“There is nothing that compares to an unexpected round of applause…” JUNE 2023 ISSUE 10 Gulfport Community Players STOP KISS June 6 - 18, 2023 Tarpon Arts CRIMES OF THE HEART June 9 - 18, 2023 West Coast Players OUT OF ORDER June 9 - 25, 2023 SAGES DEAL MAKER June 10 & 17, 2023
We are BACK! Had a wonderful, memorable trip and I’m back at the helm to bring you all the news that is the news! Beginning monthly issues again, starting with JUNE 2023. HAPPY SUMMER! Remember, if you are in a show, pass the word to new cast members to the area about sending their emails to receive APPLAUSE to: [email protected]
“...and the pleasant life of Riley that is spoken of so highly is the life that everybody wants to lead” Dunedin Showcase Theater (DST) Venue Actor Studio (VAS) c/o Mike Cote 5124 9th Avenue N 1920 Pinehurst Road St. Petersburg, FL 33710 Dunedin, FL 34698 727-822-6194 727-417-0035 [email protected] [email protected] West Coast Players (WCP) Eight O’Clock Theatre (EOT) 21905 US 19 North Central Park Perf. Arts Ctr. Clearwater, FL 33765 105 Central Park Drive 727-437-2363 Largo, FL 33771 wcplayers.org PO Box 297, Safety Harbor, FL 34695 727-587-6751 SAGES Theater (SAGES) [email protected] c/o Linda Goldman www.eightoclocktheatre.com 727-536-7076 [email protected] Francis Wilson Playhouse (FWP) sagestheater.org 302 Seminole Street Clearwater, FL 33755 Tarpon Springs Performing 727-446-1360 Arts (TA) franciswilsonplayhouse.org 324 Pine Street Cultural Center The Ghostlight Young Company (GYC} 101 S. Pinellas Avenue c/o Rachel Fennell Tarpon Springs, FL 34689 3010 51st Street South 727-942-6605 Gulfport, FL 33707 tarponarts.org (978) 930-3804 www.ghostlightyc.org Richey Suncoast Theatre (RST) 6237 Grand Blvd. Gulfport Community Players (GCP) New Port Richey, FL 34652 1619 49th Street S 727-842-6777 Gulfport, FL 33707 richeysuncoasttheatre.com gulfportcommunityplayers.org St. Petersburg City Theatre (SPCT) 4025 31st Street South St. Petersburg, FL 33712 727-866-2059 spcitytheatre.org “June Is Bustin’ Out All Over” CAROUSEL (1956)
AUDITIONS THEATRE: AN EXCITING NEW MUSICAL AUDITION DATES & LOCATION: Please cal PLAY/MUSICAL: NONNA - A MUSICAL CELEBRATION By Annemarie St. Michael WRITTEN & DIRECTED BY: Annemarie St. Michael MORE INFO: Written and directed by Annemarie St. Michael, who also happens to be a playwright, singer, and songwriter. She was part of the Oregon theatre community for over 10 years. Annemarie will be working along with Venue Theatre Director Corinne Broskette. They are seeking 10 actors/singers for a new production of NONNA - A MUSICAL CELEBRATION, a story of how a woman transcends from being a Mom to being an outcast to her only son and how she comes back into his and her granddaughter ’s favor. AUDITION DATES: Saturday/Sunday - June 10 & 11, 4PM Callbacks will be June 13 & 15 @ 7PM LOCATION: The Veridian, 518 Third Avenue S, St. Pete 33701. Please be there promptly as we need to have someone at the door to let everyone in. If you are late, you must call Annemarie at 727 -645 -9122 to allow someone to let you in. Rehearsals planned for Tuesdays & Thursdays 7 -10PM, beginning June 18th. PARKING: Parking is behind the CVS at 301 Third Street S. We will send you a pass. PERFORMANCES will be September 13 -14 -15 @ Unity Church of Palm Harbor. Additional performances TBA. Please bring one song and music on CD; picture and resume (if you have ). We will transpose key as necessary for the right actors. Readings will be from the script. The script requires actors to portray the characters at different ages in the story.
: Written and directed by Annemarie St. Michael, who also happens to be a playwright, singer, and songwriter. She was part of the Oregon theatre community for over 10 years. Annemarie will be working along with Venue Theatre Director Corinne Broskette. They are seeking 10 actors/singers for a new production , a story of how a woman transcends from being a Mom to being an outcast to her only son and how she comes back into his and her June 10 & 11, 4PM LOCATION: The Veridian, 518 Third Avenue S, St. Pete 33701. Please be there promptly as we need to have someone at the door to let everyone in. If you are late, you 9122 to allow someone to 10PM, PARKING: Parking is behind the CVS at 301 Third Street 15 @ Unity Please bring one song and music on CD; picture and resume (if you have ). We will transpose key as necessary The script requires actors to portray the characters at CAST NEEDED: Moishe (Jewish accent) 60-80 years - Baritone Ariana - 18-25 years - Nonna’s daughter tpy - Mezzo Alejandro (Spanish accent) 18-65 years (65 in one scene) - Tenor Frank 35-55 years - Tenor Nonna at ages 18, 50-55, 65 - Soprano Tommy 20-35 - Tenor Rita 18-25 - Soprano Rev. Rose 35-45 - Soprano 3 teens 18+ tpy (2b 1g) in chorus and two scenes ANY voices) NONNA - A MUSICAL CELEBRATION (cont’d) NONNA - A MUSICAL CELEBRATION!
AUDITIONS THEATRE: FRANCIS WILSON PLAYHOUSE PLAY/MUSICAL: BROADWAY MUSICALS OF... MORE INFO: Auditions for the new Broadway By The Year Concerts will be Sunday July 9th and Monday July 10th at 7PM at Francis Wilson Playhouse, 302 Seminole St., Clearwater, FL. Singers will be chosen for our four (4) Concerts celebrating the Broadway years 1947, 1959, 1964, and 1975 with a wide range of songs from those Seasons. The Concerts will feature live accompaniment by Musical Director Emi Stefanov and Narration by Director Jason Fortner. Singers will be asked to bring two (2) contrasting songs (ballad and uptempo). These fun -filled concerts will celebrate the wide range of music featured in these four decades of Broadway The performances will be: BROADWAY MUSICALS OF 1947 Saturday, September 30th @ 2PM & 8PM BROADWAY MUSICALS OF 1959 Saturday, November 4th @ 2PM & 8PM BROADWAY MUSICALS OF 1964 Saturday, January 27th @ 2PM & 8PM BROADWAY MUSICALS OF 1975 Saturday, March 9th @ 2PM & 8PM
AUDITIONS THEATRE: WEST COAST PLAYERS PLAY/MUSICAL: THE BUTLER DID IT by Tim Kelly MORE INFO: June 14 and 15 at 7:00 PM at West Coast Players theatre, 21905 US 19 N in Clearwater. A GPS may not provide accurate directions. Please visit our website, wcplayers.com for directions. Performances will be August 25 - September 10, Fridays and Saturdays at 7:30 PM and Sundays at 2:00 PM - If unable to make auditions, email your interest to director Jamie Bierchen at [email protected] DIRECTOR: Jamie Bierchen HAVERSHAM - a young housemaid, an ex -convict RITA - a social secretary MISS MAPLE - a well -known society hostess FATHER WHITE - a mystery writer CHANDLER MARLOWE - another LOUIE FAN - another RICK - another LAURA - another PETER FLIMSEY - another CHARITY - another MABEL DUPRE - an adventuress PHARAOH LINK - a San Francisco police detective The Butler Did It parodies every English mystery play ever written, but it has a decidedly American flair. Miss Maple, a dowager with a reputation for “clever” weekend parties, invites a group of detective writers to eerie Ravenswood Manor on Turkey Island where they are to impersonate their fictional characters. The hostess has arranged all sorts of amusing incidents: a mysterious voice on the radio, a menacing face at the window, a mad killer on the loose. Who is that body in the wine cellar anyway? Why do figurines keep toppling from the mantel? Then, a real murder takes place and Miss Maple is outraged. She offers an immense reward to the “detective” who can bring the killer to justice. And what an assortment of zany would -be sleuths! When they ’re not busy tripping over clues, they trip over each other! Laughs collide with thrills, and the climax is a real seat -grabber as the true killer is unmasked and almost everyone turns out to be someone else!
AUDITIONS THEATRE: ST. PETERSBURG CITY THEATRE AUDITION DATES & LOCATION: Sunday, June 11, and Monday, June 12 at 7:00 PM at the Theatre - 4025 31st Street South, St. Petersburg, FL 33712 PLAY/MUSICAL: MARY POPPINS - The Broadway Musical By Richard M. Sherman and Robert B. Sherman MORE INFO: Production dates are: Sept. 28 @ 7:30 PM - Possible Command Performance Sept. 29 @ 7:30 PM Sept. 30 @ 7:30 PM October 1 @ 7:30 PM October 5 @ 7:30 PM - Possible Command Performance October 6 @ 7:30 PM October 7 @ 7:30 PM October 8 @ 7:30 PM DIRECTOR: Jeffrey M. Lukas MUSICAL DIRECTOR: Dawne W. Eubanks Come with your favorite 16 -32 bars of a song that can show off your range; dance auditions will take place; please bring dance clothes and tap shoes if you have them; all ranges of movement are welcome and encouraged to audition; we will also read selections from the script. While we encourage you to come to audition in person, you can submit a taped audition with you favorite 16 -32 bars of a song that can show off your range. If asked to come to the callback, you will need to come to the theatre to do so. The option to select a taped audition will be available when you fill out the audition form. Taped auditions deadline is Monday, June 12th at 7PM. Callbacks are Wednesday, June 14th at 7PM. All auditions and callbacks are at St. Peterbsburg City Theatre, 4025 31st Street, St. Petersburg, FL 33712 Rehearsals begin Sunday, July 9th.
SUMMARY: Based on P.L. Travers’ beloved book series of the same name, Mary Poppins became an immediate hit when it premiered as a movie musical in 1964. Forty years later, Cameron Macintosh conceived of an enchanting stage musical that combines elements of Disney’s film with material inspired by Travers’ books. In the musical, Bert, a jack-of-all-trades, invites us into the world of London, England in 1910 — and, specifically, into the dysfunctional home of the Banks family. Jane and Michael, the young Banks children, have sent yet another nanny packing, dismissing these children as hopelessly and irrevocably spoiled and misbehaved. With a father who works constantly and a mother who is always distracted, Jane and Michael have suffered without strong caretaking forces in their lives. Then the magical Mary Poppins flies in on the wind, bringing with her a combination of whimsy, magic, and disciplined common sense to the children’s lives. Together, they go on memorable and magical adventures — and also learn the importance of a tidy nursery and of taking the medicine they need (with a spoonful of sugar, of course.) Mary Poppins’ transformational influence does not stop with the children — eventually, she teaches the grown-ups, as well, to open up and realize that “anything can happen if you let it.” CHARACTER DESCRIPTIONS: Bert The narrator of the story. He is a good friend to Mary Poppins. An everyman, Bert has many occupations, including hurdy-gurdy player, sidewalk artist, and chimney sweep. Bert watches over the children as well as the goings on in Cherry Tree Lane. He has charm, speaks with a Cockney accent, and is a song-and-dance man. Gender: Male Vocal range top: F#4 Vocal range bottom: B2 MARY POPPINS (cont’d)
George Banks The father to Jane and Michael Banks, is a banker to the very fiber of his being. Demanding "precision and order" in his household, he is a pipe-and-slippers man who does not have much to do with his children and believes that he had the perfect upbringing by his nanny, the cruel Miss Andrew. His emotional armor, however, conceals a sensitive soul. A baritone, George may speak-sing as necessary. Gender: Male Vocal range top: Eb4 Vocal range bottom: Bb2 Winifred Banks George's wife and Jane and Michael's mother. A former actress, she is loving and distracted homemaker who is busy trying to live up to her husband's desire to only associate with "the best people" as well as be the model wife and mother. She suffers from the conflicting feelings that she's not up to the job of "being Mrs. Banks," yet, she is, and more. She has great warmth and simplicity to her tone. Gender: Female Vocal range top: D5 Vocal range bottom: A3 Jane The high-spirited daughter of Mr. and Mr. Banks, is bright and precocious but can be willful and inclined to snobbishness. Gender: Female Child Actor Vocal range top: F#5 Vocal range bottom: A3 Michael The cute and cheeky son of Mr. and Mrs. Banks. Excitable and naughty, he adores his father and tries to be like him. Both he and Jane misbehave in order to get the attention of their parents. Gender: Male Child Actor Vocal range top: E5 Vocal range bottom: A3 MARY POPPINS (cont’d)
Katie Nanna Jane and Michael's nanny at the beginning of the show. Overwhelmed and upset, she has absolutely had her fill of the Banks children. Gender: Female Policeman / Park Keeper A neighborhood fixture who is respected by and observant of households on his beat. In the park, he makes sure no one breaks park regulations. His life is defined by rules, but he secretly hankers after his childhood. Gender: Male Miss Lark The haughty next-door neighbor of the Banks family who treats her dog, Willoughby, as if her were child. Gender: Female Admiral Boom A retired Royal Navy man and neighbor of the Banks family. A physically large man with a loud and booming voice, he speaks in Navy jargon and has a soft spot for his neighbor, Miss Lark. Can be any vocal range as needed. Gender: Male Mrs. Brill The housekeeper and cook for the Banks family. Overworked and harrassed, she's always complaining that the house is understaffed. Her intimidating exterior is a cover for the warmth underneath. Mrs. Brill doesn't have a high opinion of nannies in general and Mary Poppins in particular. She does not have to be a strong singer. Gender: Female Vocal range top: D#5 Vocal range bottom: F#3 Robertson Ay The houseboy to the Banks family. Lazy, sleepy and grumbling, he never gets things right and believes himself to be useless. He doesn't do a lot of singing, but his "Spoonful" solo can be a fun surprise. Gender: Male Vocal range top: G#4 Vocal range bottom: F3 MARY POPPINS (cont’d)
Mary Poppins Jane and Michael Banks's new nanny. She is extraordinary and strange, neat and tidy, delightfully vain yet particular, and sometimes a little frightening but always exciting. She is practically perfect in every way and always means what she says. A mezzo soprano with strong top notes, she should be able to move well. She can have a more traditional soprano sound, but precision and diction is the key. Gender: Female Vocal range top: C6 Vocal range bottom: Gb3 Neleus The statue of a young boy posed with a dolphin in the park. Neleus was separated from his father, Poseidon, and misses him very much. A small and lonely being, he is very happy to befriend Jane and Michael. This role is a wonderful opportunity to feature one of the strong dancers in your ensemble. Gender: Male Bank Chairman The head of the bank where Mr. Banks is employed, is an Edwardian stuffed-shirt. He can speak/sing his lines if necessary. Gender: Male Vocal range top: D4 Vocal range bottom: C3 Miss Smythe The Bank Chairman's humorless secretary. Gender: Female Ensemble Annie, Fannie, Valentine, Teddy Bear, Mr. Punch, Doll, Chimney Sweeps, Toys, Parkgoers. Von Hussler A businessman seeking a loan from the bank for a shady business deal. He speaks with a German accent. Gender: Male MARY POPPINS (cont’d)
John Northbrook An honest business man seeking a loan to build a factory for his community. He speaks with an accent from Northern England. Gender: Male Bird Woman Covered in a patchwork of old shawls, and her pockets are stuffed with bags of crumbs for the birds. She tries to sell her crumbs for the birds. She tries to sell her crumbs to passersby, who ignore her as if she doesn't exist. Sings "Feed the Birds." There can be a gruff, folksy quality to her voice that relfelcts the hardness of her life. Gender: Female Vocal range top: C5 Vocal range bottom: Gb3 Mrs. Corry Owns a magical gingerbread shop. She is a mysterious woman of great age who speaks with a Caribbean accent (or any accent that would make her seem exotic). Gender: Female Miss Andrew George's overbearing and scary nanny. With her bottle of nasty-tasting brimstone and treacle to keep naughty children in line, she is a bully who only knows one way of doing things - her way. A soprano with an alto belt, there can be some heaviness to her voice along with range. Gender: Female Vocal range top: F5 Vocal range bottom: Gb3 MARY POPPINS (cont’d)
THEATRE: FRANCIS WILSON PLAYHOUSE AUDITIONS PLAY/MUSICAL: THE SOUND OF MUSIC By Rodgers & Hammerstein AUDITION DATES & LOCATION: Sunday, June 11, and Monday, June 12 at 7:00 PM at the Francis Wilson Playhouse, 302 Seminole St., Clearwater, FL. MORE INFO: DIRECTED BY: Jason Fortner This final Broadway collaboration of Richard Rodgers & Oscar Hammerstein II features such memorable songs as Do Re Mi, Edelweiss, Clim Every Mountain and My Favorite Things. All roles are open. Auditioners will be asked to sing up to 32 bars of a song of their choosing or one from the score. Singers must bring sheet music with accompaniment (unless singing from Sound of Music) or may use a karaoke track using Bluetooth.(Speaker provided) After singing Auditions you may be selected to read from the provided scripts. If unable to attend in person, Video submissions should be sent to: [email protected] (Should include Introduction, accompanied song [track ok] up to 32 bars. No a capella auditions.) Rehearsals begin Mid July. Opening is August 31st and the show runs three weekends (Thu to Sun) through September 17th. All actors are non-paid volunteers for this community production.
THE SOUND OF MUSIC (cont’d) Character Information/Casting Breakdown ADULT ROLES Maria Rainer: Female (musical theatre mix/soprano, 20-35) A postulant at Nonnberg Abbey – young, free spirited, warm, gentle, and kind with much determination. Captain Georg von Trapp: Male (baritone, 35-45) A retired Austrian naval captain. Polished, yet very military in the way he runs his life to repress his sadness over the death of his wife; underneath, he is warm, understanding, and determined. Max Detweiller: Male (tenor/baritone, 30+) Charming and vital; a man of sophistication who enjoys the good life; true and loyal friend to the von Trapp family. Elsa Schrader: Female (mezzo soprano, 35-45) A baroness of taste and elegance, sophisticated, dignified, and mature. Mother Abbess: Female (legit soprano, wide vocal range, 40+) Motherly, understanding, strong, and authoritative, but kind. Sister Berthe: Female (alto) Mistress of Novices, prudish, straight laced with a quick tongue, she is less tolerant than other nuns. Sister Margaretta: Female (mezzo) Mistress of Postulants, very kind, understanding, and concerned. Sister Sophia: Female (soprano) Neither demanding nor critical, sticks with the rules. Franz: Male (30+) The von Trapp butler, rather formal but not without spirit, he is very German and loyal to the Fascist cause. Frau Schmidt: Female (30+) The housekeeper, stoic, very little personality; she does her job efficiently but without affection. Strong and somewhat dominating. Herr Zeller: Male (40+) Stern and unsmiling, a typical Nazi official whose primary concern is to see that everyone toes the line.
Ursula: Female (20+) A maid of the von Trapps. Baron Elberfeld: Male (40+) Austrian who is aghast of what he sees as the German invasion Baroness Elberfeld: Female (40+) The Baron’s wife Frau Ullrich (30+): Female Dinner companion of Herr Zeller Admiral von Schrieber: Male (40+) of the German Navy. Has a mission, and is there to do it, but not as stern as Herr Zeller. Rolf Gruber: Male (low tenor, 17) Suitor to Liesl, telegram delivery boy, later Nazi soldier. A very pleasant young man, somewhat aggressive but in a gentle way. Nun Choir: Harmonius group of female singers of all voice types, age 16 and up. They also plat Party Guests and Festival goers. CHILDREN’S ROLES Liesl von Trapp (mezzo, dance, 16) The oldest child, blossoming into a young lady with an interest in boys. She has a maternal edge to her and cares very deeply for her younger siblings. Friedrich von Trapp (age 14) Tough exterior, very much trying to be “the man” of the family. Louisa von Trapp (age 13) Rebellious attitude. Kurt von Trapp (age 10, falsetto) Gentle and mischievous. Brigitta von Trapp (age 9) Smart, reads a lot. Marta von Trapp (age 7) Very sweet and gentle. Gretl von Trapp (age 6) Must have the cute factor. THE SOUND OF MUSIC (cont’d)
THEATRE: TARPON ARTS AUDITIONS PLAY/MUSICAL: NOW AND THEN By Sean Grennan AUDITION DATES & LOCATION: Tuesday June 13 and Wednesday June 14 @ 7PM at the Tarpon Springs Heritage Museum, 100 Beekman Lane, Tarpon Springs FL 34689 AUDITIONS ARE BY APPOINTMENT ONLY For appointment call: 727-942-5605 x3004 or email [email protected] A 2-3 minute monologue of any kind is required. If callbacks are necessary, they will take place on Thursday, June 15th from 7-10PM. DIRECTED BY: DAVID O’HARA Performance dates are: Friday, July 21 & 28, 7PM Saturday, July 22 & 29, 2PM Sunday, July 23 & 30, 2PM @ Tarpon Springs Cultural Center,101 S. Pinellas Avenue Tarpon Springs, FL 34689 It is ‘last call’ at the bar when a last-minute customer enters and offers bartender Jamie and his girlfriend Abby two thousand dollars to have a drink with him. Of course, they take it! As the trio swaps stories, Jamie considers decisions about his musical career and future with Abby. The young couple realize that this stranger is unusually invested in their choices. The reason he gives them is completely unbelievable, but when an angry second stranger arrives, the unbelievable suddenly looks quite true. Enjoy this story of love, following your dreams (or not), and the costs of the choices we make. Jamie – late 20s-early 30s. Bartender and aspiring pianist. Attractive in a regular-guy way. Sincere, hardworking, very much in love with Abby. Man – mid 60s. A bit beaten down but good-natured. Easy to talk to, well spoken, sincere, and very intent on his mission tonight. Husband of 35 years to Woman. He is desperate. Abby – late 20s-early 30s. IHOP waitress and one-time English major. Smart, funny, and very much in love with Jamie. Woman – mid 60s or a bit younger. Strong, direct, loving, a little coarse. She is Man’s wife of 35 years. No one knows her like he does, and no one knows him like she. She and Man bicker but there is a bedrock of love there. They’d do anything for each other, but no one can hurt either of them like the other one can
THEATRE: UNIFIED AUDITIONS AUDITIONS FOR PROFESSIONAL THEATRE COMPANIES - At this time, the following theatre companies are confirmed as attending the auditions: Jobsite Stageworks Tampa Rep Think Tank This list will grow, but you can make a start by researching their seasons seeing what roles they might be interested in filling. AUDITION DATES & LOCATION: SATURDAY, JUNE 24TH, 2023 Deadline for Registration: 11:59PM Wednesday, June 21st, 2023 These auditions are for professional theatre companies who are looking to hire both Equity and professional NonEquity actors for their upcoming productions. To participate in the auditions, you must be at least 16 years old (exceptions may be made for younger people who have professional acting credits – under-16s, please email [email protected] to be pre-qualified). LOCATION: Hillsborough Community College Performing Arts Building, corner of E. Palm Ave and N. 14th Street (Avenida Republica de Cuba) in historic Ybor City, Tampa, Florida 33605.
Membership: You must be a current member of either Theatre Tampa Bay or Actors Equity Association or an HCC Ybor student to audition. When you register for an appointment time, include your member number in the Comments block (or HCC if registering that way). If you are not already a member, please join Theatre Tampa Bay before registering for an audition time (“NEW” is your temporary member number). If you need to renew your membership, please do so before registering for an audition time (use the same member number from before). Visit Theatre TampaBay.org for further information on how to join Theatre Tampa Bay or renew your membership. Be prepared to show your membership card at check-in. If you are an Equity member, indicate that fact in the Comments block; be prepared to present your membership card at check-in. If you are attending as an HCC-Ybor student, indicate HCC in the Comments block; be prepared to show your HCC ID at check-in. Register for your audition: Step 1: Click HERE to register for your audition time. Please be sure to add your email as the system will provide a reminder two days prior to the auditions. The email will also allow us to reach out to you if any issues arise with your registration. Use the “Optional Comments” block to note your membership or AEA number or HCC status. No other notes need to be placed here. If all audition slots are filled, please email [email protected] to be placed on the waiting list. Step 2: Complete/update as needed the upload of the following items to your website profile: 1. Headshot (jpg) 2. Resume (pdf) 3. Brief bio (pdf) Resumes/Headshots/Bios must be submitted/uploaded no later than 11:59PM on June 21st , 2023. UNIFIED AUDITIONS (cont’d)
Prepare your audition piece(s): You will have a total of two minutes to audition. You may use your time for monologue, song, or a combination of both. Audition piece(s) should be thoroughly rehearsed and timed. Time starts when you begin your audition with either your monologue or song. Time will be called after two minutes. If you are singing, prepare your sheet music for the accompanist and bring it to the audition. * The 16 bars of your song must be clearly marked on your sheet music. Please: ** have clear copies of published vocal-selection sheet music in plastic sheets in a binder, secured on cardboard, or taped together. ** have music in the correct key and clearly marked as to dynamics, tempos, articulation, repeats, and endings. On the Day of the Audition Bring with you: · A face mask that fits your face appropriately and covers your mouth and nose. The mask must remain in place except for the 2 minutes of your audition. · Your Theatre Tampa Bay or Actors Equity Association membership card. New and recently renewed members will pick up their cards as they check in. · If you are singing, your sheet music (prepared as described above). UNIFIED AUDITIONS (cont’d) Audition Location Hillsborough Community College Performing Arts Building, corner of E. Palm Ave and N. 14th Street (Avenida Republica de Cuba) in historic Ybor City, Tampa, Florida 33605. Enter the building using the doors on the south side (facing Palm Avenue). Then proceed to the lobby, where you will check in. Maintain social distancing throughout. Check In Check in at the registration table in the Lobby at least 30 minutes but no more than 1 hour before your scheduled group time. Please see below for group numbers and times: If your audition is between: Arrive by: Group 1: 9:30 Group 2: 10:00 Group 3: 10:30 Group 4: 11:00 Group 5: 11:30 Group 6: 12:00 Group 7: 1:00 Group 8: 1:30 Group 9: 2:00 Group 10: 2:30 Group 11: 3:00 Group 12: 3:30 Group 13: 4:00 Group 14: 4:30
Audition Location Hillsborough Community College Performing Arts Building, corner of E. Palm Ave and N. 14th Street (Avenida Republica de Cuba) in historic Ybor City, Tampa, Florida 33605. Enter the building using the doors on the south side (facing Palm Avenue). Then proceed to the lobby, where you will check in. Maintain social distancing throughout. Check In Check in at the registration table in the Lobby at least 30 minutes but no more than 1 hour before your scheduled group time. Please see below for group numbers and times: If your audition is between: Arrive by: Group 1: 9:30 – 10:00am Arrive by 9:00 Group 2: 10:00 – 10:30am Arrive by 9:30 Group 3: 10:30 – 11:00am Arrive by 10:00 Group 4: 11:00 – 11:30am Arrive by 10:30 Group 5: 11:30 – 12:00pm Arrive by 11:00 Group 6: 12:00 – 12:30pm Arrive by 11:30 Group 7: 1:00 – 1:30pm Arrive by 12:30 Group 8: 1:30 – 2:00pm Arrive by 1:00 Group 9: 2:00 – 2:30pm Arrive by 1:30 Group 10: 2:30 – 3:00pm Arrive by 2:00 Group 11: 3:00 – 3:30pm Arrive by 2:30 Group 12: 3:30 – 4:00pm Arrive by 3:00 Group 13: 4:00 – 4:30pm Arrive by 3:30 Group 14: 4:30 – 5:00pm Arrive by 4:00 UNIFIED AUDITIONS (cont’d)
The Audition Space: The auditions are held in the main stage theatre in the Hillsborough Community College Performing Arts Building. A chair will be provided for you to use if required (wiped down between users), and the accompanist will be to your left downstage. A table will be provided at the side of the stage for purses, etc. The company representatives will be seated at throughout the house in front of the stage. The Audition Process: Once your group has been called, you’ll wait briefly in line outside the audition entry. When you enter, do the following in this order: 1. State your audition number and name as soon as you enter the space. This will give the company representatives time to find your resume before you begin your audition. 2. If you have a purse or bag, leave it on the table provided. If you are not singing, you may remove your mask at this time. 3. If you plan to sing, go directly to the accompanist to briefly review your sheet music. Your mask must remain in place through this step. If you are not singing, skip to 4. 4. Go directly to downstage center of the stage. State your number and name again. 5. Begin your monologue and/or song. Don’t explain it or tell the company representatives what piece(s) or song(s) you will do. Just begin your monologue and/or song after you state your audition number and name the second time. Your two-minute audition will begin when you start your monologue or song (whichever one starts your audition). UNIFIED AUDITIONS (cont’d)
UNIFIED AUDITIONS (cont’d) 6. After your monologue (if applicable), nod to the accompanist that you’re ready to sing. 7. Once your audition is completed, state your name and number one more time. 8. Put on your face mask, pick up your sheet music and bag/ purse, if applicable, and exit stage right, the opposite side of the stage from where you entered. Callback information: Companies will not hold on-site callbacks but will contact you individually, as needed. Cancellations: All cancellations must be received in writing at [email protected] no later than 11:59 pm, June 23rd, 2023. Emergency last-minute cancellations may be called in on the day of auditions to the TTB Staff at 813-679-6205, but this should only be done as a last resort. Please note that several theatre companies hold “no call, no show” against you, so be sure to use the correct cancellation procedure.
THEATRE: TARPON ARTS PLAY/MUSICAL: TALLEY’S FOLLY by Lanford Wilson CAST LIST MORE INFO: Performances are: Friday, July 7, 2023 @ 7PM Saturday, July 8, 2023 @ 2PM Sunday, July 9, 2023 @ 2PM Tarpon Springs Cultural Center 101 S. Pinellas Avenue Tarpon Springs, FL 334689 DIRECTED BY: Lisa Malloy STAGE MANAGER: Nickie Berlage CHARACTER ACTOR CAST Matt Friedman James Skinner Sally Talley Yvelisse Cedrez Wallace Synopsis: This funny, heart-warming theatrical duet takes place on a moonlit night in 1944 Missouri in an old boathouse. Jewish accountant Matt Friedman has his heart set on marrying Sally Talley, a 31-year-old ‘old maid’ from a Protestant family. Sally believes they will never truly fit into the world around them, but Matt refuses to accept Sally’s rebuffs and her fears. Through a dialogue of selfexamination and personal revelations, Matt and Sally reawaken one another to love, finding that they do indeed, belong together. Tickets on sale now! Call 727-942-5605 or purchase online at www.tarponarts.org Or purchase tickets in person at 100 Beekman Lane, Tarpon Springs, FL 34689.
THEATRE: TARPON ARTS PLAY/MUSICAL: CRIMES OF THE HEART by Beth Henley CAST LIST MORE INFO: Performances are: Friday, June 9 & 16, 2023 @ 7PM Saturday, June 10 & 17, 2023 @ 2PM Sunday, June 11 & 18, 2023 @ 2PM Tarpon Springs Cultural Center 101 S. Pinellas Avenue Tarpon Springs, FL 334689 DIRECTED BY: Madison Claire STAGE MANAGER: Marissa Smutko CHARACTER ACTOR CAST Lenny MaGrath Marissa Jo Krauss Chick Boyle Jen De Sane Doc Porter Eric Misener Meg MaGrath Kara Doyle Rebecca “Babe” Botrelle Carli Kosloski Barnette Lloyd Andrew Allen Synopsis: The MaGrath sisters reunite in their hometown for the first time in years to handle family matters. The oldest sibling is unmarried and facing diminishing marital prospects; the middle sister is back after a failed singing career; while the youngest, is currently out on bail. Somehow their dire circumstances take a turn for the comical, with no help from their pretentious cousin and an awkward young lawyer. Will the sisters escape their past to seize the future? Tickets on sale now! Call 727-942-5605 or purchase online at www.tarponarts.org Or purchase tickets in person at 100 Beekman Lane, Tarpon Springs, FL 34689.
CAST LIST THEATRE: GULFPORT COMMUNITY PLAYERS PLAY/MUSICAL: STOP KISS By Diana San MORE INFO: June 8 - 18, 2023 Catherine Hickman Theatre. The Players’ Pride Month presentation is a “poignant and funny play about the ways, both sudden and slow, that lives can change irrevocably.” After Callie meets Sara, the two unexpedtedly fall in love. Their first kiss provokes a violent attack that transforms their lives in a way they could never anticipate. DIRECTED BY: Rachel Fennell The stellar cast includes: Jen Casler, Katherine Laczko, Jeff Lukas, Katherine Pollard, Andrew Hughes, and Daniel Harris Tickets are $20 online and $25 cash in the lobby. www.gulfportcommunityplayers.org
THEATRE: EIGHT O’CLOCK THEATRE PLAY/MUSICAL: BARNUM By Mark Bramble (book) & Michael Stewart (lyrics) CAST LIST Production Dates: August 4 - 13, 2023, Central Park Performing Arts Center, 105 Central Park Drive, Largo, FL 33770 [email protected] DIRECTOR & MUSICAL DIRECTION BY: Jason Tucker CHARACTER ACTOR CAST P.T. Barnum Domenic Bisesti Charity Barnum Lisa Prieto Ringmaster/James Bailey James Grenelle Jenny Lind Gloria Rice Joice Heth/Blues Singer Katrina Young Tom Thumb Sarah Dunn Julius Goldschmidt Victoria Baumann Chester Lyman Jay Allen Amos Scudder Tony Schmitt Sherwood Stratton Sam Kantrowitz Wilton Greg Bowen Edgar Templeton Fox Gomer Humbert Morrissey Leila Wilson ENSEMBLE Including Katelyn DeVries, Anabela Johnson, and Aidan Anderson P.T. Barnum, the Greatest Showman on Earth, combines razzle-dazzle and circus acts with charm and brass to sell “humbug” to cheering crowds. A joyful and moving musical portrait of the 19th century’s greatest show-biz legend, Barnum is a colorful, dynamic spectacle with heart. Winner of multiple Tony and Olivier Awards (including Best Musical), Cy Coleman and Michael Stewart’s rousing score includes There’s a Sucker Born Every Minute, Join the Circus, The Colors of My Life and Come Follow The Band. The show runs August 4-13 at the Central Park Performing Arts Center. Visit www.eightoclocktheatre.com for more information.
THEATRE: WEST COAST PLAYERS PLAY/MUSICAL: OUT OF ORDER by Ray Cooney CAST LIST MORE INFO: June 9 - 25, 2023 Fridays and Saturdays, 7:30 PM and Sundays at 2:00 PM DIRECTED BY: Jessica Burchfield CHARACTER ACTOR CAST Richard Willey Mike Briggs George Pigden Rick Bronson The Maid Cadance Hughes The Waiter Bill Martin Pamela Annie Murren Ronnie Brendan Osorio The Body Danny Tyrawa The Manager Tyler Urban Gladys Michelle Wallace Jane Amanda Wood Synopsis of this fast and furious masterful farce: Junior UK Minister Richard Willey has to lie his way out of an embarrassing situation (a planned adultery with a secretary) with the help of innocent sidekick George Pigden, his personal private secretary. George gets more and more embroiled in the increasingly tangled tale improvised by Richard as events unfold. The action takes place in a suite in a posh London hotel and revolves around accidents caused by a defective sash window, including a presumed dead body!
THEATRE: GULFPORT COMMUNITY PLAYERS PLAY/MUSICAL: SUMMER ONE-ACTS CAST LIST MORE INFO: July 13-23, 2023 @ the Catherine Hickman Theatre, Beach Blvd. South and 26th Avenue South in Gulfport, FL. Blind Date by R. A. Paul Death Brings A Casserole by Dan Borengasser Dog House by Ron Pantello Florida by Steven Doloff Hang-Ups by Brett Hursey Interview by Matthew Sheridan Pumps by Brett Hursey Stickers by Gordon Bolar Whale Watching by Roger Scott Powers When Killer Animals Go Nuts by Michael Higgins CASTS INCLUDE: Carmilina Alford Steven Halstead Deb Birchler Faye Lee Norma Caltagirone John Liccione Madison Chase Shaheen Mamawala Nona Edelson Daniel McKay Joshua Goldman Rob Romero Reynaldo Garcia Richard Walters Kagey Good Joyce Wagner The ten original plays were chosen from over 700 submitted. www.gulfportcommunityplayers.org
CAST LIST THEATRE: SAGES PLAY/MUSICAL & LOCATION: DEAL MAKER By Linda Goldman MORE INFO: June 10 @ 2:00 PM at Lutheran Church of Resurrection 1555 Windmill Pointe Road, Palm Harbor, FL / June 17 @ 2:00 PM at Francis Wilson Playhouse DIRECTED BY: David Middleton STAGE MGR.: Jeanne Botz CHARACTER ACTOR CAST Bob Stu Sanford Mae Norma Caltagirone Matt David Cruz Ashley Harper Houston Laura Wanda Stuart Rhonda Gina Santamaria Curly Top Special Cameo A free must -see One -Act Comedy will have you laughing as “Bob,” the family patriarch, tries to hold onto the car keys by making deals in exchange for silence about his mishaps. Family friendly and handicapped accessible. Reservations recommended. Visit www.sagestheater.org and click red banner at top to be guaranteed seats. Doors Open at 1:00 PM. Walk -ins welcome at 1:45 PM. June 10, Lutheran Church of Resurrection, Palm Harbor June 17, Francis Wilson Playhouse, Clearwater July 1, The Palladium, St. Petersburg July 8, Our Lady Queen of Peace, New Port Richey
“DEAL MAKER” Norma Caltagirone as Mae Stu Sanford as Bob
SHOW REVIEW THEATRE: FRANCIS WILSON PLAYHOUSE PLAY/MUSICAL: DISNEY ’S BEAUTY AND THE BEAST Tale as old as time... Well old, but still memorable. And at Francis Wilson Playhouse - utterly FANTASTIC! Such stupendous talent on one stage is truly magical. Let ’s start with Shianne Haily as Belle. You could not find a more natural or perfect selection. A voice like an angel and charm with every movement. A smile to light even the darkest scene. The Beast - portrayed by Nathan Daugherty, a complete opposite of Belle. Under the spell of the Enchantress (Kristie Affolter), he is devoid of beauty - brimming of ugliness, disgust, repulsiveness, and no social grace to speak of. They are thrown together in a fairy tale of fate and will learn to see each other for what they truly are to each other and to themselves. Mr. Daugherty handles the role with sureness and strength. A comic relief is welcomed by an awesome couple of buffoons named Gaston played by Asher Carlson and LeFou portrayed by Drew Street. Mr. Carlson is new to musical theatre, but you would surely not know it! He has the singing and acting chops of a pro and comic timing like I ’ve seldom seen. Hope to see you again soon! Mr. Street is a welcome face back to the stage, and sorely missed. His expressions are so spot -on and he gives each and every scene his utmost. Lumiere, depicted by Joe Houser and Cogsworth rendered by DJ Schuett are both to be given accolades for their performances. Each represented their non -human characteristics to the hilt and reminded us of their dilemma, being stuck in their “animated” state in the castle. Fine job! Nickie Berlage as Babette was the epitome of sexiness! Oui! Oui! Kudos also to Mrs. Potts (Debbie Cascone), Madame de la Grande Bouche (Emily Szymanski, Maurice (Rick Kistner), Silly Girls (Kayley Jewel, Paulina Gary, Nicole Lodge), and Monsieur D ’Arque (Paul Foisy). Direction by Jason Fortner; magnificent costumes by Karen Taylor; music direction by Emi Stefanov; stage managing by Colleen Juliano. Feel proud everyone!
SHOW REVIEW THEATRE: WEST COAST PLAYERS PLAY/MUSICAL: THE LAST NIGHT OF BALLYHOO THE LAST NIGHT OF BALLYHOO at West Coast Players was a joy to behold! What a spectacular comedy! The cast of this enjoyable play was absolutely on the money. Beginning with Elizabeth Bell as Boo Levy, the matriarch of the Freitag family, in whose house the setting takes place. Ms. Bell speaks with a German accent and brings out her no-nonsense attitude right from the start. She lives with her brother, Adolph, portrayed by Mike Briggs. Mr. Briggs is such a natural actor, he just “glides” in his character, you would not even know he was acting. You would think he was just being Adolph Freitag! He, too, has a German accent and it’s so commonplace for him. Also living in the house is Lala Levy, played by Gianna Settle. She is Boo’s daughter. Ms. Settle plays her very spoiled and over-the-top and it works. Rounding out the inhabitants is Reba Freitag, Boo’s niece, portrayed by Suzanne Delaney. Ms. Delaney has an air of sexiness to her, always looking for a mate of sorts. She has a daughter, Sunny Freitag, away at Wellesley College, acted by Isabelle Lunsway. Ms. Lunsway gives a great performance - a reserved one, unlike the rest of her crazylike relatives at the Freitag homestead. Ballyhoo is the annual Jewish version of a cotillion ball, where just about Everyone attends. Mr. Freitag has just hired a new worker, Joe Farkas, played by Ashton Cote. Mr. Cote is a handsome addition to the stage, and a welcome partner for Sunny. He is instant “sparks” for her and there is some jealousy with Lala and her date, Peachy Weil, rendered by Tanner Littlejohn. Peachy takes Lala to Ballyhoo. Laughter and a bit of drama ensues, but all in all, this is a show that comes together with a terrific cast, great direction by Rick Bronson, and an audience which appreciates a very good performance when they see one!
SHOW REVIEW THEATRE: DUNEDIN SHOWCASE THEATER PLAY/MUSICAL: BUT WHY BUMP OFF BARNABY? The old theatre adage, “The show must go on,” was certainly personified during But Why Bump Off Barnaby? by Rick Abbott. From cast misfortunes ranging from accidents, bodily injuries, and family crises to a delayed show opening to unavoidable lighting issues, the show seemed to be sabotaged by the same dastardly villain that was afoot in the play. But bravely the cast soldiered on, and the result was a well -directed and superbly acted whimsical murder mystery. Arthritic aristocrat Orien LeDuc (Mike Cote) invited his family members to his spooky manor, and before long, long -absent Barnaby Folcey (John Salllustio) was murdered. An unlikely group of eccentric characters desperately tried to unveil the mystery behind Barnaby ’s death and the plot thickened at every turn. It seemed that while Barnaby had a motive to kill everyone else, no one had a motive to kill Barnaby. People vanished, poison was found in the sherry, and the police never arrived. Meanwhile, there was a secret treasure to be found, a mystifying limerick to decode, and all sorts of doom to be avoided before the killer was finally unmasked and hilariously defeated. Standout performances came from the ensemble of players that featured police reporter and hero Jeffrey Barnett (Scott Shadd), his addled fiancée Dora Dunstock (Hallie James-Booth), hearing-impaired Lady Barbara Fenwick (Maggie Phillipi), vain and flirtatious movie star Cleo Barton (LeBree Hans), Leduc ’s fortune -hunting “friend” Rosalind Barstow (Susan Dearden), nearsighted nanny Miss Barnsdale (Barbara Gasper), Medkins the devious butler (Jason Holihan) and Magnolia the no -nonsense maid (Judy Wilson). The set was wonderfully conceived with secret panels, a full revolving wall, and a picture that hid a mysterious hole. They only enhanced the physical comedy of the production. But Why Bump Off Barnaby? was a joy to watch and in spite of the setbacks, the execution was impressive, and it was obvious that both the cast and the audience had fun. Thanks Dunedin Showcase Theatre for proving that, “The show must go on” or we would have missed an entertaining evening of theatre.
SHOW REVIEW It was a simple plot - Betty Pleats was on trial for stealing 6 cats. It seemed an open and shut case. The Judge (Mary Kay Cyrus) told us that right from the start. There was plenty of verification - video evidence of the act, eyewitnesses, and a confession by the accused herself. It should have been simple, right? Well, that would not make engaging theatre, would it? If you’ve ever seen 12 Angry Men, you immediately recognized this comedy is a satirical version of the famous play and movie, and you know right off that Juror Eight (Alicia Menanteau) will vote “not guilty”, while everyone else votes “guilty.” Juror Eight then must sway the other eleven to follow her. Of course, mayhem ensued as she went head-to-head with the only seemingly sane character in the cast, Juror Three (Jeanene MacLean). They expertly led us into an evening of theatre of the absurd. This is truly an ensemble show and what made this outstanding production really sparkle was the cast. They all stayed in character and continued the little eccentricities they had developed for their parts, even when they were just sitting and listening. The pacing was quick and the direction by co-directors Jamie Bierchen and Alan Rosenthal kept things moving and lively. Each character was brilliantly conceived: Kelly DiMauro (Juror Two) was neurotic and nervous, but never veered into the pathetic. Sonali Balan (Juror Four) made us believe her self-absorbed Valley Girl persona who was always on her phone. Jurors Five (Tom Workman) and Six (Niki Workman) are a married couple who played a married couple, a very funny portrayal of a Jersey couple always arguing. Shaina Lawson (Juror Seven), had crushes on anyone in the legal profession and even with her cat-ear head band seemed to be seeking the truth in the wacky happenings. Juror Nine (Bruce Black) was an unnerving character. Forever eating French fries, he creeped out the ladies of the jury as they tried to stay their distance. PLAY/MUSICAL: 12 INCOMPETENT JURORS THEATRE: TARPON ARTS
SHOW REVIEW 12 INCOMPETENT JURORS (cont ’d) Always on the verge of explosion was Juror Ten, the super patriot, wonderfully and skillfully played by Robert Torres. Completing the Jury Pool were Juror Eleven, the uneducated, but successful celebrity press agent capably played by was Jennifer De Sane and Juror Twelve, the cigarette addicted Eastern European immigrant comically portrayed by Pamela Torres. And let ’s not forget the Foreman of The Jury; Alan Rosenthal delighted us with his many accents as a wannabe actor herding the misfit group of sequestered peers. We were even able to witness the video evidence of the catnapping enacted by Annalise O’Connor (Yard Sale Mom), Ash Smith (Ash), and Connie Dudek (Betty Pleats) plus a surprise visit by a 7 -foot Dinosaur. It was an evening of outrageous fun and entertainment presented by Tarpon Arts in the Tarpon Arts Cultural Center. Congratulations to all! THEATRE: EIGHT O ’CLOCK THEATRE PLAY/MUSICAL: OLIVER! Eight O ’Clock Theatre usually fills up the stage at Central Park Performing Arts Center with a large amount of cast members in one of their brilliant shows. In presenting their recent production of OLIVER!, Director Jason Tucker proved that smaller can definitely be mightier! And that ’s because every single one of these cast members was like a stick of dynamite! All of 14 actors ran this show like clockwork and gave it everything they had. And what it had was outstanding! Those Workhouse Kids opened the show with “Food, Glorious Food” and didn ’t let up. The energy flowed right through every scene and little Ian Fan as Oliver was absolutely perfect! He had the gusto and the voice to croon his first ballad “Where Is Love?” and find his way into our hearts. And playing Oliver ’s best friend, the Artful Dodger, was Alex Bourdais. What a talent! So endearing and clever and you never miss a beat! You ’re the one the audience will follow wherever you are on stage. It ’s called MOXIE and you ’ve got it! Hold onto it, Alex. You ’ll go far! PLAY/MUSICAL: OLIVER!
SHOW REVIEW Dave Davis played a terrific Mr. Bumble and Michelle Stratton gave a great turn as Widow Corney. The part of Nancy, the unfortunate sympathetic townsgirl, was wonderfully portrayed by Amanda Elend. Her not-sonice boyfriend was creepily rendered by the imposing A.J. Quenell. The “loathsome reptile” of a man, Fagin, acted by Rand Smith, gave us a stupendous voice in songs such as “You’ve Got To Pick A Pocket Or Two” and “Reviewing The Situation”. The remaining cast of Tony Schmitt, Erin Nelson, Ashton Sarlo, Michelle Chrien, Ellie Roberts, Amy Heatherly, and Mercer Tucker were tops in everything they contributed! You all played numerous roles and were gangbusters in each part! Of particular note was Ashton Sarlo as Dr. Grimwig - very comical and pleasant to watch. Good job! And Mercer Tucker - You deserve every accolade you can get! You were the absolute BEST! You kept up with the best of them. Terrific performance. OLIVER! (cont’d)
SHOW REVIEW THEATRE: ST. PETERSBURG SUNSHINE SENIOR CTR. PLAY/MUSICAL: EATING AT EDIE’S Stop by any community around the country and you are sure to find a diner/café where the locals meet to start the day. Edie’s Diner, the center of The Sunshine Senior Center’s production of EATING AT EDIE’S, was just such a place. Written and directed by David Middleton, the production was staged at the St. Petersburg Sunshine Senior Center on May 19 and 20, 2023, to sold out audiences. The pacing and snappy tempo of the acting enhanced the comedy, and the audience was enthusiastically reacting to all the comic lines. True to an ensemble piece of theatre, every performance was a standout and it seemed that, as an audience member, you were actually seeing and listening in to the conversation of the diner regulars. Congratulations to Peggy Beane as Edie, the smart and witty diner owner; Linda Palmer as Josie, the sassy, sarcastic waitress; Letty Mendoza as Sarge, an addled military veteran; Richard Isaacs as Marty Murray, the short order cook famous for his mother’s muffins; Chris Reynolds as Sonya Murray, Marty’s enterprising wife; John Segars as Archie, a wise-cracking diner regular; Norman Pollack as a typical mobile home park retiree; Lori Friedland as Lola, the sensual diner regular after Rudy’s heart; Danny Murphy, the karaoke-singing bread man; John Tatum as Wilber Spriggs, Marty’s cousin; Allen Coyle, the Winesap Healthy Apples representative; Michael House as Bert, the mail carrier; Joy DaVaux and Norma Murphy as Karen and Sharon, coffee drinking diner patrons; plus Norma Caltagirone, Lisa Moore and Sally Marvin as The Marvelous Mom-ettes, jingle singers, who stole the show. Jim Russell’s sound design was almost another character and added just the right accents to bring the production to life. Carrey Penney was stage manager. What a great evening of entertainment!
Eating At
SHOW REVIEW THEATRE: SAGES PLAY/MUSICAL: MEMORY LANE SAGES tackles the very sensitive subject of memory loss in one of their newest plays MEMORY LANE. Pretty much anyone these days seems to know someone in their family or friends who has been touched by some form of dementia or a caregiver of someone who is suffering from it. It is an unforgiving situation and a play such as this brings light to anyone who views it. Lovingly written by Linda Goldman and expertly directed by Lisa Malloy, a talented cast acts out various parts for the eager audience. First up is Sandi Sunter and Jeff Holstein as Nora and Nick, a married couple who are discussing her sister, suffering from dementia. Nora wants her to come and live with them and Nick is totally against it. He wants to find someplace to admit her. The discussion proceeds with no resolution in sight. Next we meet Mary Kay Cyrus and Bill Martin, also a married couple named Mary Martha and Ralph. Mary Martha is the victim of dementia here and she wanders in and out of the state of forgetfulness. Fr. O ’Brien (played by Mike Cote) visits and tries while there to help Mary Martha to remember songs from the past by singing along with him. It is a touching scene. Soon we go back to Nick & Nora and they get a visit from their adult daughter, Nikki, played by Jane Muhrlin. She is dating a young man named Danny. He is coming by to meet her parents for the first time. Mike Cote is doubling playing this part as well, due to a scheduling conflict in casting. We find that Danny is caring for his father, who has Parkinson ’s disease. Discussions proceed on how dementia is also found in Parkinson ’s. The last of the four scenes of the play brings all of the cast together in a sort of Group Therapy session, in which all of the couples and singles come together and discuss each of their cases. They are moderated by Liz, portrayed by Marina Spears. Also joining them is Jane, in this particular performance played by the playwright, Linda Goldman. Many ideas and facts are traded pertaining to Alzheimer ’s, Parkinson ’s, and dementia in general - hoping to help to answer some of the questions surrounding this horrible blight we face. Thank you to SAGES for your tenacity in bringing this type of needed work to the stage!
6/6 - 18 GCP - Production - 8:00 PM - STOP KISS 6/9 - 25 WCP - Production - 7:30 PM - OUT OF ORDER 6/10 & 6/17 SAGES - Production - 2:00 PM - DEAL MAKER 6/11 & 12 SPCT - Auditions - 7:00 PM - MARY POPPINS 6/14 & 15 WCP - Auditions - 7:00 PM - THE BUTLER DID IT
Colleen Juliano, June 2nd Dale Badway, June 2nd Janice Creneti, June 4th Tom Bronson, June 5th Brad Brady, June 6th Pat Hughes, June 7th Rebecca Cantrell, June 8th Helen Crowley, June 8th Ross Magyar, June11th Jason Tucker, June 12th Karen Johnston, June 12th John Benincasa, June 12th Azra Day, June 12th Michael Cote, June 13th Travis Moore, June 15th Mary Clark, June 17th Karl Meinecke, 20th T. J. Gill, June 21st Morgan Dixon, June 22nd Jessica Burchfield, June 23rd Sadra Bostick, June 24th Rachael Kras, June 26th Christina Jane, June 28th Brandy Chapman, June 29th Barbara Estok, June 30th Anita Travaglino, June 30th **Compiled from Facebook listing**
Gulfport Community Players - STOP KISS A full-length comedic drama by Diana Son. It focuses on the touching story of two young women who slowly discover that they might be falling in love. When their tentative first kiss provokes an act of violence, their lives are transformed in ways they couldn't have predicted. A poignant and funny play about the ways, both sudden and slow, that lives can change irrevocably. Performances June 6 - 18, 2023 Directed by Rachel Fennell gulfportcommunityplayers.org Tarpon Arts - CRIMES OF THE HEART The MaGrath sisters reunite in their hometown for the first time in years to handle family matters. The oldest sibling is unmarried and facing diminishing marital prospects; the middle sister is back after a failed singing career; while the youngest, is currently out on bail. Somehow their dire circumstances take a turn for the comical, with no help from their pretentious cousin and an awkward young lawyer. Will the sisters escape their past to seize the future? Performances June 9 - 18, 2023 Directed by Madison Claire tarponarts.org West Coast Players - OUT OF ORDER A dead body stuck in the window of their suite. As Richard shouldn't be with the young lady in the first place he can't report the body to either the hotel management or the police so (foolish fellow) he enlists the aid of George Pigden. Richard's wife, the wily waiter and the suspicious hotel manager are on hand to add to the mayhem which includes a private detective (where did he come from?) and George's mother's nurse (where did she come from?) Performances June 9 - 25, 2023 Directed by Jessica Burchfield wcplayers.org SAGES - DEAL MAKER An entertaining story about a family attempting to deal with a strong-willed patriarch who has been busy making some questionable deals himself. Grandpa has to shush anyone who may have cause to question his ability to drive safely or his car keys are in jeopardy. Tips within this One-Act play include safety measures for drivers and their vehicles, actions to help preserve the ability to drive safely, and alternatives that can maintain independence. A Q&A session with our partner agencies and a prize drawing from feedback forms conclude the performances. Performances June 10 & 17, 2023 Directed by David Middleton sagestheater.org ON THE BOARDS!
After a high school performance of “The Sound of Music”, the student actors are mingling with audience members in the lobby. An elderly man is approaching various actors. To the actor who played the lead role of Maria: Man: “You were amazing! So talented! I hope you pursue a career in music.” To the actor who played Gretl, the youngest of the von Trapp children: Man: “You were fantastic, sweetie! I bet your parents are so proud of you.” To the actor who played Rolfe, still in a Nazi costume from his final scene in the show: Man: “The last time I saw a man wearing that uniform, I shot him!”