MAYA MONUMENTS ANABELLA MONZON

MAYA  MONUMENTS     100  
 

Eugene Ormandy commissioned the second recording of Ginastera’s final and unfinished

orchestral essay, the Popol Vuh: The Mayan Creation. For his Philadelphia Orchestra. “The

composer worked on it piece over the last eight years of his life, leaving eight of its proposed

nine sections complete and fully orchestrated when he died. Unfortunately, the unwritten ninth

part was to represent the end of the process of the world’s creation, as outlined in ancient Mayan
mythology.”66.Many things are left unfinished because not all things created by men will see

frutition like it happened to my big statues, they were too big so I g

Had to break them and rebuild them. I thought, I created the problem I can fix it! I did it when I

lost my cat for 12 days (in my heart, no loss could be more significant). The main focus of the

project was to create movable work.

The furniture dollies can transfer weight, but not to have weight it on them permanently.

It was tough to break the three most massive statues, but in doing so, I develop new ways of

building them, which allowed me to balance the weight on either side, back and front and left

and right. My sculptures are symmetrically balanced, and the left side mirrors the right. Four

elements, they are four colors to represent the cardinal cross of Mayan Myth numbers.

Quality of artwork is consistent because it manifests evidence of independent research

and also decisions making throughout execution methods of constructing sculptures. After Show,

I had to enter the new conceptual stage of the transferring of the work required the big statues to

be reinforced by an outer layer of exothermal additives with a brush. Coils needed to be harder,

because I knew other people push the work from many points, not just handling spots I created to

move them. The first statues I made were made in Sierra Madre street by Fresno State. I had to

break them in pieces to transfer them to M street. From this experience, I learned that was not an

option because they grew when assembled back together. I ended up with a hefty 700 hundred

pounds of work. Faculty of Graduates helped ,giving me a Research Grant so I did just that .
There is hunger in America for alternative spirituality. 67Rituals that induce vision are

enticing to multitudes. People travel America looking for shamans and healers when western

medicine does not provide a cure for their ailments. Many ailments are psychological, and it has

66 Skeen, I. (2007). Look Close, See Far: A Cultural Portrait of the Maya. Library Journal, 132(18), 66. Retrieved from
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to do with the search of meaning, the lost hollow space within. Clay statues are hollow within

not to become too heavy, but Mayan story says, in the beginning, all was dark. All was silent,

only Heart of Sky and Heart of Sea were there. I believe in the hollow space inside the clay

ceramics heart of the sky and earth meet and embrace emptiness. Except we are trying to run

away from void instead of realizing an empty mind is an asset because we can fill it with new

dreams. Or we can keep our minds busy to help others by Education. I made this instructional
technology video in Class CI 149 with my Group five for our Project with Miss Keeler.68

Awareness has an infinite inherent fluidity that will fill the mind, within but also without.

The progenitors of the Maya creator gods eventually clouded the vision of the first men from
their descendants. But "nevertheless believe themselves to bear within their blood69 the potential

for divine sight" (Christenson, 2007.)

The Mayan priests think they can learn from their ancestors because their vision sees

beyond time and space. Evon Vogt noted that the Tzotzil- think that anciently their people could

see inside sacred mountains where the ancestors live." In should be taught a person does not have

to be like their ancestors; they do not have to walk on their shoes; they have a chance to find

their way. Christensen says, "In her classroom, I found my voice and no longer hid in the

shadows. In her classroom, I realized I didn't have to fill my sisters' shoes. I could walk on my
own."70(Vogt, 1993.) Art concepts should encourage agency in youth. Like creativity’s voice.

Today only shamans can develop these powers; that is why I make my statues rock like

finished because stone lives inside mountains and this symbolism empower my figures to act as

conduits to wisdom. Mountains are Heart of Earth, and they can give back the power to see

beyond, to a pure heart.
In the Mayan Regions, Mexico. Honduras and Guatemala, shamans,71 perform

ceremonies always. I grew up smelling myrrh, and the churches have Mayan Gods besides

Christian gods, and the language, as well as the customs and beliefs, have integrated themselves

68  https://sites.google.com/a/mail.fresnostate.edu/ci149-anabella-monzon/badges/-64-video-tutorial

 
70 Watson, R. (2019). Walking My Own Path. Horn Book Magazine, 95(3), 56–57. Retrieved from
http://search.ebscohost.com.hmlproxy.lib.csufresno.edu/login.aspx?direct=true&db=ehh&AN=135975368&site=ehost-live
71 Salt, E., & Bryant, E. (1998). Secrets of the Shaman: A summer trio. Library Journal.
 

MAYA  MONUMENTS     102  
 

through many arts and crafts. We can gain guidance from spiritual teachers, physical teachers, or
ancestors, but when we do no longer feel alone, we can change our methods.

I switch the way I apply art resins to harden the coils, from a sprayer to a brush, where

the substance can be thicker and strengthen more. These kinds of decisions are hard to make

when there is no one else doing the same methods; there is no information. I started to apply art
resins that it, with a brush on each piece not deluded with water, is much more expensive but

effective. Besides, I need to work on the bottom to anchor piece to attach it more firmly to

furniture dolly. For safe transfer, I need a harder cement anchorage. If I apply cement at I have

to cover it with coils of clay and figures of glyphs on top, so I will need to paint them and
weatherize them with a fixative.

I change color in one part, I have to repaint the whole figure involves putting 30 miles an

hour wind velocity primer before I paint the body, so the paint will adhere as inlay oxide, in

substance clay, and not remain on the surface. It is all tough work, I have to the floor or sitting
very low. The phase involving doing my job, not just viewable but transportable, is the most vital

stage — I the level or lying very low. The period involving making my work not only visible, but

portable is the most critical stage. I cannot afford to break them and have to rebuild them; storage

will not allow me to work in space. The right three statues are the ones that I had to break
because the weight was like eight hundred pounds of clay.

Figure 65 Monzon three statues I broke, from Right side, Photo Monzon, 2019.

MAYA  MONUMENTS     103  
 

The weight of the whole sculpture cannot lay on a small coil piece. Transfer belts around the
parts would crush if soft when on rolling tires of moving vehicle move dollies on wheels

discussion of the body of work as a whole. Of the body of work as a whole.

Is the work finished? is the work secure.?. ill the work survives transferring to another

location. Can other people touch and move the job safely? It is structurally sound. What is the
weakest part? How can I resolve any weak spots? Go back in memory to x-ray the execution of

each piece to analyze the most vulnerable and strengths and improve the manageability of each

statue. To anchor work better, I added cement at the base. It took me a while working every day

to reinforce each piece adding the hardener to some, over the coils.
The exhibition as the installation is an experience of enlightenment, because is not solely

pragmatic in nature. Kant philosopher expresses in the era of Enlightenment, “Humans must

realize their autonomy., no race should be subservient to another. On human autonomy, Kant

philosopher expands “Humans have to take responsibility for themselves and not give up to the
direction of another.”

The discussion of significance may be rooted in personal motivation, a vital life

experience, or a philosophical belief.

The debate of importance may address a social, cultural, or political issue (for example, a

Figure  65a  Monzon  A.  Content  of  a  Project  City,  Airbrush  Ink,  Photo  
Monzon,  2015  

focus on social equity in postcolonial studies, or a focus on the

changing nature of communication in new media studies.)The discussion of significance

may address issues in the forms and strategies of contemporary visual art (for example, a focus

on the viewer’s interaction with the art as addressed in theories of installation art.) the discussion

MAYA  MONUMENTS     104  
 

of significance should include consideration of readings in a discipline related to the content of

the project.

PROCESS

The Process is the review of the development of the ideas in my work. I will discuss

materials and working technique. Mention the tools, the obstacles and discoveries I encountered.

While working with materials, tools, and procedures. I have to consider if the positive and
negative spaces are balanced to create an equilibrium design of form.72

Part I consists of five stages that describe different steps of representation. The models

apply to different levels of representation, as well as to different text genres. Coherence has to

weave together the models concerned coherently.

Coherence depends on being able to connect incoming information with the

representation. If using previous text to link it with new information

A discussion of the development of the ideas of your work. My Professor Edward Gillum

tells me that we must consider the work an artist does in the studio to be the main form of

personal research artists conduct. As a methodology, the exploration of our research is not

limited.

by methods, we assemble to create the production of an art piece. "The materials

we used, the investigations we undertake, the concepts we explore, the substances we mix, the

materials we explore, the theories we implement do our work research." (Gillum, 2018) The art

process in itself is a significant form of project research. In seeking to create a clear and truthful

meaning, we search to establish our symbols of communication and methods. I work on my

advanced technique with various types of cement epoxies, fiberglass, art resins, and clay. It is all

Research of product flexibility, hydration, thermos conductivity and extenuates, how different

substances bind, and keep clay and types of cement bodies together by epoxies and art adhesive

resins. and academia. The other method is the physical execution of the work, the manifestation

of a sculptural piece in three-dimensional reality. I need help to carry through and finish what I

began, not only by the sculptures' Project activity report, documented with professional images

of photography. I needed to produce a high-resolution digital book that captures the detail of

72 Wilkins, A. (2002). Playing with POSITIVE and NEGATIVE Space. Arts & Activities, 132(1), 50. Retrieved from
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MAYA  MONUMENTS     105  
 

symbols at work. Final Project Activity Report prints for my committee, and I need to send in
the future to request Museums to exhibit my sculptures to my committee. Research of the work
will not be successful if the methodology does not match My technique is always evolving at

the callings of my spirit or my mind. A discussion of the obstacles and discoveries encountered
in working with materials, tools, and processes. The

original Mayan the quality of the production. I am

over my head with all these aspects financially, and I

need collaboration in the form of funds from
Research Grant to finalize My Project Activity
production.

Last but not list, I was involved in an

accident that sends me to Clovis Community
Hospital therapy for 14 months. It delayed my

Graduation, plus most of my big statues had to be
rebuilt lighter. To finish them became very difficult.

I want to do the best I can to represent the Art
Department and Fresno State: but it is a noble
undertaking, and I need help to buy more supplies.

My work has attracted attention because of its size.

Still, I have to pay storage from now on after I

Figure  67  Monzon  A,  applying  hardener  resin  mixture graduate this December, please help culminate
Project Activity successfully, manifesting the
excellence you and Project deserve. I also need to

print book of Project Activity for my Committee, images, and print, plus finish Rhetorical
Research of Mayan Art which is very involved

Monuments are alive in meaning. There is parallelism synchronicity in cultural

paradigms. Like the old versus the new, the evil versus the sacred, the big world to the one
below. It is incredibly involved in in-depth research I could not have accomplished without all

classes taken at Fresno State Aer Department.
The demographic area of my project research got smaller every year, and, finally, it took

me back. It was growing, taking force in my art subconsciously until I awoke in my creative

MAYA  MONUMENTS     106  
 

vision dreams of thundering Antigua, the first city of America. I retold my son if he did the
Mayan Glyph.73 od death, the sky would break lose and send us down a present, there would be

no room to receive, and so it will.

Lino did do it and let me take a photo. I realized when I wrote my artist statement and

showed description home and found the all along, I was building the history of my people, where

my family lives in the Midwestern high lands. Guatemala, where the Kiche lives, they wrote the

Popol Vuh and are those characters that I have built all along, my heritage, changing nature of

communication. 74

Figure  68  Monzon  A,  applying  hardener  resin  mixture

73 Woodruff, J. M. (2011). Ma(R)King Popol Vuh. Romance Notes
 
74 Skeen, I. (2007). Look Close, See Far: A Cultural Portrait of the Maya. Library Journal, 132(18), 66. Retrieved from
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MAYA  MONUMENTS     107  
 

DESCRIPTION OF THE WORK
The artwork takes place in space, "Space includes the background, foreground and

middle ground, and refers to the distances or areas around and between things. There are two

kinds of or within an object." Mayan Art is built the space: negative space and positive space.

Negative space is the area in between, around, though,

Figure  69  Monzon  A,  Video  del  Sol,  Photo  Niclaus  Cook.  2019  

same way when you construct a three-dimensional piece is more natural to exemplify the
concepts of background and foreground, I believe that each space is an expression of the three
views of the world, above being the foreground and below being under the ground. note
“A fundamental part of art is learning to see things differently. Most students that I have taught
had no idea that there was more than one kind of space.” 75“By introducing students to this
concept, we teach them to begin looking at things in an alternate fashion. It is a step toward more
complex ideas and also teaches them to observe the world around them in a different way."76
Practice idea of deconstructing space before students and people, in general, can learn the
concept of deconstructing symbols or separating meaning or intentions. I like to compare the

75    
76 T., & De Baessa, Y. (2006). The Influence of Mayan Education module School Students in Guatemala. Cultural Diversity &
Ethnic Minority Psychology, https://doi-org.hmlproxy.lib.csufresno.edu/10.1037/1099-9809.12.4.603Quote6

MAYA  MONUMENTS     108  
 

idea of space to evaluate my creation The high fired work is also fired in different stages, first

comes the drying of the piece, then the bisque and finally the last

high fire stage that vitalizes clay to make it last to posterity.

Arts and Humanities Communication Specialist Benjamin Kirk77 and Fresno State Arts
and Design78 Graduate Studios Gallery 79Technician and Curator Chris Lopez.

We create by thought. First, we start with an idea taking hold of our mind, then second,

we execute it in stages, each time fortifying the part of the work until third we reach the high

fire. Coming into high-fire temperatures, we grow to respect the piece. Since respect for fire is

inherent in our human genetics. Most of the work is high fired. The big statues are made with a

process I discovered. They are heavy, so they have wheels to be moved safely.

The four main statues, because of their size and weight, had to be broken and

reconstructed. They were double the weight, and I was injured in an accident on the highway and

could not handle them. I also thought they were too heavy for the wood dollies. They can carry

up to a thousand pounds, but the statues lived on them permanently, and the five elements that

make everything living on our planet.

The big statues are made with a different process, which I discovered. The description is

they are heavy, so they have wheels to be moved safely. Most of the work is high fired. I created

a process that allowed me to build in huge terms; they are heavy, so they have wheels to be

moved safely. I adapt symbols of Mayan polychrome plates and stelae, I learned in the past, to

the three- dimensional clay compositions.

Creating for me is like an adventure, I never know what comes next, until I do it. Mayan

Monuments ceramic sculptures are the result of many years of artistic manipulation of Mayan

Art through the exploration of design to make two-dimensional compositions applying fire to

leather in Pyrographic 80leather burnings.

77 https://fresnostatecah.com/2019/09/30/grad-student-anabella-monzon-to-show-mayan-monuments-at-m-street-during-arthop/
78 http://www.fresnostate.edu/artshum/artanddesign/m-street.html

79 https://www.yourcentralvalley.com/news/local-news/fresno-state-art-grad-student-showcases-mayan-inspired-art-that-
transcends-time-and-place/

80 Oostendorp, H. van, & Goldman, S. R. (1999). The Construction of Mental Representations During Reading. Mahwah, N.J.:
Psychology Press

MAYA  MONUMENTS     109  
 

The Sculpture pieces that are big in size measure about 7' feet and weigh between two
hundred and fifty to four hundred pounds of clay, they are built on wheels on top of furniture

dollies, to be moved. The statues that are gods of the Underworld are like 6 feet. The more

prominent figures of Axis Mundo Higher World were three times heavier. I had to break three

and rebuild them because they were over 700 pounds of clay weight average, and I was having
trouble moving them. I thought they might break the base dolly in time. The expense and effort

of rebuilding the work were worse more. Than building them anew. Monumental sculptures on

Figure  72  Monzon  A.  Popol  Vuh,  LowerWorld  Kingdom  of  the  nine  evils,  Xibalba  my  studio  left,  2019.,  

MAYA  MONUMENTS     110  
 
Axis Mundo are more prominent

Figure  73  Monzon  Anchoring  added  a  layer  of  types  of  cement  to  the  bottom  of  the  piece.  after  show,  2019.,  

Figure  74  Monzon  A.  Furniture  Wheel  on  bottom  adding  cement,  Photo  Monzon,  After  Show  2019  

MAYA  MONUMENTS     111  
 

than underworld ones; their
size is from five to eight
feet tall, and they weigh

from 300 to 450 pounds.
They are clay with an

armature of wood and metal

poles, and wire screens on

mixed cement covered with

all cement and other types

Figure  75  Monzon  A.  teaching  some  kids  that  came  to  my  show  during  the  weekend of art resins, adhesives,
fiberglass epoxies  resistance

art resins tints. I like to high fire some new work as soon as the kiln is installed, so I can donate

to Fresno State pieces that are fired. When we were open last summer for ArtHops I taught every

youth I saw my medium and my secrets, I showed them all my products and encouraged them to
build with clay. Art can change their lives for the best and bring them to Fresno State to get

Figure  76  Monzon  A,  Application  art  resins  e  hardener.  Nov  2019  

MAYA  MONUMENTS     112  
 
educated in Art. After my show, I coated all my big
pieces with resins applied with a brush to harden
coils,

In Mayan Monuments, the viewer can see the
influential icons, which I use to confer meaning. I
can introduce purposeful new adaptation to old
Mayan Symbols.

Mayan linguistics is not standard to
alphabetic order. Quiche Mayan language is written
phonetically and through hieroglyphics, which writes
ideas by root graphs.

Translations communicate pre-Colombian
and postcolonial linguistics interpretations.

Knowing Quiche Mayan language is written
phonetically helped decipher the meaning of

Figure  77  Monzon  A  Todosantos  Victim,  Photo  Monzon  

2019 hieroglyphs. The root is in the middle of the word
and stays the same, different forms are added to the

beginning and end to form different words81

First, a glyph is a symbol. A symbol is something that represents something else, like an idea, a
concept, or a belief.
At first, experts believed Maya glyphs represented only words, concepts, verbs, numbers, and days.
Later they thought they represented sounds.

The Popol Vugh was shared by oral tradition until Ximenes translated it from Kiche.

81 Sharon-Zisser, S. (2018). Art as a subjective solution: a Lacanian theory of art therapy. International Journal of Art Therapy:
Inscape, 23(1), 2–13. https://doi-org.hmlproxy.lib.csufresno.edu/10.1080/17454832.2017.1324884Carman, J. (2006).

 
 
 

MAYA  MONUMENTS     113  
 

EVALUATION
I used observations from criticism theory on Art history to evaluate the aspect of my art
production, plus my willingness. Donald Preziosi published an Anthology82 in Oxford University

on 1988, it was an Art History criticism "And though this was pulling and stretching of a term,
such as the sculpture is overtly performed in the name of vanguard aesthetics—the ideology of
the new—its secret message is that of historicism. 83 That which is New becomes familiar when
it evolves gradually from

the past."
Mayan Monuments have
the characteristics of
vanguard aesthetics

because sculptures are
overly worked, presenting
the ideology of the new.
Previously I said, "the

meaning of artist work is
in the relationships of his
art to the community."
To evaluate the success

of my project activity, I
have to ask myself if I
was able to familiarize
people with Mayan

symbols laid all over Figure  78  Monzon  A.  Pyrographs  on  leather.  2018

monumental pyramids and

stelae in Mesoamerica, which represented in Popol Vuh. The Maya were Vanguards, promoting

the ideology of the new because they absorbed Pre-Colombian symbols into post-Colombian

icons, preserving the language and the story. In Postcolonial times the language of symbols

82  https://sites.google.com/a/mail.fresnostate.edu/ci149-­‐anabella-­‐monzon/  
83 Hamel-Schwulst, M., & Hoffert, B. (1998). Book reviews: Arts & humanities. Library Journal, 123(9), 82. Retrieved from

http://search.ebscohost.com.hmlproxy.lib.csufresno.edu/login.aspx?direct=true&db=ehh&AN=616106&site=ehost-live
 

MAYA  MONUMENTS     114  
 

became hybrid because of the assimilation of Spanish and Indian culture mixed. Art into new
approaches in Postcolonial

Figure  79,  Monzon  A.  Historicism  News.  2016 Figure  79a  Monzon  A.  Vanguardism,  2019  

times, from two thousand years before Christ to now. Mayan art keeps on stretching aesthetics to
bring forth historicism that gradually evolves84 from the past.

I am a Mayan Indian artist, persevering in the same quest as my ancestors. Vanguard85
was the name of the elementary school I attended in Guatemala, and students marched through
the streets on the day of Independence. Could it be my life is destined to build a bridge between
the old and the new? The past and the present? My art to bridge Mesoamerican history?

In Belga Catholic Private School in Guatemala,86 Principal Mother Lucia always told me,
"Anabella do not build a wall between you and people, your brethren, build bridges instead.”

 
85  http://vanguardiajuvenil.edu.gt/web/
86 https://www.colegiobelga.edu.gt/

MAYA  MONUMENTS     115  
 

Afterwards, I went to high school, in Liceo Frances87s and Saint Joseph’s College88 in Canada. I

dream from the southern border to the northern border of Mesoamerica; my art reaches breaking

boundaries of space and time. Joining people together through the pursuit of symbolic

communication. went to elementary school

“And though this was pulling and stretching of a term such as the sculpture is overtly performed

in the name of vanguard aesthetics —the ideology of the new—its secret message is that of

historicism. The forms of the past are comfortable and familiar since they evolved gradually

from the past.”89

Figure  80  Monzon  A,  firing  in  back  kiln,  2018  

Figure  80  Monzon  A.  Tikal  Leather  burning  News  Paper  article.  Guatemala
87  https://www.classmates.com/places/school/St-­‐Josephs-­‐College-­‐School-­‐for-­‐Girls/20962371  
88  https://www.aquienguate.com/perfil/liceo-­‐frances  
89  APA  (American  Psychological  Assoc.  Pettigrew,  D.,  &  Raffoul,  F.,1996).  Disseminating  Lacan.  Albany,  NY:  State  
University  of  New  York  Press.  

MAYA  MONUMENTS     116  
 

(The Art of Art History: A Critical Anthology. Oxford University Press,) Nowadays, is
subjective what we call sculpture. Even tunnels in the earth or subterranean passages can be

sculptures. According to Vanguard aesthetics, my sculpture has historical value because, also

though it is new, it becomes familiar because it has evolved from an ancient culture that lived in

this area. When I familiarize people in Fresno to Mayan sculpture, I am teaching the history of us

everything in it. His purpose here is to understand and reveal Mayan culture, especially the

Mayan impression that the world and everything in it is “pervasively sentient.” roots. I am
introducing as new, the old forms of this area’s heritage. Is my project assiduous? It was
painstakingly detailed, meticulous in the replication of motifs, but in the accurate rigorous
reproduction of Mayan work laid the secret to Maya Monuments implementation be thorough the

MAYA  MONUMENTS     117  
 

Mayan perception that the world and 90 endowed with spirit. In the evaluation, I seek to see if I

fulfilled the purpose of sharing the vision of the Maya to perceive everything alive or sentient

sense made people familiar with meaning and folklore that is old but new. Reading a new form

of language, which represent ideas. This new form of communication develops new pathways in

the brain. This installation unseen in Fresno before, which is beneficial to enrich the art language

dialect of the community.

Figure 80 Monzon A. Altar a day before Show, Monzon 2019

CONCLUSION
Coming to an end, I need to answer some questions to see if I met my goals according to
my project descriptions. So, the question is, are my Project outcomes Logic? Logic is a science
that studies the principles of correct reasoning.
An example of Logic is deducing if two truths imply the third one, as evident. Logic
allows an excellent conclusion to my arguments. In this case, if my project description meets
proper explanations, the result is a functional evaluation. I will come up with a solid conclusion
and a logical appreciation of my Art 298 Project activity.
To accomplish that, I need to ask myself if the symbolic explanations, I developed to
fulfill my objective. My goal is to understand one another through art and culture by sharing
each other symbols through art. I got to share a language of symbols that reinforce beliefs in our
human unity with a God of Light that gives us Truth and sustains nature in harmony.

90Carman, J. (2006). The Latin American Art Song: A Critical Anthology and Interpretive Guide for Singers. Journal of Singing,
63(2), 231–232. Retrieved from
http://search.ebscohost.com.hmlproxy.lib.csufresno.edu/login.aspx?direct=true&db=ehh&AN=23010762&site=ehost-liveThe Art
of Art Sharon-Zisser, S. (2018). Art as subjective solution: a Lacanian theory of art therapy. International Journal of Art Therapy:
Inscape, 23(1), 2–13. https://doi-org.hmlproxy.lib.csufresno.edu/10.1080/17454832.2017.1324884Carman, J. (2006).History: A
Critical Anthology. Oxford University Press, 1998.

MAYA  MONUMENTS     118  
 

Is the outcome of my project united? I think yes because the Mayan Monuments

determine answers for critical questions of art history. Besides, bringing a community gathering.

Also, the press spread the news and ideation behind the creation of the sculptures to a broader

audience. Thus, creating successful dissemination of meanings and making Fresno State
University proud.91

Figure  81c  Benjamin  Kirk  and  Chris  Lopez  2019  M  street                                      Figure  81d  Artist  Professor    Nick  Potter  M  street    
Complex,  Graduate        Studios,  2019.  
                                                               Complex,  Graduate        Studios,  2019.  

My conclusion is that providing an inclusive studio art and Art in education curriculum
whose methods of teaching incorporate a holistic approach to making Art in formal schooling
settings is a critical challenge facing art educators here in Fresno. I like to reproduce my work at
a smaller scale to bring a traveling holistic exhibit to the school district.

Chris Lopez brought Professional Photographer Niclaus Cook to take the photos, at
Graduate Studios 1419 M street, October 2019, to document Maya Monuments Art Exhibit.
Which reveals and evaluates the exhibition and the monuments as an aesthetic composition that

91  Andrews, S. (2005). Casas Grandes and the Ceramic Art of the Ancient Southwest. Library Journal,  

MAYA  MONUMENTS     119  
 

values space. Some say a picture is worth a thousand words. I think Niclaus Cook did excellent
photos that denotate spaciousness.

The statues had authentic iconography from the Popol Vuh, one of the most influential

texts in history and Mayan Art in the area. The work is aesthetic, and it is a Mayan style, was the

conclusion consensus opinion of the audience attending.
The art show was inclusive of Gender because it had male and female statues, addressing.

cultural concepts of gender roles. I conclude show pieces fulfill requisition for academic gender

studies in Universities. The Creator of humanity is a couple, so there is a woman included in the

creation of men. I declare exhibit innovative and influential, based ton texts written over the past
centuries.

.

Figure  81c  Monzon  A.  Artist  in  Residency  at  K.C.  Highschool,  Mural  Sun  and  Moon.,  KCMO,  State  Arts  Council  funds.  

I heard from multicultural audiences, familiar people, and unfamiliar ones that they liked the
Mayan sculptures, that they evaluated the show as amazing

MAYA  MONUMENTS     120  
 

Figure  82  October  People  Talk  at  Maya  Monuments  Art  Show.   Figure  82a.  Martinez  Ixchel,  Me  and  Digital  Professor    
Octo  3.  2019   Craig  Polanaski,  October  3,  2019  

I followed art movements, Folklore, modern art, impressionism, symbolism,
deconstruction, postmodernism, and videographer, innovative Hybridity. The forms are hybrid in
the sense that they combine old and new92

When I came to Professor Craig Polanaski I did not even know how to click a computer
mouse, Craig always challenged me by making me independent. He was the First professor that
guided me. Craig is the Art Department at Fresno City College. He came to my show and
challenged me to strengthen my statues for transfer. If I had not broken a coil, in front of him I
had not realized that some were still fragile at loops and they needed to be stronger to transfer,,

92 Nelson, R. (2011). Vigilance, expectancy, and noise: Attention in second language lexical learning and memory. Second

Language Research, 27(2), 153–171. https://doi-org.hmlproxy.lib.csufresno.edu/10.1177/0267658310385757
 
 
 
 

MAYA  MONUMENTS     121  
 

Figure  81a  Monzon  A,  Tinaja  in  Center,  Photo  Monzon,   Figure  81b  Monzon  A.,  Tinaja  y  Gracie,  Photo  Monzon  2017  

2019  

I remain silent awe to what the creator has made through my hands. All praise be to
God's light.

In Mayan Culture Animals are helpers. Guides and friends. My cat Gracie is my friend.
Some people do not believe in Archangels, I do I believe there is Four that travel with God in His
aspect of Absolute.

In the North is angel Michael, he rules wisdom. In the East is Uriel he is Intuition. In the
South there is Angel Gabriel he rules matter of facts in worldly life, in the West is Raphael the
Angel of Courage. I drew them on cot bed materials from Village of Hope 93Paul Stack gave
them to me.

93 https://poverellohouse.org/what-we-do/shelter
 
 
 
 

MAYA  MONUMENTS     122  
 

Figure  82a  Monzon  A.  Archangel  URIEL Figure  82b  Monzon  A.  Archangel  RAPHAEL

Figure  82c  Monzon  A.  Archangel   Figure  82d  Monzon  A.  Archangel  
GABRIEL GABRIEL

MAYA  MONUMENTS     123  
 

Figure  83a  Monzon  A.  Bushwaker,  Ganador.  Monzon  A.   Figure  83b  Monzon  A.  Lino  Portrait,  Monzon  2018  

F Figure  84b  Monzon  A  Lobo.  Monzon  2018  
Figure  84a,  Monzon  A,  Gran  Dios,  Monzon  2017  

MAYA  MONUMENTS     124  
 

I transferred all the pieces out of Graduate studios, and it difficult. The conclusion is not

to be afraid of difficulty. All along while I built these prominent pieces, it was in the back of my

mind how would I transfer them? I took them to the storage, I am satisfied they are in a safe

place, undisturbed, sleeping giants in the winter rain. I am at peace; it all worked out, and I am
ready to accomplish more, one step at a time.94..

The impossible happens, and I gained the strength to do great work with God’s help. Renting car

or truck businesses do not rent trucks with a hydraulic lift for personal use. It seemed impossible

to get a commercial vehicle with a Tommy lift because I needed a driver, A license, and a

business to rent it for me. I found one small truck at the last minute, and the move was

miraculously safe. What happens next? I evaluate, my best bet is to get a class A license, so I can

rent a truck with the help of business to exhibit my work out of town.

Figure 85a and b Monzon A Transferring sculptures out of Graduate Studios, Monzon 2019.

I need a bigger truck with a hydraulic lift with no grooves and longer in size. I never measured
the right size, and the statues would not clear doors of storage, they had to lay back to pass
through.

94 Andrews, S. (2005). Casas Grandes and the Ceramic Art of the Ancient Southwest. Library Journal, 130(20), 121.

MAYA  MONUMENTS     125  
 

I was delighted I reinforced the coils for transferring them, ahead of time and after the Show.

Figure  85  Monzon  A.  transferring  statues,  Monzon  2018  

I am subject to be evaluated by others for the Mayan Folklore and symbolism I presented
in my Solo master Show at Graduates Master Studios at M street Oct 3, 2019.95 I accomplished
all I set out to do, with help from my committee, Chairman Martin Valencia, Master Coordinator
Stephanie Ryan, and our Dean Honora Chapman.

They all supported me in many ways until the end. Gallery technician Chris Lopez did an
incredible job of producing labels and curating the show.

He brought Professional Photographer Niclaus Cook to take magnificent photos of the
work, that convey space. I filmed last month with Fresno State Humanity specialist Benjamin
Kirk, the process of my work at M street Complex gallery studios. He published my art in Fresno
State Blog.

95 Nally, E. (2009). Ancient Mayan Glyphs. Arts & Activities, 146(3), 32–42.
trievedhttp://search.ebscohost.com.hmlproxy.lib.csufresno.edu/login.aspx?direct=true&db=ehh&AN=44811085&site=ehost-
livemmmmnnbb\

MAYA  MONUMENTS     126  
 

Figure  86  Monzon  A.  Graduate  Studios,  2017  

Figure  86a  Dean  gallery  Show  2018  

MAYA  MONUMENTS     127  
 

Figure  87  Graduate  Studios,  Photo  Monzon    2019

MAYA  MONUMENTS     128  
 

Outreached kids from Discovery Center came to build clay with me after show and networked
with Professor Sallie Saiz from Fresno City College. I contacted Arte Americas Exhibitors.

Foundations invited to go to M street Graduate Studios. Other Institutions like Avenal
Prison requested Chancellor in Long Beach. I reached the school District and other gallery
sponsors, Art-hop venue community, Faculty, and students of Fresno State. Dissemination
included posters and invitations all over town, Madden Library, and bulletin boards. Public
Production Media, YourCentralValley.com KSEE24 | CBS47 put me on the Local News, and
PBS filmed a feature of Maya Monuments show to post this week. Fresno Arts Council emailed

Figure  87  Monzon  A.  Graduate  Studios,  2019

Figure  88  Artist  Professor  Designer  Joan  Sharma,  ArtHop  Spectrum  
Gallery.  Photo  Sharma  2019.

my poster to their Art hop list as well as helped me design posters.

MAYA  MONUMENTS     129  
 

My Master Committee Member Professor Artist/Designer Joan Sharma is an expert in

snakes. She advised me about final touches for the master’s Show and infused me on her vitality.

I contacted CCA to critique my show. I accomplished the dissemination of multicultural

diversity at Fresno State. Published my CV at website anabella.info and encouraged Public

Giving.

I have experience with how I can help other graduates to develop their Projects. I want to

help at Fresno State Day of giving and Blog. I am academically rooted and bound in writing a

thesis that represents my ideas about my work as a whole. The purpose of this thesis is to

describe a group counseling model based on the indigenous. medicine wheel as well as Maya's

philosophy to bring balance in lives through establishing goals and steps to accomplish these

goals. The authors call this model the Goal Wheel.

I am very excited the concept of the Cardinal Wheel was shared by the News in Fresno96

Figure  89  Monzon  A.  The  Light  Rays  from  the  Creator  are  on  me  always,  2019  

96 Valis, N. (2000). The Moral Voice of Octavio Paz. Modern Age, 42(1), 49. Retrieved from
http://search.ebscohost.com.hmlproxy.lib.csufresno.edu/login.aspx?direct=true&db=ehh&AN=2963209&site=ehost-live8
Londré, F. H. (2004).

MAYA  MONUMENTS     130  
 

Figure  90  Monzon  A.  Huracan,  Photo  Monzon,2019  

The Cardinal Cross represents the four directions of the sky in Mayan Culture, but this idea has
gathered the medicine Mayan Wheel with manifestation of Sacred Wheel of the Native

MAYA  MONUMENTS     131  
 

American tribes, and it is in North Mesoamerica and South Mesoamerica. Trade routes
propagated ideas, there was cultural exchange for centuries, before the Conquest of America.

I have an AA in Web Graphic

Productions, and I help other

students with video tutorials. In

this video, I am sharing about

Managing your Site, putting

images in the background of your

pages into your portfolio, changing

colors, texts, templates use, and

parts of the page gadgets.97

Tedlock gives credence to the as a

believer on the accuracy of Mayan

shamanism; he does not back away

from the world view but presents

himself as LORD.

Mayan Monuments express the

idea of unity in the center of circle

call Sacred Space where all people

can call on ancestors and deities of

their own belief, to manifest and

guide us, is necessary to spread

these cosmological ideas and art in

the schools. South can have a

Figure  91  Monzon  A.  Huracan  going  out,  Monzon  2019 venue to express their emotions

and create art or performances or must

help troubled adolescents restore harmony. As noted earlier, engulfment of an existing structure

to enlarge a construction was a common architectural refurbishment technique throughout

Figure  92  Monzon  A.  Huracan,  Photo  Monzon,2019  

97  https://sites.google.com/a/mail.fresnostate.edu/ci149-­‐anabella-­‐monzon/quests/-­‐16-­‐create-­‐g-­‐community  

MAYA  MONUMENTS     132  
 

Mesoamerica (Mastache and Cuban 2089)

In evaluation my sculptures are never finished I might put fiberglass cement on y

Them to make them outdoor sculptures so I do not have y

To pay storage, repaint, and rebuild them, refurnishing to become a whole different

Mayan Monumental structure to decorate an outside temple I build in my land.

A God’s eye I made, I was wondering to add mixed media and also burlap because it is

an organic material used by poor people in the Third world since Colonial times. This photo

shows the rawness of the process. The purpose of this article is to describe a group counseling

model based on the indigenous medicine wheel as well as natives. Philosophy by w and balance

in their lives, through establishing goals and sequential steps to accomplish these goals. The

authors call this model the Goal Wheel.

The Cardinal Cross represents the four directions of the sky in Mayan Art. Still, this idea

has spread by commerce between North Mesoamerica and South Mesoamerica trade routes

manifest as the Medicine Wheel of the Native American tribes. It is a healing God’s wheel, like a

God’s eye to bring shamanistic healing to all nations that gather (Tedlock, 1975) gives credence

to the accuracy of Mayan shamanism; he does not back away from the world view but presents

himself as a believer 0or POWWOW. Mayan Monuments express the idea of unity in the center

of circle call Sacred Space where all people can call on ancestors and deities of their own belief,

to manifest and guide us, is necessary to spread these cosmological ideas and art in the schools.

What I learned from the beginning is that culture is ritual practices that manifest their

symbols of worship. There is a place in the center in Aphuai Culture, a place to be heard. The

Aphuai Indians have a place in the center, and people go there when speaking their minds.

Children have their place to play.

These practices develop trust in the culture by the members of the tribe. When there is no
trust in a culture, crazy Fiesta celebrations 98happen. People let steam out to become whomever

they want and break all l and moral rules consuming drinks until intoxication.

Why are there differences? Is because there is confusion in the meaning of symbols. A

child develops two sides within himself that contradict in nature. One evil, one good, the sides of

personality are fighting each other.

98    

MAYA  MONUMENTS     133  
 

In conclusion, the classes I took at Fresno State Art Department allowed me to put into
practice the knowledge I learned in Seminars with Professors. To express my gratitude, I made

two leather burnings pyro graphic Portraits.

Figure  93  Monzon  A.  Leather  Burning  Honora  Chapman.2018   Figure  94  Monzon  A.  Leather  Burning,  President  Castro,  2019  

Special Thanks to:
Dr. Saul Jimenez-Sandoval Provost and vice president for Academic Affairs, our Ex Dean of
Arts and Humanities
Art Department Dean Honora Chapman,
Chair Professor/Designer Martin Valencia,
Professor/Artist Designer Joan Sharma,
Professor/Edward Gillum,
Professor/Archeologist/Author Keith Jordan,
Master Coordinator Stephanie Ryan
Jose A. Moreno III PBS features Mayan Monuments PBS feature/Public TV Fresno/
Benjamin Kirk Communication Specialist college of Arts and Humanities

College of Arts and Humanities Blog/    

MAYA  MONUMENTS     134  
 

Figure 95  Benjamin  Kirk    

Video  Fresno  State  Day  of  
Giving  
 

Other Links on Google to Mayan Monuments Publicity can be found in Google
Images @

fresno state maya monuments=1
Or Google Browser links

Art and Design Department Release
to Show, Mayan Monuments
Central Valley News

MAYA  MONUMENTS     135  
 
F  

  Figure  96  Monzon  Anabella  PBS  
Figure  90  Ch  47  News,  Ixchel  Martinez  y  Anabella,  Photo  47  News,  Art-­‐ Interview  Maya  Monuments,  Oct.2019

hop,  Maya  Monuments.  October3,  2019

Figure  97  Monzon  A,  Metro  Shelters  Artist  in  Residencies,  Seattle,  2019

MAYA  MONUMENTS     136  
 

Figure  97  Fresno  State  Leadership  Institute  Conference  
Figure  98  Fresno  State  Leadership  Institute  Conference  

MAYA  MONUMENTS     137  
 

Figure  99  Monzon  A.  Doble  Meanings,  Photo  Monzon,  2019  
Figure  99  Monzon  A.  Sculpture  rocks  Land  of  Quiche,  Photo  Monzon,  2016.  

MAYA  MONUMENTS     138  
 

Figure  100  Monzon  A.  Hybrid  Culture.  Photo  Monzon,  2016.  

MAYA  MONUMENTS     139  
 

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https://en.wikipedia.org/wiki/Polyamory

CI 149 Google Site Anabella Monzon https://sites.google.com/a/mail.fresnostate.edu/ci149-
anabella-monzon/
Anabella Monzon Good all Blooms and Common Core for Education CI 149
https://sites.google.com/a/mail.fresnostate.edu/ci149-anabella-monzon/about-me-
page
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examples.html
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https://study.com/academy/lesson/positive-negative-space-in-art-definition-
examples.html http://www.mayancross.com/reference-glossary-mayan-cross

Monuments Show
https://www.facebook.com/31589509164/posts/10157870914589165?sfns=mo

.