portfoilio DS2

PORTFOLIO

DESIGN STUDIO 2

SEREEN AL YOUSSEF

21033379







PROJECT ONE

Curating Bristol: An Urban Promenade
Starting Block Vertical Project

Pictures From The Site

Display within the Urban Environment

Side View of Enterance Close-Up View of Building

Front View Of Building

Window - Stair View

Inside View of The Building

Wide View Of The Site Roof - Beam View



An Urban
Promenade

Display within the
Urban Environment



Histroical Influences Nolli Plan
Combining Reality with Paper
Photo Collage

Initial Orthographic Drawings

Floor Plan -A

A-

Section A-A

Architecture In-between: The Urban
Threshold Starting

Block Vertical Project



Precedent Studies Sculpture Display - Projection

Artist James Turrell builds Vértigo Horizontal. The Argen-
a Skyspace in the Austrian tine Pam-pas at the Architecture
mountains Biennale 2018

Lightroom Why we used him as our An American design firm called Diller Sco- Diller Scofidio + Renfro
Long tunnel that has been prece-dent?Jame Turrell use of fidio + Renfro combines architec-ture, the
aligned with views of Biberkopf space to nar-row down the users visual arts, and the performing arts.slow The dark hall contains a glass paral-
peakDomed ceiling frames unob- line of sight. Our concept makes home movementcamera pointed towards the lelepiped The perimeter walls display
structed views of the skyA single users focus on the exhibition by window’s picture window and supplying the a linear progression of design sketch-
chamber, with a round, oval or drawing them in with what we monitor with the water viewThe view might be es which describe the architectural
square ceiling apertureInside the want them to see. delayed—day replayed at night, good weather production of the last decades, with
structure is an oval 9-me-ter-di- replayed in screen in front of the picture win- differing pro-grammes and scales.
ameter volumeIn this project, dow’s Composite view collapses the distinc- The horizontal line of the designs,
light plays a significant role at tion between the genuine and the me-diated one’s gaze settles on the central glass
Green Mountain Falls, which has because it is never in register. In 24 displays, house. Once inside, one discovers
a rectangular skylight surround- the house’s history is explained. that the glass panels are mirrors
ed by colour-changing LEDs- which amplify the layer of turf to
Granite floor, which reflects the infinity, under a projection of the Ar-
sky above.Has heated concrete gentine sky, which changes with the
passing of time. There are no hierar-
chical subdivisions, only structures
which are somatic, spontaneous,
representing collaboration, contam-
ination and resonance. From inside
the cube, the designs can be seen
through the glass, in corre-spon-
dence with the horizon, symbolising
synergy and reciprocity.”



Process Sketches

Form Investigations - Display Iteration

Rough Drawing of a Stoa

Rough drawing of Stoa

Rough plan of The Stoa Rough Section of The Stoa Idea

Rough 3D Model of The Stoa Rough Section drawings of Stoa

Concept Diagrams

Iterative Sketching

Outside View of The Stoa Boundary Diagram
Front View To Show Our Idea Public/Private Diagram
Movement Diagram
Changes Happened In The First Floor

Final
Drawings

Plan

Section - Elevation









Modelling

Scale 1:50 - Card - Mirror perspex

The Point of View From The Inside

Final Model: Front View

Rough Model: Front View Rough Model: Inside View

The in side of the rough Model Rough Model Idea



PROJECT TWO

Live/Work Viewing Device

Camera Obscura

Camera Obscura process - Section/Plan (1:10) - Results

Camera Obscura - Sketch Model 1

Observations:
-I made the small opening a little too big so it ruined the “image” on the tracing paper. The
small opening caused the images look extremely blurry.
- The peep hole is was way too big. I tried to small it smaller by using cardboard to make it easi-
er to use my phone camera to block out the light. It ended up working well.
- I ended up deciding to make a new model since the opening was still too big.

Camera Obscura - Sketch Model 2











“The camera obscura to those unacquainted with it has a magical effect- the
movement of persons and animals and the waving of foliage, the coming and
going of ships being bought into the picture with the vivid colouring of nature
and affording high gratification to the observer from the continual changes and
varying effects of light and shade upon the landscape”

Text from the observatory board (until 2015)



Camera Obscura Portable (In Twos)

With Pranjal



Rachel Whiteread type Folded out box
photographed

Seeing a great piece of art can take you from one
place to another—it can enhance daily life, reflect
our times and, in that sense, change the way you
think and are.
—Rachel Whiteread

Site Survey

Site Plan - Rough drawings - Developed Surface Drawing - Types of
Inhabitations - Forensic Photo plan - Photogrammetry model survey





Floor Plan
1:100



Developed Surface Drawing

This drawing is one plan and 4 elevations, so allocate one to
each member of the group, photograph and roughly
sketch out each, with dimensions measured on (no furniture
to be included. only the architectural elements, windows
doors etc). Finished drawing at 1:1, either hand drawn on
large sheets of paper (pencil/trace) and/or CAD printed.
This will be the base drawing for the printed overlays