QIU JIAJI Phantom beast 41 x 41 cm. Ceramic underglaze painting The monster of the mountains and seas, there is no can represent you!
Ran Young Jeong Once upon a time 150 x 150 x 200 Recall old memories
Ray Chen Mother and Child H: 97 x L: 219 x W: 122 cm. Mother and Child honors a journey of time, connection and bond, from traditional to contemporary, from realistic emotional expression to abstract presentation, from East to West. Mother and Child is a connection over space and distance with my mother. It represents values instilled and influenced by notions of matrilineal family education which urges oneself to lead a purposeful and meaningful life and to defy and overcome impossible possibilities. Strengthened by women’s beliefs and a maternal drive to allow inspiration, love and persistence to slip into our lives, it redefines and refines our individual role in society. It also demonstrates how changing circumstances and moving forward to a wider field for gender’s voice and family education within our society and around the globe, shape of our social and artistic values.
Sakesan Tanyapirom Aesthetic of the East 40 x 40 cm.
SARAVUT VONGNATE Trap Series 58 x 35 cm. Raku Technique Obsession with desires and passion cannot be restrained and it can be enjoyable as if you are unconsciously caught in a trap.
Sayumporn Kasornsuwan Lukchan No.1
Shao Qi Traces 22 x 10 x 66 cm., 18 x 10 x 64 cm., and 20 x 11 x 64 cm.
Shin Seung Bong fish - shaped square bottle 26 X 25 X 15 cm. Reproduction of the fish square bowl inheriting the tradition
Sin Dongsuk Bottle and Goblet 112 x 119 I want to share happiness and joy, eat and enjoy.
Sirintra Arjcharoen Rich of Nature 25 x 10 cm. Earthenware clay, Wheel throwing and paint underglaze color สายน้ำสะทอนถึงความอุดมสมบูรณ
Sirumpa Chunnuan Blue & white tea cup Color Slip casting,Porcelain 1,230 °C,Decal สัมผัสของความอบอุนของถวยชาผานงาน Blue and White จากอดีตสูปจจุบัน
SOMJAI MAMEEN มุมมอง 30 x 35 x 15 มุมมองจากการมองเห็นที่แตกตาง
Song Jeeeun Interference of wave 20 cm. x 20 cm. H: 48 cm. มุมมองจากการมองเห็นที่แตกตาง
Sukumarl Sarakasetrin “Take a Chance to Make a Change”
Seungbin Rim autumn rain 80 x 170 x 140 mm thrown black soil, black glaze, cone 7. oxidation feast of blackness
Sun Junyao After Raining three pieces in total, each piece 40 x 25 x 5 cm. Clay molding, sculpture, and blue and white underglaze decoration The artist ,used blue and white to depict the rolling mist and the undulating hills in Jingdezhen, a small town in south China, after a rainfall.
Supakorn Kantapo ความงามแหงกาลเวลา 35 x 35 x 15 cm. ขึ้นรูปดินแผน Slab building and firing at 1,200 ํC จากความประทับใจภาพจิตรกรรมฝาผนัง แสดงถึงเสนสายที่ออนชอยผานการเวลา ที่บอกเลาเรื่องราวความงาม แหงตะวันออก
Supannikar Tiranaparin The beauty of coconut shell. 20 x 25 x 8 cm. Coconut presumably originated in Southeast Asia. In the culture and way of life of Thai people, it has been associated with coconut for a long time. Coconut is considered a multi-purpose tree. Thai people know the benefits of coconuts from the root to the top. Coconut shells can be used to make musical instruments, jewelry, or even a bowl. So I created this ceramic bowl to represent the beauty of a coconut shell and to show the aesthetics of the East through a coconut shell shape and ceramic glaze.
Sutthinee Sukkul Khao Hin Sorn 15-40 Cm. Sustainable Development Goals stressed appropriate conduct and way of life incorporating moderation and due consideration in all modes of conduct. It requires the application of accurate knowledge and morality, such as care and giving, mutual assistance, and collaboration.
Tanapong Sridang Emerald Crystal Ceramic Bong width 8 cm. high 40 cm.
TANGQINGQING Stand gracefully erect 25 X 40 cm. Paint the ceramic The technique of meticulous brushwork and the techniue of ceramic glaze coloring are used to paint on thin matrix ceramics
Tang Shengyao Green Mountain 60 X 60 cm. Porcelain plate decorated with blue and white patterns
Tan Jiè Wang Muguo Sprout 510 x 360 x 360 mm. Made by hand Spring is the season of new beginnings.A newborn thing goes through three stages: embryo, early development, and formation. The artist used different textures of pottery to reflect this process.
Tassanee Roongtaweechai Naturals Beauty No.2 20 x 10 x 54 cm. ความงามในธรรมชาติ โดยมีแรงบันดาลใจมาจากรูปทรง พื้นผิว และความงามของธรรมชาติรอบตัวที่หลอเลี้ยง สิ่งมีชีวิต ผานผลงานเครื่องเคลือบดินเผา
Thatree Muangkaew Kiss the Earth 2023 Year: 2023 15 x 15 x 12 cm. Technique: Hand building / Durian Ash Glaze / 1,222 °c Oxidation
Tundup Dorjay Concrete in Himalaya 60 × 30 cm. As the title suggests 'Concrete in Himalaya' shows recent unplanned development in Himalaya, in particular 'Ladakh'. Seeing many concrete structure coming up going against sustainability.
Wang Chao Still Life 70 x 25 x 20 cm. Sculpture.
Wang Kaichao Ceramic Pot withChinese Calligraphy Design diameter 25 cm. height 35 cm. Engraving The ceramic pot is a combination of elegance and modernity. The text oxn the pot is engraved in the bronze script of the Shang and Zhou Dynasties of China.
Wang Manli Our million hearts brating as one
Wang Yong Remembrance 20 x 45 cm. Ceramic Painting. By using cracks from different glazes which the expression of cooling shrink differ, in order to cherish the memory of the people killed in the war.
WANG YUDONG The other side of the tea bowl 9.5 x 7.8 cm. wheel-made and woodfired The tea bowl is like life. It has a gentle side and a sharp side.
Wang Zhihong Fish Design Coffee Set 37 x 26 x 16 cm. Grouting,in-glaze applique',and overglaze decoration with gilding The work is inspired by the shape of treaditional Chinese lanterns, decorated with blue and white patterns outlined in gold.
Wanna Thithamma Moon light Diameter 34 cm. ทองฟาในคืนพระจันทรเต็มดวง ใชดินพื้นบานราชบุรีในการขึ้นรูปแบบแผน ตกแตงสีดวย Black terra sigillata เผาเตาฟนอุณหภูมิ 1250 ‘C
Wathun Boonsorn Sun rise and Sun set 45 x 60 x 10 วัฏจักรหมุนวน มีขึ้นและมีลง เฉกเชนดวงตะวัน เชิดฉาย รวงโรย หมุนวนกลับมาใหมไมรูจบ
Wattanachot Tungzteja Heads 18 x 31
Worawut Suteeweerakajorn Fly 25 x 25 cm Flying to your dream
Wu Hongyun In People ' s Haunt I Built My Cot 42 cm (height) x 16 cm (width) Famille rose utensil with landscape painting This work celebrates unbridled spiritual freedom in the world of distractions.
Wu Xiaoyan The Gradual Process of the Heart 400 x 50 x 40 cm. Mud modeling. The inspiration of the work comes from the Dazu Stone Carvings Ritual Site of Buffaloes, which depictsa herdsman taming a disobedient ox, a metaphor for the path to self-enlightenment and a populartheme of Buddhism. The work shows the emotional journey of people in the material world."
Xingxing-Leng Striped coffee cup 20 mm. high and 75 mm. long ceramic technology Combination of traditional craftsmanship and modern style
XIN QIN Blue Blossom 40 x 40 Porcelain Plate Painting
Xu Bing (徐冰) 《 百年好合》 combination in 100 years color, clay and porcelain
Xun Li Ink painting gold“Rich garden” porcelain plate painting 25 x 46 cm. (No frame) A large amount of white space in the upper half of the objects, painted at the bottom, with decorative composition of traditional Chinese peony and butterfly dance scene performance
Xu Qing Gentle Breeze Blue and white patterns The artist used the underglaze blue and white decoration technigue to depict lush and green bamboo swaying in breeze.
Xu Wang Flying Apsaras from Dunhuang Grottoes Mahogany screen with a thin, double-sided porcelain plate Inspired by the cave temples in Dunhuang
Xu Yanli Flowers 25 x 25 x 22 cm. Wheel-throwing and hand-building. The flowers are made of ceramic materials, so that the beautiful shape can be immortal: the artistused white glaze so that observers will focus on the shape instead of colors.
Yang Kepeng 《青川》《qingchuan》 30 x 30 x 30 cm. Clay tablets bonded and formed, blue and white painting decoration under glaze, fired at a high temperature of 1380 degrees. This work is for the study supplies, used to place the brush and other items, the ware painted landscape painting, so that the desk to add a quiet feeling of landscape.
Yang Liu Golden Tiger Sends Great Fortune Diameter 30 cm. Ceramic painting, sculpture, painting gold The main body of the tiger adopts the underglaze half-knife mud carving technique (Yang carving), so that the main body has a convex effect on the plane; The surrounding pattern adopts traditional pastel decoration techniques (including traditional pastel filling techniques such as spot dyeing, washing and dyeing); Tiger features and torso using glaze tracing techniques to decorate the selection of dandelion cactus arum flower several plant prototypes as the main background to do pattern decoration design The whole work is decorated with shadow green glaze (shadow green glaze is more quiet and elegant compared with pure white glaze, which can be well matched with other colors in the pastel filling process). The internal features and patterns are painted with gold on the glaze. The tiger body pattern adopts majesty, power and brave blessing (These three meanings are the flower language of the above three plants) three Chinese words translated into Thai to do the font deformation design, according to the dynamics of the three forms of the tiger sitting and lying in turn into the main body of the tiger stripes ,the combination of Thai characters with pattern design and traditional technology in the form of text pattern expression. The monochrome of gold on the glaze is matched with the overelaborate background pattern, the monochrome color is echoed, the simple and complex are contrasted, and the underside of the shadow green is combined with gold (cyan represents soft beauty, and gold represents firmness) to express the beauty of form The central idea of harmony and unity in the law also symbolizes the good meaning of the integration and intersection of Chinese and Thai cultures.
Ye Jiabei Landscape Feast 25.5 x 4 x 25 cm Fater’s love is like a mountain, mother’s love is like water, and a dish of food carries the landscape of Chinese families.
YONG TAE WON The moon with plum blossoms 32 x 43 a spinning wheel technique / white clay, a traditional kiln
Youjiadan Revolving heart cup- Happy Magpie 90 x 62 mm. This design hopes to achieve the effect of 360-degree, multi-angle and different pictures from the perspective of modeling, and transform the scenery outside the window lattice into a small eacup in one hand by turning the heart.