Telinga (Ear) Badan (Body) Lubang suara (Sound Hole) Kekuda (Truss) Kepala (Head) Leher (Neck) Tali (String)
Tools for making Gambus musical instruments This is a type of kayan wood that can be used such as meranti wood, durian tree wood, ladle wood, lirek batu wood, ciku wood. The selection of local wood aims to prove that tropical wood can produce a good sound comparable to wood from abroad.
This is a component of a Gambus musical instrument. The gambus musical instrument is described as a human anatomy it has ears, head, neck, shoulders, body, gambus flower, fingerboard, spine and face. The Gambus frame is an important tool in making Gambus musical instruments. It works to get a beautiful shape like a pear that is split into two halves.
Step 1 Joining the inner reins to the Gambus frame and joining the neck and shoulders so that it is easy to join the Gambus body blade. Step 2 Joining the body blade using wood glue. In order to wait for the body blade to join well, you should wait for the wood glue to dry completely for 4-6 hours. After the body blade is joined it needs to be tied so that the body blade is close and joined perfectly.
Step 3 After all the parts have dried, the smoothing process will be done. The body, neck and head of this Gambus musical instrument need to be rubbed with sandpaper to get a smooth surface Step 4 Make a face. 4 pieces of board are joined and cut according to the shape of Gambus' body. Next, cut the big ear hole and the small ear hole on Gambus's face.
Step 5 Installing Gambus face decoration. Gambus decorations usually use flora and fauna motifs. After the decoration sketch is ready, it needs to be cut according to the size of the ear hole. Step 6 Attach the decoration to the Gambus face using wood glue.
Step 7 The back of Gambus' face is joined with belulang wood which acts as the backbone of Gambus' face. Step 8 The face of Gambus will be rubbed with sandpaper to get a smooth and beautiful surface.
Step 9 Installing a truss on Gambus's face. This truss serves to hold the string on the Gambus musical instrument. Step 10 Attaching the face to the Gambus body. Put glue around the Gambus face so that the face and body are joined well. In addition, the fingerboard will also be pasted using glue and attached to the neck of Gambus.
Step 11 To ensure that all components are perfectly joined, they need to be tied and dried for 4-6 hours under the sun so that the glue can dry perfectly Step 12 While waiting for the glue to dry, the Gambus ear assembly work can be done. The function of this ear is to tighten the strings of Gambus so that the sound produced is good.
Step 13 The final step is to beautify the Gambus musical instrument by painting the wood shell so that the wood used on the Gambus lasts for up to 10 years or more. Don't forget the last touch is the installation of strings on the Gambus musical instrument so that it can work. The final appearance of the Gambus musical instrument
JASMINE: MELUR OR JASMINE FLOWER MOTIFS ARE OFTEN CHOSEN IN GAMBUS CARVINGS. BUNGA MELUR IS A SYMBOL OF BEAUTY, FRAGRANCE, AND PURITY IN MALAY CULTURE. CAPE FLOWER: CAPE FLOWER MOTIFS ARE ALSO POPULAR IN GAMBUS CARVINGS. CAPE FLOWERS SYMBOLIZE COURAGE, ELEGANCE, AND HIGH CHARACTER. MALAY FILIGREE: AS MENTIONED EARLIER, ABSTRACT GEOMETRIC FILIGREE MOTIFS ARE OFTEN APPLIED TO GAMBUS. PATTERNS LIKE THIS GIVE AN ARTISTIC AND CLASSIC EFFECT.
Traditional Carving: Malay gambus is often decorated with typical traditional Malay carvings. This carving can be found on the body of the musical instrument, especially on the wooden part, such as the top and handle. The carving motifs often reflect natural, geometric elements, or flora and fauna motifs that depict the beauty of Malay nature. Use of Local Materials: In making Malay Gambus, understanding local materials is very important. The local woods used in the manufacture of gambus create special colors, textures, and characteristics. The selection of materials that suit the climate and environmental sustainability is also an important consideration in the manufacture of this traditional musical instrument.
Traditional Colors and Patterns: Malay aesthetics often emphasize the use of rich and bright colors. In Malay Gambus, colors such as red, gold, and light brpwn are often used to add visual beauty. Traditional Malay patterns, such as batik or songket, can be applied to certain parts of the musical instrument to add a rich aesthetic. Cultural Symbolism: Malay gambus may have certain symbols that reflect Malay cultural values. These symbols can be carved or applied to certain parts of the musical instrument. For example, symbols related to faith or the beauty of nature can be integrated, giving a deeper cultural dimension to the musical instrument.
Seruling is a traditional musical instrument that involves aspects of a culture and society that includes the Malay, Chinese, Indian, ethnic groups in Sabah, Sarawak and Orang Asli. The flute is also known as a famous musical instrument among the Orang Asli and Sabah communities, especially the Kadazan-Dusun tribes who live in the Ranau and Kundasang districts. This traditional musical instrument will be played during the festive season or during mourning. But there are some individuals who play the flute to calm the mind, since the sound of the flute is very melodious. The material used to make the flute is made of bamboo and the body has six to eight holes. Basically, the flute is a musical instrument that is very close to nature that does not require technological sophistication. One hole of the flute is for blowing and the other seven holes will produce sounds according to finger gestures. The pitch of this flute can be increased with greater airflow as well as increasing the speed of the airflow. Seruling is not only known by the Malaysian community, but it is also found in various countries that are distinguished by their own names. Among the countries that also play this musical instrument are Chinese called "Qudi", "Xindi" and "Bangdi". Countries such as Arabia, Turkey and Persia are called "Ney" while in Japan it is called "Fue" and Germany is called "Blockflöte".
From history of the flute in Malaysia, the flute was brought into Malaysia by Chinese immigrants before Malaysia achieved independence. The flute is one of the most famous musical instruments in China since around 7,000 years ago. In the Malay community, the flute is one of the oldest pieces of music and is often played by the Orang Asli community. Since Orang Asli is a community that lives in forest areas, all items such as crafts, especially musical instruments are made from nature. The existence of the flute in the Orang Asli community as early as the previous Malay or Proto Malay who inhabited the forest by 1000 BC. The flute for the Orang Asli tribe is called "Pensol" while the Rungus tribe is called "Turali" and "Selengut" is called by the Kajang people. These three seruling or flutes are played using wind blowing from the nose. The flute that has been in existence since the Proto-Malay period is passed down from ancestors to the next generation to maintain the art of music as one of the oldest and maintain the heritage and relationship with nature. This musical instrument became an important part of their culture, used in various traditional ceremonies, celebrations and social activities. The flute represents the performing arts of the Malay community in traditional music, reflecting the heritage and uniqueness of Malay culture, especially among the Orang Asli community.
flute playing is found in certain performances and flute music is often accompanied in some performances. Puppet Theater Silat Formal Events Public Events However, this flute music is clearly in the Orang Asli community a musical instrument synonymous with ritual aspects. Which is "Sewang" is the name for a ritual performed by the Orang Asli that involves spirituality or medicine. This ritual is for medicinal methods and to drive away evil spirits that disturb the children. The flute is one of the main musical instruments for the Orang Asli, where it is an entertainment for them. Appreciate Nature Connection to Nature Remember Nature Life Shows Respect to Nature
THE ASSOCIATION THAT RESULTS FROM THE MOTIF OF THE FLUTE BODY IS USUALLY INSPIRED FROM THE PLANT. AS AN EXAMPLE THAT IS COMMONLY SEEN IS THE MOTIF BUNGA PECAH EMPAT, MOTIF BUNGA PECAH LAPAN AND PUCUK REBUNG.
The way to make a flute is to find any reed with a diameter of 1.3 cm to 2 cm and a length of approximately 50 cm according to the tone of the notes you want to play. The flute should have 7 holes including one blowing hole that is on top and 6 additional vent holes. Step 1 Choose a bamboo section that has a diameter of about 1.3 – 2 cm, without cracks, bends or wounds. Measure the length of the bamboo section, it should be about 50 cm depending on the pitch you want. Step 2 Cut the top and bottom of the bamboo section so that they are about 2-3 cm away from the edges. Use a sharp knife or a drill bit to make a blowing hole in the middle of the top end of the bamboo section. The blowing hole should have a diameter of about 1 cm. Step 3 Measure the distance from the blowing hole to the bottom edge of the bamboo section, divide it into 7 equal parts. Use a pencil to mark the dividing points. These will be the positions of the finger holes.
Step 4 Use a sharp knife or a drill bit to make the finger holes according to the marked points. The finger holes should have a smaller diameter than the blowing hole, about 0.5-0.8 cm. You can adjust the size and position of the finger holes to create the desired pitch. Step 5 Smooth the edges of the blowing hole and the finger holes with sandpaper or a scraper. You can also paint or decorate the bamboo section as you like. blowing hole should have a diameter of about 1 cm. Step 6 Try blowing into the blowing hole and pressing the finger holes to check the sound of the flute. If the sound is not satisfactory, you can adjust the size and position of the finger holes accordingly.
BERHALUS (FINESSE) The delicacy of bamboo can be seen through the process of making flutes from bamboo. Each punched hole and geometry motif and various kinds of fine lines adorning the body of the flute represent the aesthetic value of Berhalus. Flute making is not just decorated with 5-7 holes. However, the manufacturing process requires precision to produce a flow of flute holes capable of producing a good and melodious sound. If the flute is not able to produce a good sound, the process of making a new flute will be made. Flute-making experts succeeded in finessing the flute process that allows the sound to flow through the hole to produce a pleasant sound.
BERGUNA (USEFULNESS) Useful refers to the functionality of the art object that provide benefit to society. In the KadazanDusun ethnic group, the flute is played when facing misfortune such as death and welcoming the arrival of guests. In the Dayak community, the flute is played when communicating with dead relatives and played to get the attention of lovers when played at night. Meanwhile, the Orang Asli community of some other tribes play the flute to connect nature through music as well as "Nature to Nature" where the flute is made from nature i.e. bamboo and will be played by the Orang Asli as a way of appreciating the nature around them.
BERSATU (UNITY) Bersatu means harmony that can be seen on the flute, especially the motifs on the body of the flute. The association that results from the motif of the flute body is usually inspired by the plant life. The principle of unity in the flute can also be seen in the unity of the flute with nature, for example the sound of the flute is also the sound of the wind. In terms of spirituality, the flute is often used as a ritual activity to connect other realms such as spirit worship rituals and communicating with the dead. Furthermore, the sound of the flute is able to attract the attention of fauna to approach the sound. Therefore, the principle of unity in the flute displays the unity of the flute with its specific realm of flora and fauna as well as the spirit realm.
BERLAWAN (CONTRAST) In the context of flute making, where flutes have the opposite properties when the actual texture of the bamboo surface is rough, but it turns into a smooth texture when the manufacturing process is complete. The flute also has an opposite property that can be found clearly through the flat surface of the flute and the opposite is the perforated surface.
BERLAMBANG (SYMBOLIC) In the context of the flute there is a symbolic meaning of nature and harmony where its crafted from natural bamboo and embodying the connection between human and the environment by the melodies of the flute. The flute is also always associated with divine inspiration where according to the belief the flute is associated with divine communication because it is a tool for communication to spirits and deities for conveying their messages and blessings. The melodious and soft sound of the flute is also associated with the story of love and longing because the melancholic sound produced can revive the atmosphere of love and longing. The flute also has a symbol of serenity and inner peace because the calming nature of the flute's sound creates a sense of serenity and inner peace.
The flute is a traditional musical instrument that involves aspects of culture and society found in Malaysia. The flute is also made from a bamboo stick and the body has four to eight holes. This flute playing is found in certain performances and flute music is often accompanied in some performances. . In addition, the flute is a musical instrument that is very close to nature and has a relationship with spirituality that brings various meanings to oneself, culture and a story as a result of the sound of the music that is released, and the stories passed down from generation to generation as a result of the beliefs of a nation and race.
TRADITIONAL I N S T R U M E N TMUSIC