Huang Wei Rabbit. High fire porcelain Rabbits symbolize luck in Chinese culture. There are many historical stories and legends about rabits, a well-loved animal
Huifan Gao “Fun of lotus”. diameter 30 cm. New color of ceramics One of my favorite scenes: The lotus are blossoming slowly in the hot summer.
Huifan Gao Cranes. 30 x 44 cm. Glazing and splashing The artist used the splahing technique to apply underglaze and paint flying cranes on the surface of the glaze. In traditional Chinese culture, a crane is an auspicious symbol of peace, inclusion, and a bright future.
HyunMoon Shin Once upon a time.... 200 x 200 x 150 It made the tiger, which was used as a material for old Korean folk paintings, humorous
Jarun Nongbua มนตเสนหแหงทองทุง 19 x 25 cm. เตาฝน ความประทับใจในวิถีชีวิตชนบทไทยอันมีเรื่องราวของการดำเนินชีวิตของครอบครัวไทย
Jeong sang young A Pair of Sheep L : 12 cm H : 8 cm I expressed humor and cuteness under the theme of sheep.
Jeon Yena Walk in the water 38 x 43 x 10 cm. My work was based on the view from the water. Silence in the water, mysterious beauty, familiar but unfamiliar, dreamlike… Everyone dreams of a beautiful life, but it is easy to live a dry life in busy daily life. I hope my work will be an opportunity to regain beautiful sensibility in everyday life.
Jiang Xiaolan Chase 58 x 38 cm. Famille-rose porcelain
JIAQI JIANG The five seals of Shakya 300 x 300 x 5 High temperature color glaze, kneading, blue and white The work combines elements such as Dunhuang apsaras and caves, adopts high-temperature color glaze, and combines the artistic conception of Chinese image ink painting to create a new concept design and visual expression. The combination of ceramic carving and high-temperature color glaze gives the Dunhuang style a new visual impact. High temperature kiln-changing color glaze free and uncertain freehand style, and the combination of figurative Buddhist hand prints, make the works become more decorative. With the solemn Buddha's hand prints and rhythmic aphanas, the transformation between introversion and exaggeration, implicature and tension, three-dimensional and two-dimensional, the author tries to find a balance in the contradiction, and find more possibilities in the fusion of contemporary and traditional.
Jing-Yi Mugs in colour H: 100 mm. L: 85 mm. ceramic technology The mug of the integration of Western Regions style and Chinese culture
Jin Wook, Lee A Fish-shaped Lamp 16 x 10 x 14 Double ceramics / Celadon A fish-shaped representation of a lamp that lights up the darkness
JI YOUNG LEE RED WAVE 200 x 200 Electronic wheel / Wood Kiln A stream of consciousness
Junladej Thammavong “I and MINE” 31 x 41 cm.
Juseok Lee Fall with a bump 23 x 28 x 16 cm. wood kiln Describe my dog
Kaison Leeseetoun Bird and the city no. 2 Underglaze Painting with Concrete Mold, Fired at 1,220 °C
Kanlayanee Phueaknamphol "Bangkok Bunny Boys" 24 x 10 x 10 cm. wood kiln The modernization of fortune sticks in design is a way to preserve and celebrate the traditional Chinese divination method while also incorporating it into contemporary styles and trends. By updating the design of fortune sticks, artists and designers are able to pay tribute to the culture while also creating something new and fresh.This can help to introduce the tradition to a new audience and keep it relevant in today's society.
Katekarn Rattanachoul Colors of Rainfall 45 x 30 cm., 30 x 20 cm. Inspired by an impression of the interdependence of natural beauty. It represents identity, simplicity, and uncomplicated beauty.
Khatawut Julatum Happiness is .. 70 x 45 x 35 cm. Combination of perspective, place, feeling and happiness.
Kim Heonkyu earthenware lamp 14 x 15 cm. It is used by filling the body with oil and lighting five wicks.
Kim Heungbae a white porcelain moon jar a spinning wheel / white porcelain soil / 39 x 39 cm.
Komes Kuntig perfection of nature H: 65 cm. W: 50 cm. In the nature of the vegetation rich in minerals in the soil It will always be perfect for the crops.
Kornthana Kongsuk White small bag 9 x 17 x 4 cm. White small bag Keep things that are valuable and meaningful, in something for the mind
Lee Sunghyun My own tea place 20 x 25 cm. a spinning wheel / white porcelain soil I can put it on my desk and enjoy it
LEISHI Elephant Life 50 x 5 cm. The work is made of ceramic materials. The elephant is the mascot of Thailand. It is decorated with Chinese Jizhou kiln paper-cut decals, which is a symbol of the fusion of Chinese and Thai cultures.
Liao Zhiying The Spring Garden H: 50 cm W: 27 cm. Porcelain vase, overglaze decoration This piece of art depicts a garden in springtime with flowers blooming and bees and butterflies dancing.
Li Bailu Small night light series H: 21 cm W: 18 cm. linglong porcelain (Firing at 1300 ) The Famille Rose Porcelain (Firing at760) Jingdezhen ceramic technology is used to express the spirit of literati painting in traditional Chinese painting.It is expressed in the form of cultural and creative products.
Li Meizhen Peony Under the Sun 33 cm (length) x 33 cm (width) x 100 cm (height) Famille rose utensil with meticulous overglaze painting peonies are a common pattern on familte rose porcelains. peonies are featured on all of the four aces of the utensil, which shows the artist' s confidence in her craftsmanship. The artist infus work with feminist aesthetics by using several colors like magenta, green, ocher and royal blue to create tender, delicate, elegant images. The whole artwork looks extremely polished and refined with the artist' s modern techniques and aesthetic taste in classicism. The " resonance " between the work of art and observers is exactly what the artist pursues. She deliberately created these vivid images on the fine ceramic work. The first surface features one peony flower, the second two peony flowers, and the third three peony flowers. The fourth surface, which features a pair of butterflies with vibrant colors that contrast the hues of the peony blooms, draws extra attention. On each surface, a rectangular strip in the color of bluish green adds a touch of modernity to the work. Inside each strip, leaves in varied shades of bluish green are densely arranged to give a three-dimensional effect. Each surface is different from one another, but in a harmonious way. The complementary color and image combinations make this piece of artwork more precious and appealing..
Linhuangshan 林黄山 Growth 40 x 15 cm. The bottle is a Guanyin bottle, which is auspicious and has the meaning of satisfying people's wishes. The pattern is a child holding a flower seed, which opens a flower and grows continuously, meaning full of vitality, world peace, and people's good wishes will be realized.
Linxin Ouyang Spirit of Dunhuang 38.5 (L) x 15.6 (W) x 4.3 (H) Kneading pottery and painting The performance of Dunhuang in the most brilliant flying image
Linyao Cheng Blue and white porcelain lamp 25 x 11 cm. Ceramic touch porcelain lamp Combination of design and blue and white ceramics
LIU JIAN Lotus connotation 27x12 cm. blue and white porcelain painting freehand brushwork in traditional Chinese painting
Li Wen Yue Tea set Beauty figure This work is decorated with ceramic ink color, which is decorated with gold in the corresponding position, depicting the gentle andgentle posture of the woman.
Li Wen Yue Ceramic Pastel Decoration 'Herding Cows'
Li Xuanyan Egret in the lotus pond 80 x 80 cm. colored glaze painting and overglazed color figure In the Chinese ceramic decoration, the picture of a crane and a large lotus leaf symbolizes “Yilulianke”. “Yilulianke” means that in the imperial examination era of feudal society, people sent congratulations and auspicious words to the students.
Lu Jiang Figure of Buddha 50 x 30 cm. ceramic painting
Lu Xuan Red and purple W: 77 cm. H: 116 cm. The work selects the peony flower as the theme flower. Through the extraction of the "flower" symbol element of the peony flower, it depicts the beauty of the peony flower, expresses the strong vitality of the peony flower, and draws the love and vitality expressed by the peony flower. Through the creation of peony flowers, women's tenderness and fraternity, tolerance and love for nature, women's respect for life, and the diversity of contemporary ceramic works are expressed.
LU YU Spring has sprung 12 x 11 x 9 cm. Traditional pastel craft. The birds singing under the wisteria trees express the beauty of harmony between man and nature
Mengyingjing Xiong “Girl’s Wonderland” 58 cm. (L) x 38 cm. (W) x 30 cm. (H) Hand-painted The sea, the mountains, the flowers, the birds, the sun, the moon, you and endless love.
Ming liang le Dunhuang frescoes 60 x 40 x 15 cm. ceramic painting
Ming Zhang Phoenix-Blue and white ceramic 40 x 40 cm. ceramic painting Blue and white ceramic
Nattanan Buangam Happy and calm 15 x 25 cm.
Oleg Cheprakov Creator teamwork 20 cm. Tableware plate
Opas Nuchniyom เรื่องเลาในโรงเตี้ยม 10 x 30 x 38 cm. คนเราเมื่อรวมตัวกันก็มักจะมีเรื่องราวเราสูกันฟงและสวนใหญจะกลาวถึงบุคคลที่ 3 เสมอ
Park Weonyoung image of city 2023 L: 350 D: 250 H: 450 (mm.) Reinforcement with heavy feeling and physical properties of the work itself as a cross section of urban buildings. Iron column. It's a realistic representation of the feeling of concrete. In addition, for the overall atmosphere, the surface texture was expressed by breaking the dried clay on the molded object into small pieces, spraying water on the surface, and attaching clay powder to the surface, expressing the image of the ruins in a pictorial manner through the remains of cement stew. The work completed through this method was a part of modern society, symbolizing the oppression and destructive power that the city gives us, and trying to show the vanity and reality of human desire.
PeiPei Mu Enclosed Space
Phiphat Chit-arirak Flowers of the past. 30 x 23 x 10 The aesthetics of flowers in Thai traditional arts.
Poradee Panthupakorn “Blue Banchiang”
Pornsawan Nonthapha แมวของฉัน 50 x 75 x 76 cm. บันทึกความรักความผูกพันที่มีตอสัตวเลี้ยงที่แสนนารัก
Prasit Mukdamanee กระดึง หมายเลข 3 60 x 40 x 26 สัญลักษณครอบครัวในวิถีวัฒนธรรมไทย
QIN ZE WANG QINGCHENG Mountain 40 x 60 cm. ceramic painting