Watchmen comic

, across ^TE-eeT sov5 with

^WCUT[n6 OUT&IDe Pl^TURSeP FCi-pep IT, HIP rn^ipe TacK^T.

osteep wrTHOUT Pe(ift0v(n& i^lTHOUT MY Face
Tue ^k:[n tKi^jv Mv weac? ,
TKoeoea TMfin t twoujSmt

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^ ^a^ OUT o{^ eooM ^OUT in ^TceeT.inspecTeo on FDfiTf^TM ano ^BvenTU,
DiDn'T Kno^ Me.
mer LanoLCxov. usual D^PaceD ftuiLoin^-^rLMDueTie
a^r>T "f'-'^ff^ weee pu^pl^ PiCTuP^ in DOOffWftY^ wan onD
WHITE hieci^ foeenone^

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c:^
an aFP^Aia^PCRHOPs? PiP

ManHCiTTan'3 extLS to

TMI^H IT MEWS" WORLD SBNBATH, -iV.JL Z3; CUff€B
COULO ALL VENDORS Wt^&?B OQOWKtEO LINK
COULO NOT
TV 0MOW&, A MAPMA^/ pfeCB THBM

AT ME TD&en-fSff NOT
S^fTO A fAce

RjJ:r AFGHAN istAN: IS
PAKISTAN MEXT ? ^^
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OM WOW^ WHAT i^ WA^ ^CAI?HD THB5e I THINK AAAVge
ITWJTW eveRVgDDV
^WA6 t&ONMA SB A eouHOMECE. All
TODAY? ev^B?V60DV'^
tV&flff ' ISN'T THAT THl5f^(5ypT'/^V
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p0ArH miP_ OUMB ? ^TUPF. IT'^ VERV

LIKE CN THE MQSOOV W^ULD osiseesep wiTM
BE CjeAiy EI^OUSH TO
^OM^ 6UV WEMT NUT^, STACTOnE . ^C? WHVig
KILLED HI^*C^£>S YOU
EVEJ^YgODV C»N 5LICH
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PEATH WA5N PDMT YDU ^W^I MEAM, fr?L-OeiA
D THAT A LO&INt' TEM Y W^NOERgf UT
MORSiP TO
A C0AAR:?RTfN6 ^RE O^WFOPTIW^
THEY^^Vy !T
CN A VOVA6E TMCJLJ6MT My K TW0U6MTS..
DF ePrClTUAL
^THOUGHT, ^Ftf^fTUAU









THINGS

TO COM

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WOMEN ^/^
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f^OQ. PEACE RECORD HAD

AND* ENL16HT-
ENArtEMT

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UrtOQfB Musoe^
TE?IE^ TO WH^^W MVSei-F IF 1 DfON'T
HAVE AUL TWi©St/»jtf0

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vvHC *A/^'(?e TAtKrN& ABOUT
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wc?w WMe*?E ALL TMe^E VEAR^,
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THAT eA4TAB&'^ DATE.
MEAO OM A
veAM PLATB

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WE'ce ow
CU R WAV



NOTE. BEEf^ 7QfBt> TO Bt^OOT
TODAY.
WHV YOU

WAf^TBP TO

0^^ MS

^Kf T/AAB'^ T(C^(MOf AWAY,

^^ <$OT M^f-J OUT Ff^ONT Af^D

^m_ ANO TEARC^A^, W^ &DT

^l a ^HOLE lot Of: HA0D'

^^^^^ SNAR^ HBeE.

VOU 5Ee TIM AT we'll TAi^E.
' THE &ROUt^O

AND ^AflSftk:

1

U6rtV LITTLE ZeCO 1^ TWE Tyger, T^gei
,.. Al^D WF'CB 6DMMA LOCK
HfAAi^^ W(TH THEM IT''^ burning bngM,
KAffMA , AA^M . EVEeVTW [rJ&
In rhe lore^l^
ol the nighT.

Whol immonol bond or ei^e
tould frome iJiy leoHul siffnmetry^

uwdiscussed tn lasr chapter, the ^^'"""^-

clrtsr oi itif \%ii^ saw EC's line of Pirale lilies ^.

donnnjiiiT^ ihe markeiplace from i near unassidil- sdiftM'ft1*flff^'^orror to the different atmo-
NplitTir dt'[iijnds) of pirale slcries than many of his
abk pusilion The bnef sut^i? of antkomir bnok
EC comemporsries, he was perhaps the t>es[
seHUnif nl in ihe midfifltes. wtiile it roultl cunrelv-
respected arliiit in a rapidly burtt^jnin^ field, and
ablv \]A\v damdtjed l.C as d i:unn}iiiiv tiad inslejid
fans awaited the firM a^w of TALES OF THE
amiL' lu nulhin^ iind led Ihfm strwni^er as a rcsiili
BUCK Ff^LKiHTEk with relish
Willi the govefiimeni of the day coming d(M'n
Nnr weri^ ihn dj^appiiinled The fust issue is
sgnrirf Iv nn [hr side ol citmic: hmk.^ in jn effort to
da.ssic Orlando The script -by ihen-newrnmer
comk\tniU'i\ the imagf of retliiiii biiok-inspiretl Max Shea -while sturdy enoutjh. js rliched and
pmlit tiible in compansun with t^e work Ihal Slie.a
mai^f nis their empkiy. n was as if ihe ronnt Indus
did latei and ui Eliat first issue was easily out
try hjd ^uddentv been ;;wen ttif bicssinij uF Uncle shone by ihc darkly compelling maifbly uf Orlan
dns textures, shadows and faces,
Sim himsel(-iiT ,il Ifiisl J Edg^r lioi>vt»r Unsur
The story ser%'ed as an inlroductRin to Ihe vessel
pnsmyly, a& one ^'f iHe few cumpdnies to anun Ihbi lem Ihe book its title, and which was jiself
apparently tnirrowed from a ship referred to in
pate I he totniiisj iiM^jhive boom in pifdle^relaled
Brechi and Weill's THREEPENNY OPERA" In that
material. E,C, flourished Ami their hold upon fh^ firsl siory. three men with different paths Ihrough

(idd remained iinctiallentipd life have all hei^n led to the same dock'^ide tavern

VMt Iniil Miiy, Thai dale saw ihe first puhlk a^ m iearrh of work The place is desierted save for a

tmii 1(1 ^11 exifitorrimar) ue^- titlp from Nalmnal shadowy innkeeper who serves them ale in silence
and the large, dark fijijure of a sea captain who sits
Comics, now IK The book wai called Taks o( the a[ the iipjit table and listens to them recount their

Hifick Freighter, and while its sale's ne^er stones to each other

A MAN ON ' The stories are recoufiied as small, sdf

FIFTEEN <fi[itaincd tales within the larger narrative thai
I'.dm^s them, and are all cffeitive if predictable
DEAD MEN'S CHESTS iwijil-endinfi yarns IhatreveaJ thr various tellers to
tie utterly unprincipled and w(jr[tile'is cfeainres
^uile [Ljppied ItitJ'^f of thr E f" i^iiilits bUfh di (apable of almost any act of lreacher\' Overhear-
in.jj their stories, the sea capt.iin says he is
mI^IKACV and BUCCANEERS., lerms of critical
imprefi.sed and tiffers them pa&sai^c upon his ship.
arrlaim and influence upon idler tjixjks of th^ By the time the men are at^iard Itie sJiip diid tiave
noticed the dreadful, deathly smell that seems to
^mo type, TALES OF THE BLACK FREIGHTER exude from Ihe ships timbers, it is too late. The

mijdr iin ifnpresiiun upoji the cnitiic tKiok land- three hapless sailors learn thai ihe ship is a vessel
from Hell iiself tti take an hoard the souls of evil
srapp [hat remains la this day Indeed, with DC
men so that they mav walk its bkwd-stained decks
romit^i currently reprintmLi Ihe hrst cla^isic Ihtny
issijps of the titli^ *)nd apparerijy meeting with for all eternity.
otnsid^rahlf success, ii would seem that its
impact remains undiluted despite the quartet cen The identity of Ihe taplair^ is never made clear
tury that has elapsted since the original puhlica-
- is he meant to \k Satan, or is he himj^elf a vic-
lion fim of Ihe ship^ But this srarcety matters when

Wttat t^tadly was il thai made TALES OF THE confronted with Orlandos breathlakint! rendition.
BLACK FRDCMTER so ipt'cial^ Despite the fad From the marvelous scfOe in the first man's Stnry
where two ghouls fii{hi lo the death with shovels In
lltdl ntjwddays most fieopie are attrdtted by Ihe
theworm-infesied [unnels JOE ORLANDO, CIRCA 1953
c[)ntfo\trsy surrtiundinji the later issuer of the beneath a churchyard,
bunk, it iihoiild l>p rememlwff^d thai (his lille wai right lhroui(h the hduni

very pupular irom the outset So What was it ihJt ini^ and evocative hnal
lasijndted all those thousands of readers in the shots of the horrible black
ship drifiint| away inio Ihe
first place?
Well, 10 t>eL;iii with. Il wa^ almost certainly the while miii, the art is
t>reathtakini;, rnnveving a
artwork of Jue OTUndo. wlm drew' the eniirf txiok
tangible sense of doom
frtjm Its hriJ jssue Ihrcus^h issue nine, wiih ihe and evil even in those
places where the writing
exception of GALAPAGOS JONES, a rather insipid
backup feature thai lasted until iss^e six Orlando, fails to do so
With the issues tha! fol-
havmi! been succe-ssfijllv templed awav from hii^
fowed. Orlandos art con-
weiktcpi^^ run ofSARCjASSO SEA STORIES in tinued 10 shine while the
E.C.'s PIRACY by Nabonal editor Julius Schwarii:. scripts supplied by Shea

was rcsiardtd lis a star amoniitt pirate artists, and a
pra^ taich. Havinsi adapted more smooihly from

dUu kiiftn tii i!M(l(Mlly impfim- in <|u<jitiy ^s thi^ I'reitjhter whidi thev climh lo lake their n^hlfiil

wriiLT b^ofiic nw^{J [i> !lr mt'duim With r^ijuily somepnsiliuris (3[i hoard Hie sfii;ji, rs^riiiin^ of

iiiirfjsiiii;! cniifidein'e, Slirj bf-Rdii dttrriipiiiij^ Orkiftdo's mosl htiuntmg worjt on llie serieii.

idejs for =;!<!rirH wljjch a\ ihc tim? seeiiid wildly By issue fEvt readier TfdtlJosi was ohvioui^ly in

rdtlical and inm»vrttivf Thr third issues slory. fiivor <(f ihe lidt. and tht» firaij^e seemed la he

tlelwH-n RrR;Hl!>': is fnld from ihc vimpyml (JJ a divided equally bi?iw(H'n Ofdiido diid She.i
riinii who <s drowiipp)^* allPfDadiiji tietween mpm-
A(xnrdin^ jo insiders, rpieivin^ f.in nijiil for tfie

ont's ol his pa.si lih' iis lhe> flash before hi& bulg- firsi time \\\ Ins lift hud an ad^nse *?fferf ujwft
the wrilpf. who t>e^an fo see himself ^s ilif drtv-
innevv^ diid lirirnfii dew iipliitns ulwhal il i.^ i>kc

l<> dnmr. Cvon rt'iu! liKldV, (he slorv indiites ^jn \w% fori'e (jf till? jjtjok, boctiming itKretisin^ly

mtsc m.ilinnsi tiiiigihk'
ljI siiffocttion, \h&\ fm- reseniful of Orlando's {:iearly importaiii mlc and

|jihn))j Ehe sh»ry ^lu) puilini! Ihc kitik down i^ l^dT(^^slll^i Ifk- orlisf wilh im|)ossibiy detailed
piiiiel desiTiptions ^nd endless cdrpmsJ requests
iwjijrtlly d rt'liW Thf tlti^m^ smaiirs, wilh b mtdfh

Iin1f ol deod .ind f1r<>wfietl nicfi watkinij ^imsji lh<? for revisions uf ^rlwirk .liready drriwri.

mppDip^ifi lit'd ro^\\]rd^. The dadiur of Hie Black Despite iirowinij \nK\\\y\\ witlnii rfie t:realivi?

OFliMiii, bulh (aslKl <iii TALF.S
THE liLACK FRKKJHTtH ujuil

Ihh nirvlh issue, ^^'hen (kl^r^di^

askt'd SihwHrt?: lo take him {iff

qothi' txxik, Litifiii the of llu'

wriler as btMfii^ the r^ajor factor

in his dfcisiijn. f)uring those nini?

isisues Ihey crafied many merrnf-

rahle %\mn togelkr iiuluding

llie must fiimtiu^ of all, The

Shamy of Edward Tearh" m mw^.

sL-ven. In I his story, narrated iti

rhyme by Ihe deid piratp Tdwdrd

Teach (otherwise kmwn as Black-

ln'jrd) we lithl begin [ti ^ee the

dnirk ditd |^essimlslK intfcnd sensi-

bilihHs 'ifuw:ng that vvere later to

fortn most \\\ Sheas work on Ihe
strifi These Are more ihar^ade-

L|uatety maithtd hy tJilandos art
work and Ihere tari be few
rtiaders of that pt^rmd whn will

fotiiet the lmjrl'Slih|ipm^ riose up

shni i»l UlarkfK*tird, ptJtl rayed an

violent iiiid k-enng wil iniafnatc.
][> whiili hf seems lu look out A\
Ihe reader and remind them ifiid

Ihi*ir (wti (Kisilion is perhaps no

more noble tliiin Tetich's own "I

tread w lurthinii timf>er world, rt

reeking sail raked helL dnd vvt
perhaps. no wi^rse a worfd ih.m
yours, whrre bishops strtdl
ihrouijii iharnej yards m\\\

poniiirtd^r^i ?u smell: where vile

tftfn Ihnvt* diid liive rrawls on alt

'

fourti

After Oriandos departure. Ilie

art for the serie:^ was taken owir

by a relatively unknown t^iit
siiprenu'ly j^jpdbte tirtisl n^med

Willi Keiiiberi^. previously k,'*!

kfiown lor hss work upon nurner-

tnjs westerr) tilles wtiere he would

oftt^ii pruviite exrellenl fill-in

issues that nevertheless seemed

60

en xj

30>

to go iinnoltccd when slotted in bftween ttie work escape from the inland by what may be one of the O
most striking and horrific devices thus far in
of great v^eslem comu' arlist.s siicti as Ciil Kane pirate comic books: digginc; up the recenliy bur- CO O
ied and gas-bloated corpses of bis shipmates, the
dnd Alex lh\\\. Despiie havinfi Orlarsdos early marmer lashes them together and u.ses them as
the floats on an impr^ised raft on which he
Mirk rin the series lo hve up Id. un TALF.S OF

THE BLACK FKEIGHTER. ?mim^ was finally

wmtgiven a chance lo shine. For reason, ^here

;ire few incidenis un rernrd retatmiJ Irictton hopes to reach the mainland (hence Ihe (itle of
belween Feinberij and Shea, and indeed Itie two
this chapter.) On reaching the mainland safely

iif them continued t" work tngelher on Ihe hnok
until issue Ihtrty-nnt^, ai which iirnnt Shea quit

(perhaps the moody and lemperamerlal writer

was making a deliberate effort to control his

behavior, havinji been Uughl an expensive It.sson

by Orlando's departure).

[n (iny event the nexi Ewcniy or so issues of the

book bewme evi^ry bit as mudi inslart classics as

the Oriandu issLej; had. a fact ntit hindered by

Shed's gradually developinfi skill ^is a writer.

The stories Ih^t came from hi;; pen in this [jer-

iod are uniformly dark and sinister. Ixilancirif!

metaphysical terrors a^isiniil an unnervinR sens<^

of reality, particularly when apphed to matjers nf
mortality or sexuality Readers who came lo the

series ex|>eL:ling a good musing tale of swash-

biickSmti wiere either repulsed or fascinated by

what were often perverse and hUrkly lin^erinif

comments upon the human condition. Tales such

as "The Figurehead", which deal nnflmrhingiy upon his horriftc craft wc see the increasinttly dis-
with male homosexkjality, and the harrowing traught and disheweUed mariner trying desper-
"Marooned" spring most readily to mind. ately to reach his home, even resoriing to murder
lo acquire a horse for himself.ln the final scenes,
In "Marooned", a two-part story ot:cupyiiii{ thanks lo Ihe skillful interplay of text and pic
issues tvftjnly-threc and twenty-four of the hooks tures, we see that the mariner though he has
run, we see FeinfcierR and Shea at their blixjd escaped fiom his island, is in Ihe end marooned
freezing best. Unusual in that it is a one tharacter from Ihe rest of humanity in a much more lerri-
story narrated mostly in captions. "Marooned"

tells the story of a young mariner whose vessel is ble fashion.
wrecked by the Black Freij^hler before il can Problems set Jn for the book around issue
return to its hometown and warn il of the hell-
iwenty-fiw, when Shea began his controversial

ship's approach. Cast adrift on .in uninhiihilt^l TH

i.sland with only his dead TALES OF
shipmates for company.
we experience Ihe frantic

mariner's tormeni at the BLACK
knowledge that while he is
trapped an his island, the

be.stial crew of the

Freighter are surely hearing FRHGHTER

down jpon his town, his
home, his wife and his chil-

dren. Driven by his burniny

desire to sv^n this calamity,
we see the manner finally

J

run of issues based around the contents ol plun- as those in any of his stories, the writer appar-
ently vanished from his home one mornini^ and
dered bmks in Ehe library u( the Freighiers cap- has no! been seen since, atlhouRh police are con-
lain. infJudiiii; banned lumes supposedly tinuini^ Iheir inquiries. In his wake he leaves nol
only a siring of excetleni novels and streertptays,
tjri^inally headed for eternal suppression wilhin but also an exemplary run of pirate stories which
the vaults ol Vatican riry when stolen en route by (oday fetch mint prices o( almost a thousand dol-
[he tJirales DescribeiJ as 'blalantly pornographic", lars according lotheOverstr^t CuidcStories there
four ol the pro|ecled five stones were rejeded by to be rediscovered and reexanuned, like so many
DC, which bmuiihr rthout the argument in wtiich of the fascinating sunlcen treasures lurking fusl
Shea quit the book drd comics as well, ^oing on beneath the surface of ihis fabulous and compel-
lo write such tta-ssjc novels as the twice-filmed
fing genre.
FOCDANCING

A! the time of ihis wriling. Shea's where-
abouts are unknown In circumstances as sirange

62





fROM -n^B NOreS €f OR. MAUOiM r?^

• MB'B ev&J rt^OCE DJ^TUCgeP NO ex'pOEs^ic'N IN eiTHee face

TMANJ I'P WF^CO, gUT I'M
opTfAAi^vc A success we^E

1HE ABYSS GAZES ALSO

SVWE'© TAUU AMC> Wei^NS THE POLlCe HAVE gEATEM Of^

NAME r^ UMfcrwow^J LA£ePATEi:>N6 MOSTLY ^^TAiNSD POLICE STEJKE 0\^ ^17 HE M^t>E

epE^EEflL iNFtAM/V^ATOey/^NTi-

C^P ^TATEMEWT^r AWO THEY'VE

UNOBSWOQLP DOESN'T LIKE MiM;
NOBQ!>V LKES HJM.XVe NEVER

MET AMY^We i^UIT^ '^O

AUBNAreP HOW /^J SAPTH
DID He^^T LUtFTMie?





THE SaAQOS
wJtuTAk^f you
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VOLJ GOT A 'DuT ANDj
WITMOUT^ '^)A£'S PBAO you ^Or
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^WHi^eE^C^N. J IJ^HE COULD

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NO NO NO

IN I^Sf^HE ATTAt;k:EC' AKJ OLDER

WtTM A L|(5MTED Cl^/^GETTl

ME WAG TgM VEAE?^ OLD.

MOT i?0(?4CMAtW
WALTER k:OVACS

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ACTUALi^V, X
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T\OA/AT^Ak'^CEDjwEXAHlAlUtShTeED

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BLOCJP^TAfM OW CnEST Lll^E WAP LOOKrep AT ^KV Twe<PUi&M ''^^'IV
AWVTHIM& BETTea TC? Cm?^
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