The Digitakt Notebook : Reference & Guide 197 NOTES 10.12 USB WITH ABLETON LIVE: EXAMPLES Ableton Live examples illustrate the options USB MIDI and Audio provides. These are for example and illustration purposes only and other methods may be applied. Hardware and software versions may vary and evolve and the exact functionality may change. Live 9 to Digitakt SETTINGS Other settings are suggested to remain at the defaults. MIDI & USB 10 Digitakt Config Parameter Setting Description System > USB Config USB Audio / MIDI ON Enable MIDI and Audio over USB to Live. MIDI Config > Sync Clock Receive ON If the sequencer and tempo is to be synchronised in the Digitakt from Live MIDI Config > Sync Clock Send ON If the sequencer and tempo is to be synchronised in the Live from Digitakt MIDI Config > Sync Transport Receive ON Stop, Start control of Digitakt from Live MIDI Config > Sync Transport Send ON Stop, Start control of Live from Digitakt System > Audio Routing Int to Main OFF Internal Digitakt audio not routed to main output. Set ON if the internal audio is required. System > Audio Routing USB to Main (dB) 0 Sets the gain of any USB audio to the Digitakt main output Connectivity A Live audio track can be set up to receive the Digitakt audio in via USB. Individual MIDI tracks can be set, for example one Live track to each Digitakt track. Individual control of Digitakt drum or sounds is then possible. Audio from the Digitakt USB will be available in the Live audio tracks as a stereo 1-2 pair or 1 or 2 inputs in the audio track. Mac or Windows PC’s normally have a USB Type A or Type C. A compatible cable is needed for connection to the Digitakt USB - Type B connection. Digitakt is supplied with a Type A to Type B Cable.
198 The Digitakt Notebook : Reference & Guide ▌AUDIO INTO LIVE FROM DIGITAKT USB. 1. Connect the Digitakt to the Mac hosting Live DAW. 2. Ensure Digitakt SETTINGS are configured for USB MIDI and Audio. 3. In Live, setup the audio preferences. Menu: Live > Preferences > Audio. This opens the audio set up window. Set ‘Elektron Digitakt (2 in, 2 out)’ as the analogue input device (option also for output device). 4. In Live, insert a new audio track or select an existing free audio track. 5. Ensure the audio track ‘Audio From’ is set to Ext In and to the input channels required. This is typically 1/2 for the Digitakt stereo output but can also be 1 or 2 for each individual channel. 6. Select ‘In’ on the audio track to monitor the Digitakt audio signal. 7. The audio track can be record enabled and audio recorded into a clip within Live when Digitakt is playing. ▌TRANSPORT CONTROL FROM LIVE TO DIGITAKT VIA USB. 1. Connect the Digitakt to the Mac hosting Live DAW. 2. Ensure Digitakt SETTINGS are configured for MIDI Config > Sync to: Transport Receive = ON / Checked. Clock Receive and Send and Transport Send can also be checked as options if needed. 3. In Live, setup the link MIDI preferences. Menu: Live > Preferences then ‘Link MIDI’ Tab. This opens the Link MIDI set up window. 4. In the ‘MIDI Ports’ Section, Set the ‘Output: Elektron Digitakt’, Sync setting to ON. 5. The transport for Digitakt is controlled by Live’s play and stop. Tempo is also synchronised if Digitakt Clock Receive is on in the MIDI Config > Sync options. NOTES 10 MIDI & USB
The Digitakt Notebook : Reference & Guide 199 NOTES ▌SETTING UP A LIVE MIDI TRACK TO CONTROL DIGITAKT 1. Connect the Digitakt to the Mac hosting Live 2. Ensure Digitakt SETTINGS are configured for MIDI Config > Sync to: Transport Receive = ON / Checked. Clock Receive and Send and Transport Send also be checked. 3. In Live, setup the Link MIDI preferences. Menu: Live > Preferences then ‘Link MIDI’ Tab. This opens the Link MIDI set up window. 4. In the ‘MIDI Ports’ Section, Set the ‘Output: Elektron Digitakt’, Sync setting to ON and also Track setting to ON. 5. Create a MIDI Track in Live. 6. Set the MIDI track ‘MIDI To’ to ‘Elektron Digitakt’ and also to the desired Channel, i.e. Channel 1 to control Kick - Track 1 on Digitakt (with default settings). 7. This will send the data from clips and devices in the MIDI track to the defined channel. Additional tracks can be configured for Digitakt Snare - Track 2, Tom - Track 3 etc. 1 MIDI DG Kick 2 Digitakt Audio MIDI From Audio From All Ins Ext. In Elektron Digitakt Master All Channels 1/2 Ch. 1 In In 1 2 s s Auto Off Auto Off Monitor Monitor MIDI To Audio To A Sends B -4.30 0 12 24 36 48 60 MIDI & USB 10
200 The Digitakt Notebook : Reference & Guide 10.13 USB WITH OP-Z SYNTH: EXAMPLES NOTES Teenage Engineering OP-Z is a synth, sequencer and sampler. This example illustrates the interconnection of both devices over USB. This is one way but other methods may be applied. Hardware and software versions may vary and evolve and the exact functionality may change. OP-Z 1.2.28 to Digitakt Digitakt Config Parameter Setting Description System > USB Config USB MIDI ON Enable MIDI over USB. OP-Z is not USB Audio compatible. MIDI Config > Sync Clock Receive ON If the sequencer and tempo is to be synchronised in the Digitakt from the OP-Z MIDI Config > Sync Clock Send ON If the sequencer and tempo is to be synchronised in the OP-Z from Digitakt MIDI Config > Sync Transport Receive ON Stop, Start control of Digitakt from OP-Z MIDI Config > Sync Transport Send ON Stop, Start control of OP-Z from Digitakt System > Audio Routing Audio over USB not supported by OP-Z Connectivity OP-Z and Digitakt can work in sync with either acting as the master. Sync and Transport governs the control. Given that the OP-Z does not support Audio over USB, the USB Config USB MIDI setting can be selected instead of the USB AUDIO / MIDI. OP-Z has a USB Type C. A compatible cable or USB hub or Interface would be needed to ensure connection to the Digitakt USB - Type B connection. Sequence OP-Z has, by default each of its tracks allocated to a MIDI Channel. Digitakt also has the tracks allocated by MIDI Channel. So Track 1 - Kick on Digitakt can be sequenced by the Kick Track 1 on OP-Z. These can be reconfigured using the OP-Z app and also in the Digitakt MIDI Config > Channels menu. 10 MIDI & USB SETTINGS Other settings are suggested to remain at the defaults.
The Digitakt Notebook : Reference & Guide 201 NOTES 10.14 USB WITH DELUGE SYNTH: EXAMPLES Synthstrom Deluge is a synth, sequencer and sampler. This example illustrates the interconnection of both devices over USB. This is one way but other methods may be applied. Hardware and software versions may vary and evolve and the exact the functionality may change. Deluge 3.1 to Digitakt Digitakt Config Parameter Setting Description System > USB Config USB MIDI ON Enable MIDI over USB. Deluge is not USB Audio compatible. MIDI Config > Sync Clock Receive ON If the sequencer and tempo is to be synchronised in the Digitakt from the Deluge. Ensure transport is also ON. MIDI Config > Sync Clock Send ON Deluge does not automatically respond to Play / Stop commands. MIDI Config > Sync Transport Receive ON Stop, Start control of Digitakt from Deluge MIDI Config > Sync Transport Send OFF Deluge does not automatically respond to Play / Stop commands. System > Audio Routing Audio over USB not supported by Deluge. Connectivity Connect the USB to Deluge and Digitakt before powering on. Deluge and Digitakt can work in sync with either acting as the master. Sync and Transport governs the control and both would need to be set on in Digitakt for Deluge to control. Tempo magnitude matching may need adjusting using Learn / Input + turn Tempo on Deluge is tempo out of sync. Given that the Deluge does not support USB over MIDI, the USB Config setting can be selected instead of the USB AUDIO / MIDI. Deluge has a USB TypeB. A compatible cable or USB hub or Interface would be needed to ensure connection to the Digitakt USB - Type B connection. If Digitakt does not match to Deluge tempo, adjust Deluge tempo magnitude. MIDI & USB 10 SETTINGS Other settings are suggested to remain at the defaults.
202 The Digitakt Notebook : Reference & Guide NOTES Deluge 3.1 to Digitakt Digitakt as a Drum Synth sequenced from Deluge Digitakt Config Parameter Setting Description System > USB Config USB MIDI ON Enable MIDI over USB. Deluge is not USB Audio compatible. MIDI Config > Sync Clock Receive ON Sequencer and tempo is to be synchronised in the Digitakt from the Deluge. MIDI Config > Sync Clock Send OFF Digitakt triggered by Deluge MIDI Config > Sync Transport Receive OFF MIDI Config > Sync Transport Send OFF System > Audio Routing Audio over USB not supported by Deluge. Deluge Master Deluge should be configured with MIDI Tracks. Each track would trigger an equivalent Digitakt track. So if channel 1 is set on Deluge this will trigger the kick track 1 on Digitakt by default. Channels can be reconfigured on Digitakt using MIDI Config > Channels. Deluge uses MIDI Learn features to be operated by other devices. Tempo magnitude may need adjusting to sync temp on the Deluge. Deluge tracks set to MIDI Track. Each Deluge MIDI track channel will trigger the relevant Digitakt track Tracks triggered using the specified channel. Transport is off to ensure drums / sounds are triggered statically by Deluge sequencer. 10 MIDI & USB SETTINGS Other settings are suggested to remain at the defaults.
The Digitakt Notebook : Reference & Guide 203 NOTES MIDI & USB 10 10.15 USB WITH IPAD APPS: EXAMPLES iPad apps are great ways to add effects and other app instruments into the workflow. Audiobus and Kymatica AUM enables audio and MIDI to be managed inside the iPad with interconnection of instruments and effects. Apple iPad to Digitakt. AUM and MSXII Sound Design Fly Tape as an insert effect USB USB Digitakt Config Parameter Setting Description System > USB Config USB Audio / MIDI ON Enable MIDI and Audio over USB into iPad and then back out to Digitakt. MIDI Config > Sync Clock Receive OFF Example routes Audio. No MIDI. MIDI Config > Sync Clock Send OFF Example routes Audio. No MIDI. MIDI Config > Sync Transport Receive OFF Example routes Audio. No MIDI. MIDI Config > Sync Transport Send OFF Example routes Audio. No MIDI. System > Audio Routing Int to Main OFF Internal Digitakt audio not routed to main output. A fully wet mix through the iPad FX will be heard on Digitakt Output. System > Audio Routing USB to Main (dB) 0 Sets the gain of any USB audio to the Digitakt main output 1: Elektron Digitakt L+R AUM Configuration and Connectivity AUM is an app that hosts plug ins and connects internal and external MIDI and Audio. MSXII Sound Design’s Fly Tape is a AUv3 Plug In (iOS app) that is a tape emulation effect. Channeling Digitakt audio is possible across USB into the iPad and into the AUM audio track input, through Fly Tape (Hosted in AUM App environment as an audio effect) and back across USB to the Digitakt output. This uses the Fly Tape as an insert effect for the Digitakt L+R audio. A camera connection kit or equivalent iPad adapter is required to transfer from the USB Type A connection to the iPad connector. SETTINGS Other settings are suggested to remain at the defaults.
204 The Digitakt Notebook : Reference & Guide NOTES 10 MIDI & USB Apple iPad to Digitakt. AUM and MSXII Sound Design Fly Tape as an insert effect USB USB 1: Elektron Digitakt L+R AUM As the host Audio / MIDI Mixer and hub. Audio Channel Compatible device i.e. iPad / iPhone MSXII Fly Tape As the plug in effect in the audio chain Digitakt Audio Input from Digitakt Digitakt Audio Output to Digitakt Out. Fly Tape Insert effect can manipulate, control and affect the audio from Digitakt as an insert effect.
The Digitakt Notebook : Reference & Guide 205 NOTES MIDI & USB 10 Apple iPad to Digitakt. AUM and MSXII Sound Design Chomplr MIDI Controlled from Digitakt USB USB Digitakt Config Parameter Setting Description System > USB Config USB Audio / MIDI ON Enable MIDI and Audio over USB to transfer out to iPad and back to Digitakt. MIDI Config > Sync Clock Receive OFF Control over Digitakt not required. MIDI Config > Sync Clock Send ON Digitakt controls iPad AUM + Chomplr MIDI Config > Sync Transport Receive OFF Control over Digitakt not required. MIDI Config > Sync Transport Send ON Digitakt controls iPad AUM + Chomplr MIDI Config > Port Config Output To USB Send MIDI Trigs from Digitakt to iPad. USB is faster than MIDI + USB. MIDI Config > Port Config Output Ch TRK CH Sends MIDI from selected track as opposed to Auto Channel System > Audio Routing Int to Main OFF Internal Digitakt audio not routed to main output. This means a fully wet mix from the iPad FX and AUM will be heard on Digitakt Output. System > Audio Routing USB to Main (dB) 0 Sets the gain of any USB audio to the Digitakt main output 1: Elektron Digitakt L+R AUM Configuration and Connectivity AUM is an app that hosts plug ins and interfaces internal and external MIDI and Audio. MSXII Sound Design’s Chomplr is a AUv3 Plug In (iOS app) instrument reminiscent of classic romplers and allows playback of slices samples. MIDI from Digitakt across USB into the iPad can control the AUM hosted instrument. This can offer creative opportunities when sequencing MIDI Tracks. The Output audio can also be routed back to Digitakt over USB. Set Digitakt MIDI sequencing as normal and AUM channel to match. A camera connection kit or equivalent connector adapter is required to transfer from the USB Type A connection to the iPad connector. SETTINGS Other settings are suggested to remain at the defaults.
206 The Digitakt Notebook : Reference & Guide NOTES 10 MIDI & USB Apple iPad to Digitakt. AUM and MSXII Sound Design Chomplr MIDI Controlled from Digitakt. Audio returned back to Digitakt over USB USB 1: Elektron Digitakt L+R AUM As the host Audio / MIDI Mixer and hub. MIDI IN from Digitakt routed to control Chomplr Audio Channel Compatible device i.e. iPad / iPhone MSXII Chomplr As the plug in instrument Digitakt Audio Output to Digitakt Out. Chomplr Notes are programmed in Digitakt MIDI Channel sequencer and matched to the MIDI channel on AUM + Chomplr. Chomplr sample slices are triggered from the Digitakt sequence.
The Digitakt Notebook : Reference & Guide 207 NOTES MIDI & USB 10 Apple iPad to Digitakt. Audiobus and MSXII Sound Design Minimoog Model D MIDI Controlled from Digitakt, audio also through MSXII Lo Fly Dirt. Digitakt Config Parameter Setting Description System > USB Config USB Audio / MIDI ON Enable MIDI and Audio over USB to transfer out to iPad and back to Digitakt. MIDI Config > Sync Clock Receive OFF Control over Digitakt not required. MIDI Config > Sync Clock Send ON Digitakt controls iPad AUM + Chomplr MIDI Config > Sync Transport Receive OFF Control over Digitakt not required. MIDI Config > Sync Transport Send ON Digitakt controls iPad AUM + Chomplr MIDI Config > Port Config Output To USB Send MIDI Trigs from Digitakt to iPad. USB is faster than using MIDI+USB MIDI Config > Port Config Output Ch TRK CH Sends MIDI from selected track as opposed to Auto Channel System > Audio Routing Int to Main OFF Internal Digitakt audio not routed to main output. This means a fully wet mix through the iPad FX from AUM will be heard on Digitakt Output. System > Audio Routing USB to Main (dB) 0 Sets the gain of any USB audio to the Digitakt main output Audiobus Configuration and Connectivity Audiobus is an app that hosts plug ins and interfaces internal and external MIDI and Audio. Moog Model D synth is an app instrument. MIDI from Digitakt across USB into the iPad can control the Audiobus hosted instrument. MSXII Sound Design Lo-Fly Dirt can also be inserted into the Audiobus audio chain. This can offer creative opportunities when sequencing MIDI Tracks. The Output audio can also be routed back to Digitakt over USB. Set Digitakt MIDI sequencing as normal and Audiobus channel to match when creating the MIDI channel as Digitakt input. A camera connection kit or equivalent connector adapter is required to transfer from the USB Type A connection to the iPad connector. SETTINGS Other settings are suggested to remain at the defaults.
208 The Digitakt Notebook : Reference & Guide NOTES 10 MIDI & USB Apple iPad to Digitakt. AUM and MSXII Sound Design Chomplr MIDI Controlled from Digitakt. Audio returned back to Digitakt over USB ELE DIG MUTE MUTE SOLO BYPASS WET MIDI AUDIO MIXER 100 Audiobus Mixer Audiobus Hosting environment routing MIDI and Audio through app plugins and back out to Digitakt. Digitakt MIDI Input from Digitakt across USB Moog Model D App synth controlled by Digitakt MIDI. Audio routed through effects and out back to Digitakt Lo-Fly Dirt MSXII Audio Insert plug in effect. Audiobus Set the MIDI input in Audiobus to the same channel that transmits MIDI from Digitakt. Sync options can be set in Digitakt and BPM / Tempo controlled. A A ON
The Digitakt Notebook : Reference & Guide 209 NOTES MIDI & USB 10 10.16 USB WITH IPAD APPS: EXAMPLES iPhone apps and other smart phones have a number of recording apps available. Examples such as Izotope’s Spire, Yamaha Cloud Audio Recorder to name a few. Also device apps such as GarageBand provide recording options. Apple iPhone to Digitakt. Recording audio over USB into a smart device i.e. Izotope Spire. Digitakt Config Parameter Setting Description System > USB Config USB Audio / MIDI ON Enable MIDI and Audio over USB to transfer out to iPhone . Audio needed. Audiobus Configuration and Connectivity Spire is an app from Izotope inc which is designed to work with the Spire audio interface. However it functions also as a stand-alone recording app using the iPhone mic or USB in. Audio can be recorded through the USB from Digitakt. Many other recording apps offer the same functionality in capturing audio. A camera connection kit or equivalent connector adapter is required to transfer from the USB Type A connection to the iPad connector. 1 0.09 Notes Spire Project Record Mix SETTINGS Other settings are suggested to remain at the defaults.
210 The Digitakt Notebook : Reference & Guide 10.17 Transfer NOTES An Elektron software utility called Transfer uses the MIDI protocol for transferring samples between Digitakt and a Mac / PC. A summary of transferring samples is shown elsewhere in this manual. Transfer can also be used with its drag and drop interface to transfer Sysex files on compatible transfer devices. Be careful using Transfer utility for sysex as this may overwrite Digitakt data without any user control. Sysex files should be dragged and dropped to the interface following the same process as transferring samples. This is recommended for OS Upgrade. DIGITAKT Ensure MIDI CONFIG in the settings menu is set correctly as per your physical connection i.e. USB. Files will be transferred across fro PC/MAC PC / MAC Use Transfer for transferring samples. Sysex files also can be dropped to Transfer but C6 is the recommended application for Sysex management. 10 MIDI & USB
The Digitakt Notebook : Reference & Guide 211 NOTES MIDI & USB 10 10.18 Legacy support for Sysex with C6. Sysex functions have now been integrated into the Transfer too. Legacy systems used a utility called C6 which is now discontinued. For completeness this section covers C6 functions for Sysex. MIDI communication is used over the 5 Pin Midi Out or USB ports in order to Send / Receive data (not audio samples) and manage back ups using Sysex protocols. The PC / Mac would need to be connected to Digitakt to operate the following walkthroughs. DIGITAKT Ensure MIDI CONFIG in the settings menu is set correctly as per your physical connection i.e. USB. PC / MAC Use a Sysex Tool for transferring data. Elektron recommend the free C6 utility available from the Elektron site. C6 C6 utility shows transferred files. The larger one is entire project and smaller is an individual pattern. Files can be saved to the PC / MAC from here. Pattern and Sound data can be sent from C6 when Digitakt is restoring backups and transferring across previously saved data. SYSEX DUMP Project will transfer patterns, settings and sound pool sound data but not audio samples. Pattern will allow individual pattern selection to transfer. When transferring from PC/MAC the SYSEX RECEIVE Option is selected and the data to transfer Patterns and Sounds to the Digitakt is selected on the transfer process LEGACY SUPPORT REFERENCE ONLY - USE TRANSFER ON CURRENT SYSTEMS AND OS PROJECT ACTIVE PROJECT PATTERN
212 The Digitakt Notebook : Reference & Guide ▌SEND PATTERN & PROJECT DATA FROM DIGITAKT TO MAC / PC 1. Press [SETTINGS] - GLOBAL SETTINGS 2. Highlight [SYSEX DUMP] page, scroll with (LEVEL/DATA) or [UP] [DOWN] 3. Press [YES] to select SYSEX DUMP and reach the sub menu. 4. Scroll to and highlight SYSEX SEND and press [YES] to select. 5. Open C6 on the Mac or PC. Select RECEIVE in the Top Menu. 6. Navigate in Digitakt using [LEFT] key and select from the top level menu i.e. PATTERN and then the sub menu [RIGHT] for the specific data to back up i.e. Pattern Name. 7. Press [YES] to select and sending starts. 8. C6 will indicate the bytes transferred. Digitakt will indicate COMPLETE when data transfer has finished. 9. Press stop on C6 menu and the data will be shown in the files window. 10. Select the transferred files in C6 and SAVE. This will allow the data to be saved and named on the PC / MAC Drive. ▌RECEIVE PATTERN & PROJECT DATA TO DIGITAKT FROM MAC / PC 1. Press [SETTINGS] - GLOBAL SETTINGS 2. Highlight [SYSEX DUMP] page, scroll with (LEVEL/DATA) or [UP] [DOWN]. 3. Press [YES] to select SYSEX DUMP and reach the sub menu. 4. Scroll to and highlight SYSEX RECEIVE. Press [YES] to select 5. Navigate on Digitakt using [LEFT] key and select from the top level menu i.e. PATTERN and then the sub menu [RIGHT] for location. 6. Open C6 on the Mac / PC and select the Pattern file to send. Select SEND in the top menu. 7. C6 will indicate the bytes transferred. Digitakt will indicate COMPLETE when data transfer has finished. NOTES 10 MIDI & USB
The Digitakt Notebook : Reference & Guide 213 NOTES MIDI & USB 10 ▌SEND SOUND DATA FROM DIGITAKT TO EXTERNAL MAC / PC 1. Press [SETTINGS] then highlight the PATTERN Sub-Menu. Press [YES] to select pattern menu. 2. Highlight IMPORT/EXPORT page . Scroll with (LEVEL/DATA) or [UP] [DOWN]. Press [YES] to select and reach the sub menu. 3. Scroll to and Highlight MANAGE SOUNDS. Press [YES] to select. 4. Select one or more SOUNDS to transfer via Sysex to the PC/Mac by highlighting and pressing [YES] to check the sound. 5. Press [RIGHT] to open the sound management side menu. 6. Open C6 on the Mac or PC. Select RECEIVE in the top menu. 7. On Digitakt Scroll to the SEND SYSEX Menu option within the right menu and Press [YES] to select and sending starts. 8. C6 will indicate the bytes transferred. Digitakt will indicate COMPLETE when data transfer has finished. 9. Press stop on the C6 menu. Data will be shown in the files window. 10. Select the transferred files in C6 and SAVE. This will allow the data to be saved and named on the PC / MAC Drive. ▌RECEIVE SOUND DATA TO DIGITAKT FROM EXTERNAL MAC / PC 1. Press [SETTINGS] - GLOBAL SETTINGS 2. Highlight SYSEX DUMP scrolling with (LEVEL/DATA) or [UP] [DOWN]. 3. Press [YES] to select and reach the sub menu. 4. Scroll to and Highlight SYSEX RECEIVE. Press [YES] to select. 5. Select SOUNDS and any desired slot. Press [YES] to receive. 6. Open C6 on the Mac or PC. Select the SOUND file to send and press SEND in the top menu. 7. C6 will indicate the bytes transferred. Digitakt will indicate COMPLETE when data transfer has finished.
214 The Digitakt Notebook : Reference & Guide NOTES
This section covers the less creative side of Digitakt and captures some housekeeping functions and system orientated features. These include actions such as OS updates. As such the global settings SYSTEM menu is a key focus area for this section along with the boot menu start up function which also provides some system options. The guides given in this section are not everyday or frequently used features. It is therefore good to have a reference and access to a guide on these less familiar areas of Digitakt. The functions covered here are very important and it is always advised to check the original manufacturers current documentation, manuals, release notes that are compatible instructions for the OS and device and the task in hand. The Elektron website is the place to start for the latest updates for Digitakt where all support documentation can be found. Also remember that some functions such as +Drive formatting are a destructive processes and may mean important files and data will be deleted during the process. It is always recommended to back up Digitakt periodically but certainly prior to undertaking any of the functions laid out in this section. System 11 The Digitakt Notebook : Reference & Guide 215
216 The Digitakt Notebook : Reference & Guide 11 System 11.1 System Menu The SYSTEM sub-menu is found in the [SETTINGS] GLOBAL SETTINGS menu. USB CONFIG Switches between the USB Overbridge mode and the normal USB-MIDI Only mode. Ensure Overbridge setting is only set when interfacing to overbridge LED INTENSITY Sets the brightness of the screen and buttons to a user preference. The setting can be changed to 1 of 3 options - Low, Mid, Max. Setting is shown in the menu name. OS UPGRADE Switches to listening for a Sysex transfer of the new OS. Transfer utility can be used to drag/drop the new OS across from PC/Mac to Digitakt. REMEMBER SUBPAGE When set to ON the last sub page accessed will be presented when returning to the function as opposed to OFF which will always show the main page each time. FORMAT +DRIVE Erases and formats the non volatile storage drive contained within Digitakt. Enables selection of projects & sounds and/or samples. STORAGE This is an information screen and shows the memory usage both on the +Drives and also in RAM and also shows sample time remaining Some features within the SYSTEM sub-menu can be destructive and care must be taken to not lose data and audio. Back up the Digitakt device before undertaking the steps in these processes
The Digitakt Notebook : Reference & Guide 217 System 11 11.2 OS Upgrade Occasionally The Digitakt may need an operating system update to either fix bugs on prior OS versions or to add new or enhanced features. The process requires the transfer of the new OS Sysex file which will then run an update script within the Digitakt automatically. ▌UPGRADING DIGITAKT OS FROM SYSTEM MENU It is recommended to connect Digitakt by USB (although MIDI IN is also possible) to a PC/ MAC which hosts TRANSFER. 1. Press [SETTINGS] - GLOBAL SETTINGS. 2. Highlight SYSTEM page by scrolling with (LEVEL/DATA) or [UP], [DOWN]. 3. Press [YES] to select SYSTEM and reach the sub menu. 4. Highlight OS UPGRADE and press [YES] to select. 5. This will switch to Sysex listening mode and await transfer from the PC/ MAC. Press [NO] to cancel and backup to submenu. 6. Ensure TRANSFER utility is open on the PC / MAC and indicates the communicates to Digitakt is set for MIDI Input and Output. 7. Drag and drop the new OS Sysex file to the transfer ‘Drop’ window in TRANSFER. 8. Digitakt will indicate transfer status, then install and reboot the new OS. NOTES TRANSFER New OS Sysex file is dragged to the TRANSFER utility ‘Drop’ window and is automatically transferred to and updated DO NOT POWER OFF DIGITAKT DURING THE UPDATE UNTIL DIGITAKT NOTIFIES THAT THE REBOOT IS COMPLETE
218 The Digitakt Notebook : Reference & Guide ▌UPGRADING DIGITAKT OS FROM STARTUP MENU 1. Connect the Digitakt ideally with the USB to a PC/ Mac with the TRANSFER app installed. 2. Hold [FUNC] and power ON Digitakt. 3. Digitakt will start up in the BOOT MENU. 4. Press TRIG [4] key for OS UPGRADE. 5. Open the transfer app on the connected PC/Mac and select ‘Legacy OS Upgrade’ from the CONNECTION page. 6. Navigate on the OS Legacy page to select the location of the OS update file. 7. Ensure the MIDI interface is selected for communication to Digitakt and press UPGRADE. 8. With Digitakt in ‘ready to receive’ Sysex listening mode, transfer from the PC/MAC using TRANSFER or C6 Utility. 9. Digitakt will install and reboot the new OS. Do not power off Digitakt during the transfer or reboot process until the update reboot process is completed. Elektron recommend the TM-1 MIDI Interface when using MIDI transfers to a PC/MAC ▌CHECKING DIGITAKT CURRENT OS 1. Power ON Digitakt. 2. During the boot screen graphic the currently installed OS is displayed for a short period bottom right on the start up screen. NOTES 11 System
The Digitakt Notebook : Reference & Guide 219 11.3 Formatting and checking the +Drive storage Digitakt’s non-volatile +Drive can be erased using the format utility. This is a destructive process and backups should be made prior to proceeding. ▌FORMATTING & ERASING DIGITAKT +DRIVE 1. Press [SETTINGS] - GLOBAL SETTINGS. 2. Highlight [SYSTEM] page by scrolling with (LEVEL/DATA) or [UP] [DOWN]. 3. Press [YES] to select SYSTEM and reach the sub menu. 4. Highlight FORMAT +DRIVE and press [YES] to select the sub menu. 5. Check the PATTERNS+SOUNDS and/or SAMPLES selections to erase using [RIGHT] [LEFT] to check the selection and [UP] [DOWN] to scroll the options. 6. Once selections have been made press [YES] to proceed to format and erase or [NO] to cancel and step back in the menu. 7. Press [YES] again to confirm erasure. ▌CHECKING STORAGE ON THE DIGITAKT +DRIVE & RAM 1. Press [SETTINGS] - GLOBAL SETTINGS. 2. Highlight [SYSTEM] page by scrolling with (LEVEL/DATA) or [UP] [DOWN]. 3. Press [YES] to select SYSTEM and reach the sub menu. 4. Highlight STORAGE and press [YES] to select the sub menu. Press [NO] to cancel and step back in the menu. NOTES Projects and Sounds in the Digitakt +Drive Samples in the current Digitakt Project Sample time used / total in RAM Free Memory available in RAM (Total 64MB) and +Drive (Total 1GB) Memory % used in RAM (Total 64MB) and +Drive (Total 1GB) System 11
220 The Digitakt Notebook : Reference & Guide 11.4 Start Up Boot Menu Hidden functions which operate in the Digitakt Boot system prior to start up of the main Digitakt OS are available at power up. Hold [FUNC] while powering up Digitakt to access the startup boot menu. Select the menu options using the respective red lit Trig [1], [2], [3], [4] or [5] key for the selected menu option. + STARTUP MENU 1 … TEST MODE 2 … EMPTY RESET 3 … FACTORY RESET 4 … OS UPGRADE 5 … EXIT TEST MODE Delivers an audio signal to all outputs and runs a diagnostic test. When complete a test report is issued and should read 0 ERRORS if all is ok. Contact Elektron is there are system problems indicated. Key Tests will test all the manual operation of key and encoder actions and show the status on the display. EMPTY RESET Erases all patterns and sounds from Digitakt but retains all +Drive data. FACTORY RESET Will initialise Digitakt RAM to its original state by overwriting pattern and settings data and by restoring the original preset sounds, patterns and settings to +Drive project slot 1 and Sound Bank A. Active project stored on the +Drive in slots 2+ will be retained. OS UPGRADE This option allows OS upgrades using Sysex transfer using MIDI IN. Press TRIG [5] to EXIT the Boot menu and continue through the startup boot process and start up the Digitakt OS normally 11 System
The Digitakt Notebook : Reference & Guide 221 11.5 Overbridge Overbridge is a free utility to the Digitakt armoury. Overbridge is a software interface that enables Digitakt and other Elektron devices to operate within a DAW environment, with multiple outputs and also control Digitakt from within the PC/MAC software environment and vice versa. DIGITAKT Can be controlled by the Overbridge App / VST. Digitakt can be controlled from the DAW and Stand Alone Overbridge Interface. PC / MAC Overbridge 2.0 operates as a stand alone or a DAW VST integrated device within the PC / Mac environment. Features include:- Total Recall: Syncs the DAW saved project and parameter settings in the PC/MAC to the Digitakt device. Stream multi tracks of audio into the PC/MAC environment via USB and can be recorded individually or collectively in the DAW. Digitakt also acts as a 2 In/2 Out Sound card. Manage presets, samples, kits and projects. NOTES System 11
222 The Digitakt Notebook : Reference & Guide 11.6 User Experience Options. Several functions are available that can adjust settings and help improve the user experience. These include the adjustment of the screen and button LED brightness. This can be useful in situations such as playing live in dark clubs, when videoing the unit or general desktop use. Also the remember sub-page option can be on to memorise the last page accessed in the parameter sub pages and if set to presents this page when returning to the function ▌ADJUST THE DIGITAKT LED BRIGHTNESS 1. Press [SETTINGS] - GLOBAL SETTINGS. 2. Highlight SYSTEM page by scrolling with (LEVEL/DATA) or [UP], [DOWN]. 3. Press [YES] to select SYSTEM and reach the sub menu. 4. Highlight the LED BRIGHTNESS option and press [LEFT] or [RIGHT] to select the desired option. 5. The title will also show the current setting which can be one of either LOW, MID or MAX. 11 System NOTES Intensity set to LOW, MID, or MAX. This will change the button LED’s and the Screen
The Digitakt Notebook : Reference & Guide 223 ▌SETTING PAGES TO RECALL PREVIOUSLY SELECTED SUBPAGE 1. Press [SETTINGS] - GLOBAL SETTINGS. 2. Highlight SYSTEM page by scrolling with (LEVEL/DATA) or [UP], [DOWN]. 3. Press [YES] to select SYSTEM and reach the sub menu. 4. Highlight the REMEMBER SUBPAGE option and press [YES] to toggle this option ON, box checked, or OFF. 5. When ON the last sub page in the parameter pages will be recalled when revisiting the parameter. When OFF the top level menu will always be accessed. NOTES System 11
224 The Digitakt Notebook : Reference & Guide NOTES
The Digitakt Notebook : Reference & Guide 225 The final section of The Digitakt Notebook brings a number of things together and captures a collection of stuff that doesn't quite fit into any specific section. Find some tips and tricks which help to get the best out of Digitakt and help develop some new ideas, new thinking and which may offer a workaround for some of the limitations of the device. Templates and cheat sheets of key commands provide a quick reference for both newcomers and advanced users alike. For those that are of an inquisitive mind there is also a quick insight into the inner workings. It is not recommended to open up the device and this may in some circumstances invalidate the manufacturers warranty. Other Stuff 12
226 The Digitakt Notebook : Reference & Guide 12 Other Stuff Function / Mode Action Key Combo Description General Copy [FUNC] + [REC] Copies depending on the page in context General Clear [FUNC] + [PLAY] Clears depending on the page in context General Paste [FUNC] + [STOP] Pastes depending on the page in context General Parameter Reset (DATA ENTRY) + [NO] Push Data Entry & NO to reset its parameter General Param Page Reset [PARAM PAGE] + [PLAY] Resets all selected param page data to default General Param Randomise [PARAM PAGE] + [YES] Randomises selected parameter page settings General Reset Randomise [PARAM PAGE] + [NO] Resets parameters to last saved state Navigation Step / Scroll Up [UP] Moves through various menu options Navigation Step / Scroll Down [DOWN] Moves through various menu options Navigation Step / Scroll Left [LEFT] Moves through sub menus or toggles a selection Navigation Step / Scroll Right [RIGHT] Moves through sub menus or toggles a selection Navigation Scroll (LEVEL / DATA) Scrolls when in a menu the options Navigation Backup [NO] Cancels and / or backs out of sub menu’s Navigation Confirm [YES] Activates selected menu option Naming Select Letter [FUNC] + [ARROW] Left, Right, Up, Down, selects letter Naming Erases Letter [FUNC] + [NO] Deletes Letter Naming Inserts a Letter [FUNC] + [YES] Inserts a letter or space Naming Selects Character [RIGHT] [LEFT] Navigates back and forth through name Naming Change Character [UP] [DOWN] Increments, decrements selected character Transport Play [PLAY] Plays the sequence pattern Transport Stop [STOP] Stops the sequencer Pattern playback Sequencer Tap Tempo [FUNC] + [TEMPO] Tap x4 or more to select a tap tempo Sequencer Nudge Tempo [LEFT] [RIGHT] Temporary Nudge tempo playback +/-10% Sequencer Nudge Trigs [FUNC] + [LEFT][RIGHT] Nudge trigs whole step back or forth (GRID REC) Sequencer Retrig Menu [TRIG] +[UP][DOWN] Open Retrig menu & sets on/off/rate (GRID REC) Sequencer Micro-timing Menu [TRIG] +[LEFT][RIGHT] Open Micro Timing menu & sets (GRID REC) Sequencer Grid Recording [REC] Selects Grid Recording Mode Sequencer Note Preview Trig + [YES] Preview note / parameter lock in grid rec Sequencer Live Recording [REC] + [PLAY] Starts Live Recording Mode Sequencer Live Recording [REC] + [PLAY] + [PLAY] Starts Live Recording Mode - Quantized On/Off Sequencer Step Recording [REC] + [STOP] Step recording mode on Sequencer Step Rec Mode [REC] + [STOP] [STOP] Step recording toggle standard or jump mode Sequencer Clears Live Rec [NO] + [TRIG] Clears Trigs during Live Recording Sequencer Metronome [FUNC] + [PTN] Long press. Sets Metronome On/Off 12.1 Digitakt Quick Reference (1/4)
The Digitakt Notebook : Reference & Guide 227 Other Stuff 12 Function / Mode Action Key Combo Description Tracks / Patterns Select Audio Track [TRK] + [1] … [8] Silently Selects Audio Track 1-8 Tracks / Patterns Select Machine [FUNC] + [SRC] Opens machine selection menu Tracks / Patterns Reload Sound [TRK] + [1] … [8] + [NO] Reload an audio track / multiple track sounds Tracks / Patterns Select Midi Track [TRK] + [9] … [16] Selects Midi Track A-H Tracks / Patterns Select Bank [BANK] + [9] … [16] Selects Bank A-H Tracks / Patterns Select Pattern [PTN] + [1] … [16] Selects a Pattern 1-16 Tracks / Patterns Clear Track [FUNC] + [PLAY] Clears Active Track (GRID REC) Tracks / Patterns Clear Pattern [FUNC] + [PLAY] Clears Active Ptn (LIVE REC or No Mode Sel) Tracks / Patterns Mute Mode Global [FUNC] + [BANK] Enters GLOBAL MUTE Mode Tracks / Patterns Mute Mode Ptn [FUNC] +[BANK]+[BANK] Enters PATTERN MUTE Mode Tracks / Patterns Chromatic Mode Press [FUNC] + [TRK] Enters Keyboard into chromatic mode Tracks / Patterns Keyboard Mode Hold [FUNC] + [TRK] Enters Keyboard Mode editor page Tracks / Patterns Fill 1 Cycle [YES] + [PAGE] Creates a Fill for one pattern cycle Tracks / Patterns Fill [PAGE] Creates a Fill for duration of key press Tracks / Patterns Fill Latch [PAGE] + [YES] Hold and release PAGE first. Latches Fill mode Tracks / Patterns Fill Unlatch [PAGE] Latched Fill mode is unlatched Tracks / Patterns MIDI Feedback [STOP] [STOP] Panic stop MIDI feedback issues Song Song Mode Menu [SONG] Open the Song Mode pop-up menu. Song Song Mode On/Off [YES] Song mode on or off, set in the song mode menu Song Settings Menu [SONG] + [UP] Song settings. Rename, Clear, Save & Load Song Load Song [DOWN] Load a song, select in the song mode menu. Song Song Row Loop [LEFT] Loop the row, select in the song mode menu. Song Song Editor [RIGHT] Select in the song mode menu when ON. Song Navigate Params [LEFT] [RIGHT] Navigate across parameters in song editor. Song Navigate Rows [UP] [DOWN] Navigate through rows in song editor. Song Add row [FUNC] + [DOWN] Add row in song editor Song Delete row [FUNC] + [UP] Delete current row in song editor Song Select Pattern (LEVEL/DATA) Select on a pattern column. Song editor option. Song Select Bank Pattern [FUNC] + (LEVEL/DATA) Select on a pattern column. Song editor option. Song Copy Row [FUNC] + [REC] Copy current row. Song editor option. Song Paste Row [FUNC] + [STOP] Paste to current row. Song editor option. Song Clear Row [FUNC] + [PLAY] Clear current row to defaults. Song editor option. Song Move Playhead [YES] on a row number During play, select a row number to play next 12.1 Digitakt Quick Reference (2/4)
228 The Digitakt Notebook : Reference & Guide 12 Other Stuff 12.1 Digitakt Quick Reference (3/4) Function / Mode Action Key Combo Description Song Play Song [PLAY] Song mode ON, plays song Song Pause Song [STOP] Song playing, pauses at current row Song Stop & Reset [STOP] [STOP] Reset song to the start and to stop Song Mute Menu [YES] Select mute row, press yes to open mute menu Song Mute / Unmute Trig [1] - [16] Mute / Unmute in the song mute menu Song Tempo [TEMPO] Opens tempo menu when in song editor Samples Samples +Drive [FUNC] + [YES] Opens +Drive when in the Project Sample list Samples Arm Sampler [SAMPLER] + [YES] Arms sampler ready to record DIRECT Sampling Samples Record [FUNC] + [SAMPLING] Starts DIRECT sampling record Samples Stop Record [FUNC] + [SAMPLING] Stops the sampler when DIRECT recording Samples Cancel Sampling [SAMPLING] + [NO] Cancels DIRECT Sampling at any time. Menus Import / Export [FUNC] + [SONG] Opens Import / export menu for sounds. Menus Quantize [FUNC] + [TRIG] Opens the quantize settings options Menus Delay FX [FUNC] + [FLTR] Opens the Delay settings page Menus Reverb FX [FUNC] + [AMP] Opens the Reverb settings page Menus Master Mixer [FUNC] + [LFO] Opens the Master settings - Page 1 - Mixer Menus Compressor [FUNC] + [LFO] + [LFO] Opens the Master Compressor - Page 2 - Comp Menus Metronome [FUNC] + [PTN] Opens Metronome Menu, quick press Menus Scale [FUNC] + [PAGE] Opens the Scale Menu and page settings Save / Reload Save Project [FUNC] + [SETTINGS] Func + Global Setting saves active project. Save / Reload Save Pattern [FUNC] + [YES] Temporarily Saves active pattern Save / Reload Save Project [FUNC] + [NO] Temporarily Reloads active pattern
The Digitakt Notebook : Reference & Guide 229 Other Stuff 12 Keyboard Mode: Available Scales • Chromatic • Ionian (Major) • Dorian • Phrygian • Lydian • Mixolydian • Aeolian (Minor) • Locrian • Pentatonic Minor • Pentatonic Major • Melodic Minor • Whole Tone • Blues • Combo Minor • Persian • Iwato • In-Sen • Hirajoshi • Pelog • Phrygian Dominant • Whole-Half Diminished • Half-Whole Diminished • Spanish • Major Locrian • Super Locrian • Dorian b2 • Lydian Augmented • Lydian Dominant • Double Harmonic Major • Lydian #2 #6 • Ultraphrygian • Hungarian Minor • Oriental • Ionian #2 #5 • Locrian bb3 bb7 12.1 Digitakt Quick Reference (4/4)
230 The Digitakt Notebook : Reference & Guide 12.2 Digitakt Tear Down It is not recommended to take your Digitakt apart as this may invalidate warranty. For those that may be curious or have a need to repair here is an insight into the inner device components. 128 x 64 Pixel OLED Display ‘Top’ Keypad PCB Underside ‘Bottom’ PCB Inner Case MCF5441 CPU Processor 1GB DDR2 SDRAM (RAM) 4GB NAND Flash Memory Storage (+Drive) AK4621AF ADC / DAC Audio Codec CPU4101E @2017 Elektron Music Machines MAV AB UI4102D @2017 Elektron Music Machines MAV AB UI4102D @2017 Elektron Music Machines MAV AB 6 screws for removal of top case. Keyboard PCB is attached to the underside of the top internally 12 Other Stuff
The Digitakt Notebook : Reference & Guide 231 12.3 Digitakt Connection Template STUDIO TEMPLATE Digitakt Routing DIGITAKT ROUTING CHART DATE REVISION AUDIO MIDI Audio In MIDI In MIDI Out MIDI Thru USB Audio Out Left 5 Pin In 5 Pin Out 5 Pin Out USB Left Right Right From From To To To/From Midi Channel Midi Channel Midi Channel Midi Channel Midi Sync Midi Sync Midi Sync Midi Sync To Description Description / Type Description / Type Description / Type Description / Type Description B A Other Stuff 12
232 The Digitakt Notebook : Reference & Guide 12.4 Tips and Workarounds NOTES 1. USING DIGITAKT AS A SUBTRACTIVE SYNTH Digitakt is a drum computer and sampler but also it is possible to set up Digitakt as a synth by using the ‘one cycle’ waveform samples that are provided in the factory sample library. Each track therefore could host a sample which operates as an oscillator source and simulates up to an 8 voice synth. One track is used in this example. 1. Select a track to host the sample i.e. track 1. [TRK] + [1]. 2. From the [SRC] Page, Turn Data Entry D to open the sample list. 3. Press [FUNC] + [YES] to move navigation from the current sample selected to the +Drive library and navigate to the following directory;- /Factory/Toolbox/Oscillators....... Single cycle samples exist here 4. Select a single cycle sample. There are many waveform samples in this folder including sine, saw, tri and many more interesting samples. For this example select / check ‘Saw’. 5. Press [YES] to select and to confirm. The sample will show the sound slot in RAM it is loaded into. 6. Back out of the menu with [NO] and ensure [SRC] page is open. The wave can be seen in the second SRC page. 7. In the [SRC] page set PLAY mode (B) to FWD.L to continuously loop the sample playback when it is triggered. 8. SRC Page now acts as the synth oscillator where the wave can be tuned and sample settings adjusted. Playing the trig gives the traditional saw like sound. 9. Follow standard subtractive sound design process of carving out and shaping the sound using the FLTR, AMP and associated envelopes. Finally adding effects where required. For a Bass foundation Try: 12 Other Stuff Page Parameter Value TRIG Note C2 FLTR Envelope ADSR Attack =21, Decay = 19, Sustain = 68, Release = 52 AMP Envelope AHD Attack = 19, Hold = 49, Decay = 26
The Digitakt Notebook : Reference & Guide 233 2. SIMULATING NATURAL VELOCITY Digitakt does not host a conventional keyboard and therefore does not capture velocity levels from input of trigs. A set default velocity is attached automatically to each trig of 100 within the 1-127 range available. This will be ok to get exact repeats and mechanistic rhythms but to get a more human feel, velocity and timing can add natural feel. Hi Hat runs are good examples of applying this technique. We will use the closed hat = Track 6 from the default kit to demonstrate. 1. Select Track 6, [TRK] + [6]. 2. Create a Hi Hat run across 16 steps of Page 1 by setting trigs on each step in GRID RECORDING mode. The timing of each trig will be perfectly on step and velocity 100 of each. 3. [PLAY] to hear the ‘fixed’ hat sequence play out. 4. Switch to unquantized LIVE RECORDING by pressing [REC] + [PLAY]. 5. Select the [TRIG] page. 6. While the track is playing in LIVE RECORDING mode adjust VEL (B) to record a variation of the velocity setting across each of the 16 steps. An LFO can also be used to modulate the velocity VEL parameter. 7. Switch to GRID RECORDING mode [REC] to see and check the trig velocities and continue to steps 8-10. 8. To add timing variety hold a trig i.e. [2] and press [RIGHT] or [LEFT] to adjust the micro timing of the step eg 1/192. Slight variations are usually a good approach. 9. Repeat step 7 for 4-8 individual steps. 10. For even more variation add some pattern swing using [TEMPO] and adjusting (E) by a small amount, i.e. to 52% for example. NOTES Other Stuff 12
234 The Digitakt Notebook : Reference & Guide NOTES 3. CREATING POLYRHYTHMS Polyrhythms are variations between 2 or more tracks and patterns which when played together can create more interest progressions and provide an intentional detachment from each track in its sequence. For example a fixed pattern for 16 steps may play alongside a pattern running 14 steps. The restart of each pattern will ensure variation through each cycle. 1. Create 16 step percussion patterns across a number of tracks for example hats, toms, clap, kick, snare across 5 tracks - 1 Page, 16 steps, default settings. 2. Select first tracks to create length variations. For example, select the tom track, [TRK] + [3]. 3. Select [FUNC] + [PAGE] to access the pattern lengths and scales. 4. Press [FUNC] + [YES] to select LENGTH PER TRACK if not already in this view. The length for this track 3 is now shown default 16/16. 5. Adjust the LENGTH using (E) to create a new length eg 10/16 for this track only. 6. Repeat steps 2 - 5 for a second track, example CLAP [4], 9/16 length. 7. In the PAGE menu [FUNC] + [PAGE] in the LENGTH PER TRACK page set the pattern MLEN to INF using (F). 8. Try experimenting with the number of tracks with length variations, but as a tip keep the majority of tracks following a set pattern to keep some order. But music is also about experimentation - right? So why not also look at adjusting :- Page Parameter Value Pattern scale menu SCALE Experiment with settings Tempo Menu SWING Experiment with settings Scale - track CH.LEN Experiment with chain length settings Trig page COND Secondary parameter when holding trig 12 Other Stuff
The Digitakt Notebook : Reference & Guide 235 4. STORING AND RECALLING CUSTOM KITS Kits consist of 8 audio tracks and their sounds. While the saving of project, patterns and sounds is an integral part of Digitakt workflow, Kits cannot be saved in the conventional file managed way. A workaround it to use a bank location and to save a pattern which as standard includes the kits and then copy / paste the pattern (and kit) into where its needed. 1. Select a free BANK to be the location to store the patterns and custom kits. It can be any bank, but makes logical sense for this to be the last Bank H - [BANK] + [16]. 2. Select a PATTERN to host the custom kit eg [1] or [PTN] + [1]. The pattern will currently contain the default ‘DIGIT’ kit . 3. Rebuild the pattern by selecting your selected, imported or sampled audio samples into the SAMP parameter for each track [TRK] + [1] … [8]. This builds your custom kit into the selected pattern i.e. PTN 1. 4. Rename the pattern by selecting [SETTINGS] and the PATTERN Menu. Select the RENAME option. 5. Repeat Step 2 - 4 to create a selection of kits for patterns in the bank. 6. Save the patterns and project settings [FUNC] + [SETTINGS] then press [YES] to confirm. To use a kit from the stored bank:- 1. Select the stored pattern kits i.e. [BANK] + [H] and select the desired pattern which contains the custom kit previously saved. i.e. [1]. 2. Press [FUNC] + [REC] to copy the PATTERN. Ensure the Digitakt is in normal mode and not in a recording mode. 3. Select the destination bank and pattern location to which you require to work and hence where you want the kit to be placed. i.e. [BANK] + [A] and press [2] to select A02. 4. Press [FUNC] + [STOP] to paste the previously copied pattern from H01 to A02 slot. 5. The kit will now be loaded with the pattern into the new location. NOTES Other Stuff 12
236 The Digitakt Notebook : Reference & Guide NOTES 5. EXTENDING PITCH RANGE FOR SAMPLES Samples containing in the SAMP parameter of SRC page can be tuned up and down by -60/+24 semitones giving a maximum range of 7 octaves. There is also a workaround that can squeeze more from this by resampling. This may be useful from older OS versions where -24/+24 was the limits at the sample level. The principle being, pitch up/down the sample and resample it at its new pitch. Then reload the sample and use Pitch to adjust it further up/down. This example pitches a sample up 3 octaves. 1. Select a Track [TRK] + [1] and ensure the desired sample is loaded into the SRC page SAMP parameter. 2. Adjust TUNE (A) to increase the tuning by 2 Octaves i.e. +24. 3. Select [SAMPLING] and set the source (G) to INT L+R. 4. Press [FUNC] + [YES] to record from the Digitakt and press TRIG [1] to record the sample in step.1 5. Press [YES] when recording is complete. 6. Adjust the trim settings and save the sample, name and then load it into the same track as step 1 i.e. Track 1. 7. Select [SRC] and readjust the TUNE parameter (A) to +12. The original sample pitch was 0. The sample was then resampled +24 (maximum range) and the new sample now at the higher pitch was retuned by +12, meaning +36 semitones or 3 octaves up from the original sample. 12 Other Stuff
The Digitakt Notebook : Reference & Guide 237 6. CREATING GLITCHY VOCAL SOUNDS Using the LFO can offer some creative options when linking it to the sample playback options. This is particularly interesting on a vocal or dynamic sample which lends itself to glitchy and ‘sample and hold’ like characteristics. 1. Select a track and load or sample a vocal (or other evolving audio) take. 2. Ensure the start, end settings cover the entire sample and play mode is FWD as a starting point. 3. Select [LFO] and set DEST (D) to SAMP STRT. 4. As a start set the SPD to 25 and MULT to 2K. WAVE to SAW and DEP to 20. 5. Set multiple TRIG steps across the track for the vocal sample. When playing without an LFO the sample will retrigger at the start. With the LFO on it will retrigger at a new start point relevant to the wave cycle of the LFO. This will create glitchy sounds and also experiment with:- • LFO adjusting the Pitch instead of Sample Start. • Shorten the Sample length on the fly to limit the range • Change LFO speeds and multipliers • Try different LFO Waveforms • Add delay on short glitchy samples to ‘stretch’ them NOTES Other Stuff 12
238 The Digitakt Notebook : Reference & Guide NOTES 7. A QUICK RISER TRICK When sampling external audio with no audio inputs connected the Digitakt will record a noise floor. This can be taken advantage of by using this noise to simulate hats and percussion but also to create a quick riser. Track 1 is used to demonstrate. 1. Select [SAMPLER] and the Source as EXT L+R (G). Ensure nothing is connected to the inputs. 2. Press [FUNC] + [YES] to start recording and record several seconds of noise before stopping by pressing [YES]. 3. Adjust the trim settings and save the sample, name and then load it into the same track as step 1 i.e. Track 1. 4. Select [AMP] and increase the ATK to maximum 127 (A). Also add a slight amount of REV reverb (F) to soften the noise harshness. 5. Ensure sample LEN (F) on the [SRC] page is max. 6. Select [FLTR] page and increase ATK (A) to maximum 127 and with a LP Filter reduce the cut off (E) to approx 73 and resonance (F) to around 28. Triggering the track sample will now simulate a riser. Adjustments will enable sound to be tweaked as desired:- • AMP and FLTR Attack and Release for duration of the riser and SRC Tune to change the ramp effect. • Adjust the FLTR Cut off to affect the sound • Add some delay to enhance the riser further 12 Other Stuff
The Digitakt Notebook : Reference & Guide 239 8. HUMANISE A CRASH CYMBAL An earlier example showed that the LFO can offer some creative options when linking it to the sample playback options. This is also a useful function for adding some variation to percussion instruments such as a crash cymbal. 1. Select track [8], Cymbal in the default kit. 2. Select the [LFO] and DEST is set to SAMP STRT and a WAVE as TRI. SPD 48 and MULT BPM 16. Set DEP to approx 10. 3. The cymbal will trigger now slightly off from the immediate transient and provide slight variations and give an human feel. NOTES Other Stuff 12
240 The Digitakt Notebook : Reference & Guide NOTES 12 Other Stuff 9. DESIGNING KICKS A process used typically in electronic music is to layer kicks to develop a sound that both balances the initial transient click, the tail and sub bass. This can be done using two tracks in Digitakt which of course can then be resampled to generate the new kick sample. 1. Select [TRK] [1] and load a kick sample with a sharp attack with emphasis on the initial click. Samples can be previewed using [FUNC] + [YES] in the sample browser. 2. For this example BD Natural was chosen from the Factory / Drums/ Acoustic / Natural Kit library. 3. Select [TRK] [2] and load a kick sample with a long release with emphasis on the sub bass and tail. Samples can be previewed using [FUNC] + [YES] in the sample browser 4. For this example BD2 Dirty was chosen from the Factory / Drums/ Acoustic / Dirty Kit library. 5. On Track 1, in the [AMP] page, shorten the HOLD (B) to about 19 and DEC (G) to about 25. This reduces the tail used with track 2 6. On Track 2, in the [AMP] page, increase ATK (A) to about 40 and increase the DEC (C) 7. Sequence both TRIG steps on each step to match the same steps to generate a more beefy and deeper kick. 8. Resample the 2 tracks to create a new kick as a merger of both kicks.
The Digitakt Notebook : Reference & Guide 241 10. GET CREATIVE PLAYING LIVE While producing music using Digitakt in the studio is all great, its power is fully unleashed when playing live or simply jamming. Here are another 10 short quick fire tips when playing live. • Use global control to adjust ALL tracks simultaneously by holding [TRK] and making a change such as FLTR cut off sweep, SRC Tune, AMP delay or overdrive. • Randomise parameters using the parameter page i.e [FLTR] + [YES]. Reset parameters with [FLTR] + [NO]. • Make pattern length changes on the fly by pressing [FUNC] + [ PAGE] and selecting the trig keys to quickly change pattern lengths of individual or all tracks. • Use mutes to silence tracks and develop live variations. • Reload track sounds with [TRK] + Trig [1] - [8] + [NO]. • Temporary save a pattern using [FUNC] + [YES] at the outset. Make variations by changing parameters and effects and if things get crazy [FUNC] + [RELOAD] to return to the ‘sane’ state. • Use the MASTER mixer page to bring in tracks gradually and individually at the start and ending of songs. • Adjust pattern or global tempo on the fly. • Create a beat and use chromatic mode on a synth sample to play a melody live over the backing track. Use LIVE RECORDING to capture the melody. • Use retrig to generate arpeggio and stutter style sounds in GRID REC mode and switch on and off at various stages of the track or use fill mode. • Use sidechain on the MASTER compressor from a track kick drum and bring it in and out to create a classic club pumping effect across the track. • Reverse samples during playback in the [SRC] page using PLAY to create variations and sound shifts. Other Stuff 12
242 The Digitakt Notebook : Reference & Guide NOTES
The Digitakt Notebook : Reference & Guide 243 NOTES
244 The Digitakt Notebook : Reference & Guide +Drive 9, 98, 101 +Drive storage 219 A Amp 5, 10, 157–158 Amp Page 158 Audio Structure 10 audio tracks 79–80 B Bank 4 C CC Output 188 CC Select 187 CC Value 186 Chains 64, 66 Chromatic Mode 28, 84 Clear 40 COMPRESSOR 172–173 Conditional Locks 8 Copy 40 D Data Entry 5, 12 Delay 10, 159, 168 Delay Page 169 Direct Sampling 143 E Envelopes 157 External Keyboard 181 F fill 54 Filter 5, 10 Filter Page 152 Filters 154 FLTR 152–153 Formatting 219 FUNC 4 G Global Mute 88 Global Settings 4, 99 Grid Recording 25–26 I Internal sampling 145 K Key Combo 229 Keyboard Fold 86 Keyboard Setup 86 Kit 9 L LED brightness 222 Index
Length 21 Level 4, 140, 174 LFO 5, 160 LFO Page 160 Linear Locks 124 Live recording 25, 27 Lock Trig 8 Lock Trigs 46 M Machine 82–83 Managing Patterns 61 Managing Samples 99 Managing Sounds 126 Master 172 Master Mix 174 Master Page 174 Menu Navigation 12 METRONOME 23 Micro Timing 38 MIDI CC Assignments 189 MIDI Configuration 183–184 MIDI Definitions 180 Midi Structure 11 MIDI Tracks 81, 185 midi trig 50 Mixer 10, 91, 159 Mute Mode 8, 88 N Naming Menu 13 Note Trig 8 Note Trigs 25 O ONESHOT 82 Oneshot Machine 114, 116, 118, 120 OS Upgrade 217 Overbridge 221 Overdrive 10 P Page 5, 26 Pages 21 Parameter 8 Parameter Lock 8, 46 Paste 40 PATTERN 8–9 Pattern Mute 88 Patterns 42, 88 Play 27 playing live 241 Index The Digitakt Notebook : Reference & Guide 245
246 The Digitakt Notebook : Reference & Guide Power 3 Probability 53 Project 8–9 Project Management 14 Q quantization 37 R RAM 101 Random Lock 124 Randomise 177 RC Page 114, 116, 118, 120 REC 26, 29–31 Recording Length 147 Remember Subpage 223 REPITCH 82 Retrig 39 Reverb 10, 159, 171 Reverb Page 170 S Sample Engine 10 SAMPLER 140 Sampler - Recording Page 144 Samples 96–97 Sampling External Audio 143, 148 Sampling Menu 143 Scale 229 Send 168, 171 SLICE 82, 123 Song 69, 71 Song Mode 66 Sound 9 SOUND BROWSER 129 Sound Creation 130 Sound Lock 8 Sound Manager 126, 128 Sound Pool 8–9, 126 SOUNDS 96, 130 SRC 79, 97, 185 SRC Page 82, 113–114, 116, 118, 120 Start Up Boot Menu 220, 222 Step recording 25, 29 Stop 27 Swing 37 Sysex 192, 194, 197, 200, 203, 209, 211 System Menu 216 T Tear Down 230 Index