Diafano art magazine (august 2020)

ANNA +30
EMERGING
SCHIERBEEK
ARTISTS
Presenting "The Translation INSIDE!
Process" series.

AUG 2020

COVER ART

Anna Schierbeek
A beautiful Bond

EDITOR'S
LETTER

Diafano started out as a free modern art digital magazine geared
toward emerging artists. After the first issues, we saw that emerging
artists have little or no help in distributing their art. Exposing in large

galleries often involves high expenses that are difficult to assume,
especially for those artists who dedicate 100% of their time to artistic

production.

Beginnings are never easy, and Diafano was no exception. Starting
from scratch is complicated, but the support we receive from artists
from all over the world pushes us to improve day after day. Thanks to
this, little by little we decided to offer more services, until we reached

the point where we are today.

We are happy to be able to turn our online magazine into a
community, while expanding our catalog of services. We know that
Diafano has grown a lot, very fast, leading to many changes in a very

short time. Those of you who have been following our humble
magazine from day one will know that the project has improved in

terms of design and content. We believe that modern art is very
important, now more than ever, and we will continue to do everything

in our power to spread it around the world. We hope you enjoy
Diafano! Join us!

Maria Moreno

EDITOR

CONTENTS

AUGUST 2020

Anna Schierbeek

@anna_schierbeek

Maximilian

@maxsavetheart

Andreas Singh

@andreassingh360

Juan José Castaño

@jdecasta

Karli Henneman

@karlihenneman

Stan Olthuis

@stanolthuis

Mélanie Humbert

@mellhambier

Marko Tušek

@markotusek014

DISCOVER

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Anna
Schierbeek

@anna_schierbeek

She is an emerging professional artist from She works in a variety of mixed media
Holland, Michigan in the United States. She including oil paints to charcoal and
received her BFA in Drawing from Kendall graphite.
College of Art and Design in 2015, with an
MFA in drawing to follow this year of 2020. Exploring different artistic processes to
She received the Golden Apple Residency communicate through artwork, Anna lives
scholarship in 2018 where she completed and works out of her studio in Holland,
her residency in Harrington, Maine. Michigan.

An Intimate Invasion "This piece was created to explore the feeling of depression and what it would look like if I were able to show the
Mixed media on mylar battle that goes on inside of my mind when I wrestle the mental obstacle. I have tried to talk about what it is like
101cm x 236cm to have a 'depressive episode' before, but no words come close to the feeling. Instead, I try to show people through
the work and turn it into something productive. When I see it on the paper, I feel a release because  I have
transferred my anxieties out of my body and into artwork."

18

"This piece was created during
the recent quarantine from the
COVID-19 pandemic. I will let my
feelings guide the work, and
during this creating process I was
feeling very hopeless and fearful
like many others. The darker
tones and textures reflect that
feeling. After painting the piece I
looked at it and thought it
resembled both the virus and the
fear that is infecting everyone this
year."

Affect
Mixed media on mylar
101cm x 101cm

At The Source "Through my research, I have
Mixed media on mylar always been interested in the
101cm x 241cm mother-daughter relationship
and the complications that
follow. I learned how much
we are affected in the womb
by things we have no control
over. Before we are even
born, our mothers fears and
anxieties can have a life-
lasting impact that will shape
our emotional behaviors. To
me, this piece serves as a
type of warning; a warning to
be aware of how our own
reactions can have an impact
on someone else, even
unintentionally. Wanting to
be a mother myself in the
next couple years, I am on a
constant search to make
myself emotionally stable
enough to bring another life
into this world."

"The process of being a person is very "By taking my internal dialogue and
complex, beautiful, frightening, confusing, transforming it into something tangible
fascinating, and the way that I approach and beautiful, the artwork serves as a
trying to make sense of it all is through reflection not of what we should fear, but
artwork." what we should embrace as a part of the
process of being human."
"As a person who struggles with mental
obstacles such as depression and anxiety, She says that her art comes from the most
creating artwork is a way for me to not only honest parts of her being.
make sense of things, but to heal mental
wounds as well." "There is no separation from my life and my
work; the work stems from what I am
She believes that artwork is able to serve as going through at that time. I believe the
another language  and help us verbalize most honest parts of ourselves, the most
what we want to express. vulnerable, are what make us who we are.
Artwork can serve as a reflection of that and
provide for deeper connections."

"This piece was created quickly and in a very heightened  emotional
state. I remember making it! I was having a difficult time with a
relationship and we had a heated argument. I rushed to the studio,
grabbed some mylar, paint, rags, and palette knives and just went
crazy; moving around the mylar, making marks, adding and
subtracting until my feeling was sufficiently released. I stop when the
piece is 'saying' what I want it to say; when the feeling is visual. I
believe that when we can find something in the tangible world that
accurately describes what we are feeling, whether it be a painting,
music, or poetry, there is a sense of closure because we have
something to hold onto; something that someone else has made that
tells us that we are not alone. Having this piece displayed in the past,
there have been many who could relate to the feeling it possesses."

Cynosure
Oil on mylar
63,5cm x 63,5cm

About the
collection

By Anna Schierbeek

This series of work is titled, “The Translation about the source of a behaviour or thought,
Process”. I have always been fascinated with we have the power to change it. As I learn
being human. It never fails to amaze me by conversations with others or reading
how complex, beautiful, and horrifying this about human behaviour, I am able to
process of living is. make connections mentally and translate
them physically through marks and lines in
What happens in our minds affects our my work. It is a process of learning,
external behaviours. The problem is that no understanding, and healing.
one can see that. My work is about giving a
voice to our private worlds by translating All of the pieces in this set are done on
the internal process of being human into mylar paper. I use this specific paper
artwork. because of its ability to hold almost any
material I throw at it. I have a love of both
By this process of translating something felt wet and dry materials and with the
into something that can be seen, I am able spontaneity  of the work, I often do not
to regain control of my internal know which materials I will use throughout
compositions. the process. Mylar looks like a delicate
material, but it can really take a beating. I
Our minds are so powerful, but we are able use a variety of materials from graphite,
to take back the direction of our thoughts colored pencil, and charcoals, to rags, oils, oil
through our ability to make sense of things. bars, pastels, palette knives and solvents.
Struggling with mental obstacles my entire Some of the pieces are first prepped with
life, I found a way to heal. gesso to achieve texture and I will
add/subtract marks and lines as I explore
I realised that when we are able to learn what I want the piece to say

18

Internal Allies "This painting is one of my favorites because, to me, it embodies a lot of the mixed emotions that we as humans feel
Mixed media on mylar as we go through changes and complexities throughout our lives. There is a lot of energy, colors, and marks going in
101cm x 101cm different directions. The paintings reflect a 'mental snapshot' of what my psyche is going through at the time; what
a thought or memory would look like in colors and lines.  Growing up, I have witnessed in my family and many
others that people are discouraged to express how they are feeling. I want to challenge that with art; we should
always be free to express how we feel because that is what makes us human. Art has always been my safe place to
express my emotions and be honest."

She believes that artists have a very "I believe it is our responsibility to show
impactful role in society. others our interpretation of the world; how
we see it instead of how it looks on the
"The visual world is a powerful one and to outside. Each person has such a unique
be able to create something that can make experience that gives them a different
an impact on even one person is a role not perspective than the next and sharing our
to be taken lightly. Artists have a duty to own insight allows us to converse and learn
remain honest and open; to break down from one another. "
traditional walls and open up new doors."

"This piece was created with a softer approach.
Instead of harsher markings with palette knives, I
used a lot of dry brushing to blend the colors.
Playing with the texture, I paint in a
more  subtractive way to  explore and expose
different details in the  painting that add to the
emotion that I am searching  for.  When I am in a
more calm mental state, the process is reflected
as softer as well."

A Beautiful Bond
Mixed media on mylar
101cm x 114cm

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A Virulent Cycle
Mixed media on mylar
101cm x 101cm

An Imperative Exchange
Mixed media on mylar
101cm x 178cm

"During my last semester as a grad student, me to explore, heal, speak, be honest,
I did an experiment where I went a week connect with others, and also turn my fears
without words. I did not speak, write, or text. and anger into something productive.
My form of communication was mark- Without art, I don't know I would ever truly
making. I wanted to see how much others find my voice! Professionally, being an artist
could understand me through drawing is the only path that I knew I would be truly
marks, and I also wanted to dedicate time happy. The experience of receiving my
to intensely observe human behavior. By MFA in drawing was like nothing else I have
taking away my verbal language, I was able ever experienced, and one I would never
to explore how we connect to one another regret. The world needs artists because art
without words. The experiment was very expresses what it means to be human."
successful and extremely eye opening. I
created over a hundred small abstract "My dream project would be to continue
drawings through the process and the this process in different parts of the world to
experiment changed my artistic process as observe how humans interact in other
well to a more calming atmosphere." areas and make artwork about it through
the journey. My passions are people and art.
"I believe art has helped me tremendously We all have so much to learn from one
in both my professional and personal life. In another and I use my work as a way to
my personal life, creating art has allowed contribute to those conversations."

18

Double Bind "Adding a more linear space to this piece, 'Double Bind' is a painting I created that expresses tension in both a
Mixed media on mylar person and in a space. The term relates to the state of mind where, no matter which side you lean toward, you are
101cm x 152cm still trapped. This tension creates a terrible internal confusion and frustration within the psyche. Adding the linear
space, there are no windows or doors, this feeling is trapped inside the mind. However, there are ways of being able
to release that tension in a productive way, as I do with artwork. What is always fascinating to me is that everyone
always sees something different in the piece. I paint in a more  abstract way because I prefer all of the different
interpretations. I want people to be able to place their own experiences into the work."

Maximilian

@maxsavetheart

Maximilian was born in Milan, Italy, on Since moving to Paris, France, in 2012, his
December 17, 1969. He started painting as a work has focused on that unripe phase of
child and despite his art school training, he human existence when gender is still
has maintained an instinctive approach to undefined and sexuality has yet to be
his work, letting his subconscious dictate his expressed. The melancholy and reflective
subject matter. The recurring figure of a pre- characters he portrays are experiencing the
adolescent child, neither male nor female, often difficult and painful transition from
lends a coherence to this free-form universe. childhood games and innocence to the first
upsets of adolescence and adulthood.

La folie de Saint François
Acrylic on cardboard
120cm x 80cm

"My artwork represents the instinct of aggression of
man towards not only his fellow men but also all
living beings. In this case the violence is made even
more extreme because it is expressed by the figure
of a saint (Saint Francis), seen as a child."

18
L'École de la violence
Acrylic on cardboard
120cm x 80cm

"This artwork is a denunciation of the violence to which children are "trained" in many countries
at war. The child, who by his nature sees the world as a game, imitates the actions of adults and,
in this case, learns the art of violence with dramatic naturalness."

"This represents the violence of which children themselves are protagonists in many countries where war has become the normal everyday life. The
child, instructed in horror, is therefore not only a victim but himself the perpetrator of atrocities."

La loi de Nabuchodonosor
Acrylic on cardboard
120cm x 80cm

"To me, being an artist comes from a deep- "Since arriving in Paris, I’ve started a new
rooted necessity. It’s a natural way to series of art works representing pre-
transform your emotions, fears and desires adolescent boys – an age when the games
into a concrete object like a painting. It’s the and innocence of childhood give way to
representation of an idea, using a language adult thoughts and concerns. That phase
made up of images – much of it channeled when boys turn into men, between the
directly from my subconscious, with little in ages of 10 and 14, is a stage when sexuality
the way of filters. I’ve been making art since I is still not fully expressed and when gender
was a child and it’s always been my favorite is still fairly fluid. My characters are
way to spend my time, to be alone and to androgynous precisely because I want to
be able to visit my inner world." represent that sexual duality."

Le cauchemar de la femme
Acrylic on cardboard
120cm x 80cm

"My artwork represents the violence suffered by women forced into abortion. The trauma is here
extremely explicit to offer the viewer the horrible "death of life before life."

About the
collection

By Maximilian

“My gallery of artworks represents my creative
universe, in which I express contrasting feelings: fear,
anger, provocation, theatricality. Violence is always
present because violence accompanies our lives in
different forms. I often use sex in a provocative,
theatrical and symbolic way, even if it appears
explicit to the viewer. But a work of art does not
always tell the truth and the artist's intention is
almost never received by the viewer. I therefore invite
those who look at my paintings to make an effort
not to stop at the first superficial impression but to
look for their own meaning that is different for each
person.”

The collection is made using acrylic on cardboard.
"Acrylic colors are ideal for me because they dry
immediately and have no smell."

18

L'heure du déjeuner
Acrylic on cardboard
120cm x 80cm

"The artwork denounces the stupidity and violence of a racist act caused by ignorance and the inability to accept the other."

"I instinctively paint the ideas of my mind "I’ve been making art since I was a child and
and translate my deepest and most elusive it’s always been my favorite way to spend
emotions into tangible objects: the my time, to be alone and to be able to visit
paintings. To me, being an artist comes my inner world. My art is for me another
from a deep-rooted necessity. It’s a natural language. It’s important like a traditional
way to transform your emotions, fears and language made of words. In the case of
desires into a concrete object like a painting, the conversation is first of all with
painting. It’s the representation of an idea, myself and then with the external
using a language made up of images – spectator. Like all forms of expression, it
much of it channeled directly from my allows me to transform my thoughts into
subconscious, with little in the way of filters. " images, so it has great importance in my
emotional heritage”

Le mâle de la honte
Acrylic on cardboard
120cm x 80cm

"This artwork represents, in a brutal and
symbolic way, the physical violence suffered by
women, both in the private context (the
violence suffered by one's partner) and in the
public and social context (violence in the streets
or in the workplace). The "executioner", the one
who beats, is represented here as a young boy
to symbolize the infantilism and cowardice of
the "little men" who beat women."

18

La frontière de la décence "My artwork is an extremely raw metaphor of the violence suffered by the "disabled" in contemporary
Acrylic on cardboard societies. The painting can also be seen as the affront suffered by poor, and therefore disadvantaged,
120cm x 80cm countries towards richer countries that abuse their power to make others "disabled" to compete
internationally, in particular as regards the economy."

"It symbolically represents the violence and abuses suffered by women. The work mainly highlights the exploitation of women in daily life."

La règle du rebelle
Acrylic on cardboard
120cm x 80cm

"The artist is a bit of an "anarchist" in the “Art has certainly helped me, especially in
society in which he lives and works. His certain moments of my life. Painting and
creative role often does not fit into mental focus on an art project has often
common laws and rules. Creativity is total helped me to overcome loneliness and a
freedom of expression and the artist and sense of emptiness. Art helps me (even
the society have rarely agreed in dialogue now) in my daily life to fight frustrations and
together. So, in my opinion, the artist will my aim is to dedicate myself to my art full-
always have an "uncomfortable" role (for time. I work to make my art known to the
himself) in the social context. public and to sell my artworks”.
Uncomfortable because true art is almost
always in contrast with social rules, with “My dream (and my project) is to continue
common sense (also and above all the to create my art in total freedom and to
sense of modesty) and with the horrible assert my artistic language on an
and hypocrite "politically correct” that levels international level. Like all professions, that
everything to a state of mediocre and of an artist also deserves development and
insipid pseudo-art”. gratification, even financially”.

18

Les doutes du garçon gaté
Acrylic on cardboard
120cm x 80cm

"My artwork deals with the theme of racism and exploitation of the "different" in an extremely provocative way. It is a work that represents the abuse
that rich and "spoiled" societies make of poor nations, forced to endure and submit."

Andreas
Singh

@andreassingh360

Andreas Singh is an artist based in "I create work by analysing, observing and a
Birmingham, UK . He obtained his Masters lot of thinking. Work that normally wouldn’t
in Fine Art from the University of exist if never paid attention to especially the
Wolverhampton in 2018.   sky and what lies beyond. I create series of
paintings and installations that not only kick
"My practice is interdisciplinary that explore starts the viewers curiosity but feeds mine
the intersection of art and science. My art the most. My works are about discovery and
often makes use of scientific concepts and all the things we find when we are not
explores how perception, time and scale seeking them."
inform the human desire to understand
the world, and our emotional and
psychological place within it."

A Ghost story
Ink, varnish and emulsion on canvas
122cm x 152,5cm

18

A Ghost story
Ink, varnish and emulsion
on canvas
122cm x 152,5cm

A Ghost story
Ink, varnish and emulsion on canvas
122cm x 152,5cm

"My main focus over the past few years has "Being an artist is a personal journey to
been looking into a possibility of more than understand myself. It comes from a place
one dimension. Which subconsciously inside. It feels spiritual yet very physical and
comes from the process of working with materialistic. I have always been intrigued
the materials itself. I believe that the by things that are commonly ignored in
mystery of the cosmos is something the modern world. I seek answers that
reachable only in a theoretical or artistic cannot or have not yet been explained. I
way. In my practice I focus on the role of guess art is my religion and making art is
silence in spatial compositions." like praying."

Quarentine
Ink on varnished canvas
122cm x 152,5cm

This painting is an emotional response to the time
spent in quarentine. Each ring encapsulates a
separate day in lockdown. Some pleasant days and
some not so pleasant. Quarentine was a scary period
for me financially. The uncertainty of my financial
situation. I have had a lot of work and shows
cancelled, lost my job and couldnt pay my mortgage,
Bill\'s and groceries. Hanging on to every penny, I
managed to invest a little bit into this painting. I made
the canvas water tight with a few layers of varnish and
let it dry. Once it was dry I poured in 10 liters of water
mixed with ink and then waited for it to dry. I left the
outcome to chance. Not knowing the result became
daunting and stressful. With not much material to
hand I spent most of my days of the lockdown sitting
next to the painting and watching the painting dry.
Day by day it revealed a different layer which allowed
me the time to reflect on what ever was going on in
my mind.

About the
collection

By Andreas Singh

"These paintings are a collection of my the small things that were around me, that
experiences during my life time. Noticing memory becomes more and more
little things from the environment around translucent over time that creates a sence
me, I create abstract paintings that focus of deep sadness, a feeling of personal loss.
on materiality rather than the subject. The Eventually the memory will be lost forever
paintings have become a personal and all that remains will be the painting
interpretation of my journey, a bit like a with perhaps a different meaning."
timeline. I however, do not expect other
people to make the same connection. The "In order to do the pieces I apply a thick
viewer comes with a different set of layer of emulsion on the canvas and then
experiences and backgrounds hence start running water over it while the
deriving a different sense of emotion." emulsion is still wet. The running water
creates little streams and channels, eroding
""Working with a concept of different the emulsion away. A bit like the fading
dimensions in time, I create paintings that away of memories.I then add the ink onto
takes me back in time. As I get older I the flowing water. As soon as I add the ink it
intend to forget most of my previous starts fading into the little streams or
memories or the ones that are still there channels the water creates. The process is a
have become faint. In a sense fractured into therapeutic one. All time slows down and
fragments, the memories are fading away emotion takes over at that precise
slowly but surely becoming like a ghost. At moment. I repeat the process until I feel
the current moment, I look at the paintings content with the work."
and  re-live the moment by remembering

18

Untitled
Ink on varnished canvas
122cm x 152,5cm

"An artists role in the society according to "In my instance, I think my role as an artist is
me should be dependant on what each a bit more simple. I create art for myself,
individual thinks “Art" means. Art is very that can be relatable. I create to understand
subjective and a personal preference. Artists myself, and I exhibit because I am curious
use art as a voice negative, positive, political, to see what other people think."
personal or any kind of voice. Which is
completely fine with me but in my opinion
takes away from the creativity itself and
focuses on the agenda. It could be a bad
thing or it could be a good thing again it all
depends on the artist and the audience
they cater to."

Multidimentional
Hydrogel balls, glass, LED lights
30,5cm x 30,5cm

PAGE | 02

18

Quarentine
Ink on varnished canvas
122cm x 152,5cm

A Ghost story
Ink, varnish and emulsion on canvas
122cm x 152,5cm

A Ghost story
Ink, varnish and emulsion on canvas
122cm x 152,5cm

18

A Ghost story
Ink, varnish and emulsion on canvas
122cm x 152,5cm

Juan José
Castaño

@jdecasta

"I am an artist and a photographer–I tell stories. "It forced me to understand the huge
i was born in medellín, colombia in 1987–the disconnect between events and their
year that earned the city its title as ‘the most narration in the media, in books, in history. It
dangerous place on earth’. I was born into this also made me understand that those
city and i grew up in it – an experience that limited representations of a particular
primed me for understanding the differences people have the potential to create realities
and similarities between reality and for them. For us. representations exist in the
representation." realm of possibility and their continued
repetition binds them into existence."

untitled
Photograph
92cm x 60cm

18

untitled
Photograph
92cm x 60cm

untitled
Photograph
92cm x 60cm

"This is why I tell stories about people like "Trying to understand how ‘the idea’ of my
me [queer/brown people] –and how we self exists in institutions used to create
have been imagined. How we have been meaning like archives and museums– I
anticipated. Because I have seen create works that reference those
queer/brown people in the media–where institutions to question their perceived
we exist only as dead, ill, or undesirable. A authority, and therefore, the authority of
people so abject that deserve nothing but their interpretations of my self. By
to be obliterated. Erased. Forgotten. I want appropriating their ‘master’ language, and
to contradict this paradigm and tell our by queering their language through the
other histories. Histories of loss, and love, use of poetry, i aim to create spaces of
and lust–histories that fill us with humanity queer/brown identification that welcome
and expose the inhumanity in wanting us the histories of the margin i aim to tell into
gone." existence."

untitled
Photograph
92cm x 60cm

About the
collection

By Juan José Castaño

"Letanía will be a photobook dealing with issues
of loss, love, and reimagining death within
queer/brown spaces. all the images in this
collection were taken during a Good Friday
procession in el retiro, antioquia [col] in 2015 and
the accompanying pseudo-memoir [excerpts of
which are included here] has been in the
writings for the past 4 years. within the context of
the project, images of the Holy Sepulcher and
Our Lady of Sorrows stand in for Tránsito, a
legendary trans sex-worker off the streets of
Lovaina, the red-light district of medellín,
colombia. all the other icons represent the other
members of la mano izquierda, accompanying
Tránsito in her final transit–her transformation
from a dead motherly figure into Patroness Saint
of their struggle."

"I have always been interested in Catholic
iconography and its connection to history, its
relationship to representation, and its power to
create meaning."

18

untitled
Photograph
92cm x 60cm

"My work relies greatly on segmentivity –a "I make art because I want to understand
concept I borrow from Rachel Blau the world around me. That is why my work
DuPlessis– that speaks directly to the is so heavily informed by situations of
fragmented existence of queer/brown victimization in my country of birth,
people. I ask the viewer to draw their own colombia. I extrapolate situations of erasure,
relationships to and between the different exclusion, and misrepresentation of
components of a piece–creating poetry ‘othered' bodies in the archive to the figure
through the act of creating meaning." of the disappeared, that odd people who
live in the border between existence and
oblivion back home."

untitled
Photograph
92cm x 60cm

18

untitled
Photograph
92cm x 60cm

"I create works that explore the state of in- "The project utilizes video, embroidery,
betweenness prevalent of queerness and photography, installation, and non-
the margin. I mean the margin as border– traditional media to tell the histories of la
border in its broadest sense. the moment mano izquierda–a queer guerrilla
between the clicking of a camera and the movement allegedly active in medellín,
impression of the image on its sensor. The colombia in the 60s, 70s, and 80s. All the
time between the occurrence of an event members of the group were queer, mostly
and its posterior narration. the disconcerting trans sex workers who grew tired of the
experience of living between two assigned abuse exerted on them by the city’s military,
identities." police, and clergy. The mythological
organization rose to power when its
"The project i’m currently working on –la members decided to take their safety
mano izquierda. La mano izquierda is an matters into their own hands and fight for
long-term, interdisciplinary, multi-media the rights of the marginalized in the city
project i have been developing for the past and, posteriorly, in all of colombia."
4 years."

untitled
Photograph
92cm x 60cm

18

untitled
Photograph
92cm x 60cm

She is a Los Angeles based painter and
mother.

"Painting is a creative exercise that allows me
to be fully present. It’s an emotional journey of
problem solving and mindfulness coinciding
in harmony."

Karli
Henneman

@karlihenneman

K.60
Acrylic on canvas
40,6cm x 50,8cm

K.45
Acrylic on canvas
40,6cm x 50,8cm

K.51 She says that her art imbues a sense
Acrylic on canvas tranquility and creative growth.
40,6cm x 50,8cm
"I create art that I want
to live with."

"My serene exploration of light and shadow K.54
investigates the ambiguous markings of Acrylic on canvas
urban spaces. My hard-edge painting 40,6cm x 50,8cm
technique offers a meditative, perceptual
experience through the intricate interplay
of simple geometric forms. Using a neutral
palette with subtle variations of color and
tonal differences, I create works of both
equal opposition and volume."

K.35
Acrylic on canvas
40,6cm x 50,8cm

K.39
Acrylic on canvas
40,6cm x 50,8cm

About the
collection

By Karli Henneman

"This collection of acrylic paintings on linen
canvas showcases my recent work inspired
by the interplay of light and shadow on
architectural forms."