Harcourt Social Studies Grade 5

Rio Grande Gorge Twenty-second Amendment

Rio Grande Gorge, 1 plantations and, 78–79, in lesson review, 12, 20, Thomson, David, 74
Rivera, Diego, 258 113, 232 26, 34, 40, 50, 58, 64, 72, Time Lines
Rockefeller, John D., 129 80, 86, 94, 98, 106, 118,
Rocky Mountains, 6 Thirteenth Amendment 124, 132, 138, 144, 152, Advances in
Roosevelt, Franklin, 142–143, and, 161, 202 160, 166, 172, 236, 242, Communication, 39
250, 256, 262, 274, 280,
148, 150 triangular trade routes, 75 286, 290, 296, 312, 316, B.C. and A.D., 49
Roosevelt, Theodore, 135 Smith, John, 68 322 Communication Over
Rural, 18, 18 Smokey Robinson and the
Supply, 284, 284 Time, 240–241
S Miracles, 247 Surplus, 273 European Explorers,
Social institutions, 184 Swamp, I7
Saint Patrick’s Day, 245, 245, Social Security Act, 143 Sweatshops, 130 1450–1650, 63
247 Social Security Information Age, The, 289
T Journey of Lewis & Clark,
Salem, Peter, 91 Administration, 203
Salmon, 56 Society, 184, 206, 221 Taliban, 175 The, 100–101
Salsa, 261 Sod houses, 126 Tanzania, 171 Working for Equal Rights,
Sampson, Deborah, 91 Soil, 17, 271 Tapahonso, Lucy, 248
Sanchez, Oscar Arias, 213 Solar power, 307 Taxes, 82–83, 202 164–165
Santa Anna, Antonio Lopez Source of river, I7 Technology, 288 Tisquantum, 69
South Korea, 156–157 Tobacco, 68
de, 102 South Vietnam, 158 agriculture and, 304 Tolerance, 253
Satellite, 155 Southeast region, 246 automobile mechanics, Tools, 303
Savanna, I7 Southern Colonies, 78–79, Totem poles, 260
Scandal, 159 309 Tourism, 278, 278, 318
Scarce, 272 m78 benefits of, 309–312 Trade
Scarcity, 273 Southern Hemisphere, I5 communication, 300, 318
Sculpture, 258 Southwest region, 248, 254 computers, 242, 242, 279, fur trade, 70, 70
Sea level, I7 Soviet Union interdependence, 176,
Secede, 117 289, 300
Second Amendment, 191 Cold War, 155, 159–160, cultural borrowing, 314 275–278, 275
Second Continental 165 cultural diffusion, 314, 314 international trade, 279
cultural preservation, 315 shipping and, 79
Congress, 85, 88 military parade, 153 early technology, 304–305 triangular trade routes, 75
Secondary education, 216 World War II, 146, 149 electricity, 306–307 Traditional economy, 282–283
Segregation, 162 Space race, 155 entertainment, 300 Traditions, 24, 235
Self-government, 188 Spain, 249 environment and, 321 Trail of Tears, 101
Seminole, 259 colonies, 62, 66–67, m67, Human Genome Project, Transcontinental Railroad,
Senate, 194, 208 128, 128
Separation of powers, 194 233, 254 311 Transportation, 16, 38–39,
Sequence, 111–112, 181 conquistadors, 62 Industrial Revolution, 306 104, 128–129 See also
Service industries, 308 Mexican independence intended effects, 319 Movement
Settlers, 232 Internet, 242, 242, 308, 314, airplanes, 137, 239, 318,
from, 94, 102
Spanish settlers, 233 Mexico and, 62, 233, 254 315, 320 320
Seventeenth Amendment, New Spain, 66–67 management, 310 changes, 238–239
settlements of New Spain, medical technology, 320 donkeys, 318
203 national security, 310 dugouts, 56, 238
Sharecropping, 124 m67 navigation, 60, 305 history, 238–239
Shays, Daniel, 95 Spanish explorers, 61–62 in North America, 317, inventions, 38–39, 104,
Shays’s Rebellion, 95 Spanish missionaries, 252
Sherman, William Tecumseh, Spanish-American War, 134 318 128–129
Specialization, 287–288, 291, nuclear power, 310 ships and boats, 38, 79,
122 294 research, 311
Shipbuilding, 75, 79 Speech, 191 resource management, 104, 133, 136, 171, 239,
Ships and boats, 38, 79, 104, Sputnik, 155 240, 305
Squanto. See Tisquantum 312 steam power, 38, 104, 239,
133, 136, 171, 239, 305 St. Lawrence River, 16, 31, service industries, 308 239
Shortages, 90 63, 70 sporting events, 313 technology, 300
Sierra Nevada, 6 St. Lawrence Seaway, 31 tools, 303 Travel, 237
Sikhism, 236, 249, 253 Stagecoach, 240, 241 transportation, 300 Travois, 238
Silver, 10, 126 Stalin, Joseph, 146 unintended effects, 319 Treasury Department, 204
Single-parent family, 222 State Department, 204 Telegraph, 105, 241, 241 Treaties, 69, 159
Sioux Nation, 127 State governments, 193, Telephone, 39, 130, 241, 241, Trees, 266, 276, 276, 292
Sixteenth Amendment, 202 196–197 289, 319 Trench warfare, 137
Skyscrapers, 129 Steam power, 239 Television, 241, 241, 242, 314 Triangular trade routes, 75
Slave state, 114 Steamboats, 38, 104, 239 Tenements, 131 Tributary, I7
Slavery, 66, 91, 255 Steel, 129 Tennessee Valley Authority Truman, Harry S., 150
Stock market, 141, 285 (TVA), 143 Trustworthiness, 69
abolitionists and, 116–117 Stockholders, 272 Tenth Amendment, 191 Truth, Sojourner, 116
American Revolution Strait, I7 Tepees, 54 Tubman, Harriet, 117
Strip mining, 321 Terra Satellite, 289 Tugboats, 135
and, 91 Subsistence farming, 282– Terrorism, 167, 171, 174–175 Turner, Nat, 116
Compromise of 1850 and, 283, 318 Texas, 17, 66, 102, 126, 235 Turning point, 92
Suffrage, 140, 140 Third Amendment, 191 TVA. See Tennessee Valley
115 Sugar, 66 Thirteenth Amendment, 123, Authority (TVA)
Fugitive Slave Act, 115 Summarize, 229–230, 263 161, 202 Twain, Mark, 29
Middle Passage, 75 Twenty-second Amendment,
Missouri Compromise 203

and, 114

R14 ■ Reference

United Farm Workers (UFW) Zapotec

U Urban sprawl, 178 World War I, 136–137, 136 civil rights and, 164
USS Cole, 171 World War II, 147–150, immigration and, 131
UFW. See United Farm USS Wyoming, 133 natural resources and, 29
Workers (UFW) Utah, 49, 103, 128, 249 m149, m150 per capita income, 25
War Department, 204 women and, 77, 137,
Underground Railroad, 116 V Warren, Mercy Otis, 91
Unemployment, 142 Washington, 292 222–223
Unintended effects, 319 Vaqueros, 233 Washington, George, 85, 204, Works Progress
Union, 118, 121, 122 Verrazano, Giovanni da, 63
Union Pacific Railroad, 128 Veterans Day, 244, 244 244 Administration (WPA),
United Farm Workers (UFW), Veto, 195, 195, 197 Water bodies, 8–9, m9, 10, 16, 143, 143
Vietcong, 158 World Trade Center, 171,
165 Vietnam, 158, 158 31. See also specific water 174, 174
United States Vietnam War, 158 bodies World War I, 136–137, 136
Virginia, 120, 122, 188 Watergate scandal, 159 World War II, 147–150, m149,
agriculture in, 32 Virginia Colony, 68, 69, 73, Weapons, 92 m150
bodies of water, 16 Weather. See Climate World War II Memorial, 145
borders of, 31 79, 88 Weaving, 257, 260 World Wide Web, 241, 289
capital of, 203, m203 Volcano, I7, 24, 32, 278 West Germany, 153–155 Wounaan people, 260
climate, 14 Voting, 124, 140, 140 West region, 249, 254 WPA. See Works Progress
culture in, 23 Western Hemisphere, I5 Administration (WPA)
division of Germany, 153 Fifteenth Amendment Whale hunt, 56 Writing, 12, 20, 34, 50, 58, 64,
education in, 216 and, 161, 202 Whales, 56, 57 80, 94, 98, 106, 118, 124,
families, 222 Whitney, Eli, 105 138, 144, 160, 172, 242, 250,
highways, 39 Nineteenth Amendment Wigwams, 52 262, 280, 286, 290, 308,
in 1861, m120 and, 140, 202 Wilderness Road, 100 312, 316
land use in, 31 Williams, Roger, 74
landforms in, 6, 15 W Wilson, Woodrow, 136 X
modifying water bodies Wind power, 307, 312
Wagon train, 99 Wisconsin, 23, 247 X rays, 320
in, 31 Wants, 270 Women
natural resources and, 29 War equal rights and, 140 Y
official language, 255 voting and, 140, 202
regions of, 22, m22 Civil War, 117–122, 122 war and, 91 Yemen, 171
World War II, 147–150 Cold War, 153-158, m154, work and, 77, 137, 222–223
United States Congress, 102 Wood, 271 Z
United States Postal Service, 160 Work
241 French and Indian War, African Americans and, Zapotec, 260
United States Supreme
Court, 162, 174, 195 82 137
Urban, 18 Gulf War, 169, 169 apprentices, 77
Korean War, 156–157
Spanish-American War,

134

Index ■ R15

PHOTO CREDITS Beatty photographer 10/1999; 100 (bl) ©The (t) © LUIS ACOSTA/Staff/AFP/Getty Images; 215
Granger Collection, New York; 101 (cl) ©Künstler (c) © Will & Deni McIntyre/CORBIS; 216 (t) ©
Placement key: (t) top, (b) bottom, (r) right, (l) Enterprises; 101 (bl) Excerpt from “Lewis and Bettmann/CORBIS; 218 (b) © Danny Lehman/
left, (c) center, (bg) background, (fg) foreground, Clark Meeting the Indians at Ross’ Hole” by CORBIS; 219 (t) © Martin Rogers/CORBIS; 221 (c)
(i) inset Charles M. Russell, Oil on Canvas 1912, Mural in © Big Cheese Photo/Index Stock Imagery; 222 (bl)
State of Montana Capitol, Courtesy of the © Kayte M. Deioma/PHOTOEDIT; 222 (br) ©
Front Cover: (bl) Corbis; (br) Corbis; (bkgd) Getty Montana Historical Society, Don Beatty photogra- Kayte M. Deioma/PHOTOEDIT; 222 (br) © Randy
Images. Back Cover: (bkgd) Getty Images; (tl) pher 10/1999; 101 (cr) ©Stanley Meltzoff; 101 (bc) Faris/Corbis; 223 (bl) © Bananastock/
Stockbyte/Getty Images. Title Page: (bg) Getty National Numismatic Collection/Smithsonian Jupiterimages; 224 (t) © 2007 by Robert Frerck
Images, (c) Stockbyte/Getty Images. Institution, NNC, Jeff Tinsley; 102 © State and Odyssey Productions, Inc.; 227 (c) © AP
Preservation Board (2007), Austin, Texas. All Photo/Mary Altaffer; 231 (c) © SETH WENIG/
I2 (cl) Gala/SuperStock; I2 (bc) Patrick Eden/ rights reserved, including further reproduction, Rueters/Corbis; 232 From the original painting by
Alamy Images; I3 (tc) Vince Streano/Corbis; I3 commercial display, incorporation into other Mort Künstler, Salute of Honor. ©2006 Mort
(cr) John Lamb/Stone/Getty Images; I3 (bc) works, or conversion to digital media.; 104 (b) © Künstler, Inc. www.mkunstler.com; 233 (t) ©
Mitchell Funk/Image Bank/Getty Images; 1 (c) © Henry Guttmann/Stringer/Hulton Archive/2005 Brownie Harris/CORBIS; 235 (t) Ziegler/The
David Muench/2005 Getty Images; 5 (c) ©Tibor Getty Images; 105 (t) The Bridgeman Art Library/ Image Finders; 236 (tl) © Brand X/SuperStock;
Bognar / Alamy; 6 (bl) David Hosking; 13 (c) Getty Images; 105 (br) ©Henry Francis Dupont 237 (c) © Gary Conner/Index Stock Imagery; 240
©Carl & Ann Purcell/CORBIS; 15 (b) Randy Winterthur Museum, Delaware, USA/Bridgeman (bc) Stock Montage; 240 (bc) National Portrait
Faris/Corbis; 16 (b) © Travel Ink/Index Stock Art Library; 109 (c) © Chad Ehlers/Jupiterimages; Gallery, London/SuperStock; 240 (bl) © North
Imagery; 17 (t) © Martin Rogers/CORBIS; 18 (bl) 110 (c) © Bettmann/CORBIS; 110 (c) © Jon Arnold Wind Picture Archives / Alamy; 241 (bc) CORBIS;
© Ron Buskirk / Alamy; 21 (c) © Will & Deni Images/SuperStock; 113 (c) © Philip Gould/ 241 (br) © Lambert/Hulton Archive/2006 Getty
McIntyre/Corbis; 23 (t) © Gene Peach/Index CORBIS; 114 (b) © CORBIS; 114 (cl) ©Bettmann/ Images; 241 (tl) ©SSPL / The Image Works; 241
Stock Imagery; 24 (t) © Ulises Ruiz/epa/Corbis; 27 Corbis; 118 (t) ©Bob Krist/CORBIS; 119 (c) © Bob (br) © David Stoecklein/CORBIS; 242 (tl) © Kevin
(c) © Bill Marsh Royalty Free Photography / Krist/CORBIS; 123 (b) Library of Congress; 124 Fleming/CORBIS; 243 (c) © Richard A. Cooke/
Alamy; 28 (bl) ©Michael S. Yamashita/CORBIS; (tr) © Bettman / CORBIS; 125 (c) © CORBIS; 126 CORBIS; 244 (b) © Mark Wilson/Staff/Getty
28 (bc) © Reuters/Corbis; 28 (br) © Rana Faure/ (b) Library of Congress/Fred Hulstrand History Images News/2004 Getty Images; 245 (t) © AP
The Image Bank/Getty Images; 30 (t) Jeff in Pictures Collection (NDSU, Fargo, N.D.); 127 (t) Photo/Chris Pfuhl; 246 (t) © 2006 Logan Mock-
Greenberg/eStock Photo; 32 (bl) © Lloyd Sutton / Mort Kunstler; 129 (t) © Jeremy Woodhouse / Bunting/Getty Images; 247 (bl) © Michael Ochs
Alamy; 35 (c) © David Sailors/CORBIS; 36 (b) © Masterfile; 133 (c) © The Mariners’ Museum/ Archives/Corbis; 248 (br) Monty Roessel
Corbis/Jupiterimages; 38 (bl) © Robert Fulton CORBIS; 135 (b) © Hulton Archive/Stringer/2005 Photography; 249 (t) © Scott T. Smith/CORBIS;
(1765-1815) (oil on canvas), American School / Getty Images; 137 (b) © CORBIS; 139 (c) © 251 (c) ©Lee Snider / The Image Works; 255 (b) ©
Private Collection, Peter Newark American Topham / The Image Works; 140 (b) ©Bettmann/ Underwood & Underwood/CORBIS; 256 (tl) ©
Pictures / The Bridgeman Art Library; 39 (tl) © Corbis; 141 (t) ©Bettmann/CORBIS; 142 (tr) Perry Mastrovito/Corbis; 257 (c) © Craig Lovell/
Ablestock/Jupiterimages; 39 (tc) © PhotoDisc; 43 ©Bettmann/CORBIS; 143 (b) © CORBIS; 145 (c) © CORBIS; 258 (b) © George H.H. Huey/CORBIS;
(c) © David Lyons / Alamy; 47 (c) © Jake Rajs/ Ron Chapple/Corbis; 148 (b) © Seattle Post- 259 (tl) © James L. Amos/CORBIS; 259 (tr) ©
Photonica/Getty Images; 51 (c) Janet Foster/ Intelligencer Collection; Museum of History and Hugh Threlfall/Alamy; 260 (b) © Vince Streano/
Masterfile; 52 (b) ©Ian Dagnall/Alamy Images; 55 Industry/CORBIS; 153 (c) © Dean Conger/ CORBIS; 261 (t) © Peter M. Wilson / Alamy; 265
(tr) © George H. H. Huey/CORBIS; 55 (tl) © CORBIS; 155 (t) © Evans/Stringer/Hulton Robert Fried Photography; 266 (bl) Mark Kelly/
Werner Forman / Art Resource, NY; 57 (cr) Logan Archive/2005 Getty Images; 155 (tr) NASA; 156 (b) GettyImages; 266 (bl) Phillip Gould / Corbis; 266
Museum of Anthropology, Beloit College; 59 (c) (c) Bruce Burkhardt/CORBIS; 158 (b) © Patrick (bc) Areil Skelley/Corbis; 266 (br) vario images
©British Library, London, UK/ © British Library Christain/Stringer/Hulton Archive/ 2005 Getty GmbH & Co.KG / Alamy; 269 (c) Paul Souders;
Board. All Rights Reserved/ The Bridgeman Art Images; 159 (t) © Time & Life Pictures/Getty 270 (t) Brownie Harris/CORBIS; 271 (b) Photri
Library; 60 (tr) Science Museum, London / Images; 160 (tl) © Time Life Pictures/Getty MicroStock; 272 (t) Digital Vision / GettyImages;
Topham-HIP/The Image Works, Inc; 60 (tr) Images; 161 (c) © Flip Schulke/CORBIS; 163 (t) © 273 (bl) GettyImages; 275 (c) Photodisc /
Science Museum, London / Topham-HIP/The Jack Moebes/CORBIS; 164 (cl) (c) Bettmann/ GettyImages; 276 (b) Fred Atwood; 277 (tl) Bill
Image Works, Inc; 63 (br) ©Hernando De Soto CORBIS; 164 (bl) Time & Life Pictures/Getty Brooks / Alamy; 277 (tr) Paul Souders /
Historical Society; 63 (bl) ©Image Select/Art Images; 164 (br) ©Jason Laure/The Image Works, WorldFoto; 277 (c) Joel W. Roger/Corbis; 278 (t)
Resource, NY; 63 (cl) ©Giraudon/Art Resource, Inc.; 165 (bl) Time Life Pictures/Getty Images; 165 Michael DeYoung / Corbis; 278 (tl) Royalty-Free/
NY; 63 (cr) ©Bettmann/Corbis; 64 (tr) Bettmann/ (c) ©Hulton Archive/Getty Images; 165 (bc) Time Corbis; 279 (b) Time & Life Picture / Getty
Corbis; 65 (c) © SAS / Alamy; 68 (tr) ©Private Life Pictures/Getty Images; 165 (br) © CORBIS; Images; 281 (c) James Leynse / Corbis; 282 (b)
Collection/Bridgeman Art Library; 73 (c) © Andre 167 (c) © Brooks Kraft/Corbis; 168 (b) © Mark S. Wexler; 283 (t) Alejandro Ernesto / epa /
Jenny / Alamy; 77 (t) Abby Aldrich Folk Art Bettmann/CORBIS; 170 (br) © Associated Press, Corbis; 284 (t) Michael Newman/PhotoEdit; 285
Museum, Colonial Williamsburg Foundation, AP; 171 (t) AP Images; 173 (c) © Keith (b) Reuters/Corbis; 286 (t) Mint Photography /
Williamsburg, VA; 79 (t) National Park Service, Dannemiller/CORBIS; 174 (b) Henny Ray Alamy; 287 (c) Firefly Production / Corbis; 288 (b)
Harpers Ferry Center Commissioned Art Abrams/AFP/Getty Images; 174 (cr) © Win Jose Luis Pelaez, Inc./Corbis; 289 (tc) Phil Banko/
Collection, artist Greg Harlin of Wood Ronasville McNamee/Reuters/Corbis; 175 (t) REUTERS/ Corbis; 289 (tl) 2007 Motorola, Inc.; 289 (tr) NASA
Harlin, Inc.; 81 (c) © Lee Snider/Photo Images/ Jorge Silva; 176 (b) © Rudy Sulgan/Corbis; 177 (t) Kennedy Spacee Center; 291 (c) RussellGordon.
CORBIS; 85 (br) ©The Granger Collection, New © Bob Daemmrich/Corbis; 179 (t) © David net; 292 (t) Paul A. Souders / Corbis; 293 (b)
York; 87 (c) © SuperStock, Inc./Superstock; 88 (t) Muench/CORBIS; 183 (c) © Hisham Ibrahim/ Lonely Planet Images 2000; 295 (t) Andy Sacks /
Bettmann/Corbis; 89 (br) ©Milne Special Photodisc Green/2005 Getty Images; 187 (c) ©Gift Getty Images; 299 NASA; 303 (c) Cosmo Condina
Collections and Archives/University of New of Edgar William and Bernice Chrysler Garbish/ / GettyImages; 307 (t) Pertrified Collection/
Hampshire Library; 89 (bl) Historical Society of Virginia Museum of Fine Arts; 191 (t) © Alex GettyImages; 308 (tl) Frank Seifert / GettyImages;
Pennsylvania; 90 (b) The Connecticut Historical Wong/Staff/Getty Images News/2005 Getty 309 (c) Najlah Feanny / Corbis; 310 (b) Purestock /
Society Museum, Hartford, Connecticut; 91 (t) Images; 193 (c) © fStop/SuperStock; 196 (b) © AP GettyImage; 311 (t) Bert Wiklund; 312 (tl) Rubens
David Wagner; 95 (c) © Dennis Degnan/CORBIS; Photo/Gerry Broome; 198 (t) ©David Young- Abbound; 313 (c) Kim Karpeles / Alamy; 314 (b)
96 (b) ©Bettmann/Corbis; 97 (tl) Künstler Wolff / Photo Edit -- All rights reserved.; 201 (c) D. Donne Bryant/ DDB Stock Photography; 315 (t)
Enterprises; 99 (c) © Dave G. Houser/Corbis; 100 © Christy Bowe/Corbis; 204 (b) ©Private Michael Newman / Photo Edit; 317 (c) NASA; 318
(cl) Missouri Historical Society, St. Louis; 100 (cl) Collection/ Peter Newark American Pictures/ The (b) Ed Degginger / Color-Pic, Inc.; 319 (t) Image
©Picture History; 100 (bl) Painting “Lewis and Bridgeman Art Library; 205 (t) © Joe Raedle/Staff/ Source / Alamay; 320 (t) George Blonsky / Alamy;
Clark: The Departure from St. Charles, May 21, Getty Images News/2004 Getty Images; 206 (t) © 321 (b) Big Toys, Inc.
1804” by Gary R. Lucy. Courtesy of the Gary R. Ruaridh Stewart/ZUMA/Corbis; 207 (c) © Chris
Lucy Gallery, Inc., Washington, MO - www. Cheadle/2005 Getty Images; 208 (b) Copyright (c) All other photos property of Harcourt School
garylucy.com; 100 (cr) ©National Historical Park, 2005 The Canadian Press/Tom Hanson; 212 (t) © Publishers.
Independence, Missouri, MO, USA/Bridgeman Max Trujillo/Stringer/Getty Images News/2005
Art Library; 100 (br) “Lewis and Clark at Three Getty Images; 213 (br) © AP Photo/Jan Bauer; 214
Forks” by E.S. Paxson, Oil on Canvas 1912,
Courtesy of the Montana Historical Society, Don

ISBN-13: 978-0-15-356640-0
ISBN-10: 0-15-356640-X

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