Enslain: Finnish Redemption Tour 2016 w/STEELWING & FREEDOMINATION

ENSLAIN MAGAZINE EDITRESS & PHOTOGRAPHER

[email protected] Chrissy Turpeinen
www.enslain.net
(Lady Enslain)

FINNISH REDEMPTION TOUR: Steelwing + Freedomination + guests
presented by ENSLAIN MAGAZINE & HEL ROCKS

In September 2015, following myriad life overhauls, I found myself in the iSdteeaellwpoinsgit.ioWn thoenreItuleranrntoedmtyhabteIl’odvbede
bygone role as tour merchandiser, and it was then that I first encountered
sharing the road - and a cramped white van - with these Swedes for a few weeks across Europe, I hastily sought out
any indications as to who these mysterious persons were that I’d be living and struggling with. My initial YouTubings
presented me with a youthful and energized – yet musically somewhat antiquated – 80’s assault of chains and
ssepxa-ncdeenxtr,ifcallysreitctso,sKaisnsdasnydnchharoirnmizeedtaal xveib-hea, nadnldinegv,eanndcoawpbaerltlicpuelracrulyss“iochnebeistes.baIltl”wpaiesceencoaulglehd “Breathless,” with its
what kinda precarious predicament I was getting myself into this time. to make me question

Delving deeper into their material, however, I started recognizing myself becoming thoroughly engrossed by their
gripping hooks, their sharp and thrilling riffs, and their blazing, contagious metal spirit. And holy hell the lungs
on that vocalist! Such strength, character and pleasing timbre, aided by (sometimes vexingly) unforgettable vocal
melodies. Even though I’ve rarely taken to bands belonging to the retro movement or with that style of singing,
they had just captured something so much more fresh, melodic and innovative, that I quickly became enamored and
started craving the tour to begin. And so, after weeks of setting up my merch stand as close to the stage room as
possible so that I wouldn’t miss a moment of the lyrically captivating “Sentinel Hill” or the fast and furious “Roadkill
(...or be Killed),” I realized that I still hadn’t had enough. It also occurred to me that I might be in the position to
introduce other Finns to this remarkable discovery I had made, by inviting them to play in my hometown of Helsinki.
After a hell of a lot of calculation and preparation, and an overambitious yearning to extend their visit into a tour,
these post-apocalyptic prophets are finally coming back to reset, reboot and redeem our (waste)land.

Now, despite my new-found devotion for these guys, I still felt the devious need to give them a hard time, perhaps
to challenge them on behalf of others like my earlier self who might consider their origins or development dubious
or disingenuous -- and to give them a chance to justify their existence in an oversaturated scene. In this interview,
vocalist Riley really took it like a champ, and took away any remaining skepticism I might have had as well.

NO OVERRIDE; NO COMPROMISE...

Steelwing has become associated with the retro heavy metal influence we felt like. So for me personally
movement, especially from your early days, where you presented that meant, among other things, that I could
an undeniable 80’s mimicry. What made you first decide this, and experiment with growling and hardcore
were there any thoughts of how this style could give you the scene vocals – some of my all-time favorite bands
advantage of riding out the trend? Looking back, do you still are Emperor, Dissection and At the Gates.
stand behind all of your earlier works and stylistic decisions? At The song “Och världen gav vika” was much
the very least, you all were very insistent about not playing your inspired by Swedish folk-ish punk/hard rock
Rhiitle“yF:ulAl Stpteheadt Athimeaed!t”hdeerespiwteams yjumstannyopleadings... band Dia Psalma. Wendy O. Williams and
question or debate about it. I was known
in the Stockholm demo scene as a Rob The Plasmatics have always
Halford impersonator and the other guys been a big influence for me, as
were Nyköping’s biggest Iron Maiden well as dark electronic music
nerds. I got on the train to Nyköping and such as The Prodigy and Future
we met up at the station in a blaze of long Sound of London, and more
hair, tight jeans and huge white sneakers. recently I’ve been getting into
It was very clear what the music would gothic, industrial and post-
sound like. We were 100% genuine about punk stuff such as Sisters of
what we were doing and I can honestly Mercy and Agent Side Grinder.
say that I’m not embarrassed about When thinking about how
our earlier stuff. We have always done FImraoutnechaMnydoauoirdtehsnoerng8as0n’srdindgeMnbiemarcckvyeftusotl
exactly what we set out to do for each names, one might wonder how
album, for example: we wanted to make a bunch of young guys were
IZognueesosfwAeliewnearteiojnusat very hooky album. so unilaterally influenced by
in that mood after bands from before your time.
touring with Accept just prior to writing How is it that you got into all
and recording it. Since then, we’ve the “right” music at a time
dropped songs like “Breathless” and “Full where metal -- particularly in
Speed Ahead!” out of our live set since Sweden -- was taking a totally
we felt they didn’t fit in with the new Rdiiflfeeyr:eWntedidriedcnti’ot nth?ink in terms
material we were working on. And we of a wave or a trend; that’s
didn’t want to become the “Full Speed never how it works. The spark
Ahead!”-band. It’s just one song and it’s that later came to be the so-
not representative of everything we’ve called “New Wave of Traditional Heavy
done in our seven year career so far, but it really stuck so we had Metal” in Sweden started years before the
to cut it off. would-be musicians had even learned to
play their instruments, around the time
And then there’s the spandex… what made you feel the need to when Bruce Dickinson rejoined Iron Maiden,
change your image? How do you feel about bands that continue Swedish television showed an extensive
Rprileesye:ntAingbathnadt’sloiomkangoewashdoauysld? represent the music, and the heavy metal special, HammerFall were
spandex RdPeirddinees’ettmrte.harIlolyduogfenhe’otlulttihkteinhtkeheytheviasirssusha–lorfurelodpmrebsefelonawtabetriigyondheiopafplR;ieelsoseottok, topping the charts, etc. It was just many
aRtebJuodota,s years of evolution that led there, from the
punky working class metalheads to 80’s glam, 90’s alternative, late 90’s power metal peak, to the sleaze
etc. They always let their sound and image evolve in sync – and scene of around 2004-2006 which then
they changed a lot! With first-hand experience, I respect anyone caused a counter-reaction from those of us
willing to put on those cold sweaty spandex pants night after night who preferred the Iron Maiden, Judas Priest,
on tour, all in the service of true metal. Nothing embarrassing Accept kind of stuff over Mötley Crüe and
about it, but the scene was already saturated years ago so I might Hanoi Rocks.
question the value of this struggle.

From the tour I recall browsing each of
your CD collections, and while as a band
you sound pretty heterogeneously heavy
metal, I’d say you each have quite a unique
pool of tastes. Which of these unexpected
peripheral influences ever make it into the
compositions of Steelwing, and how much
do you feel restricted by boundaries with
yRoiluery:muTshica?t question might be more
extensive that you’d imagine… I guess
you could say that we are all not just
musicians but also music fans and
dedicated collectors. Between the five of
us we probably cover just about any genre
yRdoiedubno’cotottu,hlidRnektdhaeibneokmuotfww. haTashtetwhtoahutilndtghfiiwst iintthiamRheeesawevtey,
metal context anymore; we brought in any

With Reset, Reboot, Redeem With that in mind, what are your hopes for Steelwing’s future,
you’ve stepped off of your earlier Ranildeyh:oI’wd sdaoyywoeu hinatveenda vtoeraycmhieavtuertehaenmd?sober look on things; we
trajectory and dropped a bit of know better than to expect to make a living doing this. What’s
that playfulness in exchange for a important for me is to leave some kind of mark on the scene and
darker, more serious and mature even if we don’t achieve any wider recognition, I just hope that
direction. What led to this? in 20 years some kid looking for forgotten gems is going to pick
Riley: The thing is, we were always up a Steelwing album, wave a clenched fist in the air and tell his
a very ambitious band with dark friends to check it out.
lyrics, but most people never saw Why should someone like Steelwing? How do you feel you
beyond the surface of what we did. differentiate from all the other bands out there that makes you
This also has a lot to do with the Rwioleryth: Tlihstaetniisnaggtooo?d question actually. Whenever I skim through
way we were promoted, as “Iron a rock or metal magazine I tend look at the stupid promo shoots
Maiden kids” for the continental and think to myself “why the fuck are these guys doing this?”
European power metal scene. aRcrneobdsosIoogtvu,eeRr.sesdTtehheeamet’,asrIhltioehrwinakolbwtuhemerossfwffeeoreual ladvbeboreyumtuunosirqeausdeiwfsfioecluul.nltdWtoaintjhudsRgtieefsyneritne,
Speaking of the two songs you this sense, but I think we’ve always set ourselves apart from a lot
mentioned earlier for example: of other bands in the scene with our deeper lyrical concepts and
cheeseball “Breathless” is a song quality songwriting.
about sexual violence and “Full I find your lyrics to be exemplary. “Sentinel Hill,” for example, has
Speed Ahead!” is part of the Zone such vivid and captivating imagery and colorful word choices, and
of Alienation story line, describing “Ozymandias” is written quite poignantly. Do you have any kind
how the remnants of mankind are of background as a writer or anything, or what are your major
escaping a nuked-out Earth after religious sources of lyrical inspiration?
wars. But we got compared to fucking Riley: Well, thanks! I have no specific background in writing,
Steel Panther and became known for it has just always come easy for me. In my early teens I read
3-word choruses you could drunkenly everything by 1920’s horror author H.P. Lovecraft, in English, and I
mumble-shout. So we decided to make would always keep a dictionary by my side to look up all the cool,
the third album shamelessly pretentious archaic words he would use. So that’s definitely one of my early
and much darker. My goal with the lyrics inspirations. But mostly I think it comes from actually putting an
was to rid the listener of any hope for the effort into the lyrics, not just farting out random words to give
future. This time we wanted to shove the singer a vowel to hold with some vibrato – as so many other
that ambition in the face of the listener to bands unfortunately do. I like to think of the rhyme structure,
make sure everyone “got it.” keeping the timing of the syllables right and writing lyrics that
In those very early years, you had some sound good when sung, feel like poetry when read and that tell a
amazing opportunities to tour with bands comprehensible story or portray a concept.
like Sabaton, Accept and Blind Guardian. There’s a really cynical overtone to many of your lyrics – a deep-
From what I understand, though, you may seated lack of faith in humanity and/or world politics. You seem
have rushed into this without the proper to have a bit of this cynicism in your nature, as well. Do you think
expectations. Care to tell us about what things are really that bad and that we’re all doomed, or does it
went well and what went wrong? What just amuse you to view things from this perspective? And how
lessons have you learned from jumping mRiulecyh: dI oacytouualalycthuaavlelyacaloret oafbofauitthchinanthgeinpgottheenwtiaolrlodf?mankind, it
into the deep end? just pisses me off to see us waste this potential through stupidity,
Riley: The biggest problem was that a
lot of people saw us as kids who just
stumbled upon a record deal. We didn’t
get the chance to prove ourselves on
the small club stages before hitting the
arenas, which is a problem of credibility in
this scene. We’ve rectified this and we’ve
proven that we can deliver energetic
shows and blow a lot of the competition
off the stage. And of course, we got the
deal in the first place because we were
good and we were doing the right thing
at the right time. No one’s giving you
breaks out of charity in the music biz.
On the upside, we did get to expose our
music to a lot of people all over Europe,
we won loads of new fans, and we have
good and bad memories for life. But it
was an expensive investment and we’re
still working our asses off to make even
the smallest profit from touring.

conservative values, religion and patriotism. I think it could
go either way, depending on how we play our cards, but in
a metal context it’s quite natural to focus on the negative. I
would like to do more to change the world as I have strong
opinions about politics, and I’m trying to practice what I preach
by being a vegetarian and considering how my lifestyle affects
the environment.

I’ve been billing you guys as “post-apocalyptic heavy metal.” But
don’t most metal bands sing about these dystopian themes?
How do you try to make your songs different? Tell a little about
Rthileeyd:ifIfebreelnietvceonwcee’pvetsfoofcuyoseudr tmhroeree aolnbuthmes.apocalyptic themes
than many other bands and less on fantasy, horror and the
occult. We’ve definitely kept away from the mundane drinking
and partying lyrics. There’s a deep fascination and fear of the
nuclear holocaust running through all three of our albums.
Lord of the Wasteland was obviously very Mad Max inspired.
The lyrics for “Roadkill (…or be killed)” is really just the Road
Warrior plot translated to metal lyrics. This is also apparent
in “The Clash aonf dthseomTweoofTrtihbeess.o”nZgosnoenotfhAeliaelnbautmionfitwtaosgemthoerer
sci-fi inspired
to tell a story of how the last survivors of mankind must search
for a new home after said nuclear holocaust, ending with a little
twist I’m sure no one really got. For Rbeestewt,eReenbaoomt,isRaendtheeromp,icI
wanted to find a natural intersection
view of mankind’s current state, its inevitable destruction (be it
metaphorical or actual) and the potential of a transhumanistic
future. There’s a lot of technologically-infused Nietzscheanism
going on there.

Let’s move on to Finland. Robby and Nic are pretty much half-
Finnish (although neither speak the tongue.) What are your
conceptions about Finnish people? You’ve opened for Sabaton
RinilHeye:lsTinhkei,gTeunrekuraal npdreÅcloanncdeipnti2o0n1s0o;faFniynnmisehmpoerioepslsetawnhdicohuta?ll
Swedes share, are of heavy drinking, relentless sauna usage
and knife-waving. Most of it is true… Unfortunately, all I
remember from that Nordic leg of the Sabaton tour was that
it was mid-winter, cold as fuck and pitch black. Oh yeah, and
Finnish drunks shouting “Hurriganes!” after us as we boarded
the ferry.

So, last September you had the distinct honor and privilege of
traveling across Europe with the fabled Lady Enslain as your
mRieleryc:haAndwisaeyrw. aTredll uans dhowwhgimlosriicoaulsctrheaattuwraes.that one. Did an
excellent job as a merchandiser, but just as soon as the last box
of merch was closed she instantly got so drunk she fell on her
ass - like clockwork.
[I’d like to see YOU try walking in those boots!]

Finally, browsing through your rider I discovered a request for
“One poster of Lita Ford and/or Doro Pesch from the 1980’s.”
We’re thinking that your moms must’ve been pretty hot back in
tRhileey8:0N’s,ottohoin.gDwoaessnw’trothnigs afebeolustoimt uenhtoiwl y…ouwmroandge?it weird!

TRIVIAL FACTOIDS ABOUT THE STEELWINGERS:

• ALEX VEGA (guitars) frequently falls asleep behind the wheel when driving drunk.
• Name any movie and ROBBY ROCKBAG (guitars) will tell you when it was released.
• NIC SAVAGE (bass) was arrested in Tokyo for having tattoos.
• OSKAR ÅSTEDT (drums) once emptied the urine tank of a nightliner on a parking lot.
• RILEY (vocals) once signed off a tour blog as “Riley Erickson and the Aliens” as a Rocky Erickson tribute...

Someone didn’t get it and wrote Riley Erickson in the line-up on their German Wikipedia. Since then,
countless rock “journalists” have involuntarily revealed their use of Wikipedia instead of official sources.

Supporting Steelwing on their Finn
champions Freedomination, who’v
since 2008, delivering honest, inspir
compromises, limitations, or pretens
revitalization of pure metal to the Nor
to restrict or pigeonhole themselve
points, being sometimes too melod
status, and too aggressive for comme
ground and willingness to push bou
the endless pool of metal bands, an
keen sense of melody, speed metal in
with versatile vocal delivery rarely hea
heads whenever they’re given the op
fail to deliver a pummeling and impul
Freedomination is the brainchild of c
who’s widely recognized for his
and Kiljuvelka-70, his appearances
Spermtroopers of Destruction S.O.D
live feats, and as the guy who played o
Among friends, we jestingly refer to h
just a guy deeply invested in creating
of yesteryears.

You recently opened for Rytmihäiriö at Vernissa an impact to people; I don’t
in Vantaa, which has the uncommon advantage care about the rest really. We
of having an all-ages area. You seem to have are not Slayer. Sometimes I
really made an impression on the younger think that people might get a
attendees. Do you think there’s something little irritated by the fact that
about your music that’s better suited for fresh I maybe use a lot of melodies
eTaimrso?: I think probably most metal is more for instance, and I don’t really
suited for fresh ears because metal music in care if I come up with a song
general is kind of like for young people. But that sounds more mainstream or
I think that because we try to put in energy has pop influences or something.
and, I think our music is youthful in general
– although I try to play with stuff and make it The Virus isBut I think uncool can be kind of
not just some kind of teenager dork stuff. It’s
not just kids though, at the gig there was the cool because it’s kind of like a fuck
fence that got knocked down and the kids were you to people who just think that
getting crazy, but I think some of the adult everything is supposed to be this or
people were going crazy too. that way. I think it’s fun when I hear a
Would you say that older fans might be too ballad on some metal record, so I don’t
inhibited by some kind of dogmatic genre know. When you have different kinds
fTiixmatoio: nYseathha, tI ywoouudldons’atyfitsoin. toI?don’t think that of things in your music, and different
we’ve made it easy for us. We played one gig kinds of songs, then you can feel more
some years ago where we played our (laughs) interested in your own music and I
ballad song the first time when the gig was believe that it will be more interesting for
otherwise like an aggressive underground the person who’s listening to it.
thrash metal thing… And yeah, we are not a
thrash metal band or like just one genre. We’ve So, you’ve pretty much got an entire vault
done a lot of different kinds of stuff and maybe of unreleased material from throughout
we’ve played seven-string guitars at some point the years; most recently a full-length that
and, we’ve done some maybe questionable fyrooum’veonrecyoorudreTdhaendStraenledapserodmthor-eEeP.soTnhges
things in our music that isn’t for all kinds of album feels thematic to me, from “Tower
more purist metal fans. of Power” to “Leaving the Tower,” etc.
You’re often genrified as a thrash metal band. Can you explain what this “tower” image
TDiomyoo:uIththininkkthwaet gdiveefisntihteelywrhoanvgeetxhpreacsthatmioentsa?l Treimproe:seOntksatyo, you?
influences in our music, fast guitar riffs, well basically the tower
aggressive vocals, and I think that my main represents sort of doing things that
influences in metal have been like the Big Four are comfortable in a deceitful way. It’s
in thrash metal and other thrash metal bands. about starting to pretend to yourself
But I wouldn’t ever limit us there because when that you can do whatever and not take
I write songs I don’t want to think “I need to responsibility. It’s basically this kind of
write a thrash metal song,” I want to think, I self-betrayal, but then it’s the comfort;
want to write a really good song that will give a lot of negative things that will kind of
appeal to you – a kind of tower of getting
somewhere in your life but that has all
been based on something where you
haven’t really stood your own ground.
Everything that you have earned, you

nish tour are Vantaa’s heavy metal
ve been retaliating against trends
red, thrashing heavy metal with no
se. While offering a much-needed
rdic underground, their unwillingness
es hasn’t earned them many scene
dic and hooky for cult underground
ercial audiences. Yet, it is this middle
undaries that sets them apart from
nd makes them intriguing. It’s their
ntensity, and playful shredding, along
ard in heavy/thrash metal, that turns
pportunity, and on stage they never
lsive performance.
creative mastermind Timo Ahlström,
s punkier endeavors Horrorfeast
s with Gandalf, ArchiTorture, the

cover band, or any other number of
on stage with Annihilator in Tampere.
him as the “rockstar,” but really he’s
g fresh new music to rival the greats

s Unleashed! haven’t really. Like you’ve I would like to talk with, but I would kind of be
lied to people, tried to take afraid also because I think that he might not
advantage of people, tried to like me and he might beat me up! Would be
jump on opportunities when somehow weird to share a stage with him and
you know deep inside your to tour but that would maybe be one of the
own mind that you’re doing more interesting things for me because of the
something that you shouldn’t kind of music that he’s done and the kind of
be doing. And walking away interesting story that I feel like that guy has
from that tower, like in “Leaving as a person.
the Tower,” means leaving that Speaking of idols, do you feel like idolatry is an
behind, deciding “you know what, important part of our development as music
I’m better than this” and taking lTisimteon:erIssna’ntdiadsolpaetorypleli?ke a crime based on
your own personal responsibility of the Bible? (laughs) Umm, I don’t know if
things. everybody needs idols… if you’re a musician
maybe it’s good to find something that
So, digging a little, would you say that inspires you no matter what it is. To me it was
yToimu’ore: Ulemavmin,gnoth, Ieptroowbearb?ly never get away important to feel entertained – maybe it gave
from the tower! It’s a really complicated me more insight, something to think about
thing, it’s something that I myself start when I was young. When I was bored with life,
thinking from different perspectives later with things. It was good to have musicians
on. But, in some ways I do feel, yeah, I’ve who had an interesting character because that
left some of that tower… In life there’s gave me something to feel that life isn’t shit.
always times when you can do the right Do you honestly and sincerely want to
thing or the wrong thing and you kind of be a rockstar? Would you ever want the
won’t be persecuted by it, but you can Treimspoo:nIsliibkielittyo okfidbaerinogunadnywbiothdyth’saitdtohl?ought. It
make the decision and then you have to would be cool to have fans, to be somebody
live with the end result and only you will that people think that hey there’s this
know. interesting person and we want to listen to
his stuff, but at the same time if I’d be some
If you could tour with any band as support, superstar who can’t do anything normal and
Twihmoow: ouPlrdobitabbelyanBdewahtlye?s. (laughs) Or everything I say will affect everybody and then
Elvis. Or – umm – Jimmy Hendrix or Led I can’t joke around because everybody will
Zeppelin. Or – Queen! But then again take everything that I say word for word or if
who would want to warm up for Queen I can’t handle things anymore, do something
because it would be embarrassing to stupid then people will do something stupid
play on the same stage. In a weird way, because I do. It would be rough to have that
I kind of want to with Danzig. I try to kind of responsibility. I think it’s more of a joke
pretend that I’m not looking up to him when I say that I want to be a rockstar, I just
and wanting to see everything that he want to be somebody whose music people
does and says but – I mean, I’m a big like, I don’t need to be considered some kind
fan of what he’s done musically and I’ve of fucking cult-like person or something.
been a big fan since a pretty young kid so
I think that he’s an interesting person that

As a special Helsinki treat, with every live appearance.
we’ve invited our very favorite With all the beer-soaked
Finn-Swede thrash kids to fun of party thrash, but
obliterate Kuudes Linja with the ferocity of with wider-ranging lyrical themes and death
a murderous rabbit! These Kirkkonummians metal and crossover influences giving them both
(with a touch of Hervanta) are definitely no authority and distinctiveness, Nuke have quickly
strangers to the stage (assuming they can stay become a household Enslain name. Does it sound
out of the mosh pit long enough to actually set wrong if I say I instinctively want to adopt these
foot on the stage), and their youthful hyper- mischief-making, karaoke-killing, striped-sock and
electric thrash energy has them turning heads hand-me-down apparel-wearing motherfuckers?

FINNISH REDEMPTION TOUR 2016

STEELWING(swe) + FREEDOMINATION
+ special guests NUCLEAR OMNICIDE
HELSINKI @ Kuudes Linja

Saturday, 07.05.2016 * 7 € * K-18 * Doors: 19:00

Unruly Speed!

You might have seen Devastracktor
opening for such cult bands as
Manilla Road or Angel Witch, or
perhaps destroying the main stage
of Hammer Open Air... Whatever
the case, you’d definitely remember
– these rugged and rambunctious
rascals have a way of leaving their
mark. Spitting out sardonic humor
atop razor sharp speed metal, these
Turkusian titans of thrash encapsulate
the gritty, fuck you attitude and the raw metal spirit of yesteryears. Whimsical words and overdose
overtones aside, Devastracktor are a serious force that’ll strike you like Beer Force One.

Death/Power Epicism?

Heroic and grandiose – with captivating mel-
odies, epic orchestrations and a stunning as-
sortment of vocal stylings – grabbing Turku’s
Gladenfold as support for this gig was a no
brainer! Though still a hidden gem in the
Finnish underground, Gladenfold’s music is
perfectly polished and thoroughly luminous.
Their intricately played power metal races
forth at a brisk tempo, and is compounded with occasional growls and an overall death metal sensibility
that separates them from the herd, and this combination should catapult them to the next level in no time.

FINNISH REDEMPTION TOUR 2016

STEELWING(swe) + FREEDOMINATION

+ special guests DEVASTRACKTOR + GLADENFOLD

TURKU @ TVO

supported by:
Friday, 06.05.2016 * 7 € * K-18 * Doors: 21:00

FINNISH REDEMPTION TOUR 2016

Hellish Helatorstai!

STEELWING(swe) + FREEDOMINATION
+ 2 special guests TBA
TAMPERE @ Varjobaari

supported by:

Thursday, 05.05.2016 * 7 € * K-18

pg 15 - inside back cover
Enslain ad

&
PRESENT:

(SWE)

FINNISH REDEMPTION TOUR 2016

WITH

05.05
Tampere @ Varjobaari

(support TBA)
06.05

Turku @ TVO
(with DEVASTRACKTOR & GLADENFOLD)

07.05
Helsinki @ Kuudes Linja
(with NUCLEAR OMNICIDE)