The Contemporary Art Collectors Guide

GUIDE S Ã O R A F A E L G A L L E R I E S T H E C O N T E M P O R A R Y A R T C O L L E C T O R S ARTISTS TO KNOW The provocative names that shape and challenge the contemporary art world. ESSAYS AND ART REVIEWS of relevant issues affecting collectors and art enthusiasts. QUOTES AND INTERVIEWS of leading contemporary artists,

GUIDE S Ã O R A F A E L G A L L E R I E S T H E C O N T E M P O R A R Y A R T C O L L E C T O R S

TITLE: The Contemporary Art Collectors Guide AUTHORS: Sílvia Raposo and Mónica Kahlo PUBLISHER: São Rafael Galleries 1st Edition: September 2023 EDITORIAL BOARD: Sílvia Raposo and Mónica Kahlo All rights reserved by: São Rafael Galleries Photocomposition: Mónica Kahlo and Sílvia Raposo Cover design: Sílvia Raposo Distribution: Chiado Editora ISBN: 9789464857573

C O N T E N T S 08. EDITOR'S LETTER 17. ABOUT THE EDITOR 18. FEATURES: LEONOR TRINDADE SOUSA, CECÍ L IA ACEVEDO 22. SUSTAINABILITY AND FIBER ART: REDEFINING TRADITIONAL ART FORMS WITH CECÍLIA ACEVEDO 26. FEATURES: JAMAL MASARWA, KWAME KODA 32. EXPLORING ART THROUGH THE LENS:A CONVERSATION WITH THE PHOTOGRAPHER AND CREATIVE DIRECTOR KWAME KODA 37. FEATURES: BOGUSZAK, JEANDAVID NIANGORAN, SE FENG'ER, TEBO, ASHIMA KUMAR 43. INTERVIEW WITH ASHIMA KUMAR ON VISUAL CONTRAST AND BLENDING TRADITIONAL ELEMENTS 48. FEATURES: AROBIEKE TOMIWA, L I L IA LUJÁN, GABRIELA GONZÁLEZ, FABIÁN CARO, GULNAR SACOOR 56. UNLOCKING THE DIVINE WITHIN: GULNAR SACOOR DISCUSSES HOW ART CAN ELEVATE THE SOUL 60. FEATURES: HOSSAM DIRAR, SHELINA KHIMJ I, JOÃO FREIRE 63. WEARABLE ART: EMPÓRIO ARAGÃO 70. FEATURES: CATARINA DIAZ 01

72. FROM ANALOG TO DIGITAL: AN INTERVIEW WITH CATARINA DIAZ ON NFTS AND CREATIVE INNOVATION 77. FEATURES: MARINA EMPHIETZI, L I L LY HEL JA- JONASSON, 80. SEEING BEYOND THE SURFACE: EXPLORING THE TRANSFORMATIVE POWER OF 3D HOLOGRAPHY IN ART BY SÍLVIA RAPOSO & MÓNICA KAHLO 70. ARTBOX VR; THE GAL LERY REIMAGINED - ENTER A WORLD BEYOND THE FRAME 89. FEATURES: CARLOS TEIXEIRA, MARIA IMPERATORE, RODOLFO M. COSTA, ANTÓNIO AZENHA 93. AN INTERACTIVE PARTY FOR CONTEMPORARY ART: AN ARTICLE ON ANTÓNIO AZENHA SCULPTURE BY SÍLVIA RAPOSO 99. FEATURES: XINYUE LUO, RICARDO GOMES, ARISTA2099 104. BETWEEN NFT'S AND CRYPTOCUBISM: INTERVIEW WITH ELOY CARRERA (ARISTA2099) 114. FEATURES: I LDIKÓ BARANYI, KEVIN TRINH, RAQUEL GRALHEIRO 120. BUILDING BRIDGES TO SUCCESS: A Q&A WITH GILLIAN ANDERSON PRICE ON PARTNERSHIP DEVELOPMENT 127. FEATURES: LENA SI LVA, JOSÉ A. FARACO, ABÍ L IO MARCOS, SÓNIA TRAVASSOS, NIKO KAPA 133. INTERIOR DESIGN INSIGHTS: AN INTERVIEW WITH VÉLIA LITTERA ON ART-INSPIRED INTERIORS 137. FEATURES: VALERIA MAGINI, GIOVANNI TRIMANI, BARBARA LO FARO, SÍ LVIA RAPOSO 140. DADA COLLECTIBLES 143, CAPTIONS

MÓNICA KAHLO Mónica Kahlo was born in Lisbon on the 9th of June 1993. Graduated in Arts and Humanities, with a major in Performing Arts, a Masters in Theater from the Superior School of Theater and Cinema and a PhD student in Performing Arts and Moving Image from the University of Lisbon/Polytechnic Institute of Lisbon. She founded the company VIDAS DE A a Z in 2014 and Produções D. Mona in 2017 and has been working in the cultural sector for seven years, performing functions as directress, producer, playwright, trainer, actress, broadcaster and scene designer. She also graduated in Art Direction for design and communication, having founded São Rafael Galleries in 2020, finalist project of Bank Montepio Acredita Portugal'21 competition, standing out for her innovation in the area of creation and digital curation. She also won the Best Use of Technology prize at the Iberian Festival Awards'23 with the Artbox VR project. C O N T R I B U T O R S SÍLVIA RAPOSO Sílvia Raposo was born in Lisbon on the 9th of June 1993. She is a producer, art critic, actress, playwright and a collaborating arts researcher at CRIA. A PhD student in Performing Arts and Moving Image, she has a degree in Anthropology and a Master's in Material Culture. She was also a Master's student in Performing Arts at FCSH/UNL and graduated in Art Direction and Photoshop. She starts her activity as a researcher at the Jill Dias Archive Laboratory (AJD/CRIA/FCSHNOVA) collaborating on the Fora do Padrão exhibition, cataloging the official archives and historic monuments alluding to the 1940 Portuguese World Exhibition. Develops research on the fields of performance, visual arts, contemporary artistic movements, political resistance, memory, etc. She founded Produções D. Mona alongside Mónica Kahlo and is CEO of São Rafael Galleries, an arts research project based on augmented reality and virtual reality. She has more than 30 scientific articles and books published between Portugal, Brazil and Spain in collaboration with CRIA and CIEBA of the Faculty of Fine Arts of the University of Lisbon. | 0 7

0 8 | W W W . S A O R A F A E L G A L L E R I E S . C O M EDITOR'S LETTER Welcome to The Contemporary Art Collectors Guide, a musthave for art enthusiasts, collectors, and artists seeking guidance in the contemporary art world. In this edition, we present profiles of leading contemporary artists, art news, analysis of relevant issues affecting collectors and art enthusiasts, reviews, essays, and interviews with the formidable names that shape and challenge the contemporary art world. Furthermore, the Guide includes an exhibition or exclusive 3D artwork accessible by QR code reader and provides an illustration collectible. The Contemporary Art Collectors Guide presents a diverse and global selection of leading contemporary artists, whose works span a wide range of media, styles, and themes. The publication commences with an open and bold interview with Cecilia Acevedo, a Chilean fiber artist, who illuminates the challenges textile-based works face in the art world. Cecilia's expertise in anatomy, human movement, and neuroscience, combined with her passion for crochet, result in a unique artistic perspective. The art world is a vibrant tapestry woven by artists who combine their unique styles and techniques to express their creativity. By Mónica Kahlo & Sílvia Raposo Travel " A C E L E B R A T I O N O F E X C E P T I O N A L A R T I S T R Y : E X P L O R I N G T H E U N I Q U E S T Y L E S O F P R O M I N E N T A R T I S T S "

W W W . S A O R A F A E L G A L L E R I E S . C O M | 0 9 From the feminism in the paintings of the multi-awarded Portuguese artist Leonor Trindade Sousa, to Ashima Kumar's fusion of traditional folk art and modern technology, to the multiculturalism of Gulnar Sacoor that spans western, African, and Indian cultures, or Jamal Masarwa's digital Arabic calligraphy art, the guide offers a curated selection of artists that push the boundaries of conventional art forms. The Indian artist Ashima Kumar, who we also feature in an interview, is a perfect example of pioneering and disrupting traditional mediums. Her unique position in the art world is achieved by blending the idiosyncratic methods of scribbled art, traditional art, and modern technology. This results in a conceptual approach to nature that incorporates elements of expressionism, surrealism, feminism, spirituality, and psychology. Moreover, we present Gulnar Sacoor, the artist from Mozambique who, in a sensitive interview, talks about her multicultural background and how her spiritual journey influenced art. She brings high vibration energy through colors, conveying moments of peace and connection to the higher self during tumultuous times. Sacoor’s work is a fascinating fusion of Mondrian and Rothko styles that highlights the diverse crowds of colors in realistic images of minimalist shapes and infinite landscapes, between mystery and spirituality. Another highlight of the guide on the theme of peace and spirituality is the analog collage of Catarina Diaz. Diaz invites us to dive into an elegant history of ascension and serenity, a return to nature through a unique journey inhabited by exotic animals, vibrant and peaceful colors, sensual female figures that metamorphose before our eyes, acting as a compliment to feminine beauty and a symbol of women's empowerment. The London-based artist shares, in an impressive interview, how she sees potential in NFTs to reach a wider audience and create experimental art through collaborations. Reflection on femininity is also " A C E L E B R A T I O N O F E X C E P T I O N A L A R T I S T R Y : E X P L O R I N G T H E U N I Q U E S T Y L E S O F P R O M I N E N T A R T I S T S "

1 0 | W W W . S A O R A F A E L G A L L E R I E S . C O M remarkable in the work of three prominent contemporary artists - Raquel Gralheiro, Maria Imperatore, and Xinyue Luo. Raquel Gralheiro's work captures the essence of human desire through figurative paintings that subvert expectations by combining different styles and themes. The notion of excess, conveyed through meticulous details and a wide range of tones, is central to Gralheiro's critical trend regarding the objectification of women, masked by layers of acculturation. Portraying women and women's bodies is also essential to Maria Imperatore's artistic expression, as the artist from Sweden works mostly with Collage, Acrylic, and Graffiti in a beautiful feminine bizarre colorful style. Meanwhile, Xinyue Luo's work mainly focuses on identity and time, with feminism becoming an important source of reflection in the artist's research. Luo is obsessed with exploring materials in translucent or transparent media, whose open qualities are powerful symbols of femininity. The guide also summarizes the paths of wonderful artists like Shelina Khimji, an awardwinning artist from Tanzania who charismatically captures an impressionistic and romantic atmosphere, integrating a hazy effect that evokes old memories and nostalgia. Also passionate about ancestry is the Egyptian abstract expressionist artist Hossam Dirar, who with impressionist strokes delves into the world of ancient Egyptian history in search of cultural identity. He discovered his interest in women's rights and the beauty of the contrast between cultures in terms of beliefs, freedom, and openmindedness. Also, from the worlds of the Middle East and the West, with a message of freedom as a shimmering thread that permeates his surreal and contemporary art, we present the Palestinian contemporary digital artist Jamal Masarwa. Masarwa brings inspiration from the intersection of Arabic calligraphy and iconic feminine figures. " A C E L E B R A T I O N O F E X C E P T I O N A L A R T I S T R Y : E X P L O R I N G T H E U N I Q U E S T Y L E S O F P R O M I N E N T A R T I S T S "

02 W W W . S A O R A F A E L G A L L E R I E S . C O M | 1 1 " A C E L E B R A T I O N O F E X C E P T I O N A L A R T I S T R Y : E X P L O R I N G T H E U N I Q U E S T Y L E S O F P R O M I N E N T A R T I S T S " The stoic and valiant struggle of feminist advocacy also complements the tender and empathetic celebration of maternity in Leonor Trindade Sousa's artworks. Sousa celebrates the human spirit and maternal beauty through deep and emotive abstract paintings. In addition, the guide showcases other abstract artists such as Sónia Travassos and Marina Emphietzi. Marina Emphietzi draws inspiration from Greek mythology and English Romantic paintings. She is known for creating abstract representations of natural marine landscapes with a vivid color palette, many textures, robust energy, and a playful style, primarily inspired by the sea. In contrast, Sónia Travassos' stunning work is infused with raw emotion and vibrant color. Her deeply personal paintings are a reflection of her journey, exploring the complexity of pain and relationships with a powerful and intense neo-expressionist style. Still within expressionism but in a more figurative line, we

1 2 | W W W . S A O R A F A E L G A L L E R I E S . C O M find Lilia Luján, the Mexican artist with over 400 international shows and 25 thematic murals inhabited by allegories with fun characters, where the Aztec and primitivist influence stands out. Speaking of female figures of international impact, the guide includes an exclusive interview with Gillian Anderson Price. Head of Partnerships at various institutions and galleries, Gillian talks about building strong and lasting business partnerships and the key elements that contribute to their success. Digital art is also a strong axis in this guide, highlighting worldwide influential digital artists such as Ildikó Baranyi from Romania, Arista2099 from Spain, Kevin Trinh from Canada, and Ricardo Gomes from Portugal. Ildikó Baranyi and Kevin Trinh explore the intersection between art and artificial intelligence, while Ricardo uses oil pastels to bring digital art to life with unique and transformative tones, textures, and shapes. Arista2099 creates cryptocubist art drawings on an iPad, transporting them to the world of NFTs. The latter stands out in a disruptive and pertinent interview, bringing us issues as relevant as the environmental and social impact of NFTs and cryptocurrency in the world. Alongside Arista2099, we also spotlight other notable digital artists in this guide, including in the field of design. Niko Kapa from Greece blends his Greek and Arabic background to explore how cultural identity shapes individual identity through a range of artistic forms, including sculpture, installations, mixed media, and digital art. Still, in the field of digital, we enter into the emblematic universe of photography with artists such as Kwame Koda, Jean-David Niangoran, Boguszak, Carlos Teixeira, and Lilly Helja Jonasson. While Carlos Teixeira brings depth to everyday moments, Kwame Koda's photography is a visually appealing exhibition that skillfully tells a story through the unique art of conceptual photography. In an emotional interview, Koda talks about the challenges he " A C E L E B R A T I O N O F E X C E P T I O N A L A R T I S T R Y : E X P L O R I N G T H E U N I Q U E S T Y L E S O F P R O M I N E N T A R T I S T S "

W W W . S A O R A F A E L G A L L E R I E S . C O M | 1 3 faced as an African photographer and art director in the digital age from the Ashanti Region of Ghana. Also from Ivory Coast, Africa, Jean-David Niangorian is distinguishable in this guide for his irreverent digital art photography. He creates a futuristic universe influenced by spirituality, nature, and society. We also draw attention to the Boguszak duo, showcasing and selling award-winning photography around the world. The Prague-based couple has created a unique body of colorful shapes and pure lines, photographic work from their journeys in the deserts of Death Valley and Abu Dhabi. Still in the domain of the mechanical eye, we encounter the geometric abstractions of Lilly Helja Jonasson. Highlighting the "splittografielage" technique, Lilly's work is based on the fragmentation of her own photography into geometric shapes with the aim of creating a new art object through collage. Another field is explored in the guide, with the latest innovations in technology within the art industry. It features the Artbox VR project by São Rafael Galleries, with the founders, Sílvia Raposo and Mónica Kahlo, sharing their impressions about the potential of 3D holography as a new medium and form of art in a striking interview. The twin sisters also converse about how holography can be utilized as a tool and subject of artistic creation, promoting crossdisciplinary collaborations and engaging diverse audiences. Fascinated by robotic dreamscapes, we present the Chilean artist Fabian Caro Roman, who brings surreal futuristic images to life through sculpture and drawing that take shape like indigenous robotic gods, transporting us to an imaginary world where reality meets fantasy. Further inspired by indigenous culture and gods, in this case from Mexico, Gabriela Gonzalez Leal uses simple objects to explore complex issues of power and value through childhood themes, coins, and paper money. " A C E L E B R A T I O N O F E X C E P T I O N A L A R T I S T R Y : E X P L O R I N G T H E U N I Q U E S T Y L E S O F P R O M I N E N T A R T I S T S "

1 4 | W W W . S A O R A F A E L G A L L E R I E S . C O M On the theme of childhood, also featured are the two Angolan artists João Freire and António Azenha. While the first, in a watercolor work, captures the beauty of the union between parents and children with an emphasis on affection, the second, as a sculptor and performer, focuses on the action of playing with environmental concerns. Azenha’s work can be scrutinized in a critical and scathing essay by Sílvia Raposo on the objectification of memories through toy interactive sculptures. We travel from Angola to Italy with talented artists such as Giovanni Trimani, Barbara Lo Faro, and Valeria Magini. Their biographies beautifully reflect their unique artistic styles and creative journeys. Giovanni Trimani's roots as an artist date back to 1987, constantly refining his technique through continuous learning and training. Barbara Lo Faro's selftaught approach and influence of Austrian Expressionism merge with postmodern techniques, such as acrylics and ballpoint pens. Valeria Magini's debut as a painter was in 2022, with a passion for vibrant colors and undefined contours of reality. All these exceptional artists represent our shared commitment to innovation and excellence in the art world. Still on the Italian scene, the interior designer and gallerist from Rome, Velia Littera, shares with us in a passionate interview about interior design as a profession and how it combines creative instincts with practical problem-solving skills to create beautiful, functional, and impactful spaces. The guide summarizes the best of contemporary art, bringing together artists with different visions from all over the world: Rodolfo M. Costa's focus on graffiti and cultural identity, creating collages in the Kunstmeile spirit of Berlin; Se Feng'er reinvents classical Chinese art with a modern touch; Silvia Raposo finds art in everyday events, and Lena Silva brings the essence of the Renaissance to life with a contemporary twist. Tomiwa Arobieke uses mixed media to challenge our perception and understanding of social issues such as race and identity. Abilio Marcos captures the beauty and " A C E L E B R A T I O N O F E X C E P T I O N A L A R T I S T R Y : E X P L O R I N G T H E U N I Q U E S T Y L E S O F P R O M I N E N T A R T I S T S "

P A G E 1 5 | VI R T U A L EX H I B I T I O N USE YOUR QRCODE READER T O AC C E S S T H E 3 D EX H IBI T I O N .

1 6 | W W W . S A O R A F A E L G A L L E R I E S . C O M " A C E L E B R A T I O N O F E X C E P T I O N A L A R T I S T R Y : E X P L O R I N G T H E U N I Q U E S T Y L E S O F P R O M I N E N T A R T I S T S " complexity of light and shadow through abstract painting, while José A. Faraco brings characters from his imagination to life, with a focus on the desexualization and naturalization of nudity. Diego Estebo Ortiz creates minimalist compositions with a taste for immediacy and primitivism. Together, these artists demonstrate the power of contemporary art to challenge social norms and inspire new ways of thinking, providing us with greater insight and appreciation for the cultural richness that makes up the human experience. In a world that is constantly evolving, this guide captures the essence of contemporary art, offering a reflective look at what it means to be an artist in the 21st century.

I N F O R M A T I O N A B O U T T H E E D I T O R S Ã O R A F A E L G A L L E R I E S Founded by the twin sisters and businesswomen Mónica Kahlo and Sílvia Raposo, the São Rafael Galleries are the first Portuguese luxury gallery developed from an immersive, eclectic, and intermedia and inter-art digital concept. The São Rafael Galleries represent a selection of established and emerging artists who have been awarded nationally and internationally. The twins have as their main objective to rehabilitate the creative industries by promoting greater efficiency in the use of technological resources, encouraging innovation in the cultural sector, and revolutionizing the process of exhibiting artworks, improving the quality of details, and enhancing three-dimensional artworks. Created during the paralysis of the cultural sector in the face of the Covid-19 pandemic and adapting to the normalization and expansion of digital markets, the São Rafael Galleries raise the standard of the exhibition experience by creating immersive experiences in virtual reality and augmented reality from exclusive artworks by national and international artists. The contemporary art gallery market now gains a new glow with the insertion of hyperrealism in the very conception of virtual exhibition environments, and virtual commercializing acquires a performative dimension with the increase in visual interactivity and immersiveness of “ L O O K AT THE CULTUR E AND ITS AR TISTIC DIMENSI O N IN AN E V O LUTI O NAR Y PE R SPECTI V E” . museological experiences, with the way art is commercialized. This provides users with the experience of the “all-embracing art form”, in which the user can opt for guided tours in video format, 360º panoramic exhibition rooms where he/she can interact and circulate independently, or even virtual reality. Minimizing the risks and costs of the expedition and exhibition process, together with a concern for the protection of cultural and artistic heritage, the insertion of the virtual reality experience also allows safeguarding the integrity of the original artworks. - 1 7 -

Leonor Trindade Sousa was born in Vagos in 1961. Her work, through oil and acrylic, ranges from figurative to abstract and is the result of enormous stoicism and struggle, where her feminist side is evident in parallel with the more sensitive condition of maternity. She has been awarded several times, with prizes such as Premio della Critica Louvre Art Museum 2021 in Paris; Palme d'Or in Cannes; Literarte Best Artist of the Year 2018 in Brazil; International Grand Master of Art Caravaggio Award in Milan; International Grand Master of Art Botticelli Award in Florence; Diego Velázquez International Art Award in Barcelona; Artist of the Year Award 2019 in Mantua, Italy; the Golden Brush Trophy in Brazil; M.A.D.S Gallery's Renoir International Art Prize in Milan; and the Michelangelo International Award in Rome. LEONOR TRINDADE SOUSA | 1 8 03

It i s through pa inting, in an e c l e c ti c w a y inspir ed by di v e r s e tr ends and r adi c a l diff e r enc e s , tha t L eonor s ynthe s i z e s and appl i e s w ha t she be s t unde r s t ands of e a ch t e chnique w ith the mos t di v e r s e ma t e ri a l s . Whe the r in oi l or a c r y l i c , she conv e y s he r thought s and f e e l ings to us w ith brushe s or w ith he r o w n hands a s an ins trument. He r t e chnique r ange s from the figur a ti v e to the abs tr a c t, w ithout e v e r f a i l ing to tr ansmit he r me s s age w ith e xpr e s s i v e t a l ent in c r e a ting pi c tori a l and l y ri c a l f a s c ina tion. " I AM THE R EST O F E V E R YTHING AND THE B E G INNING O F MANY THING S. . . " " I A M W H A T L I F E M A D E M E . " L E O N O R T R I N D A D E S O U S A | 1 9 04 05 Pa s s iona t e s toi c i sm in the de ep tr anspa r enc y of a cha ri sma ti c and irr e v e r ent pe r sona l it y , doe s not r e fus e or l imit innov a tion or e xpe riment a l i sm.

CECÍLIA F I B E R A R T I S T " SOY LA PUT@ AMA DEL CROCHET!" PAGE 20 ACEVEDO

Cecília Acevedo is a crochet painting artist born in Chile in 1988, who merged her passion for crochet with her scientific knowledge of anatomy, human movement, and neuroscience. She started working with textile fibers to enhance the sensory experience, adding the tactile system. The yarns used are of various compositions, both synthetic and natural, including botanical yarns which are hand-dyed by the artist with natural pigments. Cecília's work has shaken the world of contemporary art, garnering attention through several exhibitions in Italy and Chile. PAGE 21 "NON-VERBAL EXPRESSION THROUGH FACES HAS BECOME MY MAIN TOPIC OF INTEREST IN THE ART WORLD. TO BE ABLE TO CAPTURE THIS LANGUAGE THROUGH SIGNALS FROM THE NERVOUS SYSTEM, THE FASCIAE AND THE SUBTLE MOVEMENTS OF THE MUSCLES TO CONVEY EMOTIONS, PERSONALITY, ATTITUDES, MOODS." 06

SUSTAINABILITY AND FIBER ART: PAGE 22 INTERVIEW OPINIION Your work has been praised for demanding a redefinition of the term "painting". In your opinion, what is the main challenge that textile-based works face in the art world? In my opinion, the main challenge that textile-based works face in the art world is overcoming the stigma associated with craftsmanship and the lack of recognition as legitimate artistic expressions. These works are often undervalued and considered merely decorative or functional, relegating them to peripheral spaces instead of being exhibited in museums and contemporary art galleries. Additionally, challenging established norms regarding accepted materials and techniques in art is crucial to redefine the concept of "painting" and demonstrate the expressive potential of textile works. Why did you choose faces as your main topic of interest in art, and how do you capture non-verbal language through signals from the nervous system, fascia, and subtle movements of the muscles? I chose faces as the main theme in art due to their ability to communicate emotions and human experiences. As a textile artist with a background in kinesiology, I became interested in capturing nonverbal language through signals from the nervous system, fascia, and subtle muscular movements. I study facial anatomy, neuroscience, and physiology to accurately represent the subtleties of emotions in my textile works. Through understanding the connection between posture, facial expression, and emotions, I create textile pieces that convey nonverbal language in an emotive and unique way, seeking to connect viewers with the essence of humanity through the facial expressiveness captured in every woven thread. How does the crochetpainting technique allow you to convey emotions and REDEFINING TRADITIONAL ART FORMS WITH CECÍLIA ACEVEDO

PAGE 23 INTERVIEW OPINIION sensations through the textures of the fibers and add a tactile experience to your artwork? My textile artworks, created using the "crochet painting" technique, aim to offer a multisensory experience through the textures of the fibers used. While the primary intention of these tactile sensations is for future buyers and collectors of my artworks, there is also the possibility for other viewers to enjoy this tactile dimension in special exhibitions. By employing different materials and techniques, I seek to convey emotions and sensations, thus creating an intimate and profound connection between the artwork and the viewer. This exploration of the multisensory experience in textile art pushes the boundaries of traditional plastic art and provides an enriching and complete experience for those who interact with my work. Is there any aspect of human expression that you still feel challenged to represent through your artwork? While I have explored and represented various human expressions in my textile artworks, there are always challenging aspects that continue to captivate me. One of them is capturing the complexity of emotions and subtle expressions that are not limited to the face but involve the entire body. The challenge lies in conveying the complete nonverbal language, such as body movement, postures, and gestures, in a way that is true to reality and the human experience. As I continue to research and experiment in my artistic practice, I strive to unravel these challenging aspects and find new ways to represent human expression in all its diversity and depth. What has motivated you to continue studying and exploring new possibilities of artistic expression with the crochetpainting technique? My motivation lies in the challenge of establishing a multisensory experience in my artworks. I aim to create sensory stimuli in viewers so that they can experience my 07

whenever possible. Furthermore, I seek to educate and raise awareness among my audience about the importance of sustainability. While I prioritize natural materials, I am open to exploring dyeing processes with chemicals to achieve color ranges that cannot be obtained with natural pigments, as long as it is done responsibly and considering the environmental impact. Could you describe your artistic process, and any particular challenges you face when creating such intricate pieces? My artistic process begins with deep research and reflection on the theme I want to address in my artworks. From there, I immerse myself in free and intuitive creation, without following pre-established patterns or templates. I use the crochetpainting technique to meticulously weave each stitch and create the artwork in one go, without layers or touch-ups. Working with fine and delicate threads requires patience and manual dexterity, as each stitch is carefully woven to capture the desired details and expressions. As I progress in the artwork, I build and shape the image, focusing on the subtle movements of muscles and the emotions I want to convey. PAGE 24 INTERVIEW OPINIION pieces through touch and other senses. I am driven by the idea of breaking away from traditional passivity in art appreciation and instead inviting viewers to actively participate in the artistic experience. I believe in the power of textures and fibers to convey emotions and sensations, and I am excited to discover new ways to awaken the senses in those who interact with my creations. This constant quest to offer a more immersive and multisensory artistic experience is what motivates me to continue exploring and pushing the boundaries of my art with the crochet painting technique. Considering that you use natural pigments and materials in your work, can you talk about how sustainability and environmental concerns are embedded in your art practice? In my artistic practice, I consciously integrate sustainability and environmental concerns. I use natural pigments and materials, obtaining colors from organic and sustainable sources while avoiding the use of harmful chemicals. Additionally, I employ environmentally friendly textile fibers. I am committed to reducing my environmental impact by maximizing resource efficiency and reusing materials

PAGE 25 INTERVIEW OPINIION Creating such intricate pieces without the use of layers or touch-ups can be challenging, as it requires constant concentration and meticulous attention to detail. Each artwork represents a unique and personal process, in which I fully surrender to the technique and artistic expression. In summary, my artistic process in crochetpainting is based on research, intuition, and meticulousness. Each artwork is woven in one go, without layers or touch-ups, which entails constant focus and precise skill. Through this technique, I aim to create artworks that convey emotions and capture the beauty of human expression in a unique and authentic way. What exhibitions or projects do you have in mind for the future of your art career? In the present, I have the exciting opportunity to participate in the virtual exhibition at the Textile Museum of New Orleans (USA), which will take place from August to November 2023. Additionally, I am thrilled to submit my work for the Beautiful Bizarre Art Prize 2023. I also plan to organize various solo exhibitions in the region where I live, allowing me to showcase my work and connect with the local audience. Furthermore, I am honored to be selected as an artist for the XIV Florence Biennale in Italy, where I will present my collection "I Am You"; consisting of 6 works created exclusively for this event. I also have the incredible opportunity to participate in the Start Art Fair in London, where I will be represented by the prestigious São Rafael Galleries from Portugal. These events are of great significance for my artistic career as they will allow me to showcase my work to an international audience and connect with the global art world. 08

JAMAL Jamal Masarwa (born 1986) is a Palestinian contemporary digital artist based in London, United Kingdom. Jamal's work is well-known for his expression o f fr e e d o m , s h o w c a s i n g c o n t e m p o r a r y a n d s u r r e a l a r t t h a t i n c o r p o r a t e s A r a b i c c a l l i g r a p h y a n d i n s p i r a t i o n a l fi g u r e s fr o m t h e M i d d l e E a s t e r n a n d W e s t e r n w o r l d s. 26 www.saorafaelgalleries.com MAS A RWA

Jamal majored in the study of animation and digital arts in 2004, but his love and passion for his identity and language pushed him in a different direction. Jamal's work is based on the Arabic language and inspirational figures from the Middle Eastern and Western worlds that he honors by creating limited edition masterpieces with Swarovski and diamond dust. His career began in 2012, which was the year he launched his first art exhibition titled "Mask". After the success of his first exhibition in Palestine, Jamal focused on delivering his message to the rest of the world. Today, his artworks are present in more than 20 countries around the world, having held exhibitions from Jaffa and Haifa, Palestine, to Dubai, Qatar, Saudi Arabia, and London. Throughout the years, he has collaborated with several iconic brands, celebrity personalities, and magazines in the Middle East and around the world. In every single artwork, there is a message of freedom. | 27 09 10 11

It's so fine and yet so terrible to stand in front of a blank canvas. ― Paul Cézanne PAGE 29

koda. Kwame has collaborated with over 60 brands KWAME | 3 0

Kwame Koda is an African photographer and creative director from the Ashanti Region of Ghana, West Africa. As a creative entrepreneur, he specializes in creating visual content for both local and international brands through visual art and storytelling. Raised in Ghana, his journey to become a photographer started with his love for art. He discovered his passion for art at a very young age and translated that into drawing and painting. Photography, however, came into the picture when he was in high school. The artworks by Ghanaian-based photographer, Kwame Koda, are inspired by surrealism, fine art, the sea, palm trees, and the pairing of dramatic colours. All these influences and inspirations manifest themselves in his compositions, crossing personal relations and emotions. Koda tells us visual stories through the unique art of conceptual photography. “Every photograph for me is a statement, the main message for me is Peace, Beauty, Art. An Inspiration of excellence and a fictional transition into a place of sound mind.” (Kwame Koda) www.saorafaelgalleries.com | 3 1 12 13

EXPLORING ART THROUGH THE LENS A C O N VE R S A T I O N WI T H T H E P H O T O G R A P H E R A N D C R E A T IVE D I R ECT O R KWA M E K O D A PAGE 32 INTERVIEW OPINIION Can you tell us a little about your background and how you became a photographer and creative director? I started photography as a phone photographer at the age of 17, with photography as an outlet for my emotions and artistic expressions at the time. Shortly after, I discovered the influence my work had started to make among my friends, as well as the audience I had gathered on Instagram. I decided to make photography a full-time career at the age of 18, and within a year, I gradually transitioned into using a DSLR camera. Since then, I've managed to carve a path for myself in photography, specializing in portraiture, fashion, editorial, commercial, and the unique art of conceptual photography. Through conceptual photography, I mostly do creative direction for my photos, and that is when I saw the capability I had in becoming a creative director myself. How does your upbringing in Ghana influence your artistic style and work? I grew up watching a lot of Ghanaian movies and music, and admiring old family photographs. I would say that moving to Accra at a young age also exposed me to a different perspective of expressing myself artistically, due to my constant visits to the beach. I was more into drawing and painting at an early age, so I would normally find myself recreating some of the things I saw in my surroundings in my drawings, and that is what shapes my artistic style currently. Your art is inspired by surrealism, fine art, the sea, palm trees and the pairing of dramatic colours. Can you tell us more about this? Just as I mentioned earlier, coming to Accra really changed a lot for me because this is where you find the beach.

PAGE 33 INTERVIEW OPINION In my late teens, I started making constant visits to the beach to meditate. It was my mental escape from the usual chaos in the city. I thought to myself, "If this is what I feel when I come to the beach, then why not include the things I see here into my art practice as a form of therapy?" That is why you see the blend of surrealism, fine art, the sea, palm trees, and the pairing of dramatic colors in my work. It is all the things that go through my mind when I go to the beach to meditate. What challenges do you face as a photographer in the digital age, where everyone has a camera in their pocket? I wouldn't say they are challenges. I am happy to see that people have the access and the outlet to express themselves artistically, just as I have the chance to. I just do it in a professional way and devote a lot of time and effort to perfect my craft. That's what I believe makes me, and will always make me, stand out amongst the crowd. There is no competition as long as I am unique and I stay in my lane, perfecting my craft to create art that is unique. Can you describe the process behind your unique art of conceptual photography? Sometimes I just pick up my laptop and let the emotions flow, depending on how I'm feeling in relation to a topic on my heart. Other times, I do things strategically with "Josef Adamu's 4Ps": Pick a concept, Plan it out, Produce the content, then Promote the content. Ina world where we arebombarded withan endless streamofimages,how do you ensure that your work stands out andgetsnoticed? I believe I have created a brand for myself that highlights my uniqueness. I tend to use an orange circle a lot and many warm colors. I got that from visiting the beach and watching the sunset before nightfall. I use color and my unique surroundings to stand out from other artists, and that has done a lot for me so far. Everyone has a unique story, and capitalizing on that as an influence to create art can help you stand out from everyone else who is not you. Inyour opinion, what roledo you see traditionalphotography (film,darkroom techniques)playing intoday'sdigital landscape? I think it has shifted more attention to technique and paying attention to more detail

PAGE 34 INTERVIEW OPINION now. With the little information and knowledge I have about traditional photography through a friend of mine (Foli Creppy), who uses film, I see how the attention to lighting and color has to be precise. Unlike a DSLR camera, where you have the option to take countless images, you only have a few takes with a film camera, so you cannot afford to waste the photographic material that absorbs the light. I would say it has pushed many of us digital photographers to pay more attention to detail and color grading in order to enhance the looks and aesthetics of contemporary photography. Your work is often described as crossing personal relations and emotions. How do you incorporate these into your compositions? I have found that color has a lot of power in evoking emotions and thoughts. I use warm colors to portray heat and happiness, and I use cool colors to convey calmness, sadness, and purity. Sometimes, I merge the two; for example, in the artwork "Father and Son," I combine warm and cool colors to create mixed emotions. The use of color is paramount, along with the incorporation of surrealism, to establish a deeper emotional connection. You have worked with both local and international brands. How do you approach visual content creation for these different audiences? I believe that most international brands, when seeking work, always want something different from what they already have, regardless of their origin, but with the same level of quality. I try to remain original and only share my perspective on the content's topic, while incorporating visual elements that are familiar to my surroundings and local culture. In simple terms, I merge different cultures to form a collaboration. You have worked with both local and international clients. How do you see cultural differences affecting the way people view and appreciate photography? I believe it's always a fascinating and wonderful moment to experience different cultures through art. The blend between the differences and minor similarities we all have is where the magic happens. I often find myself mimicking art inspirations from the Western world to create some of my art pieces, and I must say, the reception and reactions have been

PAGE 35 INTERVIEW OPINION very positive, especially at some of my international exhibitions. Finally, can you tell us a little about what message you hope to convey through your work, as stated in your quote "Every photograph for me is a statement, the main message for me is Peace, Beauty, Art, An Inspiration of excellence and a fictional transition into a place of sound mind."? My message is that of the pursuit of happiness. I believe it's a pursuit, and in that pursuit is where we all find happiness. Happiness is fleeting, as is sadness. They all have their times, just like the sun. The sun shines during the day, then darkness takes over during the night. I want to inspire everyone to be fully focused on their goals and purpose. In the quest to discover and live your true purpose, just like I'm doing, is where all the positivity and happiness find you.

Creativity takes courage. Henry Matisse | 3 6

Overthe lastdecades, Marek - aphotographerfor more than40years -has shiftedhisphotographic technique frommanual analog B&Wtodigital colorphotography.Withhis wife, Magda,they have establishedaunique visual vocabularyby designingabstract artifacts inthe lastfew years. Today,theduocreates andacts together as Boguszak, exhibitingandsellingaward-winning photography worldwide -fromZurich(CH)to Bern(CH), Campione (IT), London(UK),Prague (CZ) andNew York (USA). Thepairhas createda uniquephotographybodyof work fromtheir journeys inDeathValley and AbuDhabideserts. The sophisticated Boguszak's imageprocessing highlights colorful shapes andpure lines with breathtakingharmony. B O GUSZ A K BETWEEN DEATH VALLEY AND ABU DHABI DESERTS PH O T O GR A PHY | 3 7 14 15 16

“It [digital art] allows me to feel good, to be in agreement with myself. But above all, what I like is to transmit emotions. (…) I like this because it is a sharing between me and those who contemplate my works. For me, being an artist means being able to transmit emotions to others, that’s what makes art come alive. To pass messages is to give one’s opinion, one’s thought on a fact.” (Jean-David Niangoran) | 3 8

Jean-David Niangoran, aka BLVCKVRTST, is an African photographer and self-taught visual/digital artist from Ivory Coast. The 28-year-old artist, based in Abidjan, has been in love with photography since he was very young. Being an introverted person since his young age, photography has always been a vehicle of expression, a way to convey messages. The artist has always sought to convey emotions, feelings of all kinds (joy, love, fear, anger, etc.) to the people around him, and in 2019, he made the decision to dedicate himself to photography professionally. As a photographer, he specialized very quickly in digital art, as he evolved in the world of computer science. His creative genius was recognized in the 10th edition of the contemporary art competition of Société Générale Côte d’Ivoire, distinguished for his irreverent digital art with a futuristic universe influenced by spirituality, nature, and society. | 3 9 17

18 19 40 Se Feng’er started to paint as a self-taught artist during the Shanghai pandemic. In July 2022, she edited and published the first album titled 'Sex Commandments', which brought together more than 300 works painted during confinement. After that, the artist was invited by PAKS Gallery in Austria to participate in the 2024 Basel International Contemporary Art Biennale in Switzerland. Her work was awarded the Michelangelo International Prize, and her career includes several exhibitions in Paris, London, Singapore, Lombardy, Florence, and Los Angeles. Inheriting the lines of Chang Yu and the colors of Matisse, Se Feng’er reinvents traditional Chinese painting brush and ink in a wonderfully supernatural, eerie, and bizarre way. Her work mixes traditional Chinese painting with a kind of neo-expressionism and primitivism style. Se Feng'er "The term 'whimsical' originally carries a derogatory meaning, but when it comes to Se Fenger, it is highly commendatory. " "Spiritual as Se Fenger's own spirit. " W W W . S A O R A F A E L G A L L E R I E S . C O M

TEBO D I E G O E S T E B O Diego Estebo Ortiz, artistically known as Tebo, was born in Barcelona in 1982. Tebo’s artistic career has gone through different stages over the years. Interested in fields such as illustration, urban art, and site-specific, among many other practices, the combination of all these factors has led him to develop his work in very different formats and contexts. Itinerant in nature, he has developed his work in Spain, India, Bolivia, Argentina, and Italy. Tebo's art is characterized by minimalist compositions, with a taste for immediacy and the primitive, in which his two favorite themes merge: signs and landscapes. | 41 20 21

A S H I M A K U M A R As h i m a Ku m a r i s a dy n a m i c a nd pi o n e e ri ng c o n t e m po r a r y a rti s t, wh o i s r e s h api ng t h e wo rld o f f i n e a rt a nd gr aph i c de s ign t h r o ugh a u n iqu e f u s i o n o f tr aditi o n a l i n f l u e n c e s fr o m As i a n c u lt u r e s a nd digit a l m edi a . H e r c apti v a ti ng wo r k s a r e c o n s t a n tl y e v o l v i ng, dri v e n by a de ep c o n n e c ti o n wit h n a t u r e a nd a pr o f o u nd e xpl o r a ti o n o f spirit u a l it y a nd h u m a n ps y c h o l ogy . I n spir ed by t h e be a u t y a nd i n tri c a c y o f n a t u r e , h e r a rti s ti c e xpr e s s i o n s a r e c h a r a c t e ri z ed by e xpr e s s i o n i s t s tr o k e s a nd i n tri c a t e f i n e l i n e pa tt e r n s . | 4 2 22

An Interview with Ashima Kumar on Visual Contrast and Blending Traditional Elements Can you tell us about your artistic process and how you merge traditional art with modern technology? My artistic process involves a dynamic fusion of traditional art techniques and modern technology. I draw inspiration from various traditional Asian art forms, such as Indian miniature art, Japanese line and stroke techniques, and the intricate patterns of Kalamkari art. These influences serve as the foundation of my artistic style, which emphasizes form outline and meticulous attention to detail. To bring my vision to life, I combine hand-painted digital canvases with traditional mediums like pen and ink. This integration allows me to explore new possibilities, experiment with colors and textures, and create visually captivating compositions that seamlessly blend the richness of tradition with the versatility of modern technology. What significance does your Indian heritage have on your artwork and how do you incorporate your cultural roots into your pieces? My Indian heritage holds immense significance in my artwork. It serves as a constant source of inspiration, influencing my color palettes and symbolic imagery. I draw upon the diverse cultural traditions of India, incorporating elements like traditional folk patterns, architectural motifs, and mythological symbolism. By infusing my artwork with these cultural roots, I aim to celebrate the beauty and depth of Indian | 4 3

culture while offering a contemporary perspective. My aim is to bridge the gap between the past and the present, honoring tradition while pushing artistic boundaries. How do you find inspiration from nature and incorporate it into your artwork? Nature is a profound source of inspiration for me, and I seek to capture its beauty and intricacy in my artwork. The organic forms, patterns, and colors found in nature provide endless inspiration. I observe and study the delicate balance and harmony in natural ecosystems, which I then translate into my artistic expressions. By incorporating elements like flora, fauna, and natural landscapes, I wish to evoke a sense of wonder and reverence for the natural world. In my works nature serves as a metaphor for the human experience, reminding us of our interconnectedness and inviting viewers to reconnect with the environment. Can you elaborate on the concepts of expressionism, surrealism, and feminism in your work? Expressionism, surrealism, and feminism are all concepts that play a significant role in my artwork. Expressionism allows me to convey raw emotions and inner experiences through bold brushstrokes and vibrant colors. It enables me to communicate the depths of human emotions and the complexities of the human psyche. Surrealism grants me the freedom to explore the subconscious and transcend the boundaries of reality. By merging unexpected elements and juxtaposing disparate ideas, I aim to challenge conventional perspectives and invite viewers to delve into the realm of imagination and symbolism. Feminism is an underlying theme in my work, as I strive to celebrate the strength and resilience of women through visual storytelling. How do you see the relationship between emotional expression and technical precision in your artwork, and how do you balance these two aspects of your creative process? Emotional expression forms the core of my artwork, However, technical precision ensures that my artistic vision is effectively communicated. I believe that a strong technical foundation allows for greater artistic freedom, enabling me to fully express my emotions and concepts. It is through the mastery of techniques that I can effectively convey my ideas and create a powerful impact. Striking a balance between emotional expression and technical precision allows me to create artwork that is both emotionally evocative and visually captivating. How do you see the role of art in promoting mindfulness and mental well-being, and how do you incorporate this into your ‘Mindfulness Doodle Art Workshops’? | 4 4

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Art plays a pivotal role in promoting mindfulness and mental well-being by fostering self-expression, emotional release, and introspection. Through its ability to evoke emotions, engage the senses, and inspire contemplation, art provides a therapeutic outlet for individuals, encouraging selfawareness, relaxation, and the cultivation of a present-moment focus. In my "Mindfulness Doodle Art Workshops," I create a space for participants to engage in a meditative and introspective artistic process. I incorporate different types of doodle art, such as Zendoodling, Stendoodling, Mandalas, and free-flow doodling, to encourage individuals to focus on the present moment, cultivate a sense of calm, and explore their inner creativity. What message do you hope to convey through your artwork and how do your pieces symbolize beauty, wonder, and serenity? Through my artworks, I hope to inspire viewers to pause, immerse themselves in the present moment, and appreciate the beauty that surrounds them. By depicting the natural environment, intricate patterns, and harmonious compositions, I hope to evoke a sense of awe and wonder. I want my art to serve as a reminder of the interconnectedness of all living beings and the profound serenity that can be found in embracing nature and our own inner selves. Can you discuss your use of geometric simplicity and painterly strokes in your work, and how this contrasts with traditional folkart forms and natural patterns? In my work, I employ a combination of geometric simplicity and painterly strokes to create a unique visual language. Geometric simplicity allows me to distill complex forms and ideas into their essential elements, creating a sense of order and balance. On the other hand, the use of painterly strokes adds a dynamic and expressive quality to my artwork, infusing it with energy and emotion. This combination creates a visual contrast that sets my work apart from traditional folk-art forms, which often emphasize intricate detailing and naturalistic representations. By merging these contrasting elements, I seek to create a visual language that is both contemporary and rooted in tradition. Where do you see your artistic journey taking you in the future, and how do you plan on continuing to innovate and evolve your artistic style? I envision my artistic journey as an ongoing exploration and evolution of my style. My plan is to continuously innovate and push the boundaries of my artistic expression. I will persist in experimenting with new techniques, mediums, and subject matter. Collaborating with other artists and embracing diverse cultural influences will be instrumental in my | 4 6

artistic growth. My goal is to create artwork that deeply resonates with viewers while offering fresh perspectives and inspiring contemplation. Additionally, in the coming years, I aspire to focus on wearable art to make art more accessible to a wider audience. In your opinion, what is the significance of digital art exhibitions, virtual reality, and augmented reality experiences, and how do these mediums interact with your artistic style and approach? Digital art exhibitions, virtual reality, and augmented reality experiences hold immense significance in today's art world. These mediums provide artists with new avenues for creative expression and allow for immersive and interactive experiences for viewers. For me, these technologies offer exciting opportunities to expand the possibilities of storytelling and engage audiences in innovative ways. By embracing these mediums, I can further communicate my artistic vision and create multi-sensory experiences that resonate with a wide range of viewers. What advice would you give to young artists who are just starting out and looking to develop their own unique artistic style and voice? To young artists just starting out, my advice would be to embrace the journey of self-discovery and exploration. Take the time to experiment with different techniques, mediums, and subject matters. Trust your instincts and stay true to your artistic vision. Remember that developing your own style and voice takes time and dedication. Create art that is a reflection of your authentic self and that resonates with your own passions and beliefs. | 4 7 23

P A G E 4 8 A R O BIE K E T o m i w a