MY BIMICAA

Politeknik METrO No. A- 2 Sri Dagangan 11 Darul Makmur, 5, Jalan Tun Ismail, 25000 Kuantan, Pahang
09 - 565 9000

A. MALAY B. CHINESE

HISTORY OF HISTORY OF

- MALAY TRADITIONAL ATTIRE - CHINESE TRADITIONAL ATTIRE

CHARACTERISTICS OF CHARACTERISTICS OF

M - BAJU MELAYU - SAMFOO
Y - BAJU KURUNG - CHEONGSAM
B TYPES OF
I - BAJU MELAYU TELUK BELANGA TYPES OF
M - BAJU KEBAYA
- HANFU

I HISTORY OF

C - INDIAN TRADITIONAL ATTIRE

A CHARACTERISTICS OF
A C. INDIAN
- DHOTI
- SAREE

TYPES OF

- SHERWANI
- RAJASTHANI

D. (JAKUN) ABOROGINE PEOPLE E. BABA NYONYA

M HISTORY OF HISTORY OF

Y - JAKUN ATTIRE - BABA NYONYA TRADITIONAL ATTIRE

B CHARACTERISTICS OF CHARACTERISTICS OF
I - JAKUN ATTIRE
- KEBAYA NYONYA

M

I

C G. IBAN (SARAWAK)
A F. KADAZAN (SABAH)

A

HISTORY OF HISTORY OF

- KADAZAN (SABAH) TRADITIONAL - IBAN (SARAWAK) TRADITIONAL
ATTIRE ATTIRE

A. MALAY

HISTORY OF TRADITIONAL ATTIRE

Before the advent of Islam, Hindu-Buddhist influence is still strong on the community.
The locals at that time, wore very simple clothes. They only cover in certain parts of the body.
The men only use 2 pieces of cloth, namely the cloth on the head which is tied briefly and the
sarong cloth is twisted or the sarong cloth is made into a loincloth. Such clothing is suitable and
comfortable to wear in hot tropical weather. The women, on thYeouorthTeexr thaHnedre, use only 3 pieces of
cloth, namely sarong cloth, kemban cloth and shawl cloth. The difference between the aristocratic
women and the people is that the aristocracy uses expensive and beautiful fabrics and wears golden
jewelry. It can be seen the social gap that exists from the way society dresses, since before the

advent of Islam.

A. MALAY

HISTORY OF TRADITIONAL ATTIRE

The influence of Islam around the seventh century which brought by Arab
traders through trading activities, indirectly influence the design of the traditional Malay clothing in

stages. From the seventh to the 13th century, was a long period of transition and adaptation.
Although Islam has spread in the Malay world, but Hindu-Buddhist influence is still strong. In terms

of clothing, locals began to dress modestly by covering their bYooudrieTsexwtitHhesrheirts. The women and
men wore short tunic -shaped shirts made of green cotton with the bottom wrapped in silk sari.

It was not until the 13th century that the influence of Islam showed its effects. Islam began to be
appreciated by the local community. The dress of the local community began to be influenced by the

dress of the Arabs such as the wearing of robes.

A. MALAY

HISTORY OF TRADITIONAL ATTIRE

The evolution of traditional Malay clothes also happened in the days of Western colonialism
in Southeast Asia. Malay costume designer began to assimilate the characteristics of the West is
considered appropriate to traditional Malay clothing. Clothing for men, in the British colonial era was, like
a collared long -sleeved shirt with a sarong or coat, vest, trousers and side cloths. For the kings, they
wore gold or metal-lined coats that fastened the open shirt at the front, English-fashioned long trousers
and swords. Some even wear chain clock decorations. For womeYnou, reTsepxetciHaellryethe aristocracy, the baju
kurung is still kept in a long and loose form. This baju kurung is worn with a ‘wave wave’ tie fabric. In
addition to baju kurung, there is also a 'baju labuh' that is split in front. For the courtiers or aristocrats, the

use of accessories such as brooches was often matched to their attire.

There are various types of traditional Malay clothes that have evolved. This traditional dress
fashion was worn by the courtiers or the aristocracy and later became followed by the common people. F
inally, the traditional Malay costume design between the ruling class and the people is very similar, just

the type of fabric and accessories used differently.

BAJU MELAYU BAJU KURUNG

CHARACTERISTICS OF :

BAJU MELAYU BAJU KURUNG

Traditional attire for men is the baju Before the 20th century, Malay
Melayu. Baju Melayu is the shirt worn with loose women wearing only a cloth kemban only. After
pants. This dress is usually matched with a side the advent of Islam, they began to wear polite
cloth that is tied at the waist and crocheted. Baju baju kurung. Baju kurung is commonly known
Melayu for Malaysians divided into two pieces as a long loose shirt, sometimes up to the knee
and matched with a long fabric that folds at the
baju Melayu and baju Melayu Teluk Belanga . edges. The shirt covers the entire body, showing
The cut refers to the way the seam is sewn on only the face and hands, seen as complying with
Islamic dress rules. Baju kurung can be matched
the neck of the shirt. Baju Melayu Teluk with traditional fabrics such as songket or batik.
Belanga is usually known in southern Malaysia. Paired with a shawl or head scarf. Baju kurung is
The Teluk Belanga cut of the neck cut is sewn in suitable to be worn in formal occasions or daily

embroidery. How to wear baju Melayu Teluk affairs.
Belanga usually worn on the side of the shirt.

BAJU MELAYU BAJU KEBAYA
TELUK BELANGA

TYPES OF :

BAJU MELAYU TELUK BELANGA

Baju melayu Teluk Belanga is usually known in southern Johor state of Malaysia.
While Cekak Musang known in the central and northern Malaysia. The cut refers to the way the
seam is sewn on the neck of the shirt, for example the Cekak Musang cut is shaped like the neck
of an Indian shirt where the cover or button house is overlapped. While the teluk belanga cut is

the neck part is only sewn in the same embroidery as the neck of the baju kurung.

Baju melayu sewn in two ways berpesak or create modern pieces, which are also
called Chinese slice. The sleeves are connected to the body of the shirt, that is, directly
connected or sewn to other parts called pesak and kekek. Normally Malay clothes stitched using

cotton fabrics, satin fabric or any mixture of comfortable wear.

How to wear Malay clothes is also a slight variation of a complete application.
Baju melayu bay for pans, look more handsome when worn clothes peg bay itself is outside the
side (the side part appeared only). While the fox shirt is more suitable to be styled when the shirt i

s worn on the side (the side looks full).

TYPES OF :

BAJU KEBAYA

Baju kebaya has two versions, namely baju kebaya labuh and baju kebaya pendek. The long -
sleeved kebaya is slightly reduced to follow the wearer's body shape. The sarong cloth is tied in a bud tie, t
he head of the cloth is wrapped around the front. This kebaya is worn with floral buttons or brooches that a

re separated or chained. The short kebaya shirt, on the other hand, has been modified to look more
attractive by having berbiku embroidery on the ends of the sleeves and on the edges of the cleavage and

at the corners of the shirt.

Modern kebaya worn Malays have begun before the Second World War. Although the baju
kebaya modern, but the characteristics of kemelayuannya still there because it was worn with fabric
clothes. This modern kebaya shirt is a tight short kebaya shirt and is matched with a wiron tie fabric. This
shirt reveals the neck and chest and zips at the back of the body. The most commonly used fabric is loose
batik fabric that is wrapped according to the shape of the body. The root end of the fabric at the front is

fastened like a fan.

Today, kebaya shirts are also matched with pants. The pants will be narrowed slightly at the
ankles. This is to allow the wearer to move freely.

B. CHINESE

HISTORY OF TRADITIONAL ATTIRE

The history of Chinese presence begins with the
development of Malacca as a trading center, followed by Penang and

Kuala Lumpur. Their presence brings together traditional customs,
cultures and traditional dress patterns that are thenYoaudraTpetxetdHtoertehe local at

mosphere.

The original chinese classic breeze, fiber with gold and silk
embroidery, can now be seen as modified by time and fit. Meanwhile,
jubah labuh, Samfoo, Hanfu and Cheongsam remain in the ceremony or

celebration.

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SAMFOO CHEONGSAM

CHARACTERISTICS OF : CHEONGSAM

SAMFOO Cheongsam or also called Qipao is a
women's clothing with the pattern of the
Samfoo means ‘shirt and pants’ in the
Cantonese dialect. It is the daily dress of women of Tiong Hwa people. The name
Chinese descent apart from 'cheong sam'. It is favored "Cheongsam" means "long dress",
by middle-aged women and those who work on farms, translated into English from the dialect of
mines or at home. Samfoo is made of a thin fabric that Guangdong Province (Canton) in China.
Cheongsam is a special dress of the
is not patterned or finely floral. Chinese community that is attached to the
body so as to highlight the body shape of
Samfoo is also worn by men of Chinese the wearer. Traditional Cheongsam make e
descent but has a slight difference with samfoo worn xtensive use of satin or silk materials with
by Chinese women. This outfit consists of a loose shirt special patterns. Some of the motifs
and torn in front and high collar and baggy pants worn commonly used for cheongsam are
flowers, birds, dragons and so on.
with trousers like Baju Melayu. These dresses are
usually made of soft fabrics such as silk fabrics. This

traditional dress is rarely worn by men of Chinese
descent in Malaysia.

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HANFU

TYPES OF :

HANFU

Han Chinese clothing, or Hanfu (Busana of the Han people) refers to pre-17th
century traditional Chinese clothing Han, dominant from the Chinese ethnic group.
Many traditional costumes from Asian countries, such as Scorpio in Japan, along with traditional
Korean Hanbok and Vietnamese Ao Dai, come from Hanfu and have the same style as Hanfu.
In contrast to China, Japan and Korea traditional clothing has been preserved for centuries,

and is close to the special features of pre-Manchu clothing, Hanfu clothing.

Hanfu has shaped the traditional costume style of many Asian countries. Some
countries such as Vietnam, good or followers of the country or under Chinese occupation
before 1884, have traditionally been the same as Hanfu. Other Asian countries' traditional
costumes, such as Japanese Kimono and Korean Hanbok, have some differences from Hanfu.C

ompared to Japanese Kimono, traditional Korean clothing is much more like Hanfu. All
traditional costumes from Asian countries are influenced by Hanfu, the Japanese Kimono that
is the most distinctive of the original. However, all of the above-mentioned traditional societies

inherit the uniqueness of the Hanfu Youren Style and wide arms.

C. INDIAN

HISTORY OF TRADITIONAL ATTIRE

The word sari is derived from the Prakrit word ‘Sattika’ as expressed in early Jain and Buddhist
religious literature. The history of Indian dress traces the sari back to the Indus Valley civilization that
flourished in 2800 BC to 1800 BC around the western part of India. Although times are changing, but sari is s
till the choice of Indians today. The wearing of sari has been made a heritage throughout the ages, which
other communities are also attracted to the uniqueness of sari. Therefore, it is a loss for us to know the sari o

nly by looking at the shape and color but not understanding its origin.

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Sari and Hinduism are closely related. It is believed that non -sewn fabrics such as sari and dhoti
are sacred garments for Hindus. This is because in the past, sari was only worn during religious ceremonies.

Still, the sari has become a daily dress for Indian women especially during festive seasons and certain
occasions. Although the sari is not sewn, the sari is able to show the elegance of a woman who wears it.
The uniqueness of this heritage is still maintained by the use of fabrics that have not been sewn until now.
The legacy of wearing the sari has influenced other legacies. In the use of sari, additional jewelry is worn by
the wearer to look more prominent. Among the jewelry items worn with the sari are rings, buns and dokoh.

C. INDIAN

HISTORY OF TRADITIONAL ATTIRE

However, due to the arrival of the Indus civilization came
earlier to the archipelago, Chinese civilization and Islamic civilization
in particular absorbed a lot of culture from the Indus civilization. For
example, the use of a rocking bun that is worn when wearing a sari is
also worn by the Chinese. In addition, Indians also wear dokoh which
replaces the garland of tassels that are commonYlyowuroTrnexwt hHeenredancing

Indian dances by wearing a sari. The Malays in the past have in
common culturally with the Indians because they also practice the
custom of wearing a pendant that point. The heritage of wearing the
sari is not only worn by the Indians, but it has indirectly influenced the
culture of other races. This proves that sari is a legacy throughout the

ages that is still and will continue to last.

DHOTI SAREE

CHARACTERISTICS OF :

DHOTI SAREE

Dhoti is a dress for men. This dress is made of Saree is the best known traditional Indian dress.
white cloth. Most dhoti can only be seen on the Saree measures 4-8 meters long and about 0.6-1.2
meters wide. Underwear worn under a sari with choli,
wedding day only because today’s younger a tight blouse exposed at the waist, sleeveless or
generation is not interested in the dress.
sleeveless, pair or contrast. The entire sari is
Dhoti is made of a long sheet of white cloth. The wrapped around the body, reaching only at the
cloth is wrapped around the waist and tied at the central level, with the ends having embroidery or
groin and then slung over the shoulder. Then the prints covering the left shoulder. The width of the sari
fabric is decorated with small beads to make it reaches from the waist to the floor and is tied neatly
at the waist using a cigar string. The color of the
look attractive. There are also dhoti that are inner fabric should match as much as possible with
pale yellow or milky yellow. This dress is widely the base color of the sari. It serves as a support

worn by the ceti group. garment to help the sari stay in place.

SHERWANI RAJASTHANI

TYPES OF :

SHERWANI

Sherwani is a traditional dress of Muslim nobles from India and
neighboring Pakistan that has evolved over time into contemporary
clothing. In the country of origin, this traditional jacket is often used

as a symbol of luxury and social strata.

Sherwani is generally made in large sizes below the knee, with
detailed motifs and gives a very luxurious impression. With luxurious f
eatures, this dress is very suitable to be worn in formal events such a

s weddings, banquets and parties.

TYPES OF :

RAJASTHANI

Rajasthani is a traditional Indian dress that bears a resemblance to the sari
only there are slight differences in certain parts. The dress commonly worn
by women in Rajasthan and surrounding districts is generally composed of

three parts, namely women’s blouses, wide skirts and dupatta.

As part of the traditional Indian dress worn at every event or in daily
activities dupatta itself is commonly used to cover the face. The way it is
worn is that the side ends of the dupatta are tucked into the back skirt and

pulled towards the chest and dropped onto the side shoulders.

D. (JAKUN) ABOROGINE PEOPLE
HISTORY OF TRADITIONAL ATTIRE

The indigenous people of Jakun are rich
in unique and unique cultures. Indigenous peoples who
usually live in the forests of Malaysia, wYeoaurr cTeloxthHinegremade
from natural materials such as the skin bark and grass
skirts. The jewelry they wear includes a head covering

made of leaves woven with various patterns.

JAKUN ATTIRE

CHARACTERISTICS OF :
JAKUN

The Aborigine people, who usually live in
forest areas in Malaysia, wear clothes made from
natural materials such as tree bark and grass skirts.

The ornaments worn by them include
headbands made of leaves woven in various patterns.

E. BABA NYONYA

HISTORY OF TRADITIONAL ATTIRE

Baju Kebaya Nyonya is a traditional dress of the Malaysian people, especially the
Baba-Nyonya group in the past. They are a people who exist among the Chinese in Malaya,
especially in the Straits of Malacca, Penang and Singapore. In the heyday of Melaka, it was also

the heyday of the Chinese Peranakan. This is because a group of Chinese traders who
combines Chinese and Malay influences into their culture and lifestyle. It is this culture that gave

birth to the kebaya. Although the Nyonya Kebaya is only uYsoeudr bTeyxttheHeCrehinese Peranakan
moment ago, but now has been used by the Malays themselves because this is not something
that is foreign to the Malays. Basically, the lady's kebaya was created by the Peranakan people
from Melaka, some time ago after migrating. Mostly, This shirt is worn with a batik sarong or

songket. According to historical facts, Chinese peranakan women have been wearing the
nyonya kebaya as a daily garment as early as the 1930s. Therefore, kebaya nyonya
complements the appearance of Chinese women.

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KEBAYA NYONYA

CHARACTERISTICS OF :

KEBAYA NYONYA

Nyonya Melaka's clothes are kebaya and batik sarong. Mrs clothing similar to Malay
traditional costume, which is made up of baju kebaya (long shirt and batik sarong) and 3
brooches and dress the Baba also is Samfoo. Samfoo is made of Chinese satin fabric. The
method of manufacture is through weaving. Usually the weaving is made with a well -being
motif. In addition, Baba Nyonya women choose kebaya shirts that have a lot of embroidery and f
iligree stitching with flower motifs to match with the sarong fabric along with the jewelry that is
pinned while wearing it. Usually, Nyonya prefers to wear three buns on their buns. While the

mistress of the piercing, they wear earrings or earrings as Malay culture.

In addition, a similar dress called Kebaya Nyonya was first produced by the Chinese
Peranakan people from Melaka. So, They wore it with beautiful beaded sarongs and shoes
known as beaded shoes. Beaded shoes are one of the unique accessories of the Nyonya

community. Today, Kebaya Nyonya is undergoing a renewal, and is also popular among
non -Asian women.

F. KADAZAN (SABAH)

HISTORY OF TRADITIONAL ATTIRE

The Kadazan race is one of the largest races in Malaysia. The Kadazandusun are
famous for their races having many sub-ethnicities that are rich in their own culture.

Therefore, each race in the kadazan-dusun has its own
differences in traditional dress.

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For example, the traditional dress for the Dusun Bundu ethnic group in
Ranau and Liwan in Tambunan is different from the traditional dress for the Lotud
ethnic group in Tuaran and also Kimaragang in Kota Marudu. Each ethnic group in

the Kadazandusun has its own uniqueness.

F. KADAZAN (SABAH)

HISTORY OF TRADITIONAL ATTIRE

Most of them have retained the original traditional patterns and colors
of clothing. The most popular color is black. This color is widely used because in
the past, the indigenous people of Sabah only depended on certain types of crops

and vegetables to be used as fabric dyeing liquid.

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They just need to add beads of various colors such as red, orange,
white and green as additional jewelry. Traditional clothing also includes antique
beads made into necklaces, belts, silver engraved antiques and belts made from

silver dollar coins. All of these are very valuable and highly valued hereditary
treasures.

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KADAZAN (SABAH)

G. IBAN (SARAWAK)

HISTORY OF TRADITIONAL ATTIRE

The Ibans are the largest ethnic group in Sarawak. Most Ibans
live in longhouses located on the banks of rivers and roadsides. This is to
facilitate work activities, connect and communicate with each other. The way
of life practiced is based on customary law, taboos, tolerance (tolerance) and

based on close kinship with eachYouthreTre.xt Here

The Iban community today still maintains the values ​of customs
and cultural characteristics that symbolize the traditions of the Iban
community even though most Iban communities today accept Christianity

as their religion.

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IBAN (SARAWAK)

Thank You