Tone Stojko: Portreti / Portraits

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2014

ALENKA SOTTLER VLADIMIR KOS SLOVENSKI TOLKALNI PROJEKT

/.../ Pri posameznih sklopih ilustracij Alenke V Vladimirju Kosu zveni duša daljnih /.../ Slovenski tolkalni projekt je nastal leta
Sottler je mogoče začutiti avtoričino razsežnosti, širnih obzorij: estetsko doživljajoči 1999 z željo po »komornem muziciranju,
intelektualno odprtost za literarno predlogo pesnik se v njem staplja z eksistencialno izvajanju kakovostnih skladb in raziskovanju
in prvine emocionalnega odzivanja nanjo. mislečim filozofom. /.../ V zbirkah Pesmi z novih zvokov tolkal« ter, lahko dodamo, novih
Z likovnimi podobami želi oživiti besedilo, japonskih otokov in Ob rahlo tresoči se tokijski komornih zasedb s tolkali. V procesu
odpreti nove vidike njegovega razumevanja, harfi se njegova poezija odpira harmoničnemu »ponovnega odkrivanja« estetskih vrednot
zato si prizadeva za poglobljen vpogled doživljanju japonske narave, človekovega preteklosti in tehtnih dosežkov modernizmov
v literarno predlogo in za dialog z njenim mesta v kozmosu in – nazadnje – krščanske 20. stoletja ima posebno mesto. SToP namreč
avtorjem. Pomembna značilnost transcendence kot temeljnega ozadja vseh poleg spodbujanja sodobne ustvarjalnosti –
ilustratorskega opusa Alenke Sottler je težnja bitij, njihove lepote, globine ter nagovarjajoče doslej so (pra)izvedli hvalevreden niz
po likovnem eksperimentu, s katerim uspešno moči. Iz tega osredja se pogosto kakor simbol slovenskih novitet za tolkala – prinaša izredno
nadgrajuje sugestivno rabo likovnih postopkov dviguje gora Fudži, ob nji se Kosu vsaka kitica kakovostne izvedbe in posnetke klasičnih del.
in prvin ter se izogiba klišejskim rešitvam. /.../ spremeni v drobno besedno tihožitje. /.../ /.../

Ddr. Damir Globočnik, povzeto po besedilu v zborniku Dr. Matija Ogrin, povzeto po besedilu v zborniku Prešernov Dr. Leon Stefanija, povzeto po besedilu v zborniku Prešernov
Prešernov sklad 2014. Ljubljana: Upravni odbor Prešernovega sklad 2014. Ljubljana: Upravni odbor Prešernovega sklada, sklad 2014. Ljubljana: Upravni odbor Prešernovega sklada,
sklada, 2014. 2014. 2014.

/.../ In certain sets of illustrations by Alenka Vladimir Kos resonates a soul full of distant SLOVENE PERCUSSION PROJECT
Sottler one can feel how perceptible is the dimensions and vast horizons. In him, a poet
artist to the literary work she illustrates, and with aesthetic feelings meets a philosopher /.../ Slovene Percussion Project, or shorter
how she responds emotionally to it. Always with an existential thought /.../ The poetry SToP, was founded in 1999 to “perform
striving for a deeper insight into the literary in his collections Songs from Japanese Islands chamber music, play quality works, explore
work and for a constructive dialogue with its (Pesmi z japonskih otokov) and By the Gently new percussion sounds” and, we could add,
author, she creates fine art to bring new life Vibrating Tokio Harp (Ob rahlo tresoči se form a new chamber percussion ensemble.
to the text, and uncover new aspects for its tokijski harfi) exhibits harmonious experience They hold a special place in the process
comprehension. An important feature of of Japanese nature, human position in the of “rediscovering” aesthetic values of the past
Alenka Sottler’s illustration oeuvre is a universe, and lastly, Christian transcendence and cogent modernist accomplishments
tendency for artistic experiment, which as the fundamental background of all beings, of the 20th century. Besides stimulating
successfully builds on the evocative use of art their beauty, depth and eloquent strength. contemporary creativity – SToP performed
procedures and elements and avoids clichéd The mountain Fuji often rises from this (for the first time ever) a wide array of
solutions. /.../ background as a symbol, turning each Kos’ Slovenian percussion novelties – they have
stanza into a fine word still life. /.../ the credit for brilliant performance and
Ddr Damir Globočnik, in Prešeren Fund 2014. Ljubljana: recordings of many classical works. /.../
Prešeren Fund Board, 2014. Dr Matija Ogrin, in Prešeren Fund 2014. Ljubljana: Prešeren
Fund Board, 2014. Dr Leon Stefanija, in Prešeren Fund 2014. Ljubljana: Prešeren
Fund Board, 2014.

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NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2014

JERNEJ LORENCI

gledališki režiser / theatre director
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NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2014

VESNA PERNARČIČ

igralka / actress

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NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2014

JOŽE MOŽINA

avtor / author
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NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2014

ALENKA SOTTLER

slikarka in ilustratorka / painter and illustrator

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NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2014

VLADIMIR KOS

pesnik / poet
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NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2014

SLOVENSKI TOLKALNI PROJEKT

SLOVENE PERCUSSION PROJECT

255

PREŠERNOVA NAGRADA / PREŠEREN AWARD, 2015

/.../ Brvarjevo pesniško, uredniško in esejistično delo je nerazdružljiva celota, vrhunska v vsakem pogledu
in detajlu. /.../ Razmisleke o literaturi (ne samo lastni avtorski poetiki) in o Mariboru in »mariborski
kulturi« je unikatno združil v uredniški spremni besedi k Mariborski knjigi (Slovenska matica, 1999),
brez dvoma najbolj odmevni spremljavi med vsemi mestnimi literarnimi knjigami. /.../ Drugo veličastno
delo podpisuje kot urednik knjige Brez verzov, brez rim (Študentska založba, 2011), prvega antološkega
izbora slovenske pesmi v prozi, te hibridne, med poezijo in prozo, med liriko in epiko sprehajajoče se
pesniške oblike. Čudno je, da ni tega dela opravil nihče pred njim, prav nič čudno pa ni, da ga je Andrej
Brvar, med sodobniki največji mojster takšnega (s)prehajanja. Žanr je zaznamoval tako močno, kot je
ta zaznamoval njega, enako pa lahko rečemo za njegovo razmerje z Mariborom. Kot urednik pri Založbi
Obzorja in po njenem žalostnem koncu pri Literi je z razsodno močjo in rahločutnim spodbujanjem
soustvaril veliko (nikakor ne samo) »mariborskih knjig«. /.../ V petinštiridesetih ustvarjalnih letih je
podpisal deset pesniških zbirk. Bolj ko se v njih izpisuje zavedanje minljivosti, večji so presledki med
knjigami, toda tudi v obdobju eruptivnega osvajanja sveta so bili končni pesniški katalogi vedno izbrano
umerjeni. Pesnik se je zlagoma oddaljeval od začetnih idejnih premis, nikoli pa se mu ni bilo treba
distancirati od njihove tehnopoetske izdelanosti.

Petra Vidali, povzeto po besedilu v zborniku Prešernov sklad 2015. Ljubljana: Upravni odbor Prešernovega sklada, 2015.

/.../ Brvar’s poetry, essays and editorial work is an inseparable whole, superb in every aspect and detail.
/.../ His reflections on literature (not only on his own poetics), on Maribor and “Maribor culture” are
presented ingeniously in an editorial preface to the Book on Maribor (Mariborska knjiga, Slovenska
matica, 1999), without doubt the most acclaimed preface of all literary books devoted to towns. /.../
Another magnificent work was his editing of the book No Verses, No Rhymes (Brez verzov, brez rim,
Študentska založba, 2011), the first selected anthology of Slovenian prose poetry, a hybrid between
poetry and prose, between lyric and epic. It is strange that no one had done this before him, yet it is not
strange at all that it was Andrej Brvar, the greatest master of such crossover in modern days, who has
done it. This genre marked him as strongly as he marked the genre, and the same can be said of his
relationship with Maribor. As an editor of the Obzorja Publishing House, which ended sadly at Litera
Publishing House, he co-created a great number of “Maribor books” which are never only about Maribor,
featuring vigorous prudence and gentle encouragement. /.../ In forty-five years of writing, Brvar has
authored ten poetry collections. The more present is his awareness of transience in these collections,
the greater the spacing between them, yet his final poetry catalogues have always been calibrated
carefully, also in the period of his eruptive conquest of the world. The poet gradually moved away from
his initial ideological premises, but he never did need to distance himself from their technically poetic
perfection.

Petra Vidali, in Prešeren Fund 2015. Ljubljana: Prešeren Fund Board, 2015.

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ANDREJ BRVAR

pesnik / poet

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PREŠERNOVA NAGRADA / PREŠEREN AWARD, 2015

/.../ Miki Muster je po zaslugi več kot štiridesetih zgodb o doživljajih trojice prijateljev Zvitorepca, Trdonje
in Lakotnika postal osrednji in najbolj znan predstavnik slovenskega stripa. /.../ Stripi o Zvitorepcu
in njegovih prijateljih so vsebovali spoj precizne obrisne linije, karikaturistično stilizacijo in realistični
perfekcionizem, zanesljivo kompozicijo, pregledno kadriranje, brezhibno animacijo likov, stripovsko
dinamiko, scenaristično inventivnost in tekoče dialoge. /.../ Muster je eden najuspešnejših ustvarjalcev
na področju risanega filma v evropskem merilu (narisal je sličice za več kot deset ur risanega filma). /.../
Med letoma 1967 in 1990 je ustvaril okrog 380 reklamnih spotov. Najbolj znani so spot z zajčki cikcak
in reklamni spoti za Šumi (bomboni Visoki C), Jelovico (Ne bo vam uspelo), Kolinsko, Fructal, Mercator,
Medex. /.../ Leta 1990 je začel risati politične karikature za tednik Mag in kasneje za tednik Reporter. /.../
Opus Mustrovih stripov obsega več kot 5000 tabel stripa. Kljub temu da je od objave prve epizode
Zvitorepčevih prigod (julij 1952) minilo že več kot šestdeset let, njegovi stripi in slikanice navdušujejo
že tretjo generacijo bralcev, saj so bili večkrat ponatisnjeni. /.../ Miki Muster se je z likovnim opusom,
v katerem izstopata prispevek k uveljavitvi stripa kot drugim likovnim disciplinam in zvrstem
enakovrednega ustvarjalnega področja in delo na področju animiranega filma, uspel uvrstiti med najbolj
prepoznavne osebnosti domače likovne kulture v najširšem pomenu besede.

Ddr. Damir Globočnik, povzeto po besedilu v zborniku Prešernov sklad 2015. Ljubljana: Upravni odbor Prešernovega sklada, 2015.

/.../ Thanks to more than forty stories about the adventures of three friends Zvitorepec, Trdonja and
Lakotnik, Miki Muster came to be the main and most prominent representative of the Slovenian comic. /.../
Comics about Zvitorepec and his friends demonstrated a combination of precise contour lines, stylized
caricature and realistic perfectionism, reliable composition, transparent framing, flawless character
animation, comics dynamics, ingenious screenplays and fluent dialogues. /.../ Muster is one of the most
successful artists in the field of animated film at the European level (his drawings would make for more
than ten hours of an animated film). /.../ Between 1967 and 1990 he created around 380 commercials, the
most famous of them being the zigzag bunnies for children’s TV show, and commercials for Šumi sweets,
Jelovica doors and windows, products by Kolinska, Fructal, Mercator, Medex. /.../ In 1990, he started
drawing political caricatures for the Mag weekly and later for the Reporter weekly. /.../ Muster’s body
of comics comprises more than 5,000 comic panels. Despite the fact that the first episode of Zvitorepec’s
adventures was published more than sixty years ago (July 1952), his comics and picture books, reprinted
several times, continue to fascinate already the third generation of readers. /.../ Contributing significantly
to the comic being established as an equal artistic discipline and genre in Slovenia and pioneering in the
field of animated cinema in Slovenia, Miki Muster with his artistic oeuvre came to be one of the most
recognizable figures of domestic fine art landscape in the broadest sense of the word.

Ddr Damir Globočnik, in Prešeren Fund 2015. Ljubljana: Prešeren Fund Board, 2015.

258

MIKI MUSTER

pionir slovenskega stripa / the pioneer of Slovenian comics

259

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2015

JURE PUKL MARJAN STROJAN VITO ŽURAJ

/.../ Jure Pukl se s srcem posveča moderni /.../ Ne le po umetniški, tudi po strokovni /.../ Vsej tehnologiji navkljub pa skladatelj pred
interpretaciji džezovske glasbe. V njegovem zahtevnosti je to polifono, kompleksno delo pisanjem not potrebuje občutek, da skladbo
ustvarjanju je čutiti zvrst sodobnega, velik zalogaj za prevajalca. Slovnično in sliši v sebi: »Za takšno vrsto nematerialnega
avantgardnega džeza, deloma svobodnega, pomensko odmaknjenost od srednjeveške snovanja običajno izberem sprehod v naravo.
»free« džeza in tudi impresionistične sodobne angleščine je Strojan premostil s pretanjenim Ko zberem dovolj idej, začnem s pisanjem
glasbe. Njegove veščine saksofonske tehnike, občutkom za Chaucerjev živ in večplasten partiture.« Piše pa v tesnem sodelovanju
izjemen talent in apetit po novih glasbenih slog, ki sega od odkritega humorja, celo z glasbeniki instrumentalisti, ki mu nudijo
spoznanjih ga vodijo v sam vrh svetovne robatosti, do prefinjene ironije ali celo patetike. temeljito poznavanje instrumentov in njihovih
džezovske elite. S svojim vedrim duhom, Po njegovi zaslugi je eno najpomembnejših del izvajalskih tehnik. Vsak glasbenik je zanj
odprtostjo in visokim strokovnim znanjem angleške književnosti predstavljeno slovenski »dragulj«, ki prispeva k nastanku skladbe
je postal zgled celi generaciji mlajših javnosti v prevodu, ki v sodobnem ciljnem svoje dragocene izkušnje. Zato ima dokončna
glasbenikov, hkrati pa dviguje raven jeziku suvereno posreduje tako vsebinsko kot verzija dolgo razvojno pot. /.../
slovenskega glasbenega ustvarjanja doma slogovno kompleksnost izvirnika – prevodu,
in tudi v tujini. ki je umetniški, izpiljen in jezikovno bogat. /.../ Lea Hedžet, povzeto po besedilu v zborniku Prešernov sklad
2015. Ljubljana: Upravni odbor Prešernovega sklada, 2015.
Primož Fleischman, povzeto po besedilu v zborniku Prešernov Dr. Nada Grošelj, povzeto po besedilu v zborniku Prešernov
sklad 2015. Ljubljana: Upravni odbor Prešernovega sklada, sklad 2015. Ljubljana: Upravni odbor Prešernovega sklada,
2015. 2015.

/.../ Jure Pukl is devoted to modern /.../ This polyphonic complex work is a hard /.../ In spite of all the technology, a composer
interpretation of jazz with all his heart. nut to crack for a translator in terms of both needs to hear the composition inside him
His playing combines various approaches: artistic and professional complexity. Strojan before writing a musical score: “Before I start
from contemporary avant-garde jazz and free bridged the grammatical and semantic creating, I usually go for a stroll in nature.
jazz to the impressionist contemporary music. distance to mediaeval English with his fine Once I gather enough ideas, I start writing
His skilled saxophone technique, exceptional sense of Chaucer’s vivid and versatile style the composition.” He always writes in close
talent and hunger for new music insights put ranging from open humour, even gaudiness, cooperation with instrumentalists who share
him at the peak of the world jazz elite. Due to refined irony, even pathos. It is his credit with him deep knowledge of their instruments
to his kind spirit, frankness and great that one of the major English literary works and musical techniques. To him each musician
professional knowledge he is a role model has been introduced to the Slovene public in is a “pearl” contributing their valuable
for a whole generation of younger musicians, translation which transmits the complexity experience to the making of a composition.
raising the bar of Slovene musical creativity of the original both in content and style Evolution of the final version thus always
at home and abroad. excellently. His translation is artistic, refined takes time. /.../
and linguistically opulent. /.../
Primož Fleischman, in Prešeren Fund 2015. Ljubljana: Lea Hedžet, in Prešeren Fund 2015. Ljubljana: Prešeren Fund
Prešeren Fund Board, 2015. Dr Nada Grošelj, in Prešeren Fund 2015. Ljubljana: Prešeren Board, 2015.
Fund Board, 2015.

260

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2015

PIA ZEMLJIČ MARKO JAKŠE ROSANA HRIBAR, GREGOR LUŠTEK

/.../ Njen igralski razpon je izjemno širok, /.../ Ker je tako samosvoj in izviren, ga tudi ni Rosana Hribar in Gregor Luštek sta unikaten
pokazala se je kot avtentična junakinja mogoče predalčkati, četudi bi bila izhajajoč umetniški par slovenske plesne scene. Še več,
klasičnega repertoarja, istočasno pa do iz njegovega nadrealističnega imaginarija in njuna izjemnost na vseh nivojih ustvarjanja
popolnosti tolmači vloge sodobnih mladih klasičnega iluzionističnega pristopa k sliki to jima ohranja status dobrodošlih gostov tudi
žensk. Z lahkoto in virtuoznostjo zleze v kožo na videz enostavna rešitev. Kjer koli so bila na mednarodnih plesnih odrih. /.../ Dolgo vrsto
fatalne zapeljivke, romantične ženske ali njegova dela postavljena na ogled in v presojo, let nas Rosana in Gregor kot izjemno zanimivi
z nevrozami moderne družbe destabilizirane so po prvotni zadržanosti vselej kmalu požela in celoviti umetniški osebnosti razvajata
persone. Pia Zemljič z lahkotnostjo in simpatije in navdušenje. /.../ Skratka, Marka s svojimi avtorskimi projekti, med drugim
prepričljivo igra tako v komedijah, tragedijah Jakšeta si zapomnimo kot ustvarjalca s svojimi dueti, ki se bienalno nizajo drug
in dramah kot v predstavah sodobnega nasprotij; je sodoben in arhaičen, poetičen za drugim, a pri tem ne izgubljajo na
gledališča, ki so blizu performansom. /.../ Pia in ekspresiven, konvencionalen in anarhičen, domiselnosti, ne intenzivnosti, ne izraznosti
Zemljič je vrhunska igralka, ki gledalca očara, intimen in političen. /.../ in ne umetniškosti in prepričljivosti. Lahko bi
začara in popelje na potovanje gledališkega razumeli, da nam predstavljajo ognjemet
ali filmskega užitka. /.../ Dr. Ferdinand Šerbelj, povzeto po besedilu v zborniku neskončnega bogastva in pestrosti pristnega,
Prešernov sklad 2015. Ljubljana: Upravni odbor Prešernovega naravnega odnosa med moškim in ženskim
Robert Waltl, povzeto po besedilu v zborniku Prešernov sklad sklada, 2015. bitjem, Rosano in Gregorjem. /.../
2015. Ljubljana: Upravni odbor Prešernovega sklada, 2015.
Vojko Vidmar, povzeto po besedilu v zborniku Prešernov sklad
2015. Ljubljana: Upravni odbor Prešernovega sklada, 2015.

/.../ The array of her character roles is /.../ He is innovative and original, which makes Rosana Hribar and Gregor Luštek are a unique
extremely wide, performing an authentic it difficult to categorise him, although in terms art couple from the Slovenian dance scene.
heroine of the classic repertoire as well of his surrealist imagery and classic illusionist They are exceptional at all levels of creativity,
as modern young women with the same approach to painting this might seem an easy which makes them welcome guests at
perfection. With remarkable ease and task. Whenever his works were mounted at international dance stages as well /.../
virtuosity, she transforms into a femme fatal, an exhibition or set out for judgement, initial For many years now, Rosana and Gregor, two
a romantic lady or a person destabilised by hesitation was always followed by sympathies fascinating and all-round artistic personalities,
modern society neurosis. Pia Zemljič is easily and enthusiasm /.../ In the end, Marko Jakše have been treating us with their original
convincing in comedies, tragedies, dramas is remembered as a creator of contrasts: projects, among others with their duets,
and contemporary theatre plays resembling he is contemporary and archaic, poetic and sequenced biennially, and never lacking
performances /.../ Pia Zemljič is a brilliant expressive, conventional and anarchic, inventiveness, intensity, expression, artistry
actor who fascinates spectators, bewitches intimate and political. /.../ and fervour. Their duets can be perceived
them and takes them on the road of theatre as fireworks of true wealth and variety of
and film pleasure. /.../ Dr Ferdinand Šerbelj, in Prešeren Fund 2015. Ljubljana: the innate relationship between a man and
Prešeren Fund Board, 2015. a woman, between Rosana and Gregor. /.../
Robert Waltl, in Prešeren Fund 2015. Ljubljana: Prešeren Fund
Board, 2015. Vojko Vidmar, in Prešeren Fund 2015. Ljubljana: Prešeren
Fund Board, 2015.

261

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2015

JURE PUKL

skladatelj in saksofonist / composer and saxophonist
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NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2015

MARJAN STROJAN

prevajalec / translator

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NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2015

VITO ŽURAJ

skladatelj / composer
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NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2015

PIA ZEMLJIČ

gledališka in filmska igralka / theatre and film actress

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NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2015

MARKO JAKŠE

slikar / painter
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NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2015

GREGOR LUŠTEK, ROSANA HRIBAR

plesalca / dancers

267

PREŠERNOVA NAGRADA / PREŠEREN AWARD, 2016

/.../ Tone Partljič je edini sodobni slovenski dramatik, ki je komediji posvetil večino svojega pisateljskega
talenta. /.../ Ker je komedija tista literarna vrsta, ki kaže zrcalo družbi določenega časa in prostora ter
neprestano namiguje na aktualna dejstva, je branje Partljičevih več kot 30 komedij tudi svojevrstna
freska slovenske stvarnosti zadnjih 50 let. /.../ Tone Partljič je širši javnosti najbolj poznan po komediji
Moj ata, socialistični kulak, ki velja za najuspešnejšo slovensko komedijo po drugi svetovni vojni. /.../
Kar Partljiča dela edinstvenega in za kar ga publika vedno nagradi, je njegovo razumevanje malega
človeka, njegovih slabosti, napak in stisk, kar zna prikazati z veliko mero razumevanja in humorja. /.../
Tone Partljič je tudi mojster proze, saj je objavil več kot 20 del tako za odrasle kot za mlade bralce,
pri čemer prevladujejo romani, krajša prozna dela (novela, kratek roman) in zbirke črtic. /.../ Ne smemo
pozabiti tudi Partljičevega prispevka k razvoju slovenskega filma, domačih tv-nadaljevank in tv-filmov,
kjer se podpisuje kot scenarist pomembnih in odmevnih del, pogosto nastalih na podlagi njegovih lastnih
dramskih besedil. /.../ Tone Partljič je tudi pisec strokovnih besedil, poročil, pričevanj, ocen, spominov
s področja gledališča, literature in kulture, ki dokazujejo, da je avtor pretanjen kronist slovenske
stvarnosti. Partljič je vsestranski ustvarjalec, ki je odločilno zaznamoval slovensko literarno in
gledališko dogajanje zadnjega pol stoletja kot tudi kulturno podobo mesta Maribor. /.../

Dr. Mateja Pezdirc Bartol, povzeto po besedilu v zborniku Prešernov sklad 2016. Ljubljana: Upravni odbor Prešernovega sklada, 2016.

/.../ Tone Partljič is the only contemporary Slovenian playwright who has devoted most of his writing
talent to comedy. /.../ Comedy being the literary genre which reflects the society of a certain time and
space and constantly alludes to the current facts, reading of more than 30 Partljič’s comedies is also
a unique rendition of the Slovenian reality of the last 50 years. /.../ Tone Partljič’s most famous comedy
is My Dad, the Socialist Kulak (Moj ata, socialistični kulak), which is considered the most successful
Slovenian comedy since World War II. /.../ Partljič’s unique feature for which the audience always rewards
him, is his understanding of the little man, his weaknesses, failures and hardships, always displayed with
a high degree of understanding and humour. /.../ Tone Partljič is also a master of prose, as he published
more than 20 works for both adults and young readers, dominating are novels, short prose works
(novella, short novel), and a collection of short stories. /.../ We should not forget that Partljič contributed
substantially to the development of Slovenian film, domestic TV series and TV movies, by writing scripts
for important and well-known works, often on the basis of his own plays. /.../ Tone Partljič also writes
scientific texts, reports, testimonies, evaluations, memories from the fields of theatre, literature and
culture, showing that the author is a subtle chronicler of Slovenian reality. Partljič is a versatile artist
who has decisively marked the Slovenian literary and theatre landscape of the last half century, as well
as the cultural perspective of the city of Maribor. /.../

Dr Mateja Pezdirc Bartol, in Prešeren Fund 2016. Ljubljana: Prešeren Fund Board, 2016.

268

TONE PARTLJIČ

pisatelj in dramatik / writer and playwright

269

PREŠERNOVA NAGRADA / PREŠEREN AWARD, 2016

Ustvarjalni opus Iva Petrića upravičeno velja za enega najbolj prepoznavnih in najvplivnejših v sodobni
slovenski glasbi. /.../ Ustvaril je obsežen in raznolik kompozicijski opus, v katerem zasledimo vse od
orkestralnih do komornih in solističnih del. /.../ Petrića opredeljuje brezkompromisno sledenje lastnim
poetskim principom, pa naj bodo še tako v opreki z vodilnimi tokovi okolice in z veljavnimi načeli
povprečnega okusa. /.../ Petrićev ustvarjalni kredo opredeljuje skladateljeva muzikalna prefinjenost,
senzibilno izbrušena muzičnost njegovega glasbenega izraza. Svojevrstno to potrjuje ne nazadnje tudi
Petrićeva usmerjenost v instrumentalno glasbo. /.../ Njegova glasba je kolikor je mogoče čisti izraz
glasbene igre same, zavezana zgolj »absolutnemu« jeziku tonov, zvokov, motivov, zvočnih barv in
kombinacij. /.../ Med njegovimi deli nedvomno izstopa izjemno bogat komorni glasbeni opus, zlasti niz
šestih godalnih kvartetov, pa številne sploh prve slovenske sonate za najrazličnejše instrumente. /.../
Razširitev obzorja slovenskega glasbenega občinstva ter najširša predstavitev sodobne – in ne le te –
slovenske ustvarjalnosti in poustvarjalnosti sta vodili Petrića tudi pri več desetletij dolgem umetniškem
vodenju Slovenske filharmonije. Petrić je bil hkrati dolgoletni vodja Edicij Društva slovenskih skladateljev.
Te so se pod njegovim urednikovanjem razvile v sodobno mednarodno prepoznavno glasbeno založbo,
ki skrbi za izdajanje in promocijo del slovenskih skladateljev. /.../

Dr. Matjaž Barbo, povzeto po besedilu v zborniku Prešernov sklad 2016. Ljubljana: Upravni odbor Prešernovega sklada, 2016.

Ivo Petrić’s artistic oeuvre is rightly considered one of the most recognizable and influential in modern
Slovenian music. /.../ He has composed an extensive and varied body of work which ranges from
orchestral to chamber music and solo works. /.../ Petrić always follows his own principal poetics
uncompromisingly, no matter how opposing it might be to the leading currents around him and the
established principles of average taste. /.../ Petrić’s artistic credo is defined by musical sophistication
in composing and attentively honed musicality of his musical expression, which is demonstrated also
in his orientation to instrumental music. /.../ His music is an expression of music interpretation itself,
as pure as possible, bound by nothing but the “absolute” language of tones, sounds, motifs, sound
colours and combinations. /.../ Standing out among his works clearly is an extremely voluminous body
of chamber works, particularly the set of six string quartets, as well as numerous first ever Slovenian
sonatas for various instruments. /.../ Expanding horizons of the Slovenian musical audience and
representing the contemporary - and not only that - Slovenian creativity and interpretation widely
is what guided Petrić also in his artistic management of the Slovenian Philharmonic for several decades.
Petrić also managed the publishing house of the Society of Slovenian Composers called Edicije for
several years, turning it into an internationally recognized contemporary music publisher, which
publishes and promotes works by Slovenian composers. /.../

Dr Matjaž Barbo, in Prešeren Fund 2016. Ljubljana: Prešeren Fund Board, 2016.

270

IVO PETRIĆ

skladatelj / composer

271

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2016

KATARINA STEGNAR ALEKSIJ KOBAL CVETKA LIPUŠ

/.../ Znotraj vseh teh okvirov Katarina Stegnar /.../ Slike velikih formatov iz ciklov Nocturno /.../ Avtorica sedmih pesniških zbirk – večina
izrazito izstopa kot celovita umetnica: ne le in Območja zajetja, ustvarjene v zadnjih letih, izmed njih je bila tudi prevedena v nemščino –,
igralka, ampak performerka, gibalka, pomenijo kvalitativen preskok v smislu v katerih upesnjuje različne plasti bivanja
raziskovalka. Njena ustvarjalna potenca, izčiščevanja slikovne površine za avtorja z vseskozi prisotno težnjo po globokem
prodornost in visoka stopnja zavesti o času nepomembnih detajlov v smeri zrelega in zelo seganju v silnice, ki ga utemeljujejo in
in prostoru, v katerih dela in živi in ki ju aktualnega izpovedno sporočilnega izraza. opredeljujejo. Nič drugače ni v zadnji pesniški
pronicljivo, duhovito ter komunikativno Navidezna preprostost in minimalizem podob zbirki z zgovornim naslovom Kaj smo, ko smo.
komentira, so neprecenljiv prispevek k je intimna sublimacija in redukcija na bistvene Na prvi pogled bi naslov lahko namigoval na
umetniški kakovosti projektov, pri katerih elemente sporočilnosti (modro nebo, oblaki, identitetne zagate, in res jih v svoji globini tudi
sodeluje in v njih največkrat nastopa kot zapuščene stavbe, največkrat so prepoznavni omenja, vendar pesnica, za katero je značilno
soavtorica. Katarine ne zanima zgolj industrijski objekti, pa stopnišča, ograje in razbijanje horizonta pričakovanja bralca, tudi
ponavljanje uveljavljenih vzorcev, temveč jo podobno), torej na že ekspresivno izrazno v tej zbirki razpira pomene in nam prikaže
privlači zlasti premikanje meja, raziskovanje slikarsko govorico. /.../ mnogoterno misel o bivanjski danosti vsakega
neznanega, eksperimentiranje, torej širjenje izmed tistih, ki jo beremo. /.../
prostora odrskega ustvarjanja in območja Nives Marvin, povzeto po besedilu v zborniku Prešernov sklad
spoznavnega. /.../ 2016. Ljubljana: Upravni odbor Prešernovega sklada, 2016. Dr. David Bandelj, povzeto po besedilu v zborniku Prešernov
sklad 2016. Ljubljana: Upravni odbor Prešernovega sklada,
Suzana Koncut, povzeto po besedilu v zborniku Prešernov 2016.
sklad 2016. Ljubljana: Upravni odbor Prešernovega sklada,
2016.

/.../ Within all these frameworks Katarina /.../ Created in recent years, large format /.../ She authored seven poetry collections –
Stegnar stands out distinctly as an paintings from the cycles Nocturno (Nokturno) most of them were translated to German
accomplished artist: not only an actress, but and The Aera of Capture (Območje zajetja) as well – which poetise various levels of
a performer, physical actress and researcher. constitute a qualitative leap in terms of existence, always striving to reach its
Her creative potency, propulsion and high purifying the painting surface of all the details grounding and defining lines of force. Her last
level of awareness of time and space in which which are insignificant to the author. Kobal’s poetry collection, tellingly entitled What we
she lives and works, and which she comments expression heads in the direction of mature are when we are (Kaj smo, ko smo), is another
with insight, wit and talkativeness, are all an and very topical expressive message. fine example of this. The title might allude
invaluable contribution to the artistic quality Seemingly simple and minimalistic images to identity concerns, which are mentioned
of the projects she participates in, and most are in fact an intimate sublimation and indeed, yet the poetess who is always
often also co-authors. Katarina is not reduction to the essential communication breaking the expectation horizons of her
interested merely in repeating established elements (blue sky, clouds, abandoned readers, broadens the meanings in this
patterns, but in pushing the limits, exploring buildings, mostly industrial buildings, collection again and multiplies the reflection
the unknown, experimenting, and thus stairways, fences and the like), that is the on the existential endowment of her
expanding the space of stage creation expressive painting language. /.../ characters. /.../
and cognitive areas. /.../
Nives Marvin, in Prešeren Fund 2016. Ljubljana: Prešeren Dr David Bandelj, in Prešeren Fund 2016. Ljubljana: Prešeren
Suzana Koncut, in Prešeren Fund 2016. Ljubljana: Prešeren Fund Board, 2016. Fund Board, 2016.
Fund Board, 2016.

272

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2016

JANUSZ KICA MAG. MOJCA SMERDU AMBROŽ ČOPI

/.../ Z njemu lastno umetniško držo je v domala /.../ Mojca Smerdu nikoli ne zapušča oblike. /.../ Pri vsem tem pa Ambrož Čopi kot umetnik,
celotnem slovenskem gledališkem prostoru Oblika je nekaj starodavnega. Tako kot narava. pedagog, predvsem pa kot človek vseskozi
ustvaril uprizoritve, ki ne poznajo razlik med Tudi oblika narave kot da ne pripada več njej ohranja redko in dragoceno željo po
osrednjimi in manjšimi gledališkimi družinami, sami, ampak človeški skušnji. V njeni konstruktivnem ustvarjalnem sodelovanju. /.../
med nacionalnimi ustanovami in preprostosti tiči ferment moderne ekonomije, Hkrati odpira poti drugim velikim pa tudi
priložnostnimi skupinami, ki delajo pa tudi smisel spomina. Zato lahko rečemo, mlajšim perspektivnim umetnikom ter
v eksperimentalnih pogojih, saj vse netijo da njene oblike izvirajo iz naravnega in omogoča nastajanje večjih in plemenitejših
prvobitno gledališko strast, s katero gledalcu organskega sveta. Njihov drugi izvir je projektov; ker je povezovalec energij, hotenj,
odpirajo nove svetove, ga nagovarjajo in mu v izkustvu človeških rok. V izročilu lončarstva, znanj in videnj glasbenikov širšega območja,
burijo domišljijo. Njegove režije so v formah, ki se kažejo kot primeri stare ker je v isti sapi tudi sam hkrati plod te
zaznamovale evropski gledališki prostor, civilizacije, s pripadajočo občutljivostjo sinergije in smeli akter umetniških snovanj ter
k nam so prinesle nov zamah visokih estetskih in svojevrstno čutno asociativnostjo. /.../ izjemnih rezultatov in ker je spodbujevalec
standardov, s tem oplemenitile slovensko ustvarjalnosti tistih nadarjenih posameznikov,
gledališče in vplivale na njegov razvoj. /.../ Društvo likovnih umetnikov Ljubljana in Visart – društvo za ki se, tako kot on podvrženi nemiru in sanjam,
organizacijo, izvedbo in promocijo kulturnih projektov, povzeto nikoli ne bodo odrekli preseganju samega sebe
Saša Pavček, povzeto po besedilu v zborniku Prešernov sklad po besedilu v zborniku Prešernov sklad 2016. Ljubljana: in stapljanju v brezčasni transcendenci.
2016. Ljubljana: Upravni odbor Prešernovega sklada, 2016. Upravni odbor Prešernovega sklada, 2016.
Lea Hedžet, povzeto po besedilu v zborniku Prešernov sklad
2016. Ljubljana: Upravni odbor Prešernovega sklada, 2016.

/.../ Performances which he created almost /.../ Mojca Smerdu never departs from the /.../ Above all this, Ambrož Čopi as an artist,
in the entire Slovenian theatre landscape and form. A form is ancient. Just like nature. educator, and most of all, as a person has
marked by his original artistic stance, make The form of nature does not seem to belong always kept a rare and valuable desire for
no difference between major and minor to nature anymore, it belongs to human constructive and creative cooperation. /.../
theatre groups, between national institutions experience. In her simplicity is the ferment He leads the way for other leading artists as
and project teams working in experimental of modern economy, as well as the meaning well as young promising artists, and enables
conditions. All of them fuel the primal theatre of memory. This is why her forms can be said the creation of larger and nobler projects
passion and open new worlds to spectators, to originate in the world of nature, in organic because he is the facilitator of energy,
inviting them and stirring their imagination. world. Another source she draws on is the ambition, knowledge and recognition
His theatre directions marked the European experience of human hands. The heritage of musicians from a wider area, because he
theatre, and introduced a new impetus of of pottery, forms originating in ancient is the result of these synergies himself and
high aesthetic standards to Slovenia, thus civilizations with all their delicacy and peculiar a bold actor of artistic creations and
enhancing the Slovenian theatre and affecting sensuous association. /.../ exceptional results at the same time, and
its development. /.../ because he always stimulates creativity of
Fine Artists Society Ljubljana and Visart – Society for Cultural those talented individuals who, like him, are
Saša Pavček, in Prešeren Fund 2016. Ljubljana: Prešeren Fund Projects Organisation, Implementation and Advertising, in subject to restlessness and dreams, and will
Board, 2016. Prešeren Fund 2016. Ljubljana: Prešeren Fund Board, 2016. never give up surpassing themselves and
merging with the timeless transcendence.

Lea Hedžet, in Prešeren Fund 2016. Ljubljana: Prešeren Fund
Board, 2016.

273

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2016

KATARINA STEGNAR

igralka in performerka / actress and performer
274

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2016

ALEKSIJ KOBAL

slikar / painter

275

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2016

CVETKA LIPUŠ

pesnica / poetess
276

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2016

JANUSZ KICA

režiser / director

277

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2016

MOJCA SMERDU

kiparka / sculptor
278

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2016

AMBROŽ ČOPI

skladatelj in zborovski dirigent / composer and choral conductor

279

PREŠERNOVA NAGRADA / PREŠEREN AWARD, 2017

Aleš Berger je s svojo raznovrstno jezikovno dejavnostjo in s celostnim pogledom na jezik neprecenljivo
obogatil slovenski umetnostni in kulturni prostor. Njegov prevajalski opus je impozantno avtorsko delo.
Prevajalsko umetnost, ki se še zdaj včasih otepa bremena anonimnosti, je povzdignil na raven javne
ustvarjalne geste, posebej z nekaterimi najzahtevnejšimi prevodi, ki jih zmore le avtentičen jezikovni
umetnik. Slovenskim bralcem je ponudil premišljene, briljantno izbrušene in duhovite prevode cele vrste
ključnih avtorjev univerzalne književnosti. /.../ Z izborom francoske nadrealistične poezije Noč bliskov nam
je posredoval sanjski ludizem onstran vsakdanjosti; s Queneaujevo Cico v metroju – moč igrive domišljije
in prebrisane jezikovne kombinatorike; z Apollinairjem – željo po soncu, vztrajnosti in vedrini;
z Lautréamontom – duhovno globino norosti; s Prévertom – priljubljeno Barbaro in druga imena nežnosti;
z Beckettovo mojstrovino Čakajoč Godota – neizmerno upanje, porojeno iz prepadov življenja; z Renéjem
Charom – veličastni paradoks neizrekljivega; z Lorco – hrepenenje po človečnosti; z Borgesom –
neizčrpen inventar možnih in nemogočih svetov. /.../ Bergerjev prevod Queneaujevih Vaj v slogu je eden
najvišjih prevajalskih in literarnih dosežkov v slovenskem jeziku nasploh. Ponuja spoznanje, kako zelo
je družbeno življenje na vseh ravneh, od najbolj vsakdanjega čvekanja do visokih zamahov estetskega
knjižnega izraza, odvisno od izbiranja in tehtanja jezikovnih formulacij. /.../

Dr. Primož Vitez, povzeto po besedilu v zborniku Prešernov sklad 2017. Ljubljana: Upravni odbor Prešernovega sklada, 2017.

Aleš Berger has invaluably enriched Slovenia’s arts and culture space with his diverse linguistic work
and holistic view on language. His translating oeuvre is tremendously impressive. He has raised the art
of translating, which is still veiled in anonymity, to a publicly recognised level, especially with some of
the most demanding translations – tasks that can be performed only by authentic linguistic artists.
Berger offered Slovenian readers prudent, brilliantly honed and humorous translations of a series of key
authors of world literature. /.../ His selection of the French surrealist poetry Stormy Night (Noč bliskov)
gave us the dream Luddism beyond commonness; his translation of Queneau’s Zazie dans le métro -
the potency of playful imagination and artful linguistic combinatorics; his translation of Apollinaire - the
desire for sun, determination and serenity; his translation of Lautréamont - spiritual depth of insanity;
his translation of Prévert - favoured Barbara and other names of tenderness; his translation of Beckett’s
masterpiece Waiting for Godot - immense hope born out of the abyss of life; his translation of René Char
- grand paradox of the unspeakable; his translation of Lorca - craving for humanity; his translation
of Borges - a non-exhaustive inventory of worlds both possible and impossible. /.../ Berger’s translation
of Queneau’s Exercises de style is one of the greatest translating and literary achievements in Slovenian
language ever offering the realisation that social life at all levels, from idle chatter to eminent aesthetic
literary expressions, relies entirely on the selection and reflection of linguistic formulations. /.../

Dr Primož Vitez, in Prešeren Fund 2017. Ljubljana: Prešeren Fund Board, 2017.

280

ALEŠ BERGER

prevajalec / translator

281

PREŠERNOVA NAGRADA / PREŠEREN AWARD, 2017

Metka Krašovec je svoje življenje posvetila likovnemu ustvarjanju. Od leta 1964 nepretrgoma ustvarja
in je avtorica veličastnega in prepoznavnega slikarskega opusa, ki je hkrati z njenim grafičnim in risarskim
opusom nepogrešljiva sestavina mozaika slovenske likovne umetnosti. Je neusahljivo ustvarjalna
umetnica, najpomembnejša slovenska sodobna umetnica, ki ji je slovenska likovna kritika namenila
zgodovinsko mesto takoj za Ivano Kobilico. Je tudi ena redkih slovenskih likovnih umetnikov, ki je
z besedilom z naslovom Ogledalo, čas našemu prostoru dala eno redkih, čudovitih besedil umetniške
samorefleksije. /.../ Če po poplavi risb v 80. letih risba enakomerno spremlja umetničino ustvarjanje kot
miselna spremljava slik, se po letu 2009 v njej odpre novo, izrazito poglavje. Risbe, akvareli in gvaši na
papirju so spet stopili v ospredje njenega snovanja. Ta nova dela, ki so doživela vrhunski epilog v umetniški
knjigi Nox portensis gravida (Galerija Equrna, 2013), so majhne, odlične umetnine, za katere je najprej
nastala podoba kot razodetje ali razsvetljenje globokih, eksistencialnih vsebin, nato pa je avtorica zanje
poiskala ustrezne pesniške verze. /.../ Gre za čudovit preplet vrhunske slikarske kulture in osebno doživetih
verzov. /.../ Rdeča nit, ki teče skozi njeno, sicer dokaj heterogeno slikarsko poetiko, je iskanje lepote kot
tistega ideala, ki se mu človek sicer lahko približa, ne more pa ga popolnoma doseči. Njena umetnost je
potovanje po subtilnem robu čutnih zaznav. Metka Krašovec s svojimi slikami išče tišino, ki zveni.

Mag. Breda Škrjanec, povzeto po besedilu v zborniku Prešernov sklad 2017. Ljubljana: Upravni odbor Prešernovega sklada, 2017.

Metka Krašovec devoted her life to fine art fully. She has been creating continuously ever since 1964,
authoring an outstanding and recognisable painting oeuvre, which is, together with her prints and
drawings, an indispensable element in the mosaic of the Slovenian fine arts. Inexhaustibly creative,
Krašovec is the leading Slovenian contemporary female artist, in history ranked immediately next to
Ivana Kobilica by the Slovenian art critics. She has been one of the few Slovenian artists presenting
a beautiful text of artistic self-reflection titled Mirror, Time (Ogledalo, čas). /.../ After the initial flood
of drawings in 1980s, this genre remained a constant mental companion of her paintings until 2009,
which was a new distinct chapter bringing drawings, watercolours and gouaches on paper back to the
front of her work. Culminating in a superb art book Nox portensis gravida (Equrna Gallery, 2013), these
new works are small, excellent artworks, first created as images, which reveal or illuminate profound,
existential topics, and later equipped with fitting poetry verses. /.../ It is a marvellous combination
of outstanding painting culture and profound poetry experience. /.../ Otherwise quite heterogeneous,
her poetics of painting is noted for the search of beauty, an ideal that can be pursued, but never achieved
completely. In her art, Metka Krašovec travels on the subtle edge of sensory perceptions, seeking
the sonorous silence.

Breda Škrjanec MA, in Prešeren Fund 2017. Ljubljana: Prešeren Fund Board, 2017.

282

METKA KRAŠOVEC

slikarka in grafičarka / painter and graphic artist

283

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2017

MOJCA KUMERDEJ BOŠTJAN GOMBAČ TOMAŽ LAVRIČ

/.../ Mojca Kumerdej piše o preteklosti, Akademski glasbenik klarinetist Boštjan Tomaž Lavrič je vrhunski stripovski avtor
da bi detektirala današnje stanje in poiskala Gombač je v zadnjih dveh letih suvereno in in karikaturist. Po srednji šoli za oblikovanje
pravzroke zanj, namreč za naš hlapčevski z vso svežino globoko zaznamoval slovensko je nadaljeval študij na slikarskem oddelku
odnos in upogljivost. Da bi bolj poudarila, glasbeno tvornost. Kot skladatelj in likovne akademije. Svojo umetniško pot
da govori tudi o tem našem zdaj, se v romanu multiinstrumentalist je nastopil na koncertih je začel s karikaturami v Mladini leta 1987,
pojavljajo spekulacije o pospeševalnikih in z Big bandom RTV Slovenija, v okviru Društva leto kasneje pa je začel objavljati satirični strip
superprofitih farmacevtske industrije, enkrat slovenskih skladateljev je v Mestnem muzeju Diareja, ki je v širši javnosti njegovo najbolj
pa celo zazija špranja, skozi katero se soočita ob sodelovanju harmonikarja Juharta izvedel prepoznavno delo. Minimalistična Diareja je
kočija z vprego iz onega časa in avtomobil dela slovenskih skladateljev, kot avtor glasbe svojevrstna kronika obdobja od jugoslovanske
iz današnjega časa, kar pa ni edini fantastični in izvajalec pa je sodeloval v naslednjih krize in razpada države do porodnih krčev in
element. Kronosova žetev je spisana v delno slovenskih gledališčih: SNG Drama Ljubljana, političnih anomalij samostojne Slovenije. /.../
arhaiziranem in patiniranem jeziku, polnem Mestno gledališče ljubljansko, Lutkovno V zadnjih dveh letih pa sta Lavričevo
metaforike in sugestivne poproščene teologije gledališče Ljubljana, SNG Nova Gorica, SNG umetniško ustvarjanje zaznamovala predvsem
in filozofije. /.../ Drama Maribor. /.../ dva stripa, Lomm in Tolpa mladega Ješue. /.../

Matej Bogataj, povzeto po besedilu v zborniku Prešernov Žarko Prinčič, povzeto po besedilu v zborniku Prešernov sklad Iztok Sitar, povzeto po besedilu v zborniku Prešernov sklad
sklad 2017. Ljubljana: Upravni odbor Prešernovega sklada, 2017. Ljubljana: Upravni odbor Prešernovega sklada, 2017. 2017. Ljubljana: Upravni odbor Prešernovega sklada, 2017.
2017.

/.../ Mojca Kumerdej writes about the past in Academy-trained musician, clarinettist Tomaž Lavrič is an outstanding comic artist
order to detect our current condition, which Boštjan Gombač has made a deep mark on and caricaturist. After high school of art and
is in fact our servility and pliability, and find Slovenian musical art with his skilful and design he continued his studies at the painting
the principal reason for this. To emphasize ingenuine approach in the last two years. department of the Academy of Fine Arts.
the presentness even further, her novel As a composer and multi-instrumentalist he His artistic career began with caricatures
features speculations about accelerators has performed in concerts with the RTV in Mladina magazine in 1987, a year later, he
and super-profit pharmaceutical industry, and Slovenia Big Band orchestra, together with started publishing the satirical comic Diarrhea
once even confronts a horse-drawn carriage accordionist Juhart he interpreted works of (Diareja), his most widely recognizable work.
of the past and the car of today, which is not Slovenian composers in the City Museum at The minimalist Diarrhea is a unique chronicle
the only fantastic element in the novel. the arrangement of the Society of Slovenian of the period starting with the Yugoslav crisis
The language of The Harvest of Chronos Composers, as composer and performer he and the collapse of the country and continuing
(Kronosova žetev) is partly archaic and has collaborated with the following Slovenian with the birth convulsions and political
patinated, full of metaphors and suggestive theatres: Slovenian National Theatre Drama anomalies of independent Slovenia. /.../ In the
simplified theology and philosophy. /.../ Ljubljana, Ljubljana City Theatre, Ljubljana last two years, two comics marked Lavrič’s
Puppet Theatre, Slovenian National Theatre artistic work most distinctly, Lomm and Young
Matej Bogataj, in Prešeren Fund 2017. Ljubljana: Prešeren Nova Gorica, Slovenian National Theatre Ješua Gang (Tolpa mladega Ješue). /.../
Fund Board, 2017. Maribor. /.../
Iztok Sitar, in Prešeren Fund 2017. Ljubljana: Prešeren Fund
Žarko Prinčič, in Prešeren Fund 2017. Ljubljana: Prešeren Board, 2017.
Fund Board, 2017.

284

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2017

NINA ŠENK MITJA VRHOVNIK SMREKAR LENA KRUŠEC, TOMAŽ KRUŠEC,
VID KURINČIČ
Nina Šenk sodi med najvidnejše in Skladateljski opus Mitje Vrhovnika Smrekarja
najpomembnejše slovenske skladatelje mlajše je razvejan, bogat in unikaten. Njegovo Zavidljivi opus razmeroma mlade skupine
generacije. /.../ Je umetnica, katere izjemen izčiščeno in načelno razumevanje glasbe arhitektov, Lene Krušec, Tomaža Krušca
ustvarjalni dar je našel najmočnejši izraz v umetnosti (tako v gledališču kot na filmu) in Vida Kurinčiča (Arhitektura Krušec),
v skladanju sodobne glasbe. /.../ Njene skladbe mu omogoča samosvojo izraznost, nenehno zaznamuje izjemno občutljiv odnos do
so kljub avtoričini mladosti zaživele v številnih izpraševanje in odprt, komunikativen pristop preteklosti in naše domače tradicije, obenem
izvedbah najprestižnejših domačih in tujih do različnih umetniških žanrov. Je neizčrpen, pa tudi do naravnega in grajenega okolja.
izvajalcev (Newyorška filharmonija, Orkester nenehno v pogonu in raziskavah. Njihovo delo je rezultat natančnega branja
Slovenske filharmonije, Pihalni kvintet Z intenzivnostjo delovanja, ki je vselej tudi in analize prostora, njegovih geografskih,
Slowind, Komorni godalni orkester Slovenske polna umetniške vrednosti, je zaznamoval socialnih, ekonomskih, zgodovinskih in drugih
filharmonije, Ensemble moderne, slovensko in mednarodno gledališko ter posebnosti. Njihove stavbe so materialno
Kammersymphonie Berlin, Stop in drugi). filmsko ustvarjalnost. /.../ skromen, a vedno asociativno bogat
Te skladbe bogatijo njihov repertoar, njihove arhitekturni zapis. /.../ Arhitektura skupine
izvedbe pa domače in mednarodno kulturno Zala Dobovšek, povzeto po besedilu v zborniku Prešernov Krušec je sodobna in moderna, a se kljub temu
okolje. /.../ sklad 2017. Ljubljana: Upravni odbor Prešernovega sklada, spoštljivo vključuje v obstoječe okolje. /.../
2017.
Janez Podlesek, povzeto po besedilu v zborniku Prešernov Aleš Vodopivec, povzeto po besedilu v zborniku Prešernov
sklad 2017. Ljubljana: Upravni odbor Prešernovega sklada, sklad 2017. Ljubljana: Upravni odbor Prešernovega sklada,
2017. 2017.

Nina Šenk is one of the most prominent and Mitja Vrhovnik Smrekar’s composition oeuvre An enviable body of work of a relatively young
esteemed Slovenian composers of the is diversified, rich and unique. His clear, group of architects, Lena Krušec, Tomaž
younger generation. /.../ Her extraordinary principled understanding of music in art Krušec and Vid Kurinčič (Krušec Architecture),
gift for creating is expressed most fully in (both in theatre and cinema) allows him to is marked by an extremely sensitive attitude
composing contemporary music. /.../ Despite demonstrate a unique expression, constant to the past and our local traditions, but also
her youth, her compositions have been examination and an open, communicative to the natural environment and buildings as
performed in various interpretations by approach to various artistic genres. He is well. Their work is the result of a careful study
the most acclaimed domestic and foreign inexhaustible, constantly on the move and and analysis of space, as well as its
musicians (New York Philharmonic, Slovenian exploring. His intensive endeavours, always geographical, social, economic, historical and
Philharmonic Orchestra, Slowind Wind full of artistic value as well, have marked other features. Their buildings are modest
Quintet, Chamber String Orchestra of the the Slovenian and international theatre and in terms of material but still rich in terms
Slovenian Philharmonic, Ensemble Modern, cinema creativity. /.../ of architectural associations. /.../ Krušec
Kammersymphonie Berlin, Stop, and others). Architecture is contemporary and modern,
These compositions have enriched their Zala Dobovšek, in Prešeren Fund 2017. Ljubljana: Prešeren but nonetheless respectfully including the
repertoires, while their performances have Fund Board, 2017. existing environment. /.../
cultivated domestic and international cultural
landscapes. /.../ Aleš Vodopivec, in Prešeren Fund 2017. Ljubljana: Prešeren
Fund Board, 2017.
Janez Podlesek, in Prešeren Fund 2017. Ljubljana: Prešeren
Fund Board, 2017.

285

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2017

MOJCA KUMERDEJ

pisateljica / writer
286

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2017

B O ŠTJA N G O M BAČ

skladatelj in klarinetist / composer and clarinettist

287

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2017

TOMAŽ LAVRIČ

stripovski avtor in karikaturist / cartoonist and caricaturist
288

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2017

NINA ŠENK

skladateljica / composer

289

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2017

M I TJA V R H OV N I K S M R E K A R

skladatelj / composer
290

NAGRADA PREŠERNOVEGA SKLADA / PREŠEREN FUND AWARD, 2017

VID KURINČIČ, LENA KRUŠEC, TOMAŽ KRUŠEC

ARHITEKTURA KRUŠEC / KRUŠEC ARCHITECTURE

291

UPRAVNI ODBORI PREŠERNOVEGA SKLADA / PREŠEREN FUND BOARDS

Upravni odbor Prešernovega sklada / Upravni odbor Prešernovega sklada / Upravni odbor Prešernovega sklada /
Prešeren Fund Board 1992–1996 Prešeren Fund Board 2004–2008 Prešeren Fund Board 2012–2016

Mirko Mahnič, predsednik / President Aleš Jan, predsednik (do 2006) / dr. Jože Trontelj, predsednik (do 2014) /
Leon Engelman
Niko Grafenauer President (by 2006) President (by 2014)
Andrej Hieng
Ksenija Hribar Dušan Jovanović, predsednik (od 2006) / dr. Janez Bogataj predsednik (od 2014) /
Samo Hubad
dr. Milček Komelj President (from 2006) President (from 2014)
Lojze Kovačič
Viktor Konja dr. Matjaž Barbo mag. Srečo Dragan
dr. Lado Kralj Matej Bogataj dr. Kajetan Gantar
Niko Kralj Boris Cavazza Jože Horvat
dr. Jože Kušar Matjaž Farič Slavko Hren
dr. Janez Marolt dr. Marina Gržinić dr. Andrej Inkret
Marijan Tršar dr. Maja Haderlap dr. Janko Kos
France Vurnik Matjaž Klopčič dr. Lado Kralj
Tomaž Lorenz dr. Jože Kušar
Upravni odbor Prešernovega sklada / Ranko Novak Lojze Lebič
Prešeren Fund Board 1996–2000 dr. Andrej Smrekar Katja Pegan
Petra Vidali Simon Popek (od 2015)
dr. Jože Kušar, predsednik / President Vojko Vidmar Alenka Puhar
Janez Bernik dr. Aleš Vodopivec Teja Reba (od 2015)
Marij Čuk Hugo Šekoranja
Leon Engelman Upravni odbor Prešernovega sklada / Rudi Španzel
dr. Peter Fister Prešeren Fund Board 2008–2012
Andrej Hieng Upravni odbor Prešernovega sklada /
Ksenija Hribar Jaroslav Skrušný, predsednik / President Prešeren Fund Board 2016–2020
dr. Milček Komelj Lenka Bajželj
Peter Kovačič Peršin Veronika Brecelj Vinko Möderndorfer, predsednik / President
Uroš Lajovic dr. Ignacija Fridl - Jarc Edi Berk
dr. Janez Marolt Aleš Jan dr. Andrej Blatnik
Pavel Mihelčič Iztok Kovač mag. Srečo Dragan
dr. Igor Saksida Milan Ljubić Breda Kolar Sluga
Rapa Šuklje Bine Matoh Mojca Kranjc
Marijan Tršar mag. Marko Mihevc Simon Krečič
dr. Andrej Misson Ira Ratej
Upravni odbor Prešernovega sklada / Jaš Otrin Tomaž Rode
Prešeren Fund Board 2000–2004 Marko Peljhan Hugo Šekoranja
Janez Suhadolc dr. Miran Štuhec
Meta Hočevar, predsednica / President dr. Nadja Zgonik Uršula Teržan
dr. Matjaž Barbo Matjaž Zupančič mag. Matej Venier, MA
Aleš Berger Zdenko Vrdlovec
Anton Biloslav Milena Zupančič
dr. Miloš Bonča
Silvan Furlan
Drago Jančar
Nevenka Koprivšek
Miroslav Košuta
Ranko Novak
Ivo Petrić
dr. Jože Pogačnik
Tomaž Rode
dr. Andrej Smrekar
Tomaž Šalamun

292

SEZNAM NAGRAJENCEV / INDEX OF LAUREATES

str. / p. 54 JERNEJ ŠUGMAN, igralec, za vloge, odigrane v zadnjih dveh letih /
actor, for his roles in recent two years
1996
52 TUGO ŠUŠNIK, slikar, za pregledno razstavo v Moderni galeriji /
Prešernova nagrajenca / Prešeren Award Laureates painter, for his retrospective exhibition in the Museum of
Modern Art
33 VENO TAUFER, pesnik, za literarni opus / poet, for his literary
oeuvre 1998

35 VOJKO VIDMAR, baletni plesalec, za življenjsko delo / ballet Prešernova nagrajenca / Prešeren Award Laureates
dancer, for his lifetime achievement
57 META HOČEVAR, arhitektka, za gledališki opus / architect,
Nagrajenci Prešernovega sklada / Prešeren Fund Award for her theatre oeuvre
Laureates
59 SAŠA VUGA, pisatelj, za literarni opus, še posebej za roman
43 MARKO JAPELJ, scenograf, za scenografijo v predstavah La Divina Opomin k čuječnosti / writer, for his literary oeuvre, particularly
Commedia in Ruska misija / scenic designer, for his theatre sets his novel A Reminder to Mindfulness
in La Divina Commedia and The Russian Mission
Nagrajenci Prešernovega sklada / Prešeren Fund Award
38 MILENA MORAČA, operna solistka, za vlogo Skladatelja Laureates
v Straussovi operi Ariadna na Naksosu in Jenufe v Janáčkovi
istoimenski operi / opera soloist, for her roles of the Composer 66 JAKOV BRDAR, kipar, za razstavo v Mali galeriji / sculptor,
in Strauss’ Ariadna on Naxos and Jenufa in Janáček’s Jenufa for his exhibition in the Small Gallery

39 ZDRAVKO PAPIČ, oblikovalec, za oblikovanje vizualnih komunikacij 65 MATJAŽ FARIČ, plesalec in koreograf, za predstavi Trilogija
/ graphic designer, for his visual communication design in Klon / dancer and choreographer, for his choreographies
Trilogy and Clone
40 BRANE ŠTURBEJ, igralec, za vlogo Kralja Ludvika XIII. v predstavi
Aleksandra Dumasa Trije mušketirji in Karla Rossmana v predstavi 67 UROŠ KALČIČ, pisatelj, za roman Numeri / writer, for his novel
Amerika Franza Kafke / actor, for his roles of Louis XIII in Alexandre Numeri
Dumas’ The Tree Musketeers and Karl Rossmann in Franz Kafka’s
Amerika 64 MILADA KALEZIĆ, igralka, za vlogo baronice de Champigny
v Florentinskem slamniku, markize Merteuil in vikonta Valmonta
42 UROŠ ZUPAN, pesnik, za zbirko pesmi Odpiranje delte / poet, v Eksploziji spomina in Katarine v Ukročeni trmoglavki / actress,
for his poetry collection Opening the Delta for her roles of La Comtesse de Champigny in The Italian Straw
Hat, the Marquise de Merteuil and Viscount Valmont in Explosion
41 VLADO ŽABOT, pisatelj, za roman Pastorala / writer, for his of a Memory and Katherina in The Taming of the Shrew
novel The Pastoral
63 ETA SADAR BREZNIK, oblikovalka, za razstavo tapiserij
1997 v Cankarjevem domu / designer, for her tapestry exhibition
at Cankarjev dom cultural centre
Prešernova nagrajenca / Prešeren Award Laureates
62 IGOR ŠTERK, režiser, za režijo filma Ekspres, ekspres / director,
45 EMERIK BERNARD, slikar, za vrhunske dosežke v likovni umetnosti for directing the feature Express, Express
/ painter, for outstanding achievements in fine art
1999
47 NIKO GRAFENAUER, pesnik, za literarni opus / poet, for his
literary oeuvre Prešernova nagrajenca / Prešeren Award Laureates

Nagrajenci Prešernovega sklada / Prešeren Fund Award 69 ALOJZ SREBOTNJAK, skladatelj, za življenjsko delo / composer,
Laureates for his lifetime achievement

50 BJANKA ADŽIĆ URSULOV, kostumografka, za dosežke na 71 TOMAŽ ŠALAMUN, pesnik, za pesniški opus / poet, for his
področju gledališke kostumografije / costume designer, for poetry oeuvre
her achievements in theatre costume design
Nagrajenci Prešernovega sklada / Prešeren Fund Award
55 ALOJZ AJDIČ, skladatelj, za skladbo Tretja simfonija za tolkala Laureates
in simfonični orkester / composer, for his Third Symphony
for percussion and symphony orchestra 76 ZVONKO ČOH in / and MILAN ERIČ, animatorja-ilustratorja,
za celovečerni risani film Socializacija bika? / animators and
53 MAJA NOVAK, pisateljica, za roman Cimre in zbirko kratke proze illustrators, for their animated feature Socialisation of the Bull?
Zverjad / writer, for her novel Roommates and a collection of
short stories Wild Beasts

51 MATJAŽ POGRAJC, režiser, za režijske stvaritve v zadnjih dveh
letih / director, for his productions in recent two years

293

SEZNAM NAGRAJENCEV / INDEX OF LAUREATES

74 MARCOS FINK, basbaritonist in NATAŠA VALANT, pianistka, 2001
za komorne dosežke, še posebej za izvedbo pesemskega cikla
Labodji spev Franza Schuberta / MARCOS FINK, bass-baritone Prešernov nagrajenec / Prešeren Award Laureate
and NATAŠA VALANT, pianist, for their achievements in chamber
music, particularly their performance of Franz Schubert’s 93 GUSTAV GNAMUŠ, slikar, za slikarski opus / painter,
Swan Song for his painting oeuvre

78 KOMORNI GODALNI ORKESTER SLOVENSKE FILHARMONIJE, Nagrajenci Prešernovega sklada / Prešeren Fund Award
za koncertne dosežke v zadnjih dveh letih / THE SLOVENE Laureates
PHILHARMONIC STRING CHAMBER ORCHESTRA, for their
concert achievements in recent two years 96 GREGOR BAKOVIĆ, igralec, za vlogo Ariela v Shakespearovem
Viharju in Vladimirja v Beckettovi drami Čakajoč Godota / actor,
79 ŽIVKO MARUŠIČ, slikar, za retrospektivno razstavo v Moderni for his roles of Ariel in Shakespeare’s The Tempest and Vladimir
galeriji / painter, for his retrospective exhibition in the Museum in Beckett’s Waiting for Godot
of Modern Art
101 GODALNI KVARTET TARTINI, za sklop koncertov iz cikla Večeri
77 JANI VIRK, pisatelj, za prozno zbirko Pogled na Tycho Brache / komorne glasbe / TARTINI STRING QUARTET, for their concert
writer, for his collection of short stories A View of Tycho Brache cycle Evenings of Chamber Music

75 ANDREJ ZDRAVIČ, video umetnik, za video V steklu reke / video 98 IVO PRANČIČ, slikar, za razstavi v Galeriji Božidarja Jakca
artist, for his art video River Glass v Kostanjevici na Krki in v Galeriji A+A v Benetkah / painter,
for his exhibitions in Božidar Jakac Art Museum in Kostanjevica
2000 na Krki, and A+A Gallery in Venice

Prešernova nagrajenca / Prešeren Award Laureates 97 NATAŠA PROSENC, video umetnica, za video Gladiatorji,
predstavljen na Beneškem bienalu / video artist, for her video
81 SVETLANA MAKAROVIČ, pesnica, za pesniški opus (nagrado installation Gladiators presented at the Venice Biennale
zavrnila) / poetess, for her poetry opus (she refused the award)
99 PETER SEMOLIČ, pesnik, za pesniško zbirko Krogi na vodi /
83 MARKO RUPNIK, slikar, za mozaično poslikavo kapele Redemptoris poet, for his poetry collection Circles Upon the Water
Mater v Vatikanu / painter, for his mosaics in the Redemptoris
Mater Chapel in Vatican City 100 KARMINA ŠILEC, dirigentka, za projekt Vampirabile, izveden
z zborom Carmina Slovenica / conductor, for the project
Nagrajenci Prešernovega sklada / Prešeren Fund Award Vampirabile, performed by the Carmina Slovenica choir
Laureates
2002
90 MIRSAD BEGIĆ, kipar, za cikel Ohraniti sanje / sculptor, for his
cycle Preserving Dreams Prešernova nagrajenca / Prešeren Award Laureates

89 JANI GOLOB, skladatelj, za Koncert za violino in orkester / 103 VINKO GLOBOKAR, glasbenik, za življenjsko delo / musician,
composer, for his Concerto for violin and orchestra for his lifetime achievement

88 MIRAN KOLBL, violinist, za koncertne dosežke v preteklem letu / 105 MILAN JESIH, pesnik, za pesniški opus / poet, for his poetry oeuvre
violinist, for his concert achievements in the recent year
Nagrajenci Prešernovega sklada / Prešeren Fund Award
86 VINKO MÖDERNDORFER, pisatelj, za prozno zbirko Nekatere Laureates
ljubezni / writer, for his prose collection Some Loves
111 ANDREJ BLATNIK, pisatelj, za kratko prozo v knjigi Zakon želje /
87 SAŠA PAVČEK, igralka, za vlogo Estrelle v Calderónovi drami writer, for his book of short stories Law of Desire
Življenje je sen, Varje v Češnjevem vrtu Antona Pavloviča Čehova
in Luče v Tomšičevi monokomediji Bužec on, bužca jaz / actress, 110 BERNARDA FINK, mezzosopranistka, za solistični delež
for her roles of Estrella in Calderón’s Life Is a Dream, Varya v Božičnem oratoriju Johanna Sebastiana Bacha v Ljubljani
in Anton Pavlovich Chekhov’s The Cherry Orchard and Luča in koncertov Isaaca Poscha / mezzo-soprano, for her solo part
in Marjan Tomšič’s solo comedy Poor Him, Poor Me in the Christmas Oratorio by Johann Sebastian Bach performed
in Ljubljana, and her concerts of Isaac Posch
91 VITO TAUFER, režiser, za režijo Pike Astrid Lindgren in Andreja
Rozmana, Beckettovega Konca igre, Linhartovega Matička in 108 POLONA JUH, igralka, za vlogo Mirande v Shakespearovem
Molièrovega Skopuha / director, for directing Pippi by Astrid Viharju, Célimène v Molièrovem Ljudomrzniku, Desdemone
Lindgren and Andrej Rozman, Beckett’s Endgame, This Merry Day v Shakespearovem Othellu in Lepe Helene v Novakovi Kasandri /
or Matiček’s Wedding by Anton Tomaž Linhart and Molière’s actress, for her roles of Miranda in Shakespeare’s The Tempest,
The Miser Célimène in Molière’s The Misanthrope, Desdemona in
Shakespeare’s Othello and Helen of Troy in Cassandra by
Boris A. Novak

294

SEZNAM NAGRAJENCEV / INDEX OF LAUREATES

109 MATEVŽ MEDJA, oblikovalec, za celostne grafične podobe zadnjih 130 IZTOK GEISTER, pisatelj, za delo Pospala poželenja / writer,
dveh let / designer, for his corporate identity projects in recent for his work Benumbed Desires
two years
132 ALENKA RIBIČ LAUFER, baletna plesalka, za vlogo Swanilde
112 TANJA ZGONC, koreografinja in plesalka, za koreografijo predstave v baletu Coppelia in Nikije v baletu Bajadera / ballet dancer,
Kagami odsev / choreographer and dancer, for her choreography for her roles of Swanilda in Coppélia and Nikiya in La Bayadère
in Kagami Reflection
133 OTO RIMELE, slikar, za razstavo Iluminacije / painter,
2003 for his exhibition Illuminations

Prešernova nagrajenca / Prešeren Award Laureates 135 IGOR ŠTUHEC, skladatelj, za skladbo Simfonieta / composer,
for his composition Simfonieta
115 VOJTEH RAVNIKAR, arhitekt, za arhitekturni opus / architect,
for his architectural oeuvre 2005

117 ZLATKO ŠUGMAN, igralec, za igralski opus / actor, for his dramatic Prešernova nagrajenca / Prešeren Award Laureates
arts oeuvre
137 BOGDAN BORČIĆ, slikar in grafik, za življenjsko delo / painter
Nagrajenci Prešernovega sklada / Prešeren Fund Award and graphic artist, for his lifetime achievement
Laureates
139 IRENA GRAFENAUER, flavtistka, za vrhunsko poustvarjalnost
120 JAN CVITKOVIČ, filmski režiser, za celovečerni film Kruh in mleko / na področju glasbene umetnosti / flutist, for her outstanding
film director, for his feature Bread and Milk musical interpretation

121 MATEJA KOLEŽNIK, gledališka režiserka, za režiji Nožev v kurah Nagrajenci Prešernovega sklada / Prešeren Fund Award
Davida Harrowerja in Praznovanja Thomasa Vinterberga, Mogensa Laureates
Rukova in Bo Hr. Hansena / theatre director, for her productions
Knives in Hens by David Harrower and The Celebration by Thomas 143 MATIJA BEVK in / and VASA PEROVIĆ, arhitekta, za arhitekturni
Vinterberg, Mogens Rukov in Bo Hr. Hansen opus, nastal v letih 2002–2004, v katerem ima posebno mesto
rezidenca veleposlanika Kraljevine Nizozemske v Ljubljani /
124 ANDREJ MEDVED, pesnik, za pesniško zbirko Hiperion / poet, architects, for their architectural works in 2002-2004, particularly
for his poetry collection Hyperion the Royal Netherlands Ambassador’s Residence in Ljubljana

123 ALEN OŽBOLT, kipar, za razstavo Rob, Igra solz, Dvoje, Še / 142 EDWARD CLUG, plesalec in koreograf, za avtorski plesni projekt
sculptor, for his exhibition Edge, Crying Game, Double, Encore Lacrimas – Solze / dancer and choreographer, for his original
dance project Lacrimas – Tears
122 SLOWIND, pihalni kvintet, za umetniško delovanje v zadnjih dveh
letih / wind quintet, for their artistic work in recent two years 146 MIRJAM KALIN, altistka, za mojstrske poustvaritve skladb Uroša
Kreka, Iva Petrića, Alojza Srebotnjaka in Sama Vremšaka ter za
125 LARISA VRHUNC, skladateljica, za skladbo Hologram / composer, Mahlerjev večer na evroradijskih valovih leta 2002 / alto, for her
for her composition Hologram superb interpretation of compositions by Uroš Krek, Ivo Petrić,
Alojz Srebotnjak and Samo Vremšak as well as for the Mahler’s
2004 Evening on the European Radiowaves Edition in 2002

Prešernov nagrajenec / Prešeren Award Laureate 144 MILKO LAZAR, skladatelj, za Triple Concerto za klavir, simfonični
orkester in big band s solisti ter Koncert za flavto in orkester /
127 FLORJAN LIPUŠ, pisatelj, za literarni opus / writer, for his literary composer, for his Triple Concerto for piano, symphony orchestra
oeuvre and jazz orchestra with soloists as well as for his Concert for
flute and orchestra
Nagrajenci Prešernovega sklada / Prešeren Fund Award
Laureates 145 NATAŠA MATJAŠEC, igralka, za soavtorstvo besedila in igralsko
kreacijo v predstavi Get Famous or Die Trying. Elizabeth 2 / actress,
134 MATE BEKAVAC, klarinetist, za koncertne dosežke na festivalu for her acting and co-authorship of the text in the performance
Svetovni glasbeni dnevi 2003 in solistične nastope v zadnjih dveh Get Famous or Die Trying. Elizabeth 2
letih / clarinettist, for his concert achievements at World Music
Days 2003 and his solo performances in recent two years 147 MILAN VINCETIČ, pesnik, za pesniško zbirko Lakmus / poet,
for his poetry collection Litmus
131 RADOŠ BOLČINA, igralec, za vlogo Škrata v Shakespearovem
Snu kresne noči, Don Juana v istoimenski Molièrovi komediji in
Estragona v Beckettovi igri Čakajoč Godota / actor, for his role of
Puck in Shakespeare’s Midsummer Night’s Dream, Don Juan in
Molière’s Don Juan and Estragon in Beckett’s Waiting for Godot

295

SEZNAM NAGRAJENCEV / INDEX OF LAUREATES

2006 168 JOŽE SLAK - ĐOKA, slikar, za razstavo Slik za slepe v Mali galeriji /
painter, for his exhibition Paintings for the Blind in the Small
Prešernova nagrajenca / Prešeren Award Laureates Gallery

149 MILAN DEKLEVA, pesnik, esejist in pisatelj, za življenjsko delo 167 SUZANA TRATNIK, pisateljica, za knjigo Vzporednice / writer,
na področju literarne umetnosti / poet, essayist and writer, for her book Parallels
for his lifetime achievement in literary art
169 VESNA in / and MATEJ VOZLIČ, arhitekta, za umetniške dosežke
151 KARPO GODINA, režiser, za življenjsko delo na področju filmske v zadnjih dveh letih / architects, for their achievements in recent
umetnosti / director, for his lifetime achievement in film art two years

Nagrajenci Prešernovega sklada / Prešeren Fund Award 2008
Laureates
Prešernova nagrajenca / Prešeren Award Laureates
154 MIRKO BRATUŠA, kipar, za razstavo v madridski galeriji Circulo
de Bellas Artes / sculptor, for his exhibition in the gallery Circulo 173 JANEZ GRADIŠNIK, književni prevajalec in književnik, za življenjsko
de Bellas Artes, Madrid delo na področju književnosti, književnega prevajanja, pisateljevanja
in jezikoslovja / literary translator and writer, for his lifetime
155 BOJAN GORIŠEK, pianist, za koncertno dejavnost v zadnjih dveh achievement in literature, literary translation, writing and
letih / pianist, for his concerts in recent two years linguistics

157 NATAŠA BARBARA GRAČNER, igralka, za vlogi Katerine Ivanovne 175 MILJENKO LICUL, oblikovalec, za življenjsko delo – za obsežen
Verhovceve v Bratih Karamazovih F. M. Dostojevskega in Nurie ustvarjalni opus na področju oblikovanja / graphic designer,
v Enem španskem komadu Yasmine Reza / actress, for her roles for his lifetime achievement – for his vast graphic design oeuvre
of Katerina Ivanovna Verkhovtseva in The Brothers Karamazov by
F. M. Dostoyevsky and Nuria in A Spanish Play by Yasmina Reza Nagrajenci Prešernovega sklada / Prešeren Fund Award
Laureates
156 MILAN KLEČ, pisatelj, za knjigo Srčno dober človek in zvest prijatelj
/ writer, for his book A Very Good Man and a Loyal Friend 182 PRIMOŽ ČUČNIK, pesnik, za pesniško zbirko Delo in dom / poet,
for his poetry collection Work and Home
159 SILVAN OMERZU, lutkovni ustvarjalec, za avtorstvo trilogije
Misterij življenja in smrti – za likovno podobo, priredbo besedil in 180 SEBASTIJAN HORVAT, gledališki režiser, za gledališke režije
režijo predstav Zbogom, princ, Peskar in Svetnik Krespel / puppet v zadnjih dveh letih / theatre director, for his theatre productions
designer, for his trilogy Mystery of Life and Death and for the visual in recent two years
design, text adaptation and direction of performances Farewell,
Prince, The Sandman and Councillor Krespel 181 EMA KUGLER, intermedijska umetnica, za film Le Grand Macabre
in performans Introitus / interdisciplinary artist, for her film
158 MAJA VIDMAR, pesnica, za pesniško zbirko Prisotnost / poet, Le Grand Macabre and her performance Introitus
for her poetry collection Presence
183 BOŠTJAN LIPOVŠEK, hornist, za umetniške dosežke na glasbenem
2007 področju v zadnjih dveh letih / horn player, for his musical
achievements in recent two years
Prešernova nagrajenca / Prešeren Award Laureates
179 UROŠ SMOLEJ, igralec, za vlogo Konferansjeja v uprizoritvi
161 JANEZ MATIČIČ, skladatelj in pianist, za življenjsko delo Mestnega gledališča ljubljanskega / actor, for his role of the
na področju glasbene ustvarjalnosti / composer and pianist, Master of Ceremonies in Ljubljana City Theatre performance
for his lifetime achievement in music art
178 BOR TUREL, skladatelj in zvokovni umetnik, za skladateljski opus
163 RADKO POLIČ - RAC, igralec, za življenjsko delo na področju zadnjih dveh let / composer and sound artist, for his composing
scenske umetnosti / actor, for his lifetime achievement in oeuvre in recent two years
performing arts
2009
Nagrajenci Prešernovega sklada / Prešeren Fund Award
Laureates Prešernova nagrajenca / Prešeren Award Laureates

166 ANTON BOGOV, baletni plesalec, za umetniške stvaritve v zadnjih 185 ANA ŠTEFANIJA DROLC, igralka, za življenjsko delo / actress,
dveh letih / ballet dancer, for his creations in recent two years for her lifetime achievement

170 MARKO PELJHAN, intermedijski umetnik, za umetniški projekt 187 ZMAGO JERAJ, slikar, za življenjsko delo / painter, for his lifetime
MakroLab / interdisciplinary artist, for his project MakroLab achievement

171 URŠKA POMPE, skladateljica, za umetniška dela v zadnjih dveh
letih / composer, for her compositions in recent two years

296

SEZNAM NAGRAJENCEV / INDEX OF LAUREATES

Nagrajenci Prešernovega sklada / Prešeren Fund Award Nagrajenci Prešernovega sklada / Prešeren Fund Award
Laureates Laureates

190 SABINA CVILAK, sopranistka, za upodobitev Michaele v operi 202 BARBARA CERAR, igralka, za vloge Gillian v Prerekanjih Juliana
Carmen, Nedde v operi Pagliacci, Fiordiligi v Cosi fan tutte Barnesa, Lucinde v Življenju podeželskih plejbojev po drugi svetovni
in Margarete v Faustu ter za izjemno interpretacijo v Mahlerjevih vojni Dušana Jovanovića, Kasandre v Ajshilovi Oresteji in za glavno
Simfoniji št. 2 in Simfoniji št. 4 / soprano, for her roles of Michaela vlogo / vloge v Barčici za punčke Milene Marković / actress,
in Carmen, Nedda in Pagliacci, Fiordiligi in Così fan tutte and for her roles of Gillian in Talking It Over by Julian Barnes, Lucinda
Margarita in Faust as well as for her superb interpretation in The Life of Provincial Playboys After the Second World War
in Mahler’s Symphony No. 2 and Symphony No. 4 by Dušan Jovanović, Cassandra in Aeschylus’ Oresteia and for
the main acts in The Doll Ship by Milena Marković
195 NENAD FIRŠT, skladatelj, za Concertino za flavto, saksofon
in orkester, Koncert za dva saksofona in godala, V tistem trenutku 204 MAJA DELAK, koreografinja, za predstave Drage drage, Serata
postanka za komorni ansambel, Čarobno goro za simfonični Artistica Giovanile in Poti ljubezni ter njen prispevek k afirmaciji
orkester, Pisma za violino in komorni orkester in Odeon za komorni sodobnega plesa / choreographer, for her performances Expensive
orkester / composer, for his Concertino for flute, saxophone Darlings, Serata Artistica Giovanile and Ways of Love as well as
and orchestra, Concerto for two saxophones and strings, In the for her contribution to the affirmation of contemporary dance
Very Moment of Pause for chamber ensemble, Magic Mountain
for symphony orchestra, Letters for violin and chamber orchestra 203 MIKLAVŽ KOMELJ, pesnik, za pesniško zbirko Nenaslovljiva imena
and Odeon for chamber orchestra / poet, for his poetry collection Unaddressed Names

191 MARKO MANDIĆ, igralec, za vloge v zadnjih dveh letih: Poliba 205 ALDO KUMAR, skladatelj, za ustvarjalni opus v zadnjih dveh letih
v Svetinovem Ojdipu v Korintu, Osvalda v Ibsenovih Strahovih, in za celoten prispevek k slovenski glasbi v tem času / composer,
dr. Strnena v Cankarjevih Romantičnih dušah, Grofa Strahlskega for his composing oeuvre in recent two years and his overall
v Kleistovi Katici iz Heilbronna in Baltazarja v Hiengovem Osvajalcu contribution to Slovenian music in this time
/ actor, for his roles in recent two years: Polybus in Svetina’s
Oedipus in Corinth, Oswald in Ibsen’s Ghosts, Doctor Strnen 206 PETER MUSEVSKI, igralec, za gledališke vloge Norca
in Cankar’s Romantic Souls, Count von Strahl in von Kleist’s Katie v Shakespearovem Kralju Learu, Jeana v Strindbergovi Gospodični
of Heilbronn and Baltazar in Hieng’s The Conqueror Juliji, Jorgena Tesmana v Ibsenovi Heddi Gabler in Oswalda
Koglerja v Prečkanju avtoceste ali Zgodbi o zlati ribici ter za vloge
193 TOBIAS PUTRIH, kipar, za umetniške dosežke, predstavljene Soseda v filmu Za vedno, poslovneža Viktorja v filmu Jaz sem
v slovenskem paviljonu na 52. beneškem bienalu in za pregledno iz Titovega Velesa in Edija v filmu Slovenka / actor, for his roles
razstavo 1999–2007 z naslovom Quasi Random v New Yorku / of the Fool in Shakespeare’s King Lear, Jean in Strindberg’s Miss
sculptor, for his art exhibited at the Slovenian pavilion in 52nd Julie, Jorgen Tesman in Ibsen’s Hedda Gabler and Oswald Kogler
Venice Biennale and for his retrospective exhibition Quasi in The Highway Crossing or A Tale of a Golden Fish, as well as
Random 1999-2007 in New York for his roles of a neighbour in the film Forever, businessman
Viktor in I am From Titov Veles and Edi in Slovenian Girl
192 GORAN VOJNOVIĆ, pisatelj, za roman Čefurji raus! / writer,
for his novel Chefurs Raus! 207 ANDREJ ROZMAN ROZA, gledališki in literarni ustvarjalec, za
gledališko predstavo Najemnina ali We are the nation on the best
194 MIRAN ZUPANIČ, scenarist in režiser, za celovečerni dokumentarni location, za zbirko pesemskih ugank Uganke 100+1 in za libreto
film Otroci s Petrička / screenwriter, and director, for his feature pop-rock opere Neron / theatre and literature artist, for his theatre
documentary Children of Petriček Hill performance Rent or We are the nation on the best location,
for his collection of riddle poems Riddles 100+1 and for the
2010 libretto of pop-rock opera Nero

Prešernova nagrajenca / Prešeren Award Laureates 2011

197 KOSTJA GATNIK, slikar, za življenjsko delo na področju likovne Prešernova nagrajenca / Prešeren Award Laureates
umetnosti / painter, for his lifetime achievement in fine art
209 MIROSLAV KOŠUTA, pesnik, za pesniški ustvarjalni opus / poet,
199 MATEJA REBOLJ, baletna plesalka, za življenjsko delo na področju for his poetry oeuvre
plesne umetnosti / ballet dancer, for her lifetime achievement
in dance 211 ANTON NANUT, dirigent, za celoten ustvarjalni opus / conductor,
for his entire oeuvre

297

SEZNAM NAGRAJENCEV / INDEX OF LAUREATES

Nagrajenci Prešernovega sklada / Prešeren Fund Award Nagrajenci Prešernovega sklada / Prešeren Fund Award
Laureates Laureates

214 EMIL FILIPČIČ, pisatelj, za roman Problemi / writer, for his 227 IVICA BULJAN, režiser, za režijo predstav Macbeth po
novel Problems Shakespearu, Sallinger, Mala morska deklica, Ma in Al, Vampir,
Lovske scene iz spodnje Bavarske, Kiklop, Werther, Mačka na vroči
215 ZLATKO KAUČIČ, glasbenik, za trojno zgoščenko Koncerti ob pločevinasti strehi / director, for directing Macbeth After
30. letnici, zgoščenko Biči in za cikel koncertov ob tridesetletnici Shakespeare, Sallinger, The Little Mermaid, Ma and Al, Vampire,
umetniškega ustvarjanja / musician, for his triple album Concerts Hunting Scenes from Lower Bavaria, Cyclops, Werther, Cat on
at the 30th Anniversary, his album Whips and for the cycle a Hot Tin Roof
of concerts marking his 30th anniversary of being active as
working musician 230 FRANC KOSEM, trobentač, za glasbeno ustvarjanje v zadnjih dveh
letih / trumpeter, for his musical creations in recent two years
217 JANJA MAJZELJ, igralka, za vloge Augustine Phillips v predstavi
Za prgišče Šekspirja, C v predstavi Sla (Crave), Marusje v Vampirju, 226 STOJAN KURET, dirigent, za dirigentske dosežke na področju
sestre Alme v Personi in za avtorski projekt Krizantema na klavirju zborovske glasbe v zadnjih dveh letih / conductor, for his
/ actress, for her roles of Augustine Phillips in A Handful of conducting achievements in choral music in recent two years
Shakespeare, C in Crave, Marusya in The Vampire, nurse Alma
in Persona and for her original theatre performance 228 IZTOK MLAKAR, igralec in kantavtor, za igralske kreacije
A Chrysanthemum  on the Piano in interpretacije lastnih avtorskih projektov / actor and singer-
songwriter, for his acting creations and interpretations of his
218 JURE MIKLAVC, oblikovalec, za dosežke na področju industrijskega original projects
oblikovanja v zadnjih dveh letih / designer, for his achievements
in industrial design in recent two years 231 ANDREJ E. SKUBIC, pisatelj, za roman Koliko si moja? / writer,
for his novel How Much Mine Are You?
216 BRANKO ROBINŠAK, tenorist, za pevske vloge Vladimirja Igorjeviča
v Borodinovi operi Knez Igor, Lazarja v istoimenski kantati Franza 229 MARUŠA ZOREC, arhitektka, s sodelavcema arhitektko MAŠO
Schuberta, Franza v Offenbachovi operi Renske nimfe, Don Joséja ŽIVEC in absolventom arhitekture ŽIGO RAVNIKARJEM za projekt
v Bizetovi operi Carmen, Pinkertona v Puccinijevi operi Madame Ureditev grajske pristave v Ormožu / MARUŠA ZOREC, architect,
Butterfly in Des Grieuxa v Puccinijevi operi Manon Lescaut / tenor, with her colleagues MAŠA ŽIVEC, architect, and ŽIGA RAVNIKAR,
for his roles of Vladimir Igorevich in Borodin’s opera Prince Igor, architecture candidate for graduation, for their project Renovation
Lazarus in Franz Schubert’s cantata Lazarus, Franz in Offenbach’s of Castle Manor House in Ormož
Rhine Spirits, Don José in Bizet’s Carmen, Pinkerton in Puccini’s
Madama Butterfly and Des Grieux in Puccini’s Manon Lescaut 2013

219 LILIJANA PRAPROTNIK ZUPANČIČ, ilustratorka, za razstavi Prešernova nagrajenca / Prešeren Award Laureates
Prostor za likovne, literarne, glasbene in igrane zgodbe Lile Prap
v Galeriji sodobne umetnosti Celje in Lilijana Praprotnik Zupančič: 233 ZORKO SIMČIČ, pisatelj, za življenjsko delo in bogat literarni opus /
Lila Prap v Centru in Galeriji P74 v Ljubljani / illustrator, writer, for his lifetime achievement and vast literary oeuvre
for her exhibitions Room for Lila Prap and Her Stories of Fine Art,
Literature, Music and Theatre in the Gallery of Contemporary Art 235 MARLENKA STUPICA, slikarka, za življenjsko delo in bogat
in Celje and Lilijana Praprotnik Zupančič: Lila Prap in P74 Gallery ustvarjalni opus / painter, for her lifetime achievement and
in Ljubljana vast painting oeuvre

2012 Nagrajenci Prešernovega sklada / Prešeren Fund Award
Laureates
Prešernova nagrajenca / Prešeren Award Laureates
241 BERNARDA FINK, mezzosopranistka in MARCOS FINK,
221 JOŽE SNOJ, pesnik, pisatelj in esejist, za življenjsko delo in basbaritonist, za zgoščenko Slovenija! in odmevni cikel koncertov
bogat literarni opus / poet, writer and essayist, for his lifetime po Sloveniji – z osrednjim koncertom, ki sta ga izvedla 8. februarja
achievement and vast literary oeuvre 2012 v ljubljanski operni hiši / BERNARDA FINK, mezzo-soprano,
and MARCOS FINK, bass-baritone, for their album Slovenija!
223 MATJAŽ VIPOTNIK, oblikovalec, za življenjski opus na področju and a series of much-noticed concerts across Slovenia, the central
grafičnega oblikovanja / graphic designer, for his lifetime concert being performed on 8 February 2012 in the Ljubljana
achievement Opera

239 MARIJA JAVORŠEK, prevajalka, za prevod Rimskih političnih
tragedij Pierra Corneilla / translator, for her translation of Roman
political tragedies by Pierre Corneille

298