InternationalVisual Arts & DesignExhibitionBunditpatanasilpa Institute of Fine Arts, 2026at College of Dramatic Arts, Salaya9 - 11 January 2026ffa.bpi.ac.th Online CatalogInternational Visual Arts & Design Exhibition Bunditpatanasilpa Institute of Fine Arts, 2026IVAD_2026_Cover_win.indd 1 12/27/2025 7:54:43 AM
1Message from the President of the Bunditpatanasilpa Institute of Fine ArtsThe Bunditpatanasilpa Institute of Fine Arts, under the Ministry of Culture, is organizing the Thai Arts and Cultural Festival. “In Humble Remembrance of the Mother of the Nation, the Bunditpatanasilpa Institute of Fine Arts Carries Forward the Artistic Heritage of Siam.” Under the Creative Cultural Industry Promotion Project to Enhance Competitiveness for Fiscal Year B.E. 2569 (2026), held at the College of Dramatic Arts, Bunditpatanasilpa Institute of Fine Arts, Salaya Subdistrict, Phutthamonthon District, Nakhon Pathom Province, from 9–11 January 2026. For the purpose of paying profound tribute to and expressing deepest gratitude for the immeasurable royal grace of Her Majesty Queen Sirikit, the Queen Mother, as well as promoting and disseminating the creative works of the affiliated units of the Bunditpatanasilpa Institute of Fine Arts. This serves as an opportunity for the exchange of knowledge and learning in the field of arts and culture, while fostering awareness among students, scholars, and the general public of the importance of cherishing, preserving, and perpetuating the values of Thai arts and culture, which constitute the intellectual heritage and distinctive identity of the Thai nation.The Faculty of Fine Arts, in collaboration with the College of Fine Arts, Suphan Buri College of Fine Arts, Nakhon Si Thammarat College of Fine Arts, and the College of Dramatic Arts, Bunditpatanasilpa Institute of Fine Arts, will organize the International Visual Arts Exhibition 2026, showcasing creative works. Thai Arts and Cultural Festival. “In Humble Remembrance of the Mother of the Nation, the Bunditpatanasilpa Institute of Fine Arts Carries Forward the Artistic Heritage of Siam.” With the honor of receiving creative works submitted for exhibition by both Thai and international artists. This event provides an important opportunity for students, faculty members, and the general public to appreciate and exchange experiences in the field of visual arts, while also serving as a platform for networking in the development, preservation, and dissemination of Thai arts and culture.(Asst. Prof. Dr. Somkiat Pumipak)President of Bunditpatanasilpa Institute of Fine Arts
2To provide an avenue for the exploration and dissemination of creative works, Bunditpatanasilpa Institute of Fine Arts will spearhead the conduct of the International Art & Design Exhibition at the College of Dramatic Arts, Salaya, Thailand which aims to bring quality creative works to the public.In this regard, the following persons are requested to serve as members of external expert committee to guarantee the quality of creative works in International Visual Arts & Design Exhibition projects and select creative works which will be published to the public for 2026. 1. Mr. Somsak Chowtadapong, National Artist for Visual Arts (Painting) 2. Associate Professor Dr. Chaiyasit Dankittikul, Expert Evaluator for Architecture 3. Associate Professor Prasert Pichayasoonthorn, Expert Evaluator for Visual Arts4. Assistant Professor Nguyen Nghia Phuong, Vice Rector Vietnam University of Fine Arts5. Associate Professor Dr. Supritana.S.Sn.M.Sn., Vice Rector Fileld of Work: IT System Cooperation, Indonesian Arts and Culture Institute
3ChineseLei CanmingLi YingfengEgyptianMarwa ZakariaIndianJapani Shyam dhurweyMousumi BiswasIndonesianBambang PramonoDeni JunaediDeni YanaDwita Anja Asmara, M.SnLutse Lambert Daniel MorinNandang Gumelar WahyudiSupriatna, S.Sn, M.SnTerra BajraghosaVincent Rumahloine and Arya SudrajatJapaneseTakumi AzechiKoreaDong Yeoun KimHosik BangLee JinwookMalaysianMona KVNg BeeNg Kim HeohPhilippinesFil DelacruzJanos Delacruz SingaporeanEmma Chong Ai ChzerThaiAmnuay NualanongBoonpard CangkamanoBoonyarit PoonpanitChanasorn AoouadChanut KhonghiranChaturaporn DevakulaChayakorn RuengchamroonDen WarnjingDome KlaysangDounghatai PongprasitEkkachai PrabpanjaEkkalak SajavathaJerachon BoonmakJirawan RewattoKanchana CholsuwatKantima SangaroonKatekarn RattanachoulKitti Klai-emkomes KuntigMetta GlumglinMintlada JakchaiananNatee TubtimthongNeungruthai YimprasertNittaya SrikongNorawee ChotivaranonOpas NuchniyomPanich PhupratanaPapon KamonwuttipongPatcharee MeesukhonPatcharin AnawatprayoonPhaen EkchitPhattaraporn leanpanitPhongsathorn RodjaktukPittawan SuawapabPongsapat BuakaewPongtai RattanawongkaeSakachart SrisukSakchai Boon-IntrSannarong SinghaseniSipporn SuntharasanticSirikan YuenyongSujitta BunsongSunsanee RungrueangsakornSupachai SukkeechoteSuriya ChayacharoenSutinee ThippharaSutthasinee SuwutthoSuvadol KatsiriTassanee RoongtaweechaiTechanit SangkasabaTeerawut NiemsinThanaphon SrihongThita KrutchuenUnnalin SangsiriWanitchaya NualanongWanwisa PhattanasinWirayut SiangprohWisut YimprasertYanee PromdechaTimoreseAbilio da Conceicao SilvaTurkishNizam Orcun ONALVietnameseCao Thi VanDo Dinh TanDO Ky HuyNgo Quang DuongHoai Vu, M.ALinh Thi Thuy Nguyen, M.A.Nguyen Duc VinhNguyen Nghia PhuongNguyen Quang ToanNguyen Thanh SonNguyen Thuy DuongNguyen Tri DungNguyen Van HungNguyen Vu QuyenPham Bao SonPham Binh MinhTran Quynh KhanhTrinh TuanVu Xuan TinhArtists
4Artist Lei CanmingEmail - Nationality ChineseInstitute Guangxi Arts University Artist Info Traces III, oil painting, mixed media, 135 x 200 cm., 2021Concept The artwork embeds ancient scripts, rock paintings, and cave murals into the natural landscape, proclaiming the artist's presence. After experiencing a visual shock, viewers are prompted to engage in a profound cultural reflection.
5Artist Li YingfengEmail - Nationality ChineseInstitute Guangxi Arts University Artist Info Fishing, Water Ink Ricepaper, 35 x 35 cm., 2021Concept This artwork is a Chinese landscape painting created using traditional Chinese painting materials and techniques, depicting the natural scenery of Guangxi as its subject.
6Artist Marwa ZakariaEmail [email protected] EgyptianInstitute Helwan university Cairo EgyptArtist Info Mtacogenition (Beyond Perception), Hand building ceramic sculpture earthen wear reduction fire 1050 with matt glazes, 190 x 45 x 25 cm., 2024Concept Evoking the Visible and the Hidden: The ceramic pieces here do not merely reflect nature as we see it, but also embody its hidden dimensions, expressing the balance between the visible and the tangible. Connecting with the Viewer's Inner Intuition: The exhibition invites visitors to explore beyond sensory perception and rely on intuition to understand the hidden messages conveyed by the works..
7Artist Japani Shyam dhurweyEmail [email protected] IndianInstitute - Artist Info Flying peacock, Acrylic and drawing pen on canvas, 121.92 x 182.88 cm., 2024Concept A graceful female peacock spreads her wings to soar, yet figures seated on her feathers weigh her down. This image reflects the barriers that society places on women, holding them from reaching their full potential. Through color and form, the work speaks of resilience, courage, and the unbroken spirit of freedom
8Artist Mousumi BiswasEmail [email protected] Indian Institute Visva - Bharati UniversityArtist Info Spring, oil on canvas, 122 x 137 cm., 2025Concept The language of Mousumi Biswas’s painting is based on different layers of realism. She creates flowers, birds, people or simple water drop or sunlight. Artist says that she always tries to create the essence of vast area of nature through her works. She thinks that her works are just the re-construction of objects of this blue and green planet, nothing else! She only wants to offer the beauty and wonder of this mysterious earth to the viewer through her work. She says “though we all belong to nature…but sometimes we forget that!”
9Artist Bambang PramonoEmail [email protected] IndonesianInstitute Indonesia Institute of the Arts YogyakartaArtist Info Granny Bird, Acrylic on canvas, 120 x 100 cm., 2025Concept The figure in this painting is a human-bird hybrid, a woman with the head and breast of a bird, sitting in a woven nest. The surrounding space is filled with floating birds, branches, a small, open window, and an ethereal, winged figure in the upper-left, adding to the feeling of a narrative or a dream scene. The painting depicts the loneliness of a granny who was left alone by her legacy, so to say. The bird head, however, grants her a wilder, more primal identitynot the human experience of aging and wisdom but a morphing process as she talks to “her” imaginary birds flying nearby which represent her children, grandchildren that depart from her \"nest.\"
10Artist Deni JunaediEmail [email protected] IndonesianInstitute Institut Seni Indonesia Yogyakarta Artist Info Light for The Universe, painting, 140 cm x 250 cm., 2025Concept This painting tells the story of a book that illuminates the sky and earth. The trees that surround it become diverse by the light. The red splashes coming from above are unable to extinguish the light; in fact, the disturbance is illuminated by it. This magical book contains all the knowledge and insight, the goodness of life, and the light for the universe.
11Artist Deni YanaEmail [email protected]@gmail.comNationality IndonesianInstitute Indonesian Institute of Cultural Arts BandungArtist Info Deformation, Earthenware 850°C, Engobe, Burnish, D. 37 x H. 30 cm., 2025Concept This work, titled \"Deformation,\" is a collaborative effort with artisans at the Sitiwinangun ceramics center in Cirebon Regency. It stems from a fascination with local traditions, the unique characteristics of the material, the decoration, and the low-temperature ceramic production techniques that still utilize traditional technology, both forming and firing (open firing). The basic shape of the vessel, initially perfectly crafted for its intended purpose, undergoes a firing process that exceeds its optimal maturity point, resulting in unexpected ceramic shapes, textures, and colors. The coloring material used in this work is engobe, whose primary ingredient is clay mixed with several oxides, resulting in a matte, somewhat dull surface and color.
12Artist Dwita Anja Asmara, M.SnEmail [email protected] IndonesianInstitute Institut Seni Indonesia Yogyakarta Artist Info Oops, Wrong Game, Material/Medium: Fiberglass printing technique using fiberglass Finishing: Color Paint Acrylic Rubik' s Cube made from plastic, H 55 x W 34 x L 22 cm., 2024Concept The sculpture titled “Oops, Wrong Game” explores the position between the natural world and human-made intelligence. The sculpture is a stylized representation of a frog, a symbol of agility, depicted in a dynamic pose, dancing joyfully and maintaining balance. However, what it is balancing is not food, but an iconic Rubik's Cube, representing the concept that problems are always complex, but whatever the situation, let's play even though “Oops, Wrong Game” is not my game, but. “humans, oops” This work also aims to present humor and irony, as if the frog has mistakenly ‘entered’ a game that is not its own. The sculptor hopes to create a humorous visual commentary on the clash between instinct and human thought
13Artist Lutse Lambert Daniel Morin, S.Sn., M.SnEmail [email protected] IndonesianInstitute Institut Seni Indonesia YogyakartaArtist Info Bee, Welding/ brass, 20 x 20 x 16 cm., 2025Concept The kinetic sculpture that highlights two bees made of brass, was designed with a pendulum technique. This work is an aesthetic embodiment that contains a deep meaning about the splendor, wealth, and good fortune presented by the symbol of the bee in culture. Culture, bees as a symbol of hard work, community, and abundant results. This statue celebrates the splendor that can be achieved through collaboration and relentless effort. Two bees vibrating in harmony symbolize the wealth produced through cooperation and communication, as well as the wealth brought by luck and success. The bee sculpture will be a harmonious embodiment of art, technology, and cultural values. By combining a captivating aesthetic and a deep meaning, inspiring the dreams of the future.
14Artist Nandang Gumelar WahyudiE-mail - Nationality IndonesianInstitute - Artist Info Dark Melancholia, Graphite on paper, 57 x 42 cm., 2025Concept \"Dark Melancholia\" is a drawing that explores the biomorphic forms of human body parts using graphite pencil on paper. This work imaginatively visualizes a dark emotional state influenced by various chaotic situations that occur continuously. Feelings of loss, anger, rebellion, and hope. Etymologically, melancholia comes from the Greek, literally meaning \"black bile,\" caused by an imbalance of bodily fluids that causes feelings of gloom.
15Artist Supriatna., S.Sn.,M.SnE-mail [email protected] Nationality IndonesianInstitute ISBI Bandung Artist Info Dance Invitation Procession, Acrylic on Canvas, 70 x 100 cm., 2025Concept This painting depicts a dancer offering a scarf to an audience member (usually a distinguished person) as a sign to dance with her. This invitation is an honorary gesture for those considered to have regional authority, government officials, or individuals of considerable wealth to dance with the dancer who invited them. After the dance, these distinguished individuals will offer the dancer a sum of money (saweran). The painting depicts two human icons (a female dancer and a male distinguished person) with dynamic strokes, reflecting their exotic and erotic nature on stage.
16Artist Terra Bajraghosa, S.Sn., M.Sn.E-mail [email protected] IndonesianInstitute Institut Seni Indonesia Yogyakarta Artist Info O.P.P., Yeah You Know Me!, Acrylics On Canvas, 120 x 75 cm., 2024Concept This work departs from a fictional machine drawing on a torn photo of an adult magazine model. Drawing on magazine shreds is a form of graffiti art practice, which in this case can be seen as a form of production that is a cultural consumption strategy on daily life products and popular culture, as revealed by John Storey. Inspired by the exhibition's title, the piece literally quotes the lyrics of the Hip Hop unit Naughty By Nature's song O.P.P., and symbolically presents it in an energetic and enigmatic visual, in keeping with the spirit of the song.
17Artist Vincent Rumahloine (1) & Arya Sudrajat (2)Email [email protected] Indonesia Institute - Artist Info BALAREA, Mixed Media, 160 x 180 cm., 2025Concept Balerea means many. This works represents the combination between the traditional painting symbol, techniques and style from Jelekong with the western contemporary art approach. Different paintings stitched together as one painting. This work is our attempt to preserve and promote the Jelekong aesthetics.(1) (2)
18Artist Takumi AzechiEmail [email protected] JapaneseInstitute - Artist Info The Mask of Gate, Lacquer Work / URUSHI (Japanese traditional lacquer), Linen Cloth, Diatomaceous Earth, Egg Shell, Gold Leaf, Brass Leaf, h120 × w120 × d30 cm., 2025 Concept Using lacquer techniques, I create works that express what emerges from within myself, borrowing tha form of a MASK
19Artist Dong Yeoun KimEmail [email protected] KoreaInstitute - Artist Info Red Hill 20191207, Painting. Acrylic on canvas, 117 x 97 cm., 2019Concept These oddly solitary, starkly standing stones set boldly against the deceptively common backdrops that certainly evoke Prussian blue's storied historic influence on art history, speak to us with deliberate plasticity luring us in as we move from the feeling of the expressive chaotic lines to the realism of the natural scenes, into artistic concepts shared over time and space and back again, never fully resting but asking that we perceive these works visually, emotionally and somatically, allowing us to appreciate the harmony that underlies all such distortions. Gaby Reel (Art Critic, Art Historian / Canada)
20Artist Hosik BangEmail [email protected] KoreaInstitute - Artist Info Moon jar, Wheel/ Korea traditional clay, 40 x 40 x 35 cm., 2024Concept The Korea moon jar worked as white porcelain source soil in Jirisan Mountain. Origins of Abundance and Happiness.
21Artist Lee JinwookEmail [email protected] KoreaInstitute Korean Ceramic Arts AssociationArtist Info Moon jan, ceramic, 2025Concept -
22Artist Mona KVEmail [email protected] MalaysianInstitute - Artist Info Resilience, Acrylic on canvas, 91.5 x 61 cm., 2025 Concept She cradles the world with a calm that comes from surviving storms. Lotus blooms rise around her carrying the memory of every ache she turned into light. A dragonfly hovers like a whisper of change guiding her toward her next becoming. This is resilience quiet radiant and unshakable.
23Artist Ng BeeEmail [email protected] MalaysianInstitute - Artist Info Embrace, Oil on canvas, 120 x 100 cm., 2024Concept Rhino is my favorite animal, for me it represents strength and always rush forward, never give up attitude in this challenging world.
24Artist Ng Kim HeohEmail [email protected] MalaysianInstitute - Artist Info Flavours of the Street, oil on linen, 80 x 80 cm., 2024Concept By reducing figures and objects to their essential shapes, I invite viewers to perceive the underlying connections between themselves and the world around them—whether living beings, natural forces, or inanimate matter.
25Artist Fil DelacruzEmail [email protected] PhilippinesInstitute - Artist Info Diwata: \"Isang Yugto sa Tag-Araw, Oil on Canvas, 101.6 x 101.6 cm., 2023Concept In Diwata: Isang Yugto sa Tag-Araw, the summer air shimmers like a whispered spell, unveiling a spirit born of heat and light. She appears in the canvas as a breath between worlds, a glimmer felt more than seen. Colors melt into one another like sun-drenched memories, holding a moment that refuses to fade. The season hums around her, carrying the hush of secrets only nature can keep. This painting is a quiet hymn to a diwata passing through, leaving warmth where her shadow once rested.
26Artist Janos DelacruzEmail [email protected] PhilippinesInstitute - Artist Info \"Tangled Psyche\", Acrylic on Canvas, 121.92 x 91.44 cm., 2025Concept Tangled Psyche drifts through the mind’s wild thicket, where thoughts bloom and collide like strange, living constellations. Eyes open everywhere, watching the quiet storms we carry inside. Colors pulse and twist, echoing the rhythm of dreams that never fully settle. Each shape is a whisper of memory, a softened ache, a fleeting spark. The piece invites viewers to wander the chaos and listen for the small, hidden truths within it.
27Artist Emma Chong Ai ChzerEmail [email protected] SingaporeanInstitute - Artist Info Metamorphosis: Hatching Grounds, Intaglio Etching, 43 x 63 cm., 2024Concept Metamorphosis: Hatching Grounds is a printmaking work originally hand-printed from three individually crafted copper plates, each meticulously cut with a jeweller’s saw. Traditional printmaking techniques, such as engraving with dry-point needles, the tactile texture of roulette, and the gradual biting of ferric chloride, were layered over time to form the matrix. In printmaking, the matrix refers to the plate from which images are transferred onto paper; its etymological root stems from the Latin matrix, meaning “womb.” This origin positions the matrix as a generative body, a “mother” that births images. The imagery invites a reconsideration of object identity, emphasising the autonomy and agency of non-human entities. In my musings on Graham Harman’s Object-Oriented Ontology (OOO), I explored the idea that objects exist beyond human interpretation, withholding aspects of themselves while asserting their own internal worlds. Through these hatching forms, Metamorphosis: Hatching Grounds gestures toward a reclamation of material existence, one in which objects like bodies refuse simplistic definitions and instead assert their multiplicity, mystery, and independence.
28Artist Amnuay NualanongEmail [email protected] ThaiInstitute Bunditpatanasilpa Institute of Fine ArtsArtist Info An Illusion into the perception of – existent Reality, The pottery sculptures based, 25 x 28 x 45 cm., 2025Concept In every moment we look at the world, we tend to believe that what stands before us is the whole truth. Yet as time moves on, what once felt solid begins to dissolve, fade, or reshape itself until it is almost unrecognizable. Truth becomes a double-layered image-real and unreal intertwined-as if human beings are forever weaving the world anew each time we see it. Our very breath becomes a delicate boundary between what is now, and what, in just a fleeting moment, will never be the same again.
29Artist Boonpard CangkamanoEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Friendship Lines (Weaving), Metal Sheet, 50 x 62.5 x 37.5 cm, 2025Concept Culture has a way of life, especially in terms of food, where each area has its own way of making a living according to the differences of the community. This is evident in rural communities in the past who had a strong connection with nature, such as catching aquatic animals from natural streams, canals and ponds to cook as food. There are many different methods of holding and tools, and the tools are designed to be suitable and evolved. And importantly, during the dry season, most community members tend to gather together to harvest and share the harvest. Rice planting is often done by working together until the end of the rice growing season. The context of Thai communities has changed with the times. It can be seen that there is more economic development in the hope of economic growth and a better quality of life. There is much more comfort in a competitive society, while at the same time the situation of friendly relations between people is deteriorating in the opposite direction. Members of the community express more distance from each other. Things that were once valuable in the past, when the creator was a child, each household in the rural community would invent tools to catch fish, shrimp, shellfish, crabs, and eels. Their use has decreased, although they can still be used as effective tools. What has changed is that the natural freshwater fishing grounds have decreased. But what has changed is that the natural freshwater fishing grounds have decreased, and the social life has decreased, leaving behind traces of patterns and designs of tools for study. To appreciate the value of rural culture in the past by using a knot design for tying an ancient fishing tool that has lost its traditional utility value in the present day. By expanding on the form of a knot used to tie an ancient fishing tool that has lost its original utility value, we are expanding on it and showing the decomposition of the original tool while still maintaining its cultural value.
30Artist Boonyarit PoonpanitEmail [email protected] , [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info “Still life in the rainy season”, Watercolor and Watercolor pencil, 48 x 32.5 cm., 2025Concept This creative work, “Still Life in the Rainy Season,” was created with inspiration from the atmosphere and shapes of everyday life, fruits, and flowers for worship. I studied the story of perspective in still lifes with atmosphere and movement of shapes. By using the creative method of creating works by creating textures and drawing with watercolor and watercolor pencil techniques to show the beautiful perspective of the colors of feelings that are joyful of life.
31Artist Chanasorn AoouadEmail [email protected] ThaiInstitute Suphanburi College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Compared to a blind turtle, symbolizing the difficulty of being born as a human., Mixed media techniques on canvas, 40 x 60 cm., 2025Concept Inspired by the \"Sutra on the rarity of being born as a human,\" which uses the parable of a blind turtle encountering a bamboo raft, this concept and inspiration were used to create a work about the difficulty of being born as a human. I have created a piece representing the ocean, expressing symbolically according to the meaning of the Buddhist parable.
32Artist Chanut KhonghiranEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Creative design walkway of the Bunditpattanasilpa Institute, Salaya, Computer Graphic Program, 80 x 60 cm., 2025Concept This article presents the design of a connective walkway between buildings at the Bunditpattanasilpa Institute, reflecting creative concepts in terms of aesthetics, functionality, and accessibility for diverse users.
33Artist Chaturaporn DevakulaEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Invisible Existence, Paper, porcelain, 30 x 30 cm., 2025Concept The repeated division of an area into two equal parts generates a loosely composed structure of form.
34Artist Chayakorn RuengchamroonEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Frame Withim Frame, Installation/Mixed Media Wood, 33 x 70 x 110 cm., 2025Concept “Frame withim Frame” is a sculptural artwork created from natural wood and geometric structures, reflecting the dialogue between “nature” and “human-made order.” Through the concept of Framing Layers, the work explores layered perceptions of space and time. By juxtaposing organic tree branches with processed pine wood, the piece questions the boundaries between the natural and the constructed. It becomes an artistic dialogue between order and uncertainty through spatial and perceptual composition.
35Artist Den WarnjingEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Lotus Remains, Ink on paper, 77 x 57 cm., 2025Concept “Lotus Remains” explores the quiet beauty that endures even as the lotus withers. Its decline does not signify an ending, but a deeper unfolding of presence and meaning. Using a Chinese ink brush, I allow each stroke to interact with the surrounding emptiness, letting the fading forms of the lotus reveal their own breath, rhythm, and stillness of mind. The layered traces of ink calm yet deliberate become a poetic reflection on impermanence, release, and the subtle elegance that persists in what is slowly fading away.
36Artist Dome KlaysangEmail [email protected] , [email protected] ThaiInstitute Suphanburi College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The Big-headed Suphanburi fish, Sculpture Resin, 60 x 20 x 20 cm., 2025Concept This work reinterprets the identity of the \"Pla Ma\" (Soldier Croaker), the symbolic animal of Suphan Buri province, into a contemporary Art Toy sculpture. The design employs a \"Chibi\" (big-head) style reduction combined with anthropomorphic elements (a human body) to create a dynamic character. The fish's iconic dorsal fin is transformed into a flowing ponytail hairstyle. A highly polished silver chrome finish is selected to represent the natural beauty of fish scales, while simultaneously elevating the work to appear luxurious, collectible, and possessing a universal appeal.
37Artist Dounghatai PongprasitEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Hope I, Mixed-media installation: second-hand clothing, repurposed textiles, metal / wood structures, lighting, and installation elements., Variable dimensions., 2025Concept This creative undertaking employs secondhand garments and discarded textiles to develop an installation work that synthesizes sculptural characteristics of chair and circular sofa forms with butterfly-inspired morphology, a symbol associated with hope, transformation, and the fragility of life. The two resulting pieces are executed through methods of assemblage, cutting, stitching, and spatial configuration to articulate the conceptual framework of the Butterfly Effect, which posits that minor actions may precipitate substantial social and environmental ramifications.
38Artist Ekkachai PrabpanjaEmail [email protected] ThaiInstitute Nakhon Si Thammarat College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The beauty of the Thai fishing lifestyle, Acrylic on canvas, 50 x 60 cm., 2025Concept The way of life of Thai Tfisherman. Their livelihood is mainly fishing. It is a way of life with beauty and uniqueness. The whole environment, which everything mergestogether to create the perfect harmony of human and nature. Clearly indicates beauty.
39Artist Ekkalak SajavathaEmail [email protected] ThaiInstitute Suphanburi College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The Creation of Kitbashing Art from Old Toys: New Identities through Assemblage, Assemblage Art., 2023Concept This Art Toy is inspired by the concept of dinosaurs supposedly driven to extinction by a meteor impact. The creator reimagines this narrative by proposing that some dinosaurs did not perish but instead escaped the extraterrestrial threat by retreating underground, where they gradually evolved into cyborg-like beings to hide from danger. This imaginative storyline adds depth and intrigue to the work while reflecting a creative process that integrates art, design, and craftsmanship. The piece exemplifies how narrative, aesthetic, and technical skills can converge to produce a visually compelling and conceptually rich Art Toy.
40Artist Jerachon BoonmakEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info \"Thukkho Tinna\", Ancient stucco, 20 x 25 x 35 cm., 2025Concept The work \"Thukkho Tinna\" is a personal sculpture created in conjunction with classroom teaching. The main goal is to combine shaping with meditation to refine the mind through the unique process of Thaistyle plaster molding.
41Artist Jirawan RewattoEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Expressing the beauty of flowers through acrylic line paintings, Acrylic on canvas, 40 x 40 cm., 2025Concept This creation aims to convey the beauty and uniqueness of flowers through acrylic line drawings. The concept is based on the recognition that natural beauty, particularly flowers, directly impacts the human psyche, creating happiness, reducing stress, and increasing vitality.
42Artist Kanchana CholsuwatEmail [email protected] ThaiInstitute Suphanburi College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Still, Mixed Media / glass, iron, 25 x 30 x 25 cm., 2025Concept The creation of mixed media art in the Still series aims to foster interaction within imperfection by presenting artworks that relate to life and Eastern philosophy. It recognizes the beauty and philosophical concept of revisiting past mistakes and life experiences, reordering them for stability, and moving forward with strength. The researcher-creator draws inspiration from this philosophy to create the artwork, transforming forms of imperfection into beauty and creating new meaning in art. This is achieved by using new and old, damaged or broken objects, such as glasses, cups, bowls, household items, and others, to create forms that harmonize into new shapes. The process begins by seeing the fragility of life as similar to household items that have been used and have different origins, resulting in the deterioration of the objects due to the owner or other factors that cause cracks, breaks, dents, or partial loss. These items are collected and used to create forms that express beauty from imperfection, connecting the traces of many fading memories and stories that reappear through the weaving of fragile glass fibers, forming shapes that arise from the interaction of inner feelings with external beauty displayed in the newly created objects. These household items, which carry impressions or traces of memories within, are brought together to create a complete and beautiful whole through mindfulness and mental focus. This is achieved by creating mixed media sculptures installations.
43Artist Kantima SangaroonEmail [email protected] ThaiInstitute Nakhon Si Thammarat College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The tie to one's roots., Ceramics Painting, 70 x 50 cm., 2025Concept The creative work, titled \"The Bond\", aims to artistically represent and explore the intrinsic sense of connection the bond between living organisms and their environment, particularly the way of life within their native habitats. This concept is realized through the medium of lowrelief ceramic sculpture, predominantly utilizing a blue-and-white glaze palette. This creative work is a series of three distinct ceramic pieces. The series abstractly and semi-realistically depicts life beneath the sea, focusing on the profound relationships: both the interrelation among aquatic life and the deep bond between the organisms and their ecosystem. The core creative technique involves surface carving to establish a sharp contrast. Delicate patterns of the fish and free-flowing lines are highlighted with light, white glaze, juxtaposed against the water's surface, which is rendered with dimension and texture using darker blue tones. The deliberate use of a monochromatic color scheme creates visual continuity and emphasizes the quiet, mysterious, and serene atmosphere of the deep water. This ceramic series possesses significant aesthetic value, offering a sense of calm and relaxation. Due to the inherent durability of the ceramic material and the flexible three-piece composition, the collection serves as a substantial creative work and holds the potential to be a powerful piece for communicating deep-seated natural conservation concepts.
44Artist Katekarn RattanachoulEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Objects of coexistence, Glaze 1,200 c, 20 x 20 x 25 cm, 2026Concept Nature is being replaced by synthetic materials and coexisting with nature, reflected through the expression of shapes and forms of waste, plastics and natural objects such as branches to convey beauty, instead of natural changes towards a point of balance, coexistence and adaptation to be able to live with diversity.
45Artist Kitti Klai-emEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Thai Fighting Fish: Graphic Design of Identity Patterns from Domestic Animals, Vector Drawing, 80 x 60 cm., 2025Concept My work aimed to explore the potential and approaches for incorporating the Thai Fighting Fish (Betta splendens), the national aquatic animal known for its striking colors and beautiful caudal fin shape, into graphic design creations to reflect Thai identity and increase its creative economic value.
46Artist Komes KuntigEmail [email protected] ThaiInstitute Suphanburi College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The Nature of life, Ceramics (Raku), W 30 cm. x H 60 cm.Concept Through the beauty of the expression of free forms from nature that surrounds us, which have their own uniqueness, volume, weight, and flexibility, until they become shapes according to the concept.
47Artist Metta GlumglinEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The World of Da te, Soft Sculpture, 90 x 90 cm., 2026Concept This work expresses the dream world of an autistic son, filled with joy and fun with his beloved pets and bonding. He uses his imagination to create unique sculptures that express love and happiness, like the rainbow of life.
48Artist Mintlada JakchaiananEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Loneliness in the Era of AI, Lithograph, 60 x 80 cm., 2025Concept She Who Dwells in Loneliness in the AI Era