este construc!,ia cu trei dtmensruni, eliberab5 de C[ este vorba de arhitecturi de natur5. plastici
sau, dimpotrivl, de structuri gratuite, prin este-
fond, eliberatd din tablou. Del Marle se intilneqte tica qi piin tehnica sa, noul aspect al operei lui
constituie unul din punctele cele mai
astfel cu constructivismul lui Pevsner qi Gabo, Del Ma-rle pare-se ale artei abstracte,
dar el prefer[ constnrcliile metalice ale acestora, avansate, in mani-
,'are coneiliazi mai degrabri elicaci[alea plas[ica festarea sa-cea mai purificatd de materialitate qi
a plinurilor cu cea a vidtrrilor, o esteticS a tr[s5- in acelaqi timp de afectivitate. Se poate imagina
destul de bine cd, ea ar ajunge la un pur joc al
tuiii decit a suprafelei: constructie, in spaliu, miinii, derulind in spaliu un fir de sirm6, la fel
a unui voJum atmosferic determinat de dez-
voltarea unui fir metalic, de exemplu, mai de- cum desenatorul igi poartd creionul pe foaia de
grabd decit construc!'ia unui solid determinat
prin suprafe{,e. Ah;[sd;ipijl,;urna;ts;iiilrnei,ta-a,rlric-tec",aha-utinte-piaao'aicc"!ceivruuelaaanpi;oseif"ttiaaautmsrliaJpeofsoiurteneasislcpaccaantd,ildyeidu.isetlc!sdpiaieilaprin.i!risiinmcua9dilour.utidniviqs',i.amstidip.cde.innaeedat!iqriaruc'tuieut-.
sdfoiilnmoisrpe-oqattecieoc,hlaidtarorinrcaturrev-,iond|uidnlrtacrg-oooits. ftuSez-ai.urnppeue-tneatDrsuepulsnlpVealalcirudle,,
E vorba deci de o transpunere intr-un spaliu pdminu[luiiaqiinsveednotvaerdeisaeavvri[ajmlieaiq,.s'pfoatliauqlaf,udseinsepuonsctitl
cu trei dimensiuni ale acestora dezvoltare a
trdsdturii pe care o observdm i-n picturile lui
Del Marle, care precede desprinderea, dezlipirea
formci de pe fondul tabloului. Ultimele opere ale
acestui artist sint mai mult decil tablouri, struc-
luri spa!,iale, eliberate de orice suport qi pe care
putem s[ nu le reprezentdm libere spaliu,
in
orinduite dupi o estetic[ foarte savantd a miq-
cdrii liniei, a planrrrilor qi a culorii.
< dualiste I Culoarea, de vedeie artistic, spaliul este ceva care trebuie
care r{spunzind concepfiei
a lui Del s[ fie dominat, biiuit. Cu tendinlele noi ale
l,Iarle, se stabileqte ma,i degrabfl in contact cu artei abstracte, vedem ndscindu-se o noud fizicl
forma decit in acord cu ea. Cum spune Del qi o noud metafizicd a spa!,iului, condilionind,
Marle: < in Spaliul Real, culoarea se joac{ in ii ,rna si cealaltl. aceastS. estetic[ noui cireia
voie, liber qi 1oial, cu calitelile sale funciare >. iaur dei'init aici taracteristicile, elementele, re-
Se pune oare problema dispariliei tabloului ?
Aproape. Se pare, a;adar, cd tabloul trebuie sd sursele qi rezultatele.
Efortul iui Del Marle se conformeazd unei expre-
aibd din ce in ce mai pulin loc in arhitectura sii celebre a lui Van Doesburg, citat[ adesea:
viitorului. Trebuie deci ca arhitectura aceasta < Evolulia artei moderne cdtre abstract qi uni-
sd joace rolul factorului est'etic atribuit mai qi individualul, a fdcut
inainte tabloului, ceea ce va fi uqor, pare-se, prin versal, 6liminind externul
comun qi o concep{,ie
posibiil, printr-urr efort
folosirea tehnicilor ,Nsilaarlme aptrearoiatilceilnodr nnoli5. tAutruindcei comund, iealizarea unui stil colectiv care, ridi-
a noliunii, exprimd
il vedem pe Del cindu-se deasupra tpoetrusloapnreeic;isi qi real nevoile de
arhitectura virtual[ care este construc!,ia unei
structuri plastice in spatiu, gratuite, arhitectura intr-un mod Cu
frumusele cele mai efuvate, mai profunde qi
utilibard, conoeputi qi executat[ dup[ aceleaqi
eexsetemticpelu.sai aecreolepaoqriturel scuorsnecepplausttidcee: mal generoase )).
legi cum este
Exist--d, irr ideile grupului De SLiil urr mesaj
de artist la social foarl,e real gi foarte evident. Van Doesburg
Bamako, cu diversele sale edificii din acest oraq
african, devenit astfel unul dintre exponatele ,sssatirtMuiscoftanocdrlriiiatarniegvsoeieissliioSicnoaotei ua>ut.rNeciuuo-ppeledrarceevrdoereblarai-qrtltae[ << con-
cele mai interesante si mai caracteristice pentru
ei de
strict
principiile artei abstr'acte adaptatd la urbanism.
individuald, ci despre crearea unor noi forme de aas5lle.tdcarepretaezreiteiss,ttdacmrai iccfoienr.emDstaeazricier,ircpoomrptair;a-;b;ili"e;i,ilcirpu.e"ciredulee
ppdtueeirrrrelsrceoetcxndtpaarlaeaqsreivammeceoaps[itrieeoinrip,teridmimii,s.opsdfu"iinor,di"ni_mndi.linUcgde"el*a;aa;stdict"feee$f,latrradedeeuasctermurecaa_i
frumusefe capabile sd umple qi s[ inspire viala m1D1aarc,,dp"r:eallsrutyas"rdaieebcrsdittr[aitiocat9dtieb-ecosegtleedlacliteheei, m-vioaj-rtc"da"brsu"{lra"rdurel vsuiannl5ee,,i
colectivitdgilor. Principiile grupuluj De Sliil se
apropiau, prin aceasta, de cele care au prezidat reTetaus_pv,i^an"gr_eAcmfoigminuuernaiitnddtloeiit,cdi.etaapuuennnaetriuaacareiaeinstaie{ lea."ErtrtJ{rtmic"aiatriXebJinniiue,
la constitulrea, sub conducerea lui Walter Gro- teclatf^enu,luzdim_ue"nam:epl,o"e1fmilelldeci enainictcseedseqr{.nia,dscaetreauemefmoseotren!m,itediidinuceca"oteeloofmu*dzo--iliiue'esn.feirgl usgproidnt__n
pius, a Bauhaus-tilui, de la Weimar, care
urmS.rea
ii et o transformare radical[ a artei,
in toate
plastice, arte decorative, teatru,
ilomeniile, arte
balet, cinema fli, firegte, arhitecturd qi chiar
urbanism. unei intregi orient[ri a artei
Aabcsetarastc{tetencdditnreldoa esteticd coleciiv{ aplicabill
imediat in viald, aclionind direct asupt'a sensi-
bilitatii colectivitdlilor printr-o nou5. aranjare a
oraqelor, a grddinilor, qi organizind ca un tot, ca
o tiltalitate ale cdrei elemente sint indisociabile,
formele care ajung prin privire la sensibilitatea
oamenilor, se g{seqte de asemenea gi la Grupul
Spaliu (Bloc, Pilliet etc.) care revendicS. o cola-
bor6,re strins[ intre arhitect, pictor qi sculptor.
Spatriu ln sensul cd, este vorba de a face o oper[
dir irt[ din spa.tiul insugi in care se migcfl o-rnul
qi care-l lnconjoard. Debarasatd de funclia sa INDICE DE NUME
de ornament, opera de artd nu mai este un acce- Ablas,
soriu al vielii, ci cadrul in sensul cel rnai larg, Ibn, t7?88, ,83I7g,
mai complet qi mai variat. Artistul nu trebuie A4l9b^e.rs, , 5?, tB4 Balla, 208. 2tt
Baltrusaitis, sJiunresl,isi,tl9g
dsuI amliasimr5u.lmsidnu[ :unelctrreeabtourieizosldati,aincchuinsoigntiinn!d[ivdie- Joseph,'126 Ilaranof f - Ros
Alberti, Leon Battisl,a, lB5,
336, 340, 841 Baudelaire. iB
Bauer, Ruholf, lg,
viala comunit[lii, in sinul cS.reia este chemat sd. AAAllltbldeionr,r,feRMroi,cmh2e6ml9.ill8"y4, 1,9, 6{ S30
rJaugrn, l0S. Bl7
joace un rol, un rol impor[ant. Nu mai este Baumeister, 56 264, 27S,
vorba aici de decoralie, ci de organizarea insdqi a
Andersson, g5 216,277,278,279
l!!,BIB-l.aeT2yn9lei,3nrS,,r,.hR72a9-gaJ7hy!-n,e,n,ar22no2e,9n7083dti,3,, 2,37e4u,L0?J,,,gt2O3ge0g2t,i,
euvnideei nlnt,tcredg, iincraenaulmii ietesteptriicveincleo,leacrtitvae.abSstiraecstSte. Angelico, Fra, BIB
AA.prtc,3oh^,ilpl1ien6an0i,kreo1,6, 1C1,2u16i6lla2,u7m1ei3, ,2102j,
este chematd s[ joace un rol de prim plan in
aceastd. organizare. Dar aceasta nu se rra produce
in detrimentul vielii interioare care Argan, 125 I3erard, H. M.. 930
oare, uneori, Bcrensul, dBeerCnalaridrv, a4u7x,
este singura capabili s[ insufle o expresie au- Arp, Ilans, 8, 31, 200, l0t _ Bernard
21J3, 252
tenlic[ qi profundri unor forme rron-figurative ? Saint, 807
Atlal, 254, 259 llernouilli,6l
Trebuie neapdrat al,unci ca dernersurile estetioe s[ Aziz, Ibn, 7ti
Iie distincte, cu scopul de a evita confuziile qi Bach, Johann Sebastian, Berzt, 4i
Bigge, John,28,318
echivocurile. Arta abstract5, organizator de spa- .B-aIc5o9n,3, I 2, 313,314, 33u,33 i Bill,. Max, 4, 47, 194, 265
1ii lncuite, va ruodifica experienla privirii qi a tJr:s^l:r,^ J ulius, 2U0, 28t,
Francis. lz2
sensibilit[{ii. Chiar pe planul decolativ, ea poate Bahr, 252
282, 302,303. 304
355 Balbas, Torres, ?9 Bissiire, Roger, 2g2
lJ,
Blaga, Lucian, 8 Cousin, Jean, 225 Freundlich, Otto, 5ti, 260, Hartung, llans, 12, 46,242,
Crevel, Ren6, 141
Blake, 220 261 244, 245-247, 250, 267,
Cross, 287 Friedrich, Caspar David, 262, 264, 290
Bloc. Andre, 185, 354
Boccioni, 1u, 175, 208, 209' 263 Hayl,er, 326
Dante, 190 Fry, Roger, 25
Bo2e1h0m-2e,r2Jakob, 111 Debussy, l59 Hegel, 38
Ilemingway, 25
Borrrrard, Pielre, 287, 289, Delacroix, 290 12, l3t
Dclaurtay, Gabo, Naum, ll, 56, 192, llenry, Frangoise, {01
298 Robert, ,94,195,196,198,199, Herbr:r, Joseph, 73, 309
49, tio, 158, 159 -165,
Bosch, IlieronYrrtus, 258' 173, 2L8, 231 I{erbin, Auguste, Iii, { 9,
Delaunay, Sonia, 22, 164 Gabor, 352 310,331,332,::i33
219 Ilertz, A. 99
Botticelli, tj l-lel Mailc, 35t, 352, 353 Gargallo, 176, 185, 186
Gauguin, 233 Hippocrate din Chios, 104
-Bourgoin, Jules, 85 l8t' Depero, 215 Ilirschfeld-&Iack, 226
.Briincugi,93, 179, 180, Derain, 127 Gellde, Claude, 297
Ghyka, Matila, 51, 52, 86, I{odin, J. I.'.319
182. 187, 188, 2oo Dewasne, 325 122, 197
Uraque, 36, 12U, 315, 316' H<ilderlin, 236
3r9, 323, 330 Deyrolle,316,317' 318 Giacometti, 24
Disnev. Walt. 204, 213 Hoernes, 90
Breest, 261 Iloffmann, 290
flreton,283 Uomeia, Ll6sar, 49, 56, 345, Giannatasio, 341 Hofman, IIans, 259, 260
Breuer, lVlarcel, 215 346, 347, 848, 349, 350, Giani, Renato, 274
Giedion-Welcker, Carola, Honnecourl, Villar de, 142
Brion, 9, 205, 2r5 351 133,134 I{ooclr, Pieter de, 255
ilrown, Baldwin, 57 Gilioli, 181, 182, 184
Dorival, Bernard, 35, 36 Hosiasson, 259
Dostoievski, 167 Giotto, 6, 307 Hubert, Edgar {00, 299
Brunelleschi, 340 Duchamp, Marcel, 207, 208 Gleizes, Albert, 40, 307, Ilulten, Karl G, 218, 219
Duchamp, Villon, 175 Ilutten, 192
lJuchheister, Call' 305 Diirer, Albrecht, 119 308 Huyghe, 16
.tsuffet-l'icabia, Gabrielle' 62,
Goethe, 6, 180, l8l, 227,
r29 Durkheim, 24 332, 333
Cahill, Holger, 334 Goetz, Karl 0tto, 304, li05 Jacobseu, Robert 190, tgl,
Caldei, 49,-191, 196, 209'
2L6, 2L7, 219,221,222- Ecco. Urnberto, 26 Goldschmidt, 327, 329 192
Eggeiing, Vikilg, 173, 215,
224. 264 ll9 Goncearova, 173 Jeanneret, 37, 38, 163
tlamoinus 2L8 Gonzales, Julic, 49, 185, Joyce, 25
de Novare, 186,192 Jung, 55
Einstein, t7
tlapogrossi, GiusePPe, 273, Goodyear, 61
274, 2'.15, 279 lll Greco, 45, 3$'1, 311, 313,
Caporali, Uiarr llattista, 119 Gourmont, Jean, 317
314 Kaiser, Georg, 266
76 Grandville, TT Kandinsky, Wassili, 8, 11,
Cama, 210 Ill Koceir,
Eschil. 190 Gris, Juan,35,36, 43, 120, 13, 34, 54, 56, 109, 1{0,
Caskev, D", 51, 52 Est0ve, 2g2,}gL -298, 339 315,3r9 Ill, 112, 1l'1, 125,126,
tjass,-,u, J-ean, lti2, Grohmann, Wili, 141, 276, 127,128, 129, 130, 131,
152,
t?8 Eupalinos, 142
Castell, Peter, 227 132, 133, r34, r35, 136,
Casvael, Rolf, 305 Fechlter, Paul, 70 Gropius, Walter, 142, 213, 138, 139, 740, 142, 750,
Cavalliui, 307 !'eitringer, Liortel, 56, 163, 214, 262, 354 158, 194, 209, 213, 214,
231,262, 27t, 289, 305,
Celicev. Pavel, 338' 339 213 1t8, 119, 123 Grosz, Georg, 272
tldzanne. 35, 43, 127, L39 330
l'ibonacci, Grote, Ludwig, lf f
158,160,161,287,289' !'lam, LeoPold, 16, l7
Grousset, Ren6, 95 I{assner, Rudolf , 13, 327, 328
292, 309, 335, 34{ Fleischer, 213 Griinewald, Mathias, 263, Keats, 320
Cehhaarrcdhino.un4e3,,2'5J2b, 290' 292 312,313 I{elvin, Lord, 329
Focillon, H., 104 Kircher, 86
Chevreui, 158, {6t, lti2' 164' l'ontana, Lucio, 273 Guerry, L., 335 Kl1e4e0,*P15a3u,l, 13, 56,
l'ouguet, 45
287 Francastel, 16, 24 Haendel, 312 159, 27:t, 111,
h'rancesca, Piero della, 47, 274,
Chirico, 323 Haftmann, \{erner, 262, 244, 262, 263, 275, 278,
Cook, 'I'hcodor, 61 84, 105, 118, 289, 326, 313,314
290,339
Fre34dU6,r3ic41lI de llohenstau- Hanhloser, 63
(lootnat'aswamY, Arianda K, Hajdu, 193 Kokoschka, 247
Kooning, Willem d,e, 251,
62 fen. 119 FIals, Franz, 1{ 3 2?0,271,2'.12
l'resnaye, Roger tlella, 159 :t57 llamlridge, Jay, 51, 52, lg? Kiihn, Herbert, 59
Corot, 292, 298
Courtin, 179, 32ti
Kummer, 19? Margars, Georges, ,'i7, 84, Palazuelo, 249,24L Rodolphe II, 119
Kunrath, Heinrich, 1t9 85, 86 Panofshy, Enrin, 16
Kupka, Frank, 56, 1 33, 150, Paracelsius, 86, 351 Rosenkreuz, 850
Rousseau, Henri, ltO
Ku1r5z3,-R1u5d8o, lf2,091?3 MMaarrccohuiosrsii,s,Glilu4s'ep'ne. 178 Passos, Dos, 25 Roussel, K. X., 292
Marinetti, 18, 208 Pater, Walter, 13, 327
Mastroianni, 264 Russolo, 210
Pauty, M, 8., 83 Ruttmann, 173
Pellegrini, Aldo, 7
Lamprecht, 58 Matisse, 17, 18 Pe5y6s,nelgr,2,A1n9to4,in1e9,5,47tg, 6!tg-,
Langen, Alhert, \'erlag, 31,
117, 734, 142, 167, 21h Mathierr, George, 234, 269, Sanlomaso, Giuseppe, 250
210
Satie, Erik, 152
Lanskoy, 251, 252 200, 203, 223, 265, 352 Schiff, Gert 192, 264,
Meisterrnann, 3{3, 3t4 Peyrissac, Jean, 223, ZZ4,
Lapicque, 339 Mesdag, 113 265
L,ardera, 49, 186, 187, 188, Metzinger, 40, 114 225 Schlemmer Oscar, 274, 216
189,190 Piaubert, 282 Schmidt, KurL, 274, 275
Larionov, 49, t73 Michelangelo, 6, 182, 184, Picabia,199
187, 206 Schnabel, 193
Lawtance, H. D., 25 Migeon, M. G., 83 Picasso, 25, 35, 36, 3?, ll4, Schneider, Gerard, 46, 235,
Laurens, l75 Miro, Joan, 13, 264, 278, 120, 127, 175, 195, 196, 236, 237, 238, 242, 339
Le Corbusier, 39, 214 215, 219, 315, 316, 3tg, Schoenfliess, 327
LCger, Fernand, 24, 15g, 279,280 90D
Schreyer, Lothar, 214
207, 215 Moholy-Nagy, 213, 214, 2t5 Picton, Harold, 56, 57, 60 Schurnann, 6, 318
216, 225, 226, 227 Pillet, 324
Le Louarn, 326 Pilliet, 354 Schwerdtfeger, K, 215
f,e Moal, 290, 292,298, 299 Mondriarr. { l, 13, 19, 22, Schwitters, Kurt, 56, 137,
Le Nain, 240 Pissano, 291 138,199,214
46, 56, 113, 114, 115, Pitagora, 719,197
Le Ndtre, 225 Scott, Michel, 119
111, 118, ll9, 120, l2l, Platon, 52, 69, 97, tt6, ltg
122, 123, 124, 127, L30, Plotin, 69, 72
Leonardo, de Pisa, 1t9 131, 133, 156, l5'1, 159, Scriabin, 227
Leroi-Gourhan, 103 Poincard, I{enri, 329 Seuphor, Michel, 7,
Le Sueur, 46 L72, 193, 201, 202, 21"4, tt6 21,
223, 292, 317,320, 322,
Lhote, Andrd, 159 325, 328, 335, 351, 35:l Poliakoff, Serge, 2L7, 248, Seurat, 158, 159, 28?,288
Liebermann, {47 249
Lipchitz, 175, 176, 186 Monet, Claude, 34,714, l3g, Severini, Gino, 18, 4J, 44,
160,219,286,298,2gg, Pollock, Jackson, 251., 270,
Lippold, Richard, tg3 271,2'12 211
Lipps, Theodot, 7, 290, 291,328 Poussin, 36, lt5, l3l, 24tJ, Shakespeare, 320
Montcverdi,3l4 Shelley, 320
Lissil.zky, El, 56, 54 1\Ioore, llcnry, 290, 294 Signac, Paul, 287, 288
Lund, F. M., 104 194 176 -118 Prarnpolini, 342 Singier, Gustave, 290, 292,
Morandi,319 Princet, 35
Mouradja d'Ohsson, 75, 76 2gg, 300, 301, 302
Macke, August, 54, Mozart, 6 Sisley, 288, 291
109, Radice, 341 Sluyters, lt3
lll, lt2
Magnelli, Alberto, 340, 341 Muche, G, 214 Rafael, 45, 313
Miiller, Joseph, 7 Ray, Man, 197 Socrato, 52
Mahlmann, 261 Munch, 233 Soffici,21t
Mahomet, 73, 74, 75 Raynal, Maurice, 38, 39
Makrizi, T5 Munro, 'Ihomas, 215, 22{J Read, Llerbert, 7.2, 50, 54, Soulages, Pierre, 238, 239,
Murillo, 313 242, 250
Illaldiney, Henri, 290 Music, 274, 275 55, 57, 144, 146, l5l,
176, 1.77, 319, 320 Spengler, 19?
Malevici, Kazimir, 8, 10,
11,22,56, 150, 158, 162, Nay, Ernst Wilhelm, 264, Reclus, ElisCe, 157 Spranger, 224
Reininger, Lotte, 204
165-173, 194, 209, 231, 265, 266, 305 Sta€I, Nicolas d,e, 2tt2, 252,
Newton, 227 Rembrandt, 6, 113
285, 351 Renoir, 287 253
Nicholson, Ben, 55, 319, Ricard, Prosper, 7B
Manessier, Alfred, 33, 46, 320, 321, 322, 323 Hichter, Hans, 17:t, 215 Starevici, 213
139, 290, 292, 302, 308, Riegl, 54
Novalis, 242, 245, 267 Righetti, 194 Stijl, De, ll5, 1L7,120,l2l,
Rimbaud, 13 325, 349, 353, 354
309, 310, 311, 312, 313, Riopelle, 270 Stromberger, 2{i1
Ritchie, Andrew Carnduff, Strzygowsky, tit
314 Otto, Rudolf, 67, 313 Studniczka, 65
Ozenfant, 37, 38, {63 Sullivan, Pat, 213
Manet, 242 Sweeney, James John, 222,
Manolo, 185
Marc, Franz, 54, 56, 109,
Pacioli, Fra Luca, ll7, ll9, tirll 271
710, lll, ll2, 247, 262,
326, 349
263 Szenes, Arpad, 255
Tal Coat, 139, {40, 161,254, Vermeer, 255, 256
282, 283, 284-286
Vczelay, Paule, 343, 344,
Tanguy, 283
Tatlin 56, 194, 198, 199, 345
21,4, 223 Vic, 45
Vieillard, Roger, 179, 22L
Teetet, 52
'feltscher, G., 214 Vieira da Silva, 23, 336,
Teste, 208
Tiepolo, 46, 315 337, 339
'fintoretto, 307
Tilian, 45 Vitlar de Honnecourt, 104
Tobey, illark, 272, 334 Vinci, Leonardo de, 5, 6,
Tolstoi,167
'loorop, 113 62, 84, ll^g
Vischer, Robert, 65
'l'ourette, Gills dela, 160 Vitruviu, 119
Vivaldi, 314
162, 165 Vulliarny, 258, 259, 339
'luttmann,2l5 Wadsworth, Edward, 318
'I'zara, 'fristan, 280 Wassilieff, 214
!Veiner, 265
Ubac, Raoul, 243 Werner, 'l'heodor, 26L, 262,
Uccello, Paolo, 84, 105, 340
Uhlmann, Hans, 192, 193, 2t,L, 265
Whistler, 321
264 \Vilfred, Thomas, 209, 216,
Valery, 14, 224 220, 222, 226, 227
Valensi, fl., 330 Vinter, !'ritz, 261, 262,
Vallier Dora, 7
Van der Leck, 114 264
Van l)oesburg, 'l'heo, 8, 31
tl6 wdlfflin, 10
56, 113, l7tt, ll5, Wols, 234, 267, 268, 269
,LL'.1 LLg, t3o, '13.1, :l14
292, 353 Worringcr, Wilhelm, 7, 8-
Van Gogli, 233, 271
10, 53, 54, 5'.1, 59, 65,
Vantongerloo, 56, ll4 80, 322, 334
Varr Velde, Bram, 1,23, Wright, Frarrk Lloyd, 168,
257, 258,259
Van Velde, Geer, 12i|, 255, 205
256,257
Wright, 205
Vasarely, 219, 323, :124, 339 Wyneken, W., 329
Vedova, 250 Yakubi,75
Venturi, 23, 25
Zack, L6on, 3t)2, 308, 314,
315
Zadkine, 175, 176
Zidan, lVlulay, 84