98 Anna Parkina Four Rays in Earth 2011 Collage of colored paper 25 9⁄16 ×19 1⁄8 in. Army in Mass of Glass 2011 Collage of coloured paper 25 9⁄16 ×19 1⁄8 in.
100
102 pages 100–101 Kanishka Raja KR7 2010 Oil on three panels Overall 24×81 in. Courtesy Van Doren Waxter, New York Mat Collishaw Ye Olde Axe 2013 Oil on canvas 9 7⁄8 × 9 7⁄8 ×13⁄8 in. Dangerous Curves 2013 Oil on canvas 9 7⁄8 × 9 7⁄8 ×13⁄8 in.
104 Jorge Pardo Untitled (Painting) 2004 Woven fabric with inkjet and silkscreen 36×36 in. Courtesy the artist and Petzel, New York
106 Isca Greenfield-Sanders Two Bathers 2011 Mixed media and oil on canvas 35×35 in. Courtesy the artist and Miles McEnery Gallery
108
ART IN OTHER PLACES
110 Francesco Clemente Kiss, Kisses 2008 Watercolour on paper 18×24 in. Butterfly, Candle 2008 Watercolour on paper 18×24 in. Ave, Ovo 2008 Watercolour on paper 18×24 in. Monsoon 2008 Watercolour on paper 18×24 in.
112 Rachel Howard Child 2012 Oil, household gloss and acrylic on canvas 8×10 in. Mann im Wald 2008–9 Oil, household gloss and acrylic on canvas 48×36 in. Courtesy the artist and Simon Lee Gallery
114 James Welling Torso 1 2005–2008 C-print 52 5⁄8 ×401⁄2 ×13⁄4 in. © James Welling Courtesy the artist and David Zwirner
116 James Welling 6109 2008 Inkjet print 403⁄4 ×56 3⁄8 ×11⁄2 in. © James Welling Courtesy the artist and David Zwirner
118 James Welling #004 2005 C-print mounted to Plexiglas 421⁄8 ×351⁄8 ×1½ in. #001 2005 C-print mounted on Plexiglas 42 7⁄8 ×35 7⁄8 ×1½ in. © James Welling Courtesy the artist and David Zwirner
Cornelia Parker Bullet Drawing 2010 Lead from a bullet drawn through wire 247⁄8 ×247⁄8 in. Alter Ego (trophy) 2009 Two silver-plated objects. One intact and one squashed by a 250 ton industrial press Various dimensions I resurrect things that have been killed off ... My work is all about the potential of materials–even when it looks like they’ve lost all possibilities. —Cornelia Parker 120
122 Gabriel Orozco Courbet’s Oak Tree 2011 Pigment ink and acrylic on canvas 351⁄8 ×44½ in. Courtesy the artist and Marian Goodman Gallery Courbet’s Oak Tree is an example of Gabriel Orozco’s ongoing exploration of the circle and how it mediates between the geometric and the organic, wholeness and fragmentation, stasis and movement. By applying his own experiment with the circle, Orozco offers the viewer another into dots. Orozco then hand painted layers of new dots over the digitally constructed structure. This layering of the dots in linear axels creates pulsations of color that optically form larger grids. The result is a new reading of the image without losing its original makeup. way of seeing one of his favorite paintings from art history-- Gustave Courbet’s The Oak at Flagey, from1864. Orozco used the digital tools of vector and raster to deconstruct, divide, and open up the original images using circles of varying color, creating a data structure based on a grid but divided
124 Elliot Puckett Untitled 2008 Gesso, ink and kaolin, on wood panel 34×42×2 in. © Elliott Puckette
126 Johan Creten A map of desire 2009–12 Stoneware with metallic glaze 35½×27½×7¾ in. Photo Guillaume Ziccarelli @ Perrotin
128 Ian Davenport Puddle Painting: Pale Lilac 2008 Acrylic paint on stainless steel, mounted on aluminum panel 58½×48½ in. © Ian Davenport
130
Liam Gillick Between First and Second Shift 2006 Painted aluminum 59×154¾×6 in. © Liam Gillick Courtesy the artist and Casey Kaplan, New York.
132 Tom Burr Faltering Freeze Frame 2013 Blankets, steel tacks on plywood 715⁄8 ×715⁄8 ×4 in. Courtesy the artist and Stuart Shave Modern Art
134 Adam McEwen Untitled 2015 Graphite on aluminum 40 in. diameter Courtesy the artist and Petzel, New York
136 Dana Schutz Untitled 2002 Mixed media on paper 41×54 in. © Dana Schutz Courtesy the artist and David Zwirner
138 Ernesto Neto Two Circles and the Body 2008 Corten steel 21×25×16 in. Courtesy the artist and Tanya Bonakdar Gallery, New York/ Los Angeles
140 Olafur Eliasson Borrowed wall view (blue purple, orange, dark green) 2012 Hand-blown colored glass, stainless steel 401⁄8 ×23½×5½ in. Courtesy the artist and Tanya Bonakdar Gallery, New York/ Los Angeles
142 Matthew Monahan The Noise Above 2012 Patinated bronze, polish plate bronze 73 5⁄8 ×24¾×25¼ in. Courtesy the artist and Stuart Shave Modern Art
144 Francesca DiMattio Head and Mask 20 2010 Oil on linen 24×18 in. Image courtesy Salon 94 and the artist.
146 Volker Huller L.I.T.S. (Hello) 2016 Hand colored etching 77½×56 in. Courtesy Van Doren Waxter, New York