graphicdesigntheory_helenarmstrong

Index

Adbusters, 14, 97, 101, 107, 115, 145 Dwiggins, W. A., 85 70–72 Pei, I. M., 71–72
After Effects, 128, 130, 132, 135 Eagleton, Terry, 102 Legibility Wars, 81, 146 Pentagram, 87
Albers, Josef, 11 Einstein, Albert, 61, 119–20 Lévy, Pierre, 10 Popova, Liubov, 28–29
Anderson, Peter, 129, 131 Ewen, Stuart, 104 Lissitzky, El, 7, 9, 11, 13, 16, 22, 25, PowerPoint, 135
Arp, Hans, 25 Fella, Edward, 86, 112 27–28, 31, 53, 79, 145, 147–8, Poynor, Rick, 14, 119, 149
authorship, graphic, 9–10, 15, Flash, 130, 135 150 Rand, Paul, 7, 14, 16, 57, 64–66,
114, 119 Flickr, 116, 118 Lissitzky-Küppers, Sophie, 25, 68–69, 92–93, 142, 147–8,
avant-garde, 9, 15, 19, 145–6 Foucault, Michel, 104, 109, 114, 147
Baron, Fabian, 112 149 Lupton, Ellen, 6, 8, 11, 13, 17, 150
Barthes, Roland, 109, 145 Free Culture movement, 10, 145 88, 110, 115, 118, 133, 135–7, Rashid, Karim, 115
Baudrillard, Jean, 104 Frej, David, 81, 147–8 Rock, Michael, 10, 17, 108, 112, 114,
Bauhaus, 11, 14–15, 25, 32, 35, 44, Friedman, Dan, 77, 146 147–50
49, 54, 55, 57, 71, 82, 92, Frutiger, Adrian, 79 Lupton, Julia, 13, 133, 147, 150 142–3, 147, 150
functionalism, 19, 22, 120 Lustig, Alvin, 85, 93 Rodchenko, Aleksandr, 9, 11,
98, 134, 145–6, 148 futurism, 11, 19, 146 Maeda, John, 125, 149 13, 16, 22–24, 29, 52–53,
Bayer, Herbert, 9, 11, 14, 16, 19, Gan, Aleksei, 22, 145 Malevich, Kazimir, 24 145–8, 150
44–6, 49, 54–5, 57, 92–3, Gerstner, Karl, 9, 17, 57–60, 90, Manovich, Lev, 11, 13, 17, 127–8, Ruder, Emil, 9, 14, 77–79
147–8, 150 132, 142, 146–7, 149–50 Said, Edward, 106
145–8, 150 Godard, Jean-Luc, 106 Marcuse, Herbert, 102 Sarris, Andrew, 111, 113
Beall, Lester, 14 Greiman, April, 77, 112, 146, 148 Margolin, Victor, 11, 22 Scher, Paula, 87–89, 147, 149–50
Beeke, Anthon, 112 grid, 9, 24, 50, 61–3, 81, 110 Marinetti, F. T., 16, 20–21, 50–51, Schiller, Herbert, 106
Benjamin, Walter, 104–5 Gropius, Walter, 46 146–8, 150 Schwitters, Kurt, 25, 79
Bernard, Pierre, 112 Gruendler, Shelley, 8, 39, 150 Mayakovsky, Vladimir, 28–29, 53 Scott Brown, Denise, 70–71, 75,
Bernbach, Bill, 64 Guattari, Félix, 104 McCoy, Katherine, 7, 14, 17, 57,
Berthold Akzidenz-Grotesk, 80 Gutenberg, Johannes, 45 81–82, 84, 94–95, 110, 133, 147, 149–50
Bierut, Michael, 119 Haacke, Hans, 105 Siegel, Dmitri, 10, 17, 115–6, 135
Bill, Max, 9, 14 Hara, Kenya, 3, 7, 12, 15, 17, 97, 146–8, 150 141–2, 147, 149–50
Bourdieu, Pierre, 103–4 124–5, 138–9, 147, 149–50 McCoy, Michael, 82, 148 Stam, Robert, 106
Brody, Neville, 112 Harari, Josué, 109–10, 149 McCullough, Malcolm, 86 Stepanova, Varvara, 22, 29,
Carson, David, 62, 112, 148 Helfand, Jessica, 15, 17, 119–20, M&Co., 117 145–6
Cendrars, Blaise, 28 122, 144, 147, 149–50 Meggs, Philip B., 82, 149 Stewart, Martha, 115
Cleland, T. M., 42 Heller, Steven, 14, 17, 98–100, Merz, 25, 28, 148 Suprematism, 27
Concrete Art, 58 146–50 metamedia, 11, 127, 131, 146 Tatlin, Vladimir, 145
constructivism, 15, 22, 35, 52, Helvetica, 7, 81, 133, 135–6 Miller, J. Abbott, 11, 110, 137, 148 Tschichold, Jan, 16, 35–38, 55,
82, 145 Hofman, Armin, 77 Millman, Debbie, 119–120 146–8, 150
craft, 84–6, 136, 145 IBM, 64, 66, 69, 92 Modern, 14, 53, 57, 65, 67, 70–73, typophoto, 11, 33, 146–8
Cranbrook Academy of Art, 14, InDesign, 130 82, 99, 128, 132, 147–8, 150 universal (alphabet), 44, 49, 146
57, 81–2, 84, 95, 145–6, 148 International Style, 9, 14–15, 57, modernism, 151 Valicenti, Rick, 112
Crystal Goblet, 39–40, 42, 145, 73, 90–91, 146, 148 Moholy-Nagy, László, 9, 11, 13, 16, Van Doesburg, Theo, 25, 148
147–8 internet, 120–3, 126, 136, 142 22, 25, 32–33, 145–8, 150 van Toorn, Jan, 17, 97, 102, 112,
Culture Jammers, 145 Izenour, Steven, 70–71, 75, 147, Mondrian, Piet, 25 140, 147, 149–50
Dada, 82, 100, 148 149–50 Monotype Corporation, 39 Venturi, Robert, 16, 70–71, 75, 81,
de Man, Paul, 110 Jameson, Fredric, 110 Morison, Stanley, 39, 43 147, 149–50
Debray, Régis, 102 Kalman, Tibor, 112 muji, 12, 124, 139 Vienne, Veronique, 14, 149
deconstruction, 110, 145 Kandinsky, Wassily, 54 Müller-Brockmann, Josef, 9–10, Vorkurs, 145
Deleuze, Gilles, 104 Kepes, György, 93 17, 57, 62–63, 91, 110, 147–50 Warde, Beatrice, 8, 16, 39–40,
Derrida, Jacques, 145, 149 Klein, Naomi, 14 New Advertising, 64 42–43, 145, 147–8, 150
Design Observer, 10, 98, 101, 115 Kluge, Alexander, 105 new media, 30, 44, 62, 119, 127, web, 97, 116, 119–21, 130, 145–6
119, 147, 149 Klutsis, Gustav, 29 146 website, 116, 119, 130, 144
De Stijl, 11, 19, 35, 148 Koolhaas, Rem, 105–6 New Typography, 14, 19, 32, Weiner Werkstätte, 98
Deutscher Werkbund, 98 Künstgewerbeschule, 14, 77 35–38, 54–55, 146–8, 150 Weingart, Wolfgang, 7, 14, 17,
DIY movement, 10, 115, 133 Lasn, Kalle, 14, 17, 97, 107, 145, New Wave, 14, 57, 77, 81–83, 94, 57, 77–81, 83, 94, 112, 146–7,
Dormer, Peter, 84 147, 149–50 97, 111, 146 149–50
Drenttel, William, 119, 144, 149 Le Corbusier (Corbu), 61, 68, Oliver, Vaughn, 112 Werkbund, 68, 98
Drucker, Johanna, 14 Paepcke, Walter, 93 Wikipedia, 116, 118
Dunbar, Gert, 112 Paris-Clavel, Gérard, 106 Wild, Lorraine, 7, 84, 145, 147, 150
Yokoo, Tadanoori, 112

Index | 151

Colophon

Book Designer: Helen Armstrong
Editor: Clare Jacobson, Princeton Architectural Press
Typography: Interstate designed by Tobias Frere-Jones, 1993;
Seria designed by Martin Majoor, 2000.

About the Author

Helen Armstrong is a graphic designer and educator based in
Baltimore, Maryland. She has taught and lectured at the University
of Mississippi, University of Tennessee, University of Maryland, and
Maryland Institute College of Art (where she teaches graphic design
theory to seniors and graduate students). She has an MA in English
literature, an MA in Publications Design, and an MFA in graphic
design. In addition to teaching, Armstrong also works as principal and
creative director of her company, Strong Design. Her design work—   for
such clients as Sage College of Albany, USInternetworking, and New
College of Florida — has won regional and international awards. Her work
has been included in numerous publications in the United States and
the United Kingdom, including HOW International Design Annual, The
Complete Typographer, and The Typography Workbook.