Francois Truffaut - Hitchcock

disappointed, the killer or a monster, the man David O. Selznick referred to this detachment
rejected by others, the man who has no right to when he wrote his wife in 1938, “I finally met
love, the man who looks on without being able Hitchcock. He seems a nice person, but he is
to participate. hardly the kind of man you would want along
on a camping trip. ”
Andre Bazin was not an unconditional admirer
of Hitchcock, but I am grateful to him for using This is why the Hitchcockian image par excel¬
the key word equilibrium in connection with lence is that of an innocent man who is mis¬
Hitchcock. The whole world is familiar with taken for another man who is being hunted—a
Hitchcock’s silhouette; it is the silhouette of a man who finds himself falling from a roof, hang¬
man who has always lived in fear of losing his ing onto a drainpipe that is about to give way.
balance. In Los Angeles, I was lucky enough to
meet an old Jesuit priest, Professor Hugh Gray, This man who was impelled by fear to relate the
before his death. Hugh Gray was the first trans¬ most terrifying stories; this man who was a vir¬
lator of Andre Bazin in the United States, as gin when he married at the age of twenty-five
well as a fellow student of Hitchcock’s at Saint and who never had any woman except for his
Ignatius College of London near the turn of the wife; this man was indeed the only one who was
century. He had vivid memories of Hitchcock able to portray murder and adultery as scandals,
as a very plump little schoolboy. In the school- the only man who knew how to do so—in fact,
yard he always stood alone, leaning against a the only man who had the right to do so.
wall, with his hands already folded across his
stomach and an expression of disdain on his Hitchcock was never concerned to know exactly
face, as he watched his schoolmates playing what his pictures were saying—and even less to
ball. let others know it—but no other film-maker
could describe so clearly, in response to the
It is obvious that Hitchcock organized his life in questions that were put to him by Helen Scott
such a way that no one would allow himself the and myself, the course he followed in construct-
familiar gesture of patting him on the back.
347

ing the stories he selected and, in the course of izing stories, but who were content to record
the description, to reveal himself. them on film.

When cinema was invented, it was initially used Hitchcock belonged to a different family, the
to record life, like an extension of photography. family of Chaplin, Stroheim, Lubitsch. Like
It became an art when it moved away from the them, he did not merely practice an art, but
documentary. It was at this point that it was undertook to delve into its potential, and to
acknowledged as no longer a means of mirror¬ w'ork out its rules, rules more demanding than
ing life, but a medium by which to intensify it. those pertaining to the writing of a novel.
The film-makers of the silent era invented
everything, and those who were not able to in¬ Hitchcock not only intensified life; he intensi¬
vent were failures. Alfred Hitchcock often re¬ fied cinema.
gretted the setback that occurred with the
advent of talking pictures and the hiring of stage Franqois Truffaut, 1983
directors who were not concerned with visual¬

CLOSING PRICES TUESDAY ^

N.Y. Cos Angeles Stones Late
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CIRCULATION 1,057,611 DAILY/ 1,344,660 SUNDAY TUESDAY. APRIL 29. 1980 LF /10» PAGES / / DAILY 25c

Alfred Hitchcock Dies

Carter Picks Muskie to Be Secretary of State Master of
Suspense

Maine Senator Dead at 80

to Take Post Bj JERRY BELCHER

Lett by Vance Sir Alfred Hitchcock, ihe master
director who probably frightened
WASHINGTON-President Carter more movie goer: than anyone in
history with his 54 suspense-packed
said today that he will nominate Sen. movie*, died peacefully today at hi*
Bel Air home He was 80
Edmund S Muskie (D-Me ) to suc¬
Hitchcocx. who began hi* movie
ceed Cyrus R. Vance as secretary of career in London in the 1920*. wa*
one of the few motion picture direc
state, congressional sources said tors fa become a superstar in hi* own

Carter notified lop congressional right.
Some of his be« known film* are
leaders of his decision this afternoon
"Psycho." "The Birds' *hd "Dial M
He is expected to make tV an¬ for Murder"

nouncement at a nationally broadcast In ill health for several year*-he
suffered from a heart condition and
news conference, scheduled for 6 p m. arthritis—Hitchcock had sull re¬
mained active, vwting ha office at
PDT Universal Studio* almost everyday
until quite recently
Muskie. 66. is chairman of the Sen¬
He had entered Cedars Sinai Hos¬
ate Budget Committee and was pital Medical Center early last month
for several days of diagnostic test*,
Hubert H Humphrey's Democratic but a hospital spokesman said at the
time that the octogenarian “jurt didn't
vice presidential running mate in feel good” and added that the health
problem then was not serious.
1968 He lost his own bid for the
The cause of death was not imme¬
Democratic nomination in 1972 U> diately announced A source at Uni¬
versal Studios said, however, that he
George S. McGovern after polls died quietly of natural causes about 9
a.m.
showed him the heavy early favorite
Actor Jimmy Stewart, who starred
He replaces Vance, who resigned in several of Hitchcock's finest film*,
was shocked fa learn of ha old
Monday m a dispute with Carter over friend's death.

the ill-fated Iran rescue effort "I’ve tost a great fnend and the
world has tow one of iu One* direct
Senate sources said the choice of ing talents." Stewart said "Alfred
Hitchcock has made a tremendous
Muskie. highly respected on Capitol contribution to the art of motion pir
lures and has been a source of joy fa
Hill, virtually assures that the nomin¬ people all over the world "

ation will be confirmed Muskie is a

member of the Senate Foreign Rela¬

tions Committee

Muskie. a towering 6-foot-6, crag¬

gy Down-Easier, is the son of s Po¬

lish immigrant tailor who was raised

in Rumford. Me

Muskie has served in 'the Senate

NEW JO*—Edmund S Musk* wi* be • since 1969 and before that served a SUCCUMBS— Alfred Hitchcock died ot h» Bel-Aw home todoy
four year term as Mame gov error, Tt»w pfcrt* by Twj fcmd
LATE NEWS breaking a long dominance there of

Republican officeholders

TEXAS DEFENSIVE BACKMuskie s high hopes for the pres Hitchcock was noted aa a genius
not only as a filmmaker but for hi*
idency died before the New Hamp¬ skill in promoung himself a* a per¬
shire primary in 1972 when V react - sonality through his cameo appear
ances in nearly all of ha films He
ed emotionally and with tears to a was also well-known for hosting the
television senes Alfred Hitchcock
Dow Rollin' On RAMS' TOP DRAFT PICKnewspaper article about his wife.
Presents
Jane The cameo appearances were al¬
Muskie also fell victim to what
ways ingenious, often humorous, and
turned out to be a "dirty tnck" on the became his trademark One famous
appearance showed the stout, stow
part of Richard M. Nixon’s campaign. moving Hitchcock trying fa wrestle a
cello through a revolving door
KBW YORK-TV work market rominued it* wcck-oM The "dirty tnck” was a letter This will be remembered as the speed for 40 yards He will play
rallv with .i moderate advance today planted in the Manchester (N.H.) year when Oklahoma halfback Billy strong safety here The free safety. But despite his fame and his pen¬
Union Leader, claiming that Muskie Sims was drafted first (by Detroit!, Nolan Cromwell, a i977 draftee, also chant for professional self promotion,
TV Dow Jones averagr of 30 industrials closed up 5.63 had referred sneenngly to French when USC halfback Charles White 6-1. had been a four-year starter at the Bntish-bom director did not live
Canadians as "Canucks" dunng a visit was drafted 27th (by Cleveland) and Kansas the limelight life of a celebnty Ha
at *110* to Honda when the Rams, as their top choice, personal life revolved about hu fami
New York Stork Exchangr volume was about 28 millton went for a defensive back from Texas On the firrt day of the 'National ly—his wife Ama. daughter Patricia
Heavily favored, he barely defeated Football league's fir« 1980 player and ha grandchildren
«hat rs compared wuh 30 6 million Monday Serttoa. McGovern m New Hampshire, and his He is AJI American safety Johnnie selection meeting, four running backs
T»hlr\ in campaign quickly ran into senoua Johnson, who became the 16lh alh were named ahead of While, the 1979 Their lives were intensely private
trouble lete selected when the Rams traded a Heisnun Tropny winner They are "My wife and I.” he said in an in¬
Rosie's Victory Voided bundle of draft choices to Cleveland. Sims, the 1978 Heisman winner. Cur¬ terview. "have never gone into the
Muskie has spent most of his Sen¬ tis Dickey. Texas AAM < Baltimore) nightclub* and cafe* "
BOSTON i^-Thr Boston Athletic Assn today «tnpped ate career backing legislation to pre¬ Johnson continues a local trend Earl Cooper. Rice (San Francisco I.
Rone Ruiz of New York of her Boston Marathon women * serve the nation's environment and Dunng Dick Steinberg's four year* as and Vegaa Ferguson. Notre Dame Hitchcock was the son of a London
d emon victory and named Montreal * Jacqueline Gareau wilderness areas, and in 1974 became a chief scout, the Rams have consis¬ (New England).
tV first and only chairman of the poultry dealer He began hu film
Race director Will Cloney said the investigation showed Congressional Budget Committee—* tently picked one kind of player one Two other Trojans went ahead of
beyond any rraaonatofe doubt" lhat Run. a 38-year-old job that has taken on great impor with good sixe and speed who has White on the first round tackle An¬ career in London in 1925. settled m
Manhattan off ire worker who nid she had run in only one tance since Congress began drafting been a starter for many years on a thony Munoz, the third player chosen
poor marathon, did not cover the enure 26.2 mile Horton its own version of the budget each big time college team (Cincinnati) and guard Brad Budde. the United Slate* in 1940 and became
footrace year the 11th (Kansas uty)
Tall for a defensive hack. Johnson.
Executions to Stop The Muskie* have five children— 6-1. 185. ha* started for Texas since The Oakland Los Angeles Raiders
Stephen. 31; Ellen. 28. Melinda. 23; the sixth game of h» freshman sea emerged with the year s lop quarter-
MONROVIA Liberia </P*-Libenan leader Marter Sgt Martha. 21, and Edmund Jr. 19 son Neutral scouts say he ha* 4 65 bark. Marc Wilson of Bngham Young
Samuel K Dne. whose regime executed 13 former govern¬
ment official* lain week, bowed u» domestic and interna an American citizen in 1955
tional pressure today and promised there would be no
more such execution* Speculation that the 49er* wanted Among hu many films, he once

More than 80 official* of the ousted government of as¬ U.S. Says Jets Chased Off Wilson proved erroneous when, listed ha own favorites a* "Spell
sassinated Prewdent William Tolbert were sull awaiting drafting 13th. they pasaed him up for
trial lor treason corruption and violation of human right* running buck Cooper In a draft bound." "Lifeboat." "Shadow of a

Doubt " and "Psycho "

choice trade earlier, the 49ers had Hu flm American made film. “Re¬

Iran Plane Over Oman Gulf vicld the day's second pick to the becca." won the Academy Award for
New York Jets, who named Texas re¬
beat picture in 1938

ceiver Jonnny Lam Jones Oddly, he never won an Oarar in

Altogether three members of the hn own name as beat ducctor. but

Iran claimed that two earner • based planes started to shoot at the Iranian Texas team went on the firm round, was nominated four time*
U.S fighter jets started to shoot" at plane but four Iraman jew were sent including two defensive backs, John¬
an Iranian patrol plane over the Gulf up and they warded off the attack son and Derrick Hatchett (Balti Some critic* consider Hitchcock
of Oman today in the first U &-Irani¬ Par* quoted the army a* saying the more)
an military confrontation since the US plane* changed their direction one of the inventors of the modern
as the four Iranian jet fighters escort¬ U.S. Buys Corn
ly six months ago The Pentagon de¬ ed the patrol plane" back to Iran motion picture—and certainly the
nied that there was any shooting WASHINGTON (*»-An additional
Tehran Radio reported that the Ir¬ 404 million bushels of com that had greatest master of the suspense genre
In Washington, the Defense De¬ anian army jomt rtaff ha* warned the been expected to be shipped to the
Plane Crash Kills 7 partment said: ‘Two F 14 aircraft armed force* to "expect extensive ac¬ Soviet Union has been bought by the In which he specialized
from the aircraft earner N inula made tion by the U S Army" m the wake of government to help boost farmers' While often mcludmg »cenes per¬
Seven perms including two children were found dead a routine intercept of an Iranian C- last week * abortive attempt to rescue pain prices. Agriculture Secretary
in tv wreckage of a private aircraft in hilly country about 130 aircraft near the Strait of Hor¬ the American hostages in Iran. Bob Berg land said today. ceived as gruesome-the "Psycho"
15 mile* north of Bakertfieto today muz. The U.S. aircraft escorted the
Iranian plane back to Iranian air¬ Mekhrte Catholic Archbtahop H1U THE LATEST cubbing scene a perhaps the mo«
TV plane look off at 8 49 p m Monday night from space It was a routine intercept non Capucci arrived in Tehran today
Meadow* Field far V»*li», Federal Aviation Admmwtra- There was no Bring of weapon* " and nm he will accompany the bodies WEATHER notonou* and chilling-the horror
tarn Tower Manager Hank Van Sant reported. of the eight U.S. commandos killed m
Washington officials said the Irani¬ lart week s aborted rescue mission “to Decreasing cloudiness and * linger - was more often implied than directly
an plane came within about 50 miles another country and hand them over
of the Ntimu and the two F-14* were to the International Red Croas for de¬ shown And always, there was the
launched to chaar it off The Nimitz is livery to them families "
one of about 30 U.S warships its subtle-sly Hitchcock humor
In an interview several yean ago.

Hitchcock wa* asked to outline ha

traditional film. *

Draft Signup Advances "h encompaase* pure horror and

WASHINGTON <jH-President Carters draft regirtrj comedy at the same tone." he said. “If
unn plan far young men narrowly approved last week by
the House, wa* passed bv a surprisingly wide margin today you do a reahaUc murder story, you
ip a Senate subcommittee
should show that bfe goes on around
A Senate appropriations subrommittee voted 8-4 m fa¬
vor of qwnding 1131 million to him registration this murder just as m real life People sull
summer of young men. aged 19 and 2D TV bill now soe*
to tV full Appropriations Committee and then to IV Sen laugh and joke m the eorrtdora as it

tinned in the Indian Ocean after the T do not want to have any contact mg chance of scattered light showers were And I've always adhered fa the
takeover of the U S. Embaay m Teh with the United States" he and. and were forecast by the National
ran Lart Nov. 4 by Iraman militants did not name the neutral country he Weather Service The chance of fart that the amusement comes out of
and the December Soviet thrust into would take the bodies to or give a shower* today » SOM. decreeing fa
Afghanistan 30M Wednesday The expected high the character* as much as anything,
But a Senas new* agency said today today and Wednesday m 87 The low
The official Iranian new* agency not out of the atuaoon'

Hitchcock was kmghted by Queen

Elizabeth II late tort year for ha cm-

Par* quoted the Iranian army joint in Bern that the bodies will be flown tonight should be mi the mid-90a
rtaff as saying the two American to Zinch.

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MB AND WAS SMITH Alfred Hitchcock was born in London on August 13,
IOBIION COABISPONDINT 1899. He studied at Saint Ignatius College, London.
In 1920 he joined Famous Players-Lasky, an Ameri¬
RtBICCA can company that had opened an English studio at
JAMAICA INN Islington. For two years he wrote and designed the
TMI IAOY VANISH! S subtitles for numerous silent “art” films: Hugh Ford’s
TOUNO ANO INNOCINT The Call of Youth and The Great Day (1921), Donald
Crisp’s The Princess of New York and Tell Your Chil¬
VABOTAGf dren (1921), and George Fitzmaurice’s Three Live
TMI SICBIT AGINT Ghosts (1922).
TMI TMlAtY-NlNt SUPS

NUMMI St VINTIIN
™« S«»N cams

niNO ANO TMI PAYCOCK

CHAMAAONI

• asy viatui
DOWNHILL

'Ml LOOGII

,w* ^»*SU«| GAftCHN

350

THE FILMS OF ALFRED HITCHCOCK

(The titles in boldface are those of films directed by
Alfred Hitchcock.)

1922 and Alfred Hitchcock, from the play by Michael
NUMBER THIRTEEN (unfinished) Morton. Director of Photography: Claude L. Mc¬
Production: Wardour & F., 1922. Producer: Alfred Donnell. Sets: A. Hitchcock. Assistant Director: A.
Hitchcock. Director: Alfred Hitchcock. Director of Hitchcock. Editor: Alma Reville. Studio: Islington.
Photography: Rosenthal. Studio: Islington. Principal Distributors: Wardour & F., 1923, 7 B; France, Gau-
Actors: Clare Greet, Ernest Thesiger. mont, 1924; U.S.A., Selznick, 1924. Principal Ac¬
tors: Betty Compson (Daloryse); Clive Brook (David
ALWAYS TELL YOUR WIFE Compos and Davis Anson-Pond) and Josephine
After the director fell ill, the film was finished by Earle, Marie Ault, M. Peter.
Alfred Hitchcock and the producer, Seymour Hicks.
Famous Players-Lasky stopped production at Isling¬ 1923
ton. Alfred Hitchcock and a small crew were kept on THE WHITE SHADOW
by the studio. When Michael Balcon founded a new Production: Michael Balcon, Victor Saville, John
independent company with Victor Saville and John Freedman, 1923, G.B. Producer: Michael Balcon.
Freedman and began to shoot his first film at Isling¬ Director: Graham Cutts. Scenario: Alfred Hitchcock
ton, A. Hitchcock, hired as Assistant Director, also and Michael Morton. Director of Photography:
filled other positions. Claude L. McDonnell. Sets: A. Hitchcock. Editing:
A. Hitchcock. Studio: Islington. Distributors: War¬
WOMAN TO WOMAN dour & F., 1923, 6 B.; U.S.A., Selznick, 1924. Prin¬
Production: Michael Balcon, Victor Saville, John cipal Actors: Betty Compson, Clive Brook, Henry
FYeedman, 1922-1923. Producer: Michael Balcon. Victor, Daisy Campbell, Olaf Ilitton.
Director: Graham Cutts. Scenario: Graham Cutts

f

351

1924 & F., 1926, 6,000 feet; U.S.A., Artlee Indep. Dist.,
THE PASSIONATE ADVENTURE 1926. Principal Actors: Bernard Goetzke (Pettigrew),
Production: Michael Balcon, Gainsborough, 1922— Nita Naldi (Beatrice, the governess), Malcolm Keen
1923, G.B. Director: Graham Cutts. Scenario: Alfred (Fear O’ God), John Hamilton (Edward Pettigrew).
Hitchcock and Michael Morton. Director of Photog¬
raphy: Claude McDonnell. Sets: A. Hitchcock. As¬ THE LODGER (A Story’ of the London Fog)
sistant Director: A. Hitchcock. Studio: Islington. Production: Gainsborough, Michael Balcon, 1926.
Distributors: Gaumont, 1923; France, Excella Films Director: Alfred Hitchcock. Scenario: Alfred Hitch¬
(by agreement with A. C. and R. C. Bromhead), cock and Eliot Stannard, from the novel by Mrs.
1928; U.S.A., Selznick, 1924. Principal Actors: Alice Belloc-Lowndes. Director of Photography: Baron
Joyce, Clive Brook, Lilian Hall-Davies, Marjorie Vintigmilia. Sets: C. Wilfred Arnold and Bertram
Daw, Victor McLaglen, Mary Brough, John Hamil¬ Evans. Editing and subtitles: Ivor Montagu. Assis¬
ton, J. R. Tozer. tant Director: Alma Reville. Studio: Islington. Dis¬
tributor: Wardour & F., 1926, 6 reels, 7,685 feet.
1925 Principal Actors: Ivor Novello (the lodger), June
THE BLACKGUARD (Daisy Jackson), Marie Ault (Mrs. Jackson, her
Production: Gainsborough, Michael Balcon, 1925, mother), Arthur Chesney (Mr. Jackson), Malcolm
G.B. Associate Producer: Erich Pommer. Director: Keen (Joe Betts, the policeman, Daisy’s fiance).
Graham Cutts. Scenario: A. Hitchcock, from a novel
by Raymond Paton. Sets: A. Hitchcock. Assistant 1927
Director: A. Hitchcock. Studio: U.F.A. at Neuba- DOWNHILL (U.S.A.: When Boys Leave Home)
belsberg (Berlin). Distributor: Wardour & F., 1925, Production: Michael Balcon, Gainsborough, 1927,
6,016 feet. Principal Actors: Walter Rilla (the black¬ G.B. Director: Alfred Hitchcock. Scenario: Eliot
guard), Jane Novak, Bernard Goetzke, Frank Stan- Stannard, from the play by Ivor Novello and Con¬
more. stance Collier, written under the pseudonym of
David Lestrange. Director of Photography: Claude
THE PRUDE’S FALL McDonnell. Editing: Ivor Montagu. Studio: Isling¬
Production: Michael Balcon, Victor Saville, John ton. Distributors: Wardour & F., 1928, 6,500 feet;
Freedman, 1925, G.B. Producer: Michael Balcon. U.S.A., World Wide Dist., 1928. Principal Actors:
Director: Graham Cutts. Scenario: Alfred Hitchcock. Ivor Novello (Roddy Berwick), Ben Webster (Doctor
Assistant Director: A. Hitchcock. Sets: A. Hitch¬ Dowson), Robin Irvine (Tim Wakely), Sybil Rhoda
cock. Distributor: Wardour & F. Studio: Islington. (Sybil Wakely), Lillian Braithwaite (Lady Berwick)
Principal Actress: Betty Compson. and Hannah Jones, Violet Earebrother, Isabel Jeans,
Norman McKinnel, Jerrold Robertshawr, Annette
THE PLEASURE GARDEN Benson, Ian Hunter, Barbara Gott, Alfred Goddard.
Production: Michael Balcon (Gainsborough), Erich
Pommer (Emelka—G.B.A. 1925). Director: Alfred EASY VIRTUE
Hitchcock. Scenario: Eliot Stannard, from the novel Production: Michael Balcon, Gainsborough Prod..
by Oliver Sandys. Director of Photography: Baron 1927. Director: Alfred Hitchcock. Scenario: Eliot
Vintigmilia. Assistant Director and script-girl: Alma Stannard, from the play by Noel Coward. Director
Reville. Studio: Emelka at Munich. Distributors: of Photography: Claude McDonnell. Editing: Ivor
Wardour & F., 1925, 6,458 feet; U.S.A., Aymon In¬ Montagu. Studio: Islington. Distributors: Wardour
dependent, 1926. Principal Actors: Virginia Valli & F., 1927, 6,500 feet; U.S.A., World Wide Dist.,
(Patsy Brand, the dancer), Carmelita Geraghty (Jill 1928. Principal Actors: Isabel Jean (Larita Filton),
Cheyne), Miles Mander (Levett), John Stuart (Hugh Franklin Dyall (M. Filton), Eric Bransby Williams
Fielding), Frederic K. Martini, Florence Helminger, (the correspondent), Ian Hunter (Plaintiff’s Coun¬
George Snell, C. Falkenburg. sel), Robin Irvine (John Whittaker), Violet Fare-
brother (his mother, Mrs. Whittaker) and Frank
1926 Elliot, Darcia Deane, Dorothy Bovd, Enid Stamp-
THE MOUNTAIN EAGLE (U S A.: Fear O’ God) Taylor.
Production: Gainsborough, Emelka, 1926. Producer:
Michael Balcon. Director: Alfred Hitchcock. Sce¬ THE RING
nario: Eliot Stannard. Director of Photography: Production: British International Pictures, 1927,
Baron Vintigmilia. Studio: Emelka at Munich. Lo¬ G.B. Producer: John Maxwell. Director: Alfred
cation Work: Austrian Tyrol. Distributors: Wardour Hitchcock. Scenario: A. Hitchcock. Adaptation:
Alma Reville. Director of Photography: Jack Cox. As-

352

sistant Director: Frank Mills. Studio: Elstree. Dis¬ Ayrton (her father) and Clare Greet. The Manxman
tributors: Wardour & F., 1927; France, Pathe was Alfred Hitchcock’s last silent film.
Consortium Cinema, 1928. Principal Actors: Carl
Brisson (Jack Sander called “Round One”), Lillian BLACKMAIL
Hall-Davies (Nelly), Ian Hunter (Boh Corby, the Production: British International Pictures, 1929,
champion), Forrester Harvey (Harry, the traveling G.B. Producer: John Maxwell. Director: Alfred
showman of the ring) and Harry Terry, Gordon Har- Hitchcock. Scenario: A. Hitchcock, Benn W. Levy
ker, Billy Wells. and Charles Bennett, from the play by Charles Ben¬
nett. Adaptation: A. Hitchcock. Dialogue: Benn W.
1928 Levy. Director of Photography: Jack Cox. Sets:
THE FARMER’S WIFE Wilfred C. Arnold and Norman Arnold. Music:
Production: British International Pictures, 1928, Campbell and Connely, finished and arranged by
G.B. Producer: John Maxwell. Director: Alfred Hubert Bath and Henry Stafford, performed by the
Hitchcock. Scenario: Alfred Hitchcock, from the British Symphony Orchestra under the direction of
play by Eden Philpotts. Director of Photography: Jack John Reynders. Editing: Emile de Ruelle. Studio:
Cox. Assistant Director: Frank Mills. Editing: Alfred Elstree. Distributors: Wardour & F., 1929, 7,136
Booth. Studio: Elstree. Location Work: Wales. Dis¬ feet; U.S.A., Sono Art World Wide Piet., 1930. Prin¬
tributors: Wardour & F., 67 minutes; France, Pathe cipal Actors: Anny Ondra (Alice White), Sara All¬
Consortium Cinema, 1928. Principal Actors: Lillian good (Mrs. White), John Londgen (Frank Webber,
Hall-Davies (Araminta Dench, the young maid), the detective), Charles Paton (Mr. White), Donald
James Thomas (Samuel Sweetland), Maud Gill Calthrop (Tracy), Cyril Ritchard (the artist), and
(Thirza Tapper), Gordon Harker (Cheirdles Ash), Harvey Braban, Hannah Jones, Phyllis Monkman,
and Louise Pounds, Olga Slade, Antonia Brough. ex-detective Sergeant Bishop. (Joan Barry played
Anny Ondra’s part in the talkie version.)
CHAMPAGNE
Production: British International Pictures, 1928, 1930
G.B. Director: Alfred Hitchcock. Scenario: Eliot ELSTREE CALLING
Stannard. Director of Photography: Jack Cox. Studio: Production: British International Pictures, 1930. Di¬
Elstree. Distributor: Wardour & F., 1928. Principal rector: Alfred Hitchcock, Andre Chariot, Jack Hul-
Actors: Betty Balfour (Betty), Gordon Harker (her bert, Paul Murray. Supervision: Adrian Brunei.
father), Ferdinand Von Alten (the passenger), Jean Scenario: Val Valentine. Director of Photography:
Bradin (the young man), and Jack Trevor, Marcel Claude Freise Greene. Music: Reg Casson, Vivian
Vibert. Ellis, Chic Endor. Lyrics: Ivor Novello and Jack
Strachey Parsons. Sound engineer: Alex Murray
CHAMPAGNE (German version) (Alfred Hitchcock directed Gordon Harker).
Production: Sascha Film—British International There was a burlesque, “The Taming of the Shrew,"
Piet., 1929. Director: Gaza von Bolvary. Principal starring Anna May Wong and Donald Calthrop,
Actors: Betty Balfour, Vivian Gibson, Jack Trevor, which was one of the best scenes in the movie. The
Marcel Vibert. reason for this burlesque was the appearance of a
film “The Taming of the Shrew,” starring Mary Pick-
1929 ford and Douglas Fairbanks.
HARMONY HEAVEN
Production: British International Pictures, 1929. Di¬ JUNO AND THE PAYCOCK
rector: Alfred Hitchcock. Musical part: directed by- Production: British International Pictures, 1930. Pro¬
Eddie Pola. Lyrical part: directed by Edward Brandt. ducer: John Maxwell. Director: Alfred Hitchcock.
Distributor: France-Societe des Cine-romans, 1929. Scenario: Alfred Hitchcock and Alma Reville, from
the play by Sean O’Casey. Director of Photography:
THE MANXMAN Jack Cox. Sets: Norman Arnold. Editing: Emile de
Production: British International Pictures, 1929, Ruelle. Studio: Elstree. Distributors: Wardour & F.,
G.B. Producer: John Maxwell. Director: Alfred 1939, 85 minutes; U.S.A., British International by
Hitchcock. Scenario: Eliot Stannard, from the novel Capt. Harold Auten, 1930. Principal Actors: Sara
by Sir Hall Caine. Director ofPhotography: Jack Cox. Allgood (Juno), Edward Chapman (Captain Boyle),
Assistant Director: Frank Mills. Studio: Elstree. Dis¬ Sidney Morgan (Joxer), Marie O’Neill (Mrs. Madi-
tributors: Wardour & F., 1929, U.S.A., Ufa Eastman gan), and John Laurie, Dennis Wyndham, John
Division, 1929. Principal Actors: Carl Brisson (Pete),
Malcolm Keen (Philip), Anny Ondra (Kate), Randle 353

Longden, Kathleen O’Regan, Dave Morris, Fred 1932
Schwartz. RICH AND STRANGE (U.S.A.: East ofShanghai)
Production: British International Pictures, 1932,
MURDER G.B. Producer: John Maxwell. Director: Alfred
Production: British International Pictures, 1930, Hitchcock. Scenario: Alma Reville and Val Valen¬
G.B. Producer: John Maxwell. Director: Alfred tine, from a theme by Dale Collins. Adaptation:
Hitchcock. Scenario: Alma Reville, from the work by Alfred Hitchcock. Directors of Photography: Jack
Clemence Dane (pseudonym of Winifred Ashton) Cox and Charles Martin. Sets: C. Wilfred Arnold.
and Helen Simpson, “Enter Sir John.” Adaptation: Music: Hal Dolphe, directed by John Reynders. Ed¬
A. Hitchcock and Walter Mycroft. Director of Pho¬ iting: Winifred Cooper and Rene Harrison. Sound
tography: Jack Cox. Sets: John Mead. Editing: Rene Engineer: Alec Murray. Studio: Elstree. Location
Harrison. Supervision: Emile de Ruelle. Studio: El- Work: Marseilles, Port-Said, Colombo, Suez. Dis¬
stree. Distributor: Wardour & F., 1930, 92 minutes. tributors: Wardour & F., 1932, 83 minutes; U.S.A.,
Principal Actors: Herbert Marshall (Sir John Men- Powers Pictures, 1932. Principal Actors: Henry Ken¬
ier), Nora Baring (Diana Baring), Phyllis Konstam dall (Fredy Hill), Joan Barry (Emily Hill), Betty
(Dulcie Markham), Edward Chapman (Ted Mark¬ Amann (the princess), Percy Marmont (Gordon),
ham), Miles Mander (Gordon Druce), Esme Percy Elsie Randolph (the old lady).
(Handel Fane), Donald Calthrop (Ion Stewart) and
Amy Brandon Thomas, Joynson Powell, Esme V. NUMBER SEVENTEEN
Chaplin, Marie Wright, S. J. Warmington, Hannah Production: British International Pictures, 1932. Pro¬
Jones, R. E. Jeffrey, Alan Stainer, Kenneth Kove, ducer: John Maxwell. Director: Alfred Hitchcock.
Guy Pelham, Matthew Boulton, Violet Farebrother, Scenario: A. Hitchcock, from the play and the novel
Ross Jefferson, Clare Greet, Drusilla Vills, Robert by Jefferson Farjeon. Director of Photography: Jack
Easton, William Fazan, George Smythson. Cox. Studio: Elstree. Distributor: Wardour & F.,
1932. Principal Actors: Leon M. Lion (Ben), Anne
MARY (German version of MURDER) Grey (the young girl), John Stuart (the detective),
Production: Sud Film A.G., 1930. Director: A. and Donald Calthrop, Barry Jones, Garry Marsh.

Hitchcock. Studio: Elstree. Director of Photography: LORD CAMBER’S LADIES
Jack Cox. Principal Actors: Alfred Abel, Olga Tche- Production: Alfred Hitchcock, British International
kowa, Paul Graetz, Lotte Stein, E. Arenot, Jack Ny- Pictures, 1932, G.B. Director: Benn W. Levy. Sce¬
long-Munz, Louis Ralph, Hermine Sterler, Fritz nario: Benn W. Levy, from the play by Horace An-
Alberti, Hertha V. Walter, Else Schunzel, Julius nesley Vachell “The Case of Lady Camber.” Studio:
Brandt, Rudolph Meinhardt Junger, Fritz Gross- Elstree. Distributor: Wardour & F., 1932. Principal
mann, Lucie Euler, Harry Hardt, H. Gotho, Eugen Actors: Gertrude Lawrence (Lady Camber), Sir Ger¬
Burg. ald du Maurier (Lord Camber) and Benita Hume,
Nigel Bruce.
1931
THE SKIN GAME 1933
Production: British International Pictures, 1931. Pro¬ WALTZES FROM VIENNA (U S A.: Strauss
ducer: John Maxwell. Director: Alfred Hitchcock. Great Waltz)
Scenario: A. Hitchcock and Alma Reville, from the Production: Gaumont British, by G.F.D., 1933,
play by John Galsworthy. Additional Dialogues: G.B. Director: Alfred Hitchcock. Scenario: Alma Re¬
Alma Reville. Director of Photography: Jack Cox, as¬ ville and Guy Bolton, from the play by Guy Bolton.
sisted by Charles Martin. Editing: Rene Harrison Sets: Alfred Junge and Peter Proud. Music: Johann
and A. Gobett. Studio: Elstree. Distributors: War- Strauss the Elder and Strauss the Younger. Studio:
dour & F., 1931, 85 minutes; U.S.A., British Inter¬ Lime Grove. Distributors: G.F.D., 1933, 80 minutes;
national, 1931. Principal Actors: Edmund Gwenn U.S.A., Tom Arnold, 1935. Principal Actors: Jessie
(Mr. Hornblower), Jill Esmond (Jill), John Longden Matthew's (Rasi), Esmond Knight (Shani Strauss),
(Charles), C. V. France (Mr. Hillcrest), Helen Have Frank Vosper (the prince), Fay Compton (the
(Mrs. Hillcrest), Phyllis Konstam (Chloe), Frank countess), Edmund Gwenn (Johann Strauss the
Lawton (Rolfe) and Herbert Ross, Dora Gregory, Elder), Robert Hale (Ebezeder), Hindle Edgar (Leo¬
Edward Chapman. R. E. Jeffrey, George Bancroft, pold), Marcus Barron (Drexter), Charles Heslop,
Ronald Frankau. Sybil Grove, Billy Shine Junior, Bertram Dench,

354

B. M. Lewis, Cyril Smith, Betty Huntley Wright, rector of Photography: Bernard Knowles. Sets: Otto
Berinoff and Chariot. Werndorff and Albert Jullion. Costumes: J. Strasser.
Music: Louis Levy. Editing: Charles Frend. Studio:
1934 Lime Grove. Distributors: G.F.D., 1936, 83 minutes;
THE MAN WHO KNEW TOO MUCH U.S.A., G.B. Prod., 1936. Principal Actors: Made¬
Production: Gaumont British Pictures, Great Brit¬ leine Carroll (Elsa Carrington), John Gielgud (Rich¬
ain, 1934. Director: Alfred Hitchcock. Producers: Mi¬ ard Ashenden), Peter Lorre (the General), Robert
chael Balcon; Associate, Ivor Montagu. Scenario: Young (Robert Marvin) and Percy Marmont, Flor¬
A. R. Rawlinson, Charles Bennett, D. B. Wyndham ence Kahn, Lilli Palmer, Charles Carson, Michael
Lewis, Edwin Greenwood, from an original theme Redgrave.
by Charles Bennett and D. B. Wyndham Lewis. Ad-
ditional Dialogue: Emlyn Williams. Director of Pho¬ SABOTAGE (U.S.A.: A Woman Alone)
tography: Curt Courant. Sets: Alfred Junge and Production: Shepherd, Gaumont-British Pictures,
Peter Proud. Music: Arthur Benjamin, directed by L936. Producers: Michael Balcon and Ivor Montagu.
Louis Levy. Editing: H. St. C. Stewart. Studio: Director: Alfred Hitchcock. Scenario: Charles Ben¬
Lime Grove. Distributors: G.F.D., 1934, 84 minutes; nett, from the novel by Joseph Conrad, “The Secret
France, U.S.A., G.B. Prod., 1935. Principal Actors: Agent.” Adaptation: Alma Reville. Dialogues: Ian
Leslie Banks (Bob Lawrence), Edna Best (Jill Law¬ Hay, Helen Simpson and E. V. H. Emmett. Director
rence), Peter Lorre (Abbott), Frank Vosper (Ramon of Photography: Bernard Knowles. Sets: Otto Wern¬
Levine), Hugh Wakefield (Clive), Nova Pilbeam dorff and Albert Jullion. Music: Louis Levy. Cos¬
(Betty Lawrence), Pierre Fresnay (Louis Bernard) tumes: J. Strassner. Editing: Charles Frend. Studio:
and Cicely Oates, D. A. Clarke Smith, George Cur- Lime Grove. Cartoon: Sequence of “Who Killed
zon. Cock Robin?” Silly Symphony of Walt Disney, used
with his agreement. Distributors: G.F.D., 1936, 76
1935 minutes; U.S.A., G.B. Prod., 1937. Principal Actors:
THE THIRTY-NINE STEPS Sylvia Sidney (Sylvia Verloc), Oscar Homolka (Ver-
Production: Gaumont British, 1935. Producers: Mi¬ loc, her husband), Desmond Tester (Sylvia’s
chael Balcon, with Ivor Montagu as Associate Pro¬ brother), John Loder (Ted, the detective), Joyce Bar¬
ducer. Director: Alfred Hitchcock. Scenario and bour (Renee), Matthew Boulton (the Superinten¬
adaptation: Charles Bennett and Alma Reville from dent) and S. J. Barmington, William Dewhurst,
the novel by John Buchan. Additional Dialogue: Ian Peter Bull, Torin Thatcher, Austin Trevor, Clare
Hay. Director of Photography: Bernard Knowles. Greet, Sam Wilkinson, Sara Allgood, Martita Hunt,
Sets: Otto Werndorff and Albert Jullion. Costumes: Pamela Bevan.
J. Strassner. Music: Louis Levy. Editing: Derek
N. Twist. Sound Engineer: A. Birch, Full Range 1937
Recording System At Shepherd’s Bush, London. YOUNG AND INNOCENT (U.S.A.: A Girl Was
Studio: Lime Grove. Distributors: G.F.D., 1935, 81 Young)
minutes; France, G.E.C.E., 1935, (excluding Production: Gainsborough, Gaumont British, 1937.
F.I.C.). Principal Actors: Madeleine Carroll (Pa¬ Producer: Edward Black. Director: Alfred Hitchcock.
mela), Robert Donat (Richard Hannay), Lucie Scenario: Charles Bennett and Alma Reville, from
Mannheim (Miss Smith-Annabella), Godfrey Tearle the novel by Josephine Tey “A Shilling for Candles.”
(Professor Jordan), Peggy Ashcroft (Mrs. Crofter), Director of Photography: Bernard Knowles. Sets:
John Laurie (Crofter, the farmer), Helen Have (Mrs. Alfred Junge. Music: Louis Levy. Editing: Charles
Jordan), Frank Cellier (the Sheriff), Wylie Watson Frend. Studios: Lime Grove and Pinewood. Distrib¬
(Memory). utors: G.F.D., 1937, 80 minutes; U.S.A., G.B.
Prod., 1938. Principal Actors: Derrick de Marney
1936 (Robert Tisdall), Nova Pilbeam (Erica), Percy Mar¬
THE SECRET AGENT mont (Colonel Burgoyne), Edward Rigby (old Will),
Production: Gaumont British, 1936. Producers: Mi¬ Mary Clare (Erica’s aunt), John Longden (Kent),
chael Balcon and Ivor Montagu. Director: Alfred George Curzon (Guy), Basil Radford (Uncle Basil),
Hitchcock. Scenario: Charles Bennett, from the play and Pamela Carme, George Merritt, J. H. Roberts,
by Campbell Dixon adapted from the novel by So¬ Jerry Verno, H. F. Maltby, John Miller, Torin
merset Maugham “Ashenden.” Adaptation: Alma Thatcher, Peggy Simpson, Anna Konstam, Beatrice
Reville. Dialogues: Ian Hay and Jesse Lasky Jr. Di¬ Varley, William Fazan, Frank Atkinson, fired

355

O’Donovan, Albert Chevalier, Richard George, Jack film. David O. Selznick asked him to come to the
Vyvian, Clive Baxter, Pamela Bevan, Humberston United States. Hitchcock left in 1939, but he was to
Wright, Gerry Fitzgerald, Syd Crossley. return to England to make certain films.

1938 1940
THE LADY VANISHES REBECCA
Production: Gainsborough Pictures, 1938, G.B. Di¬ Production: David O. Selznick, U.S.A., 1940. Pro¬
rector: Alfred Hitchcock. Producer: Edward Black. ducer: David O. Selznick. Director: Alfred Hitch¬
Scenario: Sidney Gilliat and Frank Launder, from cock. Scenario: Robert E. Sherwood and Joan
the novel by Ethel Lina White “The Wheel Spins.” Harrison from the novel by Daphne du Maurier.
Adaptation: Alma Reville. Director of Photography: Adaptation: Philip MacDonald and Michael Hogan.
Jack Cox. Sets: Alec Vetchinsky, Maurice Cater and Director of Photography: George Barnes. Sets: Lyle
Albert Jullion. Music: Louis Levy. Editing: Alfred Wheeler. Music: Eranz Waxman. Editing: Hal C.
Roome and R. E. Dearing. Studio: Lime Grove. Kern. Studio: Selznick International. Distributor:
Sound Engineer: Sidney Wiles. Distributors: G.B., United Artists, 1940, 130 minutes. Principal Actors:
97 minutes, 8,650 feet; U.S.A., G.B. Productions, Laurence Olivier (Maxim de Winter), Joan Fontaine
1938. Principal Actors: Margaret Lockwood (Iris (Mrs. de Winter), George Sanders (Jack Favell), Ju¬
Henderson), Michael Redgrave (Gilbert), Paul dith Anderson (Mrs. Danvers), Nigel Bruce (Major
Lukas (Dr. Hartz), Dame May Whitty (Miss Fro?), Giles Lacey), C. Aubrey-Smith (Colonel Julyan) and
Googie Withers (Blanche), Cecil Parker (Mr. Tod- Reginald Denny, Gladys Cooper, Philip Winter, Ed¬
hunter), Linden Travers (Mrs. Todhunter), Lary ward Fielding, Florence Bates, Leo G. Carroll,
Clare (the Baroness), Naunton Wayne (Caldicott), Forrester Harvey, Lumsden Hare, Leonard Carey,
Basil Radford (Charters) and Emil Boreo, Zelma Vas Edith Sharpe, Melville Cooper.
Dias, Philippe Leaver, Sally Stewart, Catherine
Lacey, Josephine Wilson, Charles Oliver, Kathleen FOREIGN CORRESPONDENT
Tremaine. Production: Walter Wanger, United Artists, 1940.
Director: Alfred Hitchcock. Scenario: Charles Ben¬
1939 nett and Joan Harrison. Dialogues: James Hilton and
JAMAICA INN Robert Benchley. Director of Photography: Rudolph
Production: Mayflowers-Productions, 1939, G.B. Mate. Special Effects: Lee Zavitz. Sets: William
Producers: Erich Pommer and Charles Laughton. Cameron Menzies and Alexander Golitzen. Music:
Production Manager: Hugh Perceval. Director: Alfred Newman. Editing: Otto Lovering and Doro¬
Alfred Hitchcock. Scenario: Sidney Gilliat and Joan thy Spencer. Assistant Director: Edmond Bernoudy.
Harrison, from the novel by Daphne du Maurier. Studio: United Artists, at Hollywood. Distributor:
Dialogues: Sidney Gilliat and J. B. Priestley. Adap¬ United Artists, 1940, 120 minutes. Principal Actors:
tation: Alma Reville. Directors of Photography: Joel McCrea (Jonny Jones, reporter), Laraine Day
Harry Stradling and Bernard Knowles. Special Ef¬ (Carol Fisher), Herbert Marshall (Stephen Fisher,
fects: Harry Watt. Sets: Tom N. Moraham. Cos¬ her father), George Sanders (Herbert Folliott, re¬
tumes: Molly McArthur. Music: Eric Fenby, porter), Albert Bassermann (Van Meer), Robert
directed by Frederic Lewis. Editing: Robert Hamer. Benchley (Stebbins), Eduardo Ciannelli (Krug), Ed¬
Sound Engineer: Jack Rogerson. Distributors: Asso¬ mund Gwenn (Rowley), Harry Davenport (Mr. Pow¬
ciated British, 1939, 98 minutes; Paramount, 1939. ers), and Martin Kosleck, Eddie Conrad, Gertrude
Principal Actors: Charles Laughton (Sir Humphrey W. Hoffman, Jane' Novak, Ken Christy, Crawford
Pengaltan), Horace Hodges (Chadwick, his butler), Kent, Joan Brodel-Leslie, Louis Borell.
Hay Petrie (his groom), Frederick Piper (his broker),
Leslie Banks (Joss Merlyn), Marie Ney (Patience, his 1941
wife), Maureen O’Hara (Mary, his niece), and Her¬ MR. AND MRS. SMITH
bert Lomas, Clare Greet, William Delvin, Jeanne de Production: R.K.O., 1941. Executive Producer:
Casalis, A. Bromley Davenport, Mabel Terry Lewis, Harry E. Edington. Director: Alfred Hitchcock.
George Curzon, Basil Radford, Emlyn Williams, Story> and Scenario: Norman Krasna. Director of Pho¬
Wylie Watson, Morland Graham, Edwin Green¬ tography: Harry Stradling, A.S.C. Sets: Van Nest
wood, Stephen Haggard, Robert Newton, Mervyn Polglase and L. P. Williams. Music: Roy Webb. Spe¬
Johns. cial Effects: Vernon L. Walker. Editing: William
“Jamaica Inn" was Alfred Hitchcock's last English Hamilton. Studio: R.K.O. Distributor: R.K.O.,
1941, 95 minutes. Principal Actors: Carole Lombard
356

(Ann Smith and Ann Kransheimer), Robert Mont¬ Tiomkin; directed by Charles Previn. Editing: Mil-
gomery (David Smith), Gene Raymond (Jeff Cus¬ ton Caruth. Studio: Universal; also shot at Santa
ter), Jack Carson (Chuck Benson), Philip Merivale Rosa. Distributor: Universal, 1943, 108 minutes.
(Mr. Custer), Lucile Watson (Mrs. Custer), William Principal Actors: Joseph Cotten (Charlie Oakley, the
Tracy (Sammy) and Charles Halton, Esther Dale, uncle), Teresa Wright (Charlie Newton), Mac¬
Emma Dunn, Betty Compson, Patricia Farr, Wil¬ Donald Carey (Jack Graham), Patricia Collinge
liams Edmunds, Adela Pearce, Murray Alper, D. (Emma Newton), Henry Travers (Joseph Newton),
Johnson, James Flavin, Sam Harris. Hume Cronyn (Herbie Hawkins), Wallace Ford
(Fred Saunders), and Janet Shaw, Estelle Jewell,
SUSPICION Eily Malyon, Ethel Griffies, Clarence Muse,
Production: R.K.O., 1941. Director: Alfred Hitch¬ Frances Carson, Charlie Bates, Edna May Wona-
cock. Scenario: Samson Raphaelson, Joan Harrison cott.
and Alma Reville, from the novel by Francis lies
(Anthony Berkeley) “Before the Fact.” Director of LIFEBOAT
Photography: Harry Stradling, A.S.C. Special Ef¬ Production: Kenneth MacGowan, 20th Century-
fects: Vernon L. Walker. Sets: Van Nest Polglase. Fox, 1943. Director: Alfred Hitchcock. Scenario: Jo
Assistant: Carroll Clark. Music: Franz Waxman. Ed¬ Swerling, from a story by John Steinbeck. Director
iting: William Hamilton. Sound Engineer: John E. of Photography: Glen MacWilliams. Special Effects:
Tribly. Assistant Director: Dewey Starkey. Studio: Fred Sersen. Sets: James Basevi and Maurice Rans-
R.K.O. Distributor: R.K.O., 1941, 99 minutes. Prin¬ ford. Music: Hugo Friedhofer; directed by Emil
cipal Actors: Cary Grant (John Aysgarth: “Johnnie”), Newman. Costumes: Rene Hubert. Editing: Doro¬
Joan Fontaine (Lina MacKinlaw), Sir Cedric Hard- thy Spencer. Sound Engineers: Bernard Fredericks
wicke (General MacKinlaw), Nigel Bruce (Beaky), and Roger Heman. Studio: Fox, 1943. Distributor:
Dame May Whitty (Mrs. MacKinlaw), Isabel Jeans 20th Century-Fox, 1943, 96 minutes. Principal Ac¬
(Mrs. Newsham), and Heather Angel, Auriol Lee, tors: Tallulah Bankhead (Constance Porter: “Con¬
Reginald Sheffield, Leo G. Carroll. nie”), William Bendix (Gus Smith), Walter Slezak
(Willy, Captain of the submarine), Mary Anderson
1942 (Alice Mackenzie), John Hodiak (John Kovac),
SABOTEUR Henry Hull (Charles S. Rittenhouse), Heather
Production: Universal, 1942. Producers: Frank Lloyd Angel (Mrs. Higgins), Hume Cronyn (Stanley Gar-
and Jack H. Skirball. Director: Alfred Hitchcock. ett), Canada Lee (George Spencer: “Joe,” the stew¬
Scenario: Peter Viertel, Joan Harrison and Dorothy ard).
Parker, from an original subject by A. Hitchcock.
Director of Photography: Joseph Valentine, A.S.C. 1944
Sets: Jack Otterson. Music: Charles Previn and BON VOYAGE
Frank Skinner. Editing: Otto Ludwig. Studio: Uni¬ Production: M.O.I., 1944, G.B., British Ministry of
versal. Distributor: Universal, 1942, 108 minutes. Information. Director: Alfred Hitchcock. Scenario:
Principal Actors: Robert Cummings (Barry Kane), J. O. C. Orton, Angus McPhail, from an original
Priscilla Lane (Patricia Martin: “Pat”), Otto Kruger subject by Arthur Calder-Marshall. Director of Pho¬
(Charles Tobin), Alan Baxter (Mr. Freeman), Alma tography: Gunther Krampf. Sets: Charles Gilbert.
Kruger (Mrs. Van Sutton), and Vaughan Glazer, Studio: Associated British. Principal Actors: John
Dorothy Peterson, Ian Wolfe, Anita Bolster, Jeanne Blythe, The Moliere Players (a French company that
and Lynn Roher, Norman Lloyd, Oliver Blake, had fled to England).
Anita Le Deaux, Pedro de Cordoba, Kathryn
Adams, Murray Alper, Frances Carson, Billy Curtis. AVENTURE MALGACHE
Production: M.O.P., 1944, G.B., British Ministry of
1943 Information. Director: Alfred Hitchcock. Director of
SHADOW OF A DOUBT Photography: Gunther Krampf. Sets: Charles Gil¬
Production: Universal, 1943. Producer: Jack H. Skir- bert. Studio: Associated British. Principal Actors:
balk Director: Alfred Hitchcock. Scenario: Thornton The Moliere Players.
Wilder, Alma Reville and Sally Benson, from a story
by Gordon McDonnell. Director of Photography: Jo¬ 1945
seph Valentine, A.S.C. Sets: John B. Goodman, SPELLBOUND
Robert Boyle, A. Gausman and L. R. Robinson. Production: Selznick International, 1945. Producer:
Costumes: Adrian and Vera West. Music: Dimitri David O. Selznick. Director: Alfred Hitchcock. Sce¬
nario: Ben Hecht, from the novel by Francis Beeding

357

(Hilary St. George Saunders and John Palmer), Music: Franz Waxman. Editing: Hal C. Kern and
“The House of Dr. Edwardes.” Adaptation: Angus John Faure. Studio: Selznick International. Distrib¬
MacPhail. Director of Photography: George Barnes, utor: United Artists, 1947, 125 minutes. Principal Ac¬
A.S.C. Special Photographic Effects: Jack Cosgrove. tors: Gregory Peck (Anthony Keane), Ann Todd
Sets: James Basevi and John Ewing. Music: Miklos (Gay Keane), Charles Laughton (Judge Harnfield),
Rozsa. Costumes: Howard Greer. Editing: William Ethel Barrymore (Lady Sophie Harnfield), Charles
Ziegler and Hal C. Kern. Dream Sequence: Salvador Coburn (Sir Simon Flaquer, the lawyer), Louis Jour-
Dali. Psychiatric Consultant: May E. Romm. Stu¬ dan (Andre Latour), Alida Valli (Maddalena, Anna
dio: Selznick International. Distributor: United Art¬ Paradine), and Leo G. Carroll, John Goldsworthy,
ists, 1945, 111 minutes. Principal Actors: Ingrid Isobel Elsom, Lester Matthews, Pat Aherne, Colin
Bergman (Doctor Constance Petersen), Gregory Hunter, John Williams.
Peck (John Ballantine), Jean Acker (the Directress),
Rhonda Fleming (Mary Carmichael), Donald Curtis 1948
(Harry), John Emery (Doctor Fleurot), Leo G. Car- ROPE
roll (Doctor Murchison), Norman Lloyd (Garmes), Production: Transatlantic Pictures, Warner Bros.,
and Steven Geray, Paul Harvey, Erskine Sandford, 1948. Producers: Sidney Bernstein and Alfred Hitch¬
Janet Scott, Victor Killian, Bill Goodwin, Art Baker, cock. Director: Alfred Hitchcock. Scenario: Arthur
Wallace Ford, Regis Toomey, Teddy Infuhr, Addi¬ Laurents, from the play by Patrick Hamilton. Adap¬
son Richards, Dave Willock, George Meader, Matt tation: Hume Cronyn. Directors of Photography: Jo¬
Morre, Harry Brown, Clarence Straight, Joel Davis, seph Valentine and William V. Skall, A.S.C. Color
Edward Fielding, Richard Bartell, Michael Chek¬ by Technicolor: Consultant, Natalie Kalmus. Sets:
hov. Perry Ferguson. Music: Leo F. Forbstein, based on
the theme “Perpetual Movement No. 1” by Francis
1946 Poulenc. Costumes: Adrian. Editing: William H.
NOTORIOUS Ziegler. Studio: Warner Bros. Distributor: Warner
Production: Alfred Hitchcock, R.K.O., 1946. Asso- Bros., 1948, 80 minutes. Principal Actors: James
ciate Producer: Barbara Keon. Director: Alfred Stewart (Rupert Cadell), John Dali (Shawr Brandon),
Hitchcock. Scenario: Ben Hecht, from a theme by Joan Chandler (Janet Walker), Sir Cedric Hardwicke
Hitchcock. Director of Photography: Ted Tetzlaff, (Mr. Kentley, David’s father), Constance Collier
A.S.C. Special Effects: Vernon L. Walker and Paul (Mrs. Atwater), Edith Evanson (Mrs. Wilson, the
Eagler, A.S.C. Sets: Albert S. D’Agostino, Carrol governess), Douglas Dick (Kenneth Law'rence),
Clark, Darrell Silvera and Claude Carpenter. Cos¬ Dick Hogan (David Kentley), Farley Granger
tumes: Edith Head. Music: Roy Webb; conducted by (Philip).
Constantin Balaleinikoff. Editing: Theron Warth.
Sound Engineers: John Tribby and Clem Portman. 1949
Assistant Director: William Dorfman. Studio: UNDER CAPRICORN
R.K.O. Distributor: R.K.O., 1946, 101 minutes. Production: Transatlantic Pictures, Warner Bros.,
Principal Actors: Ingrid Bergman (Alicia Huber- 1949, G.B. Producers: Sidney Bernstein and Alfred
man), Cary Grant (Devlin), Claude Rains (Alex¬ Hitchcock. Managing Producers: John Palmer and
ander Sebastian), Louis Calhern (Paul Prescott), Fred Ahern. Director: Alfred Hitchcock. Scenario:
Leopoldine Konstantin (Mrs. Sebastian), Reinhold James Bridie, from the novel by Helen Simpson. Ad¬
Schiinzel (Doctor Anderson), and Moroni Olsen, aptation: Hume Cronyn. Director of Photography:
Ivan Triesault, Alexis Minotis, Eberhardt Krum- Jack Cardiff, A.S.C., and Paul Beeson, Ian Craig,
schmidt. Fay Baker, Ricardo Costa, Lenore Ulric, David McNeilly, Jack Haste. Sets: Tom Morahan.
Ramon Nomar, Peter von Zerneck, Sir Charles Music: Richard Addinsell; conducted by Louis Levy.
Mandl, Wally Brown. Editing: A. S. Bates. Costumes: Roger Furse. Color
by Technicolor: Consultants, Natalie Kalmus and
1947 Joan Bridge. Studio: M.G.M. at Elstree. Distributor:
THE PARADINE CASE Warner Bros., 1949, 117 minutes. Principal Actors:
Production: Selznick International, 1947. Producer: Ingrid Bergman (Lady Henrietta Fluskv), Joseph
David O. Selznick. Director: Alfred Hitchcock. Sce¬ Cotten (Sam Flusky), Michael Wilding (Charles
nario: David O. Selznick, from the novel hv Robert Adare), Margaret Leighton (Millv), Jack Watting
I lichens. Adaptation: Alma Reville. Director of Pho¬ (Winter, Fluskys secretary), Cecil Parker (Sir Rich¬
tography: Lee Garmes. Sets: J. MacMillian Johnson ard, the tutor), Dennis O’Dea (Corrigan, the Attor-
and Thomas Morahan. Costumes: Travis Banton.

358

ney-General), and Olive Sloan, John Ruddock, Bill from the play by Paul Anthelme, “Our Two Con¬
Shine, Victor Lucas, Ronald Adam, G. H. Mulcas- sciences.” Director of Photography: Robert Burks,
ter, Maureen Delaney, Julia Lang, Betty Mc- A.S.C. Sets: Edward S. Haworth and George James
Dermot, Roderick Lovell, Francis de Wolff. Hopkins. Music: Dimitri Tiomkin, conducted by
Ray Heindorf. Editing: Rudi Fehr, A.C.E. Cos-
1950 fumes: Orry-Kelly. Sound Engineer: Oliver S. Gar-
STAGE FRIGHT retson. Technical Consultant: Father Paul la
Production: Alfred Hitchcock, Warner Bros., 1950, Couline. Police Consultant: Inspector Oscar Tang-
G.B. Director: Alfred Hitchcock. Scenario: Whitfield vay. Studio: Warner Bros. Location Work: Quebec.
Cook, from two stories by Selwyn Jepson, “Man Assistant Director: Don Page. Distributor: Warner
Running” and “Outrun the Constable.” Adaptation: Bros., 1952, 95 minutes. Principal Actors: Montgom¬
Alma Reville. Additional Dialogue: James Bridie. ery Clift (Father Michael Logan), Anne Baxter
Director of Photography: Wilkie Cooper. Sets: Ter¬ (Ruth Grandfort), Karl Malden (Inspector Larrue),
ence Verity. Music: Leighton Lucas, conducted by Brian Aherne (the attorney Willy Robertson), O. E.
Louis Levy. Editing: Edward Jarvis. Sound Engi¬ Hasse (Otto Keller), Dolly Haas (Alma Keller, his
neer: Harold King. Studio: Elstree, G.B. Distributor: wife), Roger Dann (Pierre Grandfort), Charles
Warner Bros., 1950, 110 minutes. Principal Actors: Andre (Father Millais), Judson Pratt (Murphy, a po¬
Marlene Dietrich (Charlotte Inwood), Jane Wyman liceman), Ovila Legare (Vilette, the lawyer), Gilles
(Eve Gill), Michael Wilding (Inspector Wilfred Pelletier (Father Benoit).
Smith), Richard Todd (Jonathan Cooper), Alastair
Sim (Commodore Gill), Dame Sybil Thorndike 1954
(Mrs. Gill) and Kay Walsh, Miles Malleson, Andre DIAL M FOR MURDER
Morell, Patricia Hitchcock, Hector MacGregor, Production: Alfred Hitchcock, Warner Bros., 1954.
Joyce Grenfell. Director: Alfred Hitchcock. Scenario: A. Hitchcock,
from the play by Frederick Knott. Director ofPhotog¬
1951 raphy: Robert Burks, A.S.C. Film: Naturalvision
STRANGERS ON A TRAIN and 3-D. Color: Warner Color. Sets: Edward Carrere
Production: Alfred Hitchcock, Warner Bros., 1951, and George James Hopkins. Music: Dimitri Ti¬
U.S.A. Director: Alfred Hitchcock. Scenario: Ray¬ omkin, conducted by the composer. Costumes:
mond Chandler and Czenzi Ormonde, from the Moss Mabry. Sound Engineer: Oliver S. Garretson.
novel by Patricia Highsmith. Adaptation: Whitfield Editing: Rudi Fehr. Studio: Warner Bros. Distribu¬
Cook. Director of Photography: Robert Burks, tor: Warner Bros., 1954, 88 minutes. Principal Ac¬
A.S.C. Special Photographic Effects: H. F. Koene tors: Ray Milland (Tom Wendice), Grace Kelly
Kamp. Sets: Ted Hawortt and George James Hop¬ (Margot Wendice), Robert Cummings (Mark Halli-
kins. Music: Dimitri Tiomkin, conducted by Ray day), John Williams (Chief Inspector Hubbard), An¬
Heindorf. Costumes: Leah Rhodes. Editing: Wil¬ thony Dawson (Captain Swan Lesgate), Leo Britt
liam H. Ziegler. Sound Engineer: Dolph Thomas. (the narrator), Patrick Allen (Pearson), George
Studio: Warner Bros. Distributor: Warner Bros., Leigh (William), George Alderson (the detective),
1951, 101 minutes. Principal Actors: Farley Granger Robin Hughes (a police sergeant).
(Guy Haines), Ruth Roman (Ann Morton), Robert
Walker (Bruno Anthony), Leo G. Carroll (Senator REAR WINDOW
Morton), Patricia Hitchcock (Barbara Morton), Production: Alfred Hitchcock, Paramount, 1954. Di¬
Laura Elliot (Miriam Haines), Marion Lome (Mrs. rector: Alfred Hitchcock. Scenario: John Michael
Anthony), Jonathan Hale (Mr. Anthony), and How¬ Hayes, from a novelette by Cornell Woolrich. Direc¬
ard St. John, John Brown, Norma Warden, Robert tor of Photography: Robert Burks, A.S.C. Color:
Gist, John Doucette, Charles Meredith, Murray Technicolor. Consultant: Richard Mueller. Special
Alper, Robert B. Williams, Roy Engel. Effects: John P. Fulton. Sets: Hal Pereira, Joseph
McMillan Johnson, Sam Comer and Ray Mayer.
1952 Music: Franz Waxman. Editing: George Tomasini.
I CONFESS Costumes: Edith Head. Assistant Director: Herbert
Production: Alfred Hitchcock, Warner Bros., 1952. Coleman. Sound Engineers: Harry Lindgren and
Associate Producer: Barbara Keon. Supenhsory Pro¬ John Cope. Distributor: Paramount, 1954, 112 min¬
ducer: Sherry Shourdes. Director: Alfred Hitchcock. utes. Principal Actors: James Stewart (L. B. Jeffries,
Scenario: George Tabori and William Archibald, called “Jeff”), Grace Kelly (Lisa Fremont), Wendell
Corey (Thomas J. Doyle, the detective), Thelma Rit-

359

ter (Stella, the nurse), Raymond Burr (Lars Thor- 1956, 99 minutes. Principal Actors: Edmund Gwenn
wald), Judith Evelyn (Miss Lonely Heart), Ross (Captain Albert Wiles), John Forsythe (Sam Mar¬
Bagdasarian (the composer), Georgine Darcy (Miss lowe, the painter), Shirley MacLaine (Jennifer, Har¬
Torse, the dancer), Jesslyn Fax (the lady sculptor), ry’s wife), Mildred Natwick (Miss Gravely), Jerry
Rand Harper (honeymooner), Irene Winston (Mrs. Mathers (Tony, Harry’s son), Mildred Dunnock
Thorwald), and Denny Bartlett, Len Hendry, Mike (Mrs. Wiggs), Royal Dano (Alfred Wiggs), and Par¬
Mahoney, Alan Lee, Anthony Warde, Harry Lan¬ ker Fennelly, Barry Macollum, Dwight Marfield,
ders, Dick Simmons, Fred Graham, Edwin Parker, Leslie Wolff, Philip Truex, Ernest Curt Bach.
M. English, Kathryn Grandstaff, Havis Davenport,
Iphigenie Castiglioni, Sara Berner, Frank Cady. THE MAN WHO KNEW TOO MUCH
Production: Alfred Hitchcock, Paramount, Filmwite
1955 Prod., 1955. Associate Producer: Herbert Coleman.
TO CATCH A THIEF Director: Alfred Hitchcock. Scenario: John Michael
Production: Alfred Hitchcock, Paramount, 1955. Di¬ Hayes and Angus MacPhail, from a story by Charles
rector: Alfred Hitchcock. Second Unit Direction: Bennett and D. B. Wyndham-Lewis. Director of Pho¬
Herbert Coleman. Scenario: John Michael Hayes, tography: Robert Burks, A.S.C. Color: Technicolor.
from the novel by David Dodge. Director of Photog¬ Consultant: Richard Mueller. Special Effects: John
raphy: Robert Burks, A.S.C. Photography Second- P. Fulton, A.S.C. Sets: Hal Pereira, Henry Bum-
Unit: Wallace Kelley. Color: Technicolor. Consul¬ stead, Sam Comer and Arthur Krams. Music: Ber¬
tant: Richard Mueller. Special Effects: John P. Ful¬ nard Herrmann. Lyrics: Jay Livingston and Ray
ton. Process Photo: Farciot Edouart, A.S.C. Sets: Evans: “Whatever Will Be”; “We’ll Love Again”;
Hal Pereira, Joseph MacMillan Johnson, Sam Cantata “Storm Cloud” by Arthur Benjamin and
Comer and Arthur Krams. Music: Lynn Murray. D. B. Wyndham-Lewis, performed by the London
Editing: George Tomasini. Costumes: Edith Head. Symphony Orchestra, under the direction of Ber¬
Assistant Director: Daniel McCauley. Sound Engi¬ nard Herrmann. Editing: George Tomasini, A.C.E.
neers: Lewis and John Cope. Studio: Paramount. Lo¬ Costumes: Edith Head. Sound Engineers: Franz
cation Work: Cote d’Azur, France. Distributor: Paul and Gene Garvin, Western Electric. Assistant
Paramount, 1955, 97 minutes. Principal Actors: Cary Director: Howard Joslin. Studio: Paramount. Loca¬
Grant (John Robie, called “The Cat”), Grace Kelly tion Work: Morocco. Distributor: Paramount, 1956,
(Frances Stevens), Charles Vanel (Bertrani), Jessie 120 minutes. Principal Actors: James Stewart (Doc¬
Royce Landis (Mrs. Stevens), Brigitte Auber (Dan¬ tor Ben MacKenna), Doris Day (Jo, his wife), Daniel
ielle Foussard), Rene Blancard (Commissioner Gelin (Louis Bernard), Brenda de Banzie (Mrs.
Lepic), and John Williams, Georgette Anys, Roland Drayton), Bernard Miles (Mr. Drayton), Ralph Tru¬
Lesaffre, Jean Hebey, Dominique Davray, Russel man (Inspector Buchanan), Mogens Wieth (the am¬
Gaige, Marie Stoddard, Frank Chellano, Otto F. bassador), Alan Mow'bray (Val Parnell), Hilary
Schulze, Guy de Vestel, Bela Kovacs, John Alder- Brooke (Jan Peterson), Christopher Olsen (little
son, Don McGowan, W. Willie Davis, Edward Man- Hank MacKenna), Reggie Malder (Rien, the assas¬
ouk, Jean Martinelli, Martha Bamattre, Aimee sin), and Yves Brainville, Richard Wattis, Alix Tal-
Torriani, Paul “Tiny” Newlan, Lewis Charles. ton, Noel Willman, Caroline Jones, Leo Gordon,
Abdelhaq Chraibi, Betty Baskomb, Patrick Aherne,
1956 Louis Mercier, Anthony Warde, Lewis Martin,
THE TROUBLE WITH HARRY Richard Wordsworth.
Production: Alfred Hitchcock, Paramount, 1956. Di¬
rector: Alfred Hitchcock. Scenario: John Michael 1957
Hayes, from the novel by John Trevor Story. Direc¬ THE WRONG MAN
tor of Photography: Robert Burks, A.S.C. Special Production: Alfred Hitchcock, Warner Bros., 1957.
Effects: John P. Fulton. Color: Technicolor. Con¬ Associate Producer: Herbert Coleman. Director:
sultant: Richard Mueller. Sets: Hal Pereira, John Alfred Hitchcock. Scenario: Maxwell Anderson and
Goodman, Sam Comer and Emile Kuri. Music: Ber¬ Angus MacPhail, from “The True Story of Christo¬
nard Herrmann. Song: “Flaggin’ the Train to Tus¬ pher Emmanuel Balestrero” by Maxw'ell Anderson.
caloosa.” Lyrics: Mack David. Music: Raymond Director of Photography: Robert Burks, A.S.C. Sets:
Scott. Editing: Alma Macrorie. Costumes: Edith Paul Sylbert and William L. Kuehl. Music: Bernard
Head. Studio: Paramount. Distributor: Paramount, Herrmann. Editing: George Tomasini. Assistant
Director: Daniel J. McCauley. Studio: Warner Bros.
Location Work: New York. Technical Consultant:

360

Frank O’Connor (Police Magistrate to the District Mayer. Location Work: New York (Long Island),
Attorney, Queens County, New York). Sound Chicago, Rapid City (Mount Rushmore), South Da¬
Engineer: Earl Crain, Sr. Distributor: Warner kota (National Memorial). Distributor: Metro-Gold-
Bros., 1957, 105 minutes. Principal Actors: Henry wyn-Mayer, 1959, 136 minutes. Principal Actors:
Fonda (Christopher Emmanuel Balestrero, called Cary Grant (Roger Thornhill), Eva Marie Saint.(Eve
“Manny”), Vera Miles (Rose, his wife), Anthony Kandall), James Mason (Phillip Vandamm), Jessie
Quayle (O’Connor), Harold J. Stone (Lieutenant Royce Landis (Clara Thornhill), Leo G. Carroll (the
Bowers), Charles Cooper (Matthews,- a detective), Professor), Philip Ober (Lester Townsend), Jose¬
John Heldabrant (Tomasini), Richard Robbins phine Hutchinson (“Mrs. Townsend,” the house¬
(Daniel, the guilty man), and Esther Minciotti, Do¬ keeper), Martin Landau (Leonard), Adam Williams
reen Lang, Laurinda Barrett, Norma Connolly, (Valerian), and Carleton Young, Edward C. Platt,
Nehemiah Persoff, Lola D’Annunzio, Kippy Camp¬ Philip Coolidge, Doreen Lang, Edward Binns, Rob¬
bell, Robert Essen, Dayton Lummis, Frances Reid, ert Ellenstein, Lee Tremayne, Patrick McVey, Ken
Peggy Webber. Lynch, Robert B. Williams, Larry Dobkin, Ned
Glass, John Berardino, Malcolm Atterbury.
1958
VERTIGO 1960
Production: Alfred Hitchcock, Paramount, 1958. As¬ PSYCHO
sociate Producer: Herbert Coleman. Director: Alfred Production: Alfred Hitchcock, Paramount, 1960.
Hitchcock. Scenario: Alec Coppel and Samuel Tay¬ Unit Manager: Lew Leary. Director: Alfred Hitch¬
lor, from the novel by Pierre Boileau and Thomas cock. Scenario: Joseph Stefano, from the novel by
Narcejac, “D entre les morts." Director of Photogra¬ Robert Bloch. Director of Photography: John L. Rus¬
phy: Robert Burks, A.S.C. Special Effects: John Ful¬ sel, A.S.C. Special Photographic Effects: Clarence
ton. Sets: Hal Pereira, Henry Bumstead, Sam Comer Champagne. Sets: Joseph Hurley, Robert Claworthy
and Frank McKelvey. Color: Technicolor. Consul¬ and George Milo. Music: Bernard Herrmann. Sound
tant: Richard Mueller. Music: Bernard Herrmann; Engineers: Walden O. Watson and William Russell.
conducted by Muir Mathieson. Editing: George To¬ Title Design: Saul Bass. Editing: George Tomasini.
masini. Costumes: Edith Head. Assistant Director: Assistant Director: Hilton A. Green. Costumes:
Daniel McCauley. Sound Engineers: Harold Lewis Helen Colvig. Studio: Paramount. Location Work:
and Winston Leverett. Titles: Saul Bass. Special Se¬ Arizona and California. Distributor: Paramount,
quence: Designed, by John Ferren. Studio: Para¬ 1960, 109 minutes. Principal Actors: Anthony Per¬
mount. Location Work: San Francisco. Distribution: kins (Norman Bates), Vera Miles (Lila Crane, Mar¬
Paramount, 1958, 120 minutes. Principal Actors: ion’s sister), John Gavin (Sam Loomis), Martin
James Stewart (John “Scottie” Ferguson), Kim Balsam (Milton Arbogast, detective), John Mclntire
Novak (Madeleine Elster and Judy Barton), Barbara (Chambers, the Sheriff), Simon Oakland (Doctor
Bel Geddes (Midge), Henry Jones (the coroner), Richmond), Janet Leigh (Marion Crane), Frank Al¬
Tom Helmore (Gavin Elster), Raymond Bailey (the bertson (the millionaire), Patricia Hitchcock (Caro¬
doctor), and Ellen Corby, Konstantin Shayne, Lee line), and Vaughn Taylor, Lurene Tuttle, John
Patrick. Anderson, Mort Mills.

1959 1963
NORTH BY NORTHWEST THE BIRDS
Production: Alfred Hitchcock, Metro-Goldwyn- Production: Universal, 1963. Producer: Alfred Hitch¬
Mayer, 1959. Associate Producer: Herbert Coleman. cock. Director: Alfred Hitchcock. Scenario: Evan
Director: Alfred Hitchcock. Original Scenario: Er¬ Hunter, from the work by Daphne du Maurier. Di¬
nest Lehman. Director of Photography: Robert rector of Photography: Robert Burks, A.S.C. Color:
Burks, A.S.C. Color: Technicolor. Consultant: Technicolor. Special Effects: Lawrence A. Hamp¬
Charles K. Hagedon. Special Photographic Effects: ton. Special Photographic Adviser: Ub Iwerks. Pro¬
A. Arnold Gillespie and Lee Le Blanc. Sets: Robert duction Director: Norman Deming. Sets: Robert
Boyle, William A. Horning, Merrill Pyle, Henry Boyle and George Milo. Sound Consultant: Bernard
Grace and Frank McKelvey. Music: Bernard Herr¬ Herrmann. Composition and Production of Elec¬
mann. Editing: George Tomasini. Title Design: tronic Sound: Remi Gassman and Oskar Sala. Bird
Saul Bass. Sound Engineer: Frank Milton. Assistant Trainer: Ray Berwick. Assistant Director: James H.
Director: Robert Saunders. Studio: Metro-Goldwyn- Brown. Assistant to Hitchcock: Peggy Robertson. //-

361

lustrator: Alfred Whitlock. Credits: James A. Poliak. 1969
Editing: George Tomasini. Studio: Universal. Loca¬ TOPAZ
tion Work: Bodega Bay, California, San Francisco. Production: Universal. Producer: Alfred Hitchcock.
Distributor: Universal, 1963, 120 minutes. Principal Associate Producer: Herbert Coleman: Director:
Actors: Rod Taylor (Mitch Brenner), Tippi Hedren Alfred Hitchcock. Scenario: Samuel Taylor, from
(Melanie Daniels), Jessica Tandy (Mrs. Brenner), the novel by Leon Uris. Director of Photography:
Suzanne Pleshette (Annie Hayworth), Veronica Jack Hildyard. Color: Technicolor. Music: Maurice
Cartwright (Cathy Brenner), Ethel Griffies (Mrs. Jarre. Sets: John Austin and Henry Bumstead. Cos¬
Bundy), Charles McGraw (Sebastian Sholes), Ruth tumes: Edith Head and Pierre Balmain. Editing:
McDevitt (Mrs. MacGruder), and Joe Mantell, Mal¬ William Ziegler. Sound: Waldon O. Watson and
colm Atterbury, Karl Swenson, Elizabeth Wilson, Robert R. Bertrand. Assistant Directors: Douglas
Lonny Chapman, Doodles Weaver, John Mc¬ Green and James Westman. Assistant to Alfred
Govern, Richard Deacon, Doreen Lang, Bill Quinn. Hitchcock: Peggy Robertson. French Technical
Advisers: J. P. Mathieu and Odette Lerry. Studio:
1964 Universal. Location Work: West Germany, Copen¬
MARNIE hagen, New York, Washington, Paris. Distribution:
Production: Alfred Hitchcock, Universal, 1964. Pro¬ Universal, 1969, 127 minutes. Principal Actors: Fred¬
ducer: Albert Whitlock. Director: Alfred Hitchcock. erick Stafford (Andre Devereaux), Dany Robin (Ni¬
Scenario: Jay Presson Allen, from the novel by Win¬ cole Devereaux), John Vernon (Rico Parra), Karin
ston Graham. Director of Photography: Robert Dor (Juanita de Cordoba), Michel Piccoli (Jacques
Burks, A.S.C. Color: Technicolor. Sets: Robert Granville), Philippe Noiret (Henri Jarre), Claude
Boyle and George Milo. Music: Bernard Herrmann. Jade (Michele Picard), Michel Subor (Franqois Pi¬
Editing: George Tomasini. Assistant Director: card), Roscoe Lee Browne (Philippe Dubois), Per-
James H. Brown. Assistant to Hitchcock: Peggy Rob¬ Axel Arosenius (Boris Kusenov), John Lorsythe (Mi¬
ertson. Sound Engineers: Waldon O. Watson, Wil¬ chael Nordstrom), Edmond Ryan (McKittreck),
liam Green. Distributor: Universal, 1964, 120 min¬ Sonja Kolthoff (Mrs. Kusenov), Tina Hedstrom (Ta¬
utes. Principal Actors: Tippi Hedren (Marnie Ed¬ mara Kusenov), John Van Dreelen (Claude Martin),
gar), Sean Connery (Mark Rutland), Diane Baker Don Randolph (Luis Uribe), Roberto Contreras
(Lil Mainwaring), Martin Gabel (Sidney Strutt), (Munoz), Carlos Rivas (Hernandez), Lewis Charles
Louise Latham (Bernice Edgar, Mamie’s mother), (Mr. Mendoza), Anna Navarro (Mrs. Mendoza),
Bob Sweeney (Cousin Bob), Alan Napier (Mr. Rut¬ John Roper (Thomas), George Skaff (Rene d’Arcy),
land), S. John Launer (Sam Ward), Mariette Hartley Roger Til (Jean Chabrier), Sandor Szabo (Emile
(Susan Clabon), and Bruce Dern, Henry Beckman, Redon), Lew Brown (an American official).
Edith Evanson, Meg Wyllie.
1972
1966 FRENZY
TORN CURTAIN Production: Universal. Producer: Alfred Hitchcock.
Director: Alfred Hitchcock. Scenario: Brian Moore. Associate Producer: Bill Hill. Production Director:
Director of Photography: John F. Warren, A.S.C. Brian Burgess. Director: Alfred Hitchcock. Scenario:
Sets: Frank Arrigo. Sound: Waldon O. Watson and Anthony Shaffer, from the novel by Arthur La Bern,
William Russell. Music: John Addison. Editing: Bud “Goodbye Piccadilly, Farewell Leicester Square.”
Hoffman. Assistant Director: Donald Baer. Principal Director of Photography: Gil Taylor. Color: Techni¬
Actors: Paul Newman (Professor Michael Arm¬ color. Special Effects: Albert Whitlock. Music: Ron
strong), Julie Andrews (Sarah Sherman), Lila Ke¬ Goodwin. Sets: Sydney Cain and Robert Laing. Cos¬
drova (Countess Kuchinska), Hans-joerg Felmy tumes: Dulcie Midwinter. Editing: John Jympson.
(Heinrich Gerhard), Tamara Toumanova (Balle¬ Sound: Peter Handford and Gordon K. McCallum.
rina), Wolfgang Kieling (Hermann Gromek), Gunter Assistant Director: Colin Brewer. Assistant to Alfred
Strack (Professor Karl Manfred), Ludwig Donath Hitchcock: Peggy Robertson. Studio: Pinewood. Lo¬
(Professor Gustav Lindt), David Opatoshu (Mr. Ja¬ cation Work: London. Distribution: Universal, 1972,
cobi), Gisela Lischer (Dr. Koska), Mort Mills 116 minutes. Principal Actors: Jon Finch (Richard
(Larmer), Carolyn Conwell (Larmer’s wife), Arthur Blaney), Alec McCowen (Inspector Oxford), Barry
Gould-Porter (Freddy), Gloria Gorvin. Foster (Bob Rusk), Barbara Leigh-Hunt (Brenda Bla¬
ney), Bernard Cribbins (Forsythe), Anna Massey

362

(Barbara “Babs” Milligan), Vivien Merchant (Mrs. tern.” Director of Photography: Leonard South.
Oxford), Billie Whitelaw (Hetty Porter), Elsie Ran¬ Color: Technicolor. Special Effects: Albert Whit¬
dolph (Gladys, the hotel employee), Rita Webb lock. Music: John Williams. Sets: Henry Bumstead
(Mrs. Rusk), Clive Swift (Johnny Porter), Jean and James Payne. Costumes: Edith Head. Editing:
Marsh (Monica Barling, Brenda’s secretary), Madge Terry Williams. Sound: James Alexander and Robert
Ryan (Mrs. Davison), George Tovey (Mr. Salt), Hoyt. Assistant Directors: Howard G. Kazanjian and
John Boxer (Sir George), Noel Johnson and Gerald Wayne Farlow. Studio: Universal. Distribution:
Sim (two men at the bar), June Ellis (the barmaid), Universal, 1976, 120 minutes. Principal Actors:
Bunny May (the barman), Robert Keegan (the hos¬ Karen Black (Fran), Bruce Dern (George Lumley),
pital patient), Jimmy Gardner (the hotel porter), Mi¬ Barbara Harris (Blanche Tyler), William Devane
chael Bates (Sergeant Spearman). (Arthur Adamson), Cathleen Nesbitt (Julia Rain-
bird), Ed Lauter (Joseph Maloney), Katherine Hel-
1976 mond (Mrs. Maloney), Warren J. Kemmerling
FAMILY PLOT (Grandison), Edith Atwater (Mrs. Clay), William
Production: Universal. Producer: Alfred Hitchcock. Prince (the bishop), Nicolas Colasanto (Constan¬
Production Director: Ernest Wehmeyer. Director: tine), Marge Redmond (Vera Hannagan), John
Alfred Hitchcock. Scenario: Ernest Lehman, from Lehne (Andy Bush), Charles Tyner (Wheeler), Alex¬
the novel by Victor Canning, “The Rainbird Pat¬ ander Lockwood (the pastor), Martin West (Sanger).

SELECTED BIBLIOGRAPHY Noble, Peter—An Index to the Creative Work of
Alfred Hitchcock (Sight and Sound Supplement:
Amengual, BARTHfiLfiMY and Borde, Raymond— “Index Series,” No. 18, London 1949)
Alfred Hitchcock (Premier Plan, Serdoc, Lyon
1960) Perry, George—The Films of Alfred Hitchcock
(Studio Vista Ltd., London 1965; E. P. Dutton and
Bogdanovich, Peter—The Cinema of Alfred Hitch¬ Co. Inc., New York 1965)
cock (The Museum of Modern Art Film Library/
Doubleday & Co. Inc., New York 1962) Wood, Robin—Hitchcock's Films (A. Zwemmer
Ltd., London 1965; A. S. Barnes and Co. Inc.,
Cahiers du Cinema—No. 39 (Special Issue), Paris, New York 1965)
October 1953

Cahiers du Cinema—No. 62, Paris, August-Sep-
tember 1956

Manz, Hans-Peter—Alfred Hitchcock (Sanssouci
Verlag, Zurich, 1962)

363

INDEX OF FILM TITLES

Airport, 333, 343 Girl Was Young, The (see 151, 158n, 227, 228, 254, 201, 202, 205, 259, 260,
Airport 1975, 343 Young and Innocent) 323, 325, 328, 336, 345, 268, 269, 272, 282, 283,
Airport 77, 343 360 323, 325, 328, 329, 333,
Always Tell Your Wife, 27, Glass Wall, The, 252 Man Who Loved Women, 334, 342, 361
Gold Rush, The, 327 The, 342
351 Gone with the Wind, 129 Manxman, The, 61, 353 Rake’s Progress, The, 121
Aventure Malgache, 161, Grand Illusion, The, 327 Marnie, 158n, 301, 304, Rear Window, 11, 20, 73,
Grapes of Wrath, The, 133 307, 315, 325, 327, 328,
357 Great Day, The, 350 331, 346, 362 111, 158n, 213, 214n, 216,
Green for Danger, 121 Mary (German version of 218, 222, 223, 242, 265,
Barefoot Contessa, The, Murder), 354 307, 317, 319, 323, 359
325 Harmony Heaven, 353 Miss Julie, 202 Rebecca, 11, 118, 127, 129,
Hatari, 20 Mr. and Mrs. Smith, 139, 131, 140, 143, 158n, 183,
Ben Hur, 19, 325 314, 356 186, 187, 216, 246, 306,
Bicycle Thief, The, 102 I Am a Fugitive from a Monsieur Prince (see 343, 356
Big Deal on Madonna Chain Gang, 91 Whiffles) Rich and Strange, 78, 81,
Mountain Eagle, The, 39, 85, 354
Street, 309 I Confess, 61, 158n, 195, 352 Rififi, 14
Big Lift, The, 249 199, 200n, 202, 203, 204, Miide Tod, Der (see Ring, The, 52, 54, 85, 352
Birds, The, 12, 19, 69, 98, 206, 207, 333, 346, 359 Destiny) Roman Holiday, 84, 320
Murder, 73, 74, 75, 77, Rope, 158n, 179, 180, 182,
99, 102, 131, 154, 158, Intolerance, 27 158n, 205, 304, 354 183, 184, 189, 199, 212,
158n, 180n, 201, 205, 222, I See a Dark Stranger, 121 227, 358
253, 254, 263, 266, 268, Italian Straw Hat, 124 Naked Island, 102 Rules of the Game, The,
285, 286n, 287, 290, 295, Nickelodeon, 342 327
297, 304, 323, 325, 327, Jamaica Inn, 121, 122, 187, Night of the Hunter, The,
329n, 361 356 Sabotage, 107, 108, 109,
Birth of a Nation, The, 27 316 110, 111, 131, 145,265,
Blackguard, The, 30, 122, Joan of Arc, 189 North by Northwest, 11, 19, 355
352 Jules and Jim, 11, 206, 315
Blackmail, 61, 63, 64, 82, Juno and the Paycock, 69, 102, 107, 139, 145, 150, Saboteur, 145, 150, 151, 357
158n, 205, 329, 353 158n, 248, 249, 250, 254, Secret Agent, The, 105,
Bluebeard’s Eighth Wife, 212, 319, 353 256, 260, 262, 265, 319, ^ 107, 219, 313, 355
325 323, 327, 328, 333, 343, Seven Capital Sins, 96n
Bon Voyage, 160, 163, 357 King in New York, A, 327 345, 361 Shadow of a Doubt, 109,
Boomerang, 239 King Kong, 342 Northside 777, 239
Bramble Bush, The, 209 King Solomon’s Mines, 248 Notorious, 11, 116, 151, 151, 152n, 153, 155, 158n,
158n, 165, 167, 168, 169, 182, 191, 199, 216, 333,
Call of Youth, The, 350 La Chienne, 325 170, 171, 172, 186, 191, 346, 357
Champagne, 57, 353 Ladv Vanishes, The, 20, 213, 259, 261, 262, 343, Short Night, The, 12, 327,
Citizen Kane, 295n 346, 358 343
Cleopatra, 320, 329n 116, 118, 121, 127, 137, Number Seventeen, 81, 85, Singin’ in the Rain, 173
138, 158n, 356 354 Skin Game, The, 77, 354
Destiny, 26 Last Laugh, The, 31 Number Thirteen, 29, 351 So Long at the Fair, 121
Diabolique, 243 Lifeboat, 155, 159, 227, 357 Sous le Ciel de Paris, 224
Dial M for Murder, 158n, Limelight, 146 Old Acquaintance, 102 Spellbound, 11, 118, 120,
Lodger, The, 39, 43, 44, 47, 158n, 163, 165, 167, 169,
209, 212, 226, 272, 333, 49, 52, 63, 64, 123, 142, Paradine Case, The, 11, 183, 306, 357
346, 359 158n, 163, 337, 352 158n, 167, 173, 187, 205, Spy, The, 91, 98n
Downhill, 51, 352 Lord Camber’s Ladies, 82, 218, 306, 358 Stage Fright, 158n, 189,
354 193, 333, 359
Easy Virtue, 51, 72, 73, 352 Lovers of Verona, The, 173 Passionate Adventure, The, Star Is Born, A, 173
Elstree Calling, 69, 353 30, 352 Strangers on a Train, 158n,
M, 91 191, 193, 194n, 195, 198,
Family Plot, 12, 327, 339, Magnificent Ambersons, Place in the Sun, A, 197 199, 260, 323, 328, 359
341, 342, 343, 363 Pleasure Garden, The, 31, Stromboli, 325
The, 295n Suspicion, 44, 140, 141,
Farmer’s Wife, The, 31, 55, Man Between, The, 249 39, 352 142, 143, 195, 357
57, 353 Man on a Tightrope, 249 Princess of New York, The,
Man Who Knew' Too Tell Your Children, 350
Fireworks, 19 350 Testament of Dr. Mabuse,
Foreign Correspondent, Much, The (1934), 86, Prude’s Fall, The, 30, 31,
87, 89, 90, 91, 92, 93, 94, The, 91
133, 135, 137, 139, 145, 121, 193, 227, 308, 355 352
356 Man Who Knew Too Psycho, 12, 19, 124, 150,
Frenzy, 12, 329, 333, 334, Much, The (1956), 86,
336, 338, 339, 344, 362 90,91,92, 93,94, 107 153, 158n. 189, 195, 200,

364

That Obscure Object of Topaz, 12, 330, 331, 332, Vertigo, 11, 19, 20, 81, 111, Sabotage)
Desire, 34In 339, 341, 362 Woman to Woman, 29, 172,
158n, 165, 187, 206, 243,
Thirtv-nine Steps, The, 47, Tora! Tora! Tora!, 333 246, 247, 248, 253, 259, 351
94, 98, 99, 138, 145, 150, Torn Curtain, 12, 183, 309, 301, 316, 323, 325, 361 Wreck of the Mary Deare,
158n, 172, 249, 327, 333,
355 313, 328, 331, 362 Waltzes from Vienna, 85, The, 248
Trouble with Harry, The, 86, 87, 193, 314, 354 Wrong Man, The, 16, 174,
Thirty-nine Steps, The
(Ralph Thomas remake), 77, 95, 226, 227, 295n, Way Down East, 57 202, 235, 239, 240, 242,
98, 99 360 What Price Hollywood?, 173 243, 317, 333, 360
Whiffles, 27
Three Live Ghosts, 350 Under Capricorn, 61, 158n, White Shadow, The, 30, Young and Innocent, 111,
Titanic, The, 343 171, 184, 185, 186, 187, 114, 158n, 355
To Catch a Thief, 13, 107, 189, 193, 358 351
Woman Alone, The (see Z, 331
158n, 222, 223, 224, 226,
360

INDEX OF NAMES

Abel, Alfred, 77 Berkeley, Anthony (see lies, 202, 203, 204, 205, 206, Deneuve, Catherine, 343
Agate, James, 69 Francis) 249 Dern, Bruce, 341
Age and Scarpelli (Agenore Cocteau, Jean, 12 Devane, William, 341
Bernstein, Sidney, 160 Colbert, Claudette, 325 Dew, Inspector, 223
Incrocci and Furio Billard, Pierre, 330 Colman, Ronald, 173 Dietrich, Marlene, 190, 191
Scarpelli), 309 Bjork, Anita, 202 Connery, Sean, 301, 304, Dixon, Campbell, 105
Aherne, Brian, 205 Black, Karen, 341 331, 343, 346 Donat, Robert, 95, 96, 98,
Anderson, Judith, 128 Blake, George, 343 Conrad, Joseph, 107
Anderson, Mary, 155n Bogart Humphrey, 216 Cooper, Gary, 133 99, 109, 138
Andrews, Julie, 309, 328, Bogdanovich, Peter, 342 Corey, Wendell, 214n Dostoyevsky, Fyodor, 20,
331 Boileau, Pierre, 243, 317 Costa-Gavras, Constantin,
Angel, Heather, 155n Bourke, Sean, 343 331 71, 72, 95
Anger, Kenneth, 19 Bridie, James, 173, 186 Cotten, Joseph, 73, 152n, Douchet, Jean, 266
Anthelme, Paul, 199 Brisson, Carl, 52 153, 154, 172, 186n, 187, Dreiser, Theodore, 197
Auber, Brigitte, 13, 224 Buchan, John, 95, 307, 308 191, 346 du Maurier, Daphne, 71,
Audrey, Robert, 152 Bunuel, Luis, 18, 341n Coward, Noel, 51
Burks, Robert, 328 Cox, A. B. (see lies, 122, 129, 285, 286
Balcon, Michael, 27, 31, 39, Burr, Raymond, 214n Francis) du Maurier, Sir Gerald, 82
86, 87, 122 Crippen, Dr. (alias Mr. Duvivier, Julien, 77, 224
Caine, Sir Hall, 61 Robinson), 222, 223, 242
Balsam, Martin, 266n Canning, Victor, 339 Crisp, Donald, 350 Eisenstein, Sergei, 17, 18
Bankhead, Tallulah, 155n, Capra, Frank, 156 Cronyn, Hume, 155n, 179, Elizabeth II, Queen of
Carey, Harry, 146 . 186
156 Carey, MacDonald, 152n Cummings, Robert, 145, England, 345
Bara, Theda, 41 Carlo-Rim, 96n 209n Epstein, Jacob, 86
Bardot, Brigitte, 224 Carroll, Leo G., 165n, 250 Curtiz, Michael, 77
Barnes, George, 118 Castro, Fidel, 330 Cutts, Graham, 30, 172 Fairbanks, Douglas, 26
Barrie, Sir James, 307 Cayatte, Andre, 173 Fellini, Federico, 18
Barry, Joan, 64 Celine, Louis-Ferdinand, Dali, Salvador, 11, 165, 341 Finch, Jon, 339
Barrymore, Ethel, 174 Dali, John, 179n Fitzmaurice, George, 350
Bass, Saul, 273 20 Dane, Clemence, 73, 122 Fonda, Henry, 239, 240,
Baxter, Anne, 202 Darnell, Linda, 325
Bazin, Andre, 347 Cezanne, Paul, 319 Datas, 98 242, 317
Becker, Jacques, 260 Chabrol, Claude, 13, 14, Dauphin, Claude, 161 Fontaine, Joan, 128, 140,
Bel Geddes, Barbara, 243n. Davis, Bette, 102
Bendix, William, 155n, 158 17, 107, 163, 304 Dawson, Anthony, 209n 142, 246, 345
Bennett, Charles, 87, 95, Chandler Raymond, 193 Day, Doris, 86n, 107, 325 Ford, Hugh, 350
Chaplin, Charles, 26, 29, Day, Laraine, 133, 134 Ford, John, 18, 19, 133,
127, 133 Debussy, Claude, 308
Benson, Sally, 152 124, 345, 346, 348 De Chirico, Giorgio, 165 325, 346
Bergman, Ingmar, 18, 20 Chapman, Edward, 69 de Gaulle, General Charles, Forsythe, John, 226n, 227
Bergman, Ingrid, 116, 118, Chekhov, Michael, 165n Foster, Barry, 339
Christie, Agatha, 74, 189 325, 329, 331 Freedman, John, 29
120, 140, 165, 167, 168, Churchill, Sir Winston, 89, Freeman, David, 327, 344
169n, 170, 171, 172, 173, Fresnay, Pierre, 91, 228
185, 186, 187, 189, 261, 90
325, 345 Clair, Rene, 77, 124 Gable, Clark, 139 _
Clift, Montgomery, 200n, Galsworthy, John, 77
Garbo, Greta, 173

365

Gardner, Ava, 325 lies, Francis (pseud, of A. Lubitsch, Ernst, 18, 77, 268, 269, 272, 276, 277,
Gavin, John, 266n, 268 B. Cox), 141 140, 348 282, 342, 345
Gelin, Daniel, 91, 228, 229, Perutz, Leon, 47
Incrocci, Agenore (see Age Lupin, Arsene, 223 Piccoli, Michel, 331, 332
231 and Scarpelli) Pickford, Mary, 26
McCarey, Leo, 77 Pinero, Sir Arthur Wing,
Geraghty, Carmelita, 36 Inge, William, 18 McCrea, Joel, 133, 134 132
Gielgud, Sir John, 105 Innes, Hammond, 248 MacDonell, Margaret, 152 Pleshette, Suzanne, 286n
Gilliat, Sidney, 121, 122 MacLaine, Shirley, 226n, Poe, Edgar Allan, 20
Godard, Jean-Luc, 18 Jack the Ripper, 43, 44, 46, Pommer, Erich, 122
Goebbels, Dr. Paul J., 137 337 227 Porter, Edwin S., 57
Goetzke, Bernhard, 26 McLaren, Norman, 19 Prevert, Jacques, 173
Graham, Winston, 301, 325 Jade, Claude,331 MacPhail, Angus, 163 Priestley, J. B., 122
Granger, Farley, 179n, Jannings, Emil, 31 Magnani, Anna, 325 Proust, Marcel, 12, 327
Jourdan, Louis, 173, 175, Mahon, Patrick, 222, 242 Pudovkin, Vsevolod, 214
194n, 195, 197, 199 Mamoulian, Rouben, 329n
Grant, Cary, 13, 44, 102, 176, 177 Mander, Miles, 31, 33 Rainier, Prince of Monaco,
Mankiewicz, Joseph L., '325
107, 139,142, 143, 167, Kafka, PVanz, 20
168, 169n, 170, 171, 172, Kantor, MacKinlay, 156 329n Rains, Claude, 103, 169n,
223, 226, 228, 249, 250, Kazan, Elia, 249 Mareze, Janie, 325 170, 171, 172, 191, 346
251, 254, 256, 257, 261, Keaton, Buster, 26 Marshall, Herbert, 74, 77,
262, 265, 323, 325, 345 Kellv, Grace, 73, 140, 209n, Raphaelson, Samson, 141
Gray, Hugh, 347 133 Raymond, Gene, 140
Griffith, David Wark, 26, 212, 214n, 216, 222, 223, Mason, James, 107, 139, Redgrave, Sir Michael,
27, 56, 57, 184, 250 224, 226, 272, 301, 307,
Guinness, Sir Alec, 141 325, 327, 331, 339, 345,. 251 118n
Gwenn, Edmund, 77, 226n, 346 Massey, Anna, 339 Reed, Carol, 249
227 Kipling, Rudyard, 138 Matthau, Walter, 343 Renoir, Jean, 12, 77, 325
Kirkbride, Ronald, 343 Maugham, Somerset, 105, Reville, Alma (see
Hamilton, Patrick, 179 Konstantin, Leopoldine,
Hammarskjold, Dag, 252 172 316 Hitchcock, Alma)
Harker, Gordon, 55 Korda, Sir Alexander, 95, Maxwell, John, 85, 86 Robin, Dany, 331, 332
Harris, Barbara, 341 109 Melies, Georges, 334 Rogers, Will, 146
Harrison, Joan, 127, 141 Krasna, Norman, 139 Merchant, Vivien, 339 Rohmer, Eric, 17, 107, 163
Harrison, Rex, 87 Kuleshov, 214 Merimee, Prosper, 110 Roman, Ruth, 198
Hasse, Otto E., 200n Miles, Vera, 242, 247, 266n Rossellini, Roberto, 325,
Hawks, Howard, 18, 19, 20, La Bern, Arthur, 333 Milland, Ray, 209n, 272
Lancaster, Burt, 187 Millikan, Dr. Robert A., 346
77, 346 Lane, Priscilla, 146, 150 Rouault, Georges, 319
Hayes, John Michael, 222, Lang, Fritz, 26, 77, 91, 98n 168 Russell, Countess, 84
Langlois, Henri, 313 Mitchum, Robert, 316 Russell, Jane, 224
227 Laughton, Charles, 122, Monroe, Marilyn, 224
Hazen, Joseph, 168 Montgomery, Robert, 140 Saint, Eva Marie, 107,
Hecht, Ben, 163, 167, 168, 173n, 174, 205, 316 Moore, Kieron, 187 249n, 251, 262
Launder, Frank, 121 More, Kenneth, 98
186, 193 Laurents, Arthur, 179 Mosjoukine, Ivan, 214 Samuels, Charles Thomas,
Hedren, Tippi, 254, 286n, Lawrence, Gertrude, 82 Muni, Paul, 91 12
Lee, Canada, 155n Murnau, F. W., 17, 26, 31,
288, 295, 301n, 306, 327, Lee-Thompson, 47 Sandvs, Oliver, 31
346 Lehman, Ernest, 248, 339, 47, 55, 96 “Sapper,” 87
Helmore, Tom, 243n Saville, Victor, 29
Herrmann, Bernard, 94, 343, 344 Naldi, Nita, 41 Scarpelli, Furio (see Age
295, 328 Leigh, Janet, 266, 268, 269, Narcejac, Thomas, 243, 317
Hessling, Catherine, 325 Newman, Paul, 309, 311, and Scarpelli)
Hichens, Robert, 173 272, 277, 282, 334, 342, Scott, Helen, 12, 14, 347
Hicks, Seymour, 27 345 313, 328, 331 Selznick, David O., 11, 121
Higham, Charles, 20 Leigh-Hunt, Barbara, 339 Newton, Robert, 177
Highsmith, Patricia, 197 Leighton, Margaret, 186n, Noiret, Philippe, 331, 332 127, 128, 129, 133, 140,
Hitchcock, Alma (nee 187 Novak, Kim, 243n, 245,’ 145, 152, 159, 163, 173,
Reville), 30, 31, 33, 36, Lejeune, C. A., 216 194, 195, 323, 329, 343,
78, 141, 173, 339, 343, Leonard, Elmore, 343 246, 247, 248, 301, 325 347
345, 346 LeRoy, Mervyn, 91 Novello, Ivor, 43, 49, 51 Shakespeare, William, 74,
Hitchcock, Patricia, 190 Levy, Benn W., 82, 329 283
Hitler, Adolf, 73 Lloyd, Frank, 146 O’Casey, Sean, 69, 292, 319 Shaw, Irwin, 18
Hodiak, John, 155n Lloyd, Norman, 146, 344 Olivier, Sir Laurence, 128, Sheean, Vincent, 133
Holden, William, 199 Lockwood, Margaret, 118n Sherwood, Robert, 128
Homolka, Oscar, 108, 109, Loder, John, 108n, 109 173, 177, 306 Sidney, Sylvia, 108n, 110,
110 Lombard, Carole, 139, 140 Ondra, Anny, 64 111'
Hopkins, Miriam, 325 Loren, Sophia, 224 Ormonde, Czenzi, 193 Sim, Alastair, 190
Hull, Henry, 155n Lorre, Peter, 91, 106n, 111, Simmons, Jean, 121
Hunter, Ian, 52, 54 297 Parker, Dorothy, 146 Skirball, Jack II., 146
Lowndes, Mrs. Belloc, 43 Pasternak, Joseph, 77 Slezak, Walter, 155n
Peck, Gregory', 165, 167, Smith, G. A., 57

173, 177, 218, 249, 306
Perkins, Anthony, 266n,

366

Spoto, Donald, 327 Tavlor, Samuel, 330 Vintigmilia, Baron, 31, 33, Wilder, Billy, 77
Stafford, Frederick, 331 Tetzlaff, Ted, 171, 172 34 Wilder, Thornton, 151, 152,
Steinbeck, John, 156 Thinnes, Roy, 341n
Stewart, James, 20, 86n, Thomas, Ralph, 98, 99 Von Stroheim, Eric, 18, 20, 153
Thompson, Dorothy, 156 348 Wilding, Michael, 186n
107, 111, 141, 151, 179n, Todd, Ann, 173n, 174 Williams, Tennessee, 18
184, 214n, 216, 217, 219, Todd, Richard, 190 Wagner, Richard, 328 Wood, Sam, 152
222, 223, 227, 228, 229, Trnka, Jiri, 19 Walker, Robert, 172, 191, Woolrich, Cornell, 213
243, 244, 245, 246, 247, Wright, Frank Lloyd, 254
253, 265, 301, 307, 317, Ullmann, Liv, 343 194n, 195, 197, 199 Wright, Teresa, 152n, 155,
319, 323, 325 Wallis, Hal, 168
Story, Jack Trevor, 216 Valentine, Joseph, 182 Walsh, Raoul, 19 345
Stravinsky, Igor, 328 Valli, Alida, 173, 174, 175, Wanger, Walter, 133, 329n Wyler, William, 19
Subor, Michel, 331 Warren, Jack, 183 Wyman, Jane, 158n, 190
Swerling, Jo, 156 205 Wasserman, Lew, 323, 342 Wyndham-Lewis, D. B., 87
Valli, Virginia, 33, 34 Waxman, Franz, 216
Tandv, Jessica, 154, 290, van der Post, Laurens, 248 Welles, Orson, 18, 295n Young, Robert, 105
295 Van Druten, John, 82, 84, White, Ethel Lina, 121
W'hitelaw, Billie, 339 Zanuck, Darryl F., 329n
Taylor, Rod, 286n, 288, 102 Whitty, Dame May, 118n
297, 323 Wilde, Oscar, 153
Verneuil, Louis, 199

367

,



860370 791.^3
H63tr
Truffaut
Hitchcock

DATE DUE

DEC-3 ’85

fib *
FEB 2S '86

uM 20
m 9 '8?

JV;

f* r; t 5 W

OLIVER WENDELL HOLMES LIBRARY
PHILLIPS ACADEMY
ANDOVER, MASS.

(continued from front flap)

nized as one of the greatest directors
of all time.

Even if you are already familiar with
the earlier book, no one interested in
Hitchcock or the movies will want to
miss this definitive version of Truffaut’s
famous study. For this revised edition,
Truffaut has added a new preface, has
revised throughout the pictures and
layout, and has supplied a final chap¬
ter taking the story down to Hitch¬
cock’s death. The chapter includes a
discussion of Topaz, Frenzy, Family
Plot, and The Short Night, the last four
film projects of Hitchcock’s long ca¬
reer. The filmography and index have
also been revised. Now more than
ever Hitchcock is the major work of its
kind, perhaps the most insightful study
on cinema ever written—a master
filmmaker’s classic about the master
filmmaker.

Frangois Truffaut was born in Paris in
1932. He directed his first movie in
1955. Since then he has made such
classic films as Jules and Jim, Shoot
the Piano Player, The Story of Adele
H., and Day for Night.

Jacket design by John and Mary Condon

Printed in U S A. Copyright © 1984 Simon & Schuster, Inc.

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