Cape Town Auction 4 & 5 February

700

700 701

A ROSENTHAL ‘BUNTE BLÄTTER’ PATTERN A FRENCH GILT-METAL STANDING
PART DINNER AND PART TEA SERVICE PICTURE FRAME
DESIGNED BY RAYMOND MOEWY,
20TH CENTURY the rectangular glass within an
acanthus-leaf surround, within a leaf and dot
depicting colourful leaves against a white frame, surmounted by swags of roses and a
ground, comprising: 1 coffee pot and cover, stylized ribbon, removable back, on a hinged
3 platters, in sizes, 13 side plates, 11 sandwich bracket, wear
plates, 9 tea cups and 12 saucers, 11 dinner 40cm high
plates, 9 soup plates and saucers, 2 lidded
tureens, 1 salad bowl and 2 gravy boats with ILLUSTRATED
fixed stands, printed green factory mark,
minor chip to rim of salad bowl, 1 gravy boat R 1 500 - R 1 800
chipped
the largest platter 33cm wide (74)

ILLUSTRATED

R 6 000 - R 8 000

701

Decorative Art | 199

702 703

A MEISSEN BOWL, 20TH CENTURY AN ASSEMBLED MEISSEN ‘STREUBLUMEN’
PATTERN PART DINNER AND TEA SERVICE,
handpainted with flowerheads and insects, 20TH CENTURY
the borders with raised decoration, scalloped
edge with gilt rim, underglaze crossed sword each piece painted overall with scattered
mark floral sprigs, scalloped rim with gilt highlights,
35cm diameter comprising: 22 dinner plates, 12 soup bowls,
3 entrée plates, 8 side plates, 11 crescent salad
ILLUSTRATED plates, 3 oval platters, in sizes, 1 square serving
bowl, 1 gravy boat with fixed stand, 1 hot water
R 2 000 - R 4 000 jug and cover, 1 teapot and cover,
10 cups and saucers, 9 cake plates, 2 mocha
702 cups and 5 saucers, 1 footed milk jug and
1 sugar bowl, various underglaze blue crossed
sword factory marks, chips, restorations,
gilding good throughout some pieces rubbed
the largest platter 50cm wide (91)

ILLUSTRATED

R 18 000 - R 20 000

703
200 | Decorative Art

704

A PAIR OF FRENCH BRONZE HUNTING
URNS AND COVERS, PIERRE JULES MÊNE
(1810 - 1879), 19TH CENTURY

each decorated with hunting scenes in high
relief depicting hounds and deer at various
pursuits, applied with two branch shaped
handles, the loose cover surmounted by
a hunting falcon and bird of prey finial
respectively, tapering support stylized as a
tree with birds and lizards terminating in a
canopy of leaves and branches, on a stepped
oval base, on a conforming base supported by
four hunting dogs, signed
44cm high (2)

ILLUSTRATED

R 12 000 - R 15 000

705

A MEISSEN COBALT BLUE AND GOLD
PATTERN PART TEA SERVICE,
20TH CENTURY

scalloped gilt rim with gilt Rococco decoration

and Streublumen against a cobalt royal blue

and white ground, comprising: 12 tea cups and
704 saucers, 1 lidded sugar bowl, 12 cake plates,

1 milk jug, 1 hot water jug and cover and 704
1 tea pot and cover, underglaze blue crossed

sword factory mark, chip to milk jug, chip to

the inside of the lid of the tea pot

the largest platter 33cm long (28)

PART ILLUSTRATED

R 12 000 - R 15 000

706

A GILT BRONZE TAZZA COMPORT,
19TH CENTURY

the gadrooned circular bowl centred by a
stylized Greek Medusa medallion surrounded
by bands of vines and grapes, tapering
bellflower support terminating in a circular
706 foot, on a square plinth base
18,5cm high, 29cm diameter

ILLUSTRATED

R 2 000 - R 3 000

705 - PART LOT
Decorative Art | 201

707 709
708
707
708 709
A PAIR OF ALABASTER PEDESTAL
COLUMNS, 19TH CENTURY ‘UNG NOGEN BALLETDANSERINDE’, A SILVERED ART DECO SPELTER LAMP
CARL MARTIN-HANSEN (1877 - 1941), 1932
each loose circular moulded stepped top modelled as a semi-nude dancing girl in
above a conforming foliate-carved frieze, the bronze nude standing in a low arabesque Art Deco dress holding a pose, the
on a gadrooned baluster-shaped column en pointe with arms in fifth position, outstretched arm supporting a later loose
terminating in a circular stepped collar, on a circular stepped plinth base, impressed multi-coloured circular glass shade,
on an octagonal base signature, dated 1932, impressed on a stepped marble plinth base, fitted for
75,5cm high (2) L. Rasmussen, København electricity, wear
51,5cm high 77cm high
ILLUSTRATED
ILLUSTRATED ILLUSTRATED
R 7 000 - R 9 000
R 4 000 - R 6 000 R 5 000 - R 7 000

202 | Decorative Art

710

A WEDGEWOOD BLACK BASALT ‘SACRED
TO NEPTUNE’ WATER EWER, CIRCA 1840

moulded in relief depicting Neptune riding
a dolphin with trailing rush reins, a band of
stylised oak leaves above pointed leaves, the
body terminating in a gadrooned tapering
column onto a spreading circular foot
adorned with leaf decoration, on a plinth base
decorated with stylized anthemion ornaments,
one leaf repaired, lacking one dot, impressed
Wedgewood mark, impressed crescent mark
42cm high

LITERATURE
Clifford, T. “Some English Vases and their
Sources Part I”, Transactions of the English
Ceramic Circle, vol 10, part 3 (1978): 164 and
passim

Dawson, A. British Museum: Masterpieces of
Wedgewood, London: British Museum Press,
1995,illustrated on p.35, figure 26

R 6 000 - R 8 000

This piece forms part of the V&A Collection
and was modelled by John Flaxman Sen.
(1726 - 1795) in 1776 and manufactured by
Josiah Wedgewood and Sons in circa 1840.
John Flaxman Sen. was one of a number
of plaster makers in London who supplied
Bentley and Wedgewood with models and
casts, usually but not always copies from
classical, French or Italian sources.

“The plasters are preserved at the
Wedgewood Museum and may be based
on a French source by Claude Michel, called
Clodion (1738-1814), a sculptor best known
for his terracotta figures and bas reliefs. The
basalt vases are known as the ‘wine and
water ewers’ or the ewers ‘Sacred to Bacchus’
and ‘Sacred to Neptune’ (Fig. 26), the satyr
symbolising wine, and the triton riding on a
dolphin representing water. They are amongst
the most elaborately modelled pieces ever
produced by the Wedgewood factory. Both
bear the Wedgewood & Bentley mark which
occurs in an usual form on the water ewer
(Fig. 27). The shape was popular during the
eighteenth and nineteenth centuries in various
materials including silver and even malachite.
The Wedgewood vases were made in jasper
ware in the late eighteenth century, and in
majolica (lead-glazed earthenware) and bone
china in the nineteenth century.”

Dawson, A. British Museum: MasterpDieececsooraf tWiveedgAerwto|o2d0, 3
London: British Museum Press, 1995, p.35, figure 26

711

A FRENCH GILT BRONZE JARDINIÈRE,
MAISON FERDINAND BARBEDIENNE,
POSSIBLY DESIGNED BY LOUIS-CONSTANT
SÉVIN, 19TH CENTURY

the oval rim adorned with patterned lappets Ferdinand Barbedienne was one of the most successful and recognised bronze metalworkers
above a lattice work frieze interspersed with and manufacturers. Together with Achille Collas he founded what was to become the
mythical beast masks, on four leaf restrained Barbedienne foundry. Collas specialised in a mechanical method which allowed for creating
cabriole legs terminating in lion-paw feet, on minature bronze replicas of statues. This revolutionised the industry and allowed the foundry to
stepped circular pads, adorned by two shaped become the biggest in Paris. Winning medals of honour at the World Fair’s (most notably that
handles, inscribed Au Lieut Colonel A. Ellis - of 1855) they worked with some of the greatest names in the art and decorative art world of
Les Officiers Etranoers, Salisbury - 1872, that time.
signed F. Barberdienne, lacking liner,
rubbed gilding Louis-Constant Sévin (1821 - 1888) joined the firm as a sculptor-designer focusing on decorative
63cm wide over handles art objects. Works by his hand can be viewed in museums such as the Musée d’Orsay. In 1892
the firm was taken over by Gustave Leblanc-Barbedienne and amongst the artist it worked with
R 10 000 - R 12 000 were the likes of August Rodin.- S-L. F.

204 | Decorative Art

712 Josef Lorenzl (1982 -1950) was an Austrian sculptor and ceramicist of the Art Deco period,
working during the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus
AN ART DECO BRONZE DANCING FIGURE, (1886 – 1947). Lorenzl started his career working at a foundry in the Vienna Arsenal where he
JOSEF LORENZL (1892 - 1950), CIRCA 1930 learned the techniques of bronze casting. Specifically, the female form was a great source of
inspiration, as seen in this example. Some figurines where incorporated into clocks, lamps and
modelled as a female dancer in costume lighters amongst other things and some of his figurines were attached to Brazilian green onyx
striking a pose, green patina, on a moulded plinths. This particular work bears the Argentor foundry stamp, which was situated in Vienna. -
green onyx column, on a green onyx plinth S-L. F.
base, stamped Argentor Wien, signed Lorenzl,
wear to patina
48cm high

R 18 000 - R 20 000

Decorative Art | 205

713

A MINTONS PÂTE-SUR-PÂTE TWIN HANDLED VASE AND
COVER, ATTRIBUTED TO L. SOLON (1835 – 1913)

the baluster-shaped body decorated in relief overall with gilt
floral and leaf and star patterns against an olive green ground,
a cameo pattern cherub to the front flying through a ring of
fire, wreath-shaped handles, the loose cover surmounted by a
cone finial, gilt crowned Globe and impressed marks, shape no.
3271, various cyphers including swan cypher 1895, unsigned
25cm high including cover

R 15 000 - R 18 000

Marc-Louis Émanuel Solon (1835 – 1913) was a French
porcelain decorator and the most famous practitioner of the
pâte-sur-pâte technique, working for Sèvres from 1857 to 1870
and then in England for the Mintons factory from 1870 to 1904.
The date cyphers puts this lot into the correct time frame for
being produced by Mintons whilst Solon was working there.

Although this piece is not signed, it seems that it may well
have had a companion piece, illustrated below. As one can
see the decoration is very similar to the front and the subject
matter corresponds to Solon’s motifs. He favoured classical
subjects inspired by the Renaissance art world and usually
worked in white against a dark ground. The twin handled vases
and other decorative objects that were produced as pairs
very rarely depict the exact same scene in the pâte-sur-pâte
technique, whilst the shape and other aspects of design are
identical, as is the case here.

The companion piece as illustrated Fig. 1 - Companion Piece,
in figure 1 is signed L. Solon and lacking cover
depicts a putti flying through a
hoop surrounded by swallows.
The lot on auction depicts a putti
flying through a hoop of fire or
flames. This would be typical,
as the subject matter though
never an exact copy would be
similar. The reverse of both pieces
is identical in the atypical gilt
styling as well as the shape and
form. It is not unusual that one
piece is signed and the other not,
hence the belief that this lot was
a companion to another Solon
piece and most likely the one
illustrated below. The companion
piece was sold by Christies in 1998
and resurfaced again later. Solon
was widely acclaimed during his
life time and his work commanded
high prices. - S-L. F.

206 | Decorative Art

716

715
714

714 715 716

A PAIR OF ALEXANDER LAUDER BARUM A WILLIAM MOORCROFT MACINTYRE A WILLIAM MOORCROFT RED FLAMMINIAN
POTTERY VASES, CIRCA 1900 FLORIAN WARE VASE, CIRCA 1903 VASE, LIBERTY & CO, 1910

each of tapering baluster shape with fluted of baluster shape, with raised Art Nouveau the bulbous body decorated with three
rim, applied with a stylized dragon handle, gold floral design against a blue and green tube-lined roundels in the form of
the body decorated with birds amongst ground, signed W. Moorcroft, printed heart-shaped Art Nouveau leaves, long
flowerheads and stylized Art Nouveau foliage, MacIntyre factory mark tapered neck terminating in a lip, incised
in shades of green, blue, brown and red 25,5cm high W. Moorcroft, printed Made for Liberty & Co
against a cream ground, incised Lauder Barum 13cm high
signature ILLUSTRATED
61cm high (2) ILLUSTRATED
R 4 000 - R 6 000
ILLUSTRATED R 3 000 - R 5 000

R 5 500 - R 7 500 Decorative Art | 207

717 Esias Bosch studied at the University of Witwatersrand and at the Johannesburg
School of Art before winning a three year scholarship to study ceramics in Britain.
A LARGE CERAMIC Returning to South Africa he was a pioneer of studio pottery at his Die Randjie
‘NAMAQUALAND’ LUSTRE TILE, studio. In particular, his large panels and tiles are fascinating and impressive works of
ESIAS BOSCH art. Inspiration to produce these came from seeing the Keramion Museum, Germany
(1923 - 2010) clad in large Buchtal tiles. Esias imported some of these, however they were glazed
and, using an angle grinder, he ground the glaze off in order to experiment in his
depicting fields of flowers in bloom studio. Rebuilding his kiln to fit these items, he worked with lustre tiles and then
against a backdrop of mountain eventually experimented with clay tiles built up in layers and decorated with ceramic
ranges and sky stains and glazed, thereby giving the illusion of depth and a painterly like quality.
160 by 124cm Examples of both were housed in buildings such as the Vineyard Hotel, Cape Town,
Wesbank Building, Braamfontein and in the old departure hall of what is now Oliver
R 250 000 - R 350 000 Tambo Airport. Evidence of his inspiration of Claude Monet and Pierre Bonnard, can
be seen in the themes chosen for his panel and tile pieces. His exhibition of large
tiles in 1983 in Hanover catapulted him to success. - S-L. F.

Bosch, A. & de Waal. J. Esias Bosch, Winchester: Struik, 1988

208 | Decorative Art

718
A PAINTED EARTHENWARE CAT AND
KITTEN, HYLTON NEL (1941 - )
modelled seated, with a kitten between the
front paws, painted in blocks of colour in
shades of blue, red, puce, black, yellow and
green against a white background, painted
with the artist’s initials and dated 5.12.95 to the
underside
24cm high
PROVENANCE
Purchased from the artist
R 16 000 - R 18 000
Hylton Nel resides in the Karoo and has a Fine
Art degree from Rhodes University. He has
reached critical acclaim not only as a potter,
but also as an artist. Combining humour and
satire amongst other qualities, he manages
to produce rather unexpected and unusual
pieces. The cat and kitten in question have
expressive features most likely based on
human emotion. It shows Nel’s brilliance at
being able to embue his felines with human
like qualities, which are universally understood.
- S-L. F.

Decorative Art | 209

720 721
719

719 720 721

A LINNWARE POTTERY JARDINÈRE, A BOWL, HYLTON NEL (1941 - ) A LINNWARE POTTERY BOWL,
OLIFANTSFONTEIN FACTORY, OLIFANTSFONTEIN FACTORY,
20TH CENTURY oval with sponge design in shades of red and 20TH CENTURY
pink against a white ground, with stylised
of baluster shape, with mottled brown glaze, linear black lines, green sponged border, on circular with mottled green and brown glaze,
three scratch Linnware factory marking to the a splayed foot, dated 25/6/1999 and painted three scratch Linnware factory markings to the
underside, impressed factory marking with the artist’s initials to the underside underside, minor chip to rim
19,5cm high 31,5cm wide 28cm diameter

ILLUSTRATED PROVENANCE ILLUSTRATED
Purchased from the artist
R 3 000 - R 5 000 R 3 000 - R 5 000
ILLUSTRATED

R 3 000 - R 5 000

210 | Decorative Art

722
724

722 723 724

A TOM CAT, HYLTON NEL (1941 - ) A LINNWARE VASE, 20TH CENTURY A FRAMED CERAMIC PLATE, 20TH CENTURY

green glazed, with startled expression and of ovoid shape, in shades of blue with a brown circular, incised with geometric designs in
raised tail standing on all fours, on an oval rim, impressed factory mark, crack, earthy colours with black rim, mounted in
base, incised HN to the underside 7cm high; and A Linnware Trough, a black frame
19cm wide 20th Century, rectangular with moulded the plate 41,5cm diameter
rim, in shades of green against a terracotta
PROVENANCE ground, painted mark ILLUSTRATED
Purchased from the artist 8,5cm high, 27cm wide, 11cm deep (2)
R 4 000 - R 6 000
ILLUSTRATED R 1 200 - R 1 500

R 6 000 - R 8 000

Decorative Art | 211

727
726
725

728

725 727

A CHINESE CARVED MULTI-COLOUR GLASS OVERLAY A CHINESE INSIDE PAINTED GLASS ‘DRAGON’ SNUFF BOTTLE
‘SNOWFLAKE’ SNUFF BOTTLE
moulded to resemble a double gourd, raised on a shallow circular foot,
ovoid, the front carved with two pairs of ornamental fish in red and the inside loosely painted with a dragon in shades of pink and green
cobalt blue, the reverse carved with a pair of lemon yellow mandarin highlighted in black, fitted with a synthetic stopper and spoon,
ducks above lotus leaves revealing the white snowflake glass body minor wear
raised on an oval purple glass foot, the metal stopper set with 5,9cm high excluding stopper
pale blue and red cabochons, minor wear
6cm high excluding stopper ILLUSTRATED

ILLUSTRATED R 1 000 - R 1 500

R 1 500 - R 2 000 728

726 A CHINESE CARVED PURPLE GLASS OVERLAY ‘GOOSE’ SNUFF
BOTTLE
A CHINESE WHITE GLASS ‘PORTRAIT’ SNUFF BOTTLE
carved in the form of a recumbent goose, the head and elongated neck
rectangular with rounded corners raised on a short oval foot, the front resting on its clear glass back, the scapula and flight-feathers finely
enamelled with a court lady, the back similarly decorated with a seated incised, age wear, stopper lacking
scholar, associated green hardstone stopper 4,4cm high
6,4cm high
ILLUSTRATED
ILLUSTRATED
R 1 200 - R 1 800
R 1 000 - R 1 500

212 | Decorative Art

730
731
732

729

729 731

A CHINESE CARVED GARNET GLASS ‘FISH’ SNUFF BOTTLE A CHINESE POWDER-BLUE PORCELAIN ‘CRANE’ SNUFF BOTTLE

carved in the form of a fish with incised scales, the raised bifurcated tail the baluster body raised on a slender foot, decorated with cranes in
with orange inclusion, the head raised with a gaping mouth, raised white slip on a pale powder-blue ground amongst cobalt-blue
stopper lacking, minor wear lingzhi-shaped clouds, the pale blue stopper with gilt rim, the base
3,4cm high with a pseudo underglaze-blue four-character Qianlong mark
7,5cm high
ILLUSTRATED
ILLUSTRATED
R 1 000 - R 1 500
R 1 000 - R 1 200

730 732
A CHINESE ‘BLANC DE CHINE’ ‘BIRD AND PINE’ SNUFF BOTTLE
A CHINESE CARVED BROWN GLASS OVERLAY ‘PEONY’
SNUFF BOTTLE

the compressed globular body raised on a short oval foot, the front raised on a low oval foot, the compressed body moulded with a bird
carved with a peony filled jardinière, the reverse with auspicious perched on a pine branch, the raised wings finely incised, the reverse
emblems including a bi-disc, ruyi and bat, fitted with a red hardstone moulded with pine leaf clusters, fitted with a claire de lune glazed
metal-bound stopper, minor wear stopper, the base moulded with a six-character mark, minor wear,
7cm high firing irregularities
7,7cm high
ILLUSTRATED
ILLUSTRATED
R 1 000 - R 1 200
R 1 000 - R 1 200

Decorative Art | 213

740 733
214 | Decorative Art
A CHINESE ‘BLANC DE CHINE’ FIGURE OF
THE IMMORTAL LI TIEGUAI

raised on a domed cloud-shaped base
adorned with pearls, the standing figure
dressed in loose robes with his left shoulder
exposed, his hands clutching the top of his
crutch with his right foot raised against it, his
pensive face with heavy brows and scraggy
beard, his right shoulder draped with a rosary,
his medicinal pilgrim’s gourd tied to a sash at
his back
14,3cm high

R 1 500 - R 2 000

734

A JAPANESE IVORY OKIMONO OF A MAN
TENDING BIRDS, LATE MEIJI PERIOD,
1868 – 1912

NOT SUITABLE FOR EXPORT

carved in sections, the standing figure dressed
in traditional attire, his left hand clutching a
broom, his right holding a small feeding tray
with a bird perched on the side, a second bird
carved to his right shoulder, supported on an
oval base, signed, age crack to base, minor
cracks and chips
23,6cm high

R 2 500 - R 3 500

735

A CHINESE IVORY CARVING OF A
DOCTOR’S LADY, EARLY 20TH CENTURY

NOT SUITABLE FOR EXPORT

carved as a naked woman lying on her side,
her right hand supporting her head, her hair
tied into an elaborate top-knot, her left hand
demurely raised to her side, supported on a
shaped rectangular base, hardwood stand,
age cracks, soiling
10,4cm long excluding stand

R 1 200 - R 1 800

736 739 742
A PAIR OF JAPANESE BRONZE ‘CRANE AND
A LARGE CHINESE SOAPSTONE ‘SCHOLARS’ A PAIR OF JAPANESE IMARI PLATES, MINOGAME’ MODELS, TAISHŌ PERIOD,
1912 – 1926
SEAL, REPUBLIC PERIOD, 1912 – 1949 LATE MEIJI PERIOD, 1868 – 1912 each crane naturalistically modelled with
raised wings, the lowered head curving
carved as a mountainous outcrop, the front each lobed plate painted to the centre with a towards the tail, perched on the back of a
depicting three scholars at the edge of a peach in underglaze-blue contained within a long-tailed minogame turtle, the shell deeply
bridge beneath a gnarled pine tree above an roundel, the cavetto painted and enamelled incised, the head raised and feet extended,
incised four-character mark, the base carved with alternating floral and foliate panels in minor age wear, tarnishing
with a shaped cartouche containing script, copper-green and iron-red with gilt highlights, 35,4cm high (2)
loose hardwood stand, minor scratches and the reverse with stylised motives, gilt loss, PART ILLUSTRATED
wear age wear, glaze scratches R 3 000 - R 5 000
15cm high including base (2) 21,5cm diameter (2)
742 - PART LOT
R 3 000 - R 5 000 R 1 500 - R 2 000

737 740

A LARGE CHINESE FLAMBÉ GLAZED A PAIR OF JAPANESE BRONZE VASES,
‘TWIN-HANDLE’ VASE MEIJI PERIOD, 1868 – 1912

the globular body rising to a wide flaring each baluster body rising from a splayed
‘Phoenix-tail’ neck, applied to each side with foot to a lobed rim, decorated with a shaped
an archaic dragon-shaped handle, covered cartouche enclosing a pair of sparrows
overall in a deep purplish-blue glaze suffused amongst maple leaves, mirrored by a second
with opaque cerulean-blue striations, cartouche containing a kneeling samurai
the interior dressed in a russet-ochre glaze, underneath a pine branch, all reserved against
minor wear a dense brocade diaper ground, the second
50cm high similarly decorated with a Kyudoka holding
a bow before a mountainous landscape,
R 3 000 - R 5 000 tarnishing, wear, minor scratches
30cm high (2)

738 ILLUSTRATED ON OPPOSITE PAGE

A CHINESE CANTON FAMILLE ROSE R 4 000 - R 6 000
‘ROSE MEDALLION’ DISH, QING DYNASTY,
LATE 19TH CENTURY 741

the oval dish brightly enamelled with A PAIR OF JAPANESE COPPER-ALLOY
alternating shaped-cartouches painted with KOROS AND COVERS
peonies, birds and butterflies and scenes of
maidens and officials on terraced pavilions, each ovoid body raised on a shaped foot
the centre with a circular gilt-border medallion terminating in a wide flattened rim, the sides
decorated with flowers and a single bird, applied with animal-mask handles, the body
minor glaze and enamel wear cast with birds amongst willows and prunus
44,5cm wide blossoms, the shoulder chased with foliate
scrolls, the cover pierced with foliage and
R 1 500 - R 1 800 applied with a lotus bloom, surmounted by
a shi-shi playing with a brocade ball,
casting irregularities, tarnishing
34,5cm high including covers (2)

R 5 000 - R 7 000

Decorative Art | 215

743 743

744

743 744 745

TWO PERSIAN FARAS NAMA FOLIOS, AN INDO-PERSIAN PAINTING ON CLOTH, AN INDIAN TEMPLE HANGING FRAGMENT
POSSIBLY 18TH/19TH CENTURY FIRST HALF 20TH CENTURY
hand painted on cotton depicting a royal
each loose folio depicting five and four vividly painted on black cloth, the centre procession, framed
Mughal horses, respectively, at various decorated with a Shah beneath a terrace 100 by 73cm excluding frame
pursuits with black and red nasta’liq script receiving dignitaries at various pursuits,
to the front and the reverse, staining, seated against a padded backrest on an R 1 500 - R 2 000
fish moth holes, one cut down intricate carpet, two attendants at his side in
the larger 18,5 by 11,5cm (2) a verdant courtyard before an architectural 746
structure with tall domed minarets, reserved
PROVENANCE in a border of floral sprays, framed, minor A MURANO GREEN LEAF ART GLASS
Purchased at Primitive Art & Antiquities, wear, pigment loss BASKET, 21ST CENTURY
Vitorino Menenghelli 48,8 by 33,7cm excluding frame
three toned in shades of cream and green,
ILLUSTRATED ILLUSTRATED 38cm high; and A Murano Triangular-shaped
Dish, 21st Century, en suite, 21cm long (2)
R 2 500 - R 3 500 R 2 500 - R 3 500
R 1 400 - R 1 600

216 | Decorative Art

751 - PART LOT

747

747 748 750

A LUNDBERG STUDIOS ART IRIDESCENT A MURANO ‘ARTY’ GLASS VASE, A MURANO RUBY ART GLASS PLATTER,
GLASS VASE, 1981 21ST CENTURY 21ST CENTURY

of bulbous shape, frosted with stylized of baluster pinched shape, in shades of green circular with flowerhead design, in shades of
peacock feather design in shades of green, and yellow, partial manufacturer’s label, pink, 31cm diameter; and A Murano Art Glass
purple and blue, signed, numbered, 18,5cm high; and A Murano Gold Flecked Dish, Bowl, 21st Century, of geometric shape, in
20cm high; and An Iridescent Glass Vase, 21st Century, of typical form, with ribbons of shades of puce and blue, 11cm wide (2)
Michael Harris, England, Isle of Wight Glass cream and green, 30cm wide (2)
Studio, Circa 1970, of flattened oval-shape R 1 200 - R 2 200
depicting a landscape scene by full moon, R 1 500 - R 2 500
applied with gold leaf against a blue ground,
28,5cm high (2) 749 751

ILLUSTRATED A MURANO ART GLASS VASE, AN ART NOUVEAU PEWTER JARDINIÈRE,
21ST CENTURY DESIGN POSSIBLY FRIEDRICH ADLER,
R 1 500 - R 2 500 MANUFACTURED BY OSIRIS, 20TH CENTURY
the rectangular shaped body with central
purple core, partial manufacturer’s label, of typical form, with Art Nouveau design,
25cm high; and A Murano Art Glass Dish, loose green liner, stamped Osiris 852, 25cm
21st Century, en suite, 28cm wide (2) long; and A Glass Ashtray, of typical form,
5,5cm high (2)
R 1 000 - R 2 000
PART ILLUSTRATED

R 3 000 - R 5 000

Decorative Art | 217

753
752

752 753 754

A LALIQUE CRYSTAL LANGEAIS FROSTED A SET OF TWENTY-FOUR LALIQUE CRYSTAL A HARLEQUIN SET OF SIXTEEN
DECANTER LANGEAIS FROSTED GLASSES FRANCISCAN CRYSTAL GLASSES,
of baluster-shape, with ribbed body, comprising: 6 red wine, 6 white wine, TIFFIN GLASS COMPANY, 20TH CENTURY
stencilled Lalique France to the underside, 6 champagne flutes and 6 sherry glasses,
with original box stencilled Lalique France to the underside, comprising: 8 champagne flutes and 8 wine
26cm high with original boxes (24) glasses; each with a band of gilt encrusted
ILLUSTRATED ILLUSTRATED stylised decoration to the rim, possibly Minton
pattern, faceted stem, on a circular foot (16)
R 5 000 - R 7 000 R 16 000 - R 18 000
ILLUSTRATED

R 2 500 - R 3 500

754
218 | Decorative Art

756 757

755 756 757

A CONTINENTAL ART DECO IRIDESCENT A PHANOMEN IRIDESCENT LOETZ VASE, A GALLÉ POWDER JAR AND COVER,
GLASS VASE, 1930s CIRCA 1903 CIRCA 1910

of baluster shape, applied with scrolled the pinched body with wavy blue and silver the loose lid etched with acorns amongst oak
handles, in shades of green, 18cm high; decoration against a yellow ground, signed, leaves, the body decorated with oak leaves,
Another, of baluster shape applied with signature possibly later in shades of green and peach, signed Gallé to
teardrop shaped decoration, in shades of 15,5cm high the lid and jar
iridescent olive green, 15cm high; and Another, 5cm high
of tapering form, applied with green swags ILLUSTRATED
against a frosted iridescent ground, 16cm high ILLUSTRATED
(3) R 4 000 - R 6 000
R 5 000 - R 7 000
R 2 500 - R 3 500
NO LOTS 758 - 760

Decorative Art | 219

761 763 765

A PAIR OF OLD SHEFFIELD PLATE TUREENS AN ELECTROPLATE TANTALUS, WALKER & A VICTORIAN ELECTROPLATE
CENTREPIECE, LATE 19TH CENTURY
AND COVERS, CIRCA 1800 HALL, SHEFFIELD, CIRCA 1900

each shaped rectangular base, interior liner of typical form with patent “hold fast” lock, of openwork quadrilateral form, with four
and cover with conforming decoration, with fitted with three cut-glass bottles and globular reeded and foliate supports terminating in
detachable scroll and gadrooned handle, silver cut-glass stoppers, small areas of plating lion paw feet, supporting an oval band chased
let-in armorial, most likely the Jervis-White worn, chips to glass and moulded with lion masks and fruiting
family with the motto Venale Nec Auro or 32,5cm high, 38cm wide vines, the centre with a flowerhead and ball
Not to be Bribed with Gold finial, issuing forth four detachable reeded
22cm high, 33cm wide (2) R 2 000 - R 3 000 arms, terminating in four detachable cut-glass
bowls, two supports engraved with a rampant
ILLUSTRATED lion crest, centre bowl lacking, some frits and
chips to glass bowls
R 4 000 - R 6 000 27cm high

R 700 - R 900

761

771

762 764 766

A VICTORIAN ELECTROPLATE SALVER, A PAIR OF EASTERN EUROPEAN SILVER A VICTORIAN ELECTROPLATE TENNIS
WILLIAM HUTTON & SONS, CIRCA 1849 SABBATH CANDLESTICKS, PROBABLY TROPHY CUP, CIRCA 1888
POLISH, MAKER C. H. G. GRUN, CIRCA 1900
circular shaped with scrolled edges, the centre of typical form, the body engraved and
engraved with a rampant lion crest, raised the tapering cylindrical column moulded and moulded with flowerheads and foliage below
on three cabriole feet chased with ribbons, swags and flowerheads, a band of spiral foliate decoration, on beaded
31cm diameter surmounted by a gadrooned sconce, raised knopped stem, on a spreading circular footrim
on a circular spreading footrim moulded with with beaded border
R 600 - R 800 fruiting vines, on three foliate bracket feet 20,3cm high
38cm high (2)
R 1 200 - R 1 500

R 2 000 - R 3 000

220 | Silverware

767 769 771

A SET OF WMF ELECTROPLATE ‘SCROLL AN ART NOUVEAU PEWTER DISH, A CHINESE EXPORT SILVER CARD CASE,
EDGE’ PATTERN CUTLERY, GERMAN, ACHILLE GAMBA, ITALIAN, CIRCA 1900 MAKER’S MARK HM, PROBABLY SHANGHAI,
20TH CENTURY CIRCA 1900
of wavy oval outline, the centre moulded
comprising: 6 iced tea spoons, 2 pairs of with a maiden, the side applied with a handle rectangular with conforming cover, one side
salad servers, a ladle, a serving fork, 9 serving moulded in the form of irises, impressed chased with a writhing dragon in pursuit of
spoons (various shapes and sizes), 12 espresso factory mark and the numerals 1131, a pearl enclosing a vacant shield-shaped
spoons, 6 cake forks, 12 sorbet spoons, 12 wear to marks cartouche, the reverse decorated with a
teaspoons, 12 dessert forks, 12 dinner forks, 30cm wide blossoming prunus branch, the sides chased
12 dinner knives, 12 dessert knives, 12 butter with further prunus blossoms, marked HM 90
knives, 9 soup spoons (and 6 soup spoons R 1 500 - R 1 800 and Chinese character mark
of a similar pattern), 11 dessert spoons (and 8,3cm long, 4,7cm wide, 51g
a similar silver example, .800 std), a cake 770
slice, a sugar caddy spoon, 2 sauce ladles, a ILLUSTRATED ON OPPOSITE PAGE
paté knife, a butter knife, a fish serving knife, A PAIR OF DUTCH SILVER SPOONS
a meat fork, a serrated knife, 3 pickle forks, R 4 500 - R 6 500
an oyster fork, a 3-pronged fork, a slotted each with a shaped bowl, the stem
serving spoon and an ice-cream server, surmounted with a lion finial and
Nirosta stainless steel knife blades; A Set of 8 embossed crest
WMF Stainless Steel Grapefruit Spoons and a 90g (2)
Grapefruit Knife, including 6 additional similar
grapefruit spoons; A Cased Set of Six Silver R 500 - R 700
Teaspoons, Purcell Brothers, Birmingham,
1940, 60g, and A South African Silver Figural
Head, maker’s mark DG, Sterling Std, in the
form of a hippopotamus head
70g, 6,5cm high (188)

R 2 000 - R 3 000

768

AN ELECTROPLATE VEGETABLE TUREEN, 772
LINER AND COVER, CIRCA 1900
772
shaped oval with beaded rims and detachable
conforming handle, the sides applied with A CHINESE SIX PIECE SILVER TEA SERVICE, LUEN HING, SHANGHAI, CIRCA 1900
acanthus-leaf handles and raised on four comprising: a teapot, milk jug, sugar bowl, hot water jug, coffee pot and tray, of baluster form,
leaf-capped scroll feet, small area of wear to the lower half chased and engraved with chrysanthemum flowerheads, hinged cover with
base of liner, 36cm wide over handles, and An bud finials and handles of bamboo form, the tray engraved with a presentation inscription,
Electroplate Revolving Breakfast Dish, chrysanthemums and raised on four bracket feet, stamped LH 90 and Chinese character mark,
Circa 1900, oval with beaded border, the some dents
revolving cover moulded with lobing and 4349g all inclusive (6)
reeded handles, raised on three reeded and
paw bracket feet, enclosing a pierced and a
solid undertray, some wear to undertrays
33cm wide over handles (2)

R 1 200 - R 1 600

ILLUSTRATED

R 20 000 - R 30 000

Silverware | 221

773 - PART LOT 773
222 | Silverware
AN AMERICAN SET OF SILVER ‘DAMASK
ROSE’ CUTLERY, STERLING STD.,
20TH CENTURY

comprising: 12 dinner knives, 12 butter knives,
12 dinner forks, 12 iced-tea long spoons,
12 entrée/dessert forks, 12 soup spoons,
12 teaspoons, a carving knife and fork, a pair
of black plastic silver-mounted salad servers, a
sauce ladle, a gravy ladle, 4 serving spoons
in sizes, 2 pastry servers in sizes, a butter
scoop, a pickle fork, a paté knife and a serving
fork, in a Reed & Barton fitted canteen
2554g of weighable silver (100)

PART ILLUSTRATED

R 18 000 - R 20 000

774

A RARE SET OF TWELVE JAPANESE
SILVER CASED ‘ABALONE’ SHELL-SHAPED
TEASPOONS, MAKER’S MARK
S. M., FOREIGN IMPORT MARK, RETAILED BY
LIBERTY & CO., LONDON, 1893

each bowl realistically modelled as an abalone
shell, the bamboo form stem surmounted by
an octopus, in two original velvet-lined
Liberty & Co. cases, 139g (12)

R 800 - R 1 200

775

A GERMAN SILVER TWO-HANDLED TRAY,
.835 STD, EARLY 20TH CENTURY

shaped rectangular with reeded rim, the sides
applied with acanthus-leaf handles, scratches
and scuffing to base
72cm wide over handles, 3100g

ILLUSTRATED ON OPPOSITE PAGE

R 14 000 - R 16 000

775

776 777 778

A SILVER BRACELET, SOUTH AFRICA, A GEORGE III THREE-PIECE SILVER TEA A GEORGE III IRISH SILVER SUGAR BASIN,
20TH CENTURY SERVICE, HENRY SKIDMAN, LONDON, 1802 RICHARD SAWYER, DUBLIN, 1811

the linked chain suspended with a silver comprising: a teapot, sugar basin and milk rectangular, the lower half lobed beneath a
Prussian coin and six various German coins, jug, of oval form, the body half-lobed beneath band of star and circle bright-cut decoration,
266g a band of bright-cut flowerhead and foliate outflared wavy gadrooned rim, angular
decoration and a reeded rim, wooden handle handles, raised on four ball feet
R 1 000 - R 1 500 and finial, on a flat base with wriggle-work 20cm wide over handles, 12cm high, 289g
decoration, engraved crest to rim of teapot,
repair to pins on teapot, soldering repair to R 3 000 - R 5 000
hinged cover, hallmarks lacking to sugar basin
and milk jug, 854g all inclusive
the teapot 16cm high (3)

R 5 000 - R 7 000

Silverware | 223

780

779 780 781

A SILVER VESTA CASE, BIRMINGHAM A VICTORIAN FOUR-PIECE SILVER TEA A VICTORIAN SILVER INKSTAND,
SERVICE, JOSEPH AND ALBERT SAVORY, CHARLES THOMAS FOX & GEORGE FOX,
rectangular, chased with leaf decoration LONDON 1834 LONDON, 1840
throughout, 29g; and a Silver Milk Jug, London
1825, helmet-shaped, 118g NOT SUITABLE FOR EXPORT shaped rectangular, the base mounted with a
pierced foliate gallery, the centre fitted with
R 900 - R 1 200 of circular tapering form, the shoulder chased a detachable cut-glass bottle surmounted by
with roses and morning glory, the hinged a silver chamberstick and flanked by a pair of
cover with detachable flower and leaf finial, conforming cut-glass silver-mounted bottles,
leaf-capped handle, raised on four foliate raised on four bracket feet, chips to glass, one
bracket feet, engraved with a rampant lion mount loose, lacking snuffer
crest, gilt interior to milk jug and sugar basin, 1051g excluding glass, 30cm wide
pins to teapot replaced, wear to pins on coffee
pot, ivory fillets cracked ILLUSTRATED ON OPPOSITE PAGE
the coffee pot 24cm high, 2541g all inclusive
(4) R 8 000 - R 10 000

ILLUSTRATED

R 20 000 - R 30 000

224 | Silverware

781 782
782
A VICTORIAN IRISH FOUR-PIECE SILVER
TEA SERVICE, JOHN SMITH, DUBLIN 1860
AND 1863

comprising: a teapot, coffee pot, sugar
basin and milk jug, the melon-shaped body
engraved with panels of flowerheads and
foliage enclosing engraved crests, the beaded
and flared upper rims with hinged domed
cover and detachable acorn finial, leaf-capped
and reeded scroll handles, raised on a circular
footrim, sugar basin and milk jug with gilt
interior, pins to teapot handle repaired
the coffee pot 26cm high,
2517g all inclusive (4)

ILLUSTRATED

R 20 000 - R 30 000

783

A SILVER BASKET, JOHNSON WALKER &
TOLHURST LTD, LONDON. 1891

the body pierced and decorated with flowers,
the handles surmounted with dogs heads, on
hoof feet
8,5cm high, 287g

R 1 600 - R 1 900

784

A VICTORIAN SILVER VESTA CASE,
ROLASON BROTHERS, BIRMINGHAM, 1897

heart-shaped, the whole with engine-turned
decoration, 18g; Another, Edwardian, Minshull
& Latimer, Birmingham, 1900, rounded
rectangular with engine-turned decoration
enclosing a vacant shield cartouche, 22g;
Another, similar, Edwardian, Robert Pringle &
Sons, Chester, 1901, 20g, and Another, similar,
Edwardian, William J. Holmes, Birmingham,
1902 (4)

R 1 500 - R 2 500

Silverware | 225

791 789

785 787 A PAIR OF SILVER NAME HOLDERS,
CHESTER 1909
A SILVER ROSE BOWL, HAWKSWORTH A SET OF TWELVE EDWARDIAN SILVER
EYRE & CO LTD, SHEFFIELD 1898 PISTOL-GRIP BUTTER KNIVES, MAPPIN & each modelled as a seated bird
WEBB, SHEFFIELD, 1903 40g in total, 2cm high (2)
the circular body with spiral gadrooned
decoration, rope rim, on a circular foot in original velvet-lined fitted case stamped R 1 000 - R 1 500
282g, 10,5cm high BOGAWANTALAWA 1904, blades and case
distressed (12) 790
R 1 600 - R 2 000
R 700 - R 900 A PAIR OF SILVER TAZZAS, CHESTER 1913
786
788 each with a wavy rim, scroll handles, on a
A PAIR OF SILVER BON BON DISHES, circular base
BIRMINGHAM, 1902 AN EDWARDIAN SET OF TWELVE SILVER 8,5cm high, 328g (2)
PISTOL-GRIP FRUIT KNIVES AND FORKS,
each with a pierced rim, on a spreading HARRISON BROTHERS & HOWSON, R 1 900 - R 2 200
circular foot, 174g, 4,5cm high; A Silver Shell- SHEFFIELD, 1908
Shaped Butter Dish, Sheffield, 1907, 55g, 791
2,8cm high; A Pair of Silver Shell-Shaped in original “Wilson & Gill” velvet & silk-lined
Butter Dishes, Sheffield, 1897, 29g, 2cm high; case (12) A GEORGE V SILVER SALVER, THOMAS
and A Silver Bon Bon Dish, Birmingham, 1933, BRADBURY & SONS, SHEFFIELD, 1922
with pierced rim and handles, 35g, 3cm high R 1 500 - R 1 800
(6) circular with reeded border, the centre
engraved with a crest, raised on three
R 1 800 - R 2 200 bun feet
712g, 26cm diameter

ILLUSTRATED

R 5 000 - R 7 000

792

A SILVER PORRINGER AND COVER,
JAS DIXON AND SONS, SHEFFIELD 1925

the stepped cover with urn-shaped finial,
the circular body with beaded rim, engraved
with the initials RCC and the date 5 Dec 1925,
on a beaded circular base 530g, 13cm high

ILLUSTRATED

R 3 000 - R 5 000

792

226 | Silverware

793

A GEORGE V THREE-PIECE SILVER TEA
SERVICE, WILIAM HUTTON AND SONS,
SHEFFIELD, 1930 AND 1931

comprising: a teapot, milk jug and sugar bowl,
rounded rectangular with leaf-capped angular
handles, raised on four ball feet
the teapot 15cm high, 1096g all inclusive (3)

ILLUSTRATED

R 6 500 - R 7 500

794 793 800

A SILVER SUGAR BOWL 797 AN ELIZABETH II
SILVER BELL, BIRMINGHAM, 1966
reeded rim, the body chased with flowers, on
ball feet of typical form, 55g; A Silver Spoon, Sheffield,
11cm high, 230g 1901, the bowl and handle pierced with foliate
decoration, 46g; Three Silver Mounted Scent
R 1 300 - R 1 600 A GROUP OF FIVE SILVER CIGARETTE Bottles, Chester 1906 and Birmingham, 1901,
CASES, VARIOUS MAKERS, BIRMINGHAM, the tallest 8cm high; and A Silver Mounted
795 1915, 1924, 1938, 1948 AND 1950 Dresser Box, marks rubbed, 11cm long (6)
552g in total (5)
A COLLECTION OF CASED SILVER R 750 - R 1 000
FLATWARE R 2 200 - R 2 800
801
comprising: 6 cocktail forks, Sheffield 1936/37; 798
6 Butter Knives, Sheffield, 1905; 6 Teaspoons AN AMERICAN SILVER SALT SHAKER,
and a Pair of Sugar Nips, Birmingham, 1913; AN ELIZABETH II SILVER CIGARETTE CASE, TIFFANY AND COMPANY, 20TH CENTURY
6 Teaspoons, Birmingham, 1956; 6 Teaspoons, BIRMINGHAM, 1945
Sheffield, 1949; 6 Cake Forks, Birmingham, 193g the loose screw top on a
1907; 6 Teaspoons, Birmingham, 1935; baluster-shaped body
6 Coffee Spoons, Birmingham, 1932; and R 1 000 - R 1 500 14cm high
6 Teaspoons, Birmingham, 1956 (55)
400g all in R 300 - R 500

R 2 400 - R 3 000

799

796 A SILVER TROPHY

A MISCELLANEOUS COLLECTION OF SILVER of typical form, scrolling handles, 802
SERVIETTE RINGS marks rubbed
12cm high, 155g A COLLECTION OF SILVER FLATWARE
comprising a cased set of four, Chester 1901;
fourteen Birmingham 1847, 1873, 1908, 1910, R 900 - R 1 200 comprising: 8 forks, a pair of tongs, 6 tea
1911, 1922, 1927, 1939, 1940, 1944 and 1947; spoons, 6 dessert spoons, 1 serving spoon,
four Sheffield 1881, 1896, 1904, 1927; one mark 1 marrow scoop, 8 soup spoons, various
rubbed makers and dates (31)
527g in total (22)

R 2 400 - R 3 000

R 6 000 - R 8 000

Silverware | 227

IMPORTANT NOTICE TO PROSPECTIVE BUYERS

Stephan Welz & Co., a division of Scoin Trading (Pty) Limited (“The Company”)

GLOSSARY OF CATALOGUING TERMS
The following are examples of the terminology used in this catalogue. Please note that any statement made in this catalogue as to authorship,
attribution, period, date, age, culture, source, provenance, condition or origin for any property are qualified statements, not to be taken as a statement
of fact, and are made subject to the provisions of the Conditions of Business and Terms of Sale by Auction printed in this catalogue. We reserve the
right in forming our opinion, to consult and rely upon any expert or authority considered by us to be reliable.

CERAMICS WORKS OF ART 9 The term bears a signature and/or date and/
1 Thomas Baines or inscription means that in our opinion the
Fine Meissen Cup and Saucer; circa 1735 signature and/or date and/or inscription have
This title states three things: the cup and saucer In our opinion, a work by the artist. When the been added by another hand.
are in excellent condition, both pieces were made artist’s forename(s) is not known, a series of
at the Meissen factory, and they were made asterisks, followed by the surname of the artist, 10 Dimensions are given height before width.
around the year 1735. The adjective ‘fine’ is the only whether preceded by an initial or not, indicates 11 Pictures are executed in oil on canvas and
adjective used in a title to describe condition of that in our opinion the work is by the artist
important lots. named. framed unless otherwise stated.

Meissen Cup and a Saucer, circa 1735 2 Attributed to Thomas Baines SCULPTURE
This states that the cup and saucer were made In our opinion, probably a work by the artist, but Casts in bronze, terracotta and other material are
at the Meissen factory around 1735, but it also less certainty as to authorship is expressed than catalogued with the full name and dates of the
indicates that the cup and saucer may not have in the preceding category. artist who created the original model. In most
been ‘born’ together. cases, however, this does not mean that the cast is
3 Studio of Thomas Baines by the hand of the artist of that precise date, but
Meissen Cup and Saucer, 1730-50 In our opinion, a work by an unknown hand in rather cast after the model by that artist.
This states that the cup and saucer were made at the studio of the artist which may or may not UPHOLSTERED FURNITURE
the Meissen factory some time between 1730 and have been executed under the artist’s direction. Whilst every care is taken in cataloguing these
1750. items, no guarantee can be given to the originality
4 Circle of Thomas Baines of the timber covered by upholstery or fabric.
Meissen Cup and Saucer, dated 1735 In our opinion, a work by an as yet unidentified CONDITION OF LOTS OFFERED FOR SALE
This states that the cup and saucer were made at but distinct hand, closely associated with the We are pleased to give a condition report on
the Meissen factory and that the date 1735 appears named artist, but not necessarily his pupil. request. Nevertheless, prospective buyers are
within the decoration, although it may not be the reminded that all lots are sold as shown and
actual year of manufacture. Only in the case of 5 Style of ...: Follower of Thomas Baines their attention is drawn to Clause B.5 of the
factories such as Sêvres, Frankenthal and Vienna, In our opinion, this is a work by a painter Conditions of Business. The absence of reference
which incorporated date letters or numbers into working in the artist’s style, contemporary or to condition of the lot in the catalogue description
their marks, does the term ‘dated’ mean the actual nearly contemporary, but not necessarily his does not imply that the lot is free from faults or
year of manufacture. pupil. imperfections.
OVERSEAS BIDDERS
Meissen Cup and Saucer, 19th Century 6 Manner of Thomas Baines Overseas bidders are advised that courier
This states that the cup and saucer are of Meissen In our opinion, a work in the style of the artist companies such as RAM, Fedex and DHL do not
type, and although of the date specified, not and of a later date. insure jewellery being sent between South Africa
necessarily made at the Meissen factory. and overseas countries. Insurance will therefore
7 After Thomas Baines become the responsibility of the buyer.
Meissen Cup and Saucer In our opinion, a copy of a known work of the
This title without a date simply states that the artist.
pieces were made at the Meissen factory, but
does not specify when, implying that their age is 8 The term signed and/or dated and/or
questionable. inscribed means that in our opinion the
signature and/or date and/or inscription are
from the hand of the artist.

228

TM Stephan Welz & Co., a division of Scoin Trading (Pty) Limited (“The Company”)
Registration number 2006/028395/07
Sale: Fine Art & Design – Cape Town
Sale Name: JUNIPER Sale No.: SA1901 | Sale Date: 4 & 5 February 2019 Bidder Number

(for office use only)

ABSENTEE BIDDER TELEPHONE BIDDER

Please see the important information regarding absentee/telephone bidding on the reverse of this form. Forms should be
completed in ink and emailed to the Bid Department. Email: [email protected]

Buyer’s Premium: 14% plus VAT for items selling at or above R 10 000 | 17% plus VAT for items selling below R 10 000

Title: First name: Surname:

Identity number (Passport number for overseas bidders): (work):
Fax:
Company Name: VAT No.
(if the invoice must be in a Company’s name)
Address:

Postal code:

Telephone (home): or 2)
Cell:
Email:
In the case of a telephone bid, please call me at either 1)

Please fax or email my invoice to:

Bids should be submitted in SA Rands by 5pm on Sunday, 3 February 2019
First time buyers must provide the Company with a copy of their identity document or passport and a photocopy of the front and the back of a valid

credit card. A sum of R 5 000 may be reserved prior to the auction. International Clients: Will receive a virtual invoice for payment.

Lot Number Title/Description R Bid Price
(excluding premium and VAT)
R
R
R
R
R
R
R

PLEASE COMPLETE

I will collect my purchases in person from the CT office SHIPPING COSTS BETWEEN OUR OFFICES
I will collect my purchases in person from the JHB office The packing and transport costs will be calculated as follows
Kindly have my purchases sent to your JHB office for collection (one bulk shipment between offices):
(The buyer to pay 100% of the shipping costs) Shipping between our Cape Town and Johannesburg offices will be for the buyers
account and must be paid prior to the goods leaving Cape Town.
Insurance not included.
I will settle my account via credit card EFT
Please forward the shipping document together with my invoice. The transport and insurance costs are for my account.
Kindly provide me with a quotation for the delivery of my purchases to the following alternative address
Cut here and fax

________________________________________________________ ___________________________________ 229
SIGNATURE DATE
*See Payment and Despatch of Purchases which is published in the catalogue.

GUIDE FOR ABSENTEE / TELEPHONE BIDDERS

Stephan Welz & Co., a division of Scoin Trading (Pty) Limited (“The Company”)
If you are unable to attend an auction in person, you may give the Company’s Bid Department instructions to bid on your behalf by completing the
Absentee/Telephone Bidders form. This service is confidential and available at no additional cost.

BEFORE THE AUCTION If you are arranging a telephone bid, please Any person who intends to bid on behalf of
Buyers are solely responsible to satisfy clearly specify the telephone numbers on which another person (i.e. on behalf of a company)
themselves prior to the auction as to the you can be reached at the time of the sale, must produce a letter of authority that
condition of each lot and should exercise and including the country code. We will call you expressly authorises him or her to bid on
rely on their own judgement as to whether the from the sale room shortly before the relevant behalf of that person and that person and
lot accords with the description or not. The lot is offered. the person bidding on his or her behalf
Buyer, before buying, must read the Rules of We will try and purchase the lot(s) of must meet the requirements set out above.
Auction. Please request condition reports from your choice for the lowest price possible Where a person is bidding on behalf of a
the respective department prior to finalising (dependent on the reserve price and other company the letter of authority must appear
your absentee/telephone bids. bids) and never for more than the maximum on the letterhead of the company and must
The Company takes no responsibility for any bid amount you indicate. Where appropriate, be accompanied by a certified copy of the
incorrect, inaccurate or defective description your bids will be rounded down to the nearest resolution authorising him or her to bid on
of the goods listed for auction in the catalogue amount consistent with the auctioneer’s behalf of the company.
or in any condition report as per the terms and bidding increments. CONDITIONS OF ABSENTEE AND
conditions of business. Please place your bids Telephone Bids – we suggest you leave a TELEPHONE BIDDING
as early as possible, as in the event of identical maximum bid which we will execute on your Such bids are executed at the bidder’s risk and
absentee bids the earliest received will take behalf in the event that we are unable to reach undertaken subject to the Company’s other
precedence. Bids must be submitted at least you by telephone. Because this method cannot commitments at the time of the auction. The
24 hours before the auction. be entirely free from risk of communication Company therefore cannot accept liability
CITES PERMITS, IMPORT, EXPORT, breakdown, the Company cannot be held for any error or failure to place such bids. All
COPYRIGHT RESTRICTIONS & LICENCES responsible for losses arising from missed bids are subject to the Conditions of Business
The Company suggests that buyers check bids. The Company reserves the right to record applicable to the sale printed in the sale
with their own government regarding wildlife telephone bidding and all bidders consent to catalogue. Buyer’s premium, at the stated
import requirements prior to placing a bid. such recording. current rates will be added to the hammer
It is the Buyer’s sole responsibility to identify CLIENT INFORMATION price, plus VAT and any other applicable
and obtain any necessary export, import, Anyone that intends to bid at the auction as an expenses. All bidders are deemed to have
endangered species or other permit for the lot. absentee or telephone bidder must register on read the Rules of Auction prior to any bidding.
COMPLETING THE FORM the Absentee/Telephone Bidders form prior AFTER THE AUCTION AND PAYMENT
The Absentee/Telephone Bidders form to the commencement of the auction and such In the event that you are successful, payment
should be used for one sale only. Please tick registration must meet the requirements of is due immediately after the sale unless
the appropriate box – Absentee Bidder or FICA (Financial Intelligence Centre Act, 2001) otherwise agreed in advance. Successful
Telephone Bidder. Please record accurately the in respect of the establishment and verification absentee/telephone bidders will receive an
lot numbers, descriptions and the maximum of identity of the person and the person must invoice detailing their purchases together with
hammer price you are willing to pay for each sign the registration entry and in particular the Company’s banking details for payment.A
lot. Instructions to “buy” or unlimited bids will must include the following information: shipping document will accompany the
not be accepted. Your full names; identity/passport number; invoice. This document is to be completed and
Bids must be numbered in the same order as physical address; postal address; contact returned to the shipping department.Payment
the lots appear in the catalogue. Alternate numbers; fax number; email address; copy of is due immediately after the auction and may
bids for items can be made by placing the your identity document, as per requirement of be made by the following methods:
word “OR” between lot numbers. This means the Consumer Protection Act 68 of 2008. Electronic Funds Transfer – only bank transfers
if your bid on an early lot is successful, we will First-time buyers must provide the Company or electronic funds transfer will be accepted.
not continue to bid on subsequent lots for you. with a copy of their identity document or No cheque or cash payments will be accepted.
Or, if your early bids are unsuccessful, we will passport and a photocopy of the front and Credit Cards – we accept all major credit
continue to execute bids for the remaining lots back of a valid credit card. A sum of R5,000 cards, with the exception of American Express
listed on your absentee bid form. may be reserved prior to the auction. and Diners Club
230

BID ANYWHERE,
ANYTIME

TM Online bidding managed
by ATG Media SA through
Register for our Online Bidding or Absentee Bidder Form and www.the-saleroom.com
participate in our Live Auctions, no matter where you are. Europe’s leading portal for
Complete the form in this catalogue or on our website. live art and antiques
Alternatively you may use the bidding platform auctions.
www.the-saleroom.com or register to bid online via our website
In Partnership with:
www.stephanwelzandco.co.za
231

Consign your philatelic treasures with us

We have been entrusted to sell the World’s greatest philatelic
treasures – Trust us to sell yours!

David Feldman International Auctioneers are one of the world’s leading philatelic auction
houses, having sold more Grand Prix and Large Gold Medal collections than any other company
in history. With over 50 years of auction experience, our extensive and international network and
client base enables us to continuously achieve leading market prices at our auctions.
If you wish to benefit from our success and access to international markets, we are always
looking for valuable single stamps, specialised collections and estates. We only sell properties
consigned by third parties, and for that reason, every vendor can be assured that our interests
are aligned to achieve the best possible result.

232

50

Our Philatelists will be travelling to South Africa in March
and will be available to value your collections and discuss
consignments to our auctions in Switzerland

As part of our collaboration with Stephan Welz & Co.,
we will be travelling to South Africa in March 2019
to meet old and new clients in the Cape Town and
Johannesburg areas.

Please contact us to make an appointment or to ask
any questions about consigning with us:

Email: [email protected]

Telephone: + 41 22 727 07 77

David Feldman SA www.davidfeldman.com
59, Route de Chancy
1213 Petit Lancy 1
Geneva, Switzerland
Tel. +41 (0)22 727 07 77
Fax + 41 (0)22 727 07 78
Email [email protected]

233

Creative Feel Magazine subscription for 6 months for only R205 or 12 months for R365. Visit www.creativefeel.co.za/shop/

JOIN THE CONVERSATION | WWW.CREATIVEFEEL.CO.ZA

234 Creative Feel | @CreativeFeel | @creative_feel

password. Please remember to fill in all your address correctly. C. BIDDING ‘LIVE’ DURING THE AUCTION

4. The next screen will advise you that an email has been sent 1. Once you have entered the live auction bidding page (by
to your chosen email address – once you check this email you following the afore-mentioned instructions) you will be able to
can complete the registration process and can log into the view a list of the lots on the right hand side of the small bidders
Saleroom site using your details. screen.

5. Once you are back on the site, click on the ‘Auctions’ link on 2. On the left panel of the bidding screen you can see the Lot
the top left of the page.

6. You will see a list of all ‘Live’, ‘Timed’ and ‘Catalogue’ Auctions number, Lot picture, Estimate and Description.
available on the site. 3. Once the auction starts you will see the words ‘New Lot’ appear

7. Option 1: You will see a ‘Country’ link on the left of your page on this screen.

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153

235

RHODES DrCONSTANTIA MAIN Rd

CAPE TOWN OFFICE HOUT BAY Rd
Silvermist Wine Estate
Main Road SILVERMIST
Constantia Nek WINE ESTATE
7806
Cape Town GLENHOVE Rd
GPS Coordinates
Latitude: S 34º 0’ 54.565” 8th Str
Longitude: E 18º 24’ 11.884” 7th Str
6th Str
JOHANNESBURG OFFICE 5th Str
Killarney Country Club N1 HIGHWAY
60 5th St OXFORD Rd The Killarney
Houghton Estate Country Club
2198
Johannesburg 14th Ave
GPS Coordinates:
Latitude: S 26º 06’ 9” 11th Ave
Longitude: E 28º 02’ 48”

236

GENERAL INFORMATION
CAPE TOWN

Stephan Welz & Co. a division of Scoin Trading (Pty) Limited ABSENTEE & TELEPHONE BID REQUESTS
(“The Company”) Bids should be submitted in SA Rands by 5pm
on Sunday, 3 February 2018 and sent to
Registration Number 2006/028395/07 [email protected]
Street Address
Silvermist Wine Estate PAYMENTS
Main Road [email protected]
Constantia Nek
7806 Laurie Sher 011 880 3125

Linda Patterson 021 794 6461

Postal Address P O Box 818, Constantia, 7848 SHIPMENTS
Telephone Please email shipping instructions by close of business on
Email 021 794 6461 Tuesday, 5 February 2019
Website email: [email protected]
Executive Chairman [email protected]
The company will arrange competitive quotations for your
Photography & www.stephanwelzandco.co.za perusal and approval. Buyers preferring to make use of their
Design own shipping arrangements should advise us accordingly.
Article Credits Mr Alan Demby
Director (British) B. Com (Hons) SHIPPING COSTS
The packing and courier fees are for the buyer’s account.
Lukas Nel
Les Hammond STORAGE COSTS
Uncolleted items will be removed to off-site storage and will
S-L. F. | Sophie-Louise Fröhlich be charged at R25 per item per day
K. W. | Kayleen Wrigley
S. D. | Suzanne Duncan
C. K | Carol Kaufmann
L. R. | Lani Roux

Printing Paarl Media

Please note that all lots are sold subject to our Terms and Conditions of
Business and Rules of Auction on pages 248 - 252

JOHANNESBURG

Stephan Welz & Co. a division of Scoin Trading (Pty) Limited (“The Company”)

Registration Number 2006/028395/07
Street Address The Killarney Country Club | 60 5th Street | Houghton Estate | Johannesburg | 2198
Telephone 011 880 3125
Email [email protected]
Website www.stephanwelzandco.co.za

PRETORIA

Stephan Welz & Co. a division of Scoin Trading (Pty) Limited (“The Company”)

Registration Number 2006/028395/07
Street Address Association of Arts Pretoria | 173 Mackie Street | Nieuw Muckleneuk | Pretoria
Telephone 012 010 0121
Email [email protected]
Website www.stephanwelzandco.co.za

237

ItonvCitoantisoignn. .

We are inviting consignments for our
forthcoming Auctions in 2019.

For more information please
contact one of our three
branches:

Cape Town

+27 (21) 794 6461
[email protected]
The Great Cellar | Alphen Estate
Alphen Drive | Constantia

Johannesburg

+27 (11) 880 3125
[email protected]
The Killarney Country Club |
60 5th Street | Houghton Estate

Pretoria

+27 (12) 010 0121
[email protected]
Association of Arts Pretoria |
173 Mackie Street | Nieuw Muckleneuk

TM

www.stephanwelzandco.co.za

238

PRIVATE & DISCREET

Stephan Welz & Co provides a tailored service for seasoned collectors,
occasional buyers and those looking to acquire their first painting or work
of art. By offering private sales as an additional bespoke service, we can
help source a specific object at a fixed price, broker a sale discreetly and
avoid the restrictions of the auction calendar. Our specialists, experts in
their respective fields, will work one-on-one with you to offer advice on
private sale strategies and help you to shape your collection. We invite you
to contact us and learn more about current buying and selling opportunities.

JOHANNESBURG CAPETOWN

T | +27 (11) 880 3125 T | +27 (21) 794 6461
[email protected] [email protected]

w w w. s t e p h a n w e l z a n d c o . c o . z a

TM

239

The Vega Sale | Stamps & Coins

Welz Online presents the Vega Sale, featuring a wide
variety of collectable stamps and coins from across the globe.

Register to bid at www.stephanwelzandco.co.za and follow the auction

Date of sale: 19-26 Feb 2019 (ending at 21h00 SAST)
Viewing date: 12-20 Feb 2019 (Come in and let us help you register)
Viewing Time: 10am– 4pm
Items can be viewed online through www.stephanwelzandco.co.za
or at our Johannesburg offices at the Killarney Country Club,
60 5th Street, Houghton Estate

Special appointments to be made with
Andrew Kennedy – [email protected]
or call +27 11 880 1325

TM

Download the
Stephan Welz & Co. app

240

SWAZILAND 1892 KRUGERRAND PROOF 1971
1 oz Gold in SAM box
1/2d Grey overprinted Swaziland in red Low mintage 6000
Used Pair with Missing overprint on one R 18 000 - R 20 000
stamp. BPA Certified
241
R 12 000 - R 15 000

173 Mackie Street
Nieuw Muckleneuk

Pretoria

Tel: +27 (12) 346 3100

[email protected]
www.artspta.co.za
www.facebook.com/pretoriaartsassociation

Director
Pieter van Heerden

+27 (82) 774 4390

Gallery Manager
Nandi Hilliard
+27 (83) 288 5117

Gallery Hours
Tuesday to Friday: 09h00 to 18h00

Saturday: 09h00 to 13h00
First Sunday of the month: 10h00 to 13h00

The Association of Arts Pretoria is one of the oldest and most active art associations in the country
striving to promote excellence in the visual arts.

We increase the accessibility of the arts by showing and promoting work of both established and
young artists at our regular exhibitions.

242

advertstraussad2018B.indd 2 2018/01/17 1:26 PM

243

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Stephan Welz & Co.

Receive your catalogue.
Subscribe today.

TM

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1. All Fine Art & Design auctions Catalogues South Africa Rest of World
in Johannesburg & Cape Town for 1 year.
6 R1 500 R2 500
2. All Fine Art & Design auctions 12 R2 500 R3 500
in Johannesburg & Cape Town for 2 years.

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EFT - Electronic Transfer
It is also possible to do an electronic transfer
to our account. Please email your proof of payment
to us at: [email protected]

Stephan Welz & Co Banking Details:
STEPHAN WELZ & COMPANY
STANDARD BANK OF SA LIMITED
BRANCH: ROSEBANK, JOHANNESBURG
BRANCH CODE: 004305
ACCOUNT NUMBER: 402-328-213
SWIFT CODE: SBZAZAJJ
Reference your name and surname

Signature: ............................................................................. Date: ....................................
Please forward your completed catalogue subscription form to [email protected]

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IMPORTANT ANNOUNCEMENTS 5. The auctioneer may further bid on behalf of the seller up to the
amount of the reserve, by placing responsive or consecutive bids
1. All business undertaken at the sale of the auction is subject to for a lot.
the terms and conditions of business which are published in the
catalogue, and the Rule of Auction as required by the Consumer 6. Buyer’s Premium:
Protection Act, which are published at the entrance of the 14% plus VAT for items selling at or above R 10 000
auction room. 17% plus VAT for items selling below R 10 000

2. The purpose of the auction, as required by the Act, 7. Overseas bidders:
is a general purpose auction of the clients’ goods. Overseas bidders are advised that courier companies such
as RAM, Fedex and DHL do not insure jewellery being sent
3. The buyer by bidding for any goods at the auction, irrespective between South Africa and overseas countries. Insurance
of whether or not the buyer has signed the buyer’s card, is will therefore become the responsibility of the buyer.
deemed to have understood, agreed and consented to the terms
and conditions of the business.

4. The auctioneer may open the bidding on any lot by placing a
bid on behalf of the seller.

PAYMENTS 1. The Company no longer accepts cash and cheque
payments from 1 August 2016.
Value Added Tax (“VAT”)
The Company acts as agent on behalf of the Seller and should the 2. Electronic Fund Transfer
Seller be registered as a South African VAT vendor and has informed 3. We accept all major credit cards, with the exception of
the Company that his lots must be charged with VAT, then such lots
will be indicated in the catalogue with the symbol “†” and VAT at American Express and Diners Club
the prescribed rate will be charged on the hammer price and will be 4. First-time buyers must provide the Company with a copy
payable by the Buyer.
Payment is due immediately after the sale in order to meet our of their identity document or passport and a photocopy of
commitments timeously with the seller and may be made by the the front and back of a valid credit card. A sum of R5,000
following methods: may be reserved prior to the auction.
5. Post-auction shipping between CT and JHB offices will be
for the buyer’s account.

THE COMPANY MAKES NO REPRESENTATIONS

Stephan Welz & Co., a division of Scoin Trading (Pty) Limited, makes It is the buyer’s sole responsibility to obtain any copyright clearances
no representations or warrantees to whether any lot is subject or any necessary import, export or other licence required by law,
to import, export, copyright and licence restrictions including including licences requires under the Convention of the International
permission from SAHRA. Trade in Endangered Species (CITES).
Endangered Species - any item made of or incorporating animal The refusal of an export permit shall not permit the recission of a sale.
material such as bone, etc irrespective of value, will require a Customs have placed a ban on the importation of ivory worldwide.
specific permit from the Department of Nature Conservation prior Lots which include ivory are therefore not suitable for export.
to exportation.

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PAYMENT & DESPATCH OF PURCHASES

Stephan Welz & Co., a division of Scoin Trading (Pty) Limited (“The Company”)

METHODS OF PAYMENT instructions, full payment for the lots bought, and become the responsibility of the buyer.
Payment is due immediately after the sale and may any export licences that may be required. Despatch AIRMAIL
be made by the following methods: Wire Transfer and costs will be at the buyer’s expense. Estimates and Despatch via this method will depend upon the
accepted Credit Cards. Lots will only be released advice on all methods of despatch can be provided size and weight stipulated by the postal authorities.
once payment has been received in full. upon request and enquiries should be marked for Quotations for packing and postage are available
the attention of our Shipping Department. Insurance upon request.
1. ELECTRONIC FUNDS TRANSFER cover must be arranged by the buyer and will be SURFACE MAIL
Only bank transfers or electronic funds transfer will at the buyer’s expense. Lots will be released to Despatch is as for airmail but at a cheaper rate.
be accepted. the buyer or his/her authorised representative, Purchases take considerably longer to arrive at their
No cheque or cash payment will be accepted. herein duly authorised under deed of power of destinations. Quotations for packing and postage
First-time buyers must provide the Company with authority, only if full payment has been received are available upon request.
a copy of their identity document or passport and by us together with settlement of any removal, AIRFREIGHT
a photocopy of the front and back of a valid credit handling and storage charges due. This is suitable for all items, worldwide. Unless
card. A sum of R5,000 may be reserved prior otherwise specified, despatch is arranged by our
to the auction. 1. METHODS OF DESPATCH FOR OVERSEAS AND nominated agent. Quotations for packing and
NEIGHBOURING COUNTRIES despatch are available upon request.
2. BANK TRANSFERS IN SOUTH AFRICAN RANDS BUYERS SEAFREIGHT
After an auction, only limited assistance with packing This is often more economical for larger
These should be transferred to: and/or loading of purchases is available from the consignments, such as furniture. Unless otherwise
staff of Stephan Welz & Co. Where such assistance specified, despatch is arranged by our nominated
Stephan Welz & Company is rendered, no liability will devolve on Stephan Welz agent at your risk. Quotations for packing and
& Co. or its staff for any damage that may arise, despatch are available upon request.
STANDARD BANK OF SOUTH AFRICA LIMITED from whatever cause, during such packing and/or
loading.
Branch: Rosebank, Johannesburg APPLICATIONS FOR EXPORT PERMITS
The Buyer shall be responsible for obtaining any
Branch code: 00 4305 export licence that may be required.
ENDANGERED SPECIES
Current account: 402 328 213 Any item made of or incorporating animal material
such as ivory, irrespective of value, will require a
Swift code: SBZAZAJJ specific permit from the Department of Nature 2. Methods of despatch for local buyers
Conservation prior to exportation. The Buyer shall
be responsible for obtaining the CITES certificates. After an auction, only limited assistance with packing
Customs have placed a ban on the importation
Please include your name and invoice number as of ivory worldwide. Lots which include ivory are and/or loading of purchases is available from the
a reference with your instructions to your bank. therefore not suitable for export.
Purchases will not be released until payment has staff of Stephan Welz & Co. Where such assistance
been cleared by the bank. OVERSEAS BIDDERS
Overseas bidders are advised that courier is rendered, no liability will devolve on Stephan Welz
companies such as RAM, Fedex and DHL do not
insure jewellery being sent between South Africa & Co. or its staff for any damage that may arise,
and overseas countries. Insurance will therefore
from whatever cause, during such packing and/or

3. CREDIT CARDS loading.
We accept all major credit cards, with the
exception of American Express and Diners Club AIR AND SURFACE MAIL

Despatch via this method will depend upon the

size and weight stipulated by the postal authorities.

DESPATCH OF PURCHASES Quotations for packing and postage are available
All purchases must be removed by 12 noon on the
day following the sale, after which all purchased upon request.
lots will be placed in storage and will be subject to
removal, handling and storage charges. ROAD

This is suitable for all items too large or fragile

for despatch by mail. Unless otherwise specified,

despatch is arranged by our nominated agent at

Purchases will be despatched as soon as possible your risk. Quotations for packing and despatch are
upon receipt of the buyer’s written despatch
available upon request.

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TERMS & CONDITIONS OF BUSINESS AND RULES OF AUCTION

Stephan Welz & Co., a division of Scoin Trading (Pty) Limited (“The Company”)

The Company carries on its business as auctioneers is not shown to be such in the description in the 18. “Seller” means the person named as the Seller of
in accordance with these Terms and Conditions of catalogue and which at the date of the sale had a value any lot, being the person that offers the lot for sale;
Business and Rules of Auction. materially less than it would have had if it had been 19. “Seller’s commission” means the commission
in accordance with that description and includes any payable by the Seller to the Company on the sale of a
A. DEFINITIONS misrepresentation made with intention of deceiving lot that is calculated on the hammer price of that lot at
In these conditions of business, headnotes are for as to authorship, origin, date, age, period, culture or the relevant current rate;
convenience only and shall not be used in their source; 20. “VAT” means value added tax levied in terms of the
interpretation, any expression which denotes any 9. “hammer price” means the bid or offer made by Value Added Tax Act, 1991.
gender shall include the other genders, any expression the Buyer for any lot that is finally accepted by the
which denotes the singular shall include the plural auctioneer (after determination by the auctioneer of B. GENERAL TERMS AND RULES OF AUCTION
(and vice versa), any expression which denotes a any dispute that may exist in respect thereof) at a sale Every auction and/or sale shall be governed by these
natural person shall include a juristic person (and vice of that lot, together with VAT thereon (if any); terms, section 45 of the Consumer Protection Act 68
versa) and the following terms shall have the following 10. “lot” means any item or items to be offered for sale of 2008 (“the Act”) and the rules of auction and in
meanings: by the Company at an auction or private treaty sale; accordance with the laws of South Africa.
11. “prime rate” means the publicly quoted base rate The provisions of section 45 reads as follows:
1. “auction” means any private treaty or auction sale at of Interest (percent, per annum compounded monthly 1. Auctions
which a lot is offered for sale by the Company; in arrears and calculated on a 365 day year, irrespective 1.1 In this section, “auction” includes a sale in
2. “auctioneer” means the representative of the of whether or not the year is a leap year) from time to execution of or pursuant to a court order, to the extent
Company conducting an auction; time published by RMB Private Bank, or its successor- that the order contemplates that the sale is to be
3. “bidder” means any person making, attempting or in-title, as being its prime overdraft rate, as certified conducted by an auction.
considering to make a bid or offer to buy a lot at an by any manager of such bank, whose appointment, 1.2 When goods are put up for sale by auction in lots,
auction, or private treaty sale; authority and designation need not be proved; each lot is, unless there is evidence to the contrary,
4. “Buyer” means the bidder who makes the bid 12. “private treaty” means the sale of any lot other than regarded to be the subject of a separate transaction.
or offer for any lot that is finally accepted by the by auction sale at a price privately agreed on by the 1.3 A sale by auction is complete when the auctioneer
auctioneer (after determination by the auctioneer of Buyer and Seller; announces its completion by the fall of the hammer,
any dispute that may exist in respect thereof) at a sale 13. “purchase price” means the hammer price of or in any other customary manner, and until that
of that lot, and (where the Buyer is an agent acting for any lot at a sale thereof, plus the applicable Buyer’s announcement is made, a bid may be retracted.
a principal), the Buyer and the Buyer’s principal jointly premium for that lot, plus all recoverable expenses for 1.4 Notice must be given in advance that a sale by
and severally; which the Buyer is liable in respect of that lot; auction is subject to –
5. “Buyer’s premium” means the premium payable by 14. “recoverable expenses” includes all fees, taxes (a) A reserved or upset price; or
the Buyer of a lot to the Company on the sale of that (including VAT), charges and expenses incurred by the (b) A right to bid by or on behalf of the owner, in which
lot, calculated on the hammer price of that lot at the Company in relation to any lot that the Company is case the owner or auctioneer, or any one person on
relevant current rates; entitled to recover from a Buyer or Seller; behalf of the owner or auctioneer, as the case may be,
6. “catalogue” means any advertisement, brochure, 15. “reserve” means the confidential minimum hammer may bid at the auction.
estimate, pricelist, condition report and other price (if any) at which a lot may be sold at an auction as 1.5 Unless notice is given in advance that a sale by
publication (in whatever medium, electronically or agreed between the Seller of that lot and the Company auction is subject to a right to bid by or on behalf of
otherwise) published by the Company in respect of any in writing; the owner or auctioneer:
auction; 16. “sale proceeds” means the amount due by the (a) The owner or auctioneer must not bid or employ
7. “current rates” means the Company’s current rates Company to the Seller of a lot in respect of the sale of any person to bid at the sale;
of commission, premiums and other amounts payable that lot, made up of the hammer price of the lot, less (b) The auctioneer must not knowingly accept any bid
to the Company for the time being, together with the applicable Seller’s commission for that lot, less all from a person contemplated in paragraph B.1.5 (a); and
VAT thereon (if any), all as published by the Company recoverable expenses for which the Seller is liable (c) The consumer may approach a court to declare
(whether in a catalogue or otherwise) or as agreed in respect of that lot and any other amounts due to the transaction fraudulent, if this subsection has been
between a prospective Buyer or Seller (as the case may the Company by the Seller in whatever capacity and violated.
be) and the Company; howsoever arising. 1.6 The Minister may prescribe requirements to be
8. a “deliberate forgery” means an imitation made 17. “sale” means the sale of any lot at an auction, complied with by an auctioneer, or different categories
with the intention of deceiving as to authorship, whether done by private treaty or auction sale, and of auctioneer, in respect of:
origin, date, age, period, culture or source, which “sell” and “sold” shall have corresponding meanings;

248