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ผลงานสร้างสรรค์

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ผลงานสร้างสรรค์

ผลงานสร้างสรรค์

THAILAND PARINYA TANTISUK Title of the work “Kaeo Chao Chom Tree” Technique Acrylic on canvas Size 60 x 60 cm. Concept Happiness and peaceful lives from simple living SANNARONG SINGHASENI Title of the work “Blue in May 2022” Technique Acrylic on canvas Size 80 x 100 cm. Concept My work is directly related to colors in the form of abstract in combination of traces created by large and small brushworks in harmonious relationship which the colors are formed in dierent dimension and act independently. Each color has its own power will stimulate and urge perception to the viewers not only in vision but also a perception in mood and mental feeling. SUPACHAI SUKKEECHOTE Title of the work "Thonghkaw and Children63" Technique Watercolor on peper Size 38 x 28 cm. Concept Love, happiness, warmth in the family, the love of the mother cat life to the children. And as with all living things on this world WORAPONG ARUNRUEANG Title of the work "Traces of Love" Technique Lithograph Size 40 x 60 cm. Concept Creation of things up on this world to rely on two things that cannot be separated Just as males and females must coexist in order to proliferate. which these beliefs It is something that happens based on the origin of things. Naturally, life originates, inherits, and continues for eternity


CHOLLADA CHANPRASOPPHON Title of the work “Restrospective 1” Technique Etching Size 23 x 27 cm. Concept The beauty is dierent to each person, someone is perfect, someone is bright but it is body senile dementia for me. All life will die in someday but the most thing is memory after dead. Time changes everything agedness. Lotus is beautiful then it will die. Lotus seeds fall from young lotus but it will grow up like the baby will be the boy and adult in the future. The bosom is young lotus, bring child up with love. It is real gorgeous of life. SOMYOT KUMSANG Title of the work "The factor " Technique Crayon on paper Size 110 x 80 cm Concept In nature, there are several things which are unsustainable. This whole thing is a cyclical phenomenon from the consolidation of factor that can be changed, happened and gone. PRASIT AKKHARAWATTHANASIR Title of the work "Milky way angel " Technique Fiberglass Size 80 cm. Concept Whoever has been collecting virtue until nd the enlightenment so they can sense all things from both past and future which is the awareness of birth of those people SOMPORN TAEMPRASIT Title of the work "Relationship of Objects to the Environment" Technique Soil, Latex on Canvas Size 60 x 80 cm. Concept The appearance of an object is the relationship between an object and its surroundings


VIETNAM THONG UDOMPOL Title of the work "Dang 2022" Technique Mixed Painting Size 50 x 50 cm. Concept Creation of things up on this world to rely on two things that cannot be separated Just as males and females must coexist in order to proliferate. which these beliefs It is something that happens based on the origin of things. Naturally, life originates, inherits, and continues for eternity DO KY HUY Title of the work “Spring, Rocks and Snails” Technique Tempera on "Do" paper Size 60 x 60 cm. Concept The adoption of semiabstract and symbolic elements in this series of works developed from my interest in the rock paintings of indigenous people of Sapa mountainous area (Vietnam). Along with the use of symbolic elements, by employing the palette of natural colors I would like to convey the theme fertility and the everlasting mystery of Life and Nature. LE BA CANG Title of the work “The Far away Rampart” Technique Lacquer Size 100 x 140 cm. Concept The artwork present artist feeling about existing and hidden values about the cultural area of Hue - the ancient city. The far away rampart is a metaphor for tombs, rampart contains cultural values where the author lives and immerses himself in it. The artwork is a composition that reconstructs objects and non-objects according to the arrangement of the mind. LE THI MINH NGUYET Title of the work “Flower No.12” Technique Drawing on acrylic sheet Size 100 x 100 cm. Concept Drawing the ower that my children gave to me.


NGUYEN THI HIEN LE Title of the work “The Nostalgia” Technique Aquatint Size 27 x 42 cm. Concept The work is the author's nostalgia for the quiet and ancient corners, where the past is full of splendor. PHAN LE CHUNG Title of the work “The Old way” Technique Acrylic on wood Size 80 x 140 cm. Concept Looking back in the past. We see old silhouettes, old images that have sunk into oblivion. PHAN THANH QUANG Title of the work “Dance” Technique Wood Size H: 25 cm. Concept Cham-Pa culture is a long-standing culture of Vietnam, leaving many unique and rich artistic images. I often use them in my sculptures. I really like this culture. TRUONG THIEN Title of the work “Fragment on wall” Technique Photography Size 39 x 49 cm. Concept Pieces left from the residential area living on the wall - Hue citadel. Pieces of work Bờ thành projec.


UNITED STATES OF AMERICA ITALY EDEM ELESH Title of the work “The Wayfarer” Technique Oil pastel on canvas card Size 7 x 5 x 7 in. Concept In March of this year I was the rst artist invited by The Wayfarer Group to document the Almond Blossom Festival in Modesto California. I decided to celebrate this event, the outdoors (after the 2020/2021 lockdowns), and the harvest (and our collective reliance on it) by creating on site, open air, oil pastel studies. My art representative Petra Wright of Gloria Delson Contemporary Arts and I called this approach art gangsta style. MENTHE WELLS Title of the work "Two Lovers 2022" Technique Mixed media painting Size 200 dpi Concept Two Lovers theme which I am developing in painting CARLA VIPARELLI Title of the work “Walking on Venus” Technique Oil on wood Size 100 x 100 cm. Concept Every step we take walking silently in nature connect us to other dimensions of life. Our perception gets bigger and we experience intuitions, visions, hopes,etc.. Nature is the laboratory where to learn how to build a better future.


CHINA SHAN HUA LIU Concept Screen and Lotus: The work depicts a computer and two withered lotus seedpods. The screen of the computer shows an image of a lotus ower painting in Song Dynasty. In the screen and in the painting, the lotus ower will be xed always at the most brilliant moment and exist eternally in its most gorgeous shape. Its beauty stands the test of time and never changes even after thousands of years. In contrast, the two withered lotus seedpods lie on the keyboard, symbolizing the real life, particularly the current moment of life. In the face of the reincarnation of life, the glory is eventually reduced to dullness. However, the cycle of life, the eternity, and the single moment in life all deserve appreciation. JIA WEI Title of the work “Visual identity design for the tea industry” Technique Adobe Photoshop and Illustrator Size 25 cm. Concept The traditional tea has been rejuvenatedandcombined with its own professiontoshowamore national and modern at imagedesign. "Guan Nan" is dedicatedtowatchingthe tea of the south, and the attitudeof making the best tea by heart despitethehardships of searching, actively advocating"respect for health, dedication tosociety, tribute to nature" to make the traditional teatea culture more modern designconcept, and more traditional art The designismodern and has a traditional artisticcharm. The overall style is simple and closetonature ZHU HONGDI Title of the work “KITE WEI” Technique Sand swallow printed deerskin velvet, air layer composite deerskin velvet, elastic Pu, articial leather, oil waterproof cloth. Size 42 x 29.7 cm. Concept Inspired by the skeleton structure of the sand swallow kite of Wei, the traditional Chinese technique of kite ying inTianjin, the structural elements of the traditional Chinese technique of kite ying were combined with modern Western cutting structures, the use of a variety of sleeve, collar, open body structure and kite-shaped accessories to increase the fun of clothing, is intended to promote Chinese folk skills so that traditional skills are not limited to a single eld, integrated development.


WANG RU Title of the work “Singing in the depths of the NEON” Technique Polyester ber, Translucent Matte TPU、Recycled Wool felt Size 42 ×29.7 cm. Concept Inspired by the solar term, it combines wool bers of dierent colors with deconstruction and righteousness style clothing. The fabric is crisp and clean. The contrast of material, color and texture reects the beauty and connotation of the clothing. An abstract, multi-stylistic deconstruction of the solar term, reecting the diversity of ber art design, modern design concepts and the continuation of the solar term spirit, with the western form of the interpretation of the eastern meaning, more has a kind of “Subtle fragrance oating”Oriental charm YAOBIN Title of the work “Unbounded” Technique Silk / Cotton and linen Size 35 x 18.47 cm. Concept This series of clothing is improved on the basis of traditional Chinesehanfu styles. Add screen, frame, fan and other design elements intheform to facilitate the creation of clothing. It aims to showand inherit traditional Chinese culture and carry forward the spirit containedinChinese Han culture through the combination of Chinese paintingandHanfu. The Chinese culture ows out like a spring and moistens thetraditional Chinese culture, and the broad and profound Chineseculture is clearly reected in the clothes. The formless networkis themost formless network of all created patterns. ZHAOJING/RUIYUAN YANG Title of the work “Touch my abdomen” Technique Cream gel , organza, space cotton,woolen thread Size 130 x 40 cm. Concept This series of works takes the traditional patterns of Bao Xiang Hua and Tang Dynasty as the main inspiration. Because it was common in the Tang dynasty to regard at as beautiful, the expression of fatty curves was extracted no one could dene beauty. HAN SIYUAN Title of the work “The Xuedon” Technique Texture fabric、Computer drawing Size 21x29.7cm. Concept The Xuedon is one of the traditional Tibetan folk festivals’ name.This design taking the folk performing culture inherited from the Xuedon Festival as the design point, performance form and content of the Tibetan opera in the core part of the design.


TURKEY CROATIA GERMANY BRICAN AYDOGDU Title of the work “Distatant” Technique Mixed technique on paper Size 25 x 35 cm. Concept I used the art of marbling ( colors oating in water ) , an important technique in traditional Turkish painting , as a collage . Colors oating on the water inspired me for the distant image . It is fun to combine other materials besides paint . And I think it makes you feel closer to discovering the boundaries of the art of painting ... ROMINA DUSIC Title of the work A Minute for the World Technique Oscilloscope graphic Size 25 x 35 cm. Concept The image is part of a series of oscilloscope graphics , where sound is converted to image and visualized . MARTHA HIESSNER Title of the work “Folding A” Technique Digital Collage , High End Photography , mounted on Aludibon Size 90 x 90 cm. Concept Painting has not exhausted its limits by entering the digital age ; on the contrary. It seems to have gained new perspectives", as my digital works demonstrates. The basis of many of my series is waste material from painting. Through computer - generated editing, a new virtual space is created. DORIS HAFNER Title of the work “Weightless Thoughts” Technique Acrylic Paint on acrylic glass Size Diameter 96 cm. Concept To use the transparency of the glass disk to resemble the endless space of the sky. The acrylic painted clouds are oating in this space like free thoughts in the space of your spirit.


POLAND DOMINICAN REPUBLIC CANADA ALINA DORADA - KRAWCZYK Title of the work “REINCARNATION” Technique Mixed technique, canvas, painting loom Size 80 x 150 cm. Concept The dimension of our synthetic personality in a new mysterious, space and life dependent on complementation A small history of sensations, feelings.state of mind and spirit, subjected to philosophical supplementation, ensures transformation and DURABILITY EUNICE MATEO Title of the work “Orange Dawn” Technique Oil on canvas Size 120 x 160 cm. Concept The Beginning of attempts to engineer a better future for humanity through intelligent design. The lines and swirls represent the precision available with technology, and their arrangement is both random and curated, showing the still - imperfect quest to blend technology and the organic. JOHN SCHEVERS Title of the work “SISU” Technique Mixed media on canvas Size 135 x 240 cm. Concept Strength of will, determination and perseverance. This painting is dedicated to my artist friend, Carolien de Brower who just passed away. My art is about transformation and the space in between


INDONESIA M. AGUS BURHAN Title of the work "The Fight Never Ends" Technique The painting was made using oil paint on canvas, consisting of two panels Size 150 x 200 cm. Concept "The Fight Never Ends" depicts a reection of the ideological struggles and socio-political views of gures or between groups of people. This painting is made in an expressive decorative style, by showing two groups of gures facing and contradicting each other with their respective allegorical or symbolic attributes, such as weapons, normative scriptures, banteng, and garuda. The setting is in the ruins of a building or ship. DRA. TITIANA IRAWANI, M.SN Title of the work “Three Circles of Life” Technique Welding materials: exhaust iron/exhaust waste and motor vehicle parts Size 96 x 68 cm. Concept This artwork depicts 3 circles of life stories, each story is in a dierent circle shape.I describe 3 diverse life stories, full of challenges, loneliness, and joy united in the struggle of life. SATRIO HARI WICAKSONO Title of the work “Hollow” Technique Pencil on Paper Size 31 x 22.5 cm. Concept Often what is displayed by the individual in his daily life is not a mental state that an individual feels. Not infrequently, a person must hide his emotions, look ne and use a mask to socialize with his environment. This negative emotion is piled up and leaves a massive hole in a person's life, making it a time bomb that is ready to explode.


HARTOTO INDRASUWAHYUNTO Title of the work “OJO DUMEH calligraphy, Javanese traditional noble teachings” Technique Acrylic, collage on canvas Size 100 x 80 cm. Concept The noble teachings of Java OJO DUMEH (don't be arrogant, feel that you are thebest at everything) is a teaching of behavior that is still very relevant to life and humanity in this world and the hereafter. Dendi Suwandi Title of the work “Bulan di Pangkuan (Moon on Lap)” Technique Subtractive/Black Stone Size 25 x 25 x 20 cm. Concept Expecting the impossible


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