The Gaudie 13th May 2024

iV Magazine Inside ▶Discover after pg. 10 SCOTLAND’S OLDEST INDEPENDENT STUDENT NEWSPAPER MON 13 MAY 2024 • VOL 90 NO 16 • GAUDIE.CO.UK • FREE Students Launch Pro-Palestine Encampment on Elphinstone Lawn ▶Full Story on Page 3 As part of their The Seven Decades tour, the eclectic Jethro Tull are set to perform at the Aberdeen Music Hall on the 29th of April. Admittedly, this means that this will be rather late news to any readers of this article, considering that this edition will have been released after this date. Nevertheless, I felt it was fitting to review one of my favourite of their albums, in light of the event. Released in 2001, as the name suggests The Very Best of Jethro Tull serves to provide just that; a compilation of some of their best work, spanning what was already, at the time, a career over thirty years in the making. Some of their most popular songs, such as ‘Aqualung’ and ‘Locomotive Breath’... On the 19th of April, Taylor Swift – worldwide star, Time magazine person of the year, and often described as simply “the music industry”– released her 11th studio album, eloquently titled “The Tortured Poets Department”. Previously announced at this year’s Grammy awards, swifties, haters (gonna hate, hate, hate) and critics awaited the release date with apprehension and excitement. Originally announced to be a 16-track album, Taylor made sure to keep her fans on their toes with a double album drop two hours after the album’s original set. Taylor, famous for her easter eggs, left a litany posting... Review Jethro Tull – Album (2024) Review The Tortured Poets Department (2024) Just finished the new Fallout TV show on amazon prime and want to play the games but have no idea on where to start or what to play? Hopefully this guide can iron out which Fallout games might be for you and what order to play them if you really want to be getting the full picture of our favourite postapocalyptic wastelands. So grab your Nuka-cola and make sure your pipboy is strapped on tightly, as w e go through the various Fallout games you can acquaint yourself with! Gaming & Tech Which Fallout Game is Right for You? Amidst the ongoing closure of community spaces and rising accommodation costs, students are speaking out about conditions at the University’s Hillhead Student Village. An investigation by The Gaudie found that students staying in University-run accommodation will have to pay hundreds of pounds more in rent next academic year. Undergraduates opting to stay in Wavell or Fyfe Houses, the University’s budget offering, will have to fork out an additional £160 over a 40-week tenancy. The University has increased rents by four percent – from £99 perweek this academic year to £103 perweek in 2024/25. At the opposite end of the scale, New Carnegie Court, the University’s most expensive package for undergraduates, will cost an additional £400 annually for new residents. Prices are set to increase six percent from £168 per-week to £178 per-week. This means that undergraduate living costs will average over £5000 for incoming Freshers. Postgraduate students will also see an increase as prices rise an average of six percent. The cheapest option, flats at Wavell and Fyfe Houses, will increase £200 over the 50-week period postgraduate tenancy, while the most expensive choice, the on-campus Kings Hall, will total an additional £500 for new tenants. As The Gaudie first reported in March, large swathes of the Headspace building, Hillhead’s flagship community space, has been closed since last spring. Concerns over the prevalence of RAAC in the building’s structure has resulted in the shuttering of cafe/bar The Works and the on site Co-Op. This means that approximately two thousand residents do not have access to on-site hot meals or grocery essentials. The University was unable to confirm when the shuttered facilities would be reopened. First year student Ben told us that while staff have been ‘brilliant’, requests for repairs in his flat have often fallen on deaf ears. Ben told us about his first impressions of his living space: “The kitchen smelt of cigarette smoke and the coffee table was covered in burn marks.” “Our extractor fan was dripping with grease, not to mention the poor general condition of the paintwork, carpet and walls etc.” “All were not great first impressions for my parents sending me off to live here for a year.” After the door of his flat broke in October, Ben said it took the University over three weeks to fix the issue. A damp patch in his bathroom sprung a leak after more than a week of waiting for a University contractor to repair the damage. Ben isn’t the only person to express frustration with his experience. One former Hillhead resident noted: “I spent around £4,300 for 8 months, which is about half of what I spend now in a bigger and less crowded privately rented flat. It is nice to not worry about bills, but for living ▶ CONTINUED ON PAGE 2 ▶ CONTINUED IN IV MAGAZINE PAGE 10 ▶ CONTINUED IN IV MAGAZINE PAGE 9 ▶ CONTINUED IN IV MAGAZINE PAGE 2 Students Speak Out As Hillhead Rents Rise Despite Continued Closures and Grimy Conditions “I Feel Sorry for the First Years” by Josh Pizzuto-Pomaco and Kirsten Koss ▼ STUDENTS MOVE INTO HILLHEAD IN 2021 / PHOTOGRAPH: MILES ROTHOERL

2 MON 13 MAY 2024 • VOL 90 NO 16 Contents International P. 5 Features P. 7 Opine P. 9 Science & Environment P. 11 Satire P. 12 Sports P. 13 Puzzles P. 14 Write for The Gaudie All students of the University of Aberdeen are invited to write for The Gaudie. To contact specific sections, email them directly. For general enquiries, please message our social media pages or email [email protected]. We voluntarily adhere to the Independent Press Standards Organisation’s Code of Practice (www.ipso.co.uk) and aim to provide fair and balanced reporting. The Hub, Elphinstone Road Old Aberdeen AB24 3TU The Gaudie is printed on 100% recycled paper. EST. 1934 • GAUDIE.CO.UK • For the latest commentary, listen to Gettin’ Rowdy with the Gaudie on Spotify! Note from the Editor ▶ EDITORIAL TEAM Editors-in-Chief Isabelle Hampton-Zabotti Josh Pizzuto-Pomaco News Clive Davies (Editor) Anna-Maria Brynchak & James Wilson (Deputy Editors) International Nour Elshenawy (Editor) Ava Bowers (Deputy Editor) Science & Environment Georgie Burns (Editor) Kayleigh Weidemann (Deputy Editor) Features Maeve Topliff & Fi Hennicken (Editors) Jana Neimanns (Deputy Editor) Opine Andrew Cardno (Editor) Alex Murray & Eilidh McCartney (Deputy Editors) Satire Maggie Johnson (Editor) Khreshnee Thayabaran (Deputy Editor) Sports James Kinnaird (Editor) Oliver Kennedy (Deputy Editor) Puzzles Miles Rothoerl ▶ PRODUCTION TEAM Heads of Production Miles Rothoerl (Newspaper) Grace Taylor (iV) Production Designers Isabelle Hampton-Zabotti Kayleigh Weideman Nikola Dejko Kirsty Gardiner Mindi Premarathne Illustrator Noémi Gottmann ▶ COMMITTEE/MEDIA TEAM Social Media Antonella Valente Social Secretary Kayleigh Weideman Treasurer Oliver Ruth Podcast Team Josh Pizzuto-Pomaco (Host) Andrew Cardno (Host) Miles Rothoerl (Host) Ewan Smith (Producer) with 5 people and not having a lot of liberties, it was overpriced.” Another student said: “For it being the university’s own (and recommended) student accommodation you’d expect it to be at a reasonable price.” “However this wasn’t the case, I stayed in New Carnegie last year, and my SAAS loan didn’t cover the rent alone – whereas this year, in private student accommodation my SAAS does cover my rent and leaves me with left over too.” However, some residents had good things to say about staying at Hillhead, with one commenting positively about the free gym membership to ASV. Another student added: “It is a reliable space at generally very reasonable prices (based off my living in a more middle-of-the-range option).” “Facilities/amenities were generally sufficient, but if they weren’t then we were aware that we could contact someone about them. Not the best option one could find, but a very safe one.” Ben is adamant that he will not be returning to Hillhead next year, despite the University offering a 10% discount for returning students. He quipped: “It doesn’t surprise me that they need to tempt returning students with a discount because a sane person wouldn’t choose to remain here without one.” “I’m paying £147 per week next year for a fully contained studio accommodation in the city centre. A 1st year in an ensuite with a shared kitchen at hillhead is paying £178. That sums it up really.” Reacting to the news that rents could be increasing, another former tenant said: “I’d feel sorry for the first years who are encouraged to stay there by the uni when much cheaper alternatives are available - my current privately rented flat is so much cheaper than my first year flat was, and I can only imagine prices for the student accommodation have risen since i was there.” A second added: “While it wouldn’t diminish Hillhead’s status as a safe option for first years, part of its appeal is also in being greatly affordable if a student needs it to be, so rising prices would be very detrimental in my view.” A final student concluded that the University’s accommodation offering is “way too overpriced”, adding that “private accommodation offers much better value for money.” University Says… Speaking to The Gaudie, a spokesperson for the University of Aberdeen defended the price increases. The spokesperson said: “The University offers a range of accommodation choices at different price levels. “Rents remained largely the same between 2016 to 2021 but inflationary pressures have driven an uplift in rents for next year. However, the cost of University of Aberdeen accommodation remains competitive and is in line with or lower than other Scottish universities. “For more affordable standard accommodation, rent increases are limited to 4%, ensuring that the majority of the University’s accommodation portfolio is below the Scottish student loan starting point for 2023/4. A 6% uplift has been applied to en-suite provision. Aberdeen Sports Village membership is also included in the rent, supporting students to try new sports clubs. The University also continues to provide a year of free accommodation to widening access students. “The University continues to support students who are struggling financially; within halls this includes food vouchers, weekend bags, rent payment plans and financial help with rent.” Ours is a business of deadlines. Two weeks to print. Distribution tomorrow. A month until that grant is due. Yet, time slips away and before you know it, it’s someone else’s turn in the ring. So let’s take a look back. We’ve accomplished so much this year. Some might say it’s been the best year ever for The Gaudie, and we’d humbly agree. It’s not been without challenges. Over the summer we covered the ongoing marking boycott, uncovering controversial comments by our Principal, George Boyne, and the SNP’s conference at the P&J Live. And then, our focus turned to the most pressing issue of the day: the future of modern languages. We all came together: we covered from the devastating news that redundancies were being considered, to the joyous moment when University management relented on their threats. March marked 90 years of Gaudie, and held a gala, hosting contributors, alumni, and friends of the paper. This excellence has been recognised. We were named Best Student Publication in Scotland for the first time ever. Our team won Best Design at the recent SPA national awards, along with gongs for Best Reporter and Best News Story. To the next Gaudie team, here’s a few suggestions. Don’t shy away from controversy. Speak up for what is right. When it’s three o’clock in the morning, and you’re finishing a news story or formatting for production, remember these words. As student journalists, we have the opportunity to change our campus for the better. Our work can present the best our university has to offer. It’s a powerful position to have. We must make sure our words are being used for good. Above all, we must be led by the pursuit of truth. We (Isabelle and Josh) have been immensely gratified by the last year. The efforts of our team have been amazing. While it’s bittersweet to move on, we have nothing but confidence in those carrying on the work of The Gaudie. We are the best because we have the best people. And that’s not going to change any time soon. Researchers at UOA Develop Groundbreaking Tool For Detection of Motor Neurone Disease The discovery was made after the team successfully applied a molecule known as an “aptamer”, typically used in cancer diagnosis, to instead detect MND in brain tissue samples. The molecule works to identify damaged cell proteins which may indicate the presence of the disease before the cells malfunction. This tool means that the disease can be detected before the onset of any physical symptoms in a patient. An author of this particular study, Dr Holly Spence of the University of Aberdeen stated, “Our findings have implications for early diagnostics and intervention prior to symptom onset in MND. With better ability to detect the disease, we might be able to diagnose people with MND earlier, when therapeutic drugs might be much more effective.” Dr Fergal Waldron from the University of Aberdeen co-authored the study and added: “We are using the tool to uncover previously hidden insights into how MND makes people sick. Fundamentally, using this tool we have found out that toxic protein clumps are building up well before people show symptoms. This deeper understanding of the changes that happen in brain tissue at such an early stage has enormous potential for future research into the disease.” Dr Jenna Gregory, also of UOA, led this piece of research and predicts that the newly developed aptamer could trigger a step-change in MND research, supplementing or replacing some traditional antibody approaches for detection. Dr Gregory explains: “This tool ‘targets’ the disease protein and allows us to see where toxic clumps are building up in the body. It can do this for much lower amounts of disease proteins, and with greater accuracy than ever before. This could be a gamechanger for MND research, diagnostics and treatment.” The UOA team is currently being supported by the University of Edinburgh’s commercialisation service, Edinburgh Innovations, to licence the patented TDP-43 aptamer. Around 5000 people in the UK are affected by motor neurone disease. The condition is caused by proteins inside the brain that accumulate and impair cell function, leading to the impairment of movement and cognitive ability, with the condition generally worsening over time. By using these new methods, the proteins can be detected at much lower levels and with higher accuracy, making earlier intervention possible and hopefully leading to more effective treatment. New Method Discovered in Collaboration with Edinburgh University ▼ PHOTOGRAPH: UNIVERSITY OF ABERDEEN by James Wilson ▶ CONTINUED FROM FRONT PAGE Josh Pizzuto-Pomaco Editor-in-Chief Note from the Editor

MON 13 MAY 2024 • VOL 90 NO 16 3 Last week, student campaigners erected tents on Elphinstone Lawn, launching an encampment in support of Palestine and to urge the University to call for a ceasefire. With support from the Scottish Palestine Solidarity Campaign (SPSC), the protestors set up camp on Monday afternoon. A spokesperson shared the campaigners’ demands, saying: “We are here and hopefully will be here until our university meets our demands.” The encampment has seen students come together to demand the University of Aberdeen “Divest, Condemn, Pledge and Protect.” The published list of demands call on University management to end a million-pound contract with HP, close the on-campus Subway and Starbucks outlets, and directly condemn Israeli actions in Gaza, amongst others asks. Speaking to The Gaudie before the launch, President of the Palestine Solidarity Society (PSS), Ayah M barki, told us organisers were prepared for a range of reactions to the encampment: “We have a right to protest, and this encampment is a form of protesting. We hope that we can express our views and concerns over the genocide. We hope the university listens to our demands, that they will not have an issue with a peaceful protest, and that our freedom of speech will not be suppressed.” The last occupation staged at the University of Aberdeen was a nine-day sit-in at the University Office in 2018, which resulted in police being called on protestors. Reg a rd i n g t h e cu r re n t encampment, a University of Aberdeen spokesperson said: “The University respects and supports the right to peaceful and lawful protest. Our campus should be a safe space for all, and we are clear that any incidents of harassment or discrimination will not be tolerated.” In a statement, the Students’ Union shared how they were supporting the campaigners, including the provision of snacks and hot drinks. Protestors were also provided with printouts which listed the support available. Student President Vanessa Mabonso Nzolo told The Gaudie a meeting between the President of PSS and the University was facilitated. According to Palestinian News Agency, Wafa, all 12 universities in Gaza have been destroyed or damaged. In the wake of the destruction of the Gazan educational system, protests have spread with encampments ongoing at 14 university campuses across the UK, as of May 6th. One anonymous campaigner expressed disappointment with the University’s response thus far, noting: “I thought by now the university would have released a statement openly condemning wha t’s happening, but I guess they have n’t. That’ s one of our demands, to openly condemn what is happening – it’s ge nocide – and demand a ceasefire.” Anonymous members of the Palestine Solidarity Society spoke to The Gaudie about the importance of collective support from encampments at other universities: “The main reason wh y we’re her e is the solidarity and pressure. If more universities set up [encampments], the better. We had a meeting which 94 universities tuned into, and they were saying how encampments were going really wel l across England, Scotland, and Wales. They were pushing other universities to take part, so we decided, let’s do i t.” “It’s not ju st one group of people wanting justice. It’s student s, young people’s voices for the future, wanting an end to genocide and divestment from genocidal entities.” Senior managers met with protestors on Wednesday morning, collecting a copy of the demands and assuring campaigners they would receive a response within 24 hours. Torry residents fighting to save a beloved community park from bulldozing have won a key victory at the Court of Session in Edinburgh. Yesterday, Lord Failey of the Court permitted a judicial review against Aberdeen City Council to proceed to a ‘substantive hearing.’ Up to one-third of St Fittick’s Park, Torry’s only freely accessible green space, is slated to be paved over as part of an ‘Energy Transition Zone.’ Community members and environmental activists have fought to keep the green space intact for more than four years, ever since Aberdeen City Council voted to remove environmental protections from the site in March 2020. Legal action was pursued against the local authority late last year over accusations they had breached the Equality Act by allowing the site to be redeveloped; and concerns that some councillors had a personal interest in the decision. The community of Torry, where the average life expectancy is thirteen years lower than Aberdeen’s wealthiest neighbourhoods, has long been used as a base for industrial expansion, beginning with the North Sea oil boom in the 1970s. In a statement, local campaigners with the Friends of St Fittick’s Park noted that the decision ‘vindicates’ their concerns over the rezoning of the site. Campaigners also said that ‘democratic processes’ had been bypassed by the firm behind the development scheme, Opportunity Northeast, which was founded by local oil and gas tycoon Ian Wood. Torry resident and campaigner Scott Herrett commented: “When I first joined the campaign there were only a handful of members, but now we have hundreds of supporters in Aberdeen and throughout Scotland and the UK, as well as internationally. “We are still far from our aim of protecting the park in its entirety, but today’s announcement means we have successfully thrown a huge spanner in the works of these reckless plans for our park. “It’s also a validation of the campaign and shows the power of what a small number of people can collectively achieve, even if up against billionaire interests and a planning system that appears to favour the interests of rich developers over the needs of people in communities like Torry.” Campaigner Jean Boucher added: “The Friends of Saint Fittick’s Park are happy that the court will look into the case over the park. We think it’s important for the city council to take care of the park and the residents of Torry. We need our natural spaces to stay healthy, so we will keep fighting to protect the park. “It’s a small part of a bigger fight to protect the Earth as our global environment also faces challenges.” Reacting to the news on Twitter, Green MSP for North East Scotland Maggie Chapman hailed the efforts of the campaigners, tweeting: “This is a huge win for campaigners and another step closer to protecting St Fittick’s Park from development. “We wouldn’t have [gotten] here without the people of Torry, Govan Law Centre, and so many others.” Environmental lobby group Friends of the Earth Scotland has also weighed in, tweeting: “A big win yesterday for the campaign to save St Fittick’s Park. It’s not over yet, but the industrialisation plans are delayed.” Key Victory for St Fittick’s Park Campaigners Students Launch ProPalestine Encampment on Elphinstone Lawn Protestors Pitch Tents Amidst Demands for the University to Condemn Israel ▲ PHOTOGRAPH: AUTHOR by Finn Abou El Magd by Josh Pizzuto-Pomaco Petition to Save Community Park Will Be Heard ▼ THE ENCAMPMENT ON ELPHINSTONE LAWN / PHOTOGRAPH: FRED BYRNE

4 MON 13 MAY 2024 • VOL 90 NO 16 Back in 2022, the government passed legislation that requires voters to bring suitable photo ID in order to cast their ballot, aimed at improving the validity of our elections. The idea was that the ability to walk into a polling booth with nothing but a piece of paper posted to the constituent was not secure and open to fraud. As such, requiring photo ID should, theoretically, improve the validity of the election, since it enforces that a voter can be easily identified and turned away should they try to either vote under an alias or obscure their identity in any way. However, some groups have pointed out that this new law comes with some flaws that could endanger not only the validity of our elections, but also the principles that uphold our democracy. The Electoral Reform Society has stated that voter ID laws put up barriers that disincentivize marginalised groups from voting, due to the fact that obtaining accepted voter ID requires paying money to obtain, such as a passport or a driver’s licence. This impacts those whose financial situation is unstable, as people who have to make a choice between paying for ID to vote or paying for food and energy are more likely to choose the latter. This expounds the plights of students, as student IDs are not included as acceptable forms of photo ID for the government’s standards. It also impacts minorities who may feel uncomfortable having to show ID to civil servants and poll workers. Any group that has suffered from systemic discrimination, especially those whose social markers are easily identifiable such as race and gender, will be anxious when asked to prove their identity from that same system that has abused them, even if the individuals checking their identity are fair-minded people. Additionally, it can prove troublesome for those who suffer from conditions and circumstances that prevent them from going to the polling stations themselves. The need to prove your identity adds several hurdles to the process, since, if one were to send a representative to cast the ballot in one’s place, the complications of that representative needing to prove the identity of a person not present and that they are not fraudulently casting ballots rises exponentially, and sending a ballot through the post would require entrusting one’s ID in the hands of the courier and postal system to not lose it, a risk many might consider a bridge too far. It’s strange, considering that public opinions on the validity of the elections remains their highest since 2012, the Electoral Reform Society measuring that 80% of people feel elections are well run, 87% that elections are secure, and 90% that polling stations are safe. The organisation also states that the actual validity of elections are overwhelmingly secure, with fraudulent ballots in both the 2017 and 2019 general elections being below 0.001% of the overall ballots cast. So, why have this law? It seems to be following a conservative trend from the US, where claims of electoral fraud seem to stem more from sheltered individuals who presume there is a single ‘right’ way to vote and who don’t seem to realise how these laws affect those less fortunate than them. However, these laws also favour retirees, who have more time on their hands compared to their younger contemporaries with studies, careers and families to tend to. These older generations are more likely to vote conservative, whereas younger people, especially those who are starting their careers, are not as conservative yet don’t have as much time on their hands. So, what can be done? The easiest solution is to remove the requirement for photo ID, since it doesn’t actually do that much for how expensive it is (the government’s estimate is that it will cost an extra £180,000,000 a decade). Alternatively, if it is deemed necessary to maintain this requirement, we should implement practices to make it easier to obtain ID as well as get to the polling station. The EU, unlike the US and UK, provides a mandatory ID to all citizens, and doing the same would remove the economic barrier for many, and making polling days bank holidays would provide the busy with time to vote. However, until such changes are made, the best that can be done is to get a suitable ID as soon as possible, and if anything proves to be an obstacle to that, consult your friends, family and MP should it be sufficiently difficult. Democracy for All? A current pursuant of a PhD in Geoscience at the University of Aberdeen, Richard Austin, born in England and raised in Wrexham, Wales has been associated with the University for the past 8 years while simultaneously working in his capacity as a Royal Engineers Reservist. He exclaims that he is no stranger to running marathons, having raced at tracks in Balmoral and Bennachie on several instances. However, this occasion seems to be different as Richard exclaims that he has never “completed a marathon which makes this challenge even more difficult”. Richard, at the tender age of 27, having set a fundraising target of £2000 alongside his long-time friends Callum Davies and Finn Gibbens, is particularly elated to run a 46-mile ultramarathon across Wales, from the England/Wales border in Shropshire to Aberystwyth on the west coast of Wales, all in a single day, owing to its purpose. CALM (Campaign Against Living Miserably) aims to take a stand against suicide, ensuring support and services for suicide prevention and men suffering from mental health crises. Richard declares that he has “seen first-hand the debilitating effects that those suffering from mental health issues can face”. He appreciates how being active outdoors and engaging in physical activities “can alleviate some of those issues, or at least provide a short period of respite”. Despite being very involved in physical pursuits and challenging activities; he was waiting for the right time to run across Wales - the country he was raised in - for an honourable cause and is finally ready to grab this chance. “Our training is going very well”, says Richard, and “we will be more than prepared come the 25th of May”. The trio began preparing for the marathon since the beginning of the year, running at least 40 miles weekly, dividing their runs between relaxed runs and more intensive, lengthy weekend runs. They aim to increase their number to 50 miles by the end of their training to ensure maximum durability and acclimate themselves to intense activity. Richard immersed himself in running during lockdown, finding that it contributed positively to his own mental health. He says that he is sure that taking up at-home physical activities and benefitting from them “was the case for thousands across the UK and likely millions across the globe”. Adding to that, he further exclaims that he would “love to use this challenge as a platform to support the CALM charity and show others how transformative running, or just spending time outdoors, can be for your mental health.” He believes that his participation in the ultramarathon will “give my fellow students and peers the confidence and inspiration to challenge themselves with a run or even a walk outside.” Starting from the village of Anchor, the marathon will run across Wales from east to west in an almost straight line. The elevation of the route will be approximately 1700 metres. the same as one and a half Snowdon (Yr Wyddfa). ▶ To support the trio’s (Richard, Callum, and Finn) endeavour, visit their JustGiving page at: rb.gy/wjnif0. Aberdeen PhD Student to Run Ultramarathon for Men’s Mental Health How New Voter ID Laws Could Impact the Next General Election Geoscience Student to Run 46 Miles Across Wales to Raise Money for Suicide Prevention by Mustapha Chughtai by Frederica Allen ▲ PHOTOGRAPH: MIGUEL A AMUTIO VIA UNSPLASH

MON 13 MAY 2024 • VOL 90 NO 16 5 ▲ PHOTOGRAPH: MATHIAS REDING FROM PIXABAY J une 24th will mark the second anniversary since the court case Roe v. Wade was overturned. During this time, women in the United States have suffered at the hands of legislation that has changed reproductive healthcare in an unprecedented manner. The ruling overturned the ability to regulate abortion laws in each state, making the right to abortion no longer protected by the Constitution. Up until June 2022, the Roe v. Wade ruling, in most cases, guaranteed women the right to abortion up to 24 weeks. Now, the power rests with the states. Dissenting from this decision were the three outnumbered liberal Justices; who said that “young women today will come of age with fewer rights than their mothers and grandmothers.” The United States has seen a disruption in standard pregnancy care, with the US maternal mortality rate also worsening. Many state bans leave patients and doctors facing legal uncertainty, all the while there has been an increase in patients crossing state lines to access reproductive healthcare. According to the Guttmacher Institute, interstate travel has doubled since 2020. Research also shows disproportionate impacts of abortion restrictions on Black and Brown communities, people with low incomes, immigrants and people with disabilities. On April 9th 2024, the highest court in Arizona upheld a 160-year-old law that prohibits all abortion, except in circumstances where the person’s life is at risk, and makes no exceptions for rape or incest. “Physicians are now on notice that all abortions, except those necessary to save a woman’s life, are illegal,” said the Court in its 4-2 decision. Shortly after the decision was announced, Governor Katie Hobbs responded to the ruling by calling it a “dark day in Arizona.” President Joe Biden also released a statement calling the ban “cruel”, “extreme” and “dangerous”. The 1864 abortion ban was created before women had the right to vote and before Arizona was even a state, which raises questions over the constitutionality of the ruling. The law has a two-week stay while it is sent back to a lower court to hear additional arguments about its constitutionality. Extensive research carried out in Louisiana by various organisations including the Centre for Reproductive Rights, found that Louisiana’s abortion bans “disregard evidencebased public health guidance and degrade long-standing medical ethical standards.” Women have been denied treatment for miscarriages and ectopic pregnancies, and forced to wait until their lives are at risk. In one of the most extreme examples of how pregnancy care has changed, some women who experienced preterm ruptures of membranes early in pregnancy, before the foetus was viable, were forced to undergo Caesarean section surgeries to empty their uterus and avoid infection instead of receiving an abortion procedure or medication. “I want to emphasise that this is not what is in the best interest of the patient,” said a New Orleans OB-GYN anonymously “This is what is in the best interest of the physician in protecting themselves from criminal prosecution.” What Has the Overturning of Roe v. Wade Meant for Women in the United States? Since the invasion of Ukraine, conditions have changed in Europe, and much in Russia’s favour. In recent months, Ukraine has started to run out of artillery shells - an essential element of the country’s defence - with Russia firing five to ten times as many shells. Eric Schmitt, covering National Security at The New York Times said “That’s just not sustainable. Ukraine would eventually have to give up territory and pull back.” After months of stalling by far-right Republicans, the United States finally approved $61 billion in military aid for Ukraine. This package is considered by many to be a lifeline for Ukraine, with little hope that the country could survive without US assistance. The American funds will help Ukraine restock two things: artillery shells, which have previously stopped advancing armies, and anti-aircraft munitions. As the city of Avdiivka recently fell into Russian hands, Ukraine is likely to put it to work on the eastern front. Although this could halt any further gain from Russia, many analysts have expressed concern that an undersupplied Ukraine would struggle to defend the countryside around the major city of Kharkiv and its remaining territory along the Black Sea line. More territory has been captured and a larger offensive in spring or summer from Russia is expected. This begs the question; is it too little and too late? Ukraine would be facing almost certain defeat, experts say, had Biden’s funding package not gone through. Regarding European involvement, Kyiv has called on EU member states and their leaders to urgently donate air defence, as Ukraine remains overwhelmed. Europe does not lack air defences, with roughly one hundred air defence systems sitting in storage around the continent. So far, only Germany has agreed to hand one over. Russia has been exploiting this domestic dispute with the US and other European countries, capturing as much territory as possible, targeting cities, major power stations and vital civilian infrastructure. Their reach goes deeper into European politics itself, with the threat of Russian propaganda “pounding” in EU states. With European Parliament elections pending, and far-right parties such as FPÖ in Austria, and until February of this year, Viktor Orbán of Hungary, opposing extending military aid for Ukraine, the fate of the alliance is susceptible and not immune to this threat. French President Emmanuel Macron described the Russia-Ukraine war as a “principal danger for European security” and warned Europe needs stronger defence; “Our Europe can die” he said in a dire speech. He also called for more sanctions on Russian entities involved in trying to disrupt elections in EU member states, whilst calling on the continent to adopt a “credible” defence strategy that is less dependent on the US. Ultimately, the lack of urgency to support Ukraine is a failure to fully grasp that Ukraine’s struggle is existential, with the conflict having no end in sight. by Emily Reid by Emily Reid Two Years On: How This Landmark Ruling Has Changed Lives in the US Russia’s War Threatens Global Politics as Conflict Creates Uncertainty for the Future of Ukrainians A World Divided ▼ PHOTOGRAPH: HURRAH SUHAIL VIA PEXELS More territory has been captured and a larger offensive in spring or summer from Russia is expected.

6 MON 13 MAY 2024 • VOL 90 NO 16 Dubai, known for its stunning skyline, luxurious lifestyle, and innovative infrastructure, was rocked by an unprecedented natural disaster as a massive flood swept through the city. This unexpected event, which caught residents and authorities off guard, has left Dubai reeling as it grapples with the aftermath of the deluge. The flood, triggered by intense rainfall of a magnitude rarely seen in this desert city, inundated streets, submerged vehicles, and inundated homes and businesses. Images and videos shared on social media showed torrents of water gushing through the city’s iconic landmarks, including the towering Burj Khalifa and the bustling Dubai Mall, leaving residents shocked and stranded. Emergency services were quickly mobilized to respond to the crisis, but the scale of the flooding overwhelmed existing infrastructure and resources. Rescue teams worked tirelessly to evacuate stranded individuals, provide medical assistance, and restore essential services such as electricity and clean water. The flooding wreaked havoc on transportation networks, with roads rendered impassable and public transportation services disrupted. Dubai International Airport, one of the world’s busiest aviation hubs, was forced to suspend flights temporarily as runways became waterlogged, causing widespread travel disruptions and chaos for passengers. The economic impact of the flood is expected to be significant, with businesses facing damage to property, loss of inventory, and disruptions to operations. Small businesses, in particular, are likely to bear the brunt of the disaster, as they struggle to recover and rebuild in the aftermath of the deluge. In the face of adversity, the people of Dubai have demonstrated resilience and solidarity, coming together to support one another and aid in the recovery efforts. Volunteers have stepped up to assist emergency responders, providing food, shelter, and other forms of assistance to those affected by the flood. Authorities are now faced with the daunting task of assessing the damage, implementing measures to mitigate future flooding risks, and rebuilding Dubai stronger and more resilient than before. Urban planning and infrastructure development will need to be reevaluated to ensure that the city is better prepared to withstand extreme weather events in the future. The flood serves as a stark reminder of the urgent need for climate resilience and adaptation in the face of increasingly unpredictable and extreme weather patterns. While Dubai may be renowned for its ambition and innovation, it must also prioritize sustainability and environmental stewardship to safeguard its future against the growing threat of climate change. As the waters recede and Dubai begins the long process of recovery and reconstruction, one thing is clear: the spirit of resilience and determination that defines this city will prevail, guiding its journey towards a brighter and more sustainable future. Dubai Deluge: City Grapples with Unprecedented Flood Crisis Recent weeks have seen a notable surge in studentled protests across various universities in the United States, as demonstrators call for a ceasefire in Gaza and challenge U.S. foreign policy towards Israel. These protests have evolved from peaceful encampments to direct confrontations involving both protesters and counter-protesters. Several universities have dismantled tent protests either after clashes or when administrations have ceded to some of the demonstrators’ demands, though many protests persist. Demands and Drivers of the Protests The central demands from the protesters, who include students and faculty from diverse backgrounds including Jewish and Muslim faiths, focus on several key issues: calling for a permanent ceasefire in Gaza, an end to U.S. military assistance for Israel, divestment of university funds from arms suppliers and companies benefiting from the conflict, and demanding amnesty for those who have faced disciplinary actions due to their involvement in the protests. These demonstrations were largely triggered by an Israeli offensive in Gaza following a deadly attack by Hamas on October 7, which Israel states resulted in 1,200 casualties. Retaliatory actions have led to over 34,000 deaths, according to Gaza health authorities, fueling further outrage and activism on campuses. Composition and Conduct of the Protests Organized by groups such as Students for Justice in Palestine and Jewish Voice for Peace, the protests have included educational teachins, interfaith prayers, and musical performances to raise awareness and foster unity among protesters. While organizers have disavowed violence, some incidents of antisemitism and perceived threats have raised concerns among Jewish students about their safety on campuses. Counter-Protests and Responses Counter-protests have been predominantly orchestrated by Israeli American, Zionist groups, and other student bodies, highlighting a divided campus atmosphere on the issue. For instance, a significant rally organized by the Israeli American Council at UCLA and a confrontation at the University of California, Berkeley underscore the tense climate. Notably, external activists with no affiliations to the universities have also been involved, as seen at the University of Texas, Austin, where a large number of arrests included individuals unconnected to the university. Institutional and Authority Responses Universities and city leaders have varied in their approach to handling the protests. While some, like Columbia University, have resorted to police intervention to clear protests and camps citing security concerns, others like Northwestern University and Brown University have sought negotiations, leading to agreements to disband camps under certain conditions. Brown University, for example, has agreed to hold a vote on divestment issues, while Rutgers University plans to establish an Arab cultural center and consider a new Middle East studies department. Impact on Campus Life and Political Reactions The protests have significantly impacted campus operations, with some universities like Columbia switching to virtual classes and others, like the University of Southern California, altering major academic ceremonies. Political figures have also voiced their opinions, with President Joe Biden defending the right to protest peacefully and former President Donald Trump lauding the police actions as a stand against hatred. As tensions continue to simmer both on and off-campus, these protests highlight deeper national and international divides, prompting a broader reflection on U.S. policies and the role of academic institutions in political debates. Widespread Student Protests Across U.S. Campuses Spark Debate Over Gaza Conflict Emergency Response Efforts Underway as Residents Struggle to Recover from Devastating Natural Disaster by Nour Elshenawy From Artists’ Petitions to Political Appeals, the Debate over Israel’s Participation Reflects Broader Tensions Over its Policies and Actions in Gaza and the West Bank by Nour Elshenawy ▼ PHOTOGRAPH: MICHAEL FISCHER VIA PEXELS

MON 13 MAY 2024 • VOL 90 NO 16 7 The Murderbot Diaries Apple TV Show Many of us know the excitement tha Many of us know the excitement that comes with seeing one’s favourite piece of media adapted in a television show or movie. Many of us also know the crushing disappointment that comes with said adaptation turning out to be underwhelming or not faithful to the original story (I’m looking at you Percy Jackson movies and Avatar - The Last Airbender adaptations). It’s 2023 and my time has finally come: the Murderbot Diaries TV show is officially announced. I am elated, I am over the moon, I am looking up the cast and Murderbot is played by … it’s played by Alexander Skarsgård? For those of you who don’t know Murderbot, it is, in its own words, ‘a construct made of cloned human tissue, augments, anxiety, depression, and unfocused rage, a killing machine for whichever humans rented’ it (Fugitive Telemetry, 28). That is until it hacks its own governor module and has to contend with having free will, dealing with humans, and, reluctantly, saving them. Murderbot is also, as the pronouns I have used so far suggest, what can only be described as genderqueer in human terms. So to see a cis actor, who has been described as the ‘pinnacle of masculinity’ by some, cast in the role was, to say the least, fairly confusing. While Skarsgård has reportedly picked roles that challenge normative masculinity in the past, some critics have pointed out that an actor’s desire to explore gender roles does not override the need to cast genderqueer actors in genderqueer roles. Skarsgård may well be queer and simply chooses not to speak about his identity openly. However, there are many non-binary actors in Hollywood who are missing out on roles because they are open about their gender identities. It would have been great to support an actor who is openly genderqueer and who would be able to talk about the character’s gender and their own experience in interviews and press junkets for the show. For example, many readers fancast non-binary Latine actor Vico Ortiz who is best known for their role as Jim in Our Flag Means Death in the role of Murderbot. Murderbot is not only decidedly gender-nonconforming, but also canonically asexual and (probably) aromantic. The fact that Skarsgård is not, as far as we know, queer makes me worry that this aspect of Murderbot’s character will be forgotten too. All too often, characters who have no romantic or sexual involvements in the source material, are made to have them in adaptations, Master Chief from the Halo TV show being only the latest example in a long list. I can’t help but wonder if Skarsgård, who is also an executive producer on the show, was involved in the production first and campaigned to be cast in the lead role, or was cast first and then decided to produce the show too. Actors producing a project and casting themselves, even if they may not be the best people for the job, is definitely not unheard of. Skarsgård’s supposed cis- and straightness is not my only, or even biggest, qualm with the casting. While the character’s appearance remains mostly unknown to the reader, most other characters in the series are described or implied to be persons of colour. It seems icky to have the main character of the show, who regularly and spectacularly saves the other characters from danger, be one of the only white people in the show. In addition, I can’t help but notice that, though mostly people of colour, the rest of the cast appears to be mainly light-skinned. Hollywood’s tendency to perpetuate colourism is nothing new, but it’s particularly unsurprising when one looks into the production and creative team for the series. The producers of the show are, you guessed it, overwhelmingly white men. Chris and Paul Weitz, also both white men, are set to write and direct the show. The sibling duo is most known for their adaptation of Nick Hornby’s About a Boy. The book and movie have been criticised for their depiction of an autistic child as mere narrative foil to the central male protagonist. This is especially problematic in the context of the Murderbot Diaries show because Murderbot is coded as autistic in the book series. I don’t trust the creators of About a Boy to handle Murderbot’s neurodivergence with the care it deserves. On top of that, to circle back to Skarsgård, we don’t know if he is neurodivergent and would play an autistic character well. Many autistic self-advocates have noted that allistic actors have trouble portraying autistic characters with nuance, often forgetting that autistic people regularly mask their neurodivergent behaviour and rather just portraying said behaviour as they see it. As the cherry on top, Alex Skarsgård is also almost fifty years old and he is supposed to play a character that has self-regenerating, and thus mostly wrinkle-free, skin. To be honest, I could overlook this detail because it basically just boils down to ‘he doesn’t look like what I pictured Murderbot to look like’, if it weren’t for the plethora of other concerns I have. Some people may argue that since Murderbot’s appearance is never discussed, apart from the fact that it’s cloned, has a ‘standard, generic human’ head, and no reproductive organs, any actor or actress could play it (All systems Red, 21). While this is technically true, ‘standard, generic human’ should not mean defaulting to ciswhiteman. Apart from the many concerns I have over Skarsgård playing Murderbot, in 2023, casting a character with an unknown appearance should not result in casting a cis white man anymore. This casting decision and the creators chosen make me, and many other fans of the books, worry for the show. The series means a lot to readers who see themselves in Murderbot’s neurodivergence, gender queerness and asexuality and the creatives behind the show, as well as the casting of the lead role, do not spark hope that this is going to become one of those adaptations that does not result in crushing disappointment. ▶ Read this feature highlighting LGBTQ+ representation and media on our website at www.gaudie.co.uk. Casting the Unknown as a White Cis Man by Anonymous ▼ PHOTOGRAPH: GAGE SKIDMORE VIA FLICKR Hollywood’s tendency to perpetuate colourism is nothing new, but it’s particularly unsurprising when one looks into the production and creative team for the series. It would have been great to support an actor who is openly genderqueer and who would be able to talk about the character’s gender and their own experience in interviews and press junkets for the show.

8 MON 13 MAY 2024 • VOL 90 NO 16 I t’s Sunday evening, and I can’t sleep. After another week of doing precisely no revision, as my exams loom, I’m crippled with shame and anxiety. You see, my whole life I’ve been labelled as “capable but a bit lazy”. I was always the loud one whose school reports said I chatted too much and made careless errors. And like many young women growing up with undiagnosed ADHD, I had internalised these ideas about myself. That was until I met my friend Michalina in 2023. “Sorry I’m late, I have ADHD,” she said one day as she arrived late to meet me for a coffee. She shared stories about her struggles with organisation and forgetfulness… insert realisation here. After meeting Michalina, I spent weeks trawling the internet, consuming every piece of information I could find about the condition. On the one hand, I felt understood for the first time in my life, and yet in typical ADHD fashion I started to believe that I had made the whole thing up. You see, I am not a little boy who can’t sit still – I’m just a woman who accidentally wears slippers to work, always finishing everything at the last minute. Can I really be diagnosed with ADHD? As I learned what a ‘hyperfocus’ was, I realised just how I had made it to university, many a late night spent cramming during my time at college. When I read about ‘hyperfixation’, suddenly intense obsessions over the years began to make sense. From dedicating my teenage years to One Direction, to my lockdown Line of Duty obsession, so deep that I could re-enact all six series without the help of Arnott, Fleming and Hastings. When I discovered the “ADHD AF” podcast, recorded by two self-professed “late diagnosed ADHDers” the words of the former co-host Dawn Farmer resonated with me: “My whole life I felt that I was useless and incapable of finishing or becoming anything. I just felt like a useless adult that couldn’t do life.” When she spoke about how she needed “external motivation to do anything in life”, even things that she objectively wanted to do, I felt a mix of emotions. Relief, happiness, joy – and grief. I grieved the little girl who was misunderstood. I cried for the teenager whose inability to cope in a neurotypical world led to suicidal thoughts. But most of all, I felt empowered – and finally, I asked my GP for help. Look, I knew things wouldn’t be plain sailing – the NHS in crisis is not news – but I hoped to have a diagnosis before my final year arrives with the dreaded dissertation in tow. But will it happen any time soon? Probably not. You see, I’m one of 1038 people on the waiting list in Aberdeen City. When NHS Grampian responded to my recent FOI Request, I realised that my story was one of many. So, what’s going on? When I asked about the number of adult ADHD assessments carried out in Grampian between 2018 and 2023, I wasn’t expecting them to say none – and yet that’s the response I was given for Aberdeen City. Despite this, chiefs in Aberdeen City have “developed a dedicated service within existing resources” with 15 assessments carried out in the city between February and March 2024. A much bleaker picture emerges in the Shire and Moray. In Aberdeenshire I’m told that while assessments are yet to take place, patients are following various stages of a diagnosis “pathway”. In Moray, we’re told there is “no resource” to provide an ADHD assessment service. “Life is an insane struggle at times.” Those are the words of John MacInnes, a 41 year-old martial arts instructor from Moray. After struggling with depression for many years, John was given a working diagnosis of ADHD by his GP, but he was told he would have to wait 12-18 months to see a psychiatrist. He tells me candidly about the impact of his ADHD: “I always had a belief I could get better at life. Buy a notebook, diary and wall planner and I will be better prepared but now I know it’s a condition it’s like this is just how I am. Struggling through a neurotypical world. For example, when I became a dad life became massively overwhelming. I wasn’t coping and had some extremely dark thoughts.” John tells me something I’ve read on ADHD Facebook support groups: “I’d consider going private, but the cost is too much. A friend, who also had a late diagnosis, went private and said that the meds have changed his life. It’s not a cure but makes life way more bearable.” As I listen, John’s story resonates with my own: “To not be physically able to do things you want to do most of the time and just sit with constant racing thoughts is horrible.” “I get told I’m lazy.” Back in Aberdeen, 23-year-old theology student Nadine Leona, has been waiting more than two-and-a-half years to be assessed. Like John, she has a working diagnosis of the condition. I feel again like I am talking to myself as we chat: “Not having a diagnosis has proven to be really difficult. People don’t believe me and tell me I’m just looking for excuses. I get told I’m lazy and mistakes I make in my work are just down to laziness and not enough effort.” For international student Avika Bajaj, whose working diagnosis was given by a university educational psychologist, stories like ours have put her off diagnosis: “One of my closest friends is in a similar position to me with an informal diagnosis and has been stuck on the waitlist for over a year. She has disillusioned me from even attempting to be referred. Why put in my time or effort for a goal I am unlikely to achieve before I leave the country?” So what is the issue? These were four independent conversations, and yet we could all have been in the same room. Figures for Aberdeenshire show that we are not alone, with referrals for diagnosis soaring 570% from 65 in 2021 to 436 in 2022. When I asked Amelia about how important she feels ADHD diagnosis is for the NHS, she said: “I don’t believe it’s a priority at the moment, but not through fault of the NHS. It is not funded in any way that would allow them to keep up with the demand.” With only ‘one dedicated consultant psychiatrist actively assessing’ for ADHD across the whole NHS Grampian area, perhaps Amelia has hit the nail on the head. What did NHS Grampian have to say? An NHS Grampian spokesperson said: “Since waiting lists for adults specifically seeking an ADHD assessment were introduced, there has been huge additional demand on small, specialist teams. All referrals are assessed so that those who are most at risk - who have more than one medical condition, for example - can be given support as soon as possible. “Teams are doing everything they can to address waiting lists for ADHD assessments. In the meantime, we can offer support and would encourage anyone whose condition worsens and has concerns about their mental health to contact their GP.” NHS Grampian Struggling to Cope with Surge in Patients Seeking ADHD Diagnosis Long Wait Times and Gaps in Provisions are Leaving Thousands of Undiagnosed ADHDers in Limbo by Kirsten Koss ▼ PHOTOGRAPH: BORIS ŠTROMAR VIA PIXABAY

MON 13 MAY 2024 • VOL 90 NO 16 9 A 2022 Freedom of Information statement from the Metropolitan Police states that although trousers are more practical, women may still be “ordered” to wear skirts for formal ceremonies. The Police are supposed to be the epitome of practicality, and a lot of their decisions around the uniforms reflect this: for example, although ties are technically required, local management may alter this policy due to extreme heat or specific recommendations from occupational health (likely to do with safety). This makes sense, but the requirement for skirts in public-facing roles? Less so. What is the background of women in policing? According to the Friends of the Metropolitan Police Heritage Charity, the initial concept was introduced in 1883 in the form of the ‘female visitor’, who was appointed to visit female prisoners or women under supervision. The first Voluntary Women Patrols came about in 1914, however they were only admitted to the Police Federation in 1948 under the title WPC - Woman Police Officer. According to the Met Police’s website, this distinction was dropped in 1990. Since then women have been rising through the ranks, with the first female Commissioner appointed in 2017, though Dame Cressida resigned in 2022 following the murder of Sarah Everard. Admittedly, the uniform policy has improved as the apparent equality within the force has continued to grow: until the mid-70s, skirts were a requirement unless it was winter, or the officer in question was on a night shift. Thankfully, this rule has been relaxed significantly, however it’s difficult to find an explanation for the continuing requirement of skirts at formal events. Their continuation seems a shame, particularly considering the essential alterations that have already been made over the years. To take Greater Manchester Police as an example (the third-largest force in the UK in 2023), identical equipment and protection only came about in the 1990s with the introduction of utility belts. Until this, women were forced to carry their equipment in a policing handbag due to lack of pockets; and yes, this was actually a thing. So are skirts simply a retained tradition, or is there actually some basis to it? I would suggest that it’s the first one: compared to other professions like medicine, there is next to no information out there as to why the policy exists. In mention of medicine: who has heard of the Bare Below Elbows (BBE) policy? To put it simply, medical professionals are not allowed to wear anything below their elbows in an effort to reduce contamination and improve disease control. Though doubts as to BBE’s efficacy have been raised as early as 2010 in the Journal of Hospital Infection, there does at least appear to be some legitimate grounds to its creation, rather than simply relying upon tradition. But this goes beyond the Met: the RAF, Army and Navy all require skirts as a part of full dress. Again, this is no longer a requirement on the job, just for ceremonial or official purposes. In the Navy, even the denier of tights is prescribed at 15 or less under Section 3821 of the Dress Policy (effective since February 2019). I can look at a pair of 15 denier tights and they will ladder themselves: where is the sense in this? One thing I wonder is whether this is a sign of institutional biases that have yet to be let go. Within the Army for example, women were only allowed to be in front-line infantry and armoured corp roles after the ban instituted in the Sex Discrimination Act 1975 was finally lifted in 2014. Under the now revoked Section 85(4) (a), women could be legally excluded from combat based on their sex. To me this was bizarre considering the 1975 Act was supposed to put a stop to such practices. Are the skirts a reminder of times gone by where discrimination was more commonplace? Institutional biases, failures to tackle widespread problems, issues of corruption: it’s time to discuss the Baroness Casey Review. This was a report ordered in 2021 after the murder of Sarah Everard, and one of the many catalysts leading to the Commissioner’s resignation in 2022. The findings were shocking: the Met were described at one stage as an “old boys club” by a serving firearms officer. Not to surmise, but could this be part of the reason why the tradition hasn’t been dropped? This is an institution that appears to be stuck in the past, with ingrained attitudes that have allowed inequalities to remain, from basic things such as an outdated uniform policy, to far more serious issues of mistreatment and misogyny. Though the report acknowledges that things have improved (such as the apparent ceasing of “station stamping”, an absolutely appalling and degrading form of hazing female officers were previously subjected to), the overall culture is still in need of a major overhaul. This goes beyond the uniform, and speaks of institutional failures to preserve and promote equality in all aspects of the force. It may be wishful thinking, but small steps such as removing the skirt requirement may be a move in the right direction, as it would remove the overt distinction and make officers equal in all aspects of public-facing roles. Female officers would have autonomy, whilst still preserving the uniformity and formality expected within the force. So why are women still required to wear skirts in the Police? This seems to be an aspect of the uniform reminiscent of the past, with no clear reason behind its perpetuation. Having the choice to wear a skirt is one thing; being told you have to wear one to comply with official standards is another. It will be interesting to see if this policy will remain in the future, particularly after the Baroness Casey Review and subsequent promises of reform, or if this aspect of the Police will continue to cling onto the past, and skirt equality indefinitely. Institutional biases, failures to tackle widespread problems, issues of corruption: it’s time to discuss the Baroness Casey Review Why are Women Still Required to Wear Skirts in the Police? by Durga Sharma PHOTOGRAPH: OLHA BIRIEVA VIA UNSPLASH ▲ Skirting Equality

10 MON 13 MAY 2024 • VOL 90 NO 16 Over the Easter break, I visited Dublin for a few days, and quickly noticed that Irish Gaelic was everywhere. More importantly, it was put first. Prioritised over English; every signpost, bus stop, museum - you name it. Irish Gaelic was there. The Gaelic Language Act (Scotland) was enacted in 2005 and no major changes have been made since. The act vows to command “equal respect” of Scottish Gaelic and English. Really, any respect for the language would be a push forward - I think we’re yet to even attempt to tackle the ‘equal’ part of the phrase’s promise. Whilst Gaelic does appear on some road signs and railway networks around Scotland, it doesn’t feature on the majority, and it certainly doesn’t precede English. In the last few weeks, it was announced that the University of Aberdeen would no longer be funding the position of ‘Gaelic Development Officer’. As an ancient university with a Gaelic Language Plan, this decision is disappointing. Sadly, it’s unsurprising that more hasn’t been done to keep the language alive on campus. Since Aberdeen welcomes such a high number of international students, it would be nice to see Gaelic promoted to this diverse audience to gain more respect for the language internationally, not just at home. But why bother saving a language that barely anyone speaks? Firstly, this common misconception is not true – the Scottish Social Attitudes Survey (SSAS) has seen the number of Gaelic-speaking Scots (whether fluent or simply learning a few words) double in the last decade. That’s 30% of Scots who now know at least a little Gaelic. Even more encouragingly, 79% of Scots feel that Gaelic is important to Scotland’s heritage, and 65% would like to improve their Gaelic speaking. It’s hard to argue with promising figures like these, but, if you’re still not convinced, perhaps a history lesson is in order. Gaelic is one of the oldest languages in Europe, over 1,000 years older than English. Scots Gaelic originated from Irish Gaelic around the 4th century and was Scotland’s majority language, until the mid 14th century. In the 17th century, the first schools were constructed in the Highlands, bearing a strict Englishonly policy. Gaelic was forbidden - not only in the classroom, but across school grounds throughout the 18th century. Those who wished for a modern education had to sacrifice their mother tongue. During the Highland Clearances, native folks were relocated to make room for a more profitable business – sheep. By the time Scotland’s first ever census was conducted in 1881, only a mere 6% of the population could speak Gaelic. Meanwhile, in Ireland, their native language was banned in any areas under English rule. This included in all legal systems, which meant that Irish people were excluded from court, and unable to give their own defence. The Statutes of Kilkenny (1367) made it illegal for an English person to speak the Irish language, marry an Irish native, or even have an Irish name. The Welsh faced similar prosecution as their language was banned in court proceedings and government office in the year 1536. The very fact that any number of Gaelic speakers prevailed is simply remarkable - and this sacrifice must be honoured. Gaelic is worth saving in my eyes, but if we don’t do something about it soon, the language could very well disappear forever. And, though the SSAS does show hope in recent years, there is still significant room for improvement. However, the huge responsibility of preserving the language does not rely on universities alone. There is so much more that could – and rightfully should - be done to protect the native language of this land outwith the Scottish educational sphere. One of the biggest difficulties of increasing Gaelic use in Scotland is that if even people like me, someone born and raised in the West of Scotland, learned to speak Gaelic fluently, the opportunities to speak the language in my everyday life would be very hard to come by. In fact, I do not know a single person who speaks Gaelic that I could converse with. The closest I ever came to knowing someone fluent was when my siblings were taught Gaelic briefly in primary school. I doubt that they remember any of it now. The most contact I’ve ever had with Gaelic was during a childhood holiday to the Outer Hebrides. It was the first time I’d ever seen my name on any of the touristy you get in gift shops; Eilidh across rulers, magnets, pencil cases, bookmarks. The signs said ‘Failte gu’ instead of ‘Welcome to’. The concentration of fluent Gaelic speakers was much higher than on the mainland, and most of the locals speak to each other in Gaelic (particularly older folk in Barra), reserving English for us. Theoretically, in areas like these, the population of Gaelic speakers would remain constant, but this is unfortunately not the case. Young people from the islands are migrating to the mainland more frequently and island populations are decreasing as a result. Thus, the opportunity for young Gaelic speakers to exercise their skills continue to decline. Gaelic, therefore, becomes reserved for the home and rarely appears in social life. Gaelic isn’t just a language, but a rich culture of long-standing tradition. Scotland is a nation of its own culturally, regardless of where you stand on the independence debate. Ceilidhs, Celtic music, shinty and tartan are just part of the host of cultural traditions that wouldn’t have existed without Gaels. More recently, BBC Alba and Celtic Connections contribute to keeping the momentum going, driving optional initiatives. Competing with hundreds of Englishspeaking radio stations and concerts available, I’m not sure this sufficiently incentivises 5 million Scots to suddenly download Duolingo. After all, Scottish culture is more diverse than the Gaelic language, and a variety of dialects exist across such a small nation, from Doric here in the Northeast to the Shetland dialect up North or Scots down South. Celebrate everything in this melting pot is important, but I would love to see more opportunities for Scots to engage with Gaelic all over the country If the Gaelic language disappears, it’s not just the language we’ll miss out on – but the loss of the rich culture that comes with it. We need to fight to preserve our language and tradition. There is so much beauty in Scotland, and subsequently in Gaelic, and it would be a tragedy to let it vanish into thin air. Scotland would never have been what it is today without Gaelic, and I don’t know about you - I’m not ready to say goodbye to it yet. The very fact that any number of Gaelic speakers prevailed is simply remarkable – and this sacrifice must be honoured We need to fight to preserve our language and tradition. ▼ PHOTOGRAPH: WENDER JUNIOR SOUZA VIEIRA VIA PEXELS Thinking About Gaelic (In English) Are We Saying Goodbye Too Soon? by Eilidh McCartney

arts culture fashion lifestyle food i gaming V technology Tortured Poet’s Department Review Mounthoolin Rouge Review Which Fallout game is right for you? Arts p.2-3 Arts p.6 Gaming & Tech p.10

p. 2 ARTS ([email protected]) Head Editors Xandra Button Emma Chen Deputy Editors Ella Haig Autumn Antonson Theo Pieczka LIFE AND STYLE ([email protected]) Head Editor Nikola Dejko GAMING AND TECH ([email protected]) Head Editor Samer Fakhri PRODUCTION ([email protected]) Head of News Miles Rothoerl Head of iV Grace Taylor Kayleigh Weideman Kirsty Gardiner Mindi Premarathne Nikola Dejko Isabelle Hampton-Zabotti COVER Noemi Gottmann iV On the 19th of April, Taylor Swift – worldwide star, Time magazine person of the year, and often described as simply “the music industry”– released her 11th studio album, eloquently titled “The Tortured Poets Department”. Previously announced at this year’s Grammy awards, swifties, haters (gonna hate, hate, hate) and critics awaited the release date with apprehension and excitement. Originally announced to be a 16-track album, Taylor made sure to keep her fans on their toes with a double album drop two hours after the album’s original set. Taylor, famous for her easter eggs, left a litany of clues sprinkled throughout her social media and public appearances, holding up two fingers and posting a similar emoji to hint at her double release. This doubler managed to keep leaks at bay, as no one can expose an album they don’t know exists yet - which has always been an obstacle for Taylor in the run up to new music. Now, Swifties and critics alike have been gifted 31 tracks to decode, unpack and appreciate. It is widely speculated that, in an unexpected U-turn, Taylor’s album refers more to her whirlwind romance with the 1975’s frontman - Matty Healy – than her 2023 breakup with long-term boyfriend Joe Alwyn. For months, it was unclear whether Swift and Healy were truly dating, or just pulling a well-planned publicity stunt to promote both artists’ respective tours. However, The Tortured Poet’s Department seems to have cleared up these rumours, illuminating the reasons for her split with Alwyn and her fling with Healy. Taylor writes with the passion and fervour that only a tortured poet could muster. Her relentless flow of ink crafts a vivid collection of prose that illustrates a treacherous journey through the dissolution of a long-term relationship, the loss of a future once envisioned, and the uncertainty of what may lie ahead. Her constant references to marriage and children serve as poignant reminders of the life stage she likely assumed she would be in by now— a common expectation after an almost seven-year romance. However, as fun as it may be to analyse each song for a potential culprit, fans frequently succumb to the temptation of combing through Swift’s lyrics as if they are seeking a paternal identity, attempting to pinpoint a father for each song and determine the man who inspired her writing. This habit represents a critical misunderstanding of Swift’s artistry and diminishes her autonomy over her own music. It’s unnecessary to attribute a male muse to each melody; doing so often obscures the true meaning behind her poetry and prevents her music’s nuances and depth from being fully appreciated. This narrative falls into a media trap that portrays Taylor as the man-eating, serial monogamist— a stereotype perpetuated by Amelia Boag McGlynn THE TORTURED POETS DEPARTMENT: Summertime is always the best of what might be A REVIEW With love, Team iV

p. 3 arts| music by enduring misogyny. The truth is, Taylor is far more insightful than this limited view and is worth much more than the reductive label of songwriting she is often forced into. She writes about her parents’ divorce, the sale of her masters, her mother’s cancer, the loss of a friend to suicide. Her music transcends the men who are merely footnotes in the story of her life. Through her lyrics, Taylor conveys a portrait of someone who has been repeatedly misunderstood and misrepresented. Despite the bravado, there’s an undercurrent of vulnerability and defiance—a declaration that while the world has tried to define her, she remains in control of her own narrative. This reveals a Swift who is acutely aware of how public perception has impacted her, yet refuses to be victimised by it, instead turning her trials into a source of strength. The record, which has already reached 1 billion Spotify streams – and in the fastest ever time – is far from free of the critics. Listeners took to social media to express their dismay at the number of tracks, saying there were too many to get through and they were too wordy to understand. Many devout Swifties even called out the album on X, with many not fully coming round to the album’s persuasion until a few days of listening time had passed. It’s now widely acknowledged that American Football star Travis Kelce and Taylor Swift are in a relationship. Taylor’s subtle references to their budding romance suggest a newfound hopefulness for her future, a sentiment that contrasts with the overarching themes of loss and uncertainty in the rest of her album. This glimmer of optimism offers a comforting prospect for the future of Taylor’s happiness. Unlike some fans who speculate wildly, I’d never claim to know exactly how this gifted songwriter truly feels; however, Taylor’s writing is honest and raw, indicating that Kelce may have brought a carefree and public spiritedness to her life that we haven’t seen since before the 2016 feud with Kanye West and Kim Kardashian, which catalysed her album “Reputation.” Taylor paints the picture of a fun and fresh love affair, filled with high hopes but grounded by past lessons. It’s refreshing and hopeful, depicting a relationship that seems to promise better treatment than the disappointments brought by previous romances. Whilst her dedication to writing is appreciated, 31 songs is a lot to get through and can appear daunting. For fans who don’t have the easter egg background and updated Swift lore, the songs can lose their true meaning that Swift seems to intend. However, perhaps this album is an ode to the fans - it’s for those who understand her complicated history and convoluted folklore. Bar Folklore and Evermore, The Tortured Poets Department is sonically and lyrically Taylor Swift’s most impressive album to date. It is here that the sheer volume of raw emotion becomes almost tangible, with the deepest, darkest secrets from her diaries not just whispered but screamed aloud. This album is her magnum opus, weaving together the lyrical prowess of “Folklore,” the pulsing synths of “Midnights,” and the raw emotion of “Red.” In this work, Taylor returns with a bite, signalling to us that this intense era, a brief but profound downward spiral, is now behind her. TTPD is a testament to her enduring strength as an artist, showcasing her ability to evolve and transcend the narratives imposed on her, while inviting listeners to explore the depths of her true artistic expression. Image by Brett Jordan via Flickr

p. 4 arts| music L isa Frankenstein was released in theatres this year around Valentine’s Day and was received as underwhelming by most critics with a rotten tomatoes score of only 51%. Perhaps its marketing, which centred mostly on the romantic aspects of the horror comedy, is the reason for the relatively un-enthusiastic reception. The movie was written by Diablo Cody, who also wrote Jennifer’s Body (2009), and is no stranger to marketing’s influence on the success or failure of a film - upon its release many viewers were disappointed by Jennifer’s Body which had been marketed as a sexy summer movie but has since become a feminist cult classic. Cody’s vision is clear to see in the feminist undertones of the story: the movie has been called a ‘coming of rage’ story, and portrays some enjoyable ‘good for her’ scenes such as Lisa’s assaulter losing his hand (and then his life). The dynamic between the main character and her step sister is also slightly reminiscent of the dynamic between Needy and Jennifer, where one of the girls is very traditionally girly and the other is not but neither is demonised for their expressions of femininity (although literally possessed by a demon in Jennifer’s case). Kathryn Newton, who plays the wacky main character, didn’t hold back in her performance and instead fully leaned into the wackiness of the role which was an absolute joy to behold. Newton is known from other campy comedy horror movies such as Freaky (2020), and more recently, Abigail (2024). The movie itself sets up its campy atmosphere perfectly with its colourful 80s costumes and production design. Lisa Frankenstein’s ‘monster’ gets a campy twist as well, as it is progressively revived by a tanning bed. Cole Sprouse’s ‘monster’ offers a queer reading of its ‘coming of age’ as a transmasculine character who gets a makeover and, as the culmination of Lisa’s efforts, gender reassignment surgery (i.e. a dick). While the movie has a slightly slow start and much of its humour relies on disgusting bodily fluids, reminiscent of such shows as Santa Clarita Diet (2017), the longer it keeps going, the sillier and funnier it gets. Peppered with nods to other iconic horror classics such as The Rocky Horror Picture Show, and Tim Burtonesque animations, the latter half of the movie becomes a thoroughly enjoyable, camp joyride. Some of the jokes had the whole audience in my viewing laughing out loud because of the impeccable comedic timing and line delivery. I am certain that much like Jennifer’s Body, Lisa Frankenstein will become a Halloween staple, that, if not universally beloved, will become iconic to a niche audience. by Anonymous Photos via UPI media the main character and her step sister is also slightly reminiscent of the as Abigail ( up its campy atmosphere perfectly with its colourful 80s costumes and 2024 | REVIEW

p. 5 arts| prints At the top of Union Street, in Castlegate, there’s spot wedged between an Italian and Thai restaurant. This is The Worm, the gallery space of Peacock, Aberdeen’s open access independent studio. Created in 1974, the studio has been home to thousands of local and international artists, from printmaking, to video work, and even public installations. Since its conception, Peacock’s role is to “activate spaces where artists and citizens are, prompted by artworks to congregate around ideas and practices that interrupt everyday routines.” My everyday routine certainly shifted one day, as my friend and I bumped into Neil Corral, Peacock’s marketing manager and print technician, who caught us peeking into the gallery. After kindly giving us a tour of the studio, we were invited to come along to the opening evening for Sadie Main’s contribution to the New Aberdeen Bestiary, The Unicorn. Her work is the 7th instalment to the Bestiary, which was a 3-year project that invited artists from across the globe to re-imagine the Aberdeen Bestiary—a 12th century compendium and historical artefact that features beautiful illustrations and descriptions of animals, real or imagined, and often possessing an allegorical nature. Sadie’s contribution was a revisiting of the Unicorn, one of the most magical creatures in the bestiary and Scotland’s national animal. Having been fortunate enough to speak with Sadie on the night, I learnt about her journey into art, which was far from conventional. Sadie, now 64, became an artist in her late 20s. She had been living in a women’s hostel, and a previously homeless member from the Aberdeen Cyrenians Workshop was looking for people to get involved with their projects. Sadie took the opportunity, and she told me, “I just always liked art. I live in this country, and I couldn’t read and write good, and I have a learning disability.” For Sadie, art was the mode in which she could express herself and represent the world as she sees it. Animals often feature in her art, though she tells me that mythical creatures are new for her, but that didn’t deter her, “Anytime I get the chance, I’ll give it a bash”. Her prints reflect her enthusiasm, with her drawings conveying a childlike innocence in awe of magic. At the same time, the gold and black contrast in her print “Royal Unicorn and Friend” hints at a mature perspective that comes from experience. Speaking later to the Peacock’s Director and creator, Nuno Sacramento, I learned that Sadie is one of many artists who call Peacock their home, and whose perspectives exist outside of the mainstream. For example, the first artist for the Bestiary was Julio Jara, a performance artist from Madrid and another, Pedro G. Romero, had an instalment which paid tribute to the Gypsy, Traveller, and Roma communities in Scotland. Each artist brought a unique aspect of their worldview to their work, culminating in the New Aberdeen Bestiary and producing a tapestry of vivid experiences. Peacock and the worm will be celebrating this accomplishment in November 2024 at the Aberdeen Art Gallery, which will also mark their 50th birthday. In Conversation with: Sadie Main, The Unicorn A close look at the latest instalment of the The New Aberdeen Bestiary by Isabelle Hampton-Zabotti Ian Cridland via Peacock

p. 6 Photography by Hannah Cook arts| theatre Last week, I had the pleasure of attending the closing night performance of this year’s Student Show, Mounthoolin Rouge!. A delightful parody of Moulin Rouge, the story revolves around the fight to rescue a nightclub on Mounthooly Roundabout from closure. The lovestruck Gregor McEwan (Sam Allan) takes the lead, devising a plan to save the club while simultaneously vying for the affection of Fiteen (Megan Cruickshank). Despite being a pillar of the Aberdeen theatre scene, this was my first Student Show. I must admit I was a bit apprehensive about what an amateur production could deliver, especially with the four-week turnaround in rehearsals. However, I was in for a pleasant surprise. Mounthoolin Rouge was a joyous display of young talent, which left me with a smile on my face. Famous tunes were replaced with versions that intertwined with the local storyline, taking us to familiar locations like in the number ‘Shopping on George Street’. The clever use of local references, such as the inclusion of Aberdeen landmarks like Thain’s Bakery or the Aberdeen Art Gallery, not only added an extra layer of enjoyment for the audience but created a sense of familiarity for the local community. The vibrant set design helped to bring to life the Mounhoolin Rouge club on stage. Despite Elon Monymusk (Andrew Stuart) being presented as the bad guy trying to buy the club for his elaborate plans, the true villain of the show was none other than the Aberdeen City Council. The show was jampacked with jibes at the council, each one hitting the mark and eliciting laughter from the audience, confirming everyone’s shared annoyance over the Granite City’s problems. The most entertaining scene had to be ‘The Cooncil Arrives!’, in which a councilwoman comes to tell the club it’s taking back the Christmas Market decorations. A fabulous ensemble number ‘Fighting Through Song and Dance’, to the backing track of ‘Bad Romance’ by Lady Gaga, without a step out of place. A brilliant and well-thought out script, sprinkled with Doric to provide a hilarious and entertaining narrative. A special recognition of my favourite performances. Logan Mckerron as Harold Seaguller, who embodied the character with vibrance and charisma, and Grace McKinley as I.D. Minn, who’s comedic timing had the audience in stitches. Though I won’t be a resident for much longer, this love letter to the Granite City made me proud to call Aberdeen my home for the last four years. The finale number, Aiberdeen, with lyrics ‘Aiberdeen How I Love You, You are My Heart My Hame’, evoked a sense of pride and appreciation for the city, for both myself and the other audience members. For me, this show was bittersweet. The show’s portrayal of Aberdeen’s unique charm and its ability to unite the audience in a shared love for the city was truly moving. As I look back fondly on my time in Aberdeen, I realise that it will always hold a place in my heart despite its flaws. A huge congratulations to the production team, cast, and crew who put on a tremendously successful run at His Majesty’s Theatre and raised lots of money for their chosen charities. by Grace Taylor MOUNTHOOLIN ROUGE!

p. 7 GET INVOLV ED The Gaudie has been a part of student life at Aberdeen since 1934, and is one of the oldest independent student newspapers in Scotland Contact us! Email: [email protected] Website: www.gaudie.co.uk Instagram + Twitter: @thegaudie Facebook: Gaudie Student Newspaper

p. 8 arts| film by Theo Pieczka-Garner Contains Mild Spoilers for Heartbreak High Seasons 1 & 2 When I first sat down to watch season one of Heartbreak High (a soft reboot of the 1994 Australian series of the same name) back in September 2022, I couldn’t make it further than the second episode. Try as I might, I simply couldn’t get past the incessant teenage stupidity and angst. I felt truly, for the first time, like I was just too old to be watching a show. I was disappointed by this realisation, as I knew there was a prominent autistic character named Quinni, played by Chloé Hayden. As an autistic person, I wanted to see how it was handled. It is so rare that autistic characters, especially female ones, are portrayed in media—and even rarer that they are played by an autistic actor. I had heard good things, and desperately wanted to support the show to prove that such storylines are important and valuable. However, it turns out there was another reason that I was initially unable to finish the first season. I had seen clips online of Quinni’s storyline, particularly episode six, in which she has an argument on the bus with her then-girlfriend Sasha (played by Gemma Chua-Tran). Over the course of the episode, Sasha grows increasingly frustrated with Quinni’s need to stick to a strict schedule and expresses (quite rudely, in my opinion) her firm disinterest in the book launch they attend together—part of Quinni’s special interest in the fictitious Angeline of the Underworld book series. This culminates in a scene in which Sasha stresses how hard it is to be in a relationship with Quinni, and ends with the cutting blow: “Don’t pull the f*cking autism card on me right now.” This scene was incredibly painful to watch, as it is a sentiment which is all too familiar for so many autistic people, including me. The first few times the clip came up on my TikTok, I had to scroll away. I knew what was coming, and I couldn’t face it. After the highly anticipated release of the second season on April 11th, though, I wanted to try again. This time, I readied myself for the second-hand stress of watching teenagers be, well, teenagers. I found myself actually getting absorbed in the story. I was delighted to find not only an apt (and at times, upsettingly honest) portrayal of what it is like to be an autistic teenager, but also the best and most nuanced depiction of asexuality that I have ever seen on TV. Ca$h (played by Will McDonald) is an “eshay”, the Australian equivalent to the derogatory Scottish term “ned”, who is asexual and struggling to distance himself from his difficult past. When Ca$h falls in love with Darren (played by James Majoos), nonbinary icon and best friend to Quinni, the two must figure out how to navigate a relationship where one person experiences a lot of sexual desire and the other doesn’t. Although it is hard to watch Darren initially misunderstand and negate Ca$h’s asexuality as something he can “get over” or something they can solve by taking a vow of celibacy, this is part of something really interesting that Heartbreak High does. This show doesn’t baby its audience. It allows us to experience harsh reality and nuance, without telling us how to feel about it. We see autistic joy in Quinni, but also rage. In season two, when Darren tells Quinni the world can’t always “play by her rules”, she stops trying to mask her autism and people react badly to her. While this is troubling, and I do wish Darren’s thoughtless comments had been addressed rather than brushed over, it is ultimately a heartbreakingly (pun intended) accurate depiction of being autistic. I recommend watching Heartbreak High if you can handle the teenage melodrama, and I hope to see a third season greenlit. Hopefully, it’s one in which Quinni’s unmasking journey can be explored further. A nuanced yet occasionally troubling depiction of autistic rage and asexuality AUTISTIC AND LGBTQIA+ REP IN NETFLIX’S HEARTBREAK HIGH

p. 9 As part of their The Seven Decades tour, the eclectic Jethro Tull are set to perform at the Aberdeen Music Hall on the 29th of April. Admittedly, this means that this will be rather late news to any readers of this article, considering that this edition will have been released after this date. Nevertheless, I felt it was fitting to review one of my favourite of their albums, in light of the event. Released in 2001, as the name suggests The Very Best of Jethro Tull serves to provide just that; a compilation of some of their best work, spanning what was already, at the time, a career over thirty years in the making. Some of their most popular songs, such a s ‘Aq u a l u n g ’ and ‘Locomotive Breath’, naturally make an appearance here, however there are also some lesser-known pieces to be discovered as well. The tracks were selected by the band’s frontman, Ian Anderson, who served as producer for the album, and approved of any necessary edits to songs that might have been overlong, such is the nature of progrock. One track o n t h e compilation, the beautifully wistful ‘Thick as a Brick’, was cut down from its original mammoth forty-four-minute runtime to just three minutes long here (although the full version is still well worth listening to). The album begins with the single ‘Living in the Past’, opening with a nimble bassline followed shortly by Anderson’s signature flute playing, an unconventional choice for rock and roll that would come to set him and his band firmly apart from their contemporaries. He uses this instrument to particular effect in his own rendition of Bach’s ‘Bourée’, imparting a sly, creeping swing into the piece before launching into a furious groove a quarter of the way through. The compilation does not run chronologically to the group’s discography, but nonetheless maintains an excellent flow, with no tracks feeling awkwardly or unfittingly placed. As such, the band’s wide breadth of stylistic influences is put on full display, floating from folk-driven pieces such as ‘The Witches Promise’, which wouldn’t feel out of place heard playing from the corner of a medieval tavern, to the distinctively 80s, synthesizer-driven ‘Broadsword’. Both long-time fans as well as newcomers to Tull’s music will likely find plenty to enjoy here, regardless of their pre-existing tastes. Although unconventional, Jethro Tull’s musicality seems undeniable after listening to this excellent compilation for the first time, spanning a number of styles, genres, and themes. As someone who was initially sceptical about whether the band would be for my taste, I can now attest that this album is a must-listen for anyone looking to broaden their listening horizons, and I look forward to seeing how they hold up live at the end of the month. by James Wilson Image sergey_kandakov via Freepik arts|album JETHRO TULL ALBUM REVIEW In honour of the legendary prog-rock bands’ arrival in Aberdeen, this monthly album review focuses on a collection of some of the group’s greatest tracks

p. 10 gaming & tech| games J ust finished the new TV show on Amazon Prime Fallout and want to play the games but have no idea on where to start or what to play? Hopefully this guide can iron out which games might be for you and what Fallout order to play them if you really want to be getting the full picture of our favourite post-apocalyptic wastelands. So grab your Nukacola and make sure your pip-boy is strapped on tightly, as we go through the various Fallout you can acquaint yourself with! games There are a grand total of nine main-line games you can indulge yourself with, eight of them being on modern consoles and PC and one being on mobile devices. Furthermore there are thirteen major expansions that are spread across the more modern games; Fallout 3, Fallout New Vegas Fallout 4 , and . Bethesda have also announced ‘next-gen’ updates to Fallout 4 recently to make the games available on current-gen consoles, in which we’ll likely see new content and a few hidden Easter eggs! If you’re completely new to the series and are afraid to dive into some of the franchise’s older titles, Fallout 4 is arguably the best place to start, it’s the most recent instalment into the franchise and has the most modern feel to it with gameplay, worldbuilding, and mechanics. Furthermore it’s still the most accessible for modern consoles with it being on every current gen console, including the Nintendo switch! Fear not about about the story, every title takes a new narrative and a new story so you don’t need any pre-requisite games to enjoy Fallout 4 to its fullest, although at times their might be small references, Easter eggs, and lore that relate to events or people that are in previous games but they won’t confuse you! 3 and Fallout Fallout New Vegas strong places to start if you want are also to play a more linear story and don’t necessarily like Fallout 4’ open world! s On the other hand, are you already a Fallout fan or are you wanting to really get stuck into the events that take place after the nuclear war. If so this is how you want to be playing the games in order: (1) Fallout 76, (2) Fallout, (3) Fallout Tactics, Fallout 2 (4) , (5) Fallout 3 3’s expansions, (7) , (6) Fallout Vegas Fallout New , (8) Fallout New Vegas expansions, (9) ’s Fallout 4, lastly (10) and Fallout 4’s expansions. Following this order it’ll take you from 25 years after the nuclear war with Fallout 76 wastelands 200 years later. to seeing the The two games that have been removed from the timeline are Fallout Shelter, the mobile game, as it has accurate descriptions of the vaults but canonically doesn’t fit into the lore of the console games with characters that only appear hundreds of years after the games showing up. Furthermore, the second game to be taken off the list is Fallout: Brotherhood of Steel, in which Bethesda have actively said takes place in its own chronology separate from the games. Which game is right for you? Just finished the TV show and ready to play the games? by Samer Fakhri Background: Photo by Jade via Pexels Images courtesy of Bethesda

MON 13 MAY 2024 • VOL 90 NO 16 11 I n Scotland, Shetland’s SaxaVord’s Spaceport (co-owned by Frank and Debbie Strang) is on a venture to launch the UK’s first vertical rocket into orbit. On Sunday, December 17th, the Civil Aviation Authority (CAA) approved and licensed the spaceport for orbital launches. Thirty rockets are allowed to launch per year, which will carry satellites and other machinery into space. On receiving this honour, Mr Strang said, “Our team is very proud that the government has entrusted us with operating a complex, multi-disciplinary and multi-launch spaceport, and we all take this responsibility very seriously.” A German rocket firm called Hylmpulse has received 3.4 million pounds from the UK Space Agency to fund hybrid propulsion rocket testing at SaxaVord later in the year and plans to start with sub-orbital launches, in other words, launches that won’t reach outer space as they’re not going to be travelling that high altitude. Full launches might begin in 2025. Rocket Factory Augsburg (RFA), another German rocket manufacturer, will plan their launches, as will Skyrora, a UK-based company, and Lockheed Martin/ABL Space Systems, with the official UK Government Pathfinder launch. Already, about seven operators are looking to launch their rockets into orbit from a UK spaceport, but they all require a license from the Civil Aviation Authority. “The entire team cannot wait to welcome Rocket Factory Augsburg and work closely as we edge closer to the UK’s first vertical space launch in Unst.” - Frank Strang on RFA. Space Voyaging reports that RFA might launch an orbital mission from Shetland this August. They further add that their RFA One rocket would be able to deliver a 1300kg payload, which could, for example, contain scientific instruments and communication equipment that is needed for the mission, into an orbit around the Earth. Alan Thompson, Skyrora’s Head of Government Affairs, suggests that Skyrora might give RFA a little competition in the race and be the first to launch a mission at SaxaVord in the summer. This is a historic feat, with UK transport Secretary Mark Harper saying the CAA’s announcement will increase Shetland’s economy and “put the United Kingdom at the forefront of spaceflight innovation.” It’s important to note that SaxaVord has progressed faster because it was largely privately funded. CEO Frank Strang has raised up to 40 million pounds in private investments. The UK government’s additional support would boost the spaceport’s progress so it’s ready for its first-ever orbital launch from UK and European ground later this year. Scottish Business News points out that this accomplishment would also lead to the UK becoming a major provider of commercial small satellite launches in Europe by 2030. The imminent launch of the UK’s first vertical rocket from SaxaVord Spaceport in Shetland represents a ground-breaking achievement for the UK’s aerospace. It will pave the way for more launches and more technological advancements. Together with international and local collaborative efforts, the United Kingdom has a chance to become one of the biggest providers of space launch services in Europe. Hussein Julood is attempting to take legal action against BP for the death of his 21-year-old son, Ali, who died of Acute Lymphoblastic Leukaemia. Julood’s case rests on the belief that his son’s leukaemia was caused by dangerous chemicals which were released into the air as a result of the flaring practices in the nearby Rumaila oilfield in Iraq. Julood’s ultimate goal is to be compensated for the “moral loss” of his son (and the expensive treatments that had to be endured) while advocating for the end of flaring in Rumaila, so other families do not have to suffer. Prior to this case, there have been multiple attempts to raise awareness of the danger of flaring practices in Rumaila. Julood had previously tried to raise his concerns directly to BP at the 2023 AGM, where he was met with a neutral and somewhat ambiguous response: “We continue to engage with the local community representatives as you would expect… ROO (Rumaila Operating Organisation) is prioritising social welfare and fund support for community health initiatives.” Furthermore, in 2022, the BBC carried out an investigation into the effects of flaring practices in Rumaila, culminating in a number of articles, as well as, a documentary entitled Under Poisoned Skies. The investigation found that Rumaila had one of the highest documented levels of flaring in the world, and as a result, the air in the surrounding area was found to have higher levels of benzene and other carcinogens. Therefore, as a result of the flaring, residents in these communities are at a higher risk of leukaemia. Yet, BP’s stance on the Rumaila oilfield requires some deciphering. Their press statements in 2022 and 2023 responding to the BBC investigation, and the section of their website detailing their involvement in Rumaila, present very different perspectives on the extent of BP’s involvement in the operation of the oilfield. From their original press statement provided to the BBC in response to allegations, they stated: “As we have stated before, BP is not and has never been the operator of the Rumaila field…Nevertheless, we continue to actively support the lead contractor – Basra Energy Company Limited (BECL) – in its work to help the operator of the field, the Rumaila Operating Organisation (ROO), to reduce its flaring and emissions.” Their website, however, states: “In June 2010, the Rumaila Operating Organisation (ROO) was formed as an unincorporated joint venture between these organisations, with the remit to operate and redevelop the field, with BP as the lead contractor.” This seems to be a direct contradiction from BP in which they claim themselves as being the lead contractor until they are challenged, at which point they push responsibility onto a different organisation (one to which they are still involved in providing operational support). These statements - all taken from BP’s official website - make their official stance on the Rumaila oilfield at best complicated and at worst a hypocritical contradiction, perhaps with the aim of protecting themselves from accountability. It is clear that the flaring practices taking place in oilfields are having a significant impact on the communities that surround it, with Hussein Julood’s story being but one of many tragic realities facing families. We are optimistic that this legal case will clarify BP’s stance on the issues surrounding the Rumaila oil fields by forcing them to be held accountable for their involvement in flaring operations, regardless of the scale of the involvement they are trying to suggest. Julood’s case represents just one of many tragic realities that exist for families living near the oilfield. Hopefully, this action will lead to justice for those most affected in Rumaila by finally illuminating and addressing their significant health and safety concerns. The Tragic Reality of Flaring Practices in Oilfields: A Father’s Fight for Justice UK’s First Shot Into Orbit Is Shetland’s New Spaceport Pushing Us To the Front Of European Aerospace Advancements? by Simra Ahmad by Kayleigh Weideman Will Oil Giant BP Finally Be Held Accountable For Their Involvement In Dangerous Flaring Practices? ▼ PHOTOGRAPH: LATITUDE TEST ZONE AT SAXAVORD SPACEPORT VIA WIKIMEDIA COMMONS “In June 2010, the Rumaila Operating Organisation (ROO) was formed as an unincorporated joint venture between these organisations. Our team is very proud that the government has entrusted us with operating a complex, multi-disciplinary and multi-launch spaceport, and we all take this responsibility very seriously ▲ RUMILA OIL FIELD / PHOTOGRAPH: BY JOSEPH RUSSO VIA PEXELS

12 MON 13 MAY 2024 • VOL 90 NO 16 Checkmate? No Thanks Mate! We would like to interrupt our running story on ‘Rishi Sunak told me to stop being lazy and just get a job despite living on the streets for 6 years- I’m not happy about it!’ as we have been approached by our rapidly rising in fame entertainment channel- ‘Chess 4 U’ (now available on all streaming platforms) with urgent new advancements. It has been announced by the Super Clever Chess Federation (SCCF) at 2am this morning that they have now introduced a rule which they think will revolutionise the Chess universe. This rule is called ‘Le Mouvement Muet’, and essentially means not making a move at all! Throw your opponent off their game by the simple decision of refusing to play your turn, mute your reaction if you like, and just see the drama that ensues. After many years of trial and error (we are told) this has proved to work most efficiently- it has been confirmed that it all boils down to reverse psychology. We are now going to speak to Official Psychologist (trained by www.who-wantsto- be-apyschologist-in-2-days.org.uk) Wayne Kerr for his scientific thoughts and explanation. “Chess is ultimately a mind game, so why not play the mind! Uncertainty and unpredictability are what draws a person in and throws them off the game- especially with the mute move. Something to do with the hypothalamus and the kidney. Trust me, I am a very official psychologist, it’s all about them organs.” Of course, as Mr Kerr is indeed a qualified psychologist from a secure website, SCFF required no other scientific references before invoking their new mute rule. The current Supreme Grandmaster, Mikolav Ronan was kind enough to offer us a statement after much convincing (and a free subscription to Bikers Weekly). “I mean, I do not know what you people want me to say. The Mute Move or the silly French way to say it, has changed my life. Earned me my title even. If my opponent plays a move I do not like, for example that silly Nimzowitsch-Larsen attack, I just don’t retaliate! Simple as. I have never lost a chess game since gaining this mindset. If I decide not to move then my opponent will, how you Brits say, freak out and then overthink their move and existence until everything falls into my favour. Sounds like today’s dating culture I cannot lie haha! Too inappropriate? Ah sorry sorry, chess champion you see- the social skills department lacks slightly…” As a weather channel, we are not fully clear on the rules of chess nor if simply not choosing to play would help the victory of the Mute Move enforcer but who are we to judge really. We never talk about the weather here. There has been some backlash against SCCF’s new introduction, we have now discovered, from the mother of Ronan. We have just received a call from her detailing the admonishment she has from the chess name being blemished. Let’s play it through now. “I’ve just heard my son commenting on this нелепый (ridiculous) rule on being mute in chess. That is not how you play this game; all those years I have spent drumming these tactics within Mikolav to win chess games on pure merit down the drain! This psychological manipulation warfare nonsense is not chess, and I simply won’t stand for it. I-“ Mikolav Ronan’s mother has been disconnected from the call due to wildly unforeseen and unexpected circumstances beyond our control. Sadly we cannot seem to continue to listen to her many views on this matter. A real shame. SCCF’s decision to invoke this new move is certainly a very interesting one, especially the psychological implications. We are now looking forward to the flurry of messages on improved chess games as this rule stays around for longer. Now back to Rishi, he is such a cu- oh wait the weather! Simply Play In Your Mind DISCLAIMER ▶ All opinions expressed in the satire section are written primarily for the sake of comical value and therefore do not necessarily represent the honest views held by the author, The Gaudie, AUSA, or any company which advertises in The Gaudie. by Khreshnee Thayabaran Severe Consequences for Being Mean to Elon Musk From the makers of the Cyber Truck, comes the all new Tesla Gun: Friend Edition. This first of its kind self defence weapon will only allow users to pull the trigger if an enemy of Elon Musk is detected. To be safe, the gun has a setting to detect friendship. According to Tesla, friends include anyone who has praised Musk in the last three months, bought the cyber truck, has a shrine to Musk in their home, or giggles and twirls their hair while thinking about him. Enemies include those who still call X “Twitter,” have criticised Musk in the past five years, or anyone who wouldn’t buy a Tesla if given the opportunity. A source close to Musk tells us, “Teslas are the best cars ever and anyone who doesn’t want one is a loser anyway.” If no enemy is found, a screen will pop up on the gun that reads “friend detected.” However, users have been getting occasional errors in this system, causing the screen to read out “bootlicker detected” instead. This error should be fixed shortly according to Tesla, though no timeline has been given. The gun has a unique design, with a trigger that retracts into the grip for a more sleek look. In addition to friend detection, the touch screen also includes the ability to play music so users can feel as if they are main characters in a movie. Critics of the weapon have noted that there is no safety mechanism on the gun. This is clearly an oversight on Musk’s part, though he has not admitted to it, stating “main characters and friends of mine don’t need safety.” It will not be fixed. Some might be wondering why Elon Musk feels the need to have this “anti-meanie gun,” as those on X have started calling it. What many don’t realise is as a genius, billionaire, and ladies man, he has many haters. It can be lonely at the top and even the most perfect men in the world need a shoulder to cry on. The Tesla Gun: Friend Edition is set to officially be on the market by June 2024, but new gun prototypes are already in the works. This Includes the anti-poverty edition, which will help to eradicate poverty around the world. It will only allow users to shoot those who make under a million pounds a year. The invention of the Tesla Gun marks an exciting new endeavour for Elon Musk into the world of self defence weapons. In the future, these weapons may be integrated into Tesla cars and even into SpaceX. In Musk’s hands, self defence weapons will take on a whole new life and will propel us into the future – as long as you’re his friend. Tesla Invents Gun That Only Shoots Those Who Won’t Be Elon Musk’s Friend by Marlee Silverman ▲ PHOTOGRAPH: PIXABAY VIA PIXABAY EMOTDNIKEB▼ PHOTOGRAPH: JENSENARTOFFICIAL VIA PIXABAY

MON 13 MAY 2024 • VOL 90 NO 16 13 Luke Littler took back-to-back wins in the PDC Premier League after he saw off challenges from Nathan Aspinall, Michael van Gerwen, and Rob Cross to take the crown in Aberdeen. However, the headlines had started before a dart was even thrown, with Gerwyn Price withdrawing from the competition with a back injury, allowing world number 1 Luke Humphries a bye into the semi-finals. The night began in the quarter finals as home hero Peter Wright took on Michael Smith, who remains in the hunt for a playoff spot. Despite sitting rock bottom of the league with just four points to his name, Peter Wright came out fighting, taking a 3-2 lead as he was roared on by the Scottish crowd. But after a shaky start, Michael Smith found his feet and delivered a composed performance to defeat the Scotsman 5-3 and advance to the semifinals. Next up was Nathan Aspinall against league leader Luke Littler who was fresh off a European tour win in Austria at the weekend. Aspinall came out of the gates well with Luke matching him but not showing the quality we have become so accustomed to from the 17-year-old. As the game sat at 5-5 both players missed a match dart before Littler sealed it with double 10 to book his place in the Semi-final. Finally, it was the turn of Michael Van Gerwen and Rob Cross with the latter having the chance to get three wins in a row against ‘Mighty Mike’ for the first time ever. Similar to the first two quarter finals of the evening it was a tense affair with both players really putting on a show, Cross hitting an 11 darter and Van Gerwen missing several huge checkouts. In the end it was Cross that got the better of the Dutchman who has become prone to inconsistent performances of late, as he looks to hold onto his playoff place. As the semi-finals got underway Luke Littler seemed to hit his stride against Michael Smith following a nervy quarter final. The teenager swept Smith aside with three 180s and an average of 110 with a reflective 6-1 score line. This victory also ensured Littler’s place in the playoffs at the end of the month, as his dream debut in the Premier League season shows no signs of ending anytime soon. The other semi-final however, provided the fans with a little more drama. Cross took a 3-1 as Humphries struggled, reflected by his visibly negative attitude on stage. Yet, the world champion persevered and clawed the game back to level terms at 5-5, but it was Cross who would prevail winning the game by one set and setting up a rematch of the final in Liverpool just a week earlier. In a night that was full of tense games with great darts, the final did not disappoint. Both Littler and Cross played their best darts of the night with a total of ten 180s and the lead changing hands four times. But it was Luke Littler’s night as he finished in style almost completing a nine darter before sealing the deal with a double 10. Littler’s win takes him eight points clear at the top of the table, into the playoffs, and equals the most consecutive wins in this competition. Overall, a good night of darts for teenage sensation. Speaking to media following his win Litter claimed “I’m playing my best darts at the moment and just really enjoying it” adding that he is “not feeling the pressure” of the capacity crowds he continually delivers in front of. Littler Shines in the Granite City Last month, Sweden took on European Champions England at a packed Wembley Stadium as a part of the Euro 2025 Qualifiers. Before kick-off, Manager Sarina Wiegman was asked how England was going to stop Sweden, to which she responded, “How are they going to stop us?” The Lionesses had met Sweden during the semifinals of Euro 2022, where they won 4-0. 63,238 fans attended the match, which started with early danger for England. For the first few minutes, Sweden attacked the Lionesses’ backline, looking for the opening goal. A direct ball from Sweden’s Angeldal of Manchester City to Blackstenius, of Arsenal, allowed her to attempt a shot. Lotte Wubben-Moy blocks it and ends up in the hands of goalkeeper Mary Earps. Grace Clinton has a positive impact on the game despite only having played two friendlies for England thus far. Fifteen minutes in and England start to come alive. Lauren Hemp and Lauren James pose a threat, but Sweden manage to snuff out the danger. England Captain Keira Walsh gives the ball away in midfield and Sweden runs with it. Fridolina Rolfo has sight of a goal opportunity and hits a low shot. A decent effort, but one that Earps has covered. Twenty-four minutes in and England opens the scoring against Sweden. Stunning footwork from James sent the ball through from the right to Alessia Russo, who fired England ahead with a diving header. Despite a shaky start from the Lionesses, they had the all-important lead. After the goal, England can enjoy some possession and force Sweden to push forward. Despite the away side playing a positive 45 minutes of football, they trail at the break. Sweden come out for the second half reinvigorated. The Blågult are tactical, attacking with precision when they get the ball. England struggle to cope with the Swedish forwards, as they push for an equaliser. While Sweden is on their front foot again, England’s Ella Toone prepares to come on, and Clinton is removed from her impressive Wembley debut. At 60 minutes in, given the performance of Sweden so far, it was surprising to many that they had not yet scored. Seb Hutchinson, the ITV commentator says that Sweden has had five efforts on goal but none on target. Yet, two minutes later, Fridolina Rolfo equalises for Sweden with a headed finish, after England failed to clear their lines. At the same time, Beth Mead prepares to enter the game. For the last remaining minutes, Sweden’s defence struggles, and England miss an opportunity to score. Three minutes is added at FT. Mead and Kelly attempt to score, but GK Jennifer Faulk stops them, ending the match. “It was a tough game, against a very good opponent”, Wiegman admitted. England & Sweden Draw at Euro 2025 Qualifiers Luke Littler secures Premier League playoffs after emphatic win in Aberdeen The Two Top-Ranking Teams Leave Wembley at 1-1 by James Kinnaird by Emily Reid ▲ PHOTOGRAPH: TAYLOR LANNING VIA PDC DARTS “I’m playing my best darts at the moment and just really enjoying it” It was a tough game, against a very good opponent.

14 MON 13 MAY 2024 • VOL 90 NO 16 WORDLADDER TERM OVER Across 1. The flower of several trees of genus Prunus, particularly the Japanese cherry, celebrated for its beauty in spring (6,7). 5. The transfer of pollen from the male reproductive organs to the female reproductive organs in plants, crucial for springtime growth (11). 6. The emergence of a new plant from a seed or bud (6). 10. The colorful atmospheric phenomenon caused by charged particles from the sun (6). 11. A plant that lives for more than two years, typically flowering each spring (9). 13. Flowers that bloom in spring, often signaling the end of winter (7). 15. The sweet liquid produced by flowers, attracting pollinators like bees and butterflies (6). 19. The time when the sun crosses the celestial equator, marking the beginning of spring (7). 20. The process of regrowth and rejuvenation (7). GAUDIECROSSWORD Across 1. Fermentation 3. Docufiction 4. Pea 6. Psychology 7. Fission 10. Kiwi 11. Na 14. Rosebud 16. Brasilia 17. Rome 18. Barometer MILDSUDOKU FIENDISHSUDOKU WORDLADDER SLOW SLOT SOOT SOON DOON DOWN PUZZLESSOLUTIONS Transform the starting word into the ending word by changing one letter at a time, creating a chain of valid English words in between. Complete the grid, so each row, column and 3-by-3 box (in bold borders) contains every digit 1 through 9. Looking for answers? Make sure to pick up the next edition of The Gaudie for the solutions to the crossword, as well as all the other puzzles on this page. FIENDISHSUDOKU MILDSUDOKU Crossword Clues Down 2. A single drop of rain (8). 3. The direct rays of the sun (8). 4. The seasonal movement of animals from one region to another (9). 7. A bulbous plant of the amaryllis family, with bright yellow flowers (8). 8. Lush foliage and vegetation (8). 9. A common phrase referring to the frequent rain showers in Spring (5,7). 12. A genus of flowering plants in the olive family, known for its bright yellow flowers in early spring (9). 14. The melting of ice and snow as temperatures rise (4). 16. A small, early-flowering plant often seen in spring, known for its colorful blossoms (6). 17. Pertaining to birds (5). 18. A bulbous spring-flowering plant of the lily family, with brightly colored cup-shaped flowers (5). Down 2. Astronomy 5. Amnesia 6. Pineapple 7. Fungi 8. Sonar 9. Kilometre 12. Blueberry 13. Centaur 15. Tiger