YOUNGMIN LEE Desire 260 x 260 x 290 Desire and the purity of childhood.
Youn Sang Cho Recite poetry at night 180 x 140 x 180 mm. Harmony of poetry and pottery
Yu Jiie Mulberry Trees Growing in Low-Iying Land pen holder 20 x 5.5 cm, ing pad box 11 cm, brush washer 13 x 8 cm., and pen container 12 x 13 cm. Hand-painted blue and white porcelain The artist used blue and white to highlight the elegance and beauty of Jiangnan.
Yu Qi All things born 200 x 200 cm. Buddha , God,spirit-- material and spirit, sensibility and reason, the unity of heaven and man, all living beings.
Zhang Baoqing Sunflower 59 x 25 cm. A combination of traditional blue and white porcelain decoration techniques and modern patterns. The artist used traditional blue and white porcelain decoration techniques to paint sunflawers.
Zhang Bo Errenzhuan 90 x 49 cm., 52 x 38 cm. Sculpture This is a modern pottery work with Chinese characteristics inspired by Errenzhuan (lit. two-people rotation), a genre of local folk dance and song from Northeast China, created using traditional potteryproduction methods and decoration techniques. This work is collected by the Jilin Provincial Museum.
Zhang Damin Flowers in Autumn 45 x 35 cm. Formed of a clay slab with high temperature color glaze The work depicts a group of fun-loving girls playing in the countryside of Jiangxi. The artist tried to highlight the characteristics of the ceramic material and the raw beauty of the clay slab. The artist was unrestrained in the making of his art. He broke away with the traditional techniques of ceramic sculptures and combined both abstract and concrete representation techniques to shape the figures. He was trying to add to the diversity of ceramic sculpturin techniques. He pale glaze highlights the shape of the figures and the natural folds of the clay slab, making the piece look fresh and alive.
Zhang Yongjin 《 About a possibility 》 40 x 40 cm H i g h te m p e r a t u r e co l o r e n a m e l p l a t e p a i n t i n g When Clay becomes ceramic, it meansthat it will becomeaneternal objective being. I hope my color glaze porcelain paintings can be engraved good wishes, beyond the barriers of time, become a living art form.
Zhang Yue The Familiar Moon 60 cm Combination of high fire color glaze and overglaze Through a clever use of points. Iines and surfaces the high fire glazing technique, and the most primitive and simple forms and artistic language, the artist tried to express his primal emotions and connections with the landscape depicted. It is a good choice for decoration and collection.
Zhang Zhaohui Observe the sea and heed the sounds of its waves. High temperature coating machine Temperature at 1300 degrees Celsius Show the magnificent power of the waves in the sea and the world.
Zhao Lesi The Lake 50 x 50 cm. Overglaze decoration This painting was inspired by a photo taken by the artist while visiting Lake Yamanaka in Japan. It ptures the tranquility of the green mountains reflecting in a lake rippling in the bre quiet connection between man and nature.
ZhouJunJie Snow corner 70 x 70 cm. Ceramic Glaze Pastel
ZHOU WANG & MING ZHANG Bodhisattva 20 x 60 cm. ceramic painting
Zhou Yaqi The Silk Road , Post Stations of Han and Tang Dynasties 50 x 50 x 30 cm. Drawing inspiration from the millennium-old post stations and bamboo slips discovered in the Hexi Corridor, the artist employed ceramics and acrylic to emphasize the passing of time and the significance of information sharing.
Zhou Zirou African Savanna 180 cm (length) x 113 cm (width) High fireglaze, and composite decoration The Distance Home....African Savanna: The artist employed the artistic language of ceramic painting to express her concern about the massive African savanna ecosystem and wild animals living there, call on everyone to protect wildlife, and share her deep love for the African prairie and for the nature world.
Zhu Qiang Auspicious bird 10 x 10 x 4 cm. Sculpture Best wishes from the East
Zhu Xirui The Letter 60 x 33 cm. Pottery Inspired by a piece of paper curling up on the ends, the artist. employed pottery. echniq lightness and curling of the paper. The exterior of the whole work is fine and smooth the beauty of pottery, while the interior 'is engraved with artistically written letters and' love poemes o' - the past dynasties, and the edges are carved using the chiseling technique. These letters and poems are infused with such emotions as longing and yearning.
Exhibition REVIEWERS
Sungwoog Lee Instructor, Ceramics Design, Faculty of Fine and Applied Arts, Burapha University Sakesan Tanyapirom, Associated Professor, Ph.D. Dean, Faculty of Fine and Applied Arts, Burapha University Phiphat Chit-arirak, Assistant Professor, Ph.D. King Mongkut’s University of Technology Norht Bangkok Sayumporn Kasornsuwan, Associated Professor Faculty of Decorative Arts, Slipakorn University Jarun Nongbua Director of College of Fine Arts Shin Hyun-moon Head of the Korea Ceramic Arts Association
workshop Activities
list of participating artists
list of Exhibition participants
Arissara Tippara Bae Eon Hyeon Bunyarid Sriural Cao Minglang Chanakarn Semachai Changqing Gao Chanon Krairos Chen Fei Cheng Xing Chen Hejie Chen Linna CHI CHEN Duriwat Tathaisong Fan-Bai Fang Hu Fang Juan Fangliang Liu Fang Man Fang YiFeng Fang Yu FANG ZHOU FeiYu Feng Luyuan Feng Shaohua Fengxiang Zhang Feng Xin GaoYing GaoYing GaoYing Guangyao Cheng Guan Jia Qin Haihong Huang Hong Yao Hoonhee Cho Huang Wei Huifan Gao Hunag Ping HyunMoon Shin Jarun Nongbua Jeong sang young Jeon Yena Jiang Xiaolan JIAQI JIANG Jing-Yi Jin Wook, Lee JI YOUNG LEE Junladej Thammavong Juseok Lee Kaison Leeseetoun Kanlayanee Phueaknamphol Katekarn Rattanachoul Khatawut Julatum Kim HeonKyu Kim Heung Bae Komes Kuntig Kornthana Kongsuk Lee Sung Hyun LEISHI Liao Zhiying Li Bailu Li Meizhen Linhuangshan Linxin Ouyang Linyao Cheng LIU JIAN Li Wen Yue Li Xuanyan Lu Jiang Lu Xuan LU YU Mengyingjing Xiong Ming liang le Ming Zhang Nattanan Buangam Oleg Cheprakov Opas Nuchniyom Park Weonyoung PeiPei Mu Phiphat Chit-arirak Poradee Panthupakorn Pornsawan Nonthapha Prasit Mukdamanee QIN ZE WANG QIU JIAJI Ran Young Jeong Ray Chen Sakesan Tanyapirom SARAVUT VONGNATE Sayumporn Kasornsuwan Shao Qi Shin SeungBong SHUJING ZHAO Sin Dongsuk Sirintra Arjcharoen Sirumpa Chunnuan SOMJAI MAMEEN Song Jeeeun Sukumarl Sarakasetrin SUNGBIN RIM Sun Junyao Supakorn Kantapo Supannikar Tiranaparin Sutthinee Sukkul Tanapong Sridang TANGQINGQING Tang Shengyao Tan Jie Wang Muguo Tassanee Roongtaweechai Thatree Muangkaew Tundup Dorjay Wang Chao Wang Kaichao Wang Manli Wang Yong WANG YUDONG Wang Zhihong Wanna Thithamma Wathun Boonsorn Wattanachot Tungzteja Worawut Suteeweerakajorn Wu Hongyun Wu Xiaoyan Xingxing-Leng XIN QIN Xu Bing Xun Li Xu Qing Xu Wang Xu Yanli Yang Kepeng Yang Liu Ye Jiabei YONG TAE WON Youjiadan YOUNGMIN LEE Youn sang Cho Yu Jiie Yu Qi Zhang Baoqing Zhang Bo Zhang Damin Zhang Yongjin Zhang Yue Zhang Zhaohui Zhao Lesi ZhouJunJie ZHOU WANG & MING ZHANG Zhou Yaqi Zhou Zirou Zhu Qiang Zhu Xirui PARTICIPATING artists
Workshop artists artists assistants (Ceramics Design Students) CHO HOONHEE CHO YOUNSANG JEONG RANYEONG JEONG SANGYOUNG JEON YENA KIM HEUNGBAE LEE JINWOOK LEE JIYOUNG LEE JUSEOK LEE SUNGHYUN LEE YOUNGMIN PARK WEONYOUNG RIM SEUNGBIN SHIN HYUNMOON SHIN SEUNGBONG SIN DONGSUK SONG JEEEUN WON YONGTAE JUTHAMANEE THONGVICHIAN KANOKWAN KURUPANYA KANOKWAN TAKMATCHA KANYANAT SONGSIRIPATRA KORAWEE KLINSUKON NANTAPORN SANGNGERN PANISARA KLUSANG PHUNNAPA KOBKARNPONG PLOYNAPAT CHAIJAROENDACHA POORIPAT PHOTPIRIYA PRONTITA PONREUNG PUBODEE AMORNWAT SONGTHONGKHAM SONGSANG THIPHARAT LIMPRASERT WONGSAPRUT PAKNAM