49Artist Natee TubtimthongEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Buddha statue in royal attire from the late Ayutthaya period”, Plaster, 30 x 15 x 40 cm., 2025Concept The creators have studied a masterpiece of late Ayutthayan art by creating a miniature model, capturing its grand and unique characteristics in a miniature Buddha image, using modern techniques.
50Artist Neungruthai YimprasertEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Body of beauty : Connotative meaning in mind 4, Mixed Technique (Drawing ,Paper stencil, Stamping pattern, Collage), 56 x 39 cm., 2025Concept A contemporary Thai artwork. Traditional Thai art has been applied to design and arrange new elements. By expressing the impression of motherhood with elegance under the appearance of a pregnant woman as imagined.
51Artist Nittaya SrikongEmail [email protected] ThaiInstitute Nakhon Si Thammarat College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The Ordinary of Life, Colored pencils, 60 x 80 cm., 2025Concept The artwork, \"The Ordinary of Life,\" depicts the normalcy of life on this earth, with its birth, existence, and death. It uses nature to convey the impermanence of life. Nature is the most easily observed and visible change in the world. Changes in life, or lifespan, occur constantly, but we may not always notice them. Furthermore, while we regularly witness birth, aging, illness, and death, if they do not occur close to us, such as our family or loved ones, these changes are so distant that we forget that even we, living our normal lives, are constantly declining. The creator recognizes the importance of living mindfully and carefully, using nature—trees, leaves, and branches—to represent life, demonstrating constant change. The impermanence of all things is a normal part of all life, using colored pencil drawing techniques on chalk. Dimensions: 60 x 80 cm.
52Artist Norawee ChotivaranonEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Impressionist painting in the Digital age, Acrylic on canvas., 50 x 30 cm, 2025Concept The creative works are in the style of impressionist paintings, with concrete content, linking the concept of landscape design within the educational institution of the creator himself, which is diverse and full of natural beauty. It may consist of the truth that appears in that place or new creations from imagination, combining borrowed images from experiences found in other places, assembled using digital design tools as a prototype.
53Artist Opas NuchniyomEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Open your dream, Slap / Engobe / Sgraffito / under glaze, 15 x 30 x 40 cm., 2026Concept The concept originated from telling bedtime stories to my child, as it is a moment that allows for conversation, guidance, happiness, and imagination - a way to create positive energy
54Artist Panich PhupratanaEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The Box Man, Acrylic on canvas., 60 x 80 cm, 2025Concept \"The Box Man.\" is a Surrealist painting using box forms and heavy colors to explore human isolation and confinement within modern urban society. The work reflects the tension between freedom (nature) and control (social structure) through its symbols of architecture and barren landscape.
55Artist Papon KamonwuttipongEmail [email protected] ThaiInstitute Suphanburi College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Five Elements, Acryric on canvas, 60 x 80 cm., 2022Concept The concept of energy from the five elements of Confucius through the connection of principles of thought, the belief that colors influence living things and are components of connecting living things to create balance, is consistent with the belief in the five elements and the cycle of colors.
56Artist Patcharee MeesukhonEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Reviving Local Heritage through the Innocent Lens: A Multimodal Narrative Illustration of Suphan Buri’s Cultural Identity, Hybrid Media Art (Digital Illustration and Motion Graphics), 60 x 80 cm., 2025Concept This hybrid artwork reinterprets Suphan Buri’s cultural heritage through a “Narrative Digital Illustration” combined with augmented motion graphics. By employing the “Child Archetype” as a storytelling vehicle, the work transforms complex history into an approachable, nostalgic memory space. This multimodal approach aims to bridge the gap between traditional local wisdom and the contemporary digital generation.
57Artist Patcharin AnawatprayoonEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The Scream, Oil on canvas., 70 x 50 cm, 2025Concept \"The Scream\" has transformed from a reflection of existential angst into a dark humor meme reflecting daily struggles and modern crises. It bridges the suffering of the Spanish Flu era with COVID-19, shifting its meaning from internal anguish to stress from uncontrollable external factors. The isolated figure has become a symbol for humans during lockdown facing social distancing and the feeling of being cut off from the outside world. The distorted background represents invisible threats like the virus and the chaos of rapidly spreading information. Thus, it remains a timeless embodiment of despair, demonstrating that humanity always confronts fear and uncertainty during crises.
58Artist Phaen EkchitEmail [email protected] ThaiInstitute Suphanburi College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Anon Fish and Onamazu Fish, Acrylic on canvas, 90 x 70 cm., 2025Concept Inspired by the cultural beliefs of Thailand and Japan regarding earthquakes, the harmonious blending of the beliefs of the two cultures makes Thai paintings very interesting.
59Artist Phattaraporn LeanpanitEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Poetry Beneath the Winter Wind, Acrylic color on Canvas, 60 x 80 cm., 2025Concept Through a study of Thai–Chinese cultural relations, the creator identified porcelain motifs as meaningful visual elements that reflect shared beliefs and ways of life connecting the two cultures. These motifs were synthesized into symbolic components within the artwork, using a Semi-Realist approach that blends realism with simplified forms. Combined with painting techniques emphasizing transparency and layered color, the work achieves depth, delicacy, and a harmonious atmosphere. Ultimately, the piece integrates traditional cultural elements with contemporary artistic expression in a meaningful way.
60Artist Phongsathorn RodjaktukEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Growth of Flora and Technological Objects, Mixedmedia sculpture / Stucco, Technological Objects., 50 x 27 x 26 cm, 2025Concept This work uses mixed-media sculpture to express satire and criticism of society, especially the problem of over-consumption, which leads to environmental damage. From this idea, the artist applies it to Thai art forms that do not exist in nature, serving as symbols of natural plants. The artwork aims to remind viewers of the impact of technology on nature an issue that is becoming more serious and difficult to solve today.
61Artist Pittawan SuawapabEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Behind Me, A Quiet Collapse, Digital print, 59.4 x 42 cm., 2025Concept This work reflects the atmosphere of silent surrender to the pressures within the mind through the overall image of the body in red, where the flowing control system is weakened and the sound that reaches in is obscured. Red, therefore, the power of the entire flow of emotions and the life force that boils down to the highest point are directly encountered. All together, it is reminiscent of the feeling within oneself in
62Artist Pongsapat BuakaewEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info KAWASAKI DESIGN SHOWROOM Phetchabun Province, Cad & 3d Rendering., 80 x 60 cm., 2023Concept Garage Society 89’’ It is a classic atmosphere and resonates with the atmosphere of the world's industrial growth. It is a combination of new materials combined with natural materials. It reflects the rawness and strength of the colors in creating innovations in that era, and it is a style that the showroom owner has a personal preference Therefore, it is a spark for designers to combine it to create a showroom that is unique in the province and will also be a place where bikers will meet and exchange knowledge and information as well as motorcycle activities of Phetchabun Province in the future.
63Artist Pongtai RattanawongkaeEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Graphics with emotional dimensions : Powerful simplicity, Specific Techniques / Canvas Printing, 80 x 60 cm., 2025Concept This creative work explores the complex relationship between graphic images and human emotions. It emphasizes how visual elements such as color, shape, lines, and composition of images. How can emotional responses be stimulated and changed? The analytical methodology in this article uses a synthetic literature review method. Based on the concepts of color psychology. Theory of perception Emotions and Gestalt principles to create a framework for analyzing the mechanisms by which graphics affect perception, feelings, and behavior.
64Artist Sakachart SrisukEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Symbols Mental and Aesthetics of Nature, Mixed Media Painting and Clay pattern Creation., 80 x 60 cm, 2025Concept Human life and nature and Buddhist symbols and the truth in human nature consisting of the body and mind, as concrete in nature that transforms into abstraction that touches the vision with consciousness and principles conveyed through artistic aesthetics. The principle of truth in all things, for the sake of value, is to refine the soul. In nature, which conveys the moral and ethical principles of truth that are expressed both fundamentally and deeply with human life through the visual arts.
65Artist Sakchai Boon-IntrEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info 1-15-10 A new context of belief, Gesture Drawing, Sketch Note, Photoshop: Mixed Media, LED Lightbox Sign., 60 x 75 cm, 2025Concept Experimental drawing pushes the boundaries and traditional forms, emphasizing the exploration of new possibilities, using a variety of media, experimenting with line characteristics and material physics in 2D and 3D forms, and technological media. To demonstrate the integration of ideals and beliefs about the deceased ancestors in the waning moon of the tenth lunar month from the reality perspective of a digital world. Integrates the artistic paradigm with the symbolism of sketches, language, data, and related sciences, which are like the essential structure of the substance and the anatomy of art.
66Artist Sannarong SinghaseniEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info “November Rain”, Watercolor on paper, 38 x 56 cm., 2025Concept November should be the month that marks the beginning of winter, but this year the rainy season has been longer than usual. It has raining heavily every day, even though winter should have already arrived. The beauty of the November morning, full of dark rain clouds, contrasting with the golden, pink, and blue of the morning sun. Watercolor play a role, leaving beautiful marks and textures on the paper, which is the source of the freshness of the colors on the rainy November day.
67Artist Sipporn SuntharasanticEmail [email protected] ThaiInstitute Suphanburi College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Father-son, Watercolor, 22 x 15 cm., 2025Concept The concept of the work is to paint a portrait of His Majesty King Bhumibol Adulyadej the Great, Rama IX and Her Royal Highness Princess Maha Chakri Sirindhorn in her youth, using watercolor techniques to honor both of them To show the love, attachment and gratitude that the people have for both of them, to commemorate the great kindness of the King and Her Royal Highness Princess Maha Chakri Sirindhorn With love and faith in His Majesty who has devoted himself to the well-being of all Thai people throughout his reign. watercolor techniques.
68Artist Sirikan YuenyongEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Her & Hers, Cyanotype., 71 x 50 cm, 2025Concept Female beauty has long been a socially and culturally constructed concept, creating a framework of values that defines specific standards of appearance. Many women are therefore judged by their physical appearance rather than their mental, spiritual, or potential dimensions. As a result, beauty, once admired, gradually decays according to the law of impermanence. This decline in appearance is expressed by using the female body as a symbol of the fragility of past lives, using the cyanotype print technique.
69Artist Sujitta BunsongEmail [email protected] / [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The Landscape - State of Mind No.1, Archival ink pen and Gel pen on paper, 20 x 29.5 cm., 2025Concept A reflection at a moment of Landscape - State of mind through the process of artistic expression. Subconscious - Through a process of immediate, flow expression through the technique of drawing six continuous contour lines without lifting the pen, from left to right side of paper. The inner imagination reflects the inner state at a moment that creates a sketch of landscape with sudden shape. Conscious - Through diligence, perseverance, and patience, gradually creating tone and texture using interweaving lines that reflect the author's inner state at that moment.
70Artist Sunsanee RungrueangsakornEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Flower of Venus of Willendorf, Acrylic, collage., 80 x 60 cm, 2025Concept Flower of Venus of Willendorf is inspired by the Venus of Willendorf. They are small sculptures that resemble the creator's own figure, conveying her own personality, creating a different kind of beauty, in a different aspect of reality, with confidence and self-acceptance. The technique uses collage combined with acrylic painting to express the use of paper with graphic patterns, expressing contemporarily and the impermanence of all things.
71Artist Supachai SukkeechoteEmail [email protected] Nationality ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info “Thongkhaw”, 3D pen, 20 x 36 x 15 cm., 2019Concept The transmission of love, happiness, and warmth among the cats in our family. Their forms, gestures, and unique characteristics reflect the vibrant colors of love and the joy of life.
72Artist Suriya ChayacharoenEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info SIGN OF ANAPANASATI MEDITATION (No.1), Acrylic painting on canvas, 80 x 60 cm., 2025Concept This painting aims to create visual symbols to convey a state of mind of tranquility and awakening through abstract artistic language. It integrates the concepts of Anapanasati meditation, semiotic theory, and principles of artistic composition into the creative process. The work thus reflects the relationship between visual elements and mental states, evoking spiritual aesthetics that led to inner awareness in the viewer.
73Artist Sutinee ThippharaEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Rebirth of Identity, Digital art., 42 x 59.4 cm, 2026Concept This concept reflects the rebirth of identity in the digital age, where humans are inseparably intertwined with data, technology, and virtual environments. The faceless figure and inner cosmos symbolize the search for a renewed sense of self, while digital motifs-circuits, social media icons, and avatarsexpress the fluidity of contemporary identity. The work encourages viewers to question who we are in a world increasingly shaped by technology.
74Artist Sutthasinee SuwutthoEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Memories of nature and the bond between mother and child, Acrylic, pens, oil pastels, gilding, and creating textures with Wall putty, 60 x 90 cm., 2025Concept The creative work “Memories of nature and the bond between mother and child” was born from the idea of conveying the love and bond you have for your child, using it as inspiration to create a painting that combines various techniques. It imagines a corner of the landscape that shows a combination of memories, family love and nature, especially the remembrance of the gooseberry tree, which used to be a place of attachment.
75Artist Suvadol KatsiriEmail [email protected] ThaiInstitute Nakhon Si Thammarat College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Where are You Riderman, Painting, 80 x 60 cm., 2025Concept Inspired by childhood memories of reading comics, this story is about a man wearing a mask and riding a motorcycle, who sets out to create experiences to help fellow human beings in various areas, fighting demons that trick humans into committing violence against their fellow human beings. I am interested in creating narrative content that comes from using contemporary stories to create paintings, creating shapes, colors, rhythms, weights, and spaces. Stories arise from experiences and stories in the present moment, expressing content and feelings. It is a challenge, so I have chosen this concept as my artistic guideline.
76Artist Tassanee RoongtaweechaiEmail [email protected] ThaiInstitute Suphanburi College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Naturals Beauty No.4, Ceramic, Wheel Throwing, 7 x 7 x 24 cm. & 7 x 7 x 30 cm., 2025Concept This artwork conveys inspiration from the “charm of the female form,” a natural beauty expressed through graceful movement, gentle curves, and an elegance that need not be perfect yet is full of life and individuality. The rounded ceramic form symbolizes the organic beauty of the female body, with fluid proportions that represent a “fundamental shape of beauty.” Combined with flowing, free, and dynamic metal lines, the work reflects the “life force of women,” who are flexible, strong, and beautiful in their own unique ways. The intentional asymmetry of the lines further expresses the emotional complexity, thoughts, and diverse roles that women embody in contemporary society.
77Artist Techanit SangkasabaEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Structure-Memory-Time and Change/1, Digital Art., 50 x 50 cm, 2025Concept This digital painting represent my memories of the past through old architectural buildings, reflecting the beauty of Bangkok, which can be seen all the time.
78Artist Teerawut NiemsinEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The State of Mara : Interpreting the Temptation of Mara through the Forms of Animals in Contemporary Thai Painting, Acrylic on canvas., 50 x 60 cm, 2025Concept “The State of Mara: Interpreting the Temptation of Mara through the Forms of Animals in Contemporary Thai Painting” aims to study the reinterpretation of the Temptation of Mara episode from the Buddhist chronicle and to apply this concept in the creation of contemporary Thai paintings that reflect the state of Mara. The study focuses on employing animal figures as symbolic representations of evil, raw instincts, and ignorance that obscure wisdomelements comparable to the Maranature that exists within the human mind. The creative process integrates knowledge of Buddhist philosophy with contemporary Thai painting techniques, conveying meaning through visual elements to evoke emotion and atmosphere that reflect the state of Mara arising from delusion, anger, and fear within the human psyche.
79Artist Thanaphon SrihongEmail [email protected] ThaiInstitute Suphanburi College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Blue and White Porcelain: An Artistic and Intellectual Heritage of Asia, Ceramics, 30 x 30 cm., 2025Concept Blue and white porcelain is a remarkable artistic masterpiece that reflects the beauty and technological wisdom of humanity, particularly in China, the major origin of this type of porcelain during the Yuan and Ming Dynasties. The distinctive blue and white patterns, using cobalt, have become a symbol of high art. This article aims to explore the historical development, artistic characteristics, production techniques, and influence of blue and white porcelain on Thai culture, as well as approaches to preserving and continuing this wisdom in the present day.
80Artist Thita KrutchuenEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Tung: Echoes of the North, Acrylic on Canvas., 40 x 50 cm, 2026Concept The tradition of offering tung to the temple during the Songkran Festival, a distinctive cultural identity of Northern Thailand, is performed as an act of meritmaking dedicated to both the deceased and oneself.
81Artist Unnalin SangsiriEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The process of designing public spaces that symbolically connect with the context of the historical city, Computer program for Architectural Design, 30 x 42 cm., 2025Concept The project aims to present architectural and environmental design guidelines for Koh Khaek within Chiang Mai University, based on the historical ancient city \"Wiang Chet Lin\". enabling students and the general public to learn about Chiang Mai's historical landmarks, while also utilizing public spaces for exercise and promote awareness of its identity and social values.
82Artist Wanitchaya NualanongEmail [email protected] ThaiInstitute Nakhon Si Thammarat College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info “Colorful Corals Under The Sea”, Mixed media, 20 x 25 cm., 2025Concept The concept of “colorful corals under the sea” arises from the creator’s fascination with the beauty and fragility of marine ecosystems. Corals, as the heart of the underwater environment, serve as vital habitats that sustain diverse marine life. Inspired by their natural forms, colors, and textures, the creator interprets these characteristics through contemporary ceramic sculpture. The inherent qualities of ceramicstrong yet easily broken-symbolize the delicate state of coral reefs threatened by bleaching and human impact. This work is intended as a visual catalyst that raises awareness about coral conservation and encourages viewers to recognize the value of protecting the marine environment for future generations.
83Artist Wanwisa PhattanasinEmail [email protected] ThaiInstitute Nakhon Si Thammarat College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info The Importence Of The Family Bond, Lacquerware Painting, 60 x 40 cm., 2025Concept The artwork “THE IMPORTENCE OF THE FAMILY BOND” is inspired by the creator's memories, deep connection, and upbringing in the Southern region of Thailand, surrounded by nature, a simple way of life, and valuable arts and culture.
84Artist Wirayut SiangprohEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Within David, Knitting Thread., 50 x 50 cm, 2026Concept This study presents a reinterpretation of Michelangelo’s classical sculpture “David” through the use of thread instead of marble to convey the concept of Human Fragility. The work deconstructs the classical ideal of strength and perfection, revealing a vision of humanity in which power and vulnerability coexist. Beneath outward resilience, inherent instability and sensitivity are everpresent. The conceptual framework of the project draws inspiration from Derrida’s Postmodern Deconstruction, emphasizing the questioning of accepted meanings and structures, and from Rozsika Parker’s Feminist Craft and Materiality, which highlights the value and potency of soft, delicate materials. Using thread, the work reflects connection, impermanence, and relationships that can unravel or disintegrate, mirroring the nature of human life.
85Artist Wisut YimprasertEmail [email protected] ThaiInstitute Faculty of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info Self-portrait in September 2025, Mixed techniques & Materials ready made & found objects, 23 x 89 x 40 cm., 2025Concept Goodness, beauty, happiness, and even suffering are realities that we encounter in our daily lives – either consciously or unconsciously. I'm use inspiration from daily life came to created in this's my Arts work \" Self-portrait in September 2025” by pass that objects and materials in my daily life. Brought together to form a sculpture by using visual elements arts to my emotions in the feeling of the moment.
86Artist Yanee PromdechaEmail [email protected] ThaiInstitute College of Fine Arts, Bunditpatanasilpa Institute of Fine ArtsArtist Info TANHA 3, Black Ink on Paper., 45.3 x 38 cm, 2025Concept Satisfaction of 5 senses, desire, needs & unwanted are the principles of Buddhism called 'Tanha'. Everyone has Tanh. Less or more, it always the cause of human's suffering.
87Artist Abilio da Conceicao SilvaEmail [email protected] Timorese Institute - Artist Info Feto Konde (Lady in bun), Acrylic on canvas, 119 x 55.5 cm., 2010 Concept This painting abstractly depicts the situation of traditional Timorese women in the past, who always wore their hair in a bun during daily activities. This shows simplicity and respect for guests visiting the house, while also symbolizing their grace, strength, and the cultural values they carried in their everyday lives.
88Artist Nizam Orcun ONALEmail [email protected] TurkishInstitute Erciyes University, Faculty of Fine ArtsArtist Info MUSTANG, Stoneware ceramic & black slip, hand built, 1260°C., 2022Concept \"MUSTANG\" embodies the timeless journey of cultural memory carried through generations. Rooted in the ancient bond between the horse and the people of Anatolia, it whispers stories of strength, freedom, and belonging. The form recalls the echoes of Troy and the spirit of those who rode across these lands with dreams of endurance. Through its raw texture and silent grace, the sculpture becomes both a vessel of history and a living pulse of Anatolian soul.
89Artist Cao Thi VanEmail [email protected] VietnameseInstitute Hanoi Architectural UniversityArtist Info Dream of Ephemeral Blossoms, Oil on canvas, 70 x 90 cm., 2025Concept A young girl leans among blossoms at their peak, her gaze lingering on their fragile beauty. Soft light bathes her figure, while her mother watches quietly, hinting at the fleeting nature of life’s vanities. Beauty and impermanence mingle in a gentle, poetic stillness..
90Artist Do Dinh TanEmail [email protected] VietnameseInstitute Hanoi Architectural UniversityArtist Info My son, Pastel, 35 x 25 cm., 2024Concept I painted a portrait of my son to express the sincere and simple love that a father has for his son.
91Artist DO Ky HuyEmail [email protected] VietnameseInstitute The Faculty of Arts, Hue UniversityArtist Info Volcano #2, Urushi, Goldleaf, Eggshell, 120 x 90 cm., 2025Concept This work forms part of my exploration of the triangular form — a motif that serves less as a subject than as a point of departure. Rather than emphasizing narrative or representational meaning, I focus on the sensory and emotional nuances generated through the layering and interaction of diverse materials within lacquer. In this way, the painting becomes a study in material resonance, where surface, texture, and light converge to evoke a quiet, contemplative energy.
92Artist Ngo Quang DuongEmail [email protected] VietnameseInstitute - Artist Info Twilight - 2025, oil on canvas, 80 x 100 cm., 2025Concept Feeling of sunset in a small village of Sapa town Duong the smoke on the roof and the cold in the air make me want drink a cup of beer
93Artist Hoai Vu, M.AEmail [email protected] VietnameseInstitute The University of Arts and DesignArtist Info Serenity, Oil on cavas, 80 x 80 cm., 2020Concept \"The life of a woman constantly harbors a desire for wholesome happiness. Yet, the whirlwind of domestic life, marriage, and family drains their energy and causes fatigue. Sometimes they ask themselves, 'Who am I?' However, in those very struggles, 'serenity' becomes their anchor for balance. They find their self-worth, they forge their own distinct path, and they face all challenges with a smile.\"
94Artist Linh Thi Thuy Nguyen, M.A.Email [email protected] VietnameseInstitute The University of Arts and Design Artist Info Twin Lotus flowers, Silk painting, 60 x 90 cm., 2020Concept The painting was created in the summer days of July 2020. The lotus is the national flower of Vietnam, symbolizing noble and pure beauty. The white lotus symbolizes wisdom and human dignity. The pink lotus symbolizes compassion and empathy. When appearing together, they represent the desire for beauty and balance in each person.
95Artist Nguyen Duc VinhEmail - Nationality VietnameseInstitute Hanoi Architectural UniversityArtist Info Me, Oil on canvas, 120 x 90 cm., 2025Concept I paint as a way of listening to my own soul. Each brushstroke is a breath, a sincere emotion poured into the portrait. When I hold the brush, I don’t seek to copy a face — I seek the soul hidden in the eyes and in the silence between colors, where a person appears not only through form, but through feeling and time itself.
96Artist Nguyen Nghia PhuongE-mail - Nationality VietnameseInstitute Vietnam University of Fine ArtsArtist Info The village's Story, Water colour on Do paper, 59 x 74 cm., 2025Concept -
97Artist Nguyen Quang ToanEmail [email protected] VietnameseInstitute Hanoi Architectural UniversityArtist Info Together, Acrylic on canvas, 80 x 80 cm., 2025Concept memories of old memories.
98Artist Nguyen Thanh SonEmail [email protected] VietnameseInstitute Hanoi Architectural University Artist Info Outside the human world #2, Mix media on Do paper, 45 x 40 cm., 2024Concept The colorful images in the space of the temples, pagodas always create mysterious worlds. The feelings bring us as if lost in a surreal space, helping us temporarily forget reality.