English EBook2

29 - 31 October 2021

MAASINWZAARPAIN
2021

(ASEAN)

Main Zapin Aswara 2021 tari_aswara tari_aswara
www.aswara.edu.my 016-739 3345 / 017-247 1277

MAIN PERFORMANCE
(OPENING NIGHT)

WEBINAR
ZAPIN : THEN & NOW

LANGKAH BERSAMA

VIDEO DISCUSSION AND HISTORY OF MAIN ZAPIN ASWARA

2010-2017
MAIN PERFORMANCE

(CLOSING NIGHT)

MESSAGE FROM
Minister of Tourism, Arts and Culture Malaysia

The Ministry of Tourism, Arts and Culture,
together with its’ cultural departments and
agencies including ASWARA, is mandated
to ensure that the future generations un-
derstand and appreciate Malaysia’s rich
and diverse cultural heritage.
Dance, culture and tourism are intricately interwoven and interde-
pendent. Dance is an invaluable national heritage which also features
as cultural tourism product. Having skipped a few years, Main Zapin
ASWARA 2021 (ASEAN) is back stronger!
This year, the Faculty of Dance ASWARA convenes local and interna-
tional audiences from Brunei, Indonesia, Singapore and Thailand to
experience a variety of Zapin. Main Zapin ASWARA 2021 (ASEAN)
provides an intellectual platform for students and activists, show-
casing webinar discussions and performances of 13 established and
highly reputable international artists, companies and organisations.
Congratulations ASWARA for organising this programme. May Main
Zapin ASWARA 2021 (ASEAN) leave everyone with indelible memo-
ries.

YB Dato’ Sri Hajah Nancy Shukri

Minister of Tourism, Arts and Culture Malaysia

MESSAGE FROM
Secretary General
Ministry of Tourism, Arts and
Culture Malaysia

Chairman
Akademi Seni Budaya dan
Warisan Kebangsaan (ASWARA)

Main Zapin, organised by Ministry of Tourism Arts and Culture
(MOTAC) through it’s agency Akademi Seni Budaya dan Warisan
Kebangsaan (ASWARA) was first performed in 2010. This pro-
gramme was unfortunately put on hold for several years, but we
are proud that it has been revived this year.

After 27 years of promoting and preserving Malaysian traditional
arts through education, ASWARA has placed itself as the institu-
tion of choice. ASWARA now intends to carry on the vision for
greater exploration of knowledge and exchange with a more glob-
al approach, Main Zapin ASWARA 2021 (ASEAN). This certainly
will have a positive impact on the creative industries and arts
education especially traditional dance in Malaysia. The programme
has garnered the support of government dance agencies, tertiary
institutions, professional companies, independent artists, as well
as academics, producers, choreographers and directors.

Main Zapin ASWARA 2021 (ASEAN) encompasses a broad
spectrum of the arts to inspire young artists and chart future
directions for the traditional arts. With participation from coun-
tries such as Brunei, Indonesia, Singapore, and Thailand, greater
exposure as well as knowledge and skills exchange will be
realised. I wish to congratulate everyone who have contributed
to the success of Main Zapin ASWARA 2021 (ASEAN)!

YBhg. Datuk Wira Dr. Noor Zari Hamat

Secretary General
Ministry of Tourism, Arts and Culture Malaysia
Chairman
Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA)

MESSAGE FROM
Dean, Faculty of Dance ASWARA

Greetings everyone, and welcome to our
Main Zapin ASWARA 2021 (ASEAN).

We would first like to take this opportunity to thank the Ministry of
Tourism, Arts and Culture (MOTAC), for their collaboration with us
on this program. Furthermore, we would also like to extend our ut-
most gratitude for the cooperation received from our four wonder-
ful ASEAN neighbours, Singapore, Thailand, Indonesia and Brunei,
not forgetting our own beautiful country, Malaysia.

I would also like to express my congratulations to the family of the
Faculty of Dance of ASWARA, who have collaboratively helped in
the running of this program. The organization of such programs,
through cooperation and strategic networking, is highly encour-
aged, in an effort to ensure that each program implemented pro-
vides added value and positive impact to society as a whole. What’s
more, with the struggle of the ongoing pandemic COVID-19, we
must all ensure that efforts to uphold the arts continue to thrive.

Distinguished guests, our former Prime Minister launched the Visit
Malaysia 2020 Campaign (VM2020) themed ‘Visit Truly Asia Ma-
laysia 2020’ on the 22nd of July 2019. This campaign is in line with
the vision and mission of the Ministry of Tourism, Arts and Culture
(MOTAC), which continuously develops and promotes Malaysia
in becoming a world-class tourism and cultural destination on par
with other countries.

Leaning towards that direction, we, the Faculty of Dance of AS-
WARA, have taken this opportunity to organize an ASEAN level
program that initiates a good relationship with neighboring coun-
tries, in an effort to uphold our Malaysian heritage, zapin, and to
ensure the preservation and protection of our cultural heritage.
We hope that this program can be a means of bringing us together
in reviving our passion in the field of arts and culture, education,
tourism, and in the eyes of the world, so that zapin continues to
grow and be appreciated by all members of the society

Zamzuriah Zahari
Dean, Faculty of Dance
Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA)

MESSAGE FROM
Artistic Director, Main Zapin ASWARA
2021 (ASEAN)

Greetings to all colleagues, friends and
participants of Main Zapin ASWARA 2021
(ASEAN).
As the artistic director of this event, I have been given the opportunity
to say a few words in conjunction with this major event.

Since Main Zapin was held for the first time in 2010, ASWARA has
implemented this program five times, in order to preserve and elevate
the art of the zapin dance. Thanks to ASWARA’s commitment through
the Faculty of Dance, this will be the sixth time Main Zapin ASWARA
2021 (ASEAN) is being organised.

The initial efforts of the dance faculty were to hold zapin workshops,
which aimed to share knowledge, as well as strengthen and improve the
aptitude and skills of zapin for ASWARA students, as well as those from
institutions of higher learning.

This year’s Main Zapin is held online in accordance with the new norms.
The countries involved are Brunei, Singapore, Thailand, Indonesia, as
well as Malaysia being the host.

I hope that we will all benefit from this wonderful experience and let’s
Main Zapin together!

Mohd Seth Hamzah

Lecturer, Faculty of Dance
Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA)

AKADEMI SENI BUDAYA DAN WARISAN KEBANGSAAN
(ASWARA)

Under the auspices of the Ministry of Tourism, Arts and Culture Ma-
laysia, the National Academy of Arts, Culture and Heritage (Aka-
demi Seni Budaya dan Warisan Kebangsaan – ASWARA) is an institu-
tion of higher education that specializes in learning and training in
performing arts, visual communication design, creative writing, film
and video, fully supported and funded by the Government of Malay-
sia. The concept and idea for a national institution of arts and culture
studies was initiated at the National Congress for Culture in 1971,
to ensure the continuity of Malaysia’s cultural and artistic heritage.

As a result of this concerted effort to develop the creative industries,
parallel to the achievement of national progress and developed nation
status, the National Arts Academy (Akademi Seni Kebangsaan – ASK)
as it was then known, was established in 1994 offering full-time stud-
ies in music, theatre, creative writing and dance, with core subjects in
traditional theatre including Wayang Kulit, Bangsawan and Makyung.

In attempting to meet the needs of the burgeoning industry, more disciplines
have been incorporated into the curriculum. In 2002, film and video studies
was implemented, and in 2008, fine arts and animation. In January 2008,
ASWARA began its undergraduate degree programs and introduced post
graduate studies, as well as the Faculty of Arts and Cultural Management
in 2013. ASWARA also offers Foundation in Creative Studies to students
who wish to dive into the various art forms that are taught in the institution.

Currently in its 27th year, ASWARA hopes to continue being a well-estab-
lished institution of higher learning that offers top notch education to stu-
dents. Equipped with the slogan “MELANGKAH KE HADAPAN BERSAMA
TRADISI” (Moving Forward with Tradition), the institution is pulling out all
the stops to further enhance the quality of its education and its graduates.

SYNOPSIS MAIN ZAPIN ASWARA 2021
(ASEAN)

Main Zapin is one of the many programs organised by the Faculty of Dance AS-
WARA. This program, over the years, has been held five times, namely: Main
Zapin 2010, Main Zapin 2013, Fiesta 2014 (Main Zapin), Main Zapin 2016, and
Main Zapin 2017. As the audience always looks forward to watching zapin danc-
es each year, ASWARA decided to stage Main Zapin 2021 (ASEAN) this year as
an online performance.
Main Zapin ASWARA 2021 (ASEAN) involves the participation of five different
countries to highlight the zapin dance at the ASEAN level. Local and internation-
al institutions are involved in this production. With Malaysia as the host, Indo-
nesia, Brunei, Thailand and Singapore also play a big part in making this event a
success. Primary and secondary schools, several universities, as well as profes-
sional dance groups, have also shown their support for this event.
This Main Zapin production has three programs, which are:

i) Main Performance

The main presentation is the most important segment of the program. This
performance will be streamed on two days, 29th of October 2021, and on the
last day, which is the 31st of October 2021. International groups from Indo-
nesia, Singapore, Thailand, Brunei, as well as Malaysia, will perform in these
performances.

ii) Langkah Bersama: Video, Discussion and History of Main
Zapin 2010-2017

This video contains the sharing of experiences and thoughts by invited pan-
elists who have been involved as artistic directors, dance arrangers, dancers
and researchers in previous Main Zapin ASWARA events. The invited guests
discuss their respective topics such as main objectives, uniqueness, impor-
tance of zapin dance in the syllabus at ASWARA, the art of zapin by the
younger generation, importance of research aspects in the art of zapin, and
more. This will be streamed on the 30th of October 2021.

iii) Zapin: Then & Now (Webinar)

This webinar will have distinguished panelists discussing the development of
zapin in their respective countries and communities. This webinar will be on
the second day of the program, 30th October 2021.

HISTORY OF ZAPIN

Zapin or Japin is a form of dance accompanied by music and song, in the
culture of the village community. Zapin makes extensive use of footwork
arranged in phrases or sequences. In Malaysia in particular, zapin has
spread widely in the southern district of Sungai Muar, after Malacca was
colonised by the Portuguese in 1511. According to Bahar (2013: 277),
“Zapin Arab is a dance that lives in a community of Arab descent, while
Malay zapin is a zapin that exists in Malay cultural societies, not of Arab
descent in the archipelago.” Zapin Melayu was first danced by the young-
er generation, during the time when the Malay Sultanate of Johor Lama,
and the Malay Sultanate of Johor-Riau-Lingga were ruling.

Alongside the efforts of Arab traders in spreading Islam in Malaya, they
also left the art of zapin in the areas visited. Zapin underwent a process
of acculturation with local culture, as found in Indonesia and Malaysia
(Indah Yuni, Pangestu Ediwar & Martion: 2012). Zapin is usually danced
as a recreational activity called “Main Zapin” in the community. The Ma-
lay community in Johor dances zapin as a casual activity, in suraus and in
mosques, so much so that it has become an attraction for young people
to gather at Al-Quran study houses (Zam Ismail and Zainal Abidin Borhan,
2008). Later, zapin began to be danced or performed more widely, at cer-
emonial occasions such as weddings and gatherings.

The origin of zapin in Malaya is largely associated with the influence of
Arab traditions. However, this influence has experienced change in ac-
cordance with Malay culture, especially in Johor. The Malay community of
Johor has arranged, and even created various new types of zapin, and this
development has created a difference between the traditional Zapin Arab,
and the art of Malay zapin. The community has applied various elements
and characteristics of the Malay culture in the Malay zapin. In fact, songs,
specifically for zapin, have also been composed according to the sensibil-
ity of the listeners, and the art of Malay music itself. Malay zapin music is
not the same as Arabic zapin music, also known as Samrah.

The state of Johor is a major catalyst state that promotes the culture and
art of dance and zapin songs in Malaysia. The state of Johor has brought
together more than 20,000 zapin practitioners from different age groups,
from the elderly to children. Zapin is very popular and has become syn-
onymous with the state of Johor, and has even become one of the im-
portant artistic heritages in the community. Prof. Dr. Mohd Anis Md Nor
is a researcher and academic who has contributed tremendously to the
revival of Malay zapin in Johor. The departments that have been given the
responsibility and trust by the Johor state government are the Johor Her-
itage Foundation (Yayasan Warisan Johor), and the Johor State National
Department of Culture and Arts (Jabatan Kebudayaan dan Kesenian Neg-
ara). Yayasan Warisan Johor is an organization that preserves and upholds
culture and zapin.

The development of zapin in the state of Johor, has contributed greatly
to the artistic expression in Malaysia. Various types of Malay zapin such
as Zapin Tenglu, Zapin Bunian and Zapin Pekajang have spread to all states
in Malaysia. Zapin is no longer practiced by certain groups only, but has
also developed in educational institutions such as schools, universities,
as well as associations and government and private arts bodies. Zapin is
not only available in the state of Johor, but zapin dance is also available in
all the states. The Main Zapin performances at the National Academy of
Arts, Culture and Heritage (ASWARA) 2010 – 2017, featured zapin from
other states such as Zapin Sebat from Sarawak, Zapin Suara Siam from
Sabah, Zapin Perak from Perak, and Zapin Hanuman from Kelantan.

The Structure of Zapin

Zapin Melayu Johor usually starts with the gambus (lute) for taksim.
The dancers start in position, or they start by entering the performance
space and giving a sign of respect first. After that, the dance starts with
foot and hand movements to the beat of the gendang (drum). These foot
and hand movements will be danced according to the phrases of each
zapin. Among the phrases or sequences found in zapin are pusau bela-
nak besar, ragam lompat injut, ragam kopak, ragam titi batang, ragam
ayam patah, ragam pusau belanak kecil and finally ragam wainab (Inda
Flourylia: 2008).

The splendour of the Malay zapin with its beauty of movement, the
beauty of the accessories and props, as well as the symbolism of cus-
toms and respect in its performance style, has made this dance special,
not only in the Malay cultural community, but also around the world.
Zapin is often staged for various ceremonies and festivals held locally
and abroad. Despite this, the development of zapin still needs attention,
assistance, and support from various parties to ensure that the sustain-
ability of zapin is always conserved and preserved.

Prior to 1960, zapin was initially danced only by male dancers, but it has
now grown, and is also danced by female dancers or in pairs. Zapin steps
are very diverse, although in principle the basic movements of zapin are
the same, danced by people on the east and west coasts of Sumatra,
Peninsular Malaysia, Sarawak, Riau Islands, Kalimantan coast and Brunei
Darussalam (Inda Flourylia: 2008).

Among the phrases or sequences of Zapin Melayu Johor today are:

• Masuk Taksim atau Minta Jalan
• Duduk Sembah
• Ragam Asas (Alit)
• Ragam Sot’ (Sut’)
• Ragam Tapak atau Menapak
• Ragam Siku Keluang
t

• Ragam Pusau Belanak Besar
• Ragam Pusau Belanak Kecil
• Ragam Lompat Enjut
• Ragam Lompat Tiong
• Ragam Sendeng atau Lompat Sendeng
• Ragam Sisip
• Ragam Titi Batang
• Ragam Ayam Patah
• Ragam Anak Ayam Patah
• Ragam Kopak/Mengopak
• Ragam Surung Dayung
• Ragam Serimpat Perahu
• Ragam Selimpat atau Pecah Empat
• Ragam Selimpat atau Pecah Lapan
• Ragam Selimpat atau Pecah Dua Belas
• Wainab atau Waina Wailid atau Minta Tahto/Tahtim

Source: Latar Belakang Ringkas Tarian Zapin Johor, Nota Kursus
Bengkel Kejurulatihan Tari 2007 Yayasan Warisan Johor, oleh Pro-
fesor Dr. Mohd Anis Md. Nor.

The preservation of a traditional heritage is crucial towards main-
taining the identity of a nation. The regional Malay culture must
not be allowed to disappear by external influences that come
with technological advances. The tradition will remain, as long as
its heirs continue to support and pass it on, from generation to
generation, so that it continues to grow both locally and abroad.
Zapin Melayu should also be nurtured well, so that it can contrib-
ute to the country’s creative industry. Cooperation from countries
such as Indonesia, Singapore, Brunei, and Thailand will certainly
strengthen the relationship between the countries, in developing
and maintaining the existing art of zapin.

Prepared by: Zamzuriah Zahari, 2021

SCHEDULE MAIN
202

(ASEA

ZAPIN ASWARA
21
AN)

29 0CTOBER 2021 (FRIDAY)
MAIN PERFORMANCE - OPENING NIGHT

FACULTY OF DANCE, AKADEMI SENI BUDAYA DAN WARISAN
KEBANGSAAN, ASWARA (MALAYSIA)

Background:
Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA) is the only institu-
tion of higher learning in the field of performance, that is currently being fully
supported by the Malaysian Government, under the Ministry of Tourism, Arts
and Culture. It is an institution of higher learning that provides a space for
learning, research and academic publications, as well as professional advice in
the field of arts, culture and heritage, that aims to produce skilled artists and
competent craftsmen of their respective fields, in addition to strengthening
the continuity of the country’s culture and heritage. The Faculty of Dance,
ASWARA offers courses in a variety of dance techniques (traditional, modern
and contemporary), from all over Malaysia, Asia and the West. The main aim of
the faculty is to produce professional, knowledgeable, as well as high-caliber
dancers, who are able to generate ideas when producing works.
Title: Bedana
Synopsis:
Bedana is a zapin dance which has been arranged and developed from existing
sequences from the zapin dance. Bedana has lots of play with the footwork,
floor patterns, song, and tempo that creates a lively environment.

Arranged by: Mohd Seth Hamzah

Biography:
Mohd Seth Hamzah is an expert in traditional Malay dance especially zapin
and now serves as a full time lecturer at the Faculty of Dance, ASWARA. He
served as a choreographer at the Johor Heritage Foundation (Yayasan Warisan
Johor), and Petronas Performing Arts Group (Kumpulan Seni Persembahan
Petronas). He is also involved in the Persatuan Anak Pentas Malaysia (PENTAS)
and was appointed for the National Occupational Skills Standard (NOSS) as
an expert panel member. Among the local and overseas programs that he has
participated in are the Dance Exchange Philippines 2010, Asia Pacific Inter-
national Dance Conference in 2011, Penari Menari UMS 2012, Akar Zapin in
DBKL 2012, World Dance Day Surakarta Indonesia 2013, and Festival Kesenian
MAKSAK 2016. Besides Malay traditional dance works, Mohd Seth Hamzah
also creates contemporary works that have traditional dance elements such as
Belabas, Empat Lilin, Bubu Menari, Bubu Dah Tak Menari, Selesa Tak! Siapa!

Dancers:
Siti Nadhziehah Mohd Sukarno, Yap Serene, Kim Khoo, Nur Erisya Adleena
Noor Azwan, Nur Syahidah Hazmi, Nik Nur Amalin Nik Musauddin, Nurhanizah
Mohd Sedik, Low Xin Ping, Muhammad Nur Hilmi Rosli, Muhammad Shazwan
Mohd Soef, Aramy Rasyid Mohamed, Harries Mapan Anak Morris.
Music: Zapin Adik Abang
Songs and Lyrics: Zamzuriah Zahari
Composer: Syahrizan Sahamat
Singers: Nor Azura Abu Bakar & Azizul Haqim Anuwar.
Videographer: Kashfy Empire Sdn Bhd

PDeAngNoClaEhDTaErPi:ADRrTs.MREajNa TA,lfFirAaCfinUdLrTaY, MO.FHPuEmRFORMING ARTS
INDONESIA INSTITUTE OF THE ARTS OF YOGYAKARTA
B(IiNogDrOafiN: ESIA)
Raja Alfirafindra Raja Muhammad lahir di Kepulauan Riau yang kini
merupakan Pensyarah Jurusan Tari Fakultas Seni Pertunjukan Institut
Seni Indonesia Yogyakarta. Bidang kepakaran beliau adalah Tari Me-
layu, Komposisi Tari, Sejarah Tari dan Teori Budaya.

Penari:
Muhamad Arif, S.Sn., M. Oki Fatra, S.Sn., Catur Rama Febriant, S.Sn.,
Ujang Nia, S.Sn.

Penanggungjawab: Dr. Rina Martiara, M. Hum.

KBThaoicmskpgprrooosguernardm: :Oisesumndaenr tBheenIgnkstaitliustion of Higher Education, which is a centre

for research, creation and exploration of dance, that aligns with the context of

Ksoocsiatul amnddcaunltTuaratal rdieavse: lopment.
MJ Florybertus Fonno, Maulidi Harista, Giyatno, Mas Sri, Agung Puba,
GTiutlne:gZdaep,iAn PldualaliuaP, eFnayeetnOgakttadea, Yudi Hartanto, Apek Belitung Dkk

Synopsis:
Zapin Pulau Penyengat is a dance composition with a Kain Lipat Empat Puluh Em-
pat that is defined as the twists and turns of life, taboos, and wise efforts. Kain
Lipat Empat Puluh Empat is usually used to place dowry and gold in the Malay
Wedding Customs of the Riau Islands. This dance is danced by four princes as
a symbol of the lipatan empat, in accordance with the essence of the life of the
people of Pulau Penyengat Kepulauan Riau.

Brief history of Zapin Pulau Penyengat:
Zapin Pulau Penyengat was arranged by Raja Ahmad Raja Daud along with Mr.
Riffin. This dance is accompanied by instruments with a song from Muhammad
Ali who originates from Sambas and lived in Pulau Penyengat in 1919. This
dance was passed down from Raja Ahmad Raja Daud to his son Raja Mahmud
Raja Ahmad who was born in Pulau Penyengat in the year 1931. The arrange-
ment of this dance begins with sembah, langkah satu, langkah due, langkah
tige, titi batang, ayak-ayak, ayam sengkek, pusau belanak, and tahto. The
sequences are not specific and can be rearranged according to the agreement
between dancers and musicians.

JEMARI TARI, SK TAMAN MEGAH PETALING JAYA (MALAYSIA)

Arranged by: Drs. Raja Alfirafindra, M.Hum

Latar Belakang:
Jemari Tari, Sekolah Kebangsaan Taman Megah Petaling Jaya, ialah
kumpulan tarian tradisional yang diasaskan oleh ibu bapa pelajar pada
tahun 2017 dan telah menjadi aktiviti kokurikulum rasmi yang disokong
oleh sekolah yang diuruskan dan dilatih oleh ChoreoArts Studio. Jemari
Tari merupakan kumpulan kanak-kanak atas didikan Kyrol MarkNann.
Bagi sebuah sekolah yang tidak pernah mempunyai kumpulan tarian
sejak 30 tahun yang lalu, kemunculan Jemari Tari sememangnya mem-
berikan nafas baharu kepada sekolah ini. Walaupun pada awalnya,
kBuiomgrpauplhayn: ini terpaksa bersaing dengan pasukan yang lebih berpengala-
mytCIlReneaaocdlanjamtaonuhgnpArueesomlfarsnsiinreiftataounigfoIrikangnnttshhdb,tbaieDretaneruadrttRtnadaaeacnrpejeocadalefeHkiMAbkp,iisarurJhttosehosigm,ad,rrYymbaaaormeamrgirnimyausdTadasearCtikwuraauaitaldrptksttuaahaibrnrs.eaoiuilHDr7kmTniaashhnieneneicmnoxeutrgphpniFgeeeuatsrauRcnt.iuk1i ysal2eatubyiitesIlaosbeihlfnabeuPnriMhanedprs.adfalJoaaaernpyrmmdiedi2arinastr0ngaincnpAToederwa,tniDrsniaa,agrjnuaicngea
dan persembahan. Pasukan ini telah menyertai pelbagai pertandingan,
tempatan dan antarabangsa, serta memenangi beberapa piala, pingat
dbdPUDeeaajaabrnlnnasecomghrenaaNr-sppdii:naaieMa-,lrcbhSuaha.Snhwagnarcaag.mainenam:ggdDtaaAurjn.lrniRisTfai,nkiVS.ao.KSrdMnupa.amo,nrMrtpdiaa.tuiruOsalane,knrMditFaJa.aeHntpmgureamaur, rkS.nia.tSThunawk.r, iimCnjauaetnmgua.rbHRtueaualmabthaupnFteaergmsbaernpimairnlbatdpa, iSha.taSnpna.,ra
Cpeonmaproi,siebru: ObeaspmaaynaBnegnbgekradlisedikasi, dan koreografer yang disegani menja-
MdiakkaenuJpemanadriCToasrtui mkiensi: sMalJaFhlosraytbuekrtuums Fpounlnano, yMaanugliddiibHaanrigsgtaa,kGainyaotlneoh, Mguarsu
DSdraki,nkA.pgeulnagjaPruSbKa,TGMun. gde, Aldalia, Faet Oktadea, Yudi Hartanto, Apek Belitung
Tajuk: Zapin Sebat

Sinopsis:
Zapin Sebat berasal dari Kampung Sebat, Daerah kecil Sematan, di
Lundu dan merupakan tarian Melayu Sarawak yang digarap dengan
satu bentuk koreografi yang mengekalkan asas-asas pergerakan langkah
seperti sembah mula, mula langkah, mula langkah pusing, langkah tiga,
gigit lembadak, dan berdayung. Zapin Sebat mempunyai sebelas ragam
pergerakan secara keseluruhan. Zapin Sebat mempunyai pergerakan
beralun yang terkawal seakan -akan mengikuti ombak laut yang tenang.

JEMARI TARI, SK TAMAN MEGAH PETALING JAYA
(MALAYSIA)

Background:
Jemari Tari, Sekolah Kebangsaan Taman Megah Petaling Jaya, is a traditional
dance group founded by the parents of students in 2017, and has become an of-
ficial co-curricular activity supported by the school, and managed and trained by
ChoreoArts Studio. Jemari Tari is a group of children under the tutelage of Kyrol
Marknann. For a school that has never had a dance group in the last 30 years,
the emergence of Jemari Tari has indeed given a new lease of life to this school.
Although initially the group had to compete with more experienced teams to
gain a foothold, Jemari Tari now consists of more than 20 highly dedicated danc-
ers, ranging in age from 7 to 12 years old. Jemari Tari has sent more than one
team for several competitions and shows. The team has participated in various
competitions, local and international, as well as won several trophies, medals and
cash prizes. The Jemari Tari group has also appeared on several TV shows, and
has been invited to perform at many corporate events and weddings. The close
relationship of the dancers, dedicated parents, and respected choreographers
makes Jemari Tari now one of the groups that SKTM teachers and students are
proud of.

Title: Zapin Sebat

Synopsis:
Zapin Sebat originates from Kampung Sebat, Sematan, sub-district in Lundu. It
is a Malay Sarawakian dance that uses basic movements such as sembah mula,
mula langkah, mula langkah pusing, langkah tiga, gigit lembadak, and berdayung.
Zapin Sebat has eleven sequences in total. Zapin Sebat has controlled, undulat-
ing movements like the calm lapping of the ocean waves. This dance is usually
performed on malam berinai before the majlis persandingan. Now, Zapin Sebat
is not only performed for wedding ceremonies, but also for official government
events and functions, as well as stage performances.

Arranged by: Kayrol MarkNann & Cyril Geoffry (ChoreoArts Studio)

Biography:
Kayrol MarkNann is the Artistic Director, and Cyril Geoffry is the Coach at
ChoreoArts Studio. ChoreoArts Studio is a professional performing arts com-
pany that provides services such as dance choreography, performing arts, art
training, art workshops and stage event management in traditional and contem-
porary genres. The company is a two-company joint venture between MarkNann
ChoreoLab Studio and PXL Services established in 2013. In 2019, the two com-
panies merged under ChoreoArts Studio, to educate and teach students in the
field of performing arts. Their aim is to produce students with practical and theo-
retical skills, in an effort to develop the creative arts industry in Malaysia.
Dancers: Absyar Shukor, Raisha Shukor, Aisha Taufeq, Eihsan Razman.
Make up and Costume: Kayrol MarkNann
Videographer & Editor: Mamad Hj. Samsudin
Crew: Hidayat Rahman

SONGKHLA RAJABHAT UNIVERSITY DANCE GROUP
(THAILAND)

Background:
Songkhla Rajabhat University Dance Group was founded by lecturers and stu-
dents from the Performing Arts Department, Faculty of Fine Arts, Songkhla Ra-
jabhat University. The purpose of the group is to preserve and inherit traditional
Thai dance, and so this group was formed in 2013. Since then, SKRU Dance
Group continues creating new zapin dance, as well as participating in competi-
tions and festivals all over the country, as well as abroad.
Title: Zapin Silatyalor
Synopsis:
The creation of Zapin Silatyalor was inspired by Silat, the Malay martial arts in
Yala Province. The creator chose 3 Silat poses and developed them to be zapin
dance postures. The chosen Silat postures were Wai Kru or salutation pose, Tu
Toh or Silat ‘chopping’ movement and a hand-to-hand fighting pose. The dance is
divided into 2 parts, first is the salutation, and second is the fighting part using
Zapin Manurupadee song. There are 3 couples of dancers who perform with
traditional Malay costume.

Arranged by: Asst. Prof. Thatsaniya Kantacha

Biography:
Asst. Prof. Thatsaniya Kantacha is a lecturer at the Faculty of Fine Arts, Songkh-
la Rajabhat University, a choreographer and a rongngeng dancer. She learnt
rongngeng and zapin dance from Chao Chantarachit and Korkiat Suktaranon,
the Pattani Rongngeng dance expert, in 2005.
Dancers:
Thiranan Thinchana, Phiradech Wichianrat, Thanakorn Suwanchatree, Tanidtha
Khongkaew, Wilailak Suksawa, Tanidtha Khongkaew.
Music: Zapin Hari Ribut
Music Director: Aphichat Kantacha
Musicians: Ussaleemala Group

SSEMJ DANCE STAR, MALAYSIA ARTS SCHOOL OF JOHOR
(MALAYSIA)

Background:
SSEMJ Dance Star is a dance group under Malaysia Arts School of Johor. The
members of this group include students in the field of dance. Throughout the
establishment of this group, SSEMJ Dance Star has been involved in many com-
petitions and performances inside and outside the country. Among them are
the International Folklore Festival 2013-2019, Short and Sweet Dance Festival,
Dance World Challenge, Festival Tari Rakyat Johor and many more.
Title: Zapin Kasih Cahaya
Synopsis:
Zapin Kasih Cahaya is a form of zapin performance that was inspired by the
song Kasih Seterang Cahaya. Zapin Kasih Cahaya consists of two very famous
forms of zapin from Muar, Johor, which are Zapin Mahpom and Zapin Pat Lipat.
This zapin expresses the love and affection between two human beings.
Kasihnya dinda kepada kanda rela bermudik hai dari makasar.

Arranged by: Mohd Fauzi Ahmad Selo (Gie)

Biography:
Mohd Fauzi Ahmad Selo, or better known as Gie, is from Muar, Johor. He is
currently working as the head of dance at Malaysia Arts School of Johor. With
almost 20 years of experience in traditional and contemporary dance and cho-
reography, he has produced many traditional works and is very close to the arts
in the state of Johor, namely zapin and Ghazal Johor. He loves to explore with
rhythm and song in interpreting his dance creations. He is involved in many
performances and competitions inside and outside the country, such as, Dance
World Cup 2019, World Dance Challenge 2020, Malaysian Dance Festival 2018
and many more. He is also active in dance-related writing, including form 4 and
5 dance textbooks for Malaysia Arts School. He is currently pursuing his studies
in UPSI.

Dancers: Fazrizal Hudzuri, Muhamad Farif Marlias, Datu Sabri Datu Alawidin,
Kana Anak Jana, Nor Hidayah Hayon, Amelin Sofiya Anuar, Nor Syakira Raqiqah
Solah, Nur Adriana, Safiya Mohammad Nazri.
Music: Zapin Kasih Seterang Cahaya
Composed from: Lagu Zapin Malam Pengantin
Costume: Decade Dance Company/ Ssemj Dance Star
Accessories: Natra Ezamila
Video Editor: Mamad Hj. Samsudin

KESENIAN SI ANAK TARI, TEMASEK POLYTECHNIC
(SINGAPURA)

Background:
The TP Malay Dance Group is also called Kesenian Si Anak Tari (Seni Nak Tari or
SNT). SNT takes pride in promoting the arts and providing high-quality tradi-
tional and contemporary performances. Featuring both traditional and contem-
porary styles, SNT’s movements are enhanced by their elaborate costumes and
accessories, showcasing the rich heritage of the various genres portrayed.
Title: Zapin Hayunan Kasih
Synopsis:
Zapin Hayunan Kasih focuses on various “hayunan” (swaying) techniques, which
are common across most folk Malay dances, and creatively adapts these move-
ments to innovate relevant movements for the female body. Zapin Hayunan
Kasih is a new creation choreographed by Soultari Amin Farid in 2012. The
dance depicts the camaraderie between women and the strength in their soli-
darity.

Choreographed by: Dr. Muhd Noramin Mohd Farid (Soultari)

Biography:
Better known by his stage name, Soultari Amin Farid, Dr Muhd Noramin Farid
was trained in Malay dance with Perkumpulan Seni. He is a choreographer,
arts educator and researcher based in Singapore. He is the Associate-Artistic
Director of Bhumi Collective, a multidisciplinary performing arts and producing
company; and the president of DIAN Dancers, a Malay dance youth group. He
is a recipient of the ASEAN-India Youth Award (2018), Singapore Youth Award
(2017), National Arts Council Scholarship (2017) and Goh Chok Tong Mendaki
Youth Promise Award (2016). He holds a PhD in Theatre, Drama and Dance
Studies from Royal Holloway, University of London, UK.
Dancers:Nur Shahidah Tull’ Radiah Azman, Nurul ‘Ain Balqis Adam, Saarah
Ismail, Siti Nuraisyah Roslan, Alya Irdina Salim.
Composer: Azrin Abdullah
Videographer: Md Al-Hafiz Hosni

KUMPULAN KESENIAN UNIVERSITI MALAYA (KESUMA),
DANCE DEPARTMENT FACULTY OF CREATIVE ARTS, UNIVER-
SITI MALAYA (MALAYSIA)

Background:
KESUMA was initially formed by a group of students at the University of Malaya
(UM) in 1971 to promote traditional Malay dances on campus. KESUMA em-
bodied repertoires of the National Cultural Complex (Kompleks Budaya Negara/
KBN) in the 1970s to the extent that every aspect of the performance such as
choreography, music, costumes, and accessories replicated the national dance
troupe. It became popular both nationally and internationally. With the incep-
tion of the dance department at the Cultural Centre (now known as Faculty of
Creative Arts) in UM in 2005, KESUMA was adopted as the traditional dance
ensemble under the Dance Department. Instructors and performers of KESUMA
comprise of lecturers, alumni, and students of the dance department. Over the
years, KESUMA has achieved artistic excellence in propagating traditional dance
performances in Malaysia.

Title: Zapin Dayung

Synopsis:
Hailing from Kg Bahagia, Ayer Hitam, Johor, this dance was created by Allahyar-
ham Haji Arshad Md. Isa, and has now been developed by Tuan Haji Muharam
Parlie. This zapin is inspired by the movements of someone rowing a boat. This
zapin has three main phrases and one ending phrase which is a unique style,
whereby there is a turning of the knees and hips of the dancers before sitting.
Another unique feature of Zapin Dayung is the movement of the legs that per-
form a rowing action and acah sangkut as well as the floor pattern, “S” or figure
of eight.

Gasing pangkah di balik payung
Akar diperdu silang berpaut
Kaki melangkah berZapin Dayung
Menghilang Rindu kasih berpaut

Arranged by: Mohd Hairil Anuar Bari

Biography:
Mohd Hairil Anuar Bari is the Cultural Officer at the Faculty of Creative Arts,
University of Malaya. He is also the instructor in the dance department, teach-
ing Malay folk dance and the KESUMA Ensemble. His is still commissioned as
the dance coach for Kumpulan Kesenian Universiti Malaya (KESUMA).
Dancers:
Ahmad ZulFaridzmi Zainuddin, Muhammad Shahril Aziz, Muhammad Azamud-
din Hajijul, Nadia Hazirah Nazren, Wong Yieng Zhu,Nina Qistina Badrul Hisham.
Music: Zapin Merindu
Music and Songs: Rojer Kajol ft. OMR - Senandung Rojer & Rakan-Rakan.
Videographer & Video Editing: Mohd Hairil Anuar Bari & Ahmad ZulFaridzmi
Zainuddin.

FACULTY OF DANCE, AKADEMI SENI BUDAYA DAN WARISAN
KEBANGSAAN, ASWARA (MALAYSIA)

Background:
Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA) is the only insti-
tution of higher learning in the field of performance, that is currently being
fully supported by the Malaysian Government, under the Ministry of Tourism,
Arts and Culture. It is an institution of higher learning that provides a space for
learning, research and academic publications, as well as professional advice in
the field of arts, culture and heritage, that aims to produce skilled artists and
competent craftsmen of their respective fields, in addition to strengthening the
continuity of the country’s culture and heritage. The Faculty of Dance, AS-
WARA offers courses in a variety of dance techniques (traditional, modern and
contemporary), from all over Malaysia, Asia and the West. The main aim of the
faculty is to produce professional, knowledgeable, as well as high-caliber danc-
ers, who are able to generate ideas when producing works.

Title: Jepin Suara Siam

Synopsis:
According to Persatuan Tidong Tawau, Jepin Suara Siam is believed to have
begun around the early 1900s. During this era, Jepin Suara Siam had a main
sequence or phrase and was accompanied by two musical instruments as well
as singing. In 2005, the song “Jepin Suara Siam” was composed by Persatu-
an Tidong Tawau, and recorded in the Canang Studio. The addition of eight
instruments, as well as singing, gave new life to the song. In 2008, there was an
addition of several sequences to the dance by the third generation of Persatuan
Tidong Tawau, for the purpose of Festival Zapin Nusantara 2008.

he addition of the sequences was at the opening and ending of the dance, as
well as six new phrases that were inspired by jumping, walking, acah and salam
movements, that are found in Jepin Arab Tawau that can be found in another
dance, which is the Jepin Arab Tawau from Sabah.

Arranged by: Al Jabar bin Laura

Biography:
A Malaysian professional choreographer, performer and teacher based in Kuala
Lumpur, Jabar Laura started Sabah traditional folk-dance lessons at the age of
10. He graduated from the National Academy of Arts, Culture, and Heritage
(ASWARA) with a Bachelor’s Degree in Dance with Honors (Choreography) in
2015. He obtained a scholarship to complete his Bachelor’s program from Sime
Darby Foundation and ASWARA Dance Company. He was also awarded Best
Male Actor of Nanning International Theater Festivals (2014), Best Male Dancer
for Short & Sweet Dance Competition (2013). He produced Shifting Winds, a
Mixed-Bill contemporary dance production, and was selected as a participant in
the Southeast Asian Choreolab in 2016. He danced for Japanese choreographer
Un Yamada in the Tokyo, Kuala Lumpur and Kota Kinabalu productions of her
work People without Seasons (2017-2019).

Dancers:
Wong Shan Tie, Siti Nadhziehah Sukarno, Yap Serene, Kim Khoo, Nur Erisya
Adleena Noor Azwan, Nur Syahidah Hazmi, Nik Nur Amalin Nik Musauddin,
Nurhanizah Mohd Sedik.
Dance Reference: Samsul Ismail (Traditional Performer of Jepin Suara Siam),
Mohd Azlan Rosli (Head Dancer of Persatuan Tidung Tawau).
Music/ Composer/ Musicians: Persatuan Tidung Tawau, Canang Studio & Lem-
baga Kebudayaan Negeri Sabah Cawangan Tawau.
Costume: The Faculty of Dance, ASWARA, Hazlami Harun & Douglas Labadin.
Videographer/ Editor: Mohd Nuriqram Azhar, Yap Serene, Kim Khoo.

30 OCTOBER 2021 (SATURDAY)
LANGKAH BERSAMA: VIDEO, DISCUSSION AND HISTORY OF

MAIN ZAPIN 2010 – 2017
PANELISTS:
PROF. DR. JOSEPH GONZALES

Head of Academic Studies/ MFA
Dance Program Leader
The Hong Kong Academy for
Performing Arts,
Hong Kong

Professor Dr. Joseph Gonzales has been a professor at the Hong
Kong Academy for Performing Arts since 2016. He was former
Dean of Dance at the Akademi Seni Budaya dan Warisan Kebang-
saan (ASWARA), Malaysia for 17 years. He is an award-winning
choreographer and producer in multiple genres of traditional,
classical and contemporary dance, theatre, music, and musicals.
His qualifications include a PhD and Bachelor of Science from
University of Malaya, Master of Arts in Choreography from Mid-
dlesex University, Teaching Diplomas in Ballet, Modern Dance
(RAD and ISTD) and Performing Arts (London Studio Centre). He is
an author, curator and producer of international and national pro-
ductions, former Co-Chair Asian Dance Committee, Korea; former
President of MyDance Alliance and Vice-President of Southeast
Asia, and Founder and Artistic Director of ASK Dance Company.

MOHD SETH HAMZAH

Lecturer, The Faculty of Dance
Akademi Seni Budaya dan
Warisan Kebangsaan (ASWARA)

Mohd Seth Hamzah is an expert in traditional Malay dance espe-
cially zapin and now serves as a full time lecturer at the Faculty
of Dance, ASWARA. He served as a choreographer at the Johor
Heritage Foundation (Yayasan Warisan Johor), and Petronas Per-
forming Arts Group (Kumpulan Seni Persembahan Petronas). He
is also involved in the Persatuan Anak Pentas Malaysia (PENTAS)
and was appointed for the National Occupational Skills Standard
(NOSS) as an expert panel member. Among the local and over-
seas programs that he has participated in are the Dance Exchange
Philippines 2010, Asia Pacific International Dance Conference in
2011, Penari Menari UMS 2012, Akar Zapin in DBKL 2012, World
Dance Day Surakarta Indonesia 2013, and Festival Kesenian
MAKSAK 2016. Besides Malay traditional dance works, Mohd
Seth Hamzah also creates contemporary works that have tradi-
tional dance elements such as Belabas, Empat Lilin, Bubu Menari,
Bubu Dah Tak Menari, Selesa Tak! and Siapa!

NORSAFINI JAFAR

Lecturer, The Faculty of Dance
Akademi Seni Budaya dan Warisan
Kebangsaan (ASWARA)

Norsafini Jafar is a Malay Classical dancer, choreographer and
researcher who holds a Diploma and Bachelor of Dance from
ASWARA. She has performed both locally and abroad, including in
China, Vietnam, Sweden, and Singapore. As a choreographer, she
has received numerous awards including the New Dance Creation
Champion for her work Sedarah Seteru in the 2013 Dance Festival,
and Outstanding Contribution Award in Short & Sweet 2014, for
her contemporary work Ratu. She has also published articles from
her study on Malay Joget Gamelan, and presented her research at
the International Conference of Culture and Creativity in Taiwan
in 2014. She was part of the expert panel for Dance, which de-
veloped and reviewed the National Occupational Skills Standard
(NOSS). She has been a full time lecturer at ASWARA’s Faculty of
Dance since 2011, and she is now completing her PhD studies at
the Faculty of Creative Arts, Universiti Malaya.

MOHD YUNUS ISMAIL

Lecturer, The Faculty of Dance
Akademi Seni Budaya dan
Warisan Kebangsaan

Mohd Yunus Ismail completed his Arangetram in March of 2011,
under the tutelage of the Temple of Fine Arts. He was awarded
the BOH Cameron Arts Award for the Most Promising Artist in
2009. He was involved in Bharatanatyam productions by Mystic
Creations entitled Adoration of ... Ganga in 2011 and The Legend:
The Journey Begins in 2009 with Maya Dance Theatre in Singapore.
In 2010, he took part in an exchange program at the Kennedy
Arts Center in New York and Philadelphia. He was also one of the
six finalists for the reality TV show So You Think You Can Dance:
Malaysia, Season 1. He was appointed as a choreographer for the
concert License to Thrill, a Bond Concert produced by Limelight
Entertainment that was held at Istana Budaya or also known as the
Palace of Culture in 2014. In 2015, he won the Best Choreogra-
pher in a Mixed-Bill from the BOH Cameronian Arts Awards-12.
He was also awarded among ten dancers for the New Generation
Malaysian Cultural Dancers from RHA Media and is now a full time
lecturer at the Faculty of Dance, ASWARA.

30 OCTOBER 2021 (SATURDAY)
ZAPIN: THEN & NOW

PANELISTS:
HAFZAN ZANNIE HAMZA

Lecturer, Faculty of Music and
Performing Arts, Sultan Idris
University Education (Malaysia)

Hafzan Zannie Hamza holds a Master
of Arts degree (Performing Arts –
Dance) from the Dance Department,
University of Malaya.

He is trained in Malay traditional dance and Malay martial arts, and has
performed in various dance performances and workshops in Malaysia and
abroad. His main research for his doctorate study (2018 – ongoing) fo-
cuses on Malay folk dances – Malay Ronggeng and dance of the maritime
communities along the Malacca Straits coastline. He has done extensive
ethnographical research and published on dances of the Sea Bajau (Bajau
Laut) community in Sabah since 2006, and more recently was the Produc-
tion Editor for the 3rd Proceedings of the Symposium (2015) of the Inter-
national Council for Traditional Music (ICTM) Study Group on Performing
Arts of Southeast Asia (PASEA). He currently serves as an editor for two
renowned journals in performing arts: (1) Malaysian Music Journal and
(2) Jurai. In 2015 he served as external examiner for the Diploma and
Bachelor of Dance programs at the Akademi Seni Budaya dan Warisan
Kebangsaan (ASWARA). He is a recognized adjudicator for schools, uni-
versities, and national dance competitions. He is also one of the authors
for two dance textbooks for Malaysia Arts School Malaysia (Sekolah Seni
Malaysia). He also serves as a part-time lecturer at ASWARA (2018 –
current) and has taught Malay dance at the Dance Department, Cultural
Centre, University of Malaya (2013 –2016). He currently serves as a full-
time dance lecturer in the Performing Arts Department, Faculty of Music
and Performing Arts, Sultan Idris Education University (UPSI).

DAYANG ATIKAH RUMAIZAH DR.
HAJI AWANG HARUN

Education Officer and The
Headmistress of Bengkurong
Primary School (Brunei)

Dayang Atikah Rumaizah Dr. Haji Awang Harun currently works as
an Education Officer as well as the headmistress of Bengkurong
Primary School, Cluster 4 in Brunei. She holds a Bachelor of Arts
in Primary Education (English) from Sultan Hassanal Bolkiah In-
stitute of Education (SHBIE), Universiti Brunei Darussalam. She
was the head of the group Pembela Hana Dancers in the Brunei
December Festival in Belait and Brunei Muara in 2017. In the
same year, she led the delegation to the International Youth Con-
ference, Cultural Exchange and Camps in Padang, West Sumatra
Province, Indonesia. In 2018, she was one of the panel presenters
in conjunction with the Korean Youth Exchange Program in Be-
lait, Brunei Darussalam. She also led a group to Kulai Jaya, Johor
Darul Takzim, West Malaysia, to participate in a traditional zapin
dance course that was conducted by the Persatuan Penggiat Zap-
in Johor.

DR. MUHD NORAMIN MOHD
FARID

Associate Artistic Director of
Bhumi Collective (Singapore)

Muhd Noramin Mohd Farid – or Soultari Amin Farid, as he’s bet-
ter known, trained in Malay dance with Perkumpulan Seni. He is
a choreographer, arts educator and researcher and the Associate
Artistic Director of Bhumi Collective, a multidisciplinary perform-
ing arts and producing company in Singapore. In addition, Amin is
also the co-founder and President of a 20-year-old Malay dance
organisation, DIAN Dancers. Amin is a recipient of the ASEAN-In-
dia Youth Award (2018), Singapore Youth Award (2017), National
Arts Council Scholarship (2017) and Goh Chok Tong Mendaki
Youth Promise Award (2016). He holds a PhD in Theatre, Drama
and Dance Studies, from Royal Holloway, University of London,
United Kingdom

DR. RINA MARTIARA, M. HUM

Lecturer, Institute of the Arts,
Yogyakarta (Indonesia)

Dr. Rina Martiara, M. Hum is a lecturer at the Indonesian Insti-
tute of the Arts, Yogyakarta. She teaches Sumatran Dance, Dance
Sociology and Structural Dance Analysis. She finished her studies
at the S1 level at the Indonesian Institute of the Arts, Yogyakarta,
the S2 level at the Universitas Gadjahmada, Yogyakarta, and S3 at
the Universitas Airlangga Surabaya. Among the articles that have
been written by her are Cangget sebagai Pendidikan Humaniora
pada Masyarakat Lampung, Cangget sebagai Pengesah Upacara Per-
kawinan pada Masyarakat Lampung, Tari Gending Sriwijaya: Pemili-
han sebuah Identitas Budaya, Citra Sriwijaya: Sebuah Perancangan
Tari, Analisis Simbolik Kyrie Eleison Karya Anna Wahyu Prasetyowati,
Cangget sebagai Identitas Kultural pada Masyarakat Lampung, Tari
Gandrung Terob sebagai Identitas Kultural Masyarakat Using
Banyuwangi, Malay Dance: Expression on Maritime Society.

DR. KAMARULZAMAN
MOHAMED KARIM

Lecturer, Faculty of Music and
Performing Arts, Sultan Idris
Education University (Malaysia)

Man Tabla is the stage name of Kamarulzaman Mohamed Karim,
a lecturer at Sultan Idris Education University (UPSI). Prior to re-
ceiving his formal music training, he was involved, from a very
young age, in the traditional Malay Ghazal from the State of Johor,
through his participation with Seri Melati Ghazal (which was found-
ed in the 1960s), under his father’s keen tutelage. Ghazal music has
been inspirational in advancing his studies in Music Composition.
He graduated with a Diploma in Music in 2002, and a Degree in
Music Composition in 2005, from Universiti Teknologi Mara, Se-
langor. He obtained his Masters in Music Composition from Insti-
tut Seni Indonesia (ISI), Yogyakarta, with his creation entitled Ratib
Rewind, in the period 2008-2010. In 2016, he obtained his PhD in
the same field at Institut Seni Indonesia, Surakarta with his creation
GhaMuhyi. He is currently the President of Persatuan Ghazal Johor
Malaysia (GHAJMAS).

ASST. PROF. THATSANIYA KANTACHA
Lecturer, Songkhla Rajabhat
University (Thailand)

Assistant Professor Thatsaniya Kantacha ob-
tained her Master of Fine Arts (Thai Dance)
from the Faculty of Fine and Applied Arts,
Chulalongkorn University. She has received
numerous awards. Among them are:
-Tari Dikey Hulu, the First runner up prize from The Folk Music and
Dance Competition “Ruamsilp Pandin Siam” 2019 for Her Royal High-
ness Princess Maha Chakri Sirindhorn’s Cup, hosted by Department of
Cultural Promotion, Ministry of Culture;
-Zapin Zakapuzire, the First runner up prize from The Folk Music and
Dance Competition “Ruamsilp Pandin Siam” 2019 for Her Royal High-
ness Princess Maha Chakri Sirindhorn’s Cup hosted by Department of
Cultural Promotion, Ministry of Culture;
-The First runner up prize from FESTIVAL OF COLOURS OF THE
WORLD (FESCO 2019) in the International Folk Dance category at
Universiti Teknologi PETRONAS, Malaysia;
-The Creative Rongngeng: Ma Inang Java, attending The Folk Music and
Dance Competition “Ruamsilp Pandin Siam” 2020 for Her Royal High-
ness Princess Maha Chakri Sirindhorn’s Cup hosted by Department of
Cultural Promotion, Ministry of Culture;
-The Creative Rongngeng: Jintasayang, attending The Folk Music and
Dance Competition “Ruamsilp Pandin Siam” 2020
-For Her Royal Highness Princess Maha Chakri Sirindhorn’s Cup hosted
by Department of Cultural Promotion, Ministry of Culture.

31 OCTOBER 2021 (SUNDAY)
MAIN PERFORMANCE - CLOSING NIGHT

FACULTY OF DANCE, AKADEMI SENI BUDAYA DAN WARISAN
KEBANGSAAN, ASWARA (MALAYSIA)

Background:
Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA) is the only institu-
tion of higher learning in the field of performance, that is currently being fully
supported by the Malaysian Government, under the Ministry of Tourism, Arts
and Culture. It is an institution of higher learning that provides a space for
learning, research and academic publications, as well as professional advice in
the field of arts, culture and heritage, that aims to produce skilled artists and
competent craftsmen of their respective fields, in addition to strengthening
the continuity of the country’s culture and heritage. The Faculty of Dance,
ASWARA offers courses in a variety of dance techniques (traditional, modern
and contemporary), from all over Malaysia, Asia and the West. The main aim of
the faculty is to produce professional, knowledgeable, as well as high-caliber
dancers, who are able to generate ideas when producing works.

Title: Bedana

Synopsis:
Bedana is a zapin dance which has been arranged and developed from existing
sequences from the zapin dance. Bedana has lots of play with the footwork,
floor patterns, song, and tempo that creates a lively environment.

Arranged by: Mohd Seth Hamzah

Biography:
Mohd Seth Hamzah is an expert in traditional Malay dance especially zapin
and now serves as a full time lecturer at the Faculty of Dance, ASWARA. He
served as a choreographer at the Johor Heritage Foundation (Yayasan Warisan
Johor), and Petronas Performing Arts Group (Kumpulan Seni Persembahan
Petronas). He is also involved in the Persatuan Anak Pentas Malaysia (PENTAS)
and was appointed for the National Occupational Skills Standard (NOSS) as
an expert panel member. Among the local and overseas programs that he has
participated in are the Dance Exchange Philippines 2010, Asia Pacific Inter-
national Dance Conference in 2011, Penari Menari UMS 2012, Akar Zapin in
DBKL 2012, World Dance Day Surakarta Indonesia 2013, and Festival Kesenian
MAKSAK 2016. Besides Malay traditional dance works, Mohd Seth Hamzah
also creates contemporary works that have traditional dance elements such as
Belabas, Empat Lilin, Bubu Menari, Bubu Dah Tak Menari, Selesa Tak! Siapa!

Dancers:
Siti Nadhziehah Mohd Sukarno, Yap Serene, Kim Khoo, Nur Erisya Adleena
Noor Azwan, Nur Syahidah Hazmi, Nik Nur Amalin Nik Musauddin, Nurhanizah
Mohd Sedik, Low Xin Ping, Muhammad Nur Hilmi Rosli, Muhammad Shazwan
Mohd Soef, Aramy Rasyid Mohamed, Harries Mapan Anak Morris.
Music: Zapin Adik Abang
Songs and Lyrics: Zamzuriah Zahari
Composer: Syahrizan Sahamat
Singers: Nor Azura Abu Bakar & Azizul Haqim Anuwar.
Videographer: Kashfy Empire Sdn Bhd

SANGGAR SENI ELANG PERKASA (INDONESIA)

Background:
The Elang Perkasa Art Studio is a traditional Malay dance group located in the
city of Batam, Kepulauan Riau, Indonesia. We care and are deeply concerned
about the development of Malay dances in Batam Island, and would like to con-
tinue to improve it for the young generation.
Title: Zapin Sayang Serawak
Synopsis:
Zapin Sayang Serawak is a traditional dance found in Riau. The title of this
dance is from the accompanying music, which is Sayang Serawak. This dance
is usually performed in pairs or groups of dancers. Starting off with salam and
langkah biasa, this dance features 11 sequences of different footwork.

Arranged by: Aziah

Biography:
Aziah is the head of Sanggar Seni Elang Perkasa Batam from 2005 until now.
She was born in Batam Island, Indonesia, and is now 43 years old. She was also
a dancer in Tari Nusantara 2011 and is an activist of Malay Traditional Dance
of the Riau Islands. Currently, she is a lecturer in Malay Ethnic Dance at the
Universal University of Batam, Indonesia.
Dancers:
Fatihah Melati Azhari, Intan Nadya Sari, Agnecia Grisselda, Wanda Azizah.
Videographer & Editor: Rudy Hartono S.Sn
Art Director: Maria Regita Marpaung S.Sn
Make Up and Accessories: Meisyawati

SRI WARISAN SOM SAID PERFORMING ARTS LTD
(SINGAPORE)

Background:
Sri Warisan, formed in 1997, is a performing arts company founded by a re-
nowned Cultural Medallion recipient, Madam Som Said. It is one of the pivotal
forces in Singapore’s Malay dance scene. Blending rich traditional forms with
contemporary techniques is Sri Warisan’s trademark. Its performers are trained
to excel in multi-disciplinary art forms such as dance, music, theatre and multi-
media.
Currently, Sri Warisan is led by Adel Ahmad, together with 30 performing artists
and more than 200 student members who are committed to developing profes-
sionalism in the performing arts, reaching out to children, youth and adults. Ev-
ery year, Sri Warisan performs at more than 200 local events and 10 overseas
festivals. Their instructors conduct more than 3,000 courses and workshops at
schools. Sri Warisan recently conducted an intensive traditional Malay dance &
music workshop for the cast of the Musical LION KING (Singapore), at Marina
Bay Sands in January 2011.
Since 1997, Sri Warisan’s activities include participating in more than 150 inter-
national events and festivals in Belgium, Brunei, Canada, China, France, Greece,
Holland, India, Indonesia, Israel, Italy, Japan, South Korea, England, Malaysia,
Nepal, Philippines, Spain, Thailand, Turkey and United States of America.

Title: Zapin Telok Belangah

Synopsis:
Telok Belangah is a historical area in Singapore. Zapin Telok Belangah captures
the life in Telok Belangah which is harmonious. The young generation work
together and are respectful of each other. The dance phrases are based on the
basic sequences of Zapin Asyik such as ragam Alif, ragam bunga zapin such as be-
ralih tempat, siku keluang, ragam titi batang, and ombak mengalun which is varied
with a special movement arrangement. The essentials of zapin such as taksim,
Alif, ragam asas, wainab and penutup are preserved.

The floor pattern is based on the gentle and polite interaction between youth.
Zapin Telok Belangah was created especially for the performance of Sri Warisan
Som Said Performing Arts, at Bintan Zapin Festival in Tanjong Pinang, Indone-
sia. This debut performance at the festival was well received and this dance
went on to become a part of the repertoire in every Sri Warisan performance,
both locally and abroad. Composer Zubir Abdullah remains at Sri Warisan and
is responsible for producing various commissioned, themed works produced by
Som Said, as well as several other choreographers in Sri Warisan.

Arranged by: Som Said

Biography:
Som Said received the Cultural Medallion award in 1987, and has been bringing
Malay dance to an international audience since the 1970’s. She holds a degree
in Dance Anthropology from the Jakarta Institute of the Arts (IKJ) in Indonesia.
In 1983, she studied The study of Asian Performing Arts in contemporary dance
creativity under her Master, the late Bagong Kussudiardja (PSBK – 1983). In
addition, Som Said was awarded the study course on Labanotation in Solo
(1989), Indonesia, and Nanyang Academy of Fine Arts (NAFA) Singapore (1990).
She has also been recognised for her work with the nation’s children, winning
the National Youth Award in 1979. In 1992, she received her PBM, ‘Pingat Bakti
Masyarakat’ Award from the President of Singapore and in 2009, she won the
most prestigious award in Singapore ‘Berita Harian Achiever of the Year’. With
Som’s more than 50 years of successful experience in promoting, producing and
directing dance, Sri Warisan Som Said Performing Arts Ltd seeks to continue to
play an expanded role in the promotion of culture and arts education, aiming to
make arts accessible to all.

Dancers:
Syaiful Nizam, Rifdee Othman, Cameron Bruce, Syakir Fazalee, Faiz Ali, Isfari-
sha Sakina, Zahidah Qurratuaini, Dina Nerina Hamzah, Izyan Musfiroh, Iramaya
Sophia Hamzah.

PERSATUAN PENGGIAT ZAPIN NEGERI JOHOR (MALAYSIA)

Background:
Persatuan Penggiat Zapin Negeri Johor is a non-governmental organization es-
tablished in 2010 and is registered under the Jabatan Pendaftaran Pertubuhan
Malaysia. They conduct activities especially for zapin, and this group consists
of experts for many forms of zapin and also their descendants. They preserve,
conserve and keep the originality of the forms of numerous zapin dances
and give exposure, guidance and reignition to the movements of Zapin Johor.
Besides actively performing locally and internationally such as in Singapore and
Indonesia, they have collaborated with numerous other bodies including the
government, in upholding the integrity of the dance form of zapin.

Title: Zapin Lapis Batu Putih

Synopsis:
Zapin Lapis Batu Putih developed in Kampung Parit Lapis Batu Putih, Batu Pa-
hat, Johor. It was created by Allahyarham Tuan Haji Jaafar Haji Aris and is now
inherited by Ahmad Nor Haji Jaafar. The movements of this zapin are influ-
enced from Zapin Arab because Tuan Haji Jaafar learnt this dance from Sheikh
Syed Hassan and subsequently continued to develop it in Kampung Parit Lapis
Batu Putih. This dance has four types of steps and the speciality of this zapin is
that it has “tengteng” movements. This dance is usually performed during cele-
brations and big events. This zapin is adapted from the game “tengteng” which
was a traditional childrens’ game in the old days. This game tests the strength
of one’s feet, as the player jumps around, following the shapes drawn on the
floor. The movements of Zapin Lapis Batu Putih are extracted from the game
from the beginning till the end.