L C C T A K E O V E R E D I T I O N S P R I N G 2 0 2 4 In this issue: A WHOLE WORLD CALLED SOHO THE SOHO RISING FESTIVAL A DECADE OF CROSSTOWN A SOHO SYMPHONY JAZZ AFTER DARK SOHO’S UNIQUE COFFEE CULTURE BRIDGING CULTURES THROUGH ART
Late last year, I was presented with an exciting opportunity to be part of a collaboration unit with a selected group of LCC MA Journalism students. It was a no-brainer to accept the proposal of setting a collaborative brief, especially as this project also signifies a full-circle moment for me; I initiated My Soho Times (it was a blog about my life in Soho at the time) during my student days at LCC. Fast forward seven years after graduation, and I find myself back where it began. I won’t give too much away about this takeover edition as you can read a reflective note by the students on the next page. What I will say is the opportunity to work with a group of aspiring young journalists has been stimulating. Upon my own reflection, it’s made me realise just how much I do as a predominately onewoman band running an independent publication. I don’t give myself enough credit most times - so here it is! I hope you enjoy this special edition. Reading the articles in this edition has allowed me to see my community from various pairs of eyes. Congrats to all the students; budding journalists and creatives, for this unique collaboration. It’s always a pleasure to give aspirational writers a platform to cut their teeth in the industry. This, indeed, encapsulates the essence of Soho - a hub for creatives, the Bohemians, and the underdogs! editor's note Kai Lutterodt Editor-in-Chief IG: @the.soho.girl The Soho Girl x Made in LCC (London College of Communication)... Photo: Paul Todd MY SOHO TIMES 03 Contributors: Ada Kohli | Natália Maria de Oliveira Magalhães | Erin Mussett | Mary Jane (MJ) Viado | Rafael Bonito Cheira Xavier De Pina | Jess Watts | Zhouhang Li | Isha Sankala | Tamaa Almashama | Noïra Ndakwala-Boketi | Marsho Dzanchuraeva Design: Kai Lutterodt | Cover photo: George Skeggs aka Soho George at Bar Italia, Soho. ©2024 My Soho Times. Information is correct at the time of publishing/printing. To enquire about submitting articles or to advertise please email: [email protected] C O N N E C T W I T H U S @ M Y S O H O T I M E S • W W W . M Y S O H O T I M E S . C O . U K WWW.MYSOHOTIMES.CO.UK
Produced by MA Journalism students at London College of Communication (LCC), this student-led edition of My Soho Times presents new perspectives of Soho through the eyes of individuals from around the world. From India to Ireland, to Saudi Arabia, Brazil, China, Belgium, Portugal and back to the UK, we have all come to London to create and collaborate. The individual voices behind this edition mirror the vast diversity that Soho is known for. This edition of My Soho Times combines the contributors' experiences of Soho – some familiar with the area, and some experiencing it for the first time - with investigation and interview highlights to showcase the dynamic nature of Soho that accompanies the bustling and ever-growing community within. Preserving the history of Soho is made possible through a deep dive into the creativity and confidence of one of Soho’s most iconic figures, George Skeggs, also known as Soho George. An interview with another local legend, Sam Shaker, offers an insight into the exuberant cocktail bar, Jazz After Dark; an established vibrant music venue that upholds the legacy of global star Amy Winehouse. Our explorations of Soho’s ever-changing culture have offered a glimpse into the future of one of London’s most popular areas. ‘A Whole World Called Soho’ showcases the various voices of Soho, both local and global, through a series of interviews with the public. Fancy a coffee shop crawl in and around in Soho? ‘Soho’s Unique Coffee Culture’ highlights picture-perfect coffee shops to spruce up your Instagram feed. ‘Decade of Dough’ commemorates ten years of Crosstown Doughnuts, exploring how they started as a small business in the heart of Soho that has now flourished into a chain establishment. The edition also covers an exclusive with the ‘Soho PR girl’ herself, LCC alumni Kai Lutterodt, where she opens up about her triumphs and challenges as the founder and editor-in-chief of My Soho Times. Enjoy! Written by Erin Mussett, Tamaa Almashama and Marsho Dzhanchuraeva collaborative units’ note MY SOHO TIMES 03
This neighbourhood is continuously inviting locals and visitors to embark on a unique journey, so buckle up and come with us to learn more about its multicultural past. cal ed Soho A WHOLE WORLD WWW.MYSOHOTIMES.CO.UK Written by Natália Maria de Oliveira Magalhães
Covering an area of approximately one square mile (or 2.6 square kilometres) in bustling Central London, Soho encapsulates the diverse essence of the city. It is a place where history, culture and constant evolution collide, giving way to charming streets, unique boutiques, endless restaurant options and a vibrant energy. Over the last few decades, Soho has earned a reputation as a leading player on the cultural scene due not only to its commitment to creativity and innovation, but also to its concern for cherishing its past. Today, it is known as the city’s centre for music, film, theatre, fashion, and design. Everything happens here. Some even say that before a trend takes over the whole of London, it first passes through Soho. In a video on YouTube, the vice-chair of The Soho Society, David Gleeson, reflects: “We all live in on top of, over, under, sideways to theatres, cinemas, strip joints, shops, cafes, restaurants, bars… It’s a very delicate balance in this ecosystem – but it works.” Its cultural roots, however, extend beyond geographical boundaries. And we’re not just talking about the street names. Yes, there are indeed several streets in the vicinity named after countries; Greek Street, Denmark Street, Poland Street, Livonia Street (modern Latvia) and, of course, the charming Chinatown. But here we’re talking about the people who contribute to this thriving area. “It was the first port of call; it was cheap, and it provided asylum to people forced out of their own countries by political and religious persecution over the centuries. Soho welcomed these people, but then benefitted enormously from the creativity and culture they brought,” says another member of The Soho Society for over 40 years, Wendy Hardcastle. WHY SOHO? LET’S TALK HISTORY! Chinatown| Image by Natália Maria de Oliveira Magalhães MY SOHO TIMES 05
Different nationalities chose Soho to build their lives and remain here to this day. At the beginning of the 20th century, immigrants arriving in London – often in search of refuge and a new start – saw the area as a kind of sanctuary. According to the online portal British History, this was a time of prosperity in the region, when property development was in full swing. Immigrants from all over the world brought their customs, traditions, and narratives with them. Notably, the Italian and Chinese communities have a strong presence in the region today, but you can also find elements of French, Spanish, Maltese, and many other cultures. There’s room for everyone. A little further back, in the 19th century, a Dutch sailor arrived on Macclesfield Street and opened an oyster bar, which he named after himself. De Hems soon gained fame for serving poets, gangsters, and music industry entrepreneurs. During the Second World War, the place became a secret meeting place for the resistance after the Netherlands was occupied by the Nazis. Today, the area’s only Dutch pub makes it its mission to make sure you eat like a Hollander, offering their round Bitterballen (meatballs), craft ales and gin. Not far from there, on Frith Street, is Lobos, a meat and tapas restaurant. After working together for seven years, friends Roberto, Joel, Cortés, and Ruben decided it was time to open a business together. As you enter the space with its dark red walls, low lighting, and semi-open kitchen, you can get a taste of the best that Spanish cuisine has to offer, with a varied menu of meats and wines, to the sound of rock and roll. And it’s on Hanway Street is where Luis de Souza’s business is located. The Brazilian arrived in London in 1985 and opened his restaurant Feijão do Luis (meaning Luis’ Beans) on Oxford Street in 1996, before moving to his current address in Fitzrovia. WWW.MYSOHOTIMES.CO.UK MEET SOME OF THE LOCALS To showcase the heritage of contemporary China, it was in the heart of Chinatown that David Tang founded the cultural centre China Exchange in 2015 and since then it has promoted festivals, exhibitions, events, and volunteer projects. Tang passed away in 2017, however the centre remains steadfast in its mission to promote China to its community to foreigners through art. De Hems | Image by Natália Maria de Oliveira Magalhães
With brightly coloured décor, live music, a variety of desserts and, of course, the famous feijoada, Souza created a real meeting place for Brazilians in the city. According to the Evening Standard, he “has done more than most to promote Brazilian food” in the city. “Soho is always changing, and we can’t change that,” Gleeson continues, but it’s safe to say that it has remained a village at heart. And it is precisely in this surprisingly harmonious fusion of new trends and historic charm that anyone, from anywhere, can feel at home in London. VISIT THESE RESTAURANTS DE HEMS DUTCH CAFE BAR 11 MACCLESFIELD ST, LONDON W1D 5BW www.dehemspub.co.uk Photo by Ada Kohli Photo by Ada Kohli MY SOHO TIMES 07 LOBOS 48 FRITH ST, LONDON W1D 4SG www.obostapas.co.uk FEIJÃO DO LUIS 20 HANWAY ST, LONDON W1T 1UG www.dehemspub.co.uk
year's Soho Rising festival, Soho Theatre’s emerging talent initiative. The annual two-week programme is a celebration of new work created by comedians, writers, and performers, showcasing everything from stand-up to cabaret and drag. After having its first run in 2016, the Soho Rising festival continues Soho Theatre’s long tradition of supporting new theatre talent. Established in 2000, the theatre's current location on Dean Street follows in the footsteps of Soho Theatre’s original home, the iconic Soho Poly, which served as London’s leading fringe theatre from 1972 to 1990. The original Soho Poly is now located in the basement of the University of Westminster and is remembered by the university as a “leading venue for radical ‘lunchtime’ theatre that was dedicated to widening democratic access to the arts”. The Soho Poly regularly gave voice to theatres underrepresented players, particularly women and the queer community. On the cusp of debuting in Soho Rising 2024, I spoke to some of Soho’s upcoming theatre stars to hear what they had to say about their experiences working with one of London’s most iconic venues, Soho Theatre. “For me, Soho has always been a place of excitement and experimentation, with all the weird and wonderful crevices in between,” explains Drag King Brent Would. “Balenciaga’s and Pedi-cabs, it’s a land of contradictions.” These exciting contradictions are clear on the streets of Soho. From its quaint cafes to its buzzing clubs, Soho has long been recognised as London’s epicentre of creativity. Home to fashion icons like Soho George and remembered as the stomping grounds of industry juggernauts such as Phoebe Waller-Bridge and Amy Winehouse, for many emerging creatives, Soho has become synonymous with opportunity. “Soho is where my writing career began,” says actress, writer, and performer Kit Sinclair. “I learned to cut my teeth at Soho Theatre’s Writing Labs.” Kit joins Brent Would as two of 26 artists involved in this “I CUT MY THEATRE TEETH AT SOHO THEATRE”: HOW THE SOHO RISING FESTIVAL IS FOSTERING NEW GENERATIONS OF TALENT Written by Erin Mussett | Photo by MJ Viado ORIGINS WWW.MYSOHOTIMES.CO.UK
This legacy of representation continues today. For Brent Would, Soho Theatre has become an extension of the excitement and experimentation that is borne out of Soho’s incredible queer heritage and has become invaluable in offering an ‘in’ to “performers who come from backgrounds that differ to those who are traditionally programmed in mainstream spaces.” He emphasises the importance of Soho Theatre’s commitment to platforming underrepresented voices, saying that “being given the chance to be seen and then considered for larger bodies of work in the future is invaluable”. This representation extends across nationalities too. While some of the participants in this year's Soho Rising festival do hail from Soho or further across London, the initiative has created a home for participants from across the world. Comedian Henry Moss, originally from Australia but now living in East London, commends Soho Theatre for showcasing imaginative shows and considers Soho Rising’s support of emerging talent as imperative. “It feels like being a member of the exclusive Mickey Mouse Club with Britney and Justin - but without the pushy stage mums.” However, Soho Theatre’s outreach goes beyond Soho, and even London. The progression of new REPRESENTATION artists onto bigger, global platforms is central to Soho Theatre’s work. With close links to the Edinburgh Fringe Festival and the Melbourne International Comedy Festival, Soho Theatre is also the UK’s leading presenter of Indian comedians through Soho Theatre India, the possibilities are seemingly endless. Soho Theatre has been fundamental in kick starting the careers of now household names, such as writer and star of Fleabag Phoebe Waller-Bridge, and actor slash playwright Toby Whithouse, who’s award winning Jump Mr. Malinoff Jump was performed as the opening production at Dean Street in 2000, who has since gone on to star in films like Bridget Jones’ Diary and write on Doctor Who. According to Head of Comedy Steve Lock, this level of progression for their artists is essential. “You can start off in Soho Upstairs, then progress to Soho Downstairs, and then the main house. We can tour you; we can film you. We can go on a real journey with an artist.” This incredible outreach and success are evident of the crucial role that theatres like Soho Theatre play in the fostering of new generations of creative talent. When asked for their final thoughts on their experience as Soho Rising participants, the importance of Soho Theatre became apparent. “Soho Theatre is the backbone of new talent. They play an integral part in the development, honing and platforming of artists that might otherwise go under the radar,” said playwright Maygan Forbes. Kit Sinclair spoke similarly, explaining that “working here constantly reminds you that you’re in the heart of London and its creative scene. It’s a wonderful, buzzy space to be in.” To sum up his experience, Henry Moss spoke quite plainly; “Soho Theatre is an institution. I’m ecstatic to be playing here.” Going forward, one can only hope that Soho Theatre will continue to nourish Soho’s hotbed of emerging talent for generations to come. Soho Rising runs for two weeks every February at Soho Theatre on Dean Street, Soho. For details and more on their rising talent initiatives, visit sohorising.com or find them on Instagram and @sohotheatre. THE SOHO THEATRE LEGACY MY SOHO TIMES 09
CELEBRATINGCROSSTOWNTHE DECADE OF DOUGH: WRITTEN BY MARY JANE (MJ) VIADO CROSSTOWN HAS PROUDLY BEEN SERVING THE NATION WITH NOT ONLY DOUGHNUTS, COFFEE, AND ICE CREAM, BUT MOMENTS FILLED WITH SMILES FROM THEIR UNIQUE AND DELICIOUS FLAVOURS. WWW.MYSOHOTIMES.CO.UK
The Crosstown Effect It all started as a market stall on Leather Lane Market back in 2014. This is where I started my journey with Crosstown over two years ago, and I am still proudly serving within the market team. I don’t think I’ve ever worked in an environment filled with such warmth, unity, and support. I remember having mixed feelings and anticipation as any 19-year-old would on their first day at a new job. However, my team created nothing but a welcoming and vibrant atmosphere, while teaching me how to deliver Crosstown goodness to its customers. Considering how big Crosstown has become, everyone does their best to look after each other, no matter the department. We have developed a sense of togetherness and a dedicated support system amongst each other. It is a special bond that has only made us flourish in the way that we have been. Throughout my time so far, I have met many amazing individuals who have equally seen Crosstown develop since the start. From hearing stories around the markets of people working hard to build up their brands from small businesses to big stores, getting to know traders through conversations of what has inspired them to expand their brand has always been so wholesome to hear. This is representative of Crosstown’s journey. The type of growth that Crosstown has made over the years has spread onto my individual growth with them. They have offered me constant opportunities to thrive and explore my strengths and skills, some of which I didn’t know existed. This is one of the many effects that Crosstown has, and I’ve been lucky to experience this. The Secret to Crosstown’s Success: FLAVOUR Crosstown has created a myriad of flavours over the years, which has sparked many conversations between the people who come to know Crosstown. “We’ve created a nostalgic feeling amongst our customers as they’ve celebrated their birthdays or weddings or any special event with our product, which reflects on them being a part of our journey too. It’s very heartwarming,” Miles Ridley, Market Manager shares sentimentality. I’ve always been struck by the generous variety there is to pick from. Anyone who has worked for Crosstown will always say that the Cinnamon Scroll is the avid favourite and the brand’s bestseller. It’s the ultimate comfort food made from Crosstown’s signature hybrid sourdough, with thick layers of cinnamon and sugar hiding underneath each scrolled layer of dough, topped with a sweet Tongan vanilla bean glaze, and generously sprinkled with a vanilla crumble. Crosstown caters to every season, whether it be something seasonal with the current Pistachio & Rose or having recently celebrated Lunar New Year with the Pandan Lamington. In my opinion, the variety is something that no other brand can compete with, and this is exactly what makes Crosstown the special gem that it is. Enjoy Crosstown’s latest collaboration with Oatly - Cinnamon Scroll Latte, available in selected Crosstown stores. Visit www.crosstown.co.uk for more info. “CONSTANT EVOLUTION IS THE REASON WHY PEOPLE KEEP COMING BACK BECAUSE THEY WANT TO KNOW WHAT WE’VE GOT NEXT... THAT BUZZ THAT I SEE IN OTHER PEOPLE, IT’S THAT HAPPINESS. THAT IS WHAT WE DO FOR A LIVING, WE CREATE THOSE MOMENTS,”- HOWARD EBISON, CEO OF CROSSTOWN MY SOHO TIMES 11
Words and images by Rafael Bonito Cheira Xavier De Pina As this iconic venue faces financial struggles and the looming threat of gentrification, a preservation effort is underway. Rafael Bonito Cheira Xavier De Pina speaks to Jazz After Dark’s owner Sam Shaker on upholding the timeless legacy of Amy Winehouse. Hidden in plain sight, Jazz After Dark detains an unassuming charm that belies its historical significance. Nestled in the heart of Soho, this venue continues to survive the relentless march of time and the gentrification wave standing as a living testament to the birthplace of a musical legend: Amy Winehouse. Bold LED lights illuminate the exterior, casting a warm glow on the street. A medium-sized screen plays Amy's concert footage, refusing to let the legacy fade away. Inside, the venue morphs into what artist/owner Sam Shaker affectionately calls "Amy's shrine". As you step into the dimly lit space, the ambience envelops you with a nostalgic charm. Bright red neon signs crown a well-lit bar, while candles made from champagne bottles flicker softly. The walls adorned with priced portraits and personal snapshots capture Amy's essence, creating an intimate and sacred atmosphere. Jazz After Dark opened its doors 35 years ago, a dream realized by the young artist from Cairo, Sam Shaker, who had migrated to London with an arts scholarship. The city's fast-paced life fuelled his entrepreneurial spirit. The venue's history dates back to Bob Marley's family but was shut down by the police due to "misconduct," an opportunity Sam seized with enthusiasm. After a brief stint as a French restaurant fell short, he transformed it into a jazz bar, blending his worlds of art and business. At the age of 12, Sam embarked on his artistic journey, initially painting furniture for his father and uncle in Cairo, skilfully applying linseed oil. His artistic pursuits took him to Italy, where he captured the beauty of Italian landscapes on Egyptian scrolls during his formal education. Later, in the vibrant streets of Paris, he underwent a radical reinvention, drawing on naked bodies to captivate audiences. However, nothing could parallel the profound artistic Jazz After Dark: Preserving the Timeless Legacy of Amy Winehouse
Despite her fame, Amy continued to perform at Jazz After Dark right until her very last moments: “This picture was two days before she died. She came on the 20th of July because my birthday is on the 22nd. She was in a very bad situation, severely ill, we would normally celebrate my birthday together, have a drink, but that day she hugged me and said, 'Sam, I cannot come... sorry, I’m not feeling well at all.' On the 23rd, it came the news that she died” Sam immortalizes Amy in his work, with one of his published books named ‘Losing Amy: An inspiration for my Art’ and turning Jazz After Dark to a “Life gallery” - telling the tale of an indelible bond between the two through the paintings she once commissioned him as well as personal photo-albums attached in every corner. He recalls the moments they shared, including preparing Amy's favourite food – meatballs with tomato salsa – a dish that now permanently graces the menu in her honour. Amy's aversion to cutlery, embodied in her habit of greeting people with salsa on her lips, has become a distinctive trademark of the venue as well as the times he patiently guided her in learning to play the drums. "We felt that the beauty of a house party should be a social melting pot of everyone… The invite is open to all, but you got to be respectful of our house and everyone in it." - Kamran Dehdashti transformation in Sam's work than when Amy entered his life. “She came here for the first time when she was 16 years old, started working behind the bar, one day asked me if she could sing. I could tell she was drunk, but she started singing ‘I Will Survive’ by Gloria Gaynor. She was one hundred times better than the professionals I was hiring. From that day on, she never stopped.” Amy became a second daughter to Sam, ushering in a new artistic chapter in his life – Celebrity portraits - Getting commissions from guests Amy brought in such as Kate Moss, Lady Gaga and Robin Thicke, hidden in the small and red VIP room at the back of the venue, a sanctuary behind a curtain, away from the paparazzi’s eyes, the place that witnessed the creation of Amy's iconic record, "Back to Black." "She came here at about 3 am on a Saturday, in very bad shape after a big fight with her boyfriend Blake. She kept crying, and I was just trying to comfort her. I offered her a bottle of vodka and some chips and chicken wings, her favourites. She stayed here when writing the song from dawn on Saturday to Sunday around 7 or 8 pm.” MY SOHO TIMES 13
Seated beneath a softly illuminated frame – a selfportrait of the singer – in his usual spot, he recollects the collaborative effort they put into painting it together. "She added golden glitters in the end, yup, that's Amy." These are just a few memories Sam still relives today when walking through the confines of Jazz After Dark the space that ties together the bond shared between the two artists. Today, the once-legendary VIP room is unfortunately reduced to a spot where carefree spills and antics prevail. Financial struggles threaten its existence, with escalating rent and the wave of gentrification posing a dark shadow over the venue’s future. A GoFundMe campaign has been initiated to save this Soho music landmark and Sam’s legacy. The vision extends beyond mere survival, aiming to breathe new life into the space through renovation and revitalization. The goal is to carry forward its legacy, providing a stage for emerging talent and maintaining its role as a cherished haven for musicians and artists alike. Jazz After Dark 9 Greek St, London W1D 4DQ www.jazzafterdark.co.uk WWW.MYSOHOTIMES.CO.UK
George Skeggs, a.k.a. Soho George, reveals how creativity and confidence made him the man he is today. The man under the hat: a conversation with Soho George MY SOHO TIMES 15
Many things have changed about Soho throughout the years, but one thing has remained untouched by time: the man who is widely regarded as the essence of Soho, George Skeggs, a.k.a. ‘Soho George’ The now 80-year-old was called to Soho by its music scene, more specifically ‘skiffle’ groups who played rock ‘n’ roll on acoustic instruments. George relished the creativity that shrouded Soho. “I always knew who I was” he tells me, “what you see today is me as a creative person”. He reminisces upon the birth of his love for colour. He tells me that he was dropped off for his first day at junior school and the only thing that distracted him from being homesick came in the form of coloured bricks. “I was mesmerised. It’s one of those turning points in your life where you realise something’s happened. That was a moment.” George’s passion for art grew from this early fascination with colour. His teachers quickly saw his talent and encouraged him to go to art school, but he “didn’t want to be boxed in”. George’s creativity spanned beyond the world of art and spilled over him in the form of beautifully tailored suits. His style has always been an important statement and is an authentic realisation of his inner creativity. “There’s two types of people” he declares, “there’s an individualist and there’s a fashionista. I’ve never been a fashionista. I wouldn’t buy something for the name.” WWW.MYSOHOTIMES.CO.UK MEETING THE LEGEND George has long been heralded a Soho icon and has strutted the streets since 1956, standing out for his unique fashion and demeanour. Today, George emerges from the corner of Firth Street, a vision of sophistication and style. He is sporting a bespoke grey and white suit, black bolero hat, and purpletinted sunglasses. He is the epitome of elegance, standing out amidst the sea of casually dressed passers-by. We arranged to meet at Bar Italia, an iconic café which has been running since 1949. George walks in like he owns the place, notifying the staff of his arrival and settling down at a table as if it were his second home. “It’s got history, it’s fantastic”, he says, gesturing to the café before adjusting the flower attached to the lapel of his jacket. It is common knowledge that Bar Italia is George’s ‘go-to’ spot, he has been pictured in front of the classic neon sign on many occasions THE ART & THE ARTIST
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and for some reason, the 80-year-old man sat in front of me has instilled more confidence in me than any L’Oréal advert has ever managed to. “You get flack” he admits, “some bloke the other day called me an idiot”. We roll our eyes in unison as he tells me that such criticism reflects worse on the giver than the receiver. Soho George is a man of both style and substance, with the wisdom that can only come from living a life unapologetically and authentically. “It’s all about self-expression”, he says, adjusting his lapels, “this is me; this is my brand.” When I ask him where he gets his style inspiration from, he smiles and taps his head, “I don’t get it from anywhere, it’s in here”. It is at this point that he opens his jacket and reveals his nickname, Soho George, proudly embroidered on the inner lining. “I know who I am” he says, and not just because it’s embroidered on his clothing to remind him… it’s deeper than that, an intrinsic self-awareness that is so refreshing. “You’ve got to be you”, he says, “we’re all in a box and you’ve got to figure out where you fit within that”. It’s safe to say George has this figured out: Soho is where he has always and will always fit. Written by Jess Watts | Photography by Zhouhang Li & Natália Maria de Oliveira Magalhães “Always be yourself”, he tells me firmly, and for some reason, the 80-year-old man sat in front of me has instilled more confidence in me than any L’Oréal advert has ever managed to. It seems George’s unique fashion sense has grown up with him. He tells me that he once surprised a cinema attendant when he showed up to watch a movie, aged fifteen, wearing sunglasses. The attendant told him he wouldn’t be allowed in as he couldn’t possibly see the film while wearing the dark shades. “She was missing the point”, he grins as if he were a teenage boy again, “I was just making a statement, I was going to take them off when I got inside”. ONE-OF-A-KIND One of the main things that makes Soho George so striking is his individuality, something he prides himself on. “You could say I am kind of shepherd” he says with an endearing lack of arrogance. “That’s always been my life […] I was always there at the front, and everybody was always copying me”. He’s right, his style has attracted a lot of attention, and a lot of people want to emulate it, but George tells all his fans the same thing “don’t look like me, just look like you”. George is a champion of individuality and selfconfidence. “Always be yourself”, he tells me firmly, WWW.MYSOHOTIMES.CO.UK
Soho Symthony Sharing vibrant narratives and bold headlines for the past five years, Kai Lutterodt aka The Soho Girl opens up about her triumphs and challenges as the founder and editor-in-chief of My Soho Times. From first-class fashion stores to swanky bars, indulgent restaurants, and theatres, Soho has something for everyone. It is diverse and everevolving while embracing its locals and tourists alike. In 2019 Kai Lutterodt decided to turn her online blog which displayed this very lifestyle and culture of Soho, into a free print magazine. Soho isn’t just a career venture for Kai, it has been her home for 20 years offering her a front-row seat to the elaborate changes in the area... quite like the symphony of a grand opera. Written by Isha Sankala | Photography by Barima Owusu-Nyantekyi, courtesy of My Soho Times A MY SOHO TIMES 19
The vision for My Soho Times was to create a publication that not only highlighted new things happening in the locality but also told stories about the people of Soho and resonated with the local community. Now five years down the lane, the publication has managed to share an archive of stories, carry out impactful collaborations, and develop meaningful networks. Kai’s eyes glint with excitement as she admits that her favourite part about the job is constantly meeting new people and unfolding the layers of their story. The cover story of the autumn 2021 issue with ‘The New Silver Generation’ is an example. “They’re a collective of older models of colour. I met with the founder, Antony Fitzgerald, over lunch where he discussed an idea to create a platform for models over 50 to have more visibility because many agencies claimed to be unable to find older models of colour. Antony organised an amazing shoot and through the magazine we were able to promote what’s now an established platform that showcases diverse older models on a global scale.”’ However, it hasn’t always been smooth sailing for the publication, ‘After the first issue of My Soho Times was published- in the winter of 2019, we were elevated. Businesses loved the idea of a print magazine to promote the local area and we had plegdes for adverting in the next edition... then Covid lockdown happened.” Kai recollects. But always the one to take the bull by its horns, Kai’s focus didn’t deter, and her hard work paid off when people automatically picked the free prints of My Soho times during their walks. Four years after lockdown, the publication is your goto stop for all the thrilling activities and latest news about Soho and the areas surrounding it. ‘We are consistently pushing through with the belief that what we provide is special and unique to us along with collaborations and support of the businesses.’ One such current collaboration is with UAL’s London College of Communication, where the students of the MA Journalism are spearheading the latest issue of My Soho Times by contributing features and social media content. Nonetheless, the founder acknowledges that every local business and writer has their own voice and perspective, and it is essential for this voice to shine through the magazine to provide its authority and authenticity. “It is very important to note that My Soho Times isn't just me. It’s important to me that there are diverse perspectives of Soho that shine through from those who are writing, otherwise, it will literally be Kai’s blog.” WWW.MYSOHOTIMES.CO.UK
The entrepreneur, journalist, social media influencer and videographer admits that she needs to give herself more credit. Prioritising her mental health is top of the agenda this year. While the aim remains to grow and expand the publication as a brand, it won’t be carried out at the expense of her peace. When asked what her future would look like if she didn’t decide to wear her journalistic hat and lens, Kai dreamily reimagines herself to be on stage and dancing to rich and catchy beats. Having studied performing arts, the entrepreneur pictures herself taking over the stage at the legendary Madame Jojo’s and creating magic of her own. And knowing her contagious optimism and resilience, we know that Kai Lutterodt would’ve left an everlasting imprint on her audience. Visit www.mysohotimes.co.uk and follow on social media @mysohotimes / @the.soho.girl for more info and updates. Over the years, the publication has seen steady growth and has worked with many established writers. It has been successful in creating a space for opportunities for new writers. In a way, My Soho Times has created an ecosystem where every contributor is helping in the growth of those involved in the process and simultaneously leaving an impact on its audience. Kai transparently reveals that ‘At the moment, I am pushing with all I have. Being a publication with a niche focus and limited team, I try to not overthink but rather seize every opportunity that comes my way.’ My Soho Times isn't me. I try not to let it be my voice. I want the different perspectives of Soho to shine from those who are writing, otherwise, it will literally be Kai’s blog.’ Over the years, the publication has seen steady growth and has worked with many established writers. It has been successful in creating a space for opportunities for new writers. In a way, My Soho Times has created an ecosystem where every contributor is helping in the growth of those involved in the process and simultaneously leaving an impact on its audience. Kai transparently reveals that ‘At the moment, I am pushing with all I have. Being a publication with a niche focus and limited team, I try to not overthink but rather seize every opportunity that comes my way.’ With the cost-of-living crisis in London, reduced budgets and struggling print media, the need for partnerships with local businesses is stronger than ever. This is not to say that what she has achieved with My Soho Times till now isn’t commendable and inspirational. Kai has been a force that has turned the tables in situations that didn’t favour her. As a woman of colour, she has created opportunities not only for herself but also for people who identify and resonate with her. She emphasises that “Society has a long way to go in terms of understanding unconscious bias and tackling diversity. I'm still struggling as a black woman. I am pretty sure that if I looked like most people in the boardroom, it wouldn't be so tough. MY SOHO TIMES 21
Written by Tamaa Almashama | Artists’ images Pheobe Wingrove. Courtesy of An Effort Bridging CulturesThrough Art WWW.MYSOHOTIMES.CO.UK
It’s no secret that the Soho has a distinctive create scene attracticting those seeking artistic opportunities to share their work; be it independent businesses, or art, regardless of their backgrounds. An Effort Residency, founded around narrative in Soho, provides space for West Asian artists to explore gateways into their thoughts, dialogues, and futures. Director and founder, Cristina O’Hanlon opens up about how locating the residents in Soho allows them to immerse themselves within a global, international art hub; building a bridge for artists from the GCC – as well as current Palestinian resident, Malak Matar – because “creating work in Riyadh or Dubai is different from making work in London, walking around the streets of Soho.” It provides them with a different stimulus to create more art, whilst also creating networks and presenting UK audience with an opportunity to “engage and see exciting, young, emerging, and contemporary artists from the Gulf… especially at a time where the Gulf is probably one of the most exciting regions culturally in the world.” Artist and Chelsea College of Art alumni, Mays Almoosawi, is a perfect example of the ethos of the residency. She dives into how the residency provided her with a fresh outlook on her artwork during her transition from Oman, along with “the space in a great atmosphere and all-day access to a dreamy location studio” which she believes to be important for artists to channel their creativity. Her work explores the connection between the women of her upbringing and her own self-evaluation. “Growing up with their stories, beliefs, and insecurities profoundly impacted my personal journey as a little girl and continues to do so to this day. While painting, I delve deeper into my own emotions, explore my inner thoughts, and express my authentic self without external influence. Being an artist is not merely a career or a job; it is a profound and continuous journey of self-expression, growth, and exploration.” An Effort Residency exposed Almoosawi to a wider audience, expanding her previous local and regional circles as her work has “reached a broader, more diverse audience, both within the local art community in London and potentially on a global scale through exhibitions, events, and online platforms associated with the residency.” Allowing her to connect with art enthusiasts, collectors, and professionals from various backgrounds, contributing to a more diverse and dynamic audience base for her work. As an Arab woman, Almoosawi believes that “Arab women are known to be strong, opinionated, resilient and nurturing behind closed doors and outside.” Which inspires ger to record this to push people to recognize and embrace it. “Through my art, it’s not about Western versus Eastern; it’s about a universal experience. Wherever I shown my work – whether in the Middle East, the West, or the broader global South and North – there has been resonance with every woman, in all shapes and races. This is to highlight that women around the world all experience the same internal dialogue, journeys, and struggles, and that’s what I have truly found in my work.” O’Hanlon explains how the residency allows her the work with artists that she loves working with and acknowledges the privilege to be able to spend so much time with such talented, and exciting young artists to shift old, and tired western narratives of the GCC and create more contemporary discourses. Following the residency, Almoosawi debuted her solo show at Cromwell Place which she outlines as one of the highlights of her career as an artist thus far. She’s currently preparing for a group show in LA with talented artists, which she is incredibly excited about as she shares her evolving journey with each artwork becoming a reflection of her inner world, capturing the essence of her emotions and thoughts at that particular moment in her life. Instagram accounts: @Maysalmoosawi @aneffortart @t.almashama AN INSIDE LOOK AT AN EFFORT RESIDENCY MY SOHO TIMES 23
Soho’s Unique Coffee Culture: 5 Instagramable Coffee Shops In & Around Soho WWW.MYSOHOTIMES.CO.UK Words and photography by Ada Kohli WWWMYSOHOTIMESCOUK
1 Who would have thought of having coffee in an underground public toilet one day? Ladies and gentlemen looking for fun and quirky Instagram and TikTok content, you must visit this café in Fitzrovia. The Attendant used to be a former Victorian toilet that has now been converted into a coffee shop, keeping its original aesthetic. With porcelain urinals as booths, this is one of the most unique places to grab a coffee or stop for a small bite in London. FOLEY ST, FITZROVIA, LONDON @ATTENDANTCOFFEEROASTERS With a diverse array of coffee shops offering unique aesthetic experiences, central London is home to one-of-a-kind coffee shops that are absolutely worth your visit. Embark on a delightful journey with Ada Kohli’s handpicked selection of the top five unique cafés, guaranteed to elevate your Instagram feed and captivate your senses! MY SOHO TIMES 25
3 If you want to go bike shopping while grabbing a cup of coffee or are on the look-out for a place to meet fellow cycle enthusiasts, Rapha London Clubhouse is the place for you. Located in Soho, just minutes from Piccadilly Circus, this is a bike shop that sells gear, apparel, merchandise and much more. It is a great place to meet like-minded people and of course, get exciting pictures for Instagram! BREWER ST, SOHO, LONDON @RAPHA_LONDON 2 OLD COMPTON ST, SOHO, LONDON @ALGERIAN_COFFEE_STORES A family-run coffee shop located in Soho, the Algerian Coffee Stores set up shop in 1887. The first owner was an Algerian gentleman, from where the store name was borne. The business changed hands in the 1920s and once again in 1946, and today remains in the same family. This historic shop offers unique selections of teas and coffees from across the globe. You can also purchase coffee machines, teapots and accessories to make the perfect cup of coffee at home. For a coffee shop located in Soho, one can get a cappuccino for as low as £2 and an espresso for £1.20 here! WWW.MYSOHOTIMES.CO.UK
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5 BERWICK STREET, SOHO, LONDON WWW.CAYTRERESTAURANT.CO.UK For all the environment enthusiasts, Kiss the Hippo Coffee is a carbon-neutral roastery that sources organic certified coffee from around the world. It has a minimalist aesthetic, and the creative name of the coffee shop will surely pique the interest of your fellow followers on social media. 4 BERNERS ST, FITZROVIA, LONDON @KISSTHEHIPPO A coffee shop and diner by day and a bar at night, My Place Soho is open seven days a week. This fun café-bar has a unique rusty aesthetic that reminds its customers of the old Soho charm. A great place to get some aesthetic shots for Instagram. My Place is located on Berwick Street - amongst the bustle of Berwick Street Market - the perfect spot for people-watching. WWW.MYSOHOTIMES.CO.UK
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WWW.MYSOHOTIMES.CO.UK MY SOHO TIMES is an independent hyper local lifestyle magazine, media and events platform launched in Winter 2019. We believe Soho is the beating heart of London - in location and vibe! So our aim is to curate the very best of Soho businesses for the benefit of both Londoners and visitors. And not just online... we're committed to the power of print, so you can take us anywhere! Our distribution is across Soho and the West End (Fitzrovia, Mayfair, Covent Garden and Marylebone). Enquire about adverting with us [email protected] At the heart of our society is... Join our monthly newsletter for local news, upcoming events and the next issue of My Soho Times magazine! WWW.MYSOHOTIMES.CO.UK/SIGN-UP