roger master final

Cartel Heat

A motion picture investment

Roger Fischer

ROGER FISCHER FILMS Coconut Grove, Florida

Cartel Heat
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Cartel Heat

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additional information in this document and in regard to the film “Cartel Heat “You agree upon
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acknowledge that you fully comprehend and understand that you are bound by this
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4. The validity, construction and enforceability of this Agreement shall be governed in all respects
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AGREED AND ACCEPTED

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Cartel Heat

Synopsis

John “The Butcher” Branson earned his nickname and his respect on the streets of NYC serving
as the Mafia’s most coveted hitman. However due to his German Background The Butcher
couldn’t kill his way into becoming one of the prized “Made Man” However his employers
appreciated his dedication to his craft enough to trust him with nefarious activities.

His rise through the ranks caught the eyes of many, in particular FBI agent Gene Ignero. Fueled
with the desire to watch the money pile up before his eyes The Butcher cleaved his way too deep
and found himself face to face with Agent Ignero and 12 counts of murder. Butcher’s clients
through a network of corrupt politicians were able to get him a reduced sentence of, 8 years in
federal prison Shamed by the verdict and furious with heinous trial Agent Gene Ignero is making
sure that The Butcher isn’t the only one counting the days until his release.

Eduardo “Eddie” Jaramillo was born in Medellin Colombia and strives to follow in the giant
footsteps of his father, Ricardo Jaramillo (the right hand of Pablo Escobar). Driven by the desire
to surpass his father and make a name on his own Eddie savagely built a reputation amongst the
Cartel for cutting down anyone who dared cross him regardless of their alleged rank. These
ruthless killings and massive drug trades led a trail of cocaine and blood right to his door.

Following the trail and also driven by the desire to prove herself in a field of complacent officers
DEA Agent Ariana Pagliery set out and arrested Eddie for smuggling 50 million dollars of cocaine,
murder, and tax evasion. For this DEA agent however, this case was personal. Eddie carelessly
murdered Pagliery’s husband and child in their own home. Enraged by the loss of her family
Pagliery showed Eddie exactly what police brutality means and how all the power in the world
won’t save you from a mother’s wrath. It was all text book from there, or so Pagliery thought,
Eddie easily beat all charges except tax evasion sending him to 8 years in USP Allenwood Prison.
Disappointed and let down Pagliery realized at that moment there was only way to deal with
someone that deep in the corrupted world of power that is the Cartel. She only needed to wait
8 years. Wait and plot.

As fate would have it the two criminal master minds would share a room together. Impressed by
each other’s reputation, both for violence and cunning, the two befriended each other and begin
discussing their future steps. Seeing promise and money in not only the drug trafficking in Miami,
but in each other, the two join forces and decide to take the city by storm. Released from prison
before John, Eddie makes his way into Miami preparing his crew for the arrival of their New York
partner. Eddie covers his bases and gets “La Fantasma” (The Ghost) to approve of John’s
partnership. La Fantasma, a woman so powerful that seeing is equated to seeing the face of death
itself, reminds Eddie of where he gets his “power” from and how dangerous the water he finds
himself in is. Made known to him by an informant in the prison FBI Agent Ignero is made aware
of the two criminal’s new found comradery and sees trouble in the near future. Upon John’s
release Ignero makes plans to track him down at a distance and bust John once and for all. It is
here where he meets agent Pagliery. The two decide to team up together to bring these two

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titans of the underground out of commission for good. Given the greenlight by La Fantasma,
Eddie and John begin to make their moves in the city the only way they can: taking out those
unfortunate enough to have wronged La Fantasma. Due to his fame in NY John has to find a way
to keep the Mafia in the dark about his plans as he knows they will find a way to control him. He
decides to hit the mob as hard as he knows how to, in its wallet.
John knows that Miami is home to the mob’s major money launder in Florida, a man by the name
of Jimmy “the Jew” Bernstein. While John begins to target the demons in his past Eddie is left in
control of the current tasks at hand. Eddie begins making harsh and rash decisions altering the
lives of many of his crew members which now encompass those of John’s posse as well. Appalled
by the radical change in leadership tensions begin to rise amongst the gang sparking many
internal casualties and deaths. To make matters worse Eddie’s half-sister starts to fall for one of
the drug smugglers causing Eddie, who is already over protective, to place a stronger vice on his
men and those he works with. The tensions escalate as John returns to find his regime splitting
at the seams. John reminds Eddie of their situation the pressure the outside world has placed on
them from La Fantasma to Parole officer, and to a pair of overzealous agents steeped in
anticipation to see them behind bars or worse. Paralleling their prey, the two agents begin to
disagree as tension grows higher. Each day that passes is another day of violent killings reminding
the two of their past and now current failures. Reliving the death of her family Pagliery cracks
and shows Ignero how far she is willing to go to make sure these two are removed from the
picture for good. The two begin to fall apart as Ignero tries to show Pagliery that becoming a
murderer is not the only way to beat one. Obstacles come forth to both parties both externally
and internally. The agencies try to force their officers to stop embarrassing themselves and their
companies The Cartel enforcers start applying pressure and expect to see results, not a group of
chaos and discord. With both sides losing multiple battles and respect neither can afford to lose
the final war between four familiar faces with scores to settle. Riddled with bullets, violence,
power, and passion how far will someone go to get what they want and how many bodies will be
buried before they achieve it?

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EXECUTIVE PRODUCER

ROGER FISCHER- Began his career in entertainment producing music videos in Brooklyn New York
Mr. Fischer has a special talent and acumen for identifying companies in industries that are
underutilized. Roger has owned and operated several E-Commerce apparel companies, Italian
Restaurants, chemical product companies, and most recently entertainment based production
companies. Mr. Fischer has produced and directed over 15 music videos and current is in pre-
production of a musically driven Reality Show, set in Miami. Mr. Fischer has assembled All-Star
and accomplished production crew for the feature film “CARTEL HEAT”.

TONY BONGIOVI

PRODUCER Tony Bongiovi is a recognized talent in the music industry both for his technical skills
and for his ability to produce blockbuster records. Tony’s technical accomplishments span many
fields. As a sound expert he had done everything from designing the country’s best known
recording studio, Power Station Studios amassing over 800 gold and platinum records He also
provided the acoustical analysis to design a protective headset the pilots on their historic Voyager
flight. As a record producer he has produced over 50 gold and platinum records. Tony Bongiovi’s
Star Wars recording was the largest selling instrumental record of all time Tony Bongiovi has
worked with and consulted for Media Sound, Motown, CBS Television, NBC Television Turner
Broadcasting, Polygram, Warner Brothers, Sony BMG and RCA. Sound Engineering
Accomplishments Designed and co-founded Power Station Studios. Received Mix Magazine’s TEC
award six straight years (max allowed) Engineering Highlights, both independently and as a Sound
Engineer for Motown: Acted as Sound Engineer for: Diana Ross Gladys Knight & The Pips Carly
Simon The Temptations Stevie Wonder Freda Payne Vanilla Fudge Dr. John Van McCoy Bruce
Springsteen Sister Sledge Kool & The Gang Dave Mason Jerry Garcia Van Morrison Engelbert
Humperdinck and Jimi Hendrix Producer/Discography – Worked with the following artists to
develop and select the songs for the CD, oversee the production, mixing and recording process .
Aerosmith, Ace Frehley, Rick Derringer, Mink Deville, Jon Bon-Jovi, Gloria Gaynor, Buck Dharma,
Jimi Hendrix, “Big Al Downing, Carol Douglas, Ozzy Osbourne, Meco, The Electriks, The Ramones,
The Scorpions, Talking Heads, The Rezillos, Aldo Nova, Sylvian Sylvian, Fat Boys, Carlene Carter,
Sound Design CBS Television: “The Late Show With David Letterman” NBC Saturday Night Live
Custom Aircraft Interiors Masterdisk (CD Mastering Facility) Turner Broadcasting, Power Station
New York. Tony currently has a line of branded consumer electronics automotive and aviation
audio systems utilizing his patented audio technology.

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DIRECTOR
DAVID WINTERS

26 Award Nominations, Winner 15 times
Winner of Best Director 2015 WIDESCREEN FILM AND
VIDEO FESTIVAL AMC Cinemas, (USA)
Winner of The Peabody Award (USA)
Winner of the Christopher Award (USA)
Winner of the Paris Film Festival (France)
Winner of Mumbai Film Festival (India)
Winner of the Golden Scroll Award (USA)
Winner of the Bangkok Film Festival (Thailand)
Winner of the Houston Film Festival (USA)
Winner of the Charleston Film Festival (USA)
Winner of the Sitges Film Festival (Spain)
Winner of the Star Entertainment Award (Thailand)
Winner of 3 World Television Awards (USA)
Nominated for 6 Emmy Awards (USA)

David’s new Film “DANCIN’ - IT’S ON!” opened Nationwide on October 30th in over 1,100
Cinemas. The Film Received Rave Reviews and Won 3 Awards at THE WIDESCREEN FILM AND
MUSIC VIDEO FESTIVAL at the AMC Cinemas. Best Director, Best Editor, and Best Musical Score.
Born in the UK, David became a child singer, dancer, and actor, David was Baby John, in the original
Broadway show “WEST SIDE STORY, and he appeared in 150 TV shows and 12 Broadway shows
the film version of “WEST SIDE STORY”, won 10 Academy Awards and established David as a
teenage star. David teamed up with Paul Simon (Simon and Garfunkle) in a singing duo “David
Winters and the West Siders”. David opened a dancing school and taught many stars such as Ann-
Margret, Raquel Welch, Richard Chamberlain, etc. He became Elvis Presley’s personal
choreographer and choreographed 4 Elvis Presley films, also choreographed 5 films with Ann-
Margret and Academy Award Winner “A STAR IS BORN” starring Barbra Streisand. David appeared
as a guest star and choreographed the “Nancy Sinatra Special” with Frank Sinatra, Nancy Sinatra,
Sammy Davis Jr., and Dean Martin for which he received his first Emmy nomination for excellence
in television. The Academy of Television Arts and Sciences wanted to acknowledge David’s
contribution, but had no category, so they created one for David “Outstanding Achievement in
Television”. the Academy also wanted to nominate David for an Emmy for his TV Special “The Ann
Margret Show”. So they created an “Outstanding Choreography” category, and nominated him.
Emmy Award for “Outstanding Achievement in Choreography”. David guest starred and
choreographed “Grace Kelly’s Monaco” He choreographed the first Rock TV series “Shindig”, and
was choreographer/dancer/singer on “Hullabaloo” the Rock/Roll series where he created the
world wide dance craze, “The Jerk”. David staged and directed 2nd Unit on the film “The Island of
Doctor Moreau” starring Burt Lancaster and Michael York. David then set his sights on directing
and producing. His first directing assignment was the 2 year Emmy Winning TV series “THE
MONKEES” where he actually created what we now call music videos. He also created, staged and
produced the Monkees World Tour. The opening act for the Monkees was Jimi Hendrix.

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David has Produced/Directed over 80 features and over 200 TV shows and films that include ONCE
UPON A WHEEL starring Paul Newman DR. JEKYLL & MR. HYDE starring Kirk Douglas RAQUEL!
Starring Raquel Welch, Bob Hope, John Wayne LONDON BRIDGE starring Tom Jones ANN-
MARGRET SHOW starring Ann-Margret, Lucille Ball ROLLING ON THE RIVER, starring Kenny Rogers
STORY THEATRE Starring Alan Alda, Valerie Harper, Winner of 3 Tony Awards and 2 L.A. Drama
Critic’s Awards TIMEX ALL-STAR SWING FESTIVAL starring Duke Ellington, Count Basie, & Ella
Fitzgerald. Produced, Directed, and Choreographed two “Diana Ross World Tours”, TV Specials
choreographed guest star Michael Jackson. Directed and Choreographed the Alice Cooper Rock
and Roll Spectacular World Tour “WELCOME TO MY NIGHTMARE”. The show’s huge success
inspired him to make a film of it, and to release it in 1,000 cinemas in the USA. Co-Starred,
Directed, Produced, Multi Award Winning motion picture “THE LAST HORROR FILM” winning the
Paris Film Festival Award, the Los Angeles Golden Scroll Awards, the Sitges Film Festival Award,
and a nomination by the Hollywood Academy of Sci-Fi, Fantasy and Horror as the Best Film Of
The Year, David created, Produced, Directed, Choreographed Hugh Heffner’s music video “GIRLS
OF ROCK AND ROLL” which become the highly successful long running Las Vegas show
choreographed the “T.A.M.I. SHOW” the first concert movie ever made with a cast that included
The Rolling Stones, Diana Ross & The Supremes, James Brown, Marvin Gaye, The Beach Boys,
Chuck Berry, Smokey Robinson and the Miracle, produce and direct a film called “THAT WAS
ROCK, which Rolling Stone Magazine stated was “THE BEST ROCK MOVIE EVER MADE! directed
“THRASHIN”. Casting unknown young actor Josh Brolin, as the lead. Introducing unknown musical
groups, The Red Hot Chili Peppers, Meatloaf, The Bangles, and All the Fine Young Cannibals, who
all went on to have No. 1 worldwide hits. David produced, directed, financed, and distributed 48
films through his own companies West Side Studios and A.I.P Studios. GOOD COP BAD COP stars
Pamela Anderson, Stacy Keach, David Keith, won Bronze award at The Charleston Film Festival.
FIREHEAD stars three-time Academy Award nominee and winner Martin Landau and 2012’s Best
Supporting Actor Academy Award Winner Christopher Plummer DOUBLE THREAT stars Golden
Globe Winner and Academy Award Nominee Sally Kirkland. THE DANGEROUS stars John Savage,
Elliot Gould, Joel Grey, Cary-Hiroyuki Tagawa, and Michael Pare, with a total of 3 Academy Award
Nominated actors and 1 Oscar winner. RAW NERVE stars Glenn Ford and Tracy Lords CENTER OF
THE WEB stars Tony Curtis, and Robert Davi . In Romania he filmed the pilot “Star School”, a
musical TV series which won First Prize at the world famous Montreaux TV Festival. In 1998 he
founded, Equator Films, a UK Production/Distribution Company that he listed on the London
Stock Exchange in 1999.. Equator then purchased Handmade Films 1st film was “PLANET 51” and
was sold to SONY for all USA rights. They released it in 3,000 cinemas. It stars Dwayne “The Rock”
Johnson, Jessica Biel, John Cleese and Gary Oldman. It grossed over $60 million in the USA. David
directed and produced “Welcome 2 Ibiza” a comedy action adventure starring Gary David won
Best Picture Audience Award at The Bangkok Film Festival for this film “THE KING MAKER”. It
staring Gary Stretch, Cleitus in Oliver Stone’s “ALEXANDER”, and nominated for a U.K. AWARD for
“DEAD MAN’S SHOES”. Also starring in the film is John Rhys-Davies the film received 4 Thai
Academy Award nominations and won The Star Entertainment Award. It won the Silver Ten Award
as Outstanding Film at the Film Festival in Mumbai, India. In Russia it sold over 175,000 DVD’s.
sold in 36 countries

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MARKETING

Lyla Foggia COLOMBIA TRI-STAR PICTURES FORMER VICE PRESIDENT OF PUBLICITY. The second
in command of the studios publicity department served as the day to day west coast liaison with
the film maker’s actors and Tri Star president of production Jeff Sagansky. Provided input in to the
overall campaign strategies for each films release (approximately 17 per year) directed a staff of
5, oversaw all L.A. based pitching activities, including The Tonight Show Entertainment Tonight
Los Angeles Times, Daily Variety and the Hollywood Reporter personally wrote all of the
companies film related press releases including announcements of IPOs, new production
alliances and projects in development. CREDITS UNIT PUBLICIST “E. T. – The Extra-Terrestrial
Raiders of the Lost Ark Splash War Games Mr. Mom Cross Creek Southern Comfort The Entity
RELEASE CAMPAIGNS About Last Night Agatha Alamo Bay All That Jazz American Success Story An
Enemy of the People And Justice for All Berry Gordy’s The Last Dance Birdy Breaking Away Bruce
Lee’s Enter the Dragon Brubaker Flamingo Kid Electric Horseman Hardcore Hotstuff Iron Eagle It’s
My Turn Just You & Me, Kid Kramer vs. Kramer Labyrinth Middle Age Crazy My Bodyguard Neil
Simon’s Chapter Two Nightwing Nine to Five Nothing in Common No Mercy Norma Rae Oh,
Heavenly Dog Pardon Mon Affaire II Peggy Sue Got Married Prizzi’s Honor Rambo: First Blood,
Part I Real Genius Santa Claus: The Movie Skatetown USA Short Circuit Silkwood Speedtrap Star
Wars: The Empire Strikes Back Stevie Sweet Dreams The Blue Lagoon The China Syndrome The
Main Event The Ravagers To Elvis, With Love The Man With Bogart’s Face The Hitcher The Stunt
Man The Villain Used Cars Volunteers When a Stranger Calls Wholly Moses Willie & Phil Zero to
Sixty DIRECTORS John Badham Robert Benton Tony Bill James Bridges Joe Camp Martha Coolidge
George Cosmatos Stan Dragoti Robert Harmon Jim Henson Walter Hill Ron Howard Irvin Kershner
Randall Kleiser Norman Jewison Garry Marshall Paul Mazursky Hal Needham Sydney Pollack
Martin Ritt Richard Rush Steven Spielberg Claudia Weill Howard Zieff Tamara Asseyev Jason Brett
Doug Chapin Harry Colomby Constantine D. Conte Michael Douglas Andrew Fenady Mort
Engleberg Stanley Jaffe Bruce Gilbert David Giler Leonard Goldberg Brian Grazer Mario Kassar
Barry Krost Stuart Oken Patrick Palmer Walter F. Parkes Michael Phillips Martin Ransohoff
Alexandra RoseIlya Salkind Ron Silverman Ron Samuels Harold Schneider Walter Shepherd
Bernard Schwartz Ray Stark Larry Turman Robert Radnitz

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Cartel Heat

Timothy Egeland - Began his entertainment career working for a SAG/ AFTRA franchised agency
in San Francisco, representing the top advertising agencies and motion picture studios in the
world. Within a short period of time Tim became the lead EIC for the one of the largest media
companies in all of Asia, producing filmed & printed media, his responsibilities included "A" list
celebrity attachments and mobilization of global production team’s from the United States,
Europe & Latin American. Campaign clients: McCann, J Walter Thompson, Leo Brunette, Dentsu,
FCB, Young, Warner Bros, Paramount Colombia, MGM, Universal, Disney, Basic Instinct, T2,
Sneakers, The Doors, Pepsi, Milk, Budweiser, Heineken, Folgers, Hagen-Daz, Frosted Flakes,
Smuckers, McDonald's, Black Velvet, Frito lay, Kaiser Permanente, HP, Lockheed-Martin, Chanel,
Guess, Ross, Coach, BeBe, Levis, Macys, Gap, Vogue, Glamour, Cosmopolitan, Elle, Bazaar, Hanes,
Puma, Adidas, Converse, Polo, Bill Blass, Christian Dior, LG ,Samsung. Currently Mr. Egeland
conceives new revenue streams for multimedia and technology based companies by identifying
markets and monetizing non-performing assets. Areas of expertise including slate financing, risk
mitigation, initiatives, feasibility, validation and execution of acquisition models as well as
integral structure of private placement investments, UHNWI, Lifetime: 1000 + print campaigns,
300 tvc national, 200 tvc global, 40 countries, 30 motion pictures, Talent acquisitions
US$10,000,000. Production finance US$27,000,000

Jimmy Autran: Over 20 years of experience in the advertising film & post-production, state of
the art animation and non-linear editing. Jimmy has directed and edited hundreds of broadcast
television commercials, presentations training productions and teleconferences, producing
promotional and institutional identifications for television networks such as Telemundo,
Univision and Telefutura. Jimmy received a National Emmy Nomination in 2002 for Univision’s
World Cup “Opening” with television coverage in 213 countries and a cumulative in-home
audience of over 500 million viewers. Jimmy also produced the 2010 World Cup “Opening” which
was broadcast in 240 different countries and a cumulative in-home audience of over 3.2 billion
viewers. On-going clients include: DirecTV Más: national television campaign. Western Union:
produced Westen Union International, nominated campaign of the year for Integrated Marketing
Communications, generating more than 100 million publicity impressions. Festival Presidente:
four festival Presidente concerts, high profile Latin artist Shakira, Mark Anthony, Jennifer Lopez
and Ricardo Arjona. Telemundo Networks Produced and Directed all Network Movie packages.
Eastman Kodak: Caribe Vision Television Network: Stanley Tools: AstraZeneca National TV
Campaign. Novartis Flex-pen National TV Campaign. Novartis Sandoz Tire-Kingdom TV Spots
Produced recording release commercials for Universal Music, Sony Music and Warner’s,
commercial nominated 30th Annual Telly Awards Winner. American Cancer Society’s campaign
“Relay for Life”.

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Cartel Heat
LATIN AMERICAN BROADCAST MARTHA MAZA VICTOR: Executive specializing in corporate
identity logo branding television ON AIR promotion production and (TAR) talent artist relations
for networks Univision Telefutura Galavision Venevision and Televisa Univision collaborating
directly with President Ray Rodriguez. Produced - On air image campaigns - Singing ID ‘s – for
artists interacting with the Univision LOGO. Prior to joining Univision Network, she served as
administrator for “Amigos de Julio” A global entertainment media company owned by Julio
Iglesias. Responsibilities include for the publicity and corporate strategy as well all other public
acknowledgements pertaining to Julio’s career. Production credits: COPA MUNDIAL FIFA 2006
(OPENING FOR THE WORLD CUP) aired across 214 countries total cumulative television audience
of 26.29 billion - DESPIERTA AMERICA audience 17 million - EL GORDO Y LA FLACA - audience 33
million - DON FRANCISCO PRESENTA audience 36 million - CRISTINA SHOW (Talk Show) audience
2 million - PRIMER IMPACTO (News Magazine) audience 18 million - NOTICIERO UNIVISION -
audience 21 million - Grammys Latinos audience 10 million

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Cartel Heat

Movie Title: Cartel Heat Character John Branson

Describe the character at the beginning of the movie. Describe the character at the end of the movie.

John is a calculated hitman fresh out of jail. New to Miami Torn by the loss of his wife the departure of his best
and to the world of narcotics he finds himself completely friend Tommy and left with the wild card that is
out of his element. Landing a job scrubbing floors he is at Eddie John finds himself alone in a cutthroat world.
one of his lowest points made only worse by forming a deal Struggling to establish dominance or at least a
with Eddie, a drug dealer whom he barely even knows. foothold of power he grasps at anyway to make
Ignorant, cautious, level headed, and tactical John starts this himself known. His level headedness is replaced with
movie as our anti-hero. fury as he becomes more irritable and less forgiving.
Hot headed, ruthless, and vengeful John ends this
movie closer to what he never said he’d be: a killer
like Eddie.

How does the character change from the beginning to the end of the movie?

From scrubbing floors at a restaurant to cleaning blood and sinew from his safe house John
changes with the nature of his work and whatever is needed at the time. He starts optimistic about
the profit of narcotics however he is still hesitant about how much it might cost him. He loses all
doubt and by the end of the movie is a killer with no second thought and no remorse. He gains
very little in terms of money and loses everything he has from his wife to his business.

Describe in detail what causes the changes in the character.

The first catalyst is the entrance of The Kid. The ignorance and arrogance from the Kid causes
great annoyance in John and Eddie’s reasoning for having him in the first place is not enough to
balance his risk. Followed by the first of many murders John begins to lose value for life including
his own as he goes head first into a meeting with the mafia and begins to shoot everyone in sight
carefree of what might happen to him.

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CHARACTER ANALYSIS WORKSHEET

traits that apply to your focus character.

 Adventurous  Dangerous  Independent  Sad
 Artistic  Exciting  Lazy  Sloppy
 Athletic  Entertaining  Messy  Serious
 Active  Energetic  Mischievous  Successful
 Beautiful  Funny  Mean  Shy
 Brave  A fighter  Neat  Studious
 Bossy  Friendly  Nasty  Selfish
 Cheerful  Fun-loving  Nice  Simple
 Curious  Gentle  Nosy  Trustworthy
 Creative  Generous  Poor  Thoughtful
 Courageous  Happy  Proud  Unselfish
 Considerate  Humble  Pretty  Warm
 Caring  Hostile  Quiet  Witty
 Daring  Honest  Rich  Wild
 A dreamer  Intelligent  Respectful  Wonderful

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Movie Title: Cartel Heat Character Eddie Jaramillo

Describe the character at the beginning of the movie. Describe the character at the end of the movie.

Eddie is a loose cannon. We see him in the first scene cool Eddie’s ruthlessness is only enhanced further
calm and even degrading John for his new job. He throughout the film so that by the end of the film he
manipulates his crew and those around him through fear. doesn’t hesitate to kill any that stand in his path. The
Eddie runs his life through impulses fueled by his greed and issue that arises with Tommy only furthers the
desire to make money by any means necessary. mistrust he began to have with John.

How does the character change from the beginning to the end of the movie?

Eddie becomes more blood thirsty and trigger happy. Not hesitating to kill anyone that gets in his
way. He crosses the line by terrorizing Agent Pagliery’s cousin Maria Lepe showing that he has no
moral or honor to hold him back.

Describe in detail what causes the changes in the character.

Eddie is fueled by the promise of power and money. Anything that threatens these two precious
things he deals with in an extreme manner. There is nothing subtle about Eddie and when
Pagliery begins to show how heavily involved she is in the case he makes a move towards her
family… again. He is ruthless when it comes to defending his pride and honor as seen when he
keeps members of his crew in check even when asking questions that don’t intentionally belittle
him

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CHARACTER ANALYSIS WORKSHEET Cartel Heat

traits that apply to your focus character.  Sad
 Sloppy
 Adventurous  Dangerous  Independent  Serious
 Artistic  Exciting  Lazy  Successful
 Athletic  Entertaining  Messy  Shy
 Active  Energetic  Mischievous  Studious
 Beautiful  Funny  Mean  Selfish
 Brave  A fighter  Neat  Simple
 Bossy  Friendly  Nasty  Trustworthy
 Cheerful  Fun-loving  Nice  Thoughtful
 Curious  Gentle  Nosy  Unselfish
 Creative  Generous  Poor  Warm
 Courageous  Happy  Proud  Witty
 Considerate  Humble  Pretty  Wild
 Caring  Hostile  Quiet  Wonderful
 Daring  Honest  Rich
 A dreamer  Intelligent  Respectful

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Jason Statham

Lead

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Filmography

Actor (45 credits)
2018 Meg (pre-production) Jonas Taylor
2017 Fast 8 (filming) Deckard Shaw
2016 Mechanic: Resurrection (completed) Arthur Bishop
2016 Viva La Madness (TV Series) (pre-production)
2015 Furious 7 Deckard Shaw
2015 Spy Rick Ford
2015 Wild Card Nick Wild
2014 The Expendables 3 Lee Christmas
2013/I Homefront Phil Broker
2013 Fast & Furious 6 Deckard Shaw (uncredited)
2013/I Redemption Joey
2013 Parker Parker
2012 The Expendables 2 Lee Christmas
2012/I Safe Luke Wright
2011 Killer Elite Danny
2011 Blitz Brant
2011 Gnomeo & Juliet Tybalt (voice)
2011 The Mechanic
Arthur Bishop
2010 The Expendables Lee Christmas
2010/I 13 Jasper
2009 Crank: High Voltage Chev Chelios
2009 Transporter 3 Special Delivery: Transporters in the Real World (Video short) Frank Martin
2008 Transporter 3 Frank Martin
2008 Death Race Jensen Ames
2008 The Bank Job Terry Leather
2007 War Crawford
2007 In the Name of the King: A Dungeon Siege Tale Farmer
2006 Crank Chev Chelios
2006 The Pink Panther Yves Gluant (uncredited)
2005/II Chaos Quentin Conners
2005 Revolver Jake Green
2005/I London Bateman
2005 Transporter 2 Frank Martin
2004 Cellular Ethan
2004 Collateral Airport Man
2003 Call of Duty (Video Game) Sergeant Waters (voice)
2003 The Italian Job Handsome Rob
2002 Red Faction II (Video Game) Shrike (voice)
2002 The Transporter Frank Martin
2001 Mean Machine Monk
2001 The One MVA Agent Evan Funsch
2001 Ghosts of Mars Sgt Jericho Butler
2000 Turn It Up Mr. B
2000 Snatch. Turkish
1998 Lock, Stock and Two Smoking Barrels Bacon

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Cartel Heat

Known For

18

Cartel Heat

Most Successful Movies of... Jason Statham

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Jason Statham

Lifetime Gross / Theaters Opening / Theaters Rank UPCOMING RELEASES

$110,825,712 3,715 $29,085,719 3,711 2 Title (click to view) Studio Release
Date

$353,007,020 4,022 $147,187,040 4,004 1

$39,322,544 3,221 $15,879,645 3,221 8 The Brazilian Job (a.k.a. Par. TBD
The Italian Job II) 3/2/18
$20,158,898 2,570 $6,915,241 2,570 19 8/26/16

$36,895 19 $19,977 19 29 Meg WB

$17,616,641 2,238 $7,008,222 2,224 20 Mechanic: LG/S
Resurrection

$85,028,192 3,355 $28,591,370 3,316 5

$17,142,080 2,271 $7,892,539 2,266 21

$25,124,966 2,986 $9,352,008 2,986 17

$99,967,670 3,037 $25,356,909 2,994 -

$29,121,498 2,704 $11,422,006 2,703 14

$103,068,524 3,398 $34,825,135 3,270 4

$13,684,249 2,223 $6,963,565 2,223 22

$31,715,062 2,626 $12,063,452 2,626 11

$36,316,032 2,586 $12,621,090 2,532 9

$30,060,660 1,613 $5,935,256 1,603 13

$4,775,656 1,632 $2,984,524 1,632 24

$84,738 18 $41,820 18 28

$22,486,409 2,277 $9,820,089 2,277 18

$27,838,408 2,515 $10,457,367 2,515 15

$20,361 7 $12,667 7 30

$43,095,856 3,320 $16,540,720 3,303 7

$32,003,620 2,763 $10,100,571 2,749 10

$101,005,703 3,205 $24,701,458 3,188 -

$106,128,601 2,877 $19,457,944 2,633 3

$25,296,447 2,610 $9,107,816 2,573 16

$92,770 1 $133 1 27

$43,905,746 2,894 $19,112,404 2,894 6

$8,709,640 2,048 $3,804,452 2,048 23

$30,328,156 1,444 $27,932 1 12

$1,247,949 661 $576,820 661 26

$3,753,929 161 $143,321 8 25

Lifetime Gross Total (30): $1,261,997,259
Average: $42,066,575

Opening Gross Average (24): $18,237,708 (Wide Releases Only)

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Cartel Heat

Adjusted for Ticket Price Inflation

Rank Title (click to view) Adjusted Gross Unadjusted Gross Release

1 Furious 7 $351,984,200 $353,007,020 4/3/15

2 The Italian Job $151,008,900 $106,128,601 5/30/03

- Collateral $139,553,800 $101,005,703 8/6/04

3 Spy $115,255,700 $110,825,712 6/5/15

4 The Expendables $111,236,200 $103,068,524 8/13/10

- Gnomeo and Juliet $109,125,000 $99,967,670 2/11/11

5 The Expendables 2 $93,715,000 $85,028,192 8/17/12

6 The One $66,556,800 $43,905,746 11/2/01

7 Transporter 2 $57,685,200 $43,095,856 9/2/05

8 Snatch $45,975,200 $30,328,156 12/8/00

9 Cellular $44,217,600 $32,003,620 9/10/04

10 Death Race $43,397,200 $36,316,032 8/22/08

11 The Expendables 3 $41,744,500 $39,322,544 8/15/14

12 Transporter 3 $37,899,100 $31,715,062 11/26/08

13 The Transporter $37,354,900 $25,296,447 10/11/02

14 Crank $36,466,200 $27,838,408 9/1/06

15 The Bank Job $35,922,100 $30,060,660 3/7/08

16 The Mechanic $31,789,100 $29,121,498 1/28/11

17 WAR $28,042,600 $22,486,409 8/24/07

18 Killer Elite $27,150,100 $25,124,966 9/23/11

19 Homefront $20,720,500 $20,158,898 11/27/13

20 Parker $19,035,500 $17,616,641 1/25/13

21 Safe (2012) $18,570,600 $17,142,080 4/27/12

22 Crank: High Voltage $16,352,500 $13,684,249 4/17/09

23 John Carpenter's Ghosts of Mars $13,203,000 $8,709,640 8/24/01

24 Lock, Stock and Two Smoking Barrels $6,340,300 $3,753,929 3/5/99

25 In the Name of the King: A Dungeon Siege Tale $5,706,800 $4,775,656 1/11/08

26 Turn It Up $1,986,500 $1,247,949 9/8/00

27 Mean Machine $137,000 $92,770 2/22/02

28 Revolver $105,700 $84,738 12/7/07

29 Redemption (2013) $40,400 $36,895 6/28/13

30 London $26,700 $20,361 2/10/06

Note: Titles in grey are cameo or bit parts and not counted in totals and averages.

Adjusted Total: $1,459,625,900
Average: $48,654,200

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Cartel Heat

Worldwide (Unadjusted)

Rank Title (click to view) Worldwide Domestic / % Overseas / % Year

1 Furious 7 $1,516.0 $353.0 23.3% $1,163.0 76.7% 2015

2 The Expendables 2 $305.4 $85.0 27.8% $220.4 72.2% 2012

3 The Expendables $274.5 $103.1 37.6% $171.4 62.4% 2010

4 Spy $235.7 $110.8 47% $124.8 53% 2015

- Collateral $217.8 $101.0 46.4% $116.8 53.6% 2004

5 The Expendables 3 $206.2 $39.3 19.1% $166.9 80.9% 2014

- Gnomeo and Juliet $194.0 $100.0 51.5% $94.0 48.5% 2011

6 The Italian Job $176.1 $106.1 60.3% $69.9 39.7% 2003

7 Transporter 3 $109.0 $31.7 29.1% $77.3 70.9% 2008

8 Transporter 2 $85.2 $43.1 50.6% $42.1 49.4% 2005

9 Snatch $83.6 $30.3 36.3% $53.2 63.7% 2000

10 Death Race $75.7 $36.3 48% $39.4 52% 2008

11 The One $72.7 $43.9 60.4% $28.8 39.6% 2001

12 The Bank Job $64.8 $30.1 46.4% $34.8 53.6% 2008

13 The Mechanic $62.0 $29.1 46.9% $32.9 53.1% 2011

14 Cellular $56.4 $32.0 56.7% $24.4 43.3% 2004

15 Killer Elite $56.4 $25.1 44.6% $31.3 55.4% 2011

16 Parker $46.2 $17.6 38.1% $28.6 61.9% 2013

17 The Transporter $43.9 $25.3 57.6% $18.6 42.4% 2002

18 Homefront $43.1 $20.2 46.8% $22.9 53.2% 2013

19 Crank $42.9 $27.8 64.8% $15.1 35.2% 2006

20 WAR $40.5 $22.5 55.6% $18.0 44.4% 2007

21 Safe (2012) $40.3 $17.1 42.5% $23.2 57.5% 2012

22 Crank: High Voltage $34.6 $13.7 39.6% $20.9 60.4% 2009

23 John Carpenter's Ghosts of Mars $14.0 $8.7 62.2% $5.3 37.8% 2001

24 In the Name of the King: A Dungeon Siege Tale $13.1 $4.8 36.5% $8.3 63.5% 2008

25 Mean Machine $7.3 $92.8k 1.3% $7.2 98.7% 2002

26 Revolver $6.8 $84.7k 1.2% $6.7 98.8% 2007

27 Redemption (2013) $36.9k $36.9k 100% n/a 0% 2013

28 Wild Card n/a n/a - n/a - 2015

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Cartel Heat

Jason Statham google search
About 8,360,000 results

Jason Statham: Billion-dollar man

In just over a decade, actor Jason Statham has become a billion-dollar box office success. But how did this one-
time street trader go from selling black market perfume and jewellery to starring opposite Brad Pitt, Bruce Willis
and Sylvester Stallone? After debuting in Guy Ritchie's 1999 East End gangster hit, Lock Stock and Two Smoking
Barrels, Statham has carved his own niche in the action genre, appearing in box office hits like The Expendables
and Snatch, as well as being the leading man in films including Death Race, The Transporter series and Crank.
These movies have taken more than a billion dollars in cinemas alone, making Statham one of the most bankable
stars in the world - even if some critics complain he only plays one role.

http://www.bbc.com/news/entertainment-arts-17905818

The Cockney hardman who is Britain’s most bankable star in Hollywood

http://www.japantimes.co.jp/news/2013/07/12/world/the-cockney-hardman-who-is-britains-most-bankable-star-
in-hollywood/#.V1ndrOJXWPA

Is Jason Statham Versus A Giant Shark As Bankable As Dwayne Johnson Versus An Earthquake?

http://www.forbes.com/sites/scottmendelson/2016/04/15/is-jason-statham-vs-a-giant-shark-as-bankable-as-dwayne-johnson-vs-an-
earthquake/#64b257f33255

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Cartel Heat

Potential Male leads

 Michael Madsen
 Steve Buscemi
 Michael Wincott
 Kim Coates
 Emilio Rivera
 Benicio Del Toro
 Chazz Palminteri
 Arnold Vosloo

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Cartel Heat

Potential Female leads

 Rachel Bilson
 Zoe Saldana
 Daniella Alonso
 Minka Kelly
 Melonie Diaz
 Michelle Monaghan
 Megan Fox
 Rebecca Marshall

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Cartel Heat

Sound track
Potential artists

Belly Canadian rapper Ahmad Balshe already has his share of successes as a credited songwriter
on The Weeknd’s multi-platinum hits “Earned It,” “The Hills” and “Often.” Having signed with Roc
Nation only last month, he saw the track released as a proper single in December. In a little more
than a week, “Might Not” has already accumulated over 830,000 Spotify plays and 1.4 million
YouTube views of its corresponding music video

Kodak Black South Florida has produced some the most significant artists in hip-hop history, not
the least of which being The 2 Live Crew and Rick Ross. Kodak Black, a Broward County resident
currently independent 2015 street single “No Flockin” recently crossed the 1 million plays mark
on Spotify, while his earlier cut “SKRT” grew to over 1.6 million plays there after a Drake co-sign
on Instagram.

Meyhem Lauren An outsized personality, Action Bronson’s grand come-up hasn’t left much room
for his fellow Queens emcee and friend Meyhem Lauren. To his credit, the red-bearded Albanian
regularly features Lauren on projects like this year’s Mr. Wonderful album Now signed to
respected indie imprint Fool’s Gold Records, he’ll have his best chance at claiming the limelight
when his own Piatto D’Oro album releases in 2016. Pre-release singles “Bonus Round” and
“Money In My Pocket” Recommended by Forbes

Rich The Kid Rich The Kid has benefited from Quality Control Music’s arrangement with 300
Entertainment–to an extent. Apart from a minor single with labelmate Fetty Wap, Following a
strategy not unlike that of Migos, his 2015 mixtape output was prodigious and notable, including
an EP with iLoveMakonnen of “Tuesday” fame. That leaves Rich in a promising position for 2016,
which he’s due to kick off with a co-headlining January club tour alongside T-Wayne, the Texas
rapper behind 2015′s viral Vine-fueled hit “Nasty Freestyle.”

Vic Mensa Those paying attention surely noticed the presence of Vic Mensa as a co-writer and
performer on the Grammy-nominated “All Day” and “Wolves,” respectively. Ye’s guest verse on
Mensa’s Roc Nation single “U Mad” solidified their connection further, racking up more than 13
million Spotify plays since April. Back in July, he unveiled the Skrillex-produced “No Chill” as an
Apple Music exclusive. Given the 2015 success of prior Kanye collaborator Travis Scott,

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Cartel Heat

Cartel Heat

Acquisition Model

International Journal of Business and Economics, 2004, Vol. 3, No. 2, 93-106

Revenues, Profitability, and Returns:
Clinical Analysis of the Market for Mobster Films

The market for mobster-related films is truly international because the crime-driven action-adventure storyline can
transcend the barriers of language and culture. Since the first crime-driven film—D.W. Griffith’s 1912 silent motion
picture The Musketeers of Pig Alley—criminal activity as a distinct film genre has continued to be developed by
filmmakers the world over. The stories in these films reflect factors external to the world of literature and theater.
These films highlight the collision of the “over-world” and the “underworld” in everyday life. The storyline for many
crime-related films bears a remarkable resemblance to reality, often being similar to stories that have appeared on
the pages of respectable periodicals. The durability of this particular genre for film lies in its being a flexible and
adaptable metaphor for social relations (Hardy, 1996). Gangster films also display a story punctuated with episodes
of high intensity. “It is this energy and social climbing (both features of displaced sexuality) that make the early
gangster an optimistic figure and at the same time a tragic one.

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Cartel Heat

Industry Profile: Mafia | Gangster Movies

28

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29

Cartel Heat

Release Title Domestic Box Worldwide Box
Date Office Office
7/28/1954 On the Waterfront $9,600,000 $9,600,000
3/29/1959 Some Like it Hot $25,000,000 $25,000,000
6/30/1964 Mafioso $398,614 $398,614
7/2/1971 Shaft $12,121,618 $12,121,618
3/15/1972 The Godfather $134,821,952 $268,355,541
10/27/1972 The Valachi Papers $17,106,087 $17,106,087
10/2/1973 Mean Streets $32,645 $32,645
12/11/1974 The Godfather: Part II $57,300,000 $57,300,000
8/29/1980 The Big Brawl $8,527,743 $8,527,743
10/1/1980 Gloria $47,019 $47,019
12/17/1980 Any Which Way You Can $70,687,344 $70,687,344
9/25/1981 So Fine $9,381,808 $9,381,808
11/19/1981 Absence of Malice $30,331,624 $30,331,624
11/12/1982 They Call Me Bruce $12,925,437 $12,925,437
9/7/1983 Revenge of the Ninja $10,325,628 $10,325,628
12/9/1983 Scarface $44,942,821 $44,942,821
1/27/1984 Broadway Danny Rose $10,566,714 $10,566,714
6/1/1984 Once Upon a Time America $5,321,508 $5,321,508
6/22/1984 The Pope of Greenwich $6,139,896 $6,139,896
9/14/1984 Exterminator 2 $3,739,406 $3,739,406
12/14/1984 The Cotton Club $25,928,721 $25,928,721
3/22/1985 The Last Dragon $33,000,000 $33,000,000
4/26/1985 Stick $6,964,734 $6,964,734
6/14/1985 Prizzi's Honor $26,614,323 $26,614,323
2/7/1986 F/X $20,395,193 $20,395,193
1/1/1987 Number One with a Bullet $410,952 $410,952
6/3/1987 The Untouchables $75,729,280 $75,729,280
11/6/1987 Hiding Out $7,019,441 $7,019,441
11/6/1987 Death Wish 4: $6,694,355 $6,694,355
7/13/1988 The Dead Pool $37,903,000 $37,903,000
7/20/1988 Midnight Run $38,413,606 $81,613,606
8/19/1988 Married to the Mob $21,486,757 $21,486,757
10/1/1988 Things Change $3,527,886 $3,527,886
6/2/1989 Renegades $9,015,164 $9,015,164
8/23/1989 Cookie $1,755,480 $1,755,480
9/22/1989 Black Rain $43,140,147 $43,140,147
7/20/1990 The Freshman $21,289,527 $21,289,527
8/17/1990 My Blue Heaven $23,591,472 $23,591,472
9/14/1990 State of Grace $1,911,542 $1,911,542
9/19/1990 Goodfellas $46,261,759 $46,261,759
9/21/1990 Narrow Margin $10,873,237 $10,873,237
12/25/1990 The Godfather: Part III $66,520,529 $66,520,529
2/1/1991 Run $4,409,328 $4,409,328
3/8/1991 New Jack City $45,634,270 $45,634,270
4/12/1991 Out for Justice $37,180,077 $37,180,077
4/26/1991 Oscar $23,562,716 $23,562,716
4/26/1991 Toy Soldiers $13,783,137 $13,783,137
5/17/1991 Stone Cold $9,286,314 $9,286,314
6/21/1991 The Rocketeer $46,573,027 $46,573,027
7/26/1991 Mobsters $20,246,790 $20,246,790
10/25/1991 The Hitman $4,654,288 $4,654,288
11/1/1991 Billy Bathgate $15,565,363 $15,565,363
12/13/1991 Bugsy $49,103,967 $49,103,967
12/13/1991 The Last Boy Scout $59,509,925 $59,509,925
12/20/1991 JFK $70,405,498 $205,400,000
1/1/1992 Ruby $919,286 $919,286
4/15/1992 City of Joy $14,371,061 $14,371,061
5/1/1992 Folks! $5,906,300 $5,906,300
8/21/1992 Rapid Fire $14,356,479 $14,356,479
12/25/1992 Hoffa $22,867,875 $27,893,490
6/30/1993 The Firm $158,340,892 $270,340,892
9/10/1993 Money for Nothing $1,044,824 $1,044,824
9/10/1993 True Romance $12,281,000 $12,281,000
1/14/1994 Death Wish V: $1,711,424 $1,711,424
2/4/1994 Romeo Is Bleeding $3,275,585 $3,275,585
2/25/1994 Sugar Hill $18,219,465 $18,219,465
7/20/1994 The Client $92,112,663 $117,612,663
8/26/1994 Police Academy 7: $126,247 $126,247
10/7/1994 The Specialist $57,344,996 $57,344,996
11/18/1994 Léon $19,284,974 $45,284,974
2/3/1995 The Jerky Boys $7,555,256 $7,555,256
4/21/1995 Kiss of Death $14,924,355 $14,924,355
10/27/1995 Leaving Las Vegas $31,921,127 $49,737,350
11/22/1995 Casino $42,388,160 $110,349,860
11/22/1995 Money Train $35,305,090 $77,205,090
12/1/1995 Things to Do in Denver $529,766 $529,766
2/2/1996 The Juror $22,079,985 $22,079,985
2/16/1996 City Hall $20,231,760 $20,231,760
4/5/1996 Faithful $2,101,580 $2,101,580

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Cartel Heat

6/21/1996 Eraser $101,283,031 $234,387,469
7/19/1996 Fled $17,192,205 $19,892,205
8/16/1996 Kansas City $1,353,824 $1,353,824
10/4/1996 Bound $3,798,532 $7,007,589
11/1/1996 The Funeral $1,106,233 $1,306,233
2/28/1997 Donnie Brasco $41,954,997 $65,303,052
4/18/1997 8 Heads in a Duffel Bag $3,559,990 $3,959,990
8/15/1997 Cop Land $44,810,734 $63,610,734
11/14/1997 The Jackal $54,910,560 $159,310,560
3/20/1998 Mr. Nice Guy $12,674,183 $31,674,183
7/24/1998 Jane Austen's Mafia $19,843,795 $30,143,795
9/11/1998 Rounders $22,905,674 $22,905,674
11/20/1998 Enemy of the State $111,544,445 $250,644,445
12/25/1998 The Swindle $245,359 $5,045,359
1/22/1999 Gloria $4,167,493 $4,967,493
3/5/1999 Analyze This $106,823,373 $176,823,373
3/12/1999 The Corruptor $15,164,492 $15,164,492
8/4/1999 The Gambler $51,773 $101,773
8/20/1999 Mickey Blue Eyes $33,864,342 $53,864,342
9/17/1999 Taxman $9,871 $9,871
1/21/2000 The Boondock Saints $30,471 $411,874
2/4/2000 Gun Shy $1,638,202 $1,638,202
2/18/2000 The Whole Nine Yards $57,262,492 $85,527,867
3/3/2000 Ghost Dog: $3,330,230 $6,030,230
5/26/2000 Hum to Mohabbt Karega $121,807 $121,807
8/25/2000 The Art of War $30,199,105 $30,199,105
10/20/2000 The Yards $882,710 $2,282,710
5/4/2001 Eureka $49,388 $76,654
7/20/2001 Brother $450,594 $450,594
9/28/2001 Dinner Rush $615,941 $1,053,218
10/8/2001 Mulholland Drive $7,219,578 $11,919,578
10/12/2001 Corky Romano $23,978,402 $25,116,103
5/17/2002 Harvard Man $56,653 $56,653
7/12/2002 The Road to Perdition $104,054,514 $183,354,514
10/11/2002 Knockaround Guys $11,660,180 $12,419,700
12/6/2002 Analyze That $32,122,249 $54,994,757
1/17/2003 Kangaroo Jack $66,723,216 $90,723,216
7/18/2003 Bad Boys II $138,540,870 $272,940,870
7/18/2003 This Thing of Ours $37,227 $37,227
11/26/2003 The Cooler $8,243,880 $11,083,763
11/26/2003 Les Triplettes de Belleville $6,998,643 $17,100,523
4/9/2004 The Whole Ten Yards $16,323,969 $26,323,969
4/16/2004 Connie-and-Carla $8,047,525 $8,047,525
9/24/2004 The Last Shot $463,730 $463,730
11/23/2005 In the Mix $10,223,896 $10,223,896
3/17/2006 Find Me Guilty $1,173,673 $2,898,225
4/28/2006 Grip: A Criminal's Story $1,336 $1,336
8/18/2006 Wolf $54,702 $143,782
1/26/2007 Smokin' Aces $35,662,731 $57,263,440
10/12/2007 We Own the Night $28,563,179 $55,307,857
2/22/2008 Witless Protection $4,151,836 $4,151,836
4/23/2010 Behind the Burly Q $23,889 $23,889
8/4/2010 La siciliana ribelle $71,239 $71,239
3/11/2011 Kill the Irishman $1,188,194 $1,188,194
4/1/2011 The Last Godfather $164,247 $164,247
6/29/2012 Tyler Perry's Madea's $65,653,242 $65,653,242
10/19/2012 Alex Cross $25,888,412 $32,785,147
11/30/2012 Killing Them Softly $14,945,541 $38,123,368
12/14/2012 Stand Up Guys $3,310,031 $3,587,933
12/31/2012 Omerta $2,462,588 $2,462,588
1/11/2013 Gangster Squad $46,000,903 $104,100,903
9/13/2013 The Family $36,918,811 $51,078,541
12/13/2013 American Hustle $150,117,807 $257,878,294
12/25/2013 The Wolf of Wall Street $116,900,694 $391,976,723
3/21/2014 Rob the Mob $206,909 $206,909
6/20/2014 Jersey Boys $47,047,013 $65,282,732
6/20/2014 Third Person $1,019,038 $1,251,539

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Cartel Heat

Industry Release Schedule

Revenue Window Months After Release Estimated Time
Domestic theatrical - 3 – 6 months
Foreign theatrical Variable 6 – 12 months
Domestic home video 3 – 5 months 6 – 12 months
Domestic pay-per-view 3 – 5 months 6 months
Foreign video (initial) 6 – 9 months 9 – 12 months
Domestic pay television 12 – 15 months 18 months
Foreign television 18 – 24 months 12 – 36 months
Domestic television 24 – 30 months 1 – 4 years

Independent Film Value Chain

32

Cartel Heat

"THE LLC INTERESTS REPRESENTED BY THIS CERTIFICATE HAVE NOT BEEN REGISTERED
UNDER THE SECURITIES ACTOF 1933, AS AMENDED. THESE LLC INTERESTS MAY NOT BE
SOLD, OFFERED FOR SALE, PLEDGED OR HYPOTHECATED IN THE ABSENCE OF AN EFFECTIVE
REGISTRATION STATEMENT UNDER SUCH SECURITIES ACT OR ANY APPLICABLE
STATESECURITIES LAW OR AN OPINION OF COUNSEL REASONABLY SATISFACTORY TO
LITTLE TREE PRODUCTIONS, LLC. THAT SUCH REGISTRATION IS NOT REQUIRED

Forward Looking Statements, the Company's actual results may vary materially from those
expressed or implied in its forward-looking statements. Important factors that could cause the
Company's actual results to differ materially from those in its forward-looking statements include
government regulation, economic, strategic, political and social conditions and the following
factors: recent and future changes in technology, services and standards, including, but not
limited to, alternative methods for the delivery, storage and consumption of digital media and
evolving home entertainment formats; changes in consumer behavior, including changes in
spending behavior and changes in when, where and how digital content is consumed; the
popularity of the Company's content; changes in the Company's plans, initiatives and strategies,
and consumer acceptance thereof; changes in the plans, initiatives and strategies of the third
parties that distribute, license and/or sell content; competitive pressures, including as a result of
audience fragmentation and changes in technology; the Company's ability to deal effectively with
economic slowdowns or other economic or market difficulties; changes in advertising market
conditions or advertising expenditures due to, among other things, economic conditions, changes
in consumer behavior, pressure from public interest groups, changes in laws and regulations and
other societal or political developments; piracy and the Company's ability to exploit and protect
its intellectual property rights in and to its content and other products. The impact of terrorist
acts, hostilities, natural disasters (including extreme weather) and pandemic viruses; a disruption
or failure of the Company's or its vendors' network and information systems or other technology
on which the Company's businesses rely; the effect of union or labor disputes changes in tax,
federal communication and other laws and regulations; changes in foreign exchange rates and in
the stability and existence of the Euro. Any forward-looking statement made by the Company
speaks only as of the date on which it is made. The Company is under no obligation to, and
expressly disclaims any obligation to, update or alter its forward-looking statements, whether as
a result of new information, subsequent events or otherwise

33

Cartel Heat

Validation

34

Cartel Heat

INTERNATIONAL
TELEVISION

FOREIGN BROADCAST LISCENING ASK PRICE
ALBANIA $3,000
ARGENTINA URUGUAY & PARAGUAY $5,000
AUSTRALIA & NEW ZEALAND $20,000
BALTICS $5,000
BENELUX $20,000
BRAZIL $10,000
BULGARIA $5,000
CENTRAL AMERICA $3,000
CHILE $5,000
CHINA $5,000
COLOMBIA $5,000
CZECH REPUBLIC & SLOVAKIA $10,000
EAST & WEST AFRICA $5,000
FORMER YUGOSLAVIA $10,000
FRANCE $50,000
GERMANY & AUSTRIA $50,000
GREECE $10,000
HONG KONG $5,000
HUNGARY $10,000
INDIA AND SUBCONTINENT $5,000
INDO CHINA $1,000
INDONESIA $10,000
ISREAL $20,000
ITALY $50,000
JAPAN $50,000
MALAYSIA & BRUNEI $5,000
MEXICO $30,000
MIDDLE EAST $10,000
PERU, BOLIVIA, ECUADOR $5,000
PHILIPPINES $5,000
POLAND $10,000
PORTUGAL $5,000
ROMANIA $10,000
RUSSIA $30,000
SCANDINAVIA $30,000
SINGAPORE $10,000
SOUTH AFRICA $10,000
SOUTH KOREA $10,000
SPAIN $50,000
TAIWAN $10,000
THAILAND $10,000
TURKEY $10,000
UK & IRELAND $50,000
VENEZULEA $5,000
WES INDIES $1,000
PAN LATIN PAY TV $30,000
PAN ASIA PAY TV $30,000
EASTERN EUROPE PAY TV $30,000

Total $765,000

\

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Cartel Heat

DIGITAL RIGHTS

DIGITAL RIGHTS ASK PRICE
Canada All Rights $30,000

DVD RENTAL MARKET $20,000
Distribution $25,000
NetFix $125,000
RedBox
$150,000
DVD SELL THRU
DVD/EST $60,000
$30,000
Television SVOD
First Window/Pay TV $275,000
Second Window/Pay TV $75,000
$790,000
VOD
Cable Internet Satellite
Non-Theatrical Airlines

Total

36

Cartel Heat

ROI

Title: Cartel Budget Medium High
Genre: Mafia $350,000 $3,500,000 $6,700,000
$57,000 $100,000
U.S. Distribution Low $280,000 $540,000
U.S. Film Rental $1,850,000 $3,837,000 $7,340,000
Non-Theatrical Rental $30,000
Pay | Cable $150,000 -1,151,100 -2,020,000
Total $2,030,000 -2,000,000 -4,000,000

Distribution Fee Minus 30 % -555,000 $685,000 $1,320,000
Prints & Advertising -1,000,000
$500,000 $900,000
Revenue $475,000 0 0

Home Video Royalty $300,000 $65,000 $125,000
Distribution Fee 0 $0 0

Sound Track Royalty $35,000 Medium High
Distribution Fee 0 $2,800,000 $5,400,000
$375,000 $725,000
Foreign Distribution Low $650,000 $125,000
Foreign Film Rental $500,000 $700,000 $1,300,000
Foreign Television License $200,000
Foreign Home Video $350,000 $4,418,000 $6,811,000
Foreign Pay Cable $200,000 -1,357,000 -1,914,000

Gross Foreign Revenue $2,250,000 $3,167,500 $4,466,000
Foreign Distribution Fee -525,000 $4,418,000 $6,811,000

Net Foreign Revenue $1,725,000 $200,000 $200,000
Gross partnership Revenue $2,535,000 $0 $0

Film Cost $200,000 $4,218,400 $6,611,000
Deferments $0

Net Partnership Profit $2,335,000

Return on Investment 330% 600% 940%

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Cartel Heat

Accelerated ROI

Investors are in first position and will receive 100% of their original
investment back beginning with the first dollar (adjusted gross)
income. Upon the realization of 100% of the original principal invested
for the production of the film motion picture titled “Cartel Heat” all
rights will revert back to the operating company and the investor will
continue to receive 50% of all adjusted gross revenue pertaining to the
exploitation of the film in perpetuity on all primary and ancillary
revenue streams world-wide

Low Med High

Net Profit $2,335,000 $4,218,400 $6,611,000

Investor $1,402,500 2,344,200 3,540,500
Operating company 932,500 1,874,200 3,070,500
ROI 330% 600% 940%

38

Cartel Heat

ACCOUNTANT
Brody & Associates, P.A.
Certified Public Accountants & Consultants
One Turnberry Place
19495 Biscayne Boulevard, Suite 850
Aventura, FL 33180
Phone: (305) 931-2225
Fax: (305) 931-2218
http://www.bacpa.com

ATTORNEY
Wolfe Law Miami
175 SW 7th St., Penthouse 2410
Miami, FL 33130
(305) 384-7370
http://wolfelawmiami.com

Roger Fischer Films LLC
Roger Fischer, President
7304 5th Ave Suite 186
Brooklyn, New York 11209
rogerfischerfilms.com
facebook.com/rogerdeanfischer

39