A Guide to Reading and Writing
JAPANESE
FOURTH EDITION
A COMPREHENSIVE GUIDE TO
THE JAPANESE WRITING SYSTEM
First edition compiled by
Florence Sakade
Third edition revised by
kenneth henshall, christopher seeley & henk de groot
Fourth edition revised by
janet ikeda
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CONTENTS
Introduction....................................................................................... iv
1 Aim iv
2 This Book and the Modern Japanese Writing System iv
2.1 About the Characters Selected iv
2.2 How Characters Are Read in Japanese v
2.3 Writing Characters vi
2.4 Romanization ix
2.5 Kana Signs and Combinations ix
3 Layout Details x
4 Final Notes xi
5 Select Bibliography of Main Works Consulted for This Edition xi
Acknowledgments........................................................................... xii
Section 1: The 1,006 Essential Characters................................ 1–202
Grade One: Characters 1–80.............................................. 1–17
Grade Two: Characters 81–240........................................ 17–49
Grade Three: Characters 241–440...................................... 49–89
Grade Four: Characters 441–640.................................... 89–129
Grade Five: Characters 641–825.................................. 129–166
Grade Six: Characters 826–1,006............................... 166–202
Section 2: The 2,136 General-Use Characters ...................... 203–302
Radical Index .......................................................................... 303-319
Index of Readings ................................................................. 320–340
Bonus: List of the 196 Newest Jǀyǀ Characters .................. ONLINE
at Tuttlepublishing.com
INTRODUCTION
1 Aim
This newly revised edition is designed for students and others who
have at least an elementary knowledge of spoken Japanese and want
to acquaint themselves with the Japanese writing system. The most
signi¿cant revisions are the addition of 196 characters, which were
added to the Jǀyǀ kanji (General-Use Characters) list in November
of 2010. The elimination of 5 seldom-used characters now brings the
total of General-Use characters to 2,136. The newly added characters
reÀect an information age where technology now allows characters to
be more widely generated and consumed on screens. New characters
reÀect prefectural names and major cities and a concern with health
and parts of the body. A¿cionados of Japanese cuisine and culture will
see familiar characters for foods (mochi, donburi, men, senbei), plants
and Japanese cultural artifacts and customs, in particular inclusion of
auspicious characters for tsuru and kame. Previous revisions to the Jǀyǀ
kanji list had been made in 1981 and 1946.
The highlights of this new edition are the following:
• Radical index for all characters
• Clearly marked characters found on the Kanji List of the AP Japanese
Language and Culture Exam (marked with this symbol: )
• Clearly marked characters (marked by level, based on past practice
, , etc.) used for the Japanese Language Pro¿ciency Test (JLPT)
Although pro¿ciency in the Japanese language is not determined by
knowing characters alone, this revised edition will provide an excellent
study guide for students who wish to increase their reading ability. All
characters recommended for the high school National Japanese Exam
(NJE) are included.
2 This Book and the Modern Japanese Writing System
2.1 About the Characters Selected
While the Jǀyǀ kanji List (hereafter abbreviated to JK List) does not
represent an exhaustive list of Chinese characters which the student will
encounter in modern Japanese texts, in combination with the two sylla-
baries (hiragana and katakana) it does nevertheless provide a very sound
iv
INTRODUCTION
basis for reading and writing modern Japanese. In Japanese schools,
1,006 of the more commonly used JK List characters are taught in the
six years of elementary school, the balance of 1,130 characters being
spread out over the intermediate and high school curriculum. The JK
List characters also form the basis of character usage in modern news-
papers, though sometimes the Japan Newspaper Association chooses
to deviate from the List in some ways.
For writing the names of their children, Japanese today can choose
from a corpus of characters consisting of the JK List together with a
supplementary list of characters for use in given names. The ¿rst such
name character list, approved in 1951, consisted of 92 characters, but
was expanded considerably in 2004. The current Jinmeiyǀ Kanji list,
which is determined by the Ministry of Justice, includes 861 characters.
We do not list these here.
This book is divided into two main sections. Section One presents
the 1,006 characters designated by the Japanese Ministry of Education,
Culture, Sports, Science and Technology (MEXT) to be taught during
the six years of elementary school—termed here “Essential Characters.”
The choice of these characters is the result of extensive research and
deliberation by the Ministry. For these characters, the editors of this
volume have endeavored to give illustrative character compounds that
are in common use.
Section Two of this book sets out the 2,136 characters designated for
general everyday use (including the 1,006 characters taught at elementary
school). In 1946 the Japanese writing system underwent fairly radical
reform in the direction of simpli¿cation, but the 1970s onwards saw
some movement away from what some saw as an over-simpli¿cation,
and the trend towards use of a bigger range of Chinese characters has
been encouraged by the development and popularity from the mid-1980s
of word-processors and computers that can handle conventional Japanese
text. Despite this trend, the major impact of the orthographic reforms of
the late 1940s has meant that the Japanese writing system of today still
remains much simpler than it was before 1946.
2.2 How Characters Are Read in Japanese
Typically, each Chinese character has two types of readings—on-yomi
and kun-yomi. The on-yomi (on reading, i.e., Sino-Japanese reading)
is a reading originally based on the Chinese pronunciation associated
v
INTRODUCTION
with each character, and reÀects the fact that the Chinese script was
adopted from China the best part of 2,000 years ago, when the Japanese
themselves did not have a writing system. Contrasting with the on-yomi
is the kun-yomi (kun reading, i.e., native Japanese reading). In some
cases, a given Chinese character has several on readings, reÀecting
different forms of underlying Chinese pronunciation. A given character
may also have more than one associated kun reading. Context and the
use or absence of accompanying kana (okurigana) are the pointers as
to which reading is appropriate in a given case.
In this book, the majority of the readings set out in the JK List as it
appeared in the Kanpǀ (Of¿cial Gazette) of 1 October 1981 have been
included, but some readings have been excluded, bearing in mind the
aim of this book, because they are archaic, obsolescent, or not com-
mon (e.g., nagomu [to soften] for ሆ). Also excluded from among the
formal readings listed in this book are the sort of common minor—or
relatively minor—variations in character readings which are found only
in certain environments in compounds. For instance, the character ߔ
has the on reading GAKU, which is truncated to GAK- in the compound
ߔ৫ gakkǀ [school, college], the kun reading ame [rain] of ۫ changes
to ama- as the ¿rst element in compounds such as ۫টamado [rain-
shutters], and the character ਗ Gƿ is read GAT- in the compound ਗ
๘ gatten [understanding, consent]. It was considered best for readers
of this book to learn such changes gradually as they progress.
In modern Japanese usage there are quite a number of characters
which lack either an on reading or a kun reading. For instance, nowadays
the character ດ [sugar] is employed only for its on reading Tƿ, while
the character པ [box] is used only for its kun reading hako.
2.3 Writing Characters
Firstly, the student should make every effort to practice so as to keep the
characters of uniform size in relation to one another. Thus, the 2-stroke
character katana should be written within the equal-sized imaginary
square or circle as the 15-stroke ሄ RON [argument, opinion], and by
the same token the element should be written larger when used as
an independent character (read GEN, GON, [speech, word]) than when
used as a radical / component in a more complex character such as ሄ
RON above.
Secondly, bear in mind that Chinese characters sometimes consist
of just a few strokes, sometimes many, but the characters are always
vi
INTRODUCTION
written according to a set stroke order. Listed below are some principles
that will be of assistance with regard to priority in the order of strokes.
1. Top to bottom:
2. Left to right:
Other rules are:
3. When two or more strokes cross, horizontal strokes usually precede
perpendicular ones:
vii
INTRODUCTION
4. Sometimes perpendicular strokes precede horizontal ones:
5. Center ¿rst, then left and right:
6. Perpendicular line running through center written last:
7. Right-to-left diagonal stroke precedes left-to-right:
viii
INTRODUCTION
While the above may all seem rather complicated, the student might
¿nd solace in the fact that, as noted above, the writing system has been
simpli¿ed to a considerable extent compared with the past, and has
been mastered by many thousands of students having neither native
speaker competence in Japanese nor prior background knowledge of
the Chinese script.
2.4 Romanization
There are several different systems of representing Japanese using
the Roman alphabet. This book employs a slightly modi¿ed form of the
Hepburn system, this being a system which is widely used and which
is based on conventions associated with the spelling of English. The
minor modi¿cation involves using the letter n rather than m to repre-
sent the syllabic nasal ɭ when the latter occurs immediately before
the consonants m, b or p (thus, for instance, shinbun [newspaper], not
shimbun, and kenpǀ [constitution], not kempǀ). Other points to note are:
1. use of a macron to indicate vowel lengthening for o and u, e.g.,
gakkǀ [school], renshnj [practice];
2. use of a hyphen in cases where it is considered that this might fa-
cilitate understanding of boundaries between constituent elements
in a Japanese word, e.g., sara-arai [dishwashing], rather than
saraarai; and
3. use of the apostrophe ’ instead of a hyphen after a syllabic nasal ɭ,
such as tan’i [unit] (a word of three short syllables, which in kana
would be written ȹɭȞ) as opposed to tani [valley] (a word of
two short syllables, written ȹɅ!in kana).
2.5 Kana Signs and Combinations
The two main sections of this book are followed by a section setting
out individual symbols in the hiragana and katakana syllabaries, and
illustrations of stroke order for each of those symbols. Each of the
two syllabaries evolved and became established over a period of many
centuries, thereby becoming cemented as integral components in the
modern writing system.
Katakana, which are more angular in appearance than hiragana,
are today used ¿rst and foremost to represent loanwords of European
origin, e.g., ʩˋ pan [bread] and ʫĜ˃ biiru [beer]. Hiragana are
used widely and variously elsewhere to represent such elements as
ix
INTRODUCTION
grammatical particles, inÀectional endings of verbs, and frequently to
represent in writing words which would otherwise need to be written
with intricate or uncommon characters such as those for ǀmu [parrot]
(Ἴუ) or for the ken of sekken [soap] (ಒ).
For the convenience of users of this book, the ¿nal part consists
of an alphabetical index of readings for the 2,136 JK List characters.
3 Layout Details
The 1,006 most essential characters are set out in Section One in accord-
ance with the MEXT’s division into six grades. These are in running
sequence, but note that the grade divisions are:
1–80 = Grade One 81–240 = Grade Two
241–440 = Grade Three 441–640 = Grade Four
641–825 = Grade Five 826–1,006 = Grade Six
Characters within each grade are set out in the traditional “50 sounds”
(gojnjon) order which is commonly used for reference-type works in
Japanese, except that the characters in Grade One alone are ordered on
the basis of semantic groupings. Each character is typically accompanied
by the on reading, then the kun reading and English meaning(s). The con-
text is the best guide as to which reading is appropriate in a given case.
Also included for each of the 1,006 characters is information regard-
ing the total number of strokes (the stroke count) and the set order to be
followed in writing individual strokes. In most cases, three examples of
character compounds are provided for each of these Essential characters.
Section Two, which presents the total 2,136 General-Use characters,
gives them with their on and/or kun readings, and English meanings, but
without illustrative compounds. In many cases, however, compounds
containing characters which are among the 1,130 “non-essential” char-
acters may be found among the compounds given for each of the 1,006
characters in Section One. The order adopted for listing the corpus of
2,136 characters is that of stroke count (and, within a given stroke count,
by radical). So as to avoid undue repetition, each of the 1,006 Essential
characters appearing in Section Two is given with the corresponding
reference to Section One, to which the reader can refer for details. This
symbol Ÿ marks each of the 196 newest additions to the JK list.
With regard to the typographical conventions employed in giving
readings and meanings for characters, these are explained by means
of the example below.
x
INTRODUCTION
ॽ KEN1; mi(ru)2, to see, look3
1 On reading in upper case.
2 Kun reading in lower case italics. Parentheses used to indicate
end-syllable(s) to be written in kana (thus, mi(ru), since this word
is conventionally written ॽɥ). ] Common reading is included
though it is not a kun reading.
3 English meaning(s) given in regular lower case.
Also note the use of a comma after a single on-reading to indicate
that it can be used as a stand-alone word, e.g., “ZA, seat...” (i.e., “za”
exists as a word meaning “seat”), as opposed to “U canopy...” (i.e., “u”
does not exist as an independent word).
4 Final Notes
This guide is an ideal way to begin a serious study of the Japanese
writing system. Other textbooks should be consulted for studies in
vocabulary, grammar and culture. A number of textbooks and reference
works are available from Tuttle Publishing.
With each revision this guide continues to provide a useful and
comprehensive approach to an ever-growing circle of readers and life-
long learners. There are many specialists of Japanese who began their
study of Japanese with the ¿rst version of this guide and fondly keep
that original volume, with its familiar orange and black book jacket,
on their shelves. My own well-worn copy reminds me of my very ¿rst
sensei and the joy that learning and now teaching of Japanese brings.
5 Select Bibliography of Main Works Consulted for This
Edition
Note: All the books in Japanese listed below have been published in
Tokyo.
Haig, J.H. et al. (ed.), The New Nelson Japanese-English Character
Dictionary. Charles E. Tuttle, Tokyo, 1997.
Henshall, Kenneth G., A Guide to Remembering Japanese Characters.
Charles E. Tuttle, Tokyo, 1988.
Maeda, Tomiyoshi. Jǀyǀ kanji saishin handobukku : nisenjnjnen kaitei
taiǀ. Tǀkyǀ : Meijishoin, 2011.
xi
ACKNOWLEDGMENTS
Sanseidǀ henshnjjo (ed.). Atarashii kokugo hyǀki handobukku. Tokyo:
Sanseidǀ, 2011.
College Board AP Japanese Language and Culture.
http://www.collegeboard.com/student/testing/ap/sub_japaneselang.
html
Dictionary.goo.ne.jp. http://dictionary.goo.ne.jp/
Jim Breen’s WWWJDIC. http://www.csse.monash.edu.au/~jwb/cgi-bin/
wwwjdic.cgi?1C
Jisho.org. http://jisho.org/kanji/radicals/
Kanjijiten.net. http://www.kanjijiten.net/jiten/4151.html#k4155
Japan Ministry of Education, Culture, Sports, Science and Technology.
http://www.mext.go.jp/
ACKNOWLEDGMENTS
Many thanks to Professor Janet Ikeda for her careful review of the
previous edition’s text, and her updates and improvements to allow this
book to continue as a core reference for today’s learners.
The editors of this revised edition respectfully acknowledge the work
of the earlier editions carried out by Florence Sakade and her editorial
team, work which has been of assistance to generations of students.
Grateful acknowledgment is also due to Calvert Barksdale, Nancy
Goh, Tan Cheng Har, Flavia Hodges, Tan Mike Tze, Nathan Burrows,
Neil Chandler, Bruce Penno, Paul Eagle, Shozo Tsuji, Yasuko Tsuji,
and Kazuko Seeley.
xii
The 1,006
ESSENTIAL CHARACTERS
ێ ICHI, ITSU, hito-, hito(tsu), one
1 ୍᭶ ichigatsu, January
1 stroke ୍␒ ichiban, ¿rst, best
୍ issatsu, one (book,
magazine)
2
2 strokes
NI, futa(tsu), two
જ
᭶ nigatsu, February
3 ᭶ nikagetsu, two months
3 strokes ᅇ nikai, twice
હ
4 SAN, mi-, mit(tsu), three
5 strokes
୕᭶ sangatsu, March
= AP ٬ = JLPT ୕ே sannin, three people
୕᪥ mikka, three days, the
third day
SHI, yon, yo-, yot(tsu), yo(tsu), four
ᅄ᭶ shigatsu, April
ᅄ᪥ yokka, four days, the
fourth day
ᅄ༑ shijnj, yonjnj, forty
1
5–9 • ESSENTIAL CHARACTERS
র GO, itsu(tsu), ¿ve
5 ᭶ gogatsu, May
4 strokes ே gonin, ¿ve people
༑ gojnj, ¿fty
ᇿ
6
4 strokes ROKU, mut(tsu), mu(tsu), six
7 භ᭶ rokugatsu, June
2 strokes භ᭶ rokkagetsu, six months
භ༑ rokujnj, sixty
ཞ
8
2 strokes SHICHI, nana(tsu), nana, seven
ࣻ ᭶ shichigatsu, July
᭶ nanakagetsu, seven months
9 ༑ shichijnj, nanajnj, seventy
2 strokes
HACHI, yat(tsu), ya(tsu), eight
ඵ᭶ hachigatsu, August
ඵ᭶ hachikagetsu, eight months
ඵ༑ hachijnj, eighty
KYNj, KU, kokono(tsu), nine
᭶ kugatsu, September
༑
kujnj, kynjjnj, ninety
kuji, nine o’clock
2
ESSENTIAL CHARACTERS • 10–14
JNj, tǀ, ten
10 ༑᭶ jnjgatsu, October
2 strokes ༑᪥ tǀka, ten days, the tenth day
༑ᅇ jikkai, ten times
࿄
11
6 strokes HYAKU, hundred
ಫ ⓒ nihyaku, two hundred
୕ⓒ sanbyaku, three hundred
12 ⓒ㈌ᗑ hyakkaten, department store
3 strokes
SEN, chi, thousand
13
4 strokes ༓ sen’en, a thousand yen
୕༓ sanzen, three thousand
ॢ ༓ gosen, ¿ve thousand
14
4 strokes
NICHI, JITSU; hi, day, sun; ~ka,
suf¿x for counting days
᪥᭙᪥ nichiyǀbi, Sunday
᪥ sakujitsu, yesterday
ᮅ᪥ asahi, morning sun
GETSU, GATSU; tsuki, month,
moon
᭶᭙᪥ getsuyǀbi, Monday
᮶᭶ raigetsu, next month
୕᪥᭶ mikazuki, new moon
3
15–19 • ESSENTIAL CHARACTERS
ݮ KA; hi, ¿re
15 ⅆ᭙᪥ kayǀbi, Tuesday
4 strokes ⅆࡤࡕ hibachi, charcoal brazier
ⅆ kaji, ¿re, conÀagration
16
4 strokes SUI; mizu, water
ᄄ Ỉ ǀ-mizu, Àood, inundation
Ỉຊ suiryoku, water power
17 Ỉර
4 strokes suihei, sailor
ࣸ
18 BOKU, MOKU; ki, tree, wood
8 strokes
ᮌ᭙᪥ mokuyǀbi, Thursday
ᮦᮌ zaimoku, lumber
ᮌ〇 mokusei, made of wood
19
3 strokes
KIN, gold; KON gold; kane, money
㔠᭙᪥ kin’yǀbi, Friday
࠾㔠 o-kane, money
㔠㨶 kingyo, gold¿sh
DO, TO; tsuchi, earth, soil
ᅵ᭙᪥ doyǀbi, Saturday
ᅵᆅ tochi, ground, plot of land
ᅵே dojin, native
4
ESSENTIAL CHARACTERS • 20–24
༃ NEN; toshi, year
20 භᖺ⏕ rokunensei, sixth-grade
6 strokes pupil
ᖺᐤࡾ toshiyori, old person
㟷ᖺ seinen, youth
21
5 strokes
ۦ SA; hidari, left
22 ᕥὴ saha, leftist (political),
5 strokes left wing
ᕥഃ sasoku, hidarigawa, left side
௫ ᕥᡭ hidarite, left hand
23
3 strokes
U, YNj; migi, right
ݚ
ᕥྑ saynj, left and right
24 ྑὴ uha, right wing (political)
3 strokes ྑഃ
usoku, migigawa, right side
Jƿ; ue, top, above, on; kami, upper;
nobo(ru), to go up, to go toward
Tǀkyǀ; a(geru), to raise; a(garu), to
rise
ୖὶ jǀrynj, upstream, upper class
ᾏୖ kaijǀ, on the sea, maritime
ᕝୖ
kawakami, upstream
KA, GE; shita, bottom, under, beneath;
moto, base; shimo, lower; kuda(ru), to go
down, to go away from Tǀkyǀ; sa(geru),
to hang (v.t.), to lower; sa(garu), to hang
down; kuda(saru), to bestow
ᕝୗ kawashimo, downstream
ୗရ gehin, vulgar, coarse
ᆅୗ㕲 chikatetsu, subway
5
25–29 • ESSENTIAL CHARACTERS
DAI, TAI; ǀ(kii), big, large, great
25 Ꮫ daigaku, university, college
3 strokes ኚ taihen, tremendous, serious
ᗈ㛫 ǀ-hiroma, grand hall
ෂ
26
4 strokes CHNj; naka, middle, within, inside;
JNj, throughout
ழ
୰Ꮫᰯ chnjgakkǀ, middle school
27 ୰ᚰ chnjshin, center, heart (of a
3 strokes
city, etc.)
㞟୰ shnjchnj, concentration
28
2 strokes
SHƿ; ko, o-, chii(sai), small, minor
ᑠᏛᰯ shǀgakkǀ, primary school
29 ᑠᒇ koya, hut
5 strokes ᑠㄝ shǀsetsu, novel (¿ction)
NYNj; iri, entering, attendance;
i(reru), to put in; hai(ru), to enter
ධᏛ nynjgaku, entering school
㍺ධ yunynj, importation
ධཱྀ iriguchi, entrance
SHUTSU, SUI; de(ru), to come out,
to go out; da(su), to put out, to take
out, to bring out, to draw out
ฟⓎ shuppatsu, setting out,
ฟ∧ departure, starting
ฟཱྀ
shuppan, publishing
deguchi, exit
6
ESSENTIAL CHARACTERS • 30–34
ᄆ MOKU, BOKU; me, eye; also used
as an ordinal suf¿x
30
5 strokes ᶓ┠ yokome, side glance
┠ⓗ mokuteki, purpose
ॽ ┠ᶆ mokuhyǀ, mark, target
31
7 strokes
KEN; mi(ru), to see, to look;
mi(eru), to be visible, to be able to
see; mi(seru), to show, to display
32
6 strokes ぢ migoto, splendid
ぢ≀ kenbutsu, sightseeing
ݙ ぢᮏ mihon, sample
33
9 strokes
JI; mimi, ear
᪩⪥ hayamimi, keen of
34 hearing
3 strokes
⪥㬆ࡾ miminari, ringing in the
ears
⪥ࡀ㐲࠸ mimi ga tǀi, deaf
ON, IN; ne, oto, sound
㡢ᴦ ongaku, music
Ⓨ㡢 hatsuon, pronunciation
ẕ㡢 boin, vowel
Kƿ, KU; kuchi, mouth
ཱྀࡦࡆ kuchihige, mustache
ධཱྀ iriguchi, entrance
ཱྀㄽ kǀron, dispute
7
35–39 • ESSENTIAL CHARACTERS
SHU; te, hand
35 ᥱᡭ akushu, handshake
4 strokes ᡭ⿄ tebukuro, gloves
ᡭ⣬ tegami, letter
ഫ
36
7 strokes SOKU; ashi, foot, leg; ta(riru),
to be suf¿cient; ta(su), to add,
ᆏ to supplement
37 ㊊㊧ ashi-ato, footprint
5 strokes ‶㊊ manzoku, satisfaction
㊊ fusoku, insuf¿ciency
ᆵ
38
2 strokes RITSU, RYNj; ta(tsu), (v.i.),
to stand; ta(teru) (v.t.), to erect,
ఱ
to set up
39
2 strokes ⊂❧ dokuritsu, independence
ᙺ❧ࡘ yakudatsu, useful
❧ሙ tachiba, standpoint
RYOKU, RIKI; chikara, strength,
power
ຊᣢ chikaramochi, strong
person
༠ຊ kyǀryoku, co-operation
ດຊ doryoku, endeavor
ఱ JIN, NIN; hito, person
ே㢮 jinrui, human race
ே㛫 ningen, human being
ேཱྀ jinkǀ, population
8
ESSENTIAL CHARACTERS • 40–44
ા SHI, SU; ko, child
40 Ꮚࡶ kodomo, child, children
3 strokes ཎᏊ genshi, atom
ᵝᏊ yǀsu, the state of things,
ட
appearance
41
3 strokes
ට JO, NYO; me, female; onna,
woman, girl
42
7 strokes ዪ୰ jochnj, maid
ᑡዪ shǀjo, maiden
ಪ ዪ⋤ joǀ, queen
43
6 strokes
DAN, NAN; otoko, man, male
౺
⏨ᛶ dansei, male sex, male
44 ⏨Ꮚ danshi, male, boy
5 strokes 㛗⏨ chǀnan, eldest son
SEN; saki, previous, ahead
ඛ⏕ sensei, teacher
ඛ᪥ senjitsu, the other day
⾜ࡁඛ yukisaki, destination
SEI, SHƿ birth, life; u(mareru), to
be born; u(mu), to give birth; i(kiru),
to live; ki, pure, genuine; nama, raw;
ha(eru), to grow, to spring up
୍⏕ isshǀ, oneތs (whole) life
⏕ά seikatsu, livelihood
Ꮫ⏕ daigakusei, college student
9
45–49 • ESSENTIAL CHARACTERS
ߔ GAKU, learning, science; mana(bu),
to learn
45
8 strokes Ꮫᰯ gakkǀ, school
་Ꮫ igaku, medicine
৫ ⛉Ꮫ
kagaku, science
46
10 strokes
݄ Kƿ school; to correct, to investigate,
to compare, to think
47
4 strokes ᰯṇ kǀsei, proofreading
ᰯ⯋ kǀsha, school building
ᰯ kǀynj, alumnus
ƿ, king
⋤ᵝ ǀsama, king
⋤Ꮚ ǀji, prince
⋤ᅜ ǀkoku, kingdom, monarchy
GYOKU; tama, jewel, round object
Ỉ⋢ mizutama, drop of water
┠⋢ medama, eyeball
48
5 strokes
kai, sea shell
ީ ㈅Ẇ kaigara, shell
㈅ᣠ࠸ kaihiroi, shell gathering
49 ┿⌔㈅ shinjugai, pearl oyster
7 strokes
10
ESSENTIAL CHARACTERS • 50–54
ܟ EN, circle, yen (Japanese monetary
unit); maru(i), round
50
4 strokes ‶ enman, perfection,
ಘ satisfaction
51 ༓ᮐ senҲensatsu, thousand-yen
7 strokes
bill
ಆ
┙ enban, disc
52
8 strokes SEKI, SHAKU; aka, aka(i), red;
aka(rameru) (v.t.), to color up, to add
ཆ blush; aka(ramu), to turn red, to blush
53 ㉥ࡕࡷࢇ akachan, baby, infant
5 strokes
㉥༑Ꮠ sekijnjji, Red Cross
ᅄ ㉥㖡 shakudǀ, alloy of
54 copper and gold
3 strokes
SEI, SHƿ; ao, ao(i), blue, green,
inexperienced
㟷ᖺ seinen, youth
㟷ⓑ࠸ aojiroi, pale
㟷✵ aozora, blue sky
HAKU, BYAKU; shiro, shiro(i),
white
ⓑே hakujin, Caucasian
ⓑ≧
ⓑ㫽 hakujǀ, confession
hakuchǀ, swan
SEKI; ynj, evening
ኤ᪉ ynjgata, evening
ኤ㣤 ynjhan, supper
ኤ㢼 ynjkaze, evening breeze
11
55–59 • ESSENTIAL CHARACTERS
შ MEI, MYƿ name, fame; na, name
55 ྡࡲ࠼ namae, name
6 strokes ᭷ྡ ynjmei, famous, well-known
ྡே meijin, an expert
ഁ
56
6 strokes Sƿ; haya, haya(i), early, fast
ഐ ᪩ཱྀ haya-guchi, quick speaking
᪩ sǀshun, early spring
57 ᡭ᪩࠸ tebayai, quick, nimble
9 strokes
ટ
Sƿ; kusa, grass, vegetation
58
3 strokes ⲡཎ kusahara (kusawara),
grassy plain
ರ
ⲡ sǀan, draft (of a manuscript)
59 ⲡྲྀࡾ kusatori, weeding
3 strokes
SAN; yama, mountain
ᒣ㐨 sandǀ, yamamichi,
mountain path
ᒣ⬦
Ⓩᒣ sanmyaku, mountain range
tozan, mountain climbing
ರ SEN; kawa, river
㇂ᕝ tanigawa, mountain stream
ᕝࡤࡓ kawabata, riverside
ᕝཱྀ kawaguchi, mouth of a river
12
ESSENTIAL CHARACTERS • 60–64
DEN; ta, rice ¿eld
60 ⏣ᅬ denҲen, ¿elds and gardens,
5 strokes rural districts
✋⏣
෨ ⏣᳜ inada, rice ¿eld
61 taue, rice planting
7 strokes
ഺ
CHƿ; machi, town
62
7 strokes ⏫እࢀ machihazure, outskirts of a
town
ଠ
⏫ෆ chǀnai, the neighborhood
63 ⏫㛗 chǀchǀ, mayor of a town
7 strokes
ᆹ
SON; mura, village
64
8 strokes ᮧẸ sonmin, villager
ᮧ㛗
㎰ᮧ sonchǀ, village mayor
nǀson, a farm village
SHA; kuruma, wheel, vehicle
⮬ື㌴ jidǀsha, automobile
⮬㌿㌴ jitensha, bicycle
Ⓨ㌴ hassha, departure of a
vehicle
RIN; hayashi, woods
᳜ᯘ shokurin, reforestation
ᐦᯘ
㎰ᯘ mitsurin, thick forest
nǀrin, agriculture and
forestry
13
65–69 • ESSENTIAL CHARACTERS
ఝ SHIN; mori, forest, grove
65 ᳃ᯘ shinrin, forest
12 strokes ᳃㛩 shinkan, silent
᳃ཝ shingen, solemn, awe-
ऋ inspiring
66
8 strokes
KNj, sora, sky; a(ku), to become
๏ empty; a(keru), to vacate; kara,
67 emptiness
4 strokes
㟷✵ aozora, blue sky
✵Ẽ
✵ knjki, air
68 knjkǀ, airport
6 strokes
۫
TEN, ame, sky, heaven
69
8 strokes ኳẼ tenki, weather
ኳ
ኳᡯ tenjǀ, ceiling
tensai, genius
KI, spirit, energy, mind; KE
ኳẼ tenki, weather
ඖẼ genki, good spirits, health
Ẽ byǀki, sickness
U; ame, rain
㞵 ǀ-ame, heavy rain
㞵ᡞ amado, rain door, shutter
ᱵ㞵
baiu, rainy season of early
summer
14
ݴ ESSENTIAL CHARACTERS • 70–74
70 KA; hana, Àower
7 strokes ⰼᒇ hanaya, Àower shop, Àorist
ⰼࡧࢇ kabin, vase
ඹ ⰼⅆ hanabi, ¿reworks
71
6 strokes
CHIKU; take, bamboo
ಒ
➉ࡸࡪ takeyabu, bamboo grove
72 ➉⣽ᕤ takezaiku, bamboo ware
5 strokes ➉ࡈ takekago, bamboo basket
ॶ
73 SEKI, KOKU, SHAKU; ishi, stone
4 strokes
ᑠ▼ ko-ishi, pebble
් ▼Ⅳ sekitan, coal
☢▼ jishaku, magnet
74
6 strokes
KEN; inu, dog
ᑠ≟ ko-inu, puppy
␒≟ banken, watchdog
≬≟ kyǀkenbyǀ, rabies
CHNj; mushi, insect, bug, worm
ᐖ gaichnj, harmful insect
ṑ mushiba, decayed tooth
᪻
konchnj, insect, bug
15
75–79 • ESSENTIAL CHARACTERS
SHI; ito, thread
75 ẟ⣒ keito, woolen yarn
6 strokes ⣒ཱྀ itoguchi, clue
⣒ᕳ itomaki, spool for thread
Ⴈ
76
5 strokes HON, book, suf¿x for counting
long, slender objects; moto, basis,
ဦ essence, (tree) root
77 ୍ᮏ ippon, one (bottle, rod, etc.)
4 strokes ᮏ⟽ honbako, bookcase
᪥ᮏ Nihon, Nippon, Japan
૦
78
6 strokes BUN, writings, a sentence; MON,
old unit of money; fumi, letter,
౷ book
79 ᩥ bunka, culture
5 strokes
ᩥᏛ bungaku, literature
ᩥ㒊⮧ Monbudaijin, Minister of
Education
JI, letter, mark; aza, section (of a
village)
Ꮠᘬ jibiki, dictionary
ᩥᏐ moji, monji, letter,
character, ideograph
ᩘᏐ snjji, number, numeral
SEI, SHƿ; tada(shii), correct, right;
tada(su), to correct, to rectify;
masa(ni), surely, truly
ṇ┤ shǀjiki, honesty
ṇ᪉ᙧ seihǀkei, square
(geometrical ¿gure)
ṇ᭶ shǀgatsu, New Yearތs
16
ESSENTIAL CHARACTERS • 80–84
KYNj; yasu(mi), rest, vacation;
yasu(mu), to rest
80
6 strokes ఇ᠁ kynjkei, rest, intermission
ఇ᪥ kynjjitsu, holiday
ۜ ఇ㣴 kynjyǀ, relaxation,
recreation
81
4 strokes
۩ IN; hiki, pulling; hi(ku), to pull, to
draw
82
6 strokes ⚟ᘬࡁ fukubiki, lottery
܀ ᘬ⏝ inҲyǀ, quotation, citation
ᘬࡁ❧࡚ hikitate, favor, patronage
83
12 strokes
ܠ U; hane, ha, feather, plumage;
-wa, counter for birds
84
13 strokes ⩚ẟ umǀ, feathers, plumage
୍⩚ ichiwa, one (bird)
⩚⧊
haori, haori coat
UN; kumo, cloud
㞼≧ unjǀ, cloudlike, nebulous
ධ㐨㞼 nynjdǀgumo, gigantic clouds
ᫍ㞼 seiun, nebula
EN; sono, garden
බᅬ kǀen, public park
ⰼᅬ hanazono, Àower garden
ື≀ᅬ dǀbutsu-en, zoo
17
85–89 • ESSENTIAL CHARACTERS
ܳ EN, ON; tǀ(i), far, distant
85 㐲㊊ ensoku, excursion, long
13 strokes
㐲᪉ walk
ݝ Ọ㐲
enpǀ, long distance
86 eien, eternity
7 strokes
ݨ
KA; nani, what, how many
87 (interrogative pre¿x)
9 strokes
ఱே nannin, how many people?
ݤ ఱ㛫 nanjikan, how much time?
ఱ nanji, what time?
88
10 strokes
ݦ KA, course, branch
89 Ꮫ⛉ gakka, a school subject
10 strokes ᩍ⛉᭩ kyǀkasho, textbook
⛉Ꮫ kagaku, science
KA; natsu, summer
ኟఇࡳ natsuyasumi, summer
vacation
ึኟ shoka, early summer
┿ኟ manatsu, midsummer
KA, KE; ie, ya, house
ᐙ yanushi, owner of a house,
landlord
ᐙ᪘ kazoku, family
㎰ᐙ nǀka, farmhouse
18
ESSENTIAL CHARACTERS • 90–94
ݬ KA; uta, song; uta(u), to sing
90 ᅜḷ kokka, national anthem
14 strokes ḷ kageki, opera
ḷᡭ kashu, singer
ކ
91
8 strokes GA a picture; KAKU, stroke of a
Japanese character
ޑ
ᅗ⏬ zuga, a drawing
92 ᫎ⏬ eiga, moving picture
6 strokes ィ⏬ keikaku, plan
ޏ
93 KAI, a turn; mawa(su), to turn (v.t.);
6 strokes mawa(ru), to turn (v.i.)
ޠ ఱᅇ nankai, how many times?
ᅇ㌿ kaiten, revolution, rotation
94 ᅇᩘ kaisnj, number of times,
9 strokes frequency
KAI, meeting; a(u), to meet; E
ሙ kaijǀ, place of meeting, site
㛗 kaichǀ, president (of a
society), chairman (of a
ヰ committee)
kaiwa, conversation
KAI; umi, sea, ocean
ᾏᓊ kaigan, seacoast, seaside
ᾏỈᾎ kaisuiyoku, sea bathing
ᾏእ kaigai, overseas, abroad
19
95–99 • ESSENTIAL CHARACTERS
ޤ KAI; E, picture
95 ᾋୡ⤮ ukiyoe, Japanese print
12 strokes ⤮ⴥ᭩ ehagaki, picture postcard
ᤄࡋ⤮ sashie, illustration
ެ
96
5 strokes GAI, GE outside, foreign; hoka,
other; soto, outside
ߍ
እᅜ gaikoku, foreign country
97 እᅜே gaikokujin, foreigner
7 strokes እ⛉ geka, surgery
ߖ
98 KAKU, angle; tsuno, horn of an
13 strokes animal; kado, corner
ߤ ୕ゅ sankaku, triangle
ᅄゅ shikaku, square
99 ゅᗘ kakudo, angle
9 strokes
GAKU, music; RAKU, comfort,
ease; tano(shii), pleasant
ᴦࡋࡳ tanoshimi, pleasure
㡢ᴦ ongakukai, concert, musical
Ẽᴦ kiraku, ease, comfort
KATSU energy
⏕ά seikatsu, life
άື
άᏐ katsudǀ, activity
katsuji, printerތs type
20
࠰ ESSENTIAL CHARACTERS • 100–104
100 KAN, KEN; aida, interval, space;
12 strokes ma, interval, room, time
࠷ 㛫 jikan, time
㛫 nijikan, two hours
101 㛫 hiruma, daytime
3 strokes
࠾
GAN; maaru, maru, round (n.);
102 maru(i), round (adj.); -maru, suf¿x
8 strokes in ship names; maru(meru), to make
(something) round
ࡃ
⸆ gan’yaku, pill
103 ᪥ࡢ hinomaru, Rising Sun Àag
18 strokes ኴ maruta, log (of timber)
GAN; iwa, rock, crag
104 ⰼࡇ࠺ᒾ kakǀgan, granite
7 strokes ᒾ▼ ganseki, rock
ᒾᒇ iwaya, cavern
GAN; kao, face
㢦㠃 ganmen, face
㢦Ⰽ kao-iro, complexion
㢦 kaotsuki, face, look,
countenance
KI steam, vapor
Ỷ㌴ kisha, steam-driven train
Ỷ➜ kiteki, steam whistle
Ỷ⯪ kisen, steamship, steamboat
21
105–109 • ESSENTIAL CHARACTERS
ࡥ KI chronicle; shiru(su), to write
down
105
10 strokes ᪥グ nikki, diary
グᛕ kinen, remembrance,
࡚ souvenir
グ⪅ kisha, journalist
106
10 strokes
KI; kae(ru), to return, to leave
107 ᖐࡾ㐨 kaerimichi, (on) oneތs way
3 strokes back
ࢥ ᖐே kikajin, naturalized person
ᖐᅜ kikoku, return to oneތs
108
4 strokes native country
ࢳ
109 KYNj; yumi, bow, archery
11 strokes
ᘪ㐨 kynjdǀ, archery
ᘪᘻ yumizuru, bowstring
ᘪ≧
kynjjǀ, arch, bow shape
GYNj; ushi, cow, bull
ᑠ∵ ko-ushi, calf
∵ங
∵⫗ gynjnynj, milk
gynjniku, beef
GYO; uo, ¿sh; sakana, ¿sh
㔠㨶 kingyo, gold¿sh
㨶ᕷሙ uo-ichiba, ¿sh market
㨶ࡘࡾ uotsuri, ¿shing
22
ESSENTIAL CHARACTERS • 110–114
ࢶ KYƿ, capital, KEI
110 ᮾி Tǀkyǀ, capital of Japan
8 strokes ி㒔 Kyǀto, ancient capital of
Japan
ࣅ ୖி
jǀkyǀ, going to Tǀkyǀ
111
11 strokes
࣋ KYƿ, Gƿ; tsuyo(i), strong;
tsuyo(meru) (v.t.), to reinforce,
112 to emphasize; shi(ite), by force;
11 strokes shi(ru), to force, to urge
ࣷ ຮᙉ benkyǀ, study
ᙉᙅ kyǀjaku, strength and
113 weakness
7 strokes ᙉ gǀjǀ, obstinacy
य
KYƿ; oshi(eru), to teach
114
5 strokes ᩍᐊ kyǀshitsu, classroom
ᩍ⫱ kyǀiku, education
ᩍ kyǀkai, church
KIN; chika(i), near
㏆㐨 chikamichi, shortcut
㏆ᡤ kinjo, neighborhood
᭱㏆ saikin, recently
KEI, KYƿ; ani, older brother
ᘵ kyǀdai, brothers (and sisters)
∗ fukei, guardians (of pupils)
23
115–119 • ESSENTIAL CHARACTERS
व KEI, GYƿ; katachi, ~gata, shape,
form
115
7 strokes ேᙧ ningyǀ, doll
㛗᪉ᙧ chǀhǀkei, rectangle
ो ༙ᙧ hanҲenkei, semicircle
116
9 strokes
KEI; haka(ru), to measure;
ই haka(rau), to arrange, to discuss
117 ྜィ gǀkei, sum, total
4 strokes ᐮᬮィ kandankei, weather
thermometer
118 య ィ taionkei, clinical
7 strokes thermometer
ঈ GEN, GAN; moto, beginning,
foundation
119
10 strokes ᰿ඖ kongen, root, origin, source
ඖ᮶ ganrai, originally, primarily
ඖ᪥ ganjitsu, New Yearތs
GEN, GON, speech, statement;
koto, word, speech, expression;
i(u), to say
᪉ゝ hǀgen, dialect
↓ゝ mugon, silence, muteness
ゝⴥ kotoba, word, language
GEN original; hara, ¿eld, meadow
ཎᅉ genҲin, cause
㧗ཎ kǀgen, plateau
ⲡཎ kusawara, grassy plain
24
ESSENTIAL CHARACTERS • 120–124
ট KO; to, door
120 ᡞእ kogai, outdoors
4 strokes ᮌᡞ kido, gate, door
Ụᡞ Edo, old name for Tǀkyǀ
গ
121
5 strokes KO; furu(i), old, ancient
ྂ௦ kodai, ancient times
ྂ kokon, past and present
122 ⪃ྂᏛ kǀkogaku, archeology
4 strokes
ষ
GO noon
123
9 strokes ༗๓ gozen, morning, A.M.
༗ᚋ gogo, afternoon, P.M.
া ṇ༗ shǀgo, noon
124
14 strokes
GO, Kƿ; ushi(ro), behind; nochi,
after; ato, the rear, after, the
remainder
㣗ᚋ shokugo, after a meal
᭱ᚋ
๓ᚋ saigo, last
zengo, before and after,
context
GO, word, speech; katari, narration;
kata(ru), to tell, to speak
እᅜㄒ gaikokugo, foreign language
ⱥㄒ eigo, English language
≀ㄒ monogatari, tale
25
125–129 • ESSENTIAL CHARACTERS
Kƿ, KU worker, construction
125 ᕤኵ kǀfu, workman, laborer
3 strokes ᕤ୰ kǀjichnj, under construction
ᕤᏛ kǀgaku, engineering
126
4 strokes Kƿ; ǀyake, public
ঢ় ேබ shujinkǀ, hero, heroine
බᅬ kǀen, public park
127 බ㌿ kǀten, revolution, turning
5 strokes
ৄ
Kƿ; hiro(i), wide; hiro(geru),
128 to spread (v.t.); hiro(garu), to spread
6 strokes
(v.i.); hiro(maru), to be spread
ᗈሙ hiroba, open space, plaza
129 ᗈ࿌ kǀkoku, advertisement
6 strokes ᗈ kǀdai, vast
Kƿ; ma(jiru), to be mixed;
maji(waru), to associate with;
ka(wasu), to exchange
㝿 kǀsai, intercourse,
association
␒ kǀban, police box
㏻ kǀtsnj, traf¿c
Kƿ; hikari, light, ray; hika(ru),
to shine
ගᖺ kǀnen, light-year
ගἼ kǀha, light wave
ほග kankǀ, sightseeing
26
ESSENTIAL CHARACTERS • 130–134
৽ Kƿ; kanga(e), thought, idea,
opinion; kanga(eru), to think
130
6 strokes ཧ⪃ sankǀ, reference
⪃ kǀan, idea, plan, scheme
⪃ᰝ kǀsa, examination
131
6 strokes
Kƿ, GYƿ, AN; i(ku), yu(ku), to go;
oko(nau), to hold, to conduct
132 ⾜ิ gyǀretsu, procession, queue
10 strokes ᛴ⾜ kynjkǀ, express
㖟⾜ ginkǀ, bank
݉
133
11 strokes Kƿ; taka(i), high, costly;
taka(maru), to rise, to be elevated;
ਗ taka(meru), to lift, to boost
134 㧗➼Ꮫᰯ kǀtǀgakkǀ, high school
6 strokes ᭱㧗 saikǀ, highest
㧗ྎ takadai, elevated land
Kƿ, ƿ; ki, yellow
㯤Ⰽ ki-iro, yellow
㯤㔠 ǀgon, gold
㯤⇕ ǀnetsubyǀ, yellow fever
Gƿ; a(u), to be together, to ¿t;
a(waseru), to join, to combine
ྜᅗ aizu, signal, sign
㒔ྜ tsugǀ, circumstances,
convenience
⤌ྜ kumiai, union
27
135–139 • ESSENTIAL CHARACTERS
ඇ KOKU; tani, valley
㇂㛫 tanima, valley
㇂ᗏ tanizoko, bottom of a ravine
135
7 strokes
KOKU; kuni, country
ਡ
ᅜㄒ kokugo, national language
136 (Japanese)
8 strokes ᅜ kokkai, the National Diet
ᅜ zenkoku, national
ਥ
137
11 strokes KOKU; kuro, kuro(i), black
㯮ே kokujin, negro
㯮ᯈ kokuban, blackboard
138 ᬯ㯮 ankoku, darkness, blackness
4 strokes
ਜ਼
KON, KIN; ima, now, the present
139
3 strokes ᭶ kongetsu, this month
ᗘ kondo, next time
ኪ konҲya, tonight
SAI, talent, suf¿x for counting age
༑භᡯ jnjroku-sai, sixteen years old
ኳᡯ tensai, genius
ᡯ⬟ sainǀ, talent
28
ESSENTIAL CHARACTERS • 140–144
੧ SAI; hoso(i), slender, narrow;
koma(kai), minute, ¿ne, detailed
140
11 strokes ⣽㐨 hosomichi, narrow road
⣽ᕤ saiku, work, craftsmanship
⣽⳦ saikin, bacillus, germ
141
7 strokes
SAKU, SA; tsuku(ru), to make
ધ
సᩥ sakubun, (literary)
142 composition
14 strokes ྡస meisaku, masterpiece
స᭤ sakkyoku, musical
ો composition
143
4 strokes
SAN reckoning
ી
⟬ᩘ sansnj, arithmetic,
144 ィ⟬ calculation
5 strokes ண⟬ keisan, computation,
¿guring
yosan, budget
SHI; to(maru), to stop (v.i.);
to(meru), to bring to a stop; tome,
stop
୰Ṇ chnjshi, discontinuation
⚗Ṇ kinshi, prohibition
㏻⾜Ṇ tsnjkǀdome, suspension of
traf¿c
SHI, city; ichi, market
ᕷᙺᡤ shiyakusho, city of¿ce
ᕷሙ ichiba, shijǀ, market
㒔ᕷ toshi, cities
29
145–149 • ESSENTIAL CHARACTERS
ᄚ SHI; ya, arrow
145 ▮༳ yajirushi, arrow(-sign)
5 strokes ᘪ▮ yumiya, bow and arrow
୍▮ isshi, retort, shot in return
઼
146
8 strokes SHI; ane, elder sister
ૃ ጜጒ shimai, ane-imǀto, sisters
ጜፉ anemusume, elder daughter
147 ጜ፵
9 strokes anemuko, elder sisterތs
husband
148
10 strokes SHI; omo(u), to think, to recall
૧ ᛮ shisǀ, thought, idea
ᛮ㆟ fushigi, strange
ᛮ࠸ฟ omoide, remembrance,
recollection
SHI; kami, paper
୍࣎ࣝ⣬ bǀrugami, cardboard
⾲⣬ hyǀshi, cover, binding
⣬ࡃࡎ kamikuzu, wastepaper
JI; tera, temple
ᑎ㝔 ji-in, Buddhist temple
ᒣᑎ yamadera, mountain temple
149
6 strokes
30
ESSENTIAL CHARACTERS • 150–154
JI, SHI; mizuka(ra), self, in person
150 ⮬ศ jibun, self
6 strokes ⮬ಙ jishin, con¿dence
⮬⏤ jiynj, freedom
૪
151
10 strokes JI; toki, time
ଆ ࠎ tokidoki, sometimes
ィ tokei, watch, clock
152 ௦ jidai, period, epoch
9 strokes
ଜ
SHITSU, room; muro, storeroom,
153 cave
7 strokes
ᩍᐊ kyǀshitsu, classroom
ଯ ᐊෆ shitsunai, indoors
ᐊ
154 onshitsu, hothouse,
10 strokes
greenhouse
SHA, a company; yashiro, Shintǀ
shrine
♫ shakai, society, the world,
the community
♫ kaisha, (business) company
⚄♫ jinja, shrine
JAKU; yowa(i), weak; yowa(ru),
to grow weak, to be perplexed;
yowa(meru) (v.t.), to weaken
ᙅ yowamushi, weakling
ᙅ㡢 yowane, complaints
㈋ᙅ hinjaku, scantiness,
meagerness
31
155–159 • ESSENTIAL CHARACTERS
ଽ SHU; kubi, neck
155 㤳㍯ kubiwa, collar (dog)
9 strokes ᡭ㤳 tekubi, wrist
㤳ᗓ shufu, capital
156
9 strokes SHNj; aki, fall, autumn
ଢ଼ ึ⛅ shoshnj, early autumn
⛅㢼 akikaze, autumn breeze
157 ⛅ศ shnjbun, autumnal equinox
11 strokes
SHNj, week
158
9 strokes 㐌หㄅ shnjkanshi, weekly magazine
᮶㐌 raishnj, next week
ங 㐌 konshnj, this week
159
10 strokes
SHUN; haru, spring
㢼 harukaze, spring breeze
㟷 seishun, springtime of life
ᬌ banshun, late spring
SHO; ka(ku), to write
㎡᭩ jisho, dictionary
᭩≀ shomotsu, book, volume
ᩍ⛉᭩ kyǀkasho, textbook
32
ESSENTIAL CHARACTERS • 160–164
வ SHƿ; suko(shi), suku(nai), few,
little, scarce
160
4 strokes ᑡᖺ shǀnen, boy, lad
ከᑡ tashǀ, more or less, somewhat
௲ ᑡబ shǀsa, major (army),
lieutenant commander (navy)
161
12 strokes
ఋ Jƿ; ba, place
162 ᕤሙ kǀjǀ, kǀba, factory
6 strokes ሙᡤ basho, place
ሙ shigotoba, place of work
163
9 strokes SHOKU, SHIKI; iro, color
ఘ 㢦Ⰽ kao-iro, complexion
ኳ↛Ⰽ tennenshoku, natural color,
164
4 strokes technicolor
Ⰽᙬ shikisai, color, hue
SHOKU, food; ta(beru), to eat;
ku(u), to eat
㣗≀ shokumotsu, food, edibles
㣗ᇽ
㣗 shokudǀ, dining hall
shokuji, a meal
SHIN; kokoro, spirit, heart, mind
ᚰᣢࡕ kokoromochi, mood,
feeling, sensation
┿ᚰ magokoro, sincerity,
devotion
୍ᚰ isshin, whole-heartedness
33
165–169 • ESSENTIAL CHARACTERS
ఛ SHIN; atara(shii), new; ara(tani),
newly, afresh; nii-, ¿rst, new
165
13 strokes ᪂⪺ shinbun, newspaper
᪂ᖺ shinnen, the New Year
ప ᪂Ꮫᮇ shingakki, new school term
166
16 strokes
SHIN; oya, parent; shita(shimu), to
ూ make friends with, to take kindly to;
shita(shii), intimate, familiar
167
7 strokes ୧ぶ ryǀshin, parents
ぶษ shinsetsu, kindness
ౘ ぶ㢮 shinrui, relative, relation
168
13 strokes
ZU, drawing, plan; TO; haka(ru), to
ಀ devise
169 ᅗ⏬ zuga, drawing, a picture
6 strokes ᆅᅗ chizu, map
ᅗ᭩㤋 toshokan, library
SNj; kazu, number; kazo(eru), to
count
ᩘᏐ snjji, ¿gure, numeral
ᩘᏛ snjgaku, mathematics
ேᩘ ninznj, the number of people
SEI, SAI; nishi, west
すὒ seiyǀ, the West, the Occident
すὒ Taiseiyǀ, Atlantic Ocean
ᮾす tǀzai, east and west, Orient
and Occident
34
౾ ESSENTIAL CHARACTERS • 170–174
170 SEI, SHƿ; koe, voice
7 strokes Ἵࡁኌ nakigoe, crying voice
㡢ኌᏛ onseigaku, phonetics
ኌᖏ seitai, the vocal cords
171
9 strokes
SEI, Jƿ; hoshi, star
ᫍᗙ seiza, constellation
172 ⅆᫍ kasei, Mars
12 strokes ᫂ᫍ myǀjǀ, Venus
ಜ
173 SEI; ha(re), ¿ne weather; ha(reru),
4 strokes to clear (weather), to be dispelled;
ha(rasu), to clear away, to dispel
ಥ (doubts)
⛅ᬕࢀ akibare, clear autumn
174
11 strokes weather
ᬕࢀ╔ haregi, oneތs best clothes
ᬕኳ seiten, ¿ne weather
SETSU, SAI; ki(ru), to cut; ki(reru),
to be sharp, to snap, to break, to run
out, to expire
୍ษࢀ hitokire, one slice
ぶษ shinsetsu, kindness
୍ษ issai, all, everything
SETSU; yuki, snow
㞷ࡔࡿࡲ yukidaruma, snowman
㞷ゎࡅ yukidoke, thaw
✚㞷 sekisetsu, snowdrift
35
175–179 • ESSENTIAL CHARACTERS
SEN; fune, funa, boat, ship
175 Ώࡋ⯪ watashi-bune, ferry
11 strokes ⯪ဨ senҲin, sailor
Ỷ⯪ kisen, steamboat, steamship
ೀ
176
15 strokes SEN, line, track, wire, string
ᆅᖹ⥺ chiheisen, horizon (on land)
ග⥺ kǀsen, light, beam, ray
177 ┤⥺ chokusen, straight line
9 strokes
೨
ZEN; mae, before, in front of,
178 previous
11 strokes
༗๓ gozen, morning, A.M.
ഖ ๓ᚋ zengo, before and after,
context
179 ௨๓ izen, ago, since, before
7 strokes
SO; kumi, class, group, set; ku(mu),
to join, to unite
⤌ࡳ❧࡚ kumitate, construction,
structure
୍⤌ hitokumi, one set,
one class
␒⤌ bangumi, program
Sƿ; hashi(ru), to run
➇㉮ kyǀsǀ, race, running match
㉮ࡾ᭩ࡁ hashirigaki, hasty writing
㉮ࡾཤࡿ hashirisaru, to run away
36
ESSENTIAL CHARACTERS • 180–184
ഽ TA; ǀ(i), many, much, abundant
180 ከᩘ tasnj, large number
6 strokes ከศ tabun, perhaps
ከ㔞
ാ taryǀ, great quantity
181
4 strokes
TAI, TA; futo(i), big, deep (voice),
ൌ bold (lines), shameless; futo(ru),
to grow fat
182
7 strokes ኴ㝧 taiyǀ, sun
ኴ maruta, log
ኴᖹὒ Taiheiyǀ, Paci¿c Ocean
183
5 strokes
TAI, TEI body; karada, the body,
ණ health
184 య⫱ tai-iku, physical education
6 strokes ᅋయ dantai, a group
㌴య shatai, body of a vehicle
DAI, TAI; a stand
ྎ㢼 taifnj, typhoon
⯙ྎ butai, stage
⇠ྎ
tǀdai, lighthouse
CHI, JI, earth, ground
ᆅୖ chijǀ, on the ground
ᆅୗ chika, underground
ᆅ㠃
jimen, surface of the earth
37