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Literary works by seventy-three authors finalists of the Adelaide Literary Awards Contest for 2017 in three categories – best poem, the best short story, and the best essay. Adelaide Literary Magazine is an independent international bimonthly publication, based in New York and Lisbon. Founded by Stevan V. Nikolic and Adelaide Franco Nikolic in 2015, the magazine’s aim is to publish quality poetry, fiction, nonfiction, artwork, and photography, as well as interviews, articles, and book reviews, written in English and Portuguese. We seek to publish outstanding literary fiction, nonfiction, and poetry, and to promote the writers we publish, helping both new, emerging, and established authors reach a wider literary audience. We publish print and digital editions of our magazine six times a year, in September, November, January, March, May, and July. Online edition is updated continuously. There are no charges for reading the magazine online. (http://adelaidemagazine.org)

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Published by ADELAIDE BOOKS, 2017-06-23 10:27:28

Adelaide Literary Award Anthology 2017

Literary works by seventy-three authors finalists of the Adelaide Literary Awards Contest for 2017 in three categories – best poem, the best short story, and the best essay. Adelaide Literary Magazine is an independent international bimonthly publication, based in New York and Lisbon. Founded by Stevan V. Nikolic and Adelaide Franco Nikolic in 2015, the magazine’s aim is to publish quality poetry, fiction, nonfiction, artwork, and photography, as well as interviews, articles, and book reviews, written in English and Portuguese. We seek to publish outstanding literary fiction, nonfiction, and poetry, and to promote the writers we publish, helping both new, emerging, and established authors reach a wider literary audience. We publish print and digital editions of our magazine six times a year, in September, November, January, March, May, and July. Online edition is updated continuously. There are no charges for reading the magazine online. (http://adelaidemagazine.org)

Keywords: fiction,poetry,nonfiction,books,literature

instant gratification, heedless to all warnings he says. Self-help and inspirational books—
and advice. He’ll be there for a month, after Tough Times Never Last but Tough People Do—
which he’ll go into an intensive year-long rehab and the bible. “I truly believe that if I stay in
program. He can’t send email, and phone privi- touch and connected with God, I can do it,” he
leges are limited, so I challenge him to write to says. Well, whatever works, I think, though he’s
me—“Yes, write, as in pencil on paper,” I say. invoked this God of his before, always at low
“What else do you have to do these days?” And points, always with short-term results. “I know
to my surprise, he does. We have a priceless you can do it,” is what I say to him. Rah.
interlude, exchanging several letters over the “It’s fun,” he says, this usually taciturn lad,
next few weeks. He writes openly and eagerly, “sending and receiving letters.” Our missives
covering sheets of lined yellow legal paper on wing back and forth every week. “We share a
both sides with his neat schoolboy cursive. relationship like no other,” he writes, and it
With time to contemplate and to measure his almost makes the pain and tears worthwhile.
words, he expresses himself in thoughtful and He even picks up on baseball analogies, our
articulate prose. I see how this could be a great shared language: “I’ve let my team down, but I
outlet for him, a kind of therapy, and I encour- have to show that I can still be a winner,” he
age him to write more: keep a journal, write says. The words are applicable, their meanings
poems, stories, songs. in life as well as baseball, and I rejoinder, some-
He says he’s clear-headed and wants to stay that thing about coming from behind to win. He
way. Like it’s a revelation; like it hasn’t happened looks to the future, talks buoyantly about his
before, I think. In his first letter, he says: “I let plans and goals again. Yeah, but right now it’s
the drugs get control of me again. But I am so easy, is what I think. No temptations, nothing
done with all that shit! I know those are just to get in the way. What will he do when auton-
words, but I’m going to show everyone how omy is restored, when he has to make choices
sincere I really am this time. I can’t be held again? How many wild pitches can he throw
down when the sky is the limit.” and still stay in the game?
Words and slogans. But he is sincere—today— In his fifth and last letter he’s optimistic. A
and I won’t let him down. I’m still his cheer- little scared and nervous about his pending re-
leader, win or lose, and he counts on that. Rah lease, a good sign. Humility has replaced that
rah, sis boom bah! But I have to challenge him wise guy hubris that leads to trouble. “Trust
too, as I always have. He’s in a place, mentally me. I’m going to see this through,” he says.
as well as physically, where he’ll listen. I ap- He’s going take charge of his life, focus on his
plaud his awakening, his upbeat attitude, his future, on that sunny sky. He’s going to get his
resolve, but… “My sweet,” I write, “we’ve been head straight, find a job, go back to school.
here before. You mean it now, but you meant it “One day at a time,” he says, adopting AA par-
the last time and the time before that. We’re all lance. He asks me to “Keep the faith,” a plea
pulling for you, but you’re going to have to for one more chance. He’s asking me not to
prove yourself. We need more than promises.” give up on him. I’m worn out from worry and
It’s easy to put labels on his problem. He’s a the strain of contrived enthusiasm, from hiding
good kid, and he’s smart, but something’s got my cynicism—or perhaps just realism—but he
hold of him. His mother wants to lay the blame needs my support, and what else can I do? Bot-
on addiction, and she finds solace in Al-Anon. tom of the ninth, bases loaded… I swallow my
The system appears to concur—a twelve-step qualms and take my place in the stands, still a
program is part of his sentence—but what does faithful and abiding presence as he prepares to
it mean on a day-to-day basis? Accepting it, get back into the game.
sure, but the time comes to take responsibility
and, as he likes to say, “man up.” Stay in the
game, tough it out: no one’s coming in to re-
lieve you. I ask him, “What’s different this
time?” He’s thinking and praying and reading,

79

BEST ESSAY

SHORTLIST WINNER NOMINEE

Ronald McFarland

Ron McFarland teaches literature and creative
writing at the University of Idaho. His recent
books include a study of regional memoir, The
Rockies in First Person (2008), Appropriating Heming-
way: Using Him as a Fictional Character (2015), and a
biography, Edward J. Steptoe and the Indian
Wars (2016). Pecan Grove Press published Ron’s
fourth full-length book of poems, Subtle Thieves,in
early 2012. Chapin House Books published his
memoir of growing up in Florida, Confessions of a
Night Librarian and Other Embarrassments, in 2005.
Current projects include a small book of his essays
and poems on angling, title to be decided.

80

THE ART OF FLY-FISHING
AND THE AESTHETICS OF

SOLITUDE

By Ronald McFarland

Fly-fishing properly defined as a method of In the hands of a skillful angler, the fly-rod can
angling which assures the angler that he or she be a lethal weapon. No one has kept accurate
will be granted ample aesthetic distance. So it is statistics on the number of bait-throwers blind-
that nearly all paintings and photographs show- ed in one eye by a Caddis tied on a #12 hook,
ing fly-fishers in action depict them as solitary but the figure is probably staggering. Every year
figures, and if the artwork happens to be a for the past ten seasons in the Pacific North-
close-up, it will show them happy in their soli- west an average of 9.7 bait-hurlers are known
tude. to have been strangled by fly-line, a statistic fish
The most important corollary to this theorem is -and-wildlife officers are understandably eager
what serious fly casters know as The Ratio of to keep from the public. The practice of a mod-
Ineptitude. This holds, simply, that one’s soli- icum of common sense on the part of bait-
tude, and therefore one’s satisfaction, is in- throwers (I include spin-casters in this crew)
versely proportional to one's skill as a caster of could save dozens of lives nationwide: Simply
flies. A highly skilled fly-fisher will be almost give the fly-fisher an ample berth. Best advice?
certainly doomed to company at approximately If you see a fly- fisher on the stream, go to an-
rod-length if said angler is so foolishly proud as other body of water altogether, preferably a
to show off his or her talents. It is axiomatic reservoir.
that he or she will be promptly flanked by other But as I have suggested, intelligent fly-casters
anglers, often the very crudest of bait-fishers. are well able to take care of themselves. Just last
The wisest anglers with the fly, therefore, know week, for example, I was fishing a favorite run
when to take a little heat off the old fast-ball so on a favorite stream (anonymity in such matters
to speak The best recourse of the savvy fly- is always advisable) when I heard a trail-bike
caster, upon seeing other anglers in the vicinity, putter up behind me. A less savant fly-angler
is to lash the air wildly, as if attempting simulta- might have despaired. My old pal Jim would
neously to cast an enormous distance, swat a most likely have muttered a round of profani-
mosquito, and wipe sweat from his or her fe- ties, packed up his reel, and skedaddled. But
vered and quite possibly pathological brow. An not me.
optimal tactic, not recommended to the ama-
teur, is to alternate very skillful casts with un- “How you doin’?”
predictably random tosses, throws, hurls, pitch- “Caught a few small ones.”
es, flings, and flops. The experience for the Please observe here the absolute veracity of the
onlooker should be akin to that of a batter fac- fly-fisher. The fact is I had also caught two or
ing a pitcher who can throw fast-balls, curves, three impressive rainbows and a cutthroat that
sliders, change-ups, and (most important) brought tears of gratitude to my eyes, but I had
knuckle-balls in an apparently unpremeditated indeed caught “a few small ones” as well.
combination. Wary bait-tossers will head for “Mind if I join you?”
calmer and safer waters.

81

My blood chilled. Truly, are any words more “Whatcha usin’ for bait?” one of the boys bel-
aggravating to any angler? Of course, I minded! lowed.
But the fly-fisher, man or woman, is the highest “Flies,” I said quietly.
evolved sub-species of the type piscator. We “Like grasshoppers and stuff?” the other one
are civil to a fault. brayed.
“It’s a free river.” “Like Humpies and Cahills,” I said, almost
Here, I confess, I mis-spoke. At such a mo- whispering as I thought of Izaac Walton’s ad-
ment every word is important, each nuance of monition at the end of The Compleat Angler:
diction, every loop of syntax. Here are some “Study to be quiet.”
recommended options: “It’s not my river.” “Huh?”
“Yeah, I guess so” (followed by a deep sigh). “Them’s artificial flies,” the father announced,
“If you must"” (followed by appropriate pro- obviously proud of his lore. His line dangled
fanity, soto voce). "Yes, I mind!" (followed by listlessly a few feet from the bank, and I could
loud and erratic obscenities). see the gnarl of worms being picked at by two
“How long you been here?” or three fingerling trout. “You boys should
“I dunno, a few hours.” watch him. It’s a real art.”
Nothing at this point in the dialogue is prob- Now of course I had to agree with the guy on
lematic. Only the rankest amateur would have that score. Fly-fishing is an art in several ways.
said something like, “I just got here.” You There’s the art of the fly itself, which should be
might as well pack up your gear and resign the right up there with painting and sculpture, and
hole. I suggested, with pretended solicitude, there’s the performance art of the cast which,
that these trout were not susceptible to bait or properly executed, is as exact and graceful as
spinners, but it was a forlorn hope. classic ballet. Of course there’s the drama of
“You can’t beat meat!” the bait-chunking inter- the catch, and there is, finally, an art beyond the
loper hollered as he let out his line with a re- sum of its parts, call it the inner music of fly-
sounding splash. I’ve seen surf-fishers use less fishing.
lead. But being alert, as I obviously am, to the Ratio
To make matters worse, the guy turned out to of Ineptitude, I performed no work of artistic
be a talker, quite loquacious in fact, a blabber- merit in the next several minutes. Instead, I
mouth of the old school. He was from Califor- whipped and twirled and looped and flopped,
nia, predictably, and he was here on vacation and with a snap that sounded like the crack of
with the wife and the rug-rats. Two chunky lads a .22, I popped off the Adams that had been
of the pre-teen variety promptly rattled up, as if serving me so well. In all candor, I must admit I
on cue, on their own trail bikes. I was relieved had not intended quite so impressive a proof of
to see they had no fishing gear, but then I no- the old corollary. The man looked up kind of
ticed they were wearing swimming trunks. My goggle-eyed and the two boys fidgeted nervous-
heart sank. ly. Think of an actor flubbing the “To be, or
“The wife’s back at the old Winnebago,” the not to be” speech, the prima ballerina falling
bait-flinger announced. He ran a computer flat on her face in the middle of Swan Lake.
business of some sort out of his home, so he Pretending it was business as usual, I scrambled
never had to go in to the office; in fact, he had across the slippery rocks, nearly toppling into
his lap-top right there in the Winnebago. The the stream in the process, in order to tie on a
wife was a nurse, he said, and this was her vaca- new length of tippet and a fresh fly. My fingers
tion. She had wanted to go up to San Francisco were shaking, whether from anger or frustra-
(they lived near L.A.), but he had just laughed tion I cannot say. Finding no other Adams,
at the notion, he said, and pointed out to her even after sending a Ginger Quill and a Coach-
that the trout fishing there in the Bay was pret- man into the water as I searched (retrieved
ty poor.

82

both), I decided on a Gray Wulff, but for some Too late. The pair entered the stream with a
reason the hackle was lodged in the eye of the resounding, trout-scattering splash.
hook, and no matter how I tried, I could not At that moment, the dramatic elements of the
manage to thread the leader. I shifted to a Light art came back to me, the importance of ritual,
Cahill, threaded the leader, started to cinch up the litany that applies to all angling universally
the blood-knot, and then remembered I needed when the sweet, still-point of solitude has been
to attach some fresh tippet, as the tapered por- painfully and ruinously disrupted, so as I pulled
tion was now broken off at about the twelve- away, I called out, “Good luck!” I believe I ac-
pound test level and could not have been more tually meant it. The man said “thanks,” not
than twenty-inches in length. without a touch of sarcasm, and I graciously
I fumbled with the clippers. The afternoon heat repeated, “Good luck!” I felt something for the
was intense, and mosquitoes were beginning to poor guy that could almost have been called
find my range. Behind me the rug-rats were compassion.
arguing loudly and their father was yelling at While it is true that the foregoing episode re-
them to shut up because fish never bite when counts an unfortunate failure of the corollary of
you’re noisy. I attached the fresh tippet, deftly the Ratio of Ineptitude, I would hasten to point
tied on the fly, and clipped the end of the tippet out that this was an extreme event and that it
and the tippet itself in one clean snip. Salty was also a rare exception to the rule. An adept
sweat washed into my eyes and my hands trem- fly-angler can achieve remarkable feats under
bled with consternation as I reattached the fly most circumstances in order to assure his or
and plotted my next move: a whip-cracking, eye her solitude.
-threatening, bait-fisher-strangulating maneuver Speaking for myself, I can say that I have be-
for which I could only regret the lack of a good come so skilled at alternating artful and inept
video camera. casts that some of my best friends and fellow
Picture those scenes from the film of Norman anglers have been known to express some
Maclean’s A River Runs through It. Imagine doubt as to my seriousness, and indeed even
the exact opposite. Or try to recall an appropri- my talent, as an artist.
ate Disney cartoon involving either Donald
Duck or Goofy. Popular art, that’s what I had
in mind.
And I carried it off brilliantly. A virtuoso per-
formance. I all but strangulated myself in the
process, and I did manage to stumble chest-
deep into the head of the riffle I was trying to
fish, but I emerged wet and proud. All to no
avail. These onlookers were no more conscious
of an artless cast than they were of their own
imminent jeopardy.
“Ain’t that nice?” the Californian said after I
inadvertently dropped a fly about how and
where it should have been. A rainbow flashed
past the fly, but did not ingest. “It’s a real art,”
he repeated, as if he actually believed what he
was saying.
I gave up. I slapped another mosquito, reeled
in, and headed for the car.
“You have a good afternoon,” the father sang
out as his boys scrambled down the bank.
“Don’t you boys be jumpin’ in there now.”

83






























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