Kremer Pigmente - Product Catalog

05Solvents, Chemicals & Additives

AKA-PRODUCTS

780625 aka pad abrasive C, cuboid, 40 x 40 x 20 mm, with chalk, middel-hard
780627 aka pad abrasive CB, board, 150 x 160 x 20 mm, with chalk, medium hard
780628 aka pad abrasive P, cuboid, 40 x 40 x 20 mm, with pumice, hard
780629 aka pad abrasive PB, board, 135 x 135 x 20 mm, with pumice, hard
780630 akapad Paper Sponge white
780632 akapad Sponge soft
780633 akapad Sponge hard
780634 akapad Sponge extra hard
780635 akawipe Powder soft, each bag = 500 g
780638 akawipe Powder white, each bag = 500 g
780642 akablast Spray Powder hard, each bag = 5 kg
780644 akablast Spray Powder fine, each bag = 5 kg
780645 akablast Spray Powder extra fine, each bag = 5 kg
780650 akatec Spray Blaster aka 4450, for akablast Spray Powder
780655 akatec Micro Beam Pistol aka 4400, for akablast Spray Powder, fine
780658 akatec Angle Jet aka 4475, for Micro Beam Pistol

05

For further information and prices please visit us at www.kremer-pigmente.com AKA-Products 49

06 Ready-made Colors & Gilding Materials

06 READY-MADE COLORS &
GILDING MATERIALS

51 KREMER Watercolors
53 KREMER Fine Artist Ink
53 KREMER Color Pastes
54 KREMER Oil Colors
55 KREMER Retouching Colors in Shellac
55 KREMER Retouching Colors in Laropal® A 81
55 KREMER Retouching Chips in Paraloid® B 72
56 Gessos & Grounds
56 Gold & Gilding Materials
57 Maimeri® Restauro, Varnish Colors
06 58 Gamblin Conservation Colors
59 GOLDEN
59 Old Holland Classic Oil Colours
59 Chalks
60 LASCAUX®-Products

50

06Ready-made Colors & Gilding Materials

KREMER WATERCOLORS

/// KREMER Watercolor Boxes

881000 Kremer Watercolor Set I, watercolor box, with 14 full pans
881002 Kremer Watercolour Set Earth Colors, watercolor box with 14 full pans
881004 Kremer Watercolor Set Landscape Painting, watercolor box with 14 full pans
881005 Kremer Watercolor Set Pearl Luster, watercolor box with 14 full pans
881006 Kremer Watercolor Set Illumination, watercolor box with 14 full pans
881007 Kremer Watercolor Set Gold Retouching Colors, watercolor box with 14 full pans
881008 Kremer Watercolor Set Small, watercolor box, with 8 full pans
881040 Kremer Watercolor Set Large, 48 watercolors in large metal pans

/// KREMER Watercolors, single pans

/// Orange / Red 234938 Gubbio Red
236108 Alizarine Crimson Dark
101508 Pinkcolor 3721418 Madder Lake
115748 Burgundy Red Ochre Medium 405108 Venetian Red
231788 Irgazine® Orange DPP RA 420008 Vermilion
231798 Irgazine® Scarlet DPP EK 421008 Carmine Naccarat
231808 Irgazine® Red DPP BO 426018 Ultramarine Red, violet pink
231828 Irgazine® Ruby DPP TR 523008 Translucent Orange
232028 CPT-Scarlet Red 523508 Translucent Orange-Red
232508 Permanent Red Dark 524008 Translucent Red Medium
234028 Quindo® Pink D
234908 Purple-Red, brownish

/// Yellow 432008 Nickel-Titanium Yellow 06
433008 Titanium Orange
115728 Burgundy Yellow Ochre 435008 Cobalt Yellow
170008 Jarosite 438808 Intensive Yellow
170508 Natural Sienna, Monte Amiata 439408 Baryte Yellow
233108 Permanent Yellow Medium 522008 Translucent Yellow
233308 Irgazine® Yellow, greenish
233708 Pyramid-Yellow
402208 Italian Gold Ochre Light

/// Green 417508 Vagone Green Earth
441008 Cobalt Green
103458 Malachite MP 441308 Cobalt Bottle Green
111118 Russian Green Earth 441518 Cobalt Green Bluish A
174108 Bluish Green Earth, from Cyprus 441908 Pastel Green, Victoria Green
230008 Phthalo Green 442008 Chrome Oxide Green
230108 Phthalo Green, yellowish 442508 Viridian Green
230128 Pea Green, mixture 557008 Studio Pigment Light Green
408108 Bohemian Green Earth
408218 Green Earth from Verona

/// Blue / Violet 457008 Cobalt Blue Dark
4571418 Cobalt Blue Pale
102078 Azurite MP, greenish light 457208 Cobalt Blue Light
105608 Lapis Lazuli from Chile 457408 Cobalt Blue, greenish
230508 Phthalo Blue 457508 Cobalt Blue Turquoise Light
360008 Indigo, Indian, genuine 457608 Cobalt Blue Turquoise Dark
450008 Ultramarine Blue, very dark
450808 Ultramarine Blue, light

For further information and prices please visit us at www.kremer-pigmente.com KREMER Watercolors 51

06 Ready-made Colors & Gilding Materials

451108 Ultramarine Violet, reddish 487008 Caput Mortuum Reddish
452108 Paris Blue 489338 Iron Glimmer Violet
454008 Zirconium Cerulean Blue

/// White 462808 Bu Titanium
463008 Zinc White
114108 Eggshell White 463608 Kremer White
118108 Selenite, Marienglas
462008 Titanium White

/// Brown / Black 406308 Raw Umber Greenish, dark
407208 Burnt Umber, dark brown
120008 Ivory Black 409208 Slate Gray
124018 Sepia, fine 410008 Van Dyck Brown
124408 Bideford Black 472508 Furnace Black
235008 Paliogen® Maroon 479008 Paynes Gray, mixture
404008 Raw Sienna, Italy 488008 Magnetite
404308 Burnt Sienna
405038 Red Bole
406128 Raw Umber, Italy

/// Pearlescent 505008 IRIODIN® Chroma Blue
505108 IRIODIN® Chroma Red
500008 IRIODIN® Silver 505208 IRIODIN® Chroma Lilac
501008 IRIODIN® Colibri Gold 506208 IRIODIN® Chroma Green
501108 IRIODIN® Colibri Star-Gold 506508 Magic Gold
501798 IRIODIN® Colibri Satin-Royal 506518 Magic Indian Summer
501808 IRIODIN® Colibri Royal Gold 506528 Magic Red
502008 IRIODIN® Colibri Pale Gold 506588 Magic Green
503008 IRIODIN® Colibri Bronze
503208 IRIODIN® Colibri Glitter
06 504008 IRIODIN® Colibri Red

/// Watercolor Boxes & Pans, empty

/// Watercolor Boxes, empty

881010 Watercolor Box empty, for 14 full pans, metall, approx. 22 x 7 x 2.5 cm
881014 Watercolor Box small, empty, for 8 full pans, metal, approx. 12.5 x 7 x 2 cm
881016 Watercolor Box, 4 rows, empty, for 28 full pans, metal, approx. 11.5 x 22.5 x 3 cm

/// Pans, empty

881011 Watercolor Pans - full size, empty - 2.7 x 1.5 x 0.9 cm
881012 Watercolor Pans - half size, empty, 1.6 x 1.4 x 0.9 cm

/// Brushes

You can find suitable Watercolor Brushes in Chapter 08 under Watercolor & Retouching Brushes.

/// Mediums

You are interested in making your own watercolors? Please find appropriate mediums in Chapter 04
Mediums, Binders & Glues.

52 KREMER Watercolors For further information and prices please visit us at www.kremer-pigmente.com

06Ready-made Colors & Gilding Materials

KREMER FINE ARTIST INK

Kremer-made Artist Inks consist of a binder and extra finely dispersed pigments. The binder is shel-
lac soap. Shellac becomes shellac soap by adding borax, solved in warm water. The pigments are
dispersed very finely and added, possibly in a large quantity, to the shellac solution. The high pigment
concentrations in the inks make them very rich.

/// Orange / Red 180342 Shellac Ink Red DPP
180345 Shellac Ink Ruby DPP
180330 Shellac Ink Orange
180338 Shellac Ink Scarlet DPP

/// Yellow 180320 Shellac Ink Yellow

180310 Shellac Ink Lemon Yellow

/// Green 180375 Shellac Ink Green, yellowish

180370 Shellac Ink Green, bluish

/// Blue / Violet 180360 Shellac Ink Blue

180350 Shellac Ink Blue-Violet

/// White

180390 Shellac Ink White

/// Brown / Black 180460 Sepia Ink

180380 Shellac Ink Black
180450 Bister Ink

/// Assortment - Fine Artist Ink 06

Assortment of 12 Kremer-made Shellac Inks, without 180450 Bister Ink and 180460 Sepia Ink.

180990 Set: Shellac Ink Assortment small
180991 Set: Shellac Ink Assortment medium
180992 Set: Shellac Ink Assortment big

/// Ink Solvent & Diluter 180420 Shellac Ink Diluter

180410 Shellac Ink Solvent

KREMER COLOR PASTES

Color Pastes are the answer to high quality, intense and lightfast waterbased paint. They are con-
centrated pigment dispersions in water and easily make 2 - 8 times their original volume in vibrant
paints.

/// Orange / Red

28200 Orange, solids content 50%
28270 Pyranthrone Orange, solids content 40%
28375 Irgazin® Orange DPP RA, solids content 40%
28390 Irgazin® DPP Scarlet, solids content 45%
28470 Irgazin® DPP Red, solids content 45%
28480 Graphtol Red NFB, solids content 35%
28490 Permanent Red, solids content 35%
28500 Red, solids content 50%
28510 Irgazin® Ruby DPP, solids content 35%
28600 Quindo® Red, solids content 40%

For further information and prices please visit us at www.kremer-pigmente.com KREMER Color Pastes 53

06 Ready-made Colors & Gilding Materials

/// Yellow

27160 Bismuth-Vanadate Yellow, solids content 60%
28000 Lemon Yellow, solids content 50%
28020 Irgazin® Yellow, greenish, solids content 45%
28050 Yellow, solids content 50%
28100 Brilliant Yellow, solids content 50%
28120 Permanent Yellow Medium, solids content 35%
28150 Isoindolinone Yellow, solids content 45%

/// Green Chrome Oxide Green, solids content 75%
Heliogen® Green, solids content 50%
27800 Heliogen® Green, yellowish, solids content 50%
29000
29050

/// Blue / Violet

27700 Ultramarine Blue, solids content 60%
27705 Ultramarine Blue (new), solids content 60%
28660 Cinquasia® Violet, solids content 35%
28701 Thioindigo, solids content 40 %
28801 Dioxazine Violet, solids content 35%
28900 Heliogen® Blue, primary blue, solids content 50%
28910 Heliogen® Royal Blue, solids content 45%
360094 Indigo Synthetic, approx. 30% Indigo, by weight

/// White

27000 Titanium White, solids content 70%

/// Brown / Black

06 27400 Iron Oxide Brown 610, solids content 70%
27500 Iron Oxide Black, solids content 60%
27540 Bone Black, solids content 45%
27600 Lamp Black, solids content 40%

KREMER OIL COLORS

/// Orange / Red

231827 Irgazine® Ruby DPP TR in Linseed oil, not siccativated
236107 Alizarine Crimson Dark in Linseed Oil, not siccativated
404407 Pompeii Red in Linseed Oil, not siccativated, made by Original Linoliemaling
405107 Venetian Red in Linseed Oil, not siccativated
407007 Burnt Umber Reddish in Linseed Oil, not siccativated
425007 Red Lead in Linseed Oil, Minium, contains lead, toxic
425207 Red Lead in Alkyd Resin, contains lead, toxic
486007 Iron Oxide Red in Linseed Oil, not siccativated, made by Original Linoliemaling
487007 Caput Mortuum reddish in Linseed Oil, natural, not siccativated

/// Yellow

402207 Italian Gold Ochre Light in Linseed Oil, not siccativated, made by Original Linoliemaling
404007 Raw Sienna in Linseed Oil, not siccativated

54 KREMER Oil Colors For further information and prices please visit us at www.kremer-pigmente.com

06Ready-made Colors & Gilding Materials

/// Green Raw Umber in Linseed Oil, greenish dark, not siccativated
Verona Green Earth in Linseed Oil, not siccativated, made by Original Linoliemaling
406307 Vagone Green Earth in Linseed Oil, not siccativated, enhanced with Prussian Blue and
417007 Chrome Oxide Green
417507 Chrome Oxide in Linseed Oil, cool green, contains chrome, not siccativated
Mueller´s Green Light in Linseed Oil, Iron Oxide Yellow and Heliogen® Blue, not siccativated
442007 Mueller´s Green Medium in Linseed Oil, mixture, not siccativated
446107
446247

/// White Flake White in Linseed Oil, Cremnitz White, lead white, contains lead, toxic
Cremnitz White in Walnut Oil, Lead White, contains lead, toxic
460007 Titanium White Rutile in Linseed Oil, pure white, not siccativated
460027 Zinc White in Walnut Oil, slow drying, not siccativated
462007 Zinc White in Linseed Oil, not siccativated
463007
463207

/// Brown / Black

402317 Brown Ochre in Linseed Oil, light warm brown, not siccativated
471007 Bone Black in Linseed Oil, not siccativated
477007 Graphite Powder Silver in Linseed Oil
484007 Iron Oxide Black 318 in Linseed Oil, not siccativated

KREMER RETOUCHING COLORS IN SHELLAC 06

/// Assortment for Wood Restoration

The pigments are ground into a bleached shellac solution (60450). Before use: The Retouching Colors
have to be thinned with acoholic solvents like spirit or ethyl alcohol (70800). For further information
please visit us at www.kremer-pigmente.com.
14903 Set: Kremer Retouching Colors in Shellac, 27 pigments ground into shellac,

27 x 3 ml glasses, in a wooden box

KREMER RETOUCHING COLORS IN LAROPAL® A 81

The assortment contains 81 di erent hues, including some that are subject to the German Chemical
Prohibition Regulation. This Retouching Colors can be thinned with ethyl alcohol (70800). You also
can purchase single colors. For further information please visit us at www.kremer-pigmente.com.

14904 Set: Kremer Retouching Colors in Laropal A 81, 81 Pigments ground in Laropal A 81,
3 ml each, in 3 wooden boxes

KREMER RETOUCHING CHIPS IN PARALOID® B 72

The Color Chips can be dissolved with all solvents in which Paraloid B 72 is soluble. We recommend
Methoxy Propanol PM, 70920.

/// Set: KREMER Retouching Chips in Paraloid® B 72

The Set contais all listed single Retouching Chips in small pans, without 2310093 Cadmium Yellow
No. 1 lemon.
14910 Set: Kremer Color Chips in Paraloid B 72, 12 Retouching Colors, in a metal case

/// KREMER Retouching Chips in Paraloid® B 72, single

2101093 Cadmium Yellow No. 1, lemon
2104093 Cadmium Yellow No. 6, medium

For further information and prices please visit us at www.kremer-pigmente.com KREMER Retouching Chips in Paraloid® B 72 55

06 Ready-made Colors & Gilding Materials

2101093 Cadmium Yellow No. 1, lemon
2112093 Cadmium Red No. 1, light
2300093 Heliogen® Green
2308093 Heliogen® Blue
2310093 Indanthren® Blue
2315293 Hostaperm® Pink E
4420093 Chrome Oxide Green
4501093 Ultramarine Blue, dark
4620093 Titanium White
4740093 Spinel Black
4805093 Iron Oxide Yellow-Orange
4810093 Iron Oxide Red 110 M, light

GESSOS & GROUNDS

46410 Gofun Hakurei Primer
46650 Kremer Gesso, white, acrylic

GOLD & GILDING MATERIALS

98154 Starter Set Water Gilding, Set for Kölner high gloss water gilding system
98155 Starter Set Instacoll Gilding, Contents: 5 sheets of Gold Leaf Rosenoble Double Gold, 80 x
80 mm, 50 ml Base, 50 ml Activator, 1 Toray brush, tissue, processing instructions.
98156 Instacoll Activator, for Instacoll gilding
98157 Instacoll Base Yellow, for Instacoll gilding
98212 Instacoll Tissue Set, contains: 5 pieces
98213 Instacoll Tool, tool to press transfer gold into pits

06 /// Gold Leaf & Silver Leaf

Further Gold & Silver Leaves on request.

98405 Silver Leaf, loose, 95 x 95 mm
98406 Silver Leaf, transfer, 95 x 95 mm
98410 Gold Leaf Rosenoble Double Gold, loose, 23 3/4 carat, leaf size 80 x 80 mm
98412 Gold Leaf Rosenoble Double Gold, transfer, 23 3/4 carat, leaf size 80 x 80 mm
98420 Gold Leaf Ducat Double Gold, loose, 23 carat, leaf size 80 x 80 mm
98422 Gold Leaf Ducat Double Gold, transfer, 23 carat, leaf size 80 x 80 mm
98423 Gold Leaf, in flakes, size 2, 22 Karat, eatable
98430 Gold Leaf Orange Double Gold, loose, 22 carat, leaf size 80 x 80 mm
98432 Gold Leaf Orange Double Gold, transfer, 22 carat, leaf size 80 x 80 mm
98440 Gold Leaf Lemon Gold Pale, loose, 18 carat, leaf size 80 x 80 mm
98442 Gold Leaf Lemon Gold Pale, transfer, 18 carat, leaf size 80 x 80 mm

/// Silverpoints & Goldpoints

887100 Silverpoint 999, pure silver, light and soft line, silver rod approx. 4,8 cm long, Ø approx. 2 mm

887200 Silverpoint 935, medium line, silver rod about 4.8 cm long, diameter 2 mm Ø, for silver-
point drawings

887300 Silverpoint 835, darkest and hardest line, silver rod about 4.8 cm long, Ø 2 mm

887500 Goldpoint, Yellow Gold 750, stays gray on paper, gold tip about 1.4 cm long, Ø 1 cm, hard
soldered in brass rod about 5 cm long, Ø 2 mm

/// Golden Silverpoint Ground

843558 Golden Silverpoint / Drawing Ground

56 Gold & Gilding Materials For further information and prices please visit us at www.kremer-pigmente.com

06Ready-made Colors & Gilding Materials

/// Painter´s Gold / Varnishes & other Gilding Materials

/// Mixtion LeFranc

98000 Mixtion Le Franc 3 hours, for gilding
98100 Mixtion Le Franc 12 hours, for gilding

/// Gilding Dispersion

98110 Gilding Dispersion, Kremer-made

/// Polishing Paste

98160 Polishing Paste Red, LEFRANC®
98163 Polishing Paste Yellow, LEFRANC®
98165 Polishing Paste Black, LEFRANC®

/// Gilding Tools

98210 Gilder´s Pad small, 25 x 15 cm, with shield
98211 Gilder´s Pad large, 30 x 20 cm, with shield
98230 Gilding Knife, exclusive, 16 cm

/// Gold Powder, Painter´s Gold & Varnish

98301 Rosenoble Gold, Powder, 23.75 carat
98443 Painter´s Gold small, 23.75 carat, approx. 0.4 g
98444 Painter´s Gold medium, 23.75 carat, approx. 1.1 g
98445 Painter´s Gold large, 23.75 carat. approx. 2.5 g
98446 Painter´s Gold Varnish, 23.75 carat, liquid, non-oxidizing

/// Agate Burnishers & Brushes

Please find a complete list of all Agate Burnishers at www.kremer-pigmente.com. The Gilding Brush-
es are listed in Chapter 08 under Various Special Brushes.

MAIMERI® RESTAURO, VARNISH COLORS 06

8091599 Set: MAIMERI® Mastic Retouching Colors, 33 tubes á 20 ml 57

/// Orange / Red 8091228 Cadmium Red medium

8091167 Alizarine Carmine / 8091242 Indian Red
Permanent Carmine 8091276 Terra Pozzuoli

8091178 Madder Lake dark
8091224 Cadmium Red orange

/// Yellow 8091104 Naples Yellow,
contains lead, toxic
8091081 Cadmium Yellow light
8091131 Light Ochre
8091082 Cadmium Yellow lemon
8091083 Cadmium Yellow medium 8091133 Gold Ochre light
8091084 Cadmium Yellow dark
8091134 Gold Ochre

/// Green 8091336 Chrome Oxide Green
8091348 Hydrated Chrome Oxide Green
8091290 Heliogen® Green
8091296 Green Earth
8091297 Green Earth antique

/// Blue / Violet 8091416 Cobalt Cerulean Blue

8091372 Cobalt Blue
8091390 Ultramarine Blue

For further information and prices please visit us at www.kremer-pigmente.com Maimeri® Restauro, Varnish Colors

06 Ready-made Colors & Gilding Materials

/// White 8091020 Zinc White

8091018 Titanium White 8091490 Cassle Brown
8091492 Burnt Umber
/// Brown / Black 8091493 Raw Umber
8091535 Ivory Black
8091161 Natural Siena
8091278 Burnt Siena
8091474 Madder Lake Brown
8091482 Iron Oxide Brown transparent
8091484 Van Dyck Brown transparent

GAMBLIN CONSERVATION COLORS

Gamblin Conservation Colors are made from Laropal A-81, mineral spirits, and lightfast pigments.
Alumina hydrate is added to the modern organic colors to adjust tinting strength. No additives are
used.

/// Yellow Colors 8035050 Indian Yellow Permanent
8044050 Naples Yellow Light
8016550 Cadmium Yellow 8044550 Naples Yellow Deep
8017050 Cadmium Yellow Light
8018050 Cadmium Yellow Medium
8031050 Hansa Yellow Medium

/// Orange / Red Colors 8015050 Cadmium Red Medium
8027050 Dragon s Blood
8002550 Alizarin Crimson Permanent 8059050 Quincridone Red
8012050 Cadmium Orange
8014050 Cadmium Red Light

/// Blue / Violet Colors 8053050 Phthalo Blue
8056050 Prussian Blue
06 8001450 Manganese Blue (Hue) 8070050 Ultramarine Blue
8020050 Cerulean Blue 8071050 Ultramarine Violet
8022050 Cobalt Blue
8024050 Cobalt Violet
8026050 Dioxazine Purple

/// Green Colors 8054050 Phthalo Green
8066050 Sap Green Permanent
8021550 Chromium Oxide Green 8074050 Viridian
8023050 Cobalt Green
8045050 Permanent Green Light

/// Earth & Transparent Iron Oxide Colors 8068050 Transparent Earth Brown

8005050 Brown Madder Alizarine, 8068150 Transparent Earth Orange
Permanent 8068250 Transparent Earth Red
8068350 Transparent Earth Yellow
8006050 Burnt Sienna 8072050 Van Dyke Brown, Permanent
8008050 Burnt Umber 8073050 Venetian Red
8028050 Greenish Umber 8078050 Yellow Ochre
8033050 Indian Red
8043250 Iron Oxide Orange
8061050 Raw Sienna
8062050 Raw Umber

58 Gamblin Conservation Colors For further information and prices please visit us at www.kremer-pigmente.com

06Ready-made Colors & Gilding Materials

/// Black / White Colors 8081550 Titanium Bu
8084050 Cremnitz White
8004550 Black Spinel 8084550 Extender White
8036050 Ivory Black
8037050 Lamp Black
8081050 Titanium White

/// Resins & Solvents

70524 White Spirit, 40% aromatics, solvent
8010010 Aldehyde Resin Dry, Laropal A 81
8010015 Galdehyde Resin Solution, Aldehyde Resin in liquid hydrocarbons
8010055 Regalrez® Dry, Aldehyde Resin

/// PVA Size

8001308 PVA Size, colorless ground

GOLDEN

Golden Artist Colors, Inc. is a manufacturer of artist quality materials including colors and mediums
for painting. The GOLDEN brand of acrylics is known for quality and archival integrity as well as
being the most innovative and extensive system available. Kremer Pigmente o er a various range
of GOLDEN Acrylics, Gels and Restoration Products. For further information please visit us at www.
kremer-pigmente.com.

OLD HOLLAND CLASSIC OIL COLOURS 06

Since the early days of oils, artists have made high demands regarding the durability of their work.
In order to meet these demands for optimum durability, Old Holland still produces all its classic
oil paints according to traditional formulas, supplemented by the latest contemporary insights. The
choice of pigments is a unique mix of the best traditional colours and the best pigments derived from
the latest technological developments. You can find a list of all Old Holland Artists´Oil Colours at
www.kremer-pigmente.com.

CHALKS

We o er four di erent types of chalks: traditional chalks in red, black and white - you can find them in
Chapter 01 Kremer-made and Historical Pigments, as well as Silicate Chalks, Restone Silicate Chalks
and Pastels from La Maison Du Pastel.

/// Silicate Chalks

New paint technique for an all-weather proof color application with pastel character. It can be applied
to all mineral based grounds with lightly rough to middle abrasive surfaces. Appropriate surfaces
are: Lime and lime cement plaster, concrete, sandstone or any other kind of stone, Terra-cotta, e.g.
tiles, bricks etc., rough or sanded glass, glass fibre materials. Silicate Chalks are no substitutes for
the classical painting methods. Silicate Chalks rather o er new variations of creation not known be-
fore. Until the final protecting coating of Silicate-Fixative is applied, the pastel-charactered pigment
layer can be corrected and can even be diluted at will (e.g. with the akapad sponge). Special e ects
can be achieved using a brush or sponge with water.All aforementioned ground surfaces can also
be painted with a primary layer of pure mineral paint and used as a background for Silicate Chalks
applications. For further information please visit us at www.kremer-pigmente.com.

/// Restone, Silicate Chalks

RESTONE Silicate Chalks are made from Purkristalet pigments by KEIMfarben. 55 colors, according
to the KEIMfarben color chart for natural stone, and 6 extra colors. Please find a complete list at
www.kremer-pigmente.com.

For further information and prices please visit us at www.kremer-pigmente.com Chalks 59

06 Ready-made Colors & Gilding Materials

/// Pastel Chalks - La Maison Du Pastel

Since 1724 pastels are made in Paris by the predecessors of the Maison du Pastel. Manufactured in
small quantities, Roché pastels are individually hand-rolled into a form suitable for both bold and
detailed work. With exceptionally lightfast pigments and a minimum of binder, the pastels possess
a particular texture that allows them to adhere well to a number of supports, as well as display a
remarkable intensity and clarity of color. The pastels are about 7.5 cm long and have a diameter of
1 cm. Please find the hues, color chart and prices at www.kremer-pigmente.com. More chalks are
available on request. Prices between 16.00 to 20.00 EUR per chalk, order numbers 832333 - 839241,
order quantity: 3 pieces.

LASCAUX®-PRODUCTS

You can find the LASCAUX® Glues in Chapter 04 Mediums, Binders & Glues and the LASCAUX® Silico-
ne Paper in Chapter 07 Linen, Paper & Foils.

81010 Lascaux® Acrylic Emulsion d 498 M, for light and ageing-resistant, non-cross-linking
agglutination such as re-lining, marouflage, lamination, collages etc.

81012 Lascaux® Medium for Consolidation, aqueous dispersion of an acrylic copolymer
81013 Lascaux® Medium I, glossy
81015 Lascaux® Medium II, matte
81020 Lascaux® Impasto Gel Medium 1, glossy
81022 Lascaux® Impasto Gel Medium 2, matte
81023 Lascaux® Acrylic-Transparent Varnish 575 UV glossy, can be thinned with water
81024 Lascaux® Acrylic-Transparent Varnish 575 UV matte, can be thinned with water
81025 Lascaux® Acrylic-Transparent Varnish 575 glossy, can be thinned with water
81026 Lascaux® Acrylic-Transparent Varnish 575 matte, can be thinned with water
81027 Lascaux® Hydro-Ground
81028 Lascaux® Retarder
81030 Lascaux® Gesso, white
81040 Lascaux® Acrylic Resin P 550-40%, glossy, soft, thermoplastic resin, in 40% naphtha
06 81042 Lascaux® Acrylic Varnish P 550/675-32%, matte, contains 32 % turpentine substitute

35/38, 26 % special boiling-point spirit 100/140
81045 Lascaux® Acrylic Glaze 39 %, glossy
81047 Lascaux® Medium for Retouching 20-50, Mowilith® 20/AYAB
81048 Lascaux® Acrylic Resin 742-33%
81060 Lascaux® Adhesive Wax 443-95

/// LASCAUX® UV Protect

81070 Lascaux® UV Protect 1 Brillant, protective UV spray
81071 Lascaux® UV Protect 1 Matt, protective UV spray
81072 Lascaux® UV Protect 1 Satin, protective UV spray

60 LASCAUX®-Products For further information and prices please visit us at www.kremer-pigmente.com

07Linen, Paper & Foils

LINEN,

07 PAPER &
FOILS

62 Linen & Stretcher Bars 07
62 Paper & Sketch Books
63 Foils

61

07 Linen, Paper & Foils

LINEN & STRETCHER BARS

Stretcher Bars only available on request.

/// Linen Linen Canvas 597 medium L510, medium weight, raw, without priming

873000 Width: 212-224 cm, thread count: 10x10, 335 g/m²

873010 Linen Canvas 615 heavy L511, heavy quality, raw, without priming

873020 Width: 212-215 cm, thread count: 14x14, 410 g/m²

873030 Linen Canvas 99 medium, wide L515, medium quality, raw, without priming

873040 Width: 305 cm, thread count: 16x16, 330 g/m²

873050 Linen Canvas 165 light L516, light quality

873060 Width: 224 cm, thread count: 12x12, 160 g/m²

873100 Linen Canvas 526 heavy L526, very heavy quality, washed, almost white

873110 Width: 140 cm, thread count: 44x56, 950 g /m²
873150
873160 Canvas light L517, very fine quality, without knots, without priming

Width: 210 cm, thread count: 30x30, 180 g/m²

Linen light re-lining canvas L518, loosely woven, without knots, without priming

Width: 210 cm, thread count: 16x16, 135 g/m²

Cotton Canvas L520, twill weave

Width: 165 cm, thread count: 20x22, 300 g/m²

Cotton Duck L521, width: 210 cm, thread count: 15x12, 600 g/m²

Hemp Canvas L525, width: 150 cm, thread count: 24x23, 300 g/m²

Linen Canvas Sample Book, contains 1 sample of each of our linen canvas

PAPER & SKETCH BOOKS

/// Paper

875006 Paper, 145 g/m², 4-sided deckle edge, yellowish-white, rough, 53 x 76 cm
875010 Paper, 225 g/m², smooth deckle edge, white, rough, 63.5 x 76 cm
875020 Ingres 90, hand-made paper, white, 90 - 95 g / m², 48 x 62,5 cm
875025 Arches Bütten Paper, Grain Staine, 300 g / m², 56 x 76 cm
875026 Arches Bütten Paper, fine, 300 g/m², 56 x 76 cm
875030 Arches, 185 g/m², hand-made paper, 1.13 x 9.15 m
07 875040 Arches, 300 g/m², hand-made paper, 1.13 x 9.15 m
875041 Arches, glazed, 300 g/m², 1.13 x 9.15 m
875050 C à grain, 180 g/m², 1.50 x 10 m
875060 Japanese Paper Wenzhou, 30 g/m², 45 cm x 25 m, roll
875070 Japanese Paper Wenzhou, 30 g/m², 69 cm x 10 m, roll
875080 Japanese Paper Wenzhou, 30 g/m², 97 cm x 10 m, roll

/// Sketch Books

875120 Sketchbook, 29 x 29 cm, binderboard covers with linen spines, 132 pages, 120 g
875121 Sketchbook, 21 x 21 cm, binderboard covers with linen spines, 144 pages, 100 g
875122 Sketchbook, DIN A4, binderboard covers with linen spines, 144 pages, 100 g
875123 Sketchbook, DIN A5, binderboard covers with linen spines, 144 pages, 100 g
875124 Sketchbook, DIN A5, horizontal, binderboard covers with linen spines, 144 pages, 100 g
875125 Sketchbook, 20.5 x 23.5 cm, 36 pages, 110 g
875127 Sketchbook for Landscape Painting, 30 x 15 cm, 120 pages

62 Paper & Sketch Books For further information and prices please visit us at www.kremer-pigmente.com

07Linen, Paper & Foils

FOILS

/// Hostaphan Foils

87220 HOSTAPHAN® Foil RN 15, 15 µ, 1375 mm wide, 21 g/m², 50 m roll
87221 HOSTAPHAN® Foil RN 75, 75 µ, 1400 mm wide, 105 g/m², 50 m roll
87222 HOSTAPHAN® Foil RNT 36, 36 µ, 1400 mm wide, 50 m roll, 51 g/m²
87225 Set: HOSTAPHAN® foils, 1 roll each of RN 15, RN 75, RNT 36

/// Tyvek®

87240 Tyvek® 1622 E, wrapping material for art objects, roll length: 50 m, width: 152.4 cm

/// Tin Foil

87200 Tin Foil, 50 cm wide, 25 µ, 1 roll 600 g, equivalent to approx. 6.5 m or 3.25 m²

/// Beva®-Film

You can find our Beva®-Products in Chapter 04 Mediums, Binders & Glues.

/// LASCAUX® Silicone Paper

You can find further LASCAUX®-Products in Chapter 06 Ready-made Colors & Gilding Materials and
the LASCAUX®-Glues in Chapter 04 Mediums, Binders & Glues.
83020 Lascaux® Silicone Paper, 50 m, 148 cm wide, 92 g/qm, both sides siliconized

07

For further information and prices please visit us at www.kremer-pigmente.com Foils 63

08 Brushes

08 BRUSHES

65 Brushes for Restorers and Painters
68 Brushes for Restoration and Cleaning

08

64

08Brushes

BRUSHES FOR RESTORERS AND PAINTERS

/// Watercolor & Retouching Brushes Watercolor Brush, Kolinsky Red
Sable, round,
Retouching Brush, Red Sable, #85050..., size 5/0 - 18. Retou-
#850051.., size 5/0 - 6. High ching Brush, short black handle,
quality, short red sable, round, gold seamless ferrule.
short dark red lacquered handle,
silver seamless ferrule. Retouching Brush, Kolinsky Red
Sable, compact,
Watercolor Brush, Toray Hair, #8541191.., size 0 - 6. Golden
#850052.., size 0 - 12. Soft, black. seamless ferrule, with black
lacquered matt handle .
Watercolor Brush, Squirrel Hair
with Synthetic Hair, Retouching Brush, Kolinsky Red
#850053.., size 6 - 54 Sable, slim,
#8541192.., size 0 - 6. Golden
Watercolor Brush, Nylon Hair, seamless ferrule, with black
#850456.., size 0 - 6. Golden-red lacquered matt handle.
nylon hair, with short black
lacquered handle.

/// Oil Painting Brushes Gussow Oil Painting Brush, 08
Polecat Hair, flat,
Gussow Oil Painting Brush, #850550.., size 2 - 20. Long red
Kolinsky Red Sable, flat, lacquered handle, silver seamless
#850055.., size 2 - 16. Long black ferrule.
lacquered handle, silver seamless
ferrule. Gussow Oil Painting Brush, long,
flat,
Gussow Oilpainting Brush, Toray #850771.., size 2 - 24. The finest
Hair, white China bristles, long lacquered
#850056.., size 1 - 20. Cat tongue handle, seamless nickel-plated
shaped, golden toray hair, white ferrule, double crimping.
lacquered long handle, seamless Script Liner, Red Sable, round tip,
silver ferrule. #850808.., size 2 - 20

Oilpainting Brush Round, Red Script Liner, Pale Ox Hair,
Sable, pointed tip,
#850057.., size 0 - 24. Long #850809.., size 2 - 24
handle, silver seamless ferrule.
Poster Paint Brush, flat,
Lascaux® Brush Interlon, flat, #850811.., size 1/16 - 7/8. Pale ox
#850058.., size 2 - 40. Very hair, black lacquered handle,
durable, silver seamless ferrule, nickel ferrule.
long black handle. For oil painting,
gouache or acrylic painting. Oil Painting Brush, Ox Hair, flat,
#854155.., size 2 - 20. Long
Lascaux® Brush Interlon, round, unlacquered handle, nickel
#850059.., size 2 - 40. Black ferrule.
lacquered handle with nickel
plated seamless ferrule. For oil
painting, gouache or acrylic
painting.

Oilpainting Brush Round, oval,
#850076.., size 2 - 24. Finest white
China bristles, long lacquered
handle, seamless silver ferrule.

Gussow Oil Painting Brush, flat,
#850077.., size 2 - 24. The finest
white China bristles, long
lacquered handle, seamless
nickel-plated ferrule, double
crimping.

For further information and prices please visit us at www.kremer-pigmente.com Brushes for Restorers and Painters 65

08 Brushes

/// Fresco Brushes & Liners Fresco Brush, square,
#850814.., size 8 - 20. Long white
Fresco Brush, Liner, round, hog bristles, seamless ferrule,
#850301.., size 2 - 24. Bleached long raw wooden handle.
China bristles.
Angular Brush,
Fresco Brush, Liner, flat, #850815.., size 10 - 30. Black
#850302.., size 2 - 28. White China bristles, long raw wooden
bristles, metal ferrule, long handle, metal ferrule.
untreated handle, sold only by the
dozen. Fresco Brush, round,
#850819. 55 mm, 110 mm long
Fresco Brush, oval, vegetable fibres reinforced with
#850803.., size 6 - 24. Filbert, nylon threads on the outside,
white hog bristles, long handle, bound with string, then sealed
raw wooden handle, seamless with lacquer, round handle, 27 cm.
ferrule. Universal Brush, flat,
#854196.., size 12 - 20. Short
Liner, round, white bristles, stainless
#850812.., size 1 - 8. With gray aluminium ferrule.
bristles, raw wooden handle, for
oil- and mural painting. Varnish Brush, Goat,
#850975.., size 1/2 - 4 (inch). Very
/// Flat Brushes soft dark hair, flat, natural wooden
handle.
Varnish and Gesso Brush, flat,
#850070.., size 1/2 - 4 (inch). Soft Varnish Brush, Various Selected
white hog hair, raw handle, metal Hair, black,
ferrule. #854125.., size 2 - 4 (inch). Black
nickel ferrule, short handle.
Lacquer and Varnish Brush,
#850072.., size 1 - 3 (inch). Very Varnish and Gesso Brush, flat,
soft ox-ear hair, short black #85419725. Width: 25 mm, length
handle. of hair: 32 mm. Metal ferrule.

Flatbrush, FIBONACCI, Flatbrush, squirrel,
#85060.., size 40 - 100 mm. #854202.., size 1 - 4 (inch). Fine
Synthetic fiber. squirrel mop, metal ferrule.

Varnish and Gesso Brush, plastic, Flatbrush, Fine Ox Hair,
#850611.., sizes: 7 x 3 cm, 10 x 3 #854203.., size 1 - 3 (inch). Metal
cm, 12 x 3 cm, 14 x 4 cm. White ferrule.
bristles, short, screw-on plastic
handle. Flatbrush, Fine Pale Bristles,
#85422..., size 1 - 4 (inch). Metal
Varnish and Gesso Brush, large, ferrule, wooden handle.
08 #850612.., sizes: 21 x 3 cm, 30 x 3

cm. Bristles metal ferrule for
broom stick mounting.

Varnish and Gesso Brush, flat,
#85062..., width: 80 - 200 mm.
Very soft bristles, 50 mm long
(size 200: 57 mm long), about 8
mm thick, amber varnished
handle, copper colored ferrule.

Scumbling Brush, oval,
#850630. 13 x 6 cm, China bristles
68 mm, lacquered wood.

66 Brushes for Restorers and Painters For further information and prices please visit us at www.kremer-pigmente.com

/// Various Special Brushes 08Brushes

Sword-shaped Liner, Priming Brush, Goat Hair, flat,
#850038.., size 3 - 4 (inch). Brass #850922.., size 3/4 - 3 (inch). Soft
setting, squirrel hair, short white goat hair, rustproof ferrule,
wooden handle. short white handle.

Gilder Tip, Squirrel Hair, Gilding Brush, Squirrel Hair,
#850075.., size 1 - 4 1/2 (inch). #854132.., size 2 - 16. Oval,
Bound in paper. wooden handle.

Badger Blender, Dusting Brush, round,
#850079.., size 2 - 4 (inch). Red #854135.., size 2 - 16. White goat
handle, traditional shape. hair, oval shaped, nickel-plated
ferrule, wooden handle.
Fan Blender, White Bristles,
#850228.., size 2 - 12. Seamless Marabout-Dusting-Brush,
silver ferrule, long clear lacquered #854137. Selected white down
handle. feathers, length of feathers
approx. 10 cm, nickel ferrule,
Fan Blender, Badger Hair, short black lacquered wooden
#850229.., size 2 - 12. Seamless handle.
silver ferrule, long black handle. Gilding Brush,
#85421708. Oval, white bristles,
Synthetic Brush for Instacoll- metal ferrule.
Gilding,
#850780.., size 1 - 2 (inch). Gilder Tip, Badger Hair,
#857510.., size 1 - 3 (inch). Bound
Badger Hair Brush, round, in wood.
#850837.., size 2 - 6. Stainless
steel, black lacquered handle. For Gilder Tip, Squirrel Hair,
oil paint and lacquer painting. #857520.., size 1 - 3 (inch). Bound
in wood.
/// Brushes for Marbleising
Graining Comb Set, Steel, 08
Mottler, #850825. 3 combs each of 4
#850508.., size 1/2 - 4 (inch). di erent sizes.
Short hard white bristles, raw
wooden handle. Liner Brush,
#850826. Black bristles, raw
Dragger / Flogger, handle, 85 mm wide, 20 mm long
#850509.., size 2 - 4 (inch). Long and 4 mm thick black China
black bristles, raw wooden handle. bristles, handle at 45° angle.

Stippler, thick, Chiqueteur Brush, round,
#850805.., size 2 - 40. Short raw Squirell Hair,
wooden handle. #85083506. 6 mops.

Stippler, round, Chiqueteur Brush, flat, Squirrel
#850806.., size 0 - 20. Short white Hair,
bristles, raw wooden handle, #850836.., size 1 - 3. With 2 mops
metal ferrule.

For further information and prices please visit us at www.kremer-pigmente.com Brushes for Restorers and Painters 67

08 Brushes Stippler, round,
#854192.., size 6 - 10. Sturdy short
Muccino, White China Bristles, bristles, raw wooden handle.
#850807.., size 12 - 30. Round
brush for oil- and mural painting. Stippler, round, Goat Hair,
#854193.., size 4 - 8. Soft short
Squirrel Mop, goat hair, raw wooden handle
#850810.., size 1 - 8. Squirrel hair
mixture, oval, black lacquered Stippler, round,
handle, silver seamless ferrule. #858061.., size 0 - 10. Short white
bristles, raw wooden handle.
Pipe Grainer,
#850822.., size 1 - 5 (inch). White Set: Stipplers,
bristles, metal ferrule, raw #85419236. Content: 1 of each -
wooden handle. 85419206, 85419210, 85419304,
85419308, 85419612 and
Mottler, 85419616.
#850823.., size 3 - 4 (inch). White
bristles set in wavy metal ferrule. Flat Wide Brush,
For wood e ects. #853150.., width: 30 mm - 80 mm.
Long black Chinese bristles,
/// Brushes for Studio & Church Painting approx. 90 cm long raw wooden
handle and brass ferrule.
Angular Brush,
#850465.., width: 30 mm - 60 mm.
Long black Chinese bristles,
approx. 90 cm long with raw
wooden handle and brass ferrule.

Round Brush,
#850475.., size 2 - 14. Black
Chinese bristles, leather-bound,
approx. 90 cm long handle.

BRUSHES FOR RESTORATION AND CLEANING

We o er a various range of products with Natural Hair Brushes like Hand Brushes and Dusters,
Brushes with long handle & Cylinder-shaped Brushes, Vacuum Cleaners, Dusters & Erasing Tips as
well as Bookbinder´s Brushes. For further information please visit us at www.kremer-pigmente.com.

08

68 Brushes for Restoration and Cleaning For further information and prices please visit us at www.kremer-pigmente.com

09Tools, Packaging & Supplies

TOOLS,

09 PACKAGING &
SUPPLIES

70 Packaging
71 Tools
76 Supplies

09

69

09 Tools, Packaging & Supplies

PACKAGING

/// Glass Bottles

964104 Glass bottle, 30 ml, wide, clear glass, wide opening, with cover
964110 Glass bottle, 100 ml wide, wide opening, clear, with cover
964112 Glass bottle, 100 ml, brown, brown glass, with dropper and cover
964116 Glass bottle, 250 ml, narrow, clear glass, narrow-mouthed opening, with cover
964120 Glass bottle, 250 ml, wide, clear glass, wide opening, with cover
964124 Glass bottle, 500 ml, wide, clear glass, wide opening, with cover
964128 Glass bottle, 1000 ml, narrow, clear glass, narrow-mouthed opening, with cover
964132 Glass bottle, 1000 ml, wide, clear glass, wide opening, with cover
964138 Glass 3 ml, clear, with snap-on cover
964139 Glass 10 ml, clear, with snap-on cover

/// Tubes Aluminum tubes, approx. 8 ml, 13,5 x 75 mm, white, aluminum
Aluminum tubes, approx. 50 ml, 25 x 145 mm, white, aluminum
963600 Aluminum tubes approx. 95 ml, 30 x 185 mm, white, aluminum
963620 Aluminum tubes, approx. 200 ml, 40 x 210 mm, white, aluminum
963640
963660

/// Wooden Boxes

963000 Wooden Box small, beech wood, handmade, empty, size about 27 x 11 x 4 cm
963010 Wooden Box, beech wood, handmade, empty, size about 29 x 12 x 6.5 cm
963020 Wooden Box, beech wood, handmade, empty, size about 24.7 x 18.5 x 4.4 cm

/// PE / PVC - Materials

964000 PVC-jar, 50 ml, transparent
964010 PVC-jar, 100 ml, transparent
964020 PVC-jar, 200 ml, transparent
964030 PVC-jar, 500 ml, transparent
964040 PVC-jar, 1000 ml, transparent
964050 PVC-jar, 2000 ml, transparent
964060 1 l Bucket, with cover
964061 PE-Bucket, 11 l, with gasket
964062 PE-Bucket, 20 l, with gasket
964070 PE-Bottle 250 ml, narrow
964071 PE-Bottle 1000 ml, narrow
964072 PE-Bottle for Chemicals, 1000 ml, narrow
964080 PE-Bag 500 x 800 mm, for 25 kg
964090 Injection 10 ml
964091 Injection 2 ml

/// Watercolor Boxes & Pans, empty

09 You can find our Watercolor Boxes and further supplies in Chaper 06.

70 Packaging For further information and prices please visit us at www.kremer-pigmente.com

09Tools, Packaging & Supplies

TOOLS

/// Stucco Tools

885000 Set: Hand-Made Italian Restoration Tools, hand-made in Tuscany, Italy. Set in wooden box
11 x 27 x 4 cm, 10 tools: 885159, 885003, 885004, 885007, 885030, 885034, 885036,
885054, 885079, 885080

885028 Knife, 25 cm
885029 Scalpel knife, 18 cm, can be sharpened

/// Spatulas

885002 Spatula, pointed /round, 18 cm, narrow
885005 Spatula, pointed /round, 18 cm, medium
885007 Spatula, pointed /round, 22 cm
885009 Spatula, pointed /round, 25 cm

885003 Spatula, pointed, 18 cm

885004 Spatula, round, 18 cm, spatula and rasp
885006 Spatula, round, 20 cm, spatula and rasp
885008 Spatula, round, 23 cm, spatula and rasp
885023 Spatula, round, 33 cm, spatula and rasp

885012 Spatula, pointed, 18 cm, spatula and rasp

09

885030 Spatula, round/ rasp, 23 cm, spatula and rasp Tools 71
885032 Spatula, round/ rasp, 27 cm, spatula and rasp

For further information and prices please visit us at www.kremer-pigmente.com

09 Tools, Packaging & Supplies

885061 Spatula, round, 16 cm
885062 Spatula, round, 18 cm
885063 Spatula, round, 19.5 cm
885067 Spatula round 25 cm
885069 Spatula round 29 cm
885071 Spatula, round, 34 cm

885159 Spatula, pointed /round, 16 cm, 16 cm

/// Scrapers

885018 Rasp, 18 cm, curved di erently
885019 Rasp, 22 cm, curved di erently
885022 Rasp, 28 cm, curved di erently

885024 Rasp, 19 cm, cambered, denticulated
885026 Rasp, 23 cm, cambered, denticulated

/// Hooks

09

885034 Hook, 16 cm
885036 Hook, 21 cm
885037 Hook, 23 cm
885038 Hook, 25 cm

72 Tools For further information and prices please visit us at www.kremer-pigmente.com

09Tools, Packaging & Supplies

/// Plaster Tools

885043 Plaster Tool, 20 cm, width 8 mm, spatula / length 20 cm
885045 Plaster Tool, 22 cm, width 14 mm, spatula / length 22 cm
885047 Plaster Tool, 24 cm, spatula / length 24 cm
885049 Plaster Tool, 27 cm, width 30 mm, spatula / length 27 cm
885051 Plaster Tool, 29 cm, width 38 mm, spatula, length 29 cm

885053 Plaster Tool, 16 cm, width 4 / 6 mm, length 16 cm
885054 Plaster Tool, 17 cm, width 10 / 5 mm, length 17 cm
885057 Plaster Tool, 23 cm, width 17 / 22 mm, length 23 cm

/// Gouges

885077 Gouge /Spatula, width 14 mm, length 22 cm, 14 mm breit, Länge 22 cm

885079 Gouge, width 7 / 9 mm, length 20 cm, 7 / 9 mm breit, Länge 20 cm 09
885080 Gouge, width 13 / 17 mm, length 21 cm, 13 / 17 mm breit, Länge 21 cm
885081 Gouge, width 14 / 18 mm, length 23 cm, 14 / 18 mm breit, Länge 23 cm

/// Rasps

885610 Rasp big, pointed / round, 24 cm
885611 Rasp small, pointed / round, 18 cm

885620 Rasp big, pointed / curved, 25 cm Tools 73
885621 Rasp small, pointed / curved, 18 cm

For further information and prices please visit us at www.kremer-pigmente.com

09 Tools, Packaging & Supplies

885640 Rasp big, pointed / round, 24 cm
885641 Rasp small, pointed / curved, 18 cm

885650 Rasp big, both sides pointed, 25 cm
885651 Rasp small, both sides pointed, 18 cm

885660 Rasp big, one side curved, 25 cm
885661 Rasp small, one side curved, 18 cm

885670 Rasp pointed / curved, 18 cm
885676 Rasp both sides pointed, 18 cm

885691 Rasp flat / curved 20 cm, made of steel, rasp surface 5 x 2.5 cm
885692 Rasp flat / curved 25 cm, made of steel, rasp surface 7 x 3.4 cm
885694 Rasp flat / curved 30 cm, made of steel, rasp surface 8.5 x 4.7 cm

/// Tools made of Metal

885235 Diamond Files, 18 cm long, 3 cm with diamonds, 10 di erent forms
885700 Set: 4 Painter´s Spatulas, steel, wooden handles, sizes: 2 cm, 5 cm, 8 cm, 12 cm
09 885720 Palette Knife, steel, 16 cm
885735 Canvas Pliers, aluminum, with plastic covered grips, 11.5 cm wide, 20 cm long
885750 FLOREAT Wall Hooks, nickel-plated: 4 x size 0, 2 x size 1, 2 x size 2, 1 x size 3, 1 x size 4, 13 pins
892100 Set: Sgra to Tools, 18 tools, in a wooden box

/// Painter´s Spatulas

885702 Painter´s Spatula exclusive, fine, width 2 cm
885705 Painter´s Spatula exclusive, small, width 5 cm
885708 Painter´s Spatula exclusive, medium, width 8 cm
885712 Painter´s Spatula exclusive, large, width 12 cm

74 Tools For further information and prices please visit us at www.kremer-pigmente.com

09Tools, Packaging & Supplies

/// Gouges 09

8852121 Gouge No. 1, 1 mm
8852122 Gouge No. 2, 2 mm

/// Hooks

885218 Hook, No. 18
885219 Hook, No. 19
885225 Hook, No. 25
885226 Hook, No. 26
885227 Hook, No. 27
885228 Hook, No. 28
885229 Hook, No. 29
885231 Hook, No. 31
885232 Hook, No. 32
885233 Hook, No. 33

/// Bone Folder / Mortars & Pestles / Glass Mullers / Sieves and others

/// Paper Stomp

88311 Paper Stomp Ø 7 mm, 12 cm length, set of 12
88313 Paper Stomp Ø 12 mm, 15 cm length, set of 12

/// Bone Folder

883220 Bone Folder 12 cm, made from bone, 12 cm length, set of 3
883226 Bone Folder 16 cm, made from bone, 16 cm length, set of 3

/// Wooden Stirrers

88327 Wooden Stirrers, approx. 260 x 16 x 3 mm, beech, approx. 100 pieces in pack

/// Mortars & Pestles

883300 Mortar + Pestle 90 mm diameter, made by Berliner Porzellanmanufaktur Haldenwang
883310 Mortar + Pestle 180 mm diameter, made by Berliner Porzellanmanufaktur Haldenwang
883320 Mortar + Pestle, diameter 96 mm / 3.5, standard quality
883321 Mortar + Pestle, diameter 192 mm / 8, standard quality
883322 Mortar + Pestle, diameter 236 mm, standard quality

/// Glass Mullers

883340 Glass Muller with handle, small, 75 g, approx. Ø 3.5 cm
883345 Glass Muller with handle, small, 350 - 500 g, Ø approx. 4 - 4,5 cm / 1.6 - 1.8
883348 Glass Muller with handle, large, Ø 5 cm, ca. 145 g
883350 Glass Muller with handle, large, 1000 g, made in USA, Ø approx. 10 cm / 4
883355 Glass Muller, medium, 200 g, hand-made in England, Ø approx. 7.5 cm / 3
883358 Granite Muller, Black Swedish Granite, 185 mm / Ø 8 cm

/// Sieves

Further sieves on request.

883330 Sieve, Ø 20 cm, 100 µ

/// Black Mirror

883375 Black Mirror, 20 x 15 cm, approx. 3 mm thick, black glass
883376 Black Mirror, 30 x 20 cm, approx. 3 mm thick, black glass
883377 Black Mirror, 40 x 30 cm, approx. 3 mm thick, black glass

For further information and prices please visit us at www.kremer-pigmente.com Tools 75

09 Tools, Packaging & Supplies

/// Sponges

883500 Natural Sea Sponge, approx. 20 - 30 g each, 20 - 25 cm
883550 Natural Sponge, small, for watercolors, Ø approx. 5 - 6 cm, pack of 5
883551 Natural Sponge, medium, for watercolors, Ø approx. 10 - 12 cm, pack of 5
883560 Suction-Block, very absorptive sponge, 60 g, 17.6 x 7.4 x 3.3 cm

/// Agate Burnishers

The Agate Burnishers (#88401-88451) are made of polished stones and a seamless metal mounting.
The wooden handles are lacquered. The agates are semi-precious stones, formed from silica com-
pounds. Please find a complete list of all Agate Burnishers at www.kremer-pigmente.com.

SUPPLIES

78099 Foam Dispenser, 200 ml PET-Bottle

/// Personal Protection

/// Respirators

88201 Respirator with easy-flow exhalation valve, eases respiration, minimizes condensation
humidity. Hygienic single packaging.

/// Half-Masks

88203 Half-Mask size S, respiratory protection, without filter
88204 Half-Mask size M, respiratory protection, without filter
88205 Half-Mask size L, respiratory protection, without filter

/// Protectve Filter

88208 Protective Filter A2, against organic gases and vapors. For the masks 88203-88205.
88209 Protective Filter ABEK 1, against organic, inorganic and acid vapors, ammonia and

derivatives. Protection code ABEK 1, for the maks 88203-88205.

/// Vinyl Gloves

882300 Vinyl Gloves, small, 100 pieces / 1 carton
882301 Vinyl Gloves, medium, 100 pieces / 1 carton
882302 Vinyl Gloves, large, 100 pieces / 1 carton
882303 Vinyl Gloves, extra large, 100 pieces / 1 carton

/// Magnifiers, Microscopes

883000 OptiVISOR Head-Magnifying Glass, 150 g, 2.5-times magnification
883002 OptiVISOR Lens no. 2, 1.5-times enlargement
883003 OptiVISOR Lens no. 3, 1.75-times magnification
883004 OptiVISOR Lens no. 4, 2-times magnification
883005 OptiVISOR Lens no. 5, 2.5-times magnification
883006 OptiVISOR Lens no. 7, 2.75-times magnification
09 883010 OptiVISOR Lens no. 10, 3.5-times magnification
883015 Microscope-Magnifying Glass, 60-100-times magnification, with lights, 2AA-batteries not

included

/// Glue Pots

891000 Glue Pot, 0.5 liter, aluminium pot
891001 Glue Pot, 1 liter, aluminium pot
891002 Glue Pot, 2 liters, aluminium pot
891005 Glue Pot, 5 liters, aluminium pot
891010 Electric Glue Pot, volume approx. 0.9 liter

76 Supplies For further information and prices please visit us at www.kremer-pigmente.com

10Books & Color Charts

10 BOOKS &
COLOR CHARTS

78 German Books
78 English Books
79 Color Charts

10

77

10 Books & Color Charts

GERMAN BOOKS

For further information please visit us at www.kremer-pigmente.com.

ENGLISH BOOKS

/// General / Dictionaries

992102 Leslie Carlyle: The Artists’ Assistant, Hardcover, 297 x 210 mm, 608 pages, 43 tables,
106 illustrations

992103 Cennino d’Andrea Cennini – The Craftman’s Handbook, 142 pages, index, paperback
992104 Sir Charles Lock Eastlake-Methods and Materials of Painting, two volumes bound as

one, paperback
992105 Mark David Gottsegen: The Painter´s Handbook, 320 pages, 20 b/w illustr., ppbk
992106 Kirby et al.: Trade in Artists Materials, 489 pages, many pictures, size 22 x 30 cm,

Hardcover
992107 R. D. Harley: Artists’ Pigments c. 1600 - 1835, Reprint, paperback, 256 pages, 53

halftones, 6 colour plates
992108 Pip Seymour: The Artist’s Handbook, Softcover, 520 pages, 24 x 16 cm
992110 Theophilus: On Divers Arts, Paperbound, 216 pages, index, 45 plates and diagrams
992111 Pip Seymour: Pigment Register
992112 François Delamare: Blue Pigments, 5000 Years of Art and Industry, Softcover, 396 pages
992113 Spike Bucklow: The Alchemy of Paint, Paperback, 336 pages
992114 D.V. Thompson: The Materials and Techn. of Medieval Painting, Foreword by Bernard

Berenson, index, 239 pages, paperbound
992115 Giorgio Vasari: VASARI on Technique, 18 plates, 11 figures, 328 pages, paperbound
992116 Nicholas Eastaugh, Valentine Walsh: Pigment Compendium, Hardcover, 960 pages
992117 Kurt Wehlte: The Materials and Techniques of Painting, 2001, 672 pages, hardcover,

Kremer 2001, edition of 2500 copies
992130 Robert Feller: Artist’s Pigments - Volume 1, Hardcover, 300 pages, illustrations
992131 Ashok Roy: Artist’s Pigments - Volume 2, paperback, 231 pages, illustrations
992132 Elisabeth West Fitzhugh: Artist’s Pigments - Volumen 3, 364 pages, illustrations
992133 Barbara Berrie: Artist’s Pigments - Volume 4, Hardback, 234 Pages
992134 Artist’s Pigments: Volumes 1 - 3, A Handbook of the History and Characteristics
992135 Artist’s Pigments: Volumes 1 - 4, A Handbook of the History and Characteristics

/// Conservation / Cleaning

992201 G.A. Berger / W.H. Russel: Conservation of Paintings, Hardcover, 246 x 175 mm, 376
pages, 16 colour plates, 144 halftones

992202 Mary-Lou E. Florian: Protein Facts, Journal of the Canadian Associaton for Conservation
(J.CAC), Volume 33 Published 2007, paperback, 160 pages

992203 Mary-Lou E. Florian: Fungal Facts, Paperback, with many illustrations, 146 pages, London
2002

992204 C. V. Horie: Materials for Conservation, Paperback, 281 pages
992206 Joanna Kosek: Conservation Mounting for Prints and Drawings, Hardback, 186 pages, 87

colour illustrations
992208 Rayner, Kosek & Christensen: Art on Paper
992210 Richard Wolbers: Cleaning Painted Surfaces, Aqueous Methods, Paperback, 198 pages,

many b/w and colored photos and illustrations
992211 Mireia Xarrie Balaam - Glossary of Conservation I, 180 pages
10 992212 Barros D´Sa et al: Adhesives and Consolidants, in Painting Conservation, 109 pages,

colour illustrations

78 English Books For further information and prices please visit us at www.kremer-pigmente.com

10Books & Color Charts

/// Painting Practices

992109 A. P. Laurie: The Painters in Methods and Materials, unabridged, unaltered republication.
48 plates, 16 illustrations in text.

992306 Mai-mai Sze (Editor): The Mustard Seed Garden, translated from the Chinese and edited
by Mai-mai Sze, 624 pages, many b/w-illustrations

992307 Daniel V. Thompson: The Practice of Tempera Painting, 141 pgs, 89 b/w illustr., ppbk
992308 Claude Yvel: Peindre à l’eau comme les Maitres, 160 pages, 20,5 x 27,5 cm, beaucoup

d`illustrations en couleur et camaïeu, broché
992703 Fels, D.: Lost Secrets of Flemish Paintings

/// Dyeing / Plant Colors

992402 Dominique Cardon: Natural Dyes, Published 2007, hardback, 800 pages, 560 illustrations
992403 Robert Chenciner: Madder Red - A History of Luxury and Trade, Hardcover, 384 pages,

b/w-illustrations

/// Musical Instruments

992502 J. + R. Hammerl: Violin Varnishes, 127 pages, hardcover
992505 Brandmair, B. & Greiner S.: Stradivari Varnish, 365 pages, 42 cm x 29.5 cm x 3.7 cm -

English & German text on every page

/// Gilding

992601 Peter & Ann Mactaggart: Practical Gilding, 209 x 141 mm, line illustrations, paperback
992603 Hughes, Rowe: The Colouring, Bronzing & Patination of Metals, 372 pages, 275 illustra-

tions, 16 color plates, hardcover

/// Plastic

992701 B. Keneghan and L. Egan: Plastics - Looking at the Future, Published 2008, paperback,
184 pages, 96 colour, 41 half tones illustrations

COLOR CHARTS

990001 Color Chart Kremer Pigments - Blue Colors, 42 samples, size
990002 Color Chart Kremer Pigments - Cadmium Pigments, 12 matches, size: each 3 x 5 cm
990004 Color Chart Kremer Pigments - handmade and historic Pigments, 82 samples, each 3x5 cm
990005 Color Chart Kremer Pigments - Iron Oxids, 39 matches, size: each 3 x 5 cm
990006 Color Chart Kremer Pigments - Earth Pigments, 72 samples, size each: 3 x 5 cm
990008 Color Chart Kremer Pigments - Yellow Colors, 36 matches, size: each 3 x 5 cm
990010 Color Chart Kremer Pigments - Green pigments, 24 matches, size: each 3 x 5 cm
990012 Color Chart Kremer Pigments - Organic Pigments, handpainted, approx. 50 samples
990013 Color Chart Kremer Pigments - Pearlescent Pigments, handpainted, approx. 70 samples
990015 Color Chart Kremer Pigments - Red Pigments, 37 matches, size: each 3 x 5 cm
990017 Color Chart Kremer Pigments - Fluorescent Pigments, 10 matches, size: each 3x5 cm
990018 Color Chart Kremer Pigments - Watercolor, handpainted, approx. 93 samples
990020 Color Fan Kremer - Wall, handpainted, 19 samples for wall paint

10

For further information and prices please visit us at www.kremer-pigmente.com Color Charts 79

11 General Information

11 GENERAL
INFORMATION

81 Recipes
84 FAQ & References
86 Hazard Warnings
87 Index
94 Retailers
96 Space for your notes

11

80

11General Information

RECIPES

Making Oil Colors Making oil colors by hand is an excellent opportunity to learn about the sin-

gular character of each pigment. Every pigment behaves di erently when
ground in oil. According to specific surface and weight one needs more or less
oil and arrives at a larger or smaller amount of ready ground oil color. Gene-
rally one can count on using two parts of pigment to one part of oil. In each case,
only trying out will reveal the actual amounts.

Pour the desired amount of pigment into the mortar and add just a little oil.
Start grinding and observe the absorption of oil. Slowly add correspondingly
more or less oil until you arrive at a firm, fully saturated paste. This is a con-
dition in which all pigment particles are mixed evenly in oil, which should be
reached after about 15 minutes, using 100 to 200g. It easily happens that the
mixture suddenly seems too liquid and one has run out of pigment to absorb
the excess oil. Therefore it is best to retain some pigment our extender, such as
a fine marble dust, which one can add, until one reaches the desired consisten-
cy. Small amounts of extender do not change the color perceptibly.

Although the best oil color consists purely of pigment and oil, you can use
various amounts of pigment and extender if you like. Avery small amount of an
opaque white, e.g. Titanium White, makes translucent pigments opaque.

For storage, tubes are most practical, since the surface of the color cannot
dry out like in jars. To clean the mortar and pestle you will need ample amount
s of turpentine or a similar solvent, a lot of newspapers and some paper towels
at the end. The mortar should be completely clean and dry before you start with
the next color.

Linseed Oil is the most common oil used for oil colors. Of the various kinds
available, cold pressed linseed oil is the purest. It is of a golden color and is
in spite of its yellowing tendency most often used. Stand Oil is highly weather
resistant and dries glossy. Linseed oil varnish with cobalt drier is highly re-
commended for egg-oil emulsions, because it dries quickly and yellows little.
Linseed oil varnish is a refined oil used for the standard production of oil color.
Poppy oil dries very slowly and not as hard as linseed oil. It is preferred for
light colors, since it is nearly colorless, yellows little and cracks less. Walnut
oil dries faster.

Interior Walls For a base coat on interior walls solve 300g Cellulose Glue K 300 (63600) in
10 qt. cold water overnight. Add 7 kg Chalk from Champagne (58000) and 4
kg Titanium White Color Concentrate (27000), you can also substitute Titanium
White (46200) dry pigment; mix well. Pour through a sieve/strainer if necessa-
ry. Add 2 qt. Primal AC 35 (75100) for greater permanence. This covers approx.
150 square yards. Adding 500 g fine Glass Beads (e.g. 59831) creates an addi-
tional nice e ect.

For color washes on interior walls solve 100g Klucel EF (63700) in 10 qt.
cold water. Add 50–250 g earth pigment according to the desired color intensi-
ty. Mix ½ -1 qt. Primal AC 35 (75100) acrylic dispersion for greater permanence.
Apply with a flat, wide brush or sponge. This covers approx. 200 square yards.

Recipes 11

81

11 General Information

Lime Casein Wall Soak 40 g Casein (63200) with 125 ml cold water overnight. Mix this with

Paint 33 g Slaked Lime (31800). The casein paste is treated like fresh curd.

It is hydrolyzed with 33 g Slakes Lime (31800), 20 %. This recipe never

fails to make a good, thick casein glue of even consistency. It has, however, the

disadvantage to jell very fast. The jellying procedure can be avoided by diluting

with water by filling up to a total volume of 1 liter and then stirring in about

1 teaspoon of cere-stucco soap (79230) 5 minutes after adding the lime. The

resulting solution is a 4% casein-lime solution. All lime-caseins are to some

extent weatherproof and therefore represent a special group among the mural

media. A base coat of a dilution of the 4 % casein-lime solution with 9 parts of

water can be applied to the walls.

For an opaque, white Wall Paint, 1 Liter Casein-Lime solution can be mixed

with about 1 kg pigment, e.g. Titanium White (46200) or Chalk from Champagne

(58000) or a mixture of both. The wall paint should have a consistency which

can easily be spread. Should the paint become too thick it can be diluted again.

Always dilute with the 4 % Casein-Lime solution and not with pure water. Make

sure to test the paint on the wall before applying the first coat. The amount

of binding agent is di erent for each pigment. Should the paint be too chalky,

more concentrated casein-lime solution has to be added, if it shows cracks or

peeling problems the paint contains too much lime and therefore has to be

diluted further and more pigment added. Make sure to use pigments which are

suitable for lime. Estimated consumption: On loam plaster: approx. 150 ml / m²

/ coating . On lime plaster: approx. 100 ml / m²/ coating.

Classic Watercolor Heat 40 parts distilled water in a double boiler and add 20 parts Gum Ara-

bic (63300). Stir to dissolve. Add 1/2 part Glycerol (64900) as a plasticizer.
This keeps the finished paint from becoming too brittle and cracking. Add
more if you plan to pour the paint into pans, so they retain some moisture.
You can use any Color Concentrates or choose a pigments according to your
technique: use transparent ones if you prefer light washes, and opaque ones
for gouache. Mix pigments into a thick paste with the Gum Arabic solution and
dilute with water for use as needed. Note: The Gum Arabic crystals may take
1-2 days to completely dissolve.

11 Recipes

82

11General Information

Acrylic Paint š For hard, glossy surfaces: 75367 Dispersion K 9 or 76000 Plextol® D 498.
š For thin layers: 75000 Acrylic dispersion 771.
š For very clear, hard surfaces: 76805 Polyurethane Dispersion PU 52, 75305

Dispersion K 19 Gloss.
š For matte surfaces: 75355 Disperion K 19 Matte

Choose an Acrylic Dispersion. Mix pigment with water into a paste. Some pig-
ments require a wetting agent, e.g. Orotan 850 (78033). Use more pigment for
matte colors and less pigment for a glossy color. Add a filler to increase bulk,
and texture or reduce gloss. Use ½ to 1 ½ parts of acrylic with every part of
pigment paste. Use less for a flat appearance, more for gloss. Add water if
necessary. Add 1/10 part of Polyvinyl alcohol liquid (67710) as a stabilizer, to
retard drying and improve consistency.

Other additives:
š 1/50 part 78032 Orotan 731 K, as surfactant
š 1/10 part 67710 Polyvinyl alcohol liquid, as stabiliser
š 1/50 part 78100 Texanol, to avoid cracks
š 1 drop 78600 Defoamer and 2 chips 78740 Preventol ON extra as preser-

vative

Mix the pigment and the dispersion slowly with the other ingredients and add
water to obtain the desired consistency.

We definitely recommend tests prior to the final application, we cannot
guarantee for any instructions given.

Recipes 11

83

11 General Information

FAQ & REFERENCES

How Much Each pigment needs a di erent amount of binder, depending on the grading
Binder do and the surface of the pigment. The amount, especially for oil-based binders,
I need? may vary widely.

Volume and Kremer Pigmente sells pigments in small and greater package sizes. Each pig-
packing size ment has a di erent volume per weight. 100g of Furnace Black (47250) will
have 5 times the volume of 100g Terra di Siena. This individually determines
the packing size for each product.

A Pigment Synthetic Organic Pigments, Fluorescent Pigments, Van Dyck Brown or
cannot be Milori Blue cannot easily be mixed with water. These pigments will behave
wetted like oil and float on top of the water. Alcohol (Ethyl alcohol, Isopropanol) or
a wetting agent (e.g. Orotan 731 K (78032)) will reduce the surface tension
and facilitate the use of the pigment.

Fluorescent and Phosphorescent Kremer Pigmente o ers a variety of luminescent pig-
Colors ments and fluorescent dyes. Basically they can be dis-
tinguished by the type of light e ect. Phosphorescent

pigments are substances that glow in the dark after light excitation. Fluores-

cent pigments or dyes start to glow when exposed to ultraviolet light. A trans-

parent binding medium is essential for an ideal outcome.

Please take into account that UV-absorbers in your lacquer can reduce the fluo-

rescent action.

Animal Glues Bone Glue, Hide Glue, Rabbit Skin Glue, Gelatine, and Isinglass are animal
glues. These glues must first be soaked in water and then heated in a water
bath. The heating temperature should never exceed 60 °C; otherwise the glue
looses its elasticity and adhesive strength.
When cooling down, the glue will form a gel. Heating it will re-liquefy it. Animal
glue spoils quickly. The endurance of glue solutions can be improved by keep-
ing it in the refrigerator. It is possible to add 0.5% preservative, such as Biodo-
carb (78744). Wall paints made with animal glue as a binder will permanently
remain water-soluble. Old wall-paint has to be removed before applying new
paint.

Filling Watercolors We o er empty watercolor pans for making your own watercolors. To fill

into Pans these empty pans, fill the liquid watercolor into a 10ml syringe (phar-
macy or laboratory supplies), and then put a thin layer of watercolor into

the pan. The color can be kept in the syringe. Allow each layer to dry before the

next layer is added. The recipe must be modified if the watercolor cracks during

drying (too little binder) or does not dry (too much binder).

11 FAQ & References

84

11General Information

How to get Oil Paint The filling and sealing of oil paint tubes is simple, but requires some

into a tube practice. Grind the oil paint into a thick paste. The paint should have the
consistency of toothpaste. Take o the cap of the tube. Put the oil paint

onto a piece of wax paper and roll it up like a self-made cigarette. The paper

roll should be small enough to fit into the back of the tube. Push the paper with

the oil paint into the tube and lay it onto a board. Use a short round wooden

stick, about the diameter of a broom stick and about 15 cm long, and roll it on

the paper from behind, so the oil paint is pressed into the tube. Close the cap

and flatten the end of the tube with the wooden stick. Pull the paper carefully

out of the tube. Flatten the end of the tube again, fold the metal (with help of a

palette knife or spatula) to close the tube. Squeeze the folded metal firmly with

a pair of pliers.

Kremer Pigments for Our pigments, colorants and binders are intended for conservators,
Soaps and Cosmetics artists and craftsmen.

Kremer Pigmente does not supply products for cosmetic use. We do

not handle the products according to cosmetic standards and regulations, and

some products can cause allergies when applied on human skin.

We assume no responsibility for these references.
Please contact us in case of any queries.

FAQ & References 11

85

11 General Information

INFORMATION FOR Please be careful when handling binders and pigments. Do not

HANDLING HAZARDOUS eat, drink or smoke at work. Painting materials and food do not

SUBSTANCES belong onto the same table and not into the same refrigerator;

solvents should not be used in living rooms. You should neither

put a brush in your mouth, nor touch the canvas with greasy fingers. Always wash your

hands before eating. Boiled water and clean utensils help to improve the endurance of

your paints. Dust formation should be avoided, even with non-toxic pigments. If necessary

use a respirator or dust mask. Particular caution is necessary when using needle-like,

fibrous or toxic pigments. The exposure to large quantities of solvent can cause nausea,

headache, and drowsiness.

Hazard identification and safety advice on the product labels are abbreviated. Detailed

information, tips on safety, handling and storage for each product can be found in the info

sheets and material safety data sheets on our website.

GHS and CLP – New CLP is the Regulation on classification, labelling and packaging of sub-

Hazard Labeling and stances and mixtures. This Regulation aligns previous EU legislation on
classification, labelling and packaging of chemicals to the GHS (Glob-
Classification
ally Harmonised System of Classification and Labelling of Chemicals).

Its main objectives are to facilitate international trade in chemicals and to maintain the

existing level of protection of human health and environment. The GHS is a United Nations

system to identify hazardous chemicals and to inform users about these hazards through

standard symbols and phrases on the packaging labels and through safety data sheets

(SDS).

The CLP Regulation was published in the O cial Journal 31 December 2008 and entered

into force on 20 January 2009. According to the Regulation, the deadline for substance

classification according to the new rules will be 1 December 2010. For mixtures, the dead-

line will be 1 June 2015.

The new CLP-pictograms are in the shape of a red diamond with a white background, and

will replace the old orange square symbols which applied under the previous legislation.

The CLP Regulation introduces two new signal words, that inform about the degree of
danger

»DANGER« If the chemical has a more severe hazard
»WARNING« in case of less severe hazard

H and P statements will replace the R and S statements.
Hazard (H-) Statements are aligned in 3 categories. The first digit determines the group (2
for physical hazards, 3 for health hazards, 4 for environmental hazards). The last 2 digits
are the serial numbers.

Precautionary (P-) Statements are aligned in 5 categories. The first digit determines the
group (1 for general statements, 2 for prevention statement, 3 for response statements, 4
for storage statements, 5 for disposal statements). The last digits are the serial numbers.

11 Hazard Warnings

86

11General Information

Index Ammonium Chloride 47 Black Drawing Chalk 10

Ammonium Ditartrate 48 Black Earth, from Andalusia 9

Ammonium Hydrogen Black Marble 31

/// A Carbonate 47 Black Mirror 75

Abies Alba Resin 39 Amoniacum, Gum 39 Black Oil, Claude Yvel 41

AC 35, acrylic emulsion 38 Amyl Ester 46 Black Tourmaline 24

Acematt® HK 125 38 Amytis® Washing and Cleaning Black, carbonic 10

Acetic Acid 48 Agent 47 Blacksmith Powder 21

Acetone 46 Andeer Green 7 Blanc Fix 32-33

Acetyl Acetone 46 Angular Brush 66, 68 Blender 67

Acids 47-48 Aniline Black 17 Blue Bice 8

Acronal®, acrylic 38 Aniline, Dye 28 Blue Verditer 8

Acrylic Colors, Golden Annatto Seeds 27 Bluish Green Earth, from Cyprus 7

Artist Colors 59 Antimony 9 Bohemian Green Earth 11

Acrylic Dispersions 38 Antimony Red 15 Bohemian Green Earth,
enhanced
Acrylic Glasses 21 Aquazol® 38 12

Adhesive Resin, transparent 43 Aragonite 9 Bole, red 4, 11

Aegirine 7 ARALDIT® Adhesives 43 Bone Ash 33

Agar Agar 37 Arbocel® 33 Bone Black 17

Agate Burnishers & Brushes 57 Archäocoll 2000, ceramic glue 44 Bone Folder 75

Agate peach 23 Arches Bütten 62 Bone Glue 37

AKA-Products 49 Armicel 33 Bookbinder Glue 37

Alabaster Plaster 32 Artist Inks 53 Books 77

Alabaster, White 9 Asa Foetida 39 Borates 47

Alabaster, yellowish 9 Ascorbic Acid 48 Borax 47

Alba Albula 9 Asphaltum 17 Borax-Casein 47

Albumine, egg-white powder 37 Asphaltum Lacquer 43 Boric Acid 47

Albuminous Glues 37 Assortments 25 Bottle Green, Cobalt 15

ALCHEMIST Products 42 Atacamite 6 Bottles, Glass 70

Alchinol / Hydrol 47 Atramentum 10 Bottles, PE 70

Aldehyde Resin Dry, Attapulgite 34 Brass Lacquer 42

Laropal A 81 59 Azurite 8 Brazilwood, extract 27

Algae Glue 37 Azurite Gunjyou 23 Brenn Polish 43

Alizarine Carmine, dye 28 Brilliant Yellow 14

Alizarine Crimson 14 /// B Brimisvellir Green 7

Alizarine pure, dye 28 Badger Blender 67 Bristol Yellow 15
Balsams & Waxes 39-40
Alizarine Violet 16 Barium Carbonate Bronze Powder 21
Barium Hydroxide 48
Alizarine Yellow, dye 28 Basalt, black 48 Brown Earth, from Otranto 10
Bavarian Green Earth 17
Alkanet 27 Beechwood Tar Brown Ochre, from Andalusia 9
Beeswax 6
Alkyd Resin AH 42 Benecel™ A4C 43 Brown Ochre, German 12
Bentonite 39
Alkyd Resin Oil 41 Benzoin 38 Brown-Red Slate 10
Berlin Blue 34
Aloe Mosselbay 27 BEVA®Products 39 Brushes 64
Bianco San Giovanni 16
Alpine Green, marble 31 Bideford Black 44 Bu Titanium 17
Binders, mediums
Aluminium-di/tri-stearate 34 Biodocarb, fungicide 9 Burgundy Ochre, Red 4
Biotite 10
Aluminum Glitter Black 19 Birch Leaves 36 Burgundy Ochre, Yellow 5
Bismuth, Metal Powder 47
Aluminum Hydroxide Fine 33 Bismuth-Vanadate Yellow 21 Burgundy Resin 39
Bistre 27
Aluminum Potassium Sulphate 48 Bitumen 21 Burnt Green Earth 12
15
Aluminum Powder 21 10 Burnt Iron Oxide Red, 24
43 IWA Enogu®
Aluminum Sulphate 48
Burnt Sienna 11
Amazonite Hakusui-Matsu 23-24
Burnt Umber 11
Amber 39
Butanol, n- 46
Amber Colophony 39
Button-Lac 39
Amber Varnish, ALCHEMIST 42
Butyl Acetate 46
Amber Varnish, genuine 42
Butyl Glycol 46
Amberg Yellow 11
Butylamine, n- 48
Ammonia 48

Ammonium Acetate 47

Ammonium Carbonate 47 11

Index 87

11 General Information

/// C Cibacron® 28 Diacetone Alcohol 46

Cadmium Pigments, green 15 Cinnabar 4 Di-Ammonium Hydrogen Citrate 47

Cadmium Pigments, orange 13 Cinnabar Shinsya 23 Diamond Black Nigrosin X 51 28

Cadmium Pigments, red 13 Cinquasia®Chestnut Brown 17 Diamond Black Nigrosin X 52

Cadmium Pigments, yellow 14 Cinquasia®Gold, red-gold 14 Paste 28

Cajeput Oil 41 Cinquasia®Violet RT 201 D 16 Diamond Powder 9

Calcined Soda 47 Citric Acid 48 Diamond Powder, green-yellow 5

Calcite 31 Citrus Turpentine 46 Diethyl Ether 46

Calcium Carbonate 31 Claude Yvel, Black Oil 41 Dimethylformamide 48

Calco Stuc 1, stucco mortar 34 Claw Oil 41 Dioptase Copper Silicate 6

Calix Blanca NHL 3.5 34 Cleaning & Wetting Agents 47-48 Dioxazine Violet 16

Camphor 47 Clove Oil 41 Disperse Aid 38, 46

Canada Balsam 39 Cobalt Blue 16 Dispersion, acrylic 38

Candelilla Wax 40 Cobalt Bottle Green 15 Dispersion, Gilding 57

Canvas 62 Cobalt Cerulean Blue 16 Dolomite 31

Canvas Pliers 74 Cobalt Green 15 DPP- Red 13

Caput Mortuum 12 Cobalt Oxide Green Blue 15 Dragger, Flogger 67

Caput Mortuum, synthetic 12 Cobalt Violet 16 Dragon‘s Blood 27

Carbamide, Urea 48 Cobalt Yellow 15 Dralon Fibres 33

Carbonic Black 10 Cochenille 27 Drawing Ground, Golden /

Carbopol® EZ 2 38 Colophony 39 Silverpoint 56

Carborundum 35 Color Charts 79 Drying Oils 41-41

Carmine Naccarat 5 Color Pastes, Kremer 53-54 Durolith®Bioclean L 38

Carnauba Wax 40 Colored Glass Flakes 20 Dusting Brush 67

Carrara White, marble 31 Conichalcite 6 Dyes & Vegetable Color Paints 26

Casein 37 Copaiba Balsam 39 Dyes, synthetic 28

Casein Binding Medium 37 Copal Gum, Madagascar 39

Cassel Earth 12 Copal Varnish 42 /// E

Casting Resin 43 Copal, Manila 39 Earth & Iron Oxide Pigments 10

Cast-Iron Powder 21 Copper Blue 16 EDTA 48

Castor Oil 41 Copper Powder 21 Eggshell White 9

Castor Stand Oil 41 Copper Resinate 7 Egyptian Blue 7

Catechu 27 Copper-II-Sulfate-5-Hydrate 48 Egyptian Green 6

Cavansite 8 Coral 23 Elba Brown Ochre 10

Cedar Wood Oil 41 Coral Pink, marble 31 Elemi, Gum 39

Celadonite 7 Cork Powder 33 English Red 11

Cellulose Derivates & Glues 37-38 Cosmoloid H 80 40 Epidote 7

Cellulose Glue 37-38 Cosmoloid H 80 in Shellsol® T 47 Epidote, IWA Enogu® 24

Cembran Pine Oil 46 Côte d‘Azur Violet 8 EPO-TEK® Resin 43

Cement Black 17 Cotton Canvas 62 Epoxy Resins 43

Ceramic Glue 44 CPT- Red 13 Essential Oils 41

Cere-Stucco Soap 42 CPT Scarlet Red 13 Ethomeen® 47

Chalk & Marble Fillers 31-33 Cream of Tartar 48 Ethyl Acetate 46

Chalk from Belgium 31 Cremnitz White 9 Ethyl Alcohol 46

Chalk from Bologna 32-33 Cristobalite 32 Ethyl Formate 48

Chalk from Champagne 31 Crocoite 5 Ethylcellulose ET 200 38

Chalk from Ruegen 31 Culminal®MHPC 20000 38 Ethylenediamintetraacetic acid

Chalk, black 10 Cyclododecane 44 disodium salt 48

Chalk, drawing 59-60 Cyclohexanol 46 Eucalyptus Oil 41

Chamotte 34 Extract of Fustic 27

Charcoal 18 /// D

Chemicals 48-49 Dammar 39 /// F

Cherry Black 10 Dammar Varnish 42 Fan Blender 67
Fast Green FCF 28
Cherry Gum 37 Dark Burnt Sienna 11 Fawn Ochre 11
Feldmann‘s Egg Tempera 42
China Clay 31 Dark Ochre, German 11 Files 74
Fillers & Building Materials 30
Chiqueteur Brush 67 Daylight Fluorescent Pigments 21

Chrome Oxide Green 15 Defoamer 47

11 Chrysocolla 6 Dextrine 37

88 Index

11General Information

Fine Colored Glass Pigments 22 Glass Primer TSP 43 Hemp Canvas 62
Fir Cone Oil 41 Henna 27
Fir Turpentine 46 Glauber‘s Salt 48 Heydalsvegur Yellow
Firebrake® ZB 47 Hide Glue 5
Fish Glue 37 Glimmer 13, 20 Historic Mortar 37
Fish Silver 21 Holographic Glitter, 34
Fixative, Pastel 42 Glitter Pigments 19-20
Flat Wide Brush 68 Silver & Gold 20
Flatbrush 66 Glue Pots 76 Hooks 72
Flogger, Dragger 67 Hooks, wall 74
Florentine Green Glues, albuminous 37 Horsetail, Scouring Rush 35
Fluorescent Colorants 6 Hostaperm® Pink E 14
Fluorescent Pigments 29 Glycerol 48 Hostaperm® Red 14
Foils 21 Hostaperm®Pink, transparent 13
Folium Cloth Blue 63 Gneis 32 Hostaphan Foil 63
Formic Acid HXTAL NYL-1, epoxid glue 43
Frangulae Cortex 9 Gofun Hakurei Primer 56 Hyde Glue, Franklin 37
Franklin Hyde Glue 48 Hydrochloric Acid 48
Frau-Angelico Blue 27 Gofun Shirayuki 17 Hydrogen Peroxide 48
French Ochre, red 37 Hydroxypropyl Cellulose 38
French Ochre, yellow Gold & Gilding Materials 56-57
Fresco Brush 8
Fuchsin 11 Gold Glitter Pigments 20
Fuchsite 10
Fu-Nori 66 Gold Leafs 56
Furnace Black 28
Furniture Varnish Regalite® Gold Ochre 10-11
Furniture Varnish Regalrez® 7
37 Gold Powder 57
17
42 Golden Artist Colors 59
42
Goldpoints 56

Gouges 73

Graining Comb Set 67

Granite 32

Grape Black 10 /// I

Graphite Powder Black 17 Incra-Lac 46

Graphite Powder Silver 17 Indanthren® Blue 56

Graphite, in pieces 10 Indian Yellow, Imitation 14

Grassello 34 Indigo, various 9

Gray from Burgundy 10 Indigotin Blue, dye 28

Gray from Mels 10 Injection & Special Mortars 34

Green Buckthorn Berries 27 Ink Solvent 53

Green Earth Pigments 7, 11-12 Ink Stone 10

/// G Green Jasper 7 Inks, artist 53

Galbanum 39 Green Quartz 7 Instacoll Gilding, Starter Set 56
Galdehyde Resin Solution 59
Galena Groom Stick® 47 Intensive Yellow 15
Gallnuts 9
Gamblin Conservation 27 Guajac Resin 39 Irgazine® Ruby DPP-TR 13

Colors 58-59 Gubbio Red 14 Irgazine®Orange DPP RA 13
Gamboge 27
Garnet Kicha Golden 22 Gum Accaroid 27 Irgazine®Red DPP BO 13
Garnet Powder 14
Garnet Sakura-Nezumi 23 Gum Amoniacum 39 Irgazine®Scarlet DPP EK 13
Gelatine, technical 37
Gel-Painting Medium, Gum Arabic 37 Irgazine®Yellow 14-15
41
Claude Yvel 11-12 Gum Asa Foetida 39 Irish Moss 27
Genuine Green Earths
Gesso, Kremer 56 Gum Copal, Madagascar 39 Iron Filings 21
Gilder Tip 67
Gilding Brush 67 Gum Elemi 39 Iron Glimmer 13
Gilding Dispersion 57
Gilding Materials 56 Gum Picea Excelsa 39 Iron Oxide Orange, IWA Enogu® 24
Gilding Tools 57
Glass Beads 33 Gum Tragacanth 37 Iron Oxide Pigments 11-13
Glass Bottles 70
Glass Fillers 34 Gums & Starches 37 Iron Powder 21
Glass Flakes, colored 20
Glass Flakes, filler 33 Gussow Oil Painting Brush 65 Iron(II)Sulphate 48
Glass Mullers 75
Glass Pigments 22 Gypsum 32 Iron(III)Chloride 48
Glass Powder 33
Iseo Brown 10

/// H Iso-Amyl Acetate 46

Haematite 12-13 Isoindole Yellow 14
Haematite, spanish 13
Haematite-Chrome Oxide, Isoindolinon Yellow 14
17
Spinel 76 Isoindolol Orange 14
Half-Masks
HAN-Blue 7 Isooctane p.S. 46
HAN-Purple 7-8
Harddrying Oil 42 Isopropanol 46
Head-Magnifying Glass 76
Heat Seal Adhesives 44 Ital B 2 Leit 01, mortar 34
Heliogen Blue 16
Ivory Black JU 17

Ivory Black, genuine 10

IWA Enogu® Glass Pigments 22

IWA Enogu® Mineral

Pigments 22-23 11

Index 89

11 General Information

/// J 7 Ledan®, mortar 34 Methyl Ethyl Ketone 46
62 Limasol, Silicate Binder 39 Methyl Isobutyl Ketone 46
Jade 37 Limes 34 Methylbenzene 46
Japanese Paper Linen 62 Methyl-Hydroxy-Propyl-
Japanese Wheat Glue 5 Linen, Paper & Foils 62 38
Jarosite 70 Liner 65 cellulose 20-21
Jars, PVC Liner Brush 67 Mica
Jasper, green 7 Liner, Sword-Shaped 67 Mica Graphite 21
Jasper, red 4 Linseed Oil 40-41 Mica Plates, historic 20
Jasper, yellow 22 Linseed Oil Varnish 41, 42 Microscopes 76
JunFunori® 37 Lithium Waterglass 38 Microwax 40
Lithopone 17 Milori Blue LUX 16
/// K Liver of Sulphur 48 Mineral Fillers 31
Lizard Stone 23 Minium
K 19, dispersion 38 Logwood 27 Mixtion LeFranc 5
Lycopodium 27 Modelit 57
K 360, dispersion 38 Mold Material, MBlue 43
Mono-Ethylene Glycol 43
K 52, dispersion 38 Monta Amiata, Cinnabar 46
Mori Yellow
K 9, dispersion 38 Moroccan Ochres 4
Mortars 31
Kamala 27 Mortars & Pestles 4-5
Mother of Pearl 34
Kaolin 31 /// M Mottler 75
MS2A Resin 20
Kermes Lice 27 Macrolex® Violet 28 MS2A Varnish 67, 68
Muccino 40
King‘s Yellow 5 Madder Lake 4-5 Muscovite Mica 40
Myrrh 68
Klucel®, Hydroxypropyl Madder Roots 27 20
39
cellulose 38 Magnesium Hydroxide

Kremenit 44 Carbonate 48

Kremer Color Pastes 53-54 Magnesium Oxide 35, 48

Kremer Fine Artist Ink 53 Magnetite 13

Kremer Gesso 56 Magnifiers 76

Kremer Oil Colors 54-55 Maimeri® Restauro,

Kremer Oil Paint Medium 41 Varnish Colors 57-58

Kremer Retouching Colors, Malachite, various 6

various 55-56 Malachite Matsuba-Rokusyou 23

Kremer Water Color Medium 42 Malachite, synth. 15 /// N

Kremer Watercolors 51-52 Mallow Blossom 27 Na-Carboxymethyl Cellulose 37

Kremer White 17 Manganese Black 17 n-Amyl Acetate 46

Manganese Brown 11 Nano F - Black 17

/// L Manganese Gray 17 Naphtha 46

La Maison du Pastel, Pastels 60 Manganese Violet 16 Naples Yellow 5

Lac Dye 27 Manila Copal 39 Natural Glues 37-38

Lacquer and Gesso Brush 66 Marabout Dusting Brush 67 Natural Organic Dyes 27

Lacquers 41-42 Marble Dust 31 Natural Resins 37-40

LACSCAUX® Glues 44 Marbles, fillers 31 Natural Siena, Monte Amiata 5

Lake, Reseda 5 Marlipal® 1618/25 47 n-Butanol 46

Lanolin DAB 9 47 Marmorino 34 Nero Bernino 9

Lapis Lazuli 8 Maroon 17 Nickel-Titanium Yellow 15

Laponite® RD 34 Marseille Soap 47 Nicosia Green 12

Larch Turpentine 39 Massicot, Litharge 6 Nigrosin 28

Larch Turpentine Oil 46 Mastic 39 Nitric Acid 48

Laropal® Resin 40 Mastic Varnish 42 Novacron® 28

LASCAUX® -Glue 44 Mastic Varnish and Black n-Propanol 46

LASCAUX® -Products 60 Oil Set 41

LASCAUX® Textile Welding Maya Blue 9 /// O

Powder 44 MBlue, Silicone Mold Material 43 Oak Apples 27
Obsidian Black 9
LASCAUX®Silicone Paper 63 Mediums 37 Ochres, brown
Ochres, red 9, 10-12
Latex Milk 38 Menthol 44 Ochre, satin 4
Ochre, Taunus
Lavender Oil 41 Metal Powders 21 Ochres, yellow 11
Oil Colors, Kremer 5
Lead Tin Yellow 5 Metal Tools 74
5, 10-11
Lead White 9 Methocel A4M 38 54-55

Lead, Fine Pellets 21 Methoxypropanol PM 46

11 Leather softener 48 Methyl Cellulose 38

90 Index