Core Contemporary Gallery has cemented a significant chapter in the annals of Malaysian Contemporary Art with a decade-long journey, chronicling the vibrant evolution of local artistry. Established as a pivotal platform within the Malaysian art landscape, Core Contemporary Gallery has been a beacon, representing the essence and dynamism of Malaysian contemporary arts. Over the past decade, Core Contemporary Gallery has been at the forefront of the contemporary art movement, orchestrating a myriad of exhibitions, shows, and archival documentation, amassing an extensive collection of several thousand contemporary artworks and hundreds of catalogues. This ten-year retrospective, "Malaysian Contemporary Art Movement: 2010 – 2020 by Core Contemporary Gallery," serves as a testament to the gallery's commitment to shaping and chronicling the narrative of Malaysian contemporary art. The narrative of this book reflects the gallerist's perspective, capturing the gallery's pivotal role in introducing seminal artworks and orchestrating groundbreaking exhibitions that served as catalysts for emerging contemporary artists, nurturing their transition into established mid-career artists. It delves into the initial years, tracing the gallery's quest for identity and direction, and documents its yearly progressions, notable achievements, and personal milestones achieved through exhibitions and artworks. Furthermore, the book encapsulates an array of collected texts and essays, offering a comprehensive insight into the growth and development of the contemporary artists showcased at Core Contemporary Gallery. Far from a scholarly endeavor, this book encapsulates a decade-long experience, presenting an illuminating outlook on the progress and development of contemporary art in Malaysia from the perspective of the gallerist. With an eye on the future, Core Contemporary Gallery aspires for this book to become an integral part of the narrative shaping Malaysian art history. It stands as a testament to the gallery's enduring commitment to fostering and championing Malaysian contemporary art, inviting readers to delve into a rich tapestry of artistic expression and cultural evolution. Hi s tor y CORE CONTEMPORARY ART 49
To introduce the contemporary artworks of Malaysian artists at the international level. Core Contemporary Gallery which focuses on the development of young artists involves providing a broad exposure platform for emerging artists. This is done through solo exhibitions, joint exhibitions, and special events that promote their work. In this way, the gallery acts as a window to the larger world of art, enabling young artists to express their creativity more widely and gain greater recognition in the art community. V I S I O N MI S S I O N CORE CONTEMPORARY ART 50
Siti Hawa Basriah H. is a highly trained art gallery manager with five years of experience in managing art galleries. She has strong skills in artist management, assisting in artist development, managing art gallery operations, performing administrative duties, writing about art, and managing curatorial projects. Her commitment and love for this field are visible through her earnestness in pursuing knowledge about the business and management aspects of art galleries. This is an important asset in the ever-changing world of art, and a willingness to continue learning and growing in this field shows a strong dedication to the art industry. CORE CONTEMPORARY ART 51
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The MAIN ENTRANCE CORE CONTEMPORARY ART The hall design, as seen in the documents supplied, demonstrates a careful layout that responds to both aesthetic appeal and functional versatility. Featuring Up to 25 to 30 Artworks The gallery space within the Exhibition Hall serves as a solo exhibition for artistic expression. The hall can tastefully display up to 25 to 30 artworks at the same time, depending on the type and size of the exhibition. This adaptability guarantees that each item receives the attention it deserves, resulting in a rich and engaging experience for art fans and visitors. The hall has been precisely constructed to seat up to 100 guests, creating a lively setting for social gatherings or art events. EXHI B I T O N HAL L CORE CONTEMPORARY ART 53
Solo E xhibition 1 5 th November - 1 5 th December 2 0 2 3 “Moral, Kini dan Dulu: Syafiq Hariz’s Artistic Journey Through Malay Proverbs” CORE CONTEMPORARY ART 54
Concept of the E xhibition In “Moral, Kini dan Dulu,” Syafiq Hariz’s latest solo exhibition, he plunges deep into the heart of Malay culture and wisdom. Proverbs, concise expressions of profound wisdom, serve as the bedrock of his artistic exploration. This journey was fueled by extensive research during his Masters program, culminating in a series of mixed-media, popillustrative works that ingeniously reimagine Malay proverbs in a contemporary context. “Moral, Kini dan Dulu: Syafiq Hariz’s Artistic Journey Through Malay Proverbs” CORE CONTEMPORARY ART 55
Malay proverbs are a repository of figurative language brimming with profound meanings and insights. Passed down through generations, these proverbs have functioned as tools of satire, critique, and moral instruction. They offer a window into the social values, ethics, and customs that have shaped communal life in Malaysia, embodying the essence of Malay philosophy. Syafiq’s artistic odyssey aims to translate this rich tapestry of Malay thought, embodied in these proverbs, into a visual language. “Moral, Kini dan Dulu: Syafiq Hariz’s Artistic Journey Through Malay Proverbs” CORE CONTEMPORARY ART 56
MALAYSIAN CONTEMPORARY ART 2010-2020 Hard Cover Pages 256 Dimensions 22.5cm x 25cm Purchase RM 200.00 This book will also look into the beginning years of the learning curve in the search for an identity of the art gallery direction, followed by the yearly progressions, notable achievements and personal milestones throughout some of the exhibitions and artworks. It will also incorporate important collected texts and essays over the years to show the growth and development of contemporary artists that have been showcased with Core Design Gallery. This book is not meant to be a scholastic attempt, but an outlook from a gallerist decade experience to help understand both the progress and development of contemporary art in Malaysia. Prospective wise, CORE Contemporary Art is hopeful that this book could lead to being a part of the narrative told through Malaysian art history.” CORE CONTEMPORARY ART 57
interpreting P roverbial Metaphor s : In Malay proverbs, animals frequentl y ser ve as metaphors convey ing profound meanings, functioning as parables or metaphors. These proverbs encapsulate Malay thought across fi ve phi losophical categories: metaphy sics (think ing about ex istence), epistemology (think ing about kno w ledge), ethics (think ing about human moral it y ), logic (thoughts about human reasoning in this w orld), and aesthetics (thoughts about beaut y ). S yafiq Hari z masterful l y interprets these metaphors, employ ing a meticulous creati ve process that seamlessl y integrates the central idea, chosen forms, and content into each art w or k . Several examples include CORE CONTEMPORARY ART 58
Apa faedah? This artwork featuring a frog within its natural habitat, surrounded by lush leaves and water, is a visual representation of the Malay proverb “Alim bagai katak di tepi air”. This proverb conveys the idea that an individual may possess a wealth of knowledge, yet fail to derive any benefit from it. Desas Desus Based on a Malay proverb that says “Indah khabar dari rupa”, which means “exaggerated news about something. The spinning tortoise is exaggerated to represent an extraordinary promise made by a politician seeking a mandate. G entar This artwork, featuring a beetle with partially opened wings against a backdrop of bustling pedestrians, reflects the Malay proverb “Seperti pucuk ru, ke bawah tiada berurat, di tengahtengah dilarik kumbang.” The proverb encapsulates the idea that circumstances are not always guaranteed and can change unpredictably over time. CORE CONTEMPORARY ART 59
Semua untuk Engkau! Inspired by the Malay proverb “Agih-agih Kongkang,” this piece conveys the idea of being overly generous to the point of encountering trouble. The sloth, known for its slow and deliberate movements, becomes a symbol of generosity taken to an extreme. S i L ici k ! Illuminates the concept of deceit through the adaptation of the proverb “Musang berbulu ayam,” warning against those who feign goodness to conceal malevolent intentions. Terlak sana Drawing inspiration from the Malay proverb “Hutan sudah terambah, teratak sudah tertegak”, signifying the completion of a job done perfectly. Each layer of the artwork represents the complexity and beauty of nature, reflecting the intricate layers of life itself. CORE CONTEMPORARY ART 60
Aku yang kons i s ten Grounded in the Malay proverb “Jangan Sangat Pemilih, takut terkena buku buluh,” this piece encourages viewers to embrace the process of creation with openness and dedication rather than being overly selective or perfectionistic. ‘Dia Baham Je! ! ’ Reflects on the lasting impact of human actions on one’s life history, emphasizing the significance of ethical choices. The proverb “Adakah buaya menolak bangkai?” reinforces that an opportunity can bring out the evil in anyone. “Dia kelaut, kau pun kelaut! ” Addresses concerns about cultural degradation, highlighting the uniqueness of each nation’s customs and practices. The proverb “Lain lubuk, lain ikannya” underscores the impact of cultural diversity on values and societal cohesiveness. CORE CONTEMPORARY ART 61
Menggapai Derived from the Malay proverb “Gajah lalu dibeli, kosa tidak terbeli,” this artwork highlights how the success of larger endeavors is often overlooked or undervalued. Semuanya Kau Lah! Explores the fine line between genuine confidence and overconfidence, inspired by the proverb ‘Mendabik dada,’ which denotes a person showcasing their abilities to empower others. Tukar Angin The Malay proverb “Jangan disangka ikan lais tidak menyengat”, challenges the assumption that the weak are harmless. Even those in disadvantaged positions can disrupt the status quo, cautioning against underestimating anyone based on appearances. CORE CONTEMPORARY ART 62
OPERATIONAL HOUR BY APPOINTMENT ONLY FREE OPENS TUESDAY – SATURDAY: 10AM TO 6PM CLOSES SUNDAYS, MONDAYS & PUBLIC HOLIDAYS ADDRESS No. 87, Jalan SS 15/2A, 47500, Subang Jaya Selangor Darul Ehsan TEL : +603 5612 1168 [email protected] https://corecontemporaryart.com/exhibitions/ CORE CONTEMPORARY ART 63
GALLERY KPSK UITM SHAH ALAM GALLERY KPSK UITM SHAH ALAM 64
The KPSK Art Gallery (formerly known as the FSSR Art Gallery), established in 1983, aims to be a reference centre and provide space for exhibition activities and related events. The exhibited works showcase the best creations of selected students, whether they are for final year projects (FYP) or painting assignments for specific semesters. Their progress in the creative process becomes increasingly evident over time. The process begins with studio critique sessions guided by influential instructors actively practicing in their field. Each instructor has a unique teaching method based on their experiences. The CFFDC exhibition is organised as a platform to examine the development of Figura in painting courses and subjects since the 1970s. The chronology of Figura's development in the Department of Fine Arts is seen as a contributor to the development of contemporary painting in the country. This is based on the involvement of specific painters who consistently make Figura the subject of their painting production process, starting from this point. In 1972 the Department of Art & Design separated from the Department of Architecture to become the present School of Art & Design. In 1973 the School moved to the main MIT Campus at Shah Alam and in February 1982 the School was lucky to gain its very own specially designed building. GALLERY KPSK UITM SHAH ALAM 65
Mission Vision Preserving works and artefacts as national treasures and permanent works Objective Safeguarding the best works of final year students from the College of Creative Arts Studies as a token of appreciation for successfully completing their studies. Transforming them into research for museums and galleries." Enhancing the gallery experience involves integrating diverse technologies GALLERY KPSK UITM SHAH ALAM 66
Dr. Mohd Jamil bin Mat Isa is a curator at the College of Creative Arts Gallery, UiTM Shah Alam. He was born in 1967 in Nibong Tebal, Seberang Perai Selatan, and is now 57 years old. He is also a lecturer at the Faculty of Fine Arts Studies, College of Creative Arts (KPSK), UiTM Shah Alam, Selangor. He has the academic qualification of Ph.D. in Art and Design at UiTM Shah Alam in 2017. In academic administration, Dr. Mohd Jamil Bin Mat Isa will carry out the function of gallery head at UiTM College of Creative Arts (KPSK) in 2022, in addition to carrying out the duties of Dean (July–October 2021), Deputy Dean (Academic Affairs) 2020– 2022, and Deputy Dean (Student Affairs) 2018–2020 at the Faculty of Art & Design, UiTM Shah Alam. GALLERY KPSK UITM SHAH ALAM 67
Conducting research on artists and their work Selecting and acquiring artworks for the gallery's collection Developing and organising exhibitions Writing exhibition texts and labels Educating the public about art through gallery talks, workshops, and other programmes Design and plan exhibitions, considering factors such as the theme, artistic style, and how the artworks interact with each other. Curators are involved in the preservation and conservation of artworks in the gallery's collection Curators often engage in educational programs, lectures, and outreach activities to enhance public understanding and appreciation of art Curators maintain detailed records of the gallery's collection, including documentation on each artwork's provenance, condition, and historical significance. GALLERY KPSK UITM SHAH ALAM 68
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Amron Omar's artwork "Pertarungan" from 1980 explores Malay traditional art within the realm of martial arts. The two figures in motion are prominently featured, translating the painter's identity. The vibrant colors shaping the surface and successful curves realize a 'universal' space, leaving an impression of movement on the canvas. Amron Omar Pertarungan, 1989 The cloth is the final project for a student in fashion with a knowledge gained throughout their fashion studies. The project allows students to showcase their understanding of fashion concepts, design principles, and technical skills. Student make a stylish outfit, a set of accessories, or a small collection of clothing that reflects their personal style and what they've learned during their time studying fashion GALLERY KPSK UITM SHAH ALAM 71
In 1984, the artist Rosli Mat created a painting called 'Family Series' that gives us a unique view of family. He used figures and objects to express his ideas, making the artwork interesting. What's cool is that he only used oil paint to do this. The way he arranged things in the painting, like the colors and shapes, makes it more meaningful and organized. He added everyday things like chairs, tables, rugs, and windows, and used gentle green colors to make the painting feel warm and affectionate. By including things from his daily life and nature, he made a beautiful and meaningful piece of art. Rattan and Kayu Kembang Semangkuk 2004 The "Retired Rattan Lounge Chair" is a Malaysian piece that highlights the lasting beauty of rattan and Kembang Semangkuk wood. This well-crafted chair represents the idea of "retirement" as the natural materials have reached their final form, providing a lifetime of comfort. Designed with a clean and simple appearance, the chair offers a comfortable and relaxed experience, perfect for lounging. The warm tones of rattan and Kembang Semangkuk wood create a nostalgic and peaceful atmosphere. Rosli Mat family Series,1984 GALLERY KPSK UITM SHAH ALAM 72
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Operating hour Universiti Teknologi Mara (UITM) Shah Alam, Aras 5, Bangunan Utama, Kolej Pengajian Seni Kreatif, Kompleks Ilham, 40450 Shah Alam,Selangor. Monday- Friday (except on Friday) 9.00 am-5.00 pm Friday (temporarily close) 9.00 am-5.00 pm 12.30 pm - 2.30pm Contact: Dr Mohd Jamil Bin Mat Isa Ketua Galeri [email protected] Mohamad Rahmat Bin Jamaludin Pembantu operasi kanan [email protected] Entry fee: Free GALLERY KPSK UITM SHAH ALAM 74
Hinggap Art Space Selangor Islamic Arts Park Complex Gallery KPSK UITM Shah Alam Gallery Merah Teratak Anak Amas Rentas Harta Space Core Contemporary Art