Hinggap Art Space Selangor Islamic Arts Park Complex Gallery KPSK UITM Shah Alam Kajian Lapangan Galeri-galeri di negeri selangor Gallery Merah Teratak Anak Amas Rentas Harta Space Core Contemporary Art
CONTENT PAGE 1 . 0 H A R T A S P A C E 1 . 1 H I S T O R Y 1 . 2 V I S I O N & M I S S I O N 1 . 3 G A L L E R Y C U R A T O R S 1 . 4 E X H I B I T I O N H A L L 1 . 5 M A I N A T T R A C T I O N S 1 . 6 G A L L E R Y C O L L E C T I O N S 1 . 7 I N Q U I R I E S 2 . 0 I S L A M I C A R T S P A R K C O M P L E X 2 . 1 H I S T O R Y 2 . 2 V I S I O N & O B J E C T I V E 2 . 3 G A L L E R Y C U R A T O R S 2 . 4 E X H I B I T I O N H A L L 2 . 5 M A I N A T T R A C T I O N S 2 . 6 G A L L E R Y C O L L E C T I O N S 2 . 7 I N Q U I R I E S 3 . 0 H I N G G A P A R T S P A C E 3 . 1 H I S T O R Y 3 . 2 V I S I O N & M I S S I O N 3 . 3 G A L L E R Y C U R A T O R S 3 . 4 E X H I B I T I O N H A L L 3 . 5 M A I N A T T R A C T I O N S 3 . 6 G A L L E R Y C O L L E C T I O N S 3 . 7 I N Q U I R I E S 4 . 0 G A L L E R Y M E R A H T E R A T A K A N A K A M A S 4 . 1 H I S T O R Y 4 . 2 V I S I O N & M I S S I O N 4 . 3 G A L L E R Y C U R A T O R S 4 . 4 E X H I B I T I O N H A L L 4 . 5 M A I N A T T R A C T I O N S 4 . 6 G A L L E R Y C O L L E C T I O N S 4 . 7 I N Q U I R I E S 5 . 0 C O R E C O N T E M P O R A R Y A R T 5 . 1 H I S T O R Y 5 . 2 V I S I O N & M I S S I O N 5 . 3 G A L L E R Y C U R A T O R S 5 . 4 E X H I B I T I O N H A L L 5 . 5 M A I N A T T R A C T I O N S 5 . 6 G A L L E R Y C O L L E C T I O N S 5 . 7 I N Q U I R I E S 6 . 0 G A L L E R Y K P S K U I T M S H A H A L A M 6 . 1 H I S T O R Y 6 . 2 V I S I O N & M I S S I O N 6 . 3 G A L L E R Y C U R A T O R S 6 . 4 E X H I B I T I O N H A L L 6 . 5 M A I N A T T R A C T I O N S 6 . 6 G A L L E R Y C O L L E C T I O N S 6 . 7 I N Q U I R I E S 1 2 3 3 4 - 5 6 - 8 9 - 1 1 1 2 1 3 1 4 1 5 1 6 - 1 7 1 8 - 1 9 2 0 - 2 2 2 3 - 2 6 2 7 2 8 2 9 3 0 3 1 3 2 3 3 3 4 3 5 3 6 3 7 3 8 3 9 - 4 0 4 1 4 2 4 3 - 4 5 4 6 4 7 4 8 - 4 9 5 0 5 1 5 2 - 5 3 5 4 - 5 7 5 8 - 6 2 6 3 6 4 6 5 6 6 6 7 - 6 8 6 9 7 0 7 1 - 7 3 7 4
HARTA SPACE HARTA SPACE 1
History of HARTA Space HARTA, in Bahasa Malaysia, means wealth. But it is not about the wealth of land and water, nor forest and mines, nor flock and herd. Occupying an 8,000 sq ft space conveniently located above the HABIB Ampang II Showroom, it is a unique space that brings together Malaysia’s past and present through a Heritage Jewellery Museum, a contemporary Art Gallery, and a café, so that we may better understand, enjoy and appreciate our rich and diverse culture. The HARTA Museum The HARTA Museum was established with the specific purpose of reviving public interest and pride in the incredibly rich jewellery heritage of Malaysia’s past. The HARTA Museum’s primary collection focuses on the bejeweled traditions of our original multi-ethnic ‘Peranakan’ heritage. While there is considerable literature on the history and culture of Malaysia, very little of it focuses on the jewellery traditions of Malaysia’s original multi-ethnic groups – the Peranakan Chinese, the Peranakan Jawi and the Peranakan Chitty. HARTA SPACE 2 TThe HARTA Gallery Just as The HARTA Museum looks to our past, the HARTA Gallery looks to the present by engaging with Malaysia’s artists for new perspectives about identity. A public art gallery, privately funded by HABIB, it is committed to nurturing a better understanding and appreciation of modern and contemporary Malaysian art and making it accessible to all. The HARTA Gallery showcases the works of emerging as well as leading Malaysian artists. It explores and examines stories, issues and experiences of Malaysia’s artists to encourage a dialogue on how ethnic identity contributes to our evolving cultural identity.
Vision & Mission of this gallery HARTA stands for HABIB, Malaysia’s premier jeweller, taking proactive Action for the Revival of our Traditions and our Arts. HARTA believes the true wealth of Malaysia lies in the collective cultural identity of its people, celebrating Malaysian heritage and art, both past and present. Culture distinguishes a country. It nurtures a sense of belonging in the minds and hearts of its people. It helps people share a commonality. And by doing so, it enriches the creative soul of the country. Gallery curators At HARTA Space, the concept of a traditional in-house curator takes on a unique form. Unlike conventional art spaces, HARTA Space operates in collaboration with gallery and freelance curators, positioning itself as a dynamic platform for artistic exploration and expression. The absence of a dedicated inhouse curator is a deliberate choice, reflecting HARTA's commitment to fostering a diverse range of curatorial voices. Who is the Curator at HARTA Space? Rather than having a singular curator, HARTA Space engages with a network of talented individuals, including gallery curators and freelancers. This collaborative approach allows for a rich tapestry of perspectives, ensuring that the space remains a dynamic and ever-evolving platform for artistic discourse. HARTA SPACE 3 Roles & Responsibilities: A Unique Approach The roles and responsibilities associated with curatorial activities at HARTA Space are distributed among a collaborative network, creating a symbiotic relationship between the space and curatorial visionaries. While there isn't a fixed in-house curator, the space actively works with external curators who bring their expertise and unique perspectives to various projects and programs. HARTA as a Platform for Curators HARTA Space positions itself as more than just a physical venue; it is a platform dedicated to fostering collaborations, projects, and programs. By actively engaging with gallery and freelance curators, HARTA Space aims to present a broad spectrum of artistic possibilities. This approach not only showcases diverse artistic expressions but also serves as an encouragement for fresh thoughts and the stimulation of innovation. Through its collaborations and programs, HARTA Gallery endeavors to introduce young minds to a world of artistic expression. By showcasing a variety of curatorial approaches, HARTA Space aims to inspire creativity, encourage fresh perspectives, and stimulate innovation within the artistic community. The absence of a fixed inhouse curator is, in itself, a testament to HARTA's commitment to embracing diversity and facilitating a dynamic exchange of ideas.
Two Distinct Sections: Café Ambiance Meets Gallery Elegance he Exhibition Hall at HARTA Space is ingeniously divided into two distinct sections: the inviting café area and the elegant gallery space. This dual-section design not only adds to the overall ambiance but also allows for the seamless integration of diverse events and exhibitions. HARTA SPACE 4 Exhibition Hall Exploring the Dynamic Exhibition Hall at HARTA Space Size and Layout Nestled within the creative hub of HARTA Space is an expansive Exhibition Hall, spanning an impressive 2800 square feet. The hall's design and layout, as illustrated in the attached document, showcase a thoughtful arrangement that caters to both aesthetic appeal and functional versatility.
Dynamic Utilization: Tailoring Space for Every Occasion One of the hallmarks of HARTA Space's Exhibition Hall is its adaptability. The utilization of this space is dynamic and depends on the nature of the event or exhibition at hand. The hall is meticulously designed to accommodate up to 200 attendees, creating a vibrant atmosphere for social gatherings, workshops, or art events. A Canvas for Art: Displaying Up to 50 Artworks The gallery space within the Exhibition Hall serves as a canvas for artistic expression. Depending on the nature and size of the exhibition, the hall can elegantly display around 50 artworks simultaneously. This flexibility ensures that each piece receives the attention it deserves, contributing to a rich and immersive experience for art enthusiasts and visitors. Versatility in Event Hosting Whether it's an art exhibition, a cultural event, or a creative workshop, the Exhibition Hall at HARTA Space stands ready to transform its layout to suit the occasion. The café area provides a cozy setting for networking or relaxation, while the gallery space becomes a captivating backdrop for art appreciation. In essence, the Exhibition Hall at HARTA Space is not merely a physical space but a versatile canvas that adapts to the dynamic and diverse needs of the artistic community. Its thoughtful design, coupled with its capacity to host a multitude of events, makes it a centerpiece for creative exploration and expression within the vibrant tapestry of HARTA Space. HARTA SPACE 5
Main attractions Main Attractions: A Visual Feast for Art Enthusiasts Nestled within the vibrant walls of HARTA Space are two captivating main attractions that beckon visitors into a world of artistic richness and cultural heritage. HARTA SPACE 6
Prominent Malaysian Artistry on Display Adorning the walls of the café area are the masterpieces of prominent Malaysian artists. This curated collection showcases the diverse and captivating works of renowned local artists, creating an immersive experience for art enthusiasts. The café serves not only as a space for culinary delights but also as a gallery, providing a unique backdrop for patrons to appreciate and engage with the rich tapestry of Malaysian art. HARTA SPACE 7
Peranakan Splendor: A Glimpse into Cultural Heritage For those with an affinity for cultural history, HARTA Space houses a truly unique treasure – a collection of 800 distinctive Peranakan jewelry pieces dating back to the 19th century. Each piece tells a story of Malaysia's rich cultural heritage, showcasing the intricate artistry and craftsmanship inherent in Peranakan jewelry. The collection serves as a mesmerizing journey through time, offering visitors a profound glimpse into the beauty and tradition woven into Malaysia's past. A Fusion of Art and Heritage HARTA Space seamlessly blends contemporary Malaysian art with the timeless allure of Peranakan heritage. The juxtaposition of these two main attractions creates a dynamic and immersive environment, inviting patrons to explore and appreciate the interconnectedness of Malaysia's artistic and cultural narratives. Visitors to HARTA Space can savor the dual experience of indulging in delectable culinary offerings amidst the visual splendor of prominent Malaysian art and the historic charm of Peranakan jewelry. The curated setting not only stimulates the senses but also fosters a deeper connection to the rich cultural tapestry that defines Malaysia. HARTA SPACE 8
‘KEBAYA SERIES’ BY NAJIB AHMAD BAMADHAJ (2023) HARTA SPACE 9
‘INFINITY X’ BY BAYU UTOMO RADJIKIN (2009) HARTA SPACE 10
‘KENDURI KENDARA PERIOK BELANGA’ BY JALAINI ABU HASSAN (2020) The permanent collection at HARTA space is not displayed to the public as it is private and confidential. Considering the purpose of HARTA space is a platform to elevate and promote local artists, all of HABIB's collection of mostly prominent local artists and has as many as 150 permanent collections. HABIB's art collection consists primarily of abstract paintings, but it also includes three sculptures. Among the gallery's permanent collection of well-known local artists are Redza Piyadasa, Rafiee Ghani, Tan Chong Ghee, Latiff Mohidin, Ahmad Zaki Anwar and several other artists. The collection of artworks owned at HARTA space is through purchases directly from artists, auction houses or from the galleries. HARTA SPACE 11
ADDRESS: HARTA SPACE (above Habib II) Level 1, Habib 2, Ampang Point, HARTA Space, Lot 93-05 Lorong Mamanda 2, 68000 Ampang, Selangor OPERATION HOURS: 10 AM - 5 PM Tuesday to Saturday CONTACT NUMBER: 012-6528429 (BADLY SHAH) 017-6575443 (ANNA) ENTRY FEE: Free HARTA SPACE 12
ISLAMIC ARTS PARK COMPLEX GALLERY REHLAH NABAWIYAH 13
The Islamic Art Complex is the heart of Islamic art heritage in Selangor. It serves as an exhibition and production center for Yayasan Restu (Restu Foundation), a non-profit organization established in 1987 that aims to revive, preserve, and promote Islamic art and culture. This complex also serves as an inspirational life, showcasing the elements of art and serving as a platform for da'wah, making it a universal attraction for diverse layers of society that appreciate and love art. The Gallery Rehlah Nabawiyah is the main gallery within this complex, The exhibition concept aims to showcase the journey of Prophet Muhammad SAW. Characterized by holograms, visual displays, threedimensional paintings (3D), and over 21 segments about the Prophet, it is the first exhibition in Southeast Asia designed to allow visitors to experience and witness the atmosphere of his era firsthand. GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM GALLERY REHLAH NABAWIYAH 14
Raising awareness, understanding, and fostering love for Prophet Muhammad SAW among the community. Bringing the ummah closer to the head and legacy of Prophet Muhammad S.A.W Revealing to the community the da'wah efforts carried out by Rasulullah SAW and companions RA. Using modern technology and ICT as a very effective preaching medium to the community Encouraging the community to love knowledge and Islamic scholars. GALLERY REHLAH NABAWIYAH 15 GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM Name : Puan Zarina Binti Muhsin Position : Curator (Islamic Art Park Complex) Storyteller and sketching gallery layout ideas. Pegawai Muamalat Age : 56 years old Experience : 23 years (Skecth indesign gallery) Puan Zarina Muhsin serves as the Deputy General Manager for Tours, Events, and Endowment at the Restu Foundation, bringing 23 years of experience in managing tours and events. Her innovative approach to design and storytelling is evident in the development of the Gallery Rehlah Nabawiyah, an Islamic gallery with the potential to serve as a center for spreading da'wah. Mrs. Zarina Muhsin meticulously compiles and studies the history and facts of Islam before implementing each arrangement, decoration, and design in the gallery. Notably, Gallery Rehlah Nabawiyah is a modern exhibit that aligns with current trends. GALLERY REHLAH NABAWIYAH 16
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM The Islamic Gallery curator's responsibility is to conceptualize the layout of the Rehla Nabawiyah Gallery. This involves studying ideas related to appealing lighting, artistic mediums, and soundscapes, and delving into historical research. Additionally, the curator explores effective ways to narrate the journey of the Prophet Muhammad S.A.W for application in the Islamic Gallery. Furthemore Mrs. Zarina is the narrator of the Prophet's journey to visitors. Puan Zarina is also responsible for providing creative and innovative understanding to visitors by producing a space form about the story of Sirah Rasulullah's journey in a more interesting way which is 3D art. She also emphasizes the safety of visitors by constantly monitoring and studying the evolving ideas for each 3D art space to ensure it is safe for visitors to explore. Overall, Mrs. Zarina's main responsibility is to study 3D art design in the gallery with a more effective and innovative arrangement according to the current trend of modernity. This is because the attractiveness in the gallery can reach a large audience, effectively serving as a teaching tool to provide exposure to visitors and students, helping them understand the journey of Rasulullah s.a.w from the beginning. GALLERY REHLAH NABAWIYAH 17
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM The attractiveness of the Exhibition Hall 1, this Islamic Art Park Complex has created an attraction for visitors, with Islamic art motifs at the main entrance. The first Hall was built with high creativity, visitors have the opportunity to see each room that showcases the beauty and purity of Islam. The interior decoration that can attract many visitors' interest is filled with various types of calligraphy, it elevates the art of calligraphy as an Islamic art. GALLERY REHLAH NABAWIYAH 18
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM The Gallery Rehlah Nabawiyah Exhibition Hall, it has created an attraction that feels like being in Arab land by installing a strong air conditioner and equipped with a guide section such as info, pictures, Layout gallery and the prophet's journey in the main entrance hall. In the main door room, they used the first interactive in terms of the use of a very creative glass screen, a video displayed telling the story of the Restu Foundation and the story of the Prophet's journey. They also take advantage of modern technology and ICT as an effective preaching medium and return the Muslim community to their true identity. GALLERY REHLAH NABAWIYAH 19
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM The glow-in-the-dark painting was defined by the curator to depict Prophet Muhammad's resilience in spreading Islam. The Prophet's tireless efforts have no end, and his sincerity can be felt by visitors as they walk along this pathway leading to other exhibition spaces. GALLERY REHLAH NABAWIYAH 20
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM The replica in this exhibition space captivates visitors upon entering the room. The grandeur of this large and sturdy replica captures the interest of visitors to enter this cave. The Cave of Hira is the place where the first revelation was bestowed upon Prophet Muhammad (PBUH); its space was only sufficient to accommodate around five people at one time. However, this replica can accommodate up to two people as its size is smaller. GALLERY REHLAH NABAWIYAH 21
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM The vast and spacious exhibition space of the Cave of Thawr is capable of capturing visitors' interest, encouraging them to enter and experience firsthand the atmosphere of Prophet Muhammad's hiding along with his companion, Saidina Abu Bakar as-Siddiq (may Allah be pleased with him), avoiding the Quraysh's assassination attempt during the event of the Prophet's migration (Hijrah). The replica of the spider's web further depicts the reality of the actual situation during that event. GALLERY REHLAH NABAWIYAH 22
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM The Dhu Al-Faqar sword is a weapon that belonged to Prophet Muhammad (s.a.w), obtained as spoils of war during the Battle of Badr. Additionally, the sword belonging to Khalid bin Walid measures 91 cm in length and weighs 772 grams. The entire scabbard of this sword is adorned with ruby and turquoise stones (Pirus) GALLERY REHLAH NABAWIYAH 23
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM The Prophet's Mosque was originally built and established by the Prophet Muhammad (PBUH). It is located in Medina, Saudi Arabia, and is considered the second holiest mosque in Islam after the Great Mosque (Masjid Al-Haram) in Makkah. in addition, the square archeological stone measuring 40 centimeters (cm) long, 20 cm high and 20 cm wide, where Naib Ibrahim stood when the construction of the Kaaba wall was getting higher. GALLERY REHLAH NABAWIYAH 24
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM The battle of Uhud took place on Saturday, 7 Syawal or 11 Syawal of the third year of Hijrah (March 26, 625 AD) between the Muslim army and the Quraysh infidel army. The Battle of Uhud was the battlefield for the Quraysh to take revenge for their defeat at the Battle of Badr. The Battle of Badr Kubra, It happened on the 17th of Ramadhan in the 2nd year of Hijrah. It started when the Prophet SAW invited his companions to block the Quraysh trade caravan returning from Sham to Makkah. GALLERY REHLAH NABAWIYAH 25
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM The collection from Gallery Rehla is owned by Yayasan Restu, which collaborates with Islamic countries. Among these collections, there is a comprehensive portrayal of the life and journey of Rasulullah in carrying out da'wah, including significant events such as the Battle of Uhud and the Battle of Badr. This small collection provides visitors with an insightful overview of these historical conflicts. Busur is an arrow weapon belonging to Rasullullah S.A.W. In addition to swords, Busur are also used in the battle field to fight for Islam using horses and are a high weapon in the position of the Islamic army GALLERY REHLAH NABAWIYAH 26
GALLERY REHLAH NABAWIYAH X KOMPLEKS TAMAN SENI ISLAM International Islamic Arts Complex, No. 2A Pesiaran Damai, Section 10, 40100 Shah Alam, Selangor. Phone Number 03 55119001 Operating Hours: 9:30 AM to 5:30 PM (Tuesday to Sunday). PRICE RM5 -Children RM15-School Students RM25-Adults It is also 10-15 minutes' drive from: i-City Shah Alam – Malaysia's first LED lightscape destination Art Site 7 (art district) Shah Alam National Botanical Gardens Raja Tun Uda Library (Raja Tun Uda Library) GALLERY REHLAH NABAWIYAH 27
HINGGAP ART SPACE HINGGAP ART SPACE 28
Hinggap Art Space has its roots in Pati Satu Studio, originally the studio of a talented artistic couple, Ahmad Shukri and UmiBaizurah. Both are highly esteemed artists in Malaysia, with Shukri as a painter and Umi as a ceramic artist. Their journey began in 2007 when they transformed their home into a studio, despite humble beginnings. Pati Satu Studio quickly gained recognition by hosting various events, drawing crowds to the scenic Puncak Alam area. In 2020, the studio welcomed Khuzairi, a protégé of Umi in the world of ceramics, marking a significant expansion for Pati Satu Studio. With the addition of new team members, the studio evolved into a flourishing creative hub. This prompted the birth of Hinggap Art Space, conceived by the Pati Satu Studio team, aiming to provide artists with a dedicated space for artistic expression and exhibitions. The vision extended to creating a welcoming environment for art enthusiasts to engage with the craft and share knowledge. HINGGAP ART SPACE 29
vission The Pati Satu Studio team strives to bring the world of art closer to the community. Their goal is to make art accessible to everyone, fostering a local art scene and encouraging community engagement with the creative world. objective - to provide a space for students to expand their creativity. - offer exhibition space and a venue for artists to share ideas and organize temporary exhibitions. HINGGAP ART SPACE 30
In the Pati Satu Studio Team, anyone, whether it's Umi, Shukri, or Khuzairie, can take on the role of a curator at Hinggap Art Space. Due to their small organization, they don't have fixed positions, but they invite curators, writers, bloggers, and photographers when organizing art shows. Hinggap Art Space distinguishes itself from profesional galleries by not holding exhibitions on a rigid schedule, opting instead for events based on their availability. Exhibitions might occur once every year or two, but each event is carefully curated. As mentioned earlier, they invite experts in various fields to produce exhibition catalogs, conduct interviews, and welcome students to share knowledge about the exhibitions. HINGGAP ART SPACE 31
Hinggap Art Space is not a commercial gallery that conducts frequent art shows. However, they do provide exhibition spaces for artists to showcase their artworks. The Hinggap Art Space building consists of two levels. The upper level serves as a space for artists to seek inspiration and plan events. This area is offered to artists as a "drop-in" studio, allowing them to develop their talents and creativity. On the lower level, Hinggap Art Space has created an exhibition space. This area is dedicated to displaying artworks or creations from team Pati Studio Satu. Additionally, the exhibition space can be utilized for hosting exhibitions. They rotate the permanent collection in the gallery with these temporary exhibition artworks. Despite its modest size, this space has a significant impact on visitors to Hinggap Art Space, showcasing an impressive ability to decorate and arrange exhibition spaces in a small setting. Visitors can still interact with the exhibited artworks in this gallery, providing an engaging experience within the confined space. HINGGAP ART SPACE 32
unique architectural design The main attraction of Hinggap Art Space lies in its unique architectural design. The exterior design reflects a simple yet modern approach, giving the gallery a distinctive charm. "Independence Space" for Artist The space is dedicated for artists to interact and find inspiration. Furthermore, the gallery provides a place for artists to come, explore ideas, and share knowledge about art. It is referred to as an independent space for artists, serving as a hub for discussions among artists who lack their own studios and wish to engage in art activities. Their Own seramic Collection. A notable feature is the gallery's exclusive collection of ceramic artwork, aimed at enhancing the artistic landscape. Other than paintings, Hinggap showcases a diverse array of ceramic pieces and sculptures, with many of these collections being the result of their own artistic endeavors. The purpose behind exhibiting a multitude of ceramic artworks and sculptures is to highlight their commitment and expertise in this particular artistic field. HINGGAP ART SPACE 33
The collection at Hinggap Art Space predominantly features artworks by Umi, Shukri, and Khuzairie, with a strong emphasis on sculptures and ceramics. They also curate a collection from Pati Satu Studio, which is not available for sale. The studio's collection includes exclusive pieces that have been exhibited internationally but have never been showcased in local galleries. Despite the exclusivity, they grant permission to international galleries seeking to borrow their artworks for art shows. After each exhibition, these unique creations find a permanent place at Hinggap Art Space. Anyone eager to experience the artistic endeavors of Team Pati Satu Studio is encouraged to visit Hinggap Art Space. HINGGAP ART SPACE 34
Google maps address 6, Lorong Lautan Samudera 9/4, Bandar Puncak Alam, 42300 Kuala Selangor, Selangor. Operation hours Monday until Saturday at 11 am until 5 pm. Contact number/email 017-659 6317 Entry fee free (need to book an appointment before visiting) HINGGAP ART SPACE 35
GALLERY MERAH TERATAK ANAK AMAS GALLERY MERAH TERATAK ANAK AMAS 36
Dato Haron Mokhtar was born in Simpang Lima, Sungai Besar, Selangor in 1963, Dato' Haron Mokhtar is a painter and educator whose artwork is based on the cultural heritage of Malaysian society, especially the culture of the original people and iconic local architecture. He studied at the MARA Institute of Technology between 1983 and 1987 where he obtained a Bachelor of Fine Arts Degree followed by a Diploma in Art Education from 1987 to 1988. He has taught in public schools in Sarikei and Sibu, Sarawak between 1989 and 1994. 1994 to 1998, he served as Senior Student Affairs Assistant at SMK Telok Gadong, Klang and was later appointed as Head of Humanities at SMK Ungku Aziz, Sabak Bernam in Selangor. In 2018, he held his eighth solo exhibition titled "Haron Mokhtar: Time Capsule 1988-2018" (Time Recorder Series) at Shah Alam Gallery featuring 86 paintings. The exhibition was officiated by His Majesty the Sultan of Selangor, Sultan Sharafuddin Idris Shah. The original idea of establishing the Galeri Merah Teratak Anak Amas was an outpouring of ideas from His Majesty Sultan Sharafuddin Idris Shah Alhaj. Sultan of Selangor. Tuanku thinks that a gallery can be built in a certain location that is close to the activities of the village community such as in the paddy fields. Therefore, the construction of this gallery started on January 1, 2018 with an area of 1.5 hectares. This gallery was built together with Teratak Anak Amas (rest home for a family of 12 siblings). Specially, the proceeds from the sale of Haron Mokhtar's work became the basis for the construction of this gallery and terrace. GALLERY MERAH TERATAK ANAK AMAS 37
VISION AND OBJECTIVE 1.To display and advertise Haron Mokhtar’s artworks. 2. To give opportunities to any artists to display and advertise their artworks. 3. To accept art of drawing faculty intern students from local university and overseas. 4. To accommodate any person or organisation to hold any art activities or function. 5. To offer and provide places for Family Day package and enjoy the artworks. GALLERY MERAH TERATAK ANAK AMAS 38
In museums, galleries, or other cultural establishments, curators are the experts in charge of maintaining and conserving collections of artistic or cultural artifacts. In addition to designing and putting together exhibitions to display objects in meaningful contexts, this role entails the acquisition, cataloging, and maintenance of artifacts. In order to give context and interpretation for the objects under their care, curators undertake research, which advances our knowledge of cultural heritage. They work with other professionals, participate in educational events frequently, and offer advice on acquisitions and deaccessions. By creating a clear and well-curated space, curators facilitate the public's appreciation and understanding of our shared cultural history. They are vital in bridging the gap between the artifacts and the public. GALLERY MERAH TERATAK ANAK AMAS 39
Curators traditionally focus on preserving and displaying collections, with their main tasks summarized as "select, arrange, exhibit." Beyond this, they handle spatial design, lighting, and labeling during exhibitions. While curators delegate tasks like research and promotion, they play a crucial role in expressing critical interpretations through public exhibitions. Haron Mokhtar highlights the evolving role of curators in the digital age, emphasizing their crucial function in fostering discourse through exhibited works. Despite external perceptions, curators serve as vital links between artists, the public, and institutions. They play a key role in shaping exhibitions to resonate with public taste, connecting artistic content with the broader world. Mokhtar underscores the significance of curators in planning high-quality exhibitions to facilitate the exchange of ideas from artists to the public sphere. -HARON MOKHTARGALLERY MERAH TERATAK ANAK AMAS 40
Galeri Merah Teratak Anak Amas is actually under renovation during our visit. The space of the temporary exhibition hall was held at the old exhibition hall which is exactly at the same at the new exhibition hall. GALLERY MERAH TERATAK ANAK AMAS 41
GALLERY MERAH TERATAK ANAK AMAS 42
Title : “Suasana di Kampung” Artist : Haron Mokhtar Medium: “Catan Air” Dimension: 604cm x 450cm Year: 2007 This artwork is titled "Suasana di kampung" . This work was produced by a painter named Haron Mokhtar. The media used in this work is the "watercolor" type. This artwork is 604cm x 450cm in size. The artwork was released in 2007. The artist presents this artwork in the style of realism. This artwork shows the atmosphere in a village house. This house is made of plank wood which can be clearly seen, the material used in the work to illustrate the title of this work itself which is "atmosphere in the village" . Another aspect to describe the main focus of the artwork is the village house because it dominates the space in the artwork so that the village house looks large and spacious. Title : Semai Waris Artis : Haron Mokhtar Medium : Acrylic on canvas Dimension : 92 x 77cm Year : 2011 Within the confines of a 92cm × 77cm canvas, 'Semai Waris' stands as a testament to the artistic brilliance of Haron Mokhtar, manifested in acrylic strokes dating back to the year 2011. This evocative masterpiece not only showcases Mokhtar's technical mastery but also serves as a visual journey into the rich tapestry of heritage. The title, 'Semai Waris,' hints at a narrative that transcends time, inviting viewers to contemplate the legacy and traditions embedded in the artwork. The interplay of acrylic on canvas becomes a dance of colors and forms, giving life to a captivating expression that resonates with the artist's exploration of cultural roots and generational continuity. GALLERY MERAH TERATAK ANAK AMAS 43
Title : Siri Melanau Artist : Haron Mokhtar Medium : Oil on canvas Dimension : 104cm × 73.5cm Year : 1995 "Siri Melanau stands as a testament to the artistic brilliance of Haron Mokhtar, a captivating oil on canvas masterpiece crafted in the year 1995. With precise dimensions measuring 104cm × 73.5cm, the painting intricately weaves together the essence of Melanau culture. Haron Mokhtar's adept use of the oil medium adds a layer of richness and depth, bringing to life the unique beauty and cultural nuances embedded in each stroke. The composition not only showcases the artist's technical prowess but also invites viewers into a visual narrative, allowing them to immerse themselves in the captivating world of Melanau artistry. Title : Semangat Anak-Anak Didik Artist : Haron Mokhtar Medium : Acrylic on canvas Dimension : 124 x 92cm Year : 2014 In the expansive realm of artistic expression, 'Semangat Anak-Anak Didik' emerges as a profound testament to Haron Mokhtar's creative genius. Crafted in the year 2014, this acrylic on canvas masterpiece spans dimensions of 124cm × 92cm, offering a vast canvas for Mokhtar's visual storytelling. The title, translating to 'Spirit of Mentored Children,' hints at a narrative layered with mentorship and inspiration. Through the skillful manipulation of acrylic medium, Mokhtar orchestrates a symphony of colors and forms, breathing life into a captivating portrayal. Viewers are invited into a contemplative journey, exploring the nuanced dimensions of guidance and the enduring spirit of artistic mentorship embedded within the strokes of this compelling artwork. GALLERY MERAH TERATAK ANAK AMAS 44
Title : Siri Laman 7 Artist : Haron Mokhtar Medium : Acrylic on canvas Dimension : 92 x 61cm Year : 2013 Siri Laman 7 emerges as a captivating piece of artistic expression, born from the visionary talents of Haron Mokhtar in the year 2013. This acrylic on canvas masterpiece, measuring 92cm × 61cm, serves as a portal into a realm where art and imagination converge. Haron Mokhtar's deliberate use of acrylic medium breathes life into the canvas, infusing it with vibrancy and depth. The title, 'Siri Laman 7,' hints at a series of visual narratives, inviting onlookers to delve into the seventh chapter of Mokhtar's artistic journey. Within these dimensions, a harmonious dance unfolds, capturing the essence of landscapes, emotions, and the boundless possibilities encapsulated within the brushstrokes of this compelling artwork. Title : Wau Artist : Haron Mokhtar Medium : Acrylic on canvas Dimension : 96 x 81cm Year : 2016 Titled simply 'Wau,' this acrylic on canvas creation is attributed to the artistic mastery of Haron Mokhtar and bears the hallmark of the year 2016. Spanning dimensions of 96cm × 81cm, the artwork transforms the canvas into a visual playground for Mokhtar's imagination. The acrylic medium, skillfully applied, breathes vibrancy and depth into the portrayal, encapsulating the essence of the traditional Malaysian kite, 'Wau.' Within this composition, Mokhtar invites viewers to soar through a rich tapestry of colors and forms, capturing the cultural and artistic intricacies embedded in this captivating artwork. GALLERY MERAH TERATAK ANAK AMAS 45
Lot 1401, Tali Air 14, Jalan Parit 14, Simpang Lima, 45300 Sungai Besar, Selangor ADRESS Every Day from 8.00 A.M until 6.00 P.M OPERATION HOURS Phone number : 0163412085 Facebook : Galeri Merah Teratak Anak Amas Email : [email protected] m CONTACT NUMBER AND EMAIL GALLERY MERAH TERATAK ANAK AMAS 46
CORE CONTEMPORARY ART CORE CONTEMPORARY ART 47
Core Contemporary gallery is an exclusive boutique art gallery that represents the face of Malaysian contemporary artists and their cutting edge artworks. The gallery is committed to promoting and developing the artists to achieve international standards for their works. CORE CONTEMPORARY ART 48