148 Violet Hopkins INKBLOT 17 2010 Ink on paper 19×25 in. Courtesy the artist and Foxy Production INKBLOT 23 2010 Ink on paper 19×25 in. Courtesy the artist and Foxy Production
150 Dan Rushton Minotaur Repetition (large thin line) 2015 Ink on gessoed paper over panel 105×72 in. Courtesy the artist and Dutton Gallery
152 Marius Bercea Untitled 2012 Oil on canvas 19¾×19¾ in.
154 Purvis Young Judgment Day 1988 Paint on wood 60×48 in. pages 156–7 Kanishka Raja KR11 2010 Oil on three panels 48×158 in. Courtesy Van Doren Waxter, New York
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158 Los Carpinteros Retiro. Perfil (diptych) 2008 Watercolor on paper in two parts 30×64 in. © Los Carpinteros Courtesy Sean Kelly
160 Tomas Saraceno Untitled 2009 6 C-prints, Plexiglas and aluminum Each13×19¾ in. Courtesy the artist and Tanya Bonakdar Gallery, New York/ Los Angeles
162 Thomas Scheibitz Ohne Titel (No.635) 2011 Oil, vinyl, ceramic paint, and pigment marker on canvas 23 5⁄8 ×23 5⁄8 in. Courtesy the artist and Tanya Bonakdar Gallery, New York/ Los Angeles
164 Sam Lewitt Stored Value Field Separator (Transit 2) 2012 Hard drive magnets, demagnetized stored value cards 35×3×2 in. © Sam Lewitt, Courtesy Miguel Abreu Gallery
166 Jon Kessler Foot 2012 Boot, steel, motor, inkjet print, and string 12×12×16 in. Courtesy the artist
168 Michael Bauer Untitled 2012 Oil on canvas 715⁄8 ×59 7⁄8 in. Photo Thomas Strub Courtesy the artist and Galerie Peter Kilchmann, Zurich
170 Kenny Scharf Chocolate with Pink Sprinkles in the Sky 2011 Oil on linen 24×24 in. Pink Frosted Donut with Chocolate Sprinkles Over a Desert Landscape 2011 Oil on linen 24×24 in. © Kenny Scharf/ Artists Rights Society (ARS), New York
172 Darren Almond Fullmoon@Oregon Coast 2008 C-print 47 11⁄16 ×47 11⁄16 in. © Darren Almond. Courtesy White Cube Darren Almond is a conceptual artist interested in the passage of time. At first glance this photograph appears to be a straightforward picture of a foggy landscape or one that has been digitally manipulated. Almond however took this photo during a full moon on a particularly clear night and left the camera shutter open for fifteen minutes. As the artist has explained, his full-moon photographs are intentionally concerned with memory and chance, with mobilizing light and time, and in locations untouched by artificial light.
174 Mary Ellen Carroll No On 1994 Plexiglas, aluminum, clock mechanism (two clocks) 17×17×4 in. Time appears frozen in Mary Ellen Carroll’s artwork titled No On. The Greek word “Telos,” (meaning ultimate goal) which the artist has written on the face of both clocks, serves as an ironic counterpoint to the cyclical and ultimately static image of time.
176 Walead Beshty Transparency (Positive) [Fuji Provia Color Film: October 19-October 21, 2007 ORD/LAXLAX/ORD] 2009 Inkjet print on Silver Rag paper 69×53½ in. Courtesy the artist and Petzel, New York The artist Walead Beshty is concerned with in-between spaces and what happens to an artwork as it moves through such spaces. This photograph, from the artist’s Transparencies series, was made by passing unused film through LAX’s security x-ray machine. The photo documents its own movement in washes of color and line, offering an image of its liminal moments before embarking on a new journey.
178 Eileen Quinlan Accidental Image 2007 UV laminated chromogenic print 40×30 in. © Eileen Quinlan, Courtesy Miguel Abreu Gallery
180 Christopher Williams Cutaway model Nikon Em. Shutter Fotostudio Axel Gnad, Dusseldorf October 17, 2008 (b&w) 2009 Gelatin silver print 33 ×37½ ×1½ in. Ritter Sport Fotostudio Axel Gnad, Düsseldorf, October 24th, 2008 [No. 1] 2009 Pigment print on paper 33×37½ ×1½ in. © Christopher Williams Courtesy the artist,David Zwirner, and Galerie Gisela Capitain, Cologne
182 Stephen Ellis Untitled (SEVL-07-2) 2007 Oil and alkyd on linen 38×52 in. Courtesy the artist and Von Lintel Gallery
184 Matthew Brannon Not Necessary, Sore Throat, My Mistake, Actor’s Actor 2008 Letterpress on paper Each 22×16 in. Courtesy of David Kordansky Gallery
186 Wang Xieda Sages’ Sayings 042 2006 Bronze 6½×11¾×4¾ in. Image courtesy the artist and James Cohan, New York.
188 Adam Dant From The Library of Dr London 2012 Ink on paper 521⁄8 ×641⁄8 in. Shunga Metro 2012 Ink on paper 521⁄8 ×641⁄8 in. Images courtesy artist and Hales, London and New York. Copyright the artist.
190 Mark Flood Blue Facebook Blur 2014 Inkjet print on canvas 48×48 in.
192 Farah Al Qasimi Star Machine 2021 Archival inkjet print 45×60 in. Courtesy the artist and Helena Anrather Gallery
194 Ánima Correa Coriolis 2023 Oil on linen 60 × 76 in. Courtesy of the artist and Hunter Shaw Fine Art, Los Angeles
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