA ITALIJA (segment iz
9X10 DEVEDESET)
European THE MOUTH OF THE WOLF / LA BOCCA DEL LUPO
Film HUMBLE ITALY (a segment from 9X10 NINETY) /
Festival Italija/Italy, 2009 L’UMILE ITALIA
Palić
2020. Vinćenco i njegova transseksualna ljubavnica Meri, sastaju se Italija/Italy, 2014
ponovo nakon njegovog dugogodišnjeg boravka u zatvoru.
Devet režisera dobilo je pristup arhivskim snimcima od Prvog
The story of a criminal Vincenzo and his transsexual lover Mary, who svetskog rata, sve do kraja 20. veka. Svako od njih, svojim
waited for him for many years while he served his prison sentence. desetominutnim filmom stvara složenu sliku Italije tog vremena.

Režija/Director: Pietro Marcello Nine up-and-coming directors were given access to archival footage
Fotografija/Cinematography: Pietro Marcello from WW1 to late 20th century. Each presents a ten-minute short
Montaža/Editing: Sara Fgaier film aiming to build up a composite image of Italy during that time.
Muzika/Soundtrack: ERA
Uloge/Cast: Vincenzo Motta, Mary Monaco, Franco Leo Režija/Director: Pietro Marcello, Sara Fgaier
Trajanje/Duration: 76’ Montaža/Editing: Patrizia Penzo, Angelo Musciagna
Produkcija/Production: Indigo Film, l’Avventurosa Film Trajanje/Duration: 10’
Producenti/Producers: Nicola Giuliano, Francesca Cima, Dario Zonta Produkcija/Production: Istituto Luce-Cinecittà
Producenti/Producers: Maura Cosenza
FESTIVALI/FESTIVALS
2011 Cinema Eye Honors Awards, US NAGRADE/AWARDS
2010 Golden Ciak Awards 2015, Italian National Syndicate of Film Journalists – Special Mention

NAGRADE/AWARDS
2010 Berlin International Film Festival – Caligari Film Award, Teddy
2010 Buenos Aires International Festival of Independent Cinema –
SIGNIS Award, Special Jury Prize
2010 Cinéma du Réel – SCAM Award
2010 David di Donatello Awards – David
2010 Italian National Syndicate of Film Journalists – Silver Ribbon
2009 Torino Film Festival – FIPRESCI Prize, Prize of the City of Torino

palicfilmfestival.com

LEPA I IZGUBLJENA GODINE 81

LOST AND BEAUTIFUL / BELLA E PERDUTA THE YEARS / GLI ANNI European
Film
Italija/Italy, 2015 Italija, Francuska/Italy, France, 2018
Festival
Luckasti sluga poslat je iz unutrašnjosti Vezuva u današnju Roman Eni Erno Godine, tekst nastao od prikupljenih fragmenata Palić
Kampanju kako bi ispunio poslednju želju pastira Tomaza: mora sa obale Sardinije, dobija glas. Ni fotografije, ni reči ne govore 2020.
spasiti mladog bizona Sarkjapone-a. sve: mesta iz prošlosti isplivavaju kao odjek fragmentarnih i
promenjivih sećanja, obasjanih novim svetlom.
From the bowels of Vesuvius, Pulcinella, a foolish servant, is sent to
present-day Campania to grant the last wish of Tommaso, a simple A woman gives voice to Annie Ernaux’ The Years text, a few collected
shepherd: he must rescue a young buffalo called Sarchiapone. fragments on the shores of a timeless Sardinia. Neither the words
nor the images claim to tell the whole of its story: the places of
Režija/Director: Pietro Marcello the past emerge as reverberations of a fragmentary and shifting
Scenario/Writer: Maurizio Braucci, Pietro Marcello memory, bathed in a new light.
Fotografija/Cinematography: Pietro Marcello, Salvatore Landi
Montaža/Editing: Sara Fgaier Režija/Director: Sara Fgaier
Uloge/Cast: Tommaso Cestrone, Sergio Vitolo, Gesuino Pittalis, Scenario/Writer: Annie Ernaux, Sara Fgaier
Elio Germano Montaža/Editing: Sara Fgaier, Davide Minotti
Trajanje/Duration: 87’ Uloge/Cast: Sara Fgaier
Produkcija/Production: Avventurosa, Rai Cinema Trajanje/Duration: 20’
Producenti/Producers: Sara Fgaier, Pietro Marcello Produkcija/Production: Dugong Production, Films Grand Huit, Rai
Cinema
FESTIVALI/FESTIVALS Producenti/Producers: Sara Fgaier, Marco Alessi
2016 International Documentary Film Festival of Navarra Punto de
Vista FESTIVALI/FESTIVALS
2015 CPH:DOX 2019, IndieLisboa International Independent Film Festival
2015 Doclisboa international Film Festival 2019, Dallas International Film Festival
2015 Indiewire Critics’ Poll 2018, Venice Film Festival
2018, Cairo International Film Festival
NAGRADE/AWARDS
2016 Göteborg Film Festival – International Debut Award NAGRADE/AWARDS
2016 Italian National Syndicate of Film Journalists – Silver Ribbon 2018, European Film Awards – European Film Award
2016 Munich Film Festival – CineVision Award – Honorable Mention
2015 Locarno International Film Festival – Junior Jury Award, Prize of
the Ecumenical Jury – Special Mention
2015 La Roche-sur-Yon International Film Festival – Grand Prix du
Jury
2009 Torino Film Festival – FIPRESCI Prize, Prize of the City of Torino

Septembar 12-18 2020

82 VOZ ZA MOSKVU SARA FGAIER MONTAŽA

European THE TRAIN TO MOSCOW / IL TRENO VA A MOSCA SARA FGAIER MONTAGE
Film
Festival Italija, UK/Italy, UK, 2013 Italija/Italy, 2013
Palić VOZ ZA MOSKVU beleži kraj jedne ere i sna gledanog kroz oči
2020. amaterskog filmadžije, berberina i komuniste Sauro-a Ravaglia. Radi se o klipu bez dijaloga, izboru delova filmova na kojima
THE TRAIN TO MOSCOW chronicles the end of an era and the end of je Sara Fgaier radila, koji je napravio Stefano Francia povodom
a dream through the eyes of Sauro Ravaglia, an amateur film-maker, prikazivanja filma PELEŠJANOVA TIŠINA kao i filmova samog
barber and communist. Artavazda Pelešjana. To je desetominutna montaža delova iz
Režija/Director: Federico Ferrone, Michele Manzolini filmova: PRELAŽENJE LINIJE (Pjetro Marčelo, 2007.), KRAJ A.
Scenario/Writer: Federico Ferrone, Michele Manzolini, Francesco Pelešjana, ČELJUSTI VUKA (Pjetro Marčelo, 2009.) i PELEŠJANOVA
Ragazzi TIŠINA (Pjetro Marčelo, 2011.).
Fotografija/Cinematography: Andrea Vaccari, Marcello Dapporto,
Enzo Pasi, Luigi Pattuelli, Sauro Ravaglia It is a clip without dialogues, a selection of movie parts Sara Fgaier
Montaža/Editing: Sara Fgaier worked on, made few years ago by Stefano Francia on the occasion
Muzika/Sountrack: Francesco Serra of the airing of THE SILENCE OF PELESHYAN and the films of
Uloge/Cast: Sauro Ravaglia Artavazd Peleshyan himself. It’s a montage of 10 minutes that mixes
Trajanje/Duration: 70’ pieces of: CROSSING THE LINE (Pietro Marcello, 2007), THE END by
Produkcija/Production: Kiné, Vezifilm A. Peleshyan, THE MOUTH OF THE WOLF (Pietro Marcello, 2009) and
Producenti/Producers: Claudio Giapponesi, Francesco Ragazzi, THE SILENCE OF PELESHYAN (Pietro Marcello, 2011).
Federico Ferrone, Michele Manzolini
FILMOGRAFIJA/FILMOGRAPHY Režija/Director: Stefano Francia
2012 Anita Montaža/Editing: Stefano Francia
2009 The Enemy Within Trajanje/Duration: 10’
2007 Merica
FESTIVALI/FESTIVALS
2014 Karlovy Vary International
Film Festival
2013 Torino Film Festival

FEDERICO FERRONE (1981), MICHELE MANZOLINI (1980)

Zajedno su režirali film MERICA 2007. godine, nakon čega su niz godina radili kao reditelji i producenti u Al-Jazeera-i. U saradnji sa Frančeskom
Ragacijem i Magdalenom Szymkow, 2010. su osnovali produkcijsku kuću Vezifilm, gde su producirali film ANITA (zvanična selekcija festivala u
Torinu, Doclisboa) i THE TRAIN TO MOSCOW.
Together they co-directed the documentary flm MERICA in 2007. In the following years they worked as directors and producers for the Al-
Jazeera network. Together with Francesco Ragazzi and Magdalena Szymkow they created the production company Vezflm in 2010 with which
they produced ANITA (offcial selection Torino Film Festival, Doclisboa) and THE TRAIN TO MOSCOW.

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83
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

84
European
Film

OMAŽ DOBITNICIMA NAGRADEFestival

Palić

2020. “ALEKSANDAR LIFKA“
ALEKSANDAR LIFKA AWARD

LAUREATES HOMAGE PROGRAM

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85
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

86 ILDIKÓ ENYEDI ILDIKÓ ENYEDI

European je svoju karijeru započela kao konceptni i medijski has started her career as a concept and media artist. She
Film umetnik. Bila je članica umetničke grupe Indigo i was a member of the art group Indigo and the Balázs
Festival BalázsBéla studija. Kasnije se okrenula režiranju Béla Studio. She later turned to feature film directing
Palić igranih filmova i pisanju. Napisala je i režirala pet and script writing, wrote and directed five features and
2020. igranih i nekoliko kratkih filmova. Ovi radovi su several shorts. With these works she’s won more than
nagrađeni sa više od četrdeset međunarodnih forty international prizes, including the Golden Bear
nagrada, uključujući Zlatnog Medveda za Najbolji for Best Film(ON BODY AND SOUL) in 2017. Her film,
Film (NA TELU I DUŠI) 2017. godine. Njen film, MOJ MY 20th CENTURY, was chosen as one of the 12 Best
DVADESETI VEK, je ušao u 12 Najboljih Mađarskih Hungarian Films of All Time, and selected among the
Filmova Svih Vremena i 10 najboljih filmova 10 best films of the year by The New York Times. She
godine od strane New York Times-a. Predaje na lectures at European masterclasses (Switzerland,Poland)
evropskim masterklasovima (Švajcarska, Poljska) and teaches at the University of Film and Theatrical
i na Univerzitetu filmske i pozorišne umetnosti u Arts in Budapest.She was member of the main jury at
Budimpešti. Bila je članica glavne komisije u Berlinu, Berlin, Moscow and San Sebastian FilmFestivals(among
Moskvi i filmskom festivalu u San Sebastijanu (među others). She was awarded the Balázs Béla and the
ostalima). Nagrađena je BalázsBélai Merited Artist Merited Artist Prizes, and has receivedthe Republic
nagradama, i primila je Orden za zasluge od strane President’s Order of Merit Cross. In 2017 she became
predsednika republike. Godine 2017. je postala članica member of the American Film Academy.
Američke filmske akademije.

palicfilmfestival.com

Mađarska / Hungary, 2017 87

O DUŠI I TELU European
Film
ON BODY AND SOUL / TESTRÖL ÉS LÉLEKRÖL
Festival
Neuobičajena ljubavna priča zasnovana na svakodnevnici i dualitetu Palić
spavanja i hodanja, uma i materije. 2020.

An unusual love story set in the everyday world, based around the duality
of sleeping and waking, mind and matter.

Režija/Director: Ildiko Enyedi
Scenario/Writer: Ildiko Enyedi
Fotografija/Cinematography: Máté Herbai
Montaža/Editing: Károly Szalai
Kostimograf/Costume designer: Judit Sinkovics
Muzika/Soundtrack: Ádám Balázs
Dizajn zvuka/ Sound Design: Péter Lukács
Zvuk/ Sound: János Kőporosy
Scenograf/ Production Designer: Imola Láng
Uloge/Cast: Géza Morcsányi, Alexandra Borbély, Zoltán
Schneider, Réka Tenki, Ervin Nagy, Itala Békés, Éva Bata, Pál
Mácsai, Zsuzsa Járó, Nóra Rainer-Micsinyei
Trajanje/Duration: 116’
Produkcija/Production: Inforg-M&M Film
Producenti/Producers: András Muhi, Monika Mécs, Ernö
Mesterházy

Mađarska/Hungary, 1987

KRTICA

MOLE / VAKOND

Romantičan film o tajnom agentu koji pokušava da razume
živote ljudi sa planete Zemlje.

A romantic film about an agent trying to understand the lives of
humans on planet Earth.

Režija/Director: Ildikó Enyedi
Scenario/Writer: László B. Révész, Adolfo Bioy Casares, Ildikó
Enyedi
Fotografija/Cinematography: András Dér, Gábor Halász, László
Hartai, Tibor Klöpfler, Tamás Sas
Trajanje/Duration: 70’
Produkcija/Production: Balázs Béla Stúdió

Septembar 12-18 2020

Mađarska, Zapadna Nemačka, Kuba/Hungary, West Germany, Cuba, 1988

MOJ 20. VEK

MY 20th CENTURY / AZ ÉN XX SZÁZADOM

88 Dve bliznakinje, odrasle odvojeno – Dóra, pseudo-aristokratkinja, i Lili, anarhistički Režija/Director: Ildikó Enyedi
bombarder, ponovo se sreću, zahvaljujući Z, misterioznoj putnici luksuznog Orijent Scenario/Writer: Ildikó Enyedi
European Ekspresa. Fotografija/Cinematography: Tibor
Film Máthé
Festival Two twin sisters, who grew up separately, Dóra, a pseudo-aristocrat, and Lili, an anarchist Montaža/Editing: Mária Rigó
Palić bomber, are reunited through Z, a mysterious traveler of the luxurious Orient-Express. Kostimograf/Costume designer: Ágnes
2020. Gyarmathy
Mađarska/Hungary, 1999 Muzika/Sountrack: László Vidovszky
Uloge/Cast: Dorotha Segda, Oleg
SIMON, MAĐIONIČAR Yankovsky, Paulus Manker, Gábor
Máté, Péter Andorai
SIMON THE MAGICIAN / SIMON MÁGUS Trajanje/Duration: 99’
Produkcija/Production: Budapest
U Parizu je počinjen zločin, a policija nema tragova, zbog čega poziva u pomoć Simona, Film Studio, Friedländer GmbH,
vrača sa naprirodnim moćima. Nakon rešavanja slučaja, Simon je izazvan od strane Hamburger Film Büro
starog protivnika: obojica moraju biti sahranjeni živi na tri dana. Pravi izazov za Simona Producent/Producer: Gábor Hanák,
je osloboditi svoju dušu od smrti. Andrej Schwartz, Archy Dolder

A crime is committed in Paris, and the police are clueless. They call in Simon, a sorcerer Režija/Director: Ildikó Enyedi
with supernatural powers. After helping the police break the case, Simon’s old adversary Scenario/Writer: Ildikó Enyedi
challenges him to a contest: the two sorcerers must be buried for three days. And so the Fotografija/Cinematography: Tibor
real challenge becomes whether or not Simon has the power to unlock his soul from death. Máthé
waking, mind and matter. Montaža/Editing: Mária Rigó
Kostimograf/Costume designer: Claire
Fraisse
Uloge/Cast: Péter Andorai, Julie
Delarme, Péter Halász
Trajanje/Duration: 100’
Produkcija/Production: Athéna Films,
Eurofilm Studio, Artcam International,
Hungarian Television, Három Nyúl
Studio, Budapest Film Studio
Producent/Producer: Ildikó Enyedi,
Jolán Árvai, Joël Farges, Péter
Miskolczi, Elise Jalladean

palicfilmfestival.com

Mađarska/Hungary, 2008

PRVA LJUBAV

FIRST LOVE / ELSŐ SZERELEM

Režija/Director: Ildikó Enyedi Ljubav je slepa. Možda i jeste, u svakodnevnom smislu. Međutim, u ovom slučaju – 89
Scenario/Writer: Ildikó Enyedi pozadina nestaje, kao i okruženje, očekivanja roditelja, sud prijatelja. Kao u hipnozi,
Fotografija/Cinematography: Mátyás obraćamo pažnju na suštinu. Vidimo ono večno, ne relativno. Tako gledajući, zaljubljeni European
Erdély čovek je najtrezveniji realista. Film
Montaža/Editing: Anna Kis
Uloge/Cast: Juli Droste, Pálma Pásztor Love is blind. Yes, it may be in the ordinary sense. In this case, the background, the social Festival
Trajanje/Duration: 20’ environment, the expectations of the parents, the judgment of the friends disappear. Like Palić
Produkcija/Production: Inforg Studio something in hypnosis, you pay attention to a single glowing point. You see what is eternal 2020.
Producent/Producer: András Muhi - you do not see what is relative. So if we take it, the man in love is the most sober realist.

FESTIVALI/FESTIVALS Mađarska/Hungary, 2003
2008, Warsaw International Film
Festival IZ EVROPE U EVROPU

NAGRADE/AWARDS FROM EUROPE INTO EUROPE / EURÓPÁBÓL EURÓPÁBA
2009, Miami Film Festival – Grand Jury
Prize Film govori o presudnom trenutku u istoriji jedne države – ulaženju Mađarske u
Evropsku Uniju.
Režija/Director: Ildikó Enyedi, Benedek
Fliegauf, Miklós Jancsó, Zsolt Kézdi- The film is about a decisive moment in the history of a nation, Hungary’s accession to the
Kovács, Elemér Ragályi, János Rózsa, European Union.
István Szabó, Pál Sándor, Sándor Sára,
Ferenc Török
Fotografija/Cinematography: László
Berger, Dániel Garas, András Nagy,
Elemér Ragályi, Balázs Sára
Montaža/Editing: Béla Barsi, Zsuzsa
Csákány, Balázs Féjja, Gabriella Koncz,
Teri Losonci, László Ács
Uloge/Cast: Ildikó Enyedi, Dezsö Garas,
Zoltán Gulyás Kiss
Trajanje/Duration: 36’
Produkcija/Production: MAFILM
Objektív Filmstúdió
Producent/Producer: János Rózsa

Septembar 12-18 2020

90 Mirjana Karanović Mirjana Karanović

European je poznata jugoslovenska i srpska filmska i pozorišna is a well-known Yugoslav and Serbian film and theater
Film glumica rođena 1957. godine u Beogradu, gde je i actress born in 1957 in Belgrade, Serbia, where she
Festival diplomirala glumu na FDU 1984. Svetsku slavu je graduated acting from FDU in 1984. She gained world
Palić stekla ulogom majke u filmu Emira Kusturice OTAC fame with the role of mother in Emir Kusturica’s WHEN
2020. NA SLUŽBENOM PUTU. Godine 2005. glumila je u FATHER WAS AWAY ON BUSINESS. In 2005 she starred
filmu GRBAVICA bosansko-hercegovačke rediteljke in film GRBAVICA by Bosnian-Herzegovinian director
Jasmile Žbanić, koji je dobio Zlatnog medveda na Jasmila Žbanić, which won the Golden Bear at the
Berlinskom filmskom festivalu. Jedna je od svega pet Berlin Film Festival. She is one of only five actresses who
glumica koje su dvaput dobile nagradu Zlatna arena won the Golden Arena award in Pula twice. Last year
u Puli. Prošlodišnja je laureatkinja nagrade Dobričin she was the winner of the Dobrica Ring award for her
prsten za životno delo, a tokom svoje dugačke life’s work, and during her long career she won dozens of
karijere osvojila je i na desetine drugih nagrada za other awards for her acting. He actively plays in theater,
glumački rad. Aktivno igra u pozorištu, na filmu i film and television. She made her directorial debut in
televiziji. Kao rediteljka debitovala je 2006. filmom 2006 with the GOOD WIFE. At the Academy of Arts in
DOBRA ŽENA. Na Akademiji umetnosti u Beogradu Belgrade, she was elected associate professor in 2001
2001. izabrana je u zvanje vanrednog a 2007. u zvanje and full time professor for Acting in 2007. She was the
redovnog profesora na predmetu Gluma. Bila je dean of the Academy of Arts for two mandates.
dekan Akademije umetnosti u dva mandata.

palicfilmfestival.com

Srbija/Serbia, 2016

DOBRA ŽENA

A GOOD WIFE

Režija/Director: Mirjana Karanović Mileni (50) je dijagnostikovan rak; u isto vreme saznaje za užasnu prošlost svog, 91
Scenario/Writer: Mirjana Karanović, naizgled, idealnog supruga. čime započinje “buđenje” iz raja u kom je mislila da živi.
Stevan Filipović European
Fotografija/Cinematography: Erol When the main character Milena (50) is diagnosed with cancer, and at the same time finds Film
Zubčević out about the horrible past of her seemingly ideal husband, she begins an “awakening” from
Montaža/Editing: Lazar Predojev the suburban paradise she had thought to live in. Festival
Kostimograf/Costume designer: Boris Palić
Čakširan Jugoslavija/Yugoslavia, 1985 2020.
Muzika/Sountrack: Dejan Pejović
Uloge/Cast: Mirjana Karanović, Boris OTAC NA SLUŽBENOM PUTU
Isaković, Bojan Navojec, Jasna Đuričić
Trajanje/Duration: 90’ WHEN FATHER WAS AWAY ON BUSINESS
Produkcija/Production: This and That
Productions
Producenti/Producers: Snežana Penev

Režija/Director: Emir Kusturica
Scenario/Writer: Abdulah Sidran
Fotografija/Cinematography: Vilko
Filač
Montaža/Editing: Andrija Zafranović
Muzika/Sountrack: Zoran Simjanović
Uloge/Cast: Predrag Miki Manojlović,
Mirjana Karanović, Mira Furlan,
Mustafa Nadarević
Trajanje/Duration: 136’
Produkcija/Production: Centar Film,
Forum Sarajevo
Producenti/Producers: Mirza Pašić

Film je priča viđena očima dečaka Malika postavljena u vreme neposredno nakon
Drugog svetskog rata. Dečakov otac Meša biva osumnjičen da radi za Informbiro i
poslat na robiju. Malikova majka Sena govori mu da je otac na poslovnom putu. Malik
je hronični mesečar.

Set in post-World War II Yugoslavia, the film tells the story through the eyes of the young boy
Malik. His father Meša has been suspected of working for Informbiro and sent to a labour
camp. Malik’s mother Sena tells him that his father is on a business trip. Malik is a chronic
sleepwalker.

Septembar 12-18 2020

Hrvatska, Slovenija/Croatia, Slovenia, 2014

KOSAČ

THE REAPER

92 Tri priče koje se događaju u jednoj noći postupno grade sumornu sliku Ivinog života, Režija/Director: Zvonimir Jurić
ali i čitavog kraja, koji je, jednako kao i Ivo svojim davnim zločinom, ostao zaustavljen Scenario/Writer: Zvonimir Jurić, Jelena
European i zarobljen ratom. Paljan
Film Fotografija/Cinematography: Branko
Festival Three stories taking place during a single night and dealing with Ivo in different ways, Linta
Palić gradually give us a gloomy picture of Ivo’s life and of the whole area which is stuck and Montaža/Editing: Dubravka Turić,
2020. imprisoned by war, as Ivo is by his crime. Tomislav Pavlic
Kostimograf/Costume designer: Ivana
Jugoslavija/Yugoslavia, 1980 Zozoli Vargović
Muzika/Sountrack: Jura Ferina, Pavao
PETRIJIN VENAC Miholjević
Uloge/Cast: Ivo Gregurević, Mirjana
PETRIA’S WREATH Karanović, Igor Kovač, Nikola
Ristanovski, Zlatko Burić, Lana Barić
Priča o tragičnom životnom putu nepismene žene sa sela, o njenom životu sa trojicom Trajanje/Duration: 98’
ljudi koje je volela. Njen životni put pun trpljenja, samoće, razočaranja, nadanja i ljubavi, Produkcija/Production: Kinorama,
prerasta u simbol čovekove pobede. Forum Ljubljana
Producenti/Producers: Ankica Jurić
A story about the tragic path of an illiterate woman from village, about her life with Tilić
three men she loved. Torn between dreams and reality, it is a life of suffering, loneliness,
disappointment, hope and love. Režija/Director: Srđan Karanović
Scenario/Writer: Rajko Grlić, Srđan
Karanović
Fotografija/Cinematography: Tomislav
Pinter
Montaža/Editing: Branka Čeperac
Kostimograf/Costume designer: Saša
Kuljača
Muzika/Sountrack: Zoran Simjanović
Uloge/Cast: Mirjana Karanović,
Darinka Živković, Dragan Maksimović,
Pavle Vuisić
Trajanje/Duration: 99’
Produkcija/Production: Centar Film
Producenti/Producers: Milan Žmukić,
Aleksandar Stojanović

palicfilmfestival.com

Režija/Director: Bojan Vuletić Srbija / Serbia, 2017
Scenario/Writer: Bojan Vuletić
Fotografija/Cinematography: Jelena REKVIJEM ZA GOSPOĐU J.
Stanković
Montaža/Editing: Vladimir Pavlovski REQUIEM FOR MRS. J.
Kostimograf/Costume designer: Lana
Pavlović 93
Uloge/Cast: Mirjana Karanović, Jovana European
Garvilović, Danica Nedeljković, Vučić
Perović, Mira Banjac, Boris Isaković, Film
Srđan Todorović Festival
Trajanje/Duration: 94’
Produkcija/Production: SEE Film Pro Palić
Producenti/Producers: Nenad Dukić 2020.

Kafkijanska priča puna crnog humora i filmska potvrda teze da je život komplikovan,
ali je smrt komplikovanija.
A kafkaesque tale full of black humor and the cinematic confirmation of the thesis that life is
complicated - but death is much more complicated.

Septembar 12-18 2020

94 BUGARSKA U FOKUSU
BULGARIA IN FOCUS
European
Film
Festival
Palić
2020.

palicfilmfestival.com

95
European

Film
Festival

Palić
2020.

Septembar 12-18 2020

Bugarska, Grčka/Bulgaria, Greece, 2016

SLAVA

GLORY

96 Introvertni Bugarin, železničar, pronalazi milione gotovine prosute po pruzi. Predaje ih Režija/Director: Kristina Grozeva, Petar
policiji, a šefica PR-a ministarstva saobraćaja, Julia Staikova, odlučuje da ga iskoristi za Valchanov
European skretanje pažnje sa korupcionaškog skandala. Njegov jednostavni život postaje žrtva Scenario/Writer: Kristina Grozeva, Decho
Film okrutne birokratije. Taralezhkov, Petar Valchanov
Festival Fotografija/Cinematography: Krum
Palić A reclusive Bulgarian railway trackman finds millions of cash spilled on the tracks and turns Rodriguez
2020. them in to the police. When the transport ministry’s head of PR Julia Staikova decides to Montaža/Editing: Petar Valchanov
use him as a diversion from a corruption scandal, his simple life falls victim to the grinder of Kostimograf/Costume designer: Kristina
bureaucracy. Tomova
Muzika/Soundtrack: Hristo Namliev
KRISTINA GROZEVA, PETAR VALCHANOV Uloge/Cast: Ingrid Bolsø Berdal, Rolf
Lassgård, Alexander Scheer, Edvin Endre
Kristina Grozeva i Petar Valchanov zajedno su režirali PARABLE OF LIFE (2009) i televizijski Trajanje/Duration: 101’
film FORCED LANDING (2010). Nedavno su režirali i kratkometražni film JUMP, nominovan Produkcija/Production: Abraxas Film
za evropsku filmsku nagradu 2013. na Clermont-Ferrand ISFF 2013, što ovaj film čini prvim Producent/Producer: Kristina Grozeva,
Petar Valchanov
bugarskim kratkim filmom nominovanim za EFA-u. THE
LESSON je njihovo dugometražno debitantsko ostvarenje, FILMOGRAFIJA/FILMOGRAPHY
izabrano za selekcije na festivalu u Torontu i San Sebastijanu. 2019 Duet
2019 Bashtata
Kristina Grozeva and Petar Valchanov have directed the 2018 8 Minutes and 19 Seconds
documentary PARABLE OF LIFE (2009), and TV movie FORCED 2014 Urok
LANDING (2010). Recently they wrote and directed the short 2013 Reki bez mostove
film JUMP, which was nominated for the European Film 2012 Skok
Awards 2013 at Clermont-Ferrand ISFF 2013, making it the first 2010 Avariyno katzane
Bulgarian short film ever nominated for EFA. THE LESSON is
their full-length debut film, having been selected at Toronto FESTIVALI/FESTIVALS
IFF and San Sebastian IFF. 2017 Trieste Film Festival
2017 Istanbul International Film Festival
2017 Cleveland International Film Festival
2016 Antalya Golden Orange Film Festival

NAGRADE/AWARDS
2017 Bulgarian Film Academy Awards –
Bulgarian Film Academy Award
2017 Sofia International Film Festival –
Best Balkan Film, Film Critics with UBFM
Award for Best Balkan Film
2017 Dublin International Film Festival –
Dublin Film Critics Award
2017 Edinburgh International Film Festival
– Best International Feature Film
2017 Transilvania International Film
Festival – Special Jury Award
2017 Vilnius International Film Festival –
CICAE Award, New Europe – New Names
Competition
2017 Luxembourg City Film Festival –
Critics Award
2016 Golden Rose – Golden Rose
2016 Les Arcs European Film Festival –
Crystal Arrow, Press Prize
2016 Locarno International Film Festival –
Don Quixote Award - Special Mention
2016 Gijón International Film Festival –
Best Screenplay, FIPRESCI Prize, Grand
Prix Asturias
2016 Ghent International Film Festival –
Special Mention

palicfilmfestival.com

Bugarska/Bulgaria, 2017

3/4

Režija/Director: Ilian Metev 97
Scenario/Writer: Betina Ip, Ilian Metev
Fotografija/Cinematography: Julian Mlada pijanistkinja Mila priprema se za audiciju u inostranstvu; mlađi brat joj odvlači European
Atanassov pažnju svojim neželjenim talentom za apsurd, a izgleda da njhov otac, Todor, nije Film
Montaža/Editing: Ilian Metev sposoban da se nosi sa strepnjama svoje dece. Ovo je portret poslednjeg zajedničkog
Uloge/Cast: Mila Mihova, Nikolay leta jedne porodice. Festival
Mashalov, Todor Veltchev Palić
Trajanje/Duration: 83’ Young pianist Mila prepares for an audition abroad. Her brother Niki distracts her with his 2020.
Produkcija/Production: Chaconna unwanted talent for the absurd. Their astrophysicist father Todor seems incapable of dealing
Films, Sutor Kolonko with his children’s anxieties. A portrait of a family during their last summer together.
Producent/Producer: Ilian Metev,
Ingmar Trost ILIAN METEV

FILMOGRAFIJA/FILMOGRAPHY Ilian Metev je rođen u Sofiji 1981. godine. 2008. je diplomirao na Nacionalnoj školi
2012 Poslednata lineika na Sofia za film i televiziju u Velikoj Britaniji, filmom GOLESHOVO. Njegov prvi igrani film
2008 Goleshovo
bio je POSLEDNJA KOLA HITNE U SOFIJI (2012), premijerno prikazan
FESTIVALI/FESTIVALS u Kanu 2012. gde je nominovan za nagradu Camera d’Or, a osvojio
2018 IBAFF International Film Festival Visionary Award. Ilianovi radovi prikazani su u Muzeju moderne
2018 IndieLisboa International umetnosti u Njujorku, a osvojio je preko 40 nagrada, uključujući
Independent Film Festival nagradu Nemačkog dokumentarnog filma 2013.
2018 Jerusalem Film Festival
2018 Nashville Film Festival Ilian Metev was born is Sofia, Bulgaria in 1981. In 2008, he graduated
2017 San Sebastián International Film from the UK National Film and Television School with GOLESHOVO.
Festival His first feature SOFIA’S LAST AMBULANCE (2012) premiered at
2017 Toronto International Film Festival Cannes in 2012, where it was nominated for the Camera d’Or and won
the Visionary Award. Ilian’s work has been shown at the Museum of
NAGRADE/AWARDS Modern Art in New York and has received over 40 awards, including
2018 Sofia International Film Festival – the German Documentary Film Award in 2013.
Best Bulgarian Feature Film, Grand Prix
2018 D’A Film Festival Barcelona –
Special Mention, Talent Award – Special
Mention
2017 Locarno International Film Festival
– Golden Leopard – Filmmakers of the
Present
2017 Golden Rose – Golden Rose
2017 Minsk International Film Festival
“Listapad” – Victor Turov Memorial
Award for Best Film

Septembar 12-18 2020

Bugarska/Bulgaria, 2019

FOTOGRAFIJA SA JUKI

A PICTURE WITH YUKI / СНИМКА С ЮКИ

98 Bugarin i njegova supruga Japanka, koji su se upoznali i venčali dok su živeli kao Režija/Director: Lachezar Avramov
imigranti u Kanadi, planiraju da dobiju bebu, zbog čega putuju u Bugarsku da bi Scenario/Writer: Lachezar Avramov,
European započeli process vantelesne oplodnje. Međutim, po dolasku su umešani u incident koji Dimiter Stoyanovich
Film oduzima život deteta. Sada, ništa nije kao pre. Fotografija/Cinematography: Torsten
Festival Lippstock
Palić A Bulgarian man and his Japanese wife, who have met and got married while living as Montaža/Editing: Vessela
2020. immigrants in Canada, are planning to have a baby and travel to Bulgaria in order to begin Martschewski
an in vitro fertilization procedure. There, they get involved in a tragic incident which claims Kostimograf/Costume designer: Sergei
the life of a child. Nothing can be the same anymore. Yordanov
Uloge/Cast: Kiki Sugino, Ruscen
LACHEZAR AVRAMOV Vidinliev, Dimiter D. Marinov
Trajanje/Duration: 110’
Lachezar Avramov (1980) je bugarski reditelj i scenarista. Diplomirao Produkcija/Production: Chouchkov
je na Nacionalnoj akademiji za pozorišnu i filmsku umetnost u Sofiji. Brothers
Napisao je, režirao i producirao brojne reklame, muzičke spotove Producent/Producer: George
i dokumentarne filmove. Od 2015. je scenarista i režiser poznate Abrashev, Borislav Chouchkov, Viktor
bugarske komične serije Friday Five Sharp. Chouchkov

Lachezar Avramov (1980) is a Bulgarian director and screenwriter. He FILMOGRAFIJA/FILMOGRAPHY
graduated from the National Academy for Theatre and Film Arts in 2015 Friday Five Sharp
Sofia. He has written, directed and produced numerous commercials,
music videos and documentary movies. Since 2015 he is screenwriter FESTIVALI/FESTIVALS
and director of the famous Bulgarian comedy series Friday Five Sharp. 2020 Festival of European films in Paris
2019 Thessaloniki Film Festival –
Audience Award
2019 CineLibri International Book and
Movie Festival
2019 Tirana International Film Festival,
AL – EYE on TIFF Debut Feature
Competition

NAGRADE/AWARDS
2019 Sofia International Film Festival –
Audience Award
2019 Festival Internazionale del Cinema
dei Castelli Romani – Miglior Film
Straniero
2019 Golden Rose Bulgarian Feature
Film Festival – Special Mention, The
Critics Guild Award (UBF)
2019 Västeras Film Festival – Festival
Award

palicfilmfestival.com

Režija/Director: Stephan Komandarev Bugarska, Srbija/Bulgaria, Serbia, 2019 99
Scenario/Writer: Stephan Komandarev,
Simeon Ventsislavov PATROLE European
Fotografija/Cinematography: Vesselin Film
Hristov ROUNDS / V KRUG
Montaža/Editing: Nina Altaparmakova Festival
Uloge/Cast: Ivan Barnev, Assen Tri patrolna vozila, šest policajaca, Sofija u noći između 9. i 10. novembra 2019. Palić
Blatechki, Stoyan Doychev, Vassil Three police patrol-vehicles, six policemen, city of Sofia in the night, between 9th and 10th 2020.
Vassilev-Zouek of November 2019.
Trajanje/Duration: 107’
Produkcija/Production: Argo Film STEPHAN KOMANDAREV
Producenti/Producers: Dobromir
Chochov, Marie Dubas, Nenad Dukić, Stefan Komandarev je bugarski reditelj, producent i scenarista. Rođen je 1966. u Sofiji gde
Stephan Komandarev, Elie Meirovitz, je studirao filmsku i TV režiju na Novom bugarskom univerzitetu. Njegov pretposlednji film
Katya Trichkova PRAVCI je prikazan u selekciji Izvestan pogled na Filmskom festivalu u Kanu 2017. godine.

FILMOGRAFIJA/FILMOGRAPHY Njegova ranija ostvarenja uključuju nagrađivane dugometražne i
2018 Okupácia 1968 dokumentarne filmove, kao što su SVET JE VELIKI I SPASENJE JE IZA
2017 Posoki UGLA, najgledaniji bugarski film svih vremena.
2014 Sadilishteto Stephan Komandarev is a Bulgarian director, producer and scriptwriter.
2010 The Town of Badante Women He was born in 1966 in Sofia and graduated in Film & TV directing
2008 Svetat e golyam i spasenie debne at the New Bulgarian University. His feature film DIRECTIONS is a
otvsyakade nominee in the section Un certain regard at the Cannes Film Festival
2004 Azbuka na nadejdata 2017 official selection. His previous works include award-winning
2002 Hlyab nad ogradata feature and documentary films, such as THE WORLD IS BIG AND
2001 The Way of Harmony SALVATION LURKS AROUND THE CORNER, which is the most world-
2000 Pansion za kucheta wide theatrical released Bulgarian film ever.

FESTIVALI/FESTIVALS
2020 FEST International Film Festival

NAGRADE/AWARDS
2020 Wiesbaden goEast – FIPRESCI
Prize, Golden Lily
2019 Gijón International Film Festival –
AISGE Award
2019 Sarajevo Film Festival – Best
Actress, Cineuropa Award

Septembar 12-18 2020

Bugarska/Bulgaria, 2006

MAJMUN

MONKEY / МАЙМУНА

Režija/Director: Dimitar Kotzev Shosho
Scenario/Writer: Dimitar Kotzev
Shosho, Ivan Markov
Fotografija/Cinematography:
Alexander Stanishev
Muzika/Sountrack: Victor Stoyanov
Uloge/Cast: Alexandra Kostova,
Youlian Vergov, Ana Papadopolou,
Radina Borshosh
Trajanje/Duration: 93’
Produkcija/Production: SPOTLIGHT LTD.
Producent/Producer: Nayo Titzin,
Dimitar Kotzev Shosho, Krastyo
Lambev

100 Na granici detinjstva i zrelost, kada su odluke još uvek proste, život polusestara, Ive i FILMOGRAFIJA/FILMOGRAPHY
Maje očekuje drastične promene. One će morati da pronađu odgovore na pitanja koja 2016 Man under Surveillance
European su van domašaja i odraslima. Mogu li dve tinejdžerke doneti odluku života i smrti? 2014 Open Files
Film 2013 The Fourth Estate
Festival On the borderline between childhood and adulthood, when life is a string of easy decisions, 2011 Lora from morning till evening
Palić the world of half-sisters Iva and Maya is about to change drastically. They would have to 2010 Shopping
2020. find answers to questions grown-ups don’t even dare to ask. Can the two teenagers make 2009 Voodoo Calendar
decisions of life and death? 2006 The Invisible Children

DIMITAR KOTZEV SHOSHO NAGRADE/AWARDS
2017 Blue Whiskey Film festival – Best
Dimitar Kotzev Shosho magistrirao je engleski jezik i književnost for the Fest
na Univerzitetu u Sofiji, a televizijsku i filmsku režiju na Nacionalnoj 2017 Heiderabat – Best Script Award
akademiji za film i pozorište. Od 2003. je direktor producentske kuće 2016 Sofia International Film Festival –
Spotlight LTD. Audience Award

Dimitar Kotzev Shosho holds a Masters Degree in English Philology
and Literature, from Sofia University, and also a Masters in TV and Film
Directing from the National Academy of Film and Theatre. From 2003.
he is a managing director at Spotlight Film Production Company.