Netta Ben-Moshe - Portfolio 2020_Neat

Netta Ben-Moshe

Textile Designer

Ceramics of the Bauhaus

Ceramics becoming fabrics.
This series of fabrics presents
conceptual and form abstraction
of the principles of the Bauhaus
ceramics workshop. I tried to
translate the transition from
handmade to industrial production
into the fabric, just like the teachers
and students of the bauhaus did in
ceramics.

Materials Acrylic, Wool, Linen
Technique weaving by hand loom



Front "Combination teapot", Theodor Bogler, 1923

Size 30x30 cm
Materials Acrylic, Wool, Linen
Technique weaving by hand loom
Back



"Halle shape" vase, Marguerite Friedlaender-Wildenhain, 1930

Size 30x30 cm
Materials Acrylic, Wool, Linen
Technique weaving by hand loom



Front

Back

Size 30x30 cm
Materials Acrylic, Wool, Linen
Technique weaving by hand loom

Pottery on show at the"Weimar State Bauhaus 1919-1923" exibition, 1923



Anti-Shibori

It all started as a research of shape
memory in non-woven fabrics.
Our desire to design a fabric that it's
pleats give it elastic and motile, led
us to the traditional dying technique,
Arashi-Shibori. By altering the
technique just a little bit, we managed
to achieve two effects - pleats and
dying, The outcome of this project
was surprising due to the biomorphic
shape and the colorfulness that pop up
through the pleats.

Collaboration project with Eran Zohar.

Size 30x100/30x15 cm
Materials Non-Woven fabric
Polyester, Polypropylene
Technique Transfer pigment
dying with steamer







Living Lines

Fabrics are mostly flat.
By using the differance between
Satin and Atlas weaving structures,
I created fabrics resembling living
objects.

Size 100x30 cm each
Materials Cotton, Polyester
Technique Satin weaving by industrial loom



Sea Animals Patterns

Materials Gouache on paper



Self-Portrait as Textile

Size 100x70 cm
Materials Oil pastel and pencil on craft
paper



Ceiba Insignis Tree

From the first time I saw this stange
and interesting tree, I knew I will
design something inspired by it. Finally,
i made those non-repetitive Penrose
patterns.
Trunk, flowers, leaves, fruits - All
matching together in this natural color
palette.

Materials Color pencil on craft paper



Twenty Four Seven

How can I transform my sketches
into fabrics?
I looked at this sketchthat I made
a long time ago, and it's essense
stayed the same. All the sentences
are Hebrew proverbs that express
hard work, huge effort and
devotion. Respectively, making a
jacquard simulation is a repetitive
work, that requires attention to
small details and patience.

Technique Jacquard simulation