中大合唱協會有限公司主辦 Presented by CU Chorus Association Limited 香港大會堂音樂廳 Hong Kong City Hall Concert Hall 3pm 一聲響起，一世迴盪 香港中文大學合唱團 The Chinese University of Hong Kong Chorus 客席指揮 Guest Conductor 吳尚倫 Shanglun WU 鋼琴 Piano 黃歷琛 Alexander WONG www.cuchorus.org.hk 2024.6.9 星期日 Sun 機票贊助 Flight Sponsor
1 In order to make this performance a pleasant experience for the performers and other members of the audience, please refrain from recording, filming, taking photographs during the performance, and also from smoking, eating or drinking in the venue. Please ensure that your mobile phones and any other sound- and light-emitting devices are switched off. Audience may take photographs during the curtain call. Thank you for your kind cooperation. 主辦機構保留更改節目及表演者的權利 The presenter reserves the right to change programme and substitute performers should unavoidable circumstances make it necessary 如不欲保留場刊，請放回場地入口以便回收 If you do not wish to take this printed programme home, please return it to the admission point for recycling 中大合唱協會有限公司主辦 Presented by CU Chorus Association Limited 緊貼中大合唱團最新消息 Follow CU Chorus! www.cuchorus.org.hk 為了令大家對今次演出留下美好印象，我們希望各位在演出期 間切勿在場內攝影、錄音或錄影，亦請勿吸煙或飲食。在節目 開始前，請關掉手提電話、其他響鬧及發光裝置。本節目歡迎 觀眾在謝幕時拍照留念。多謝各位合作。 場地規則 House Rules 2024年6月9日（星期日）下午三時 9 June 2024 (Sunday) 3:00pm 香港大會堂音樂廳 Hong Kong City Hall Concert Hall 音樂會長約兩小時，包括一節中場休息 Running time approximately two hours with an intermission cuchorus cuchorus cuhkchorus 一聲響起，一世迴盪
2 獻辭MESSAGE
3 歡迎大家參加香港中文大學合唱團呈獻：《念念不忘》 音樂會。 今天，中大合唱團將連同來自台灣的客席指揮家吳尚 倫先生為我們帶來一系列文藝復興時期及現代無伴奏 聖樂作品，引領觀眾走入迷人的音樂世界，讓儷聲妙 韻觸及靈魂深處，啟發對希望和生命奥義的反思。 中大合唱團醉心追求藝術卓越的精神代代相傳，經歷 逾半世紀的同心耕耘，合唱團有幸成為香港最受尊崇 的人聲樂團之一。這次音樂會將造就機會，讓他們再 一次以美妙的歌聲觸動人心，帶領我們親身感受音樂 的神奇力量，體會繞樑徽音如何牽動情感、勾起或創 造美好回憶、洗滌失落靈魂。 衷心祝願音樂會取得圓滿成功！ 香港中文大學校長 段崇智 謹識 Thank you very much for joining the extraordinary “With a Song in My Heart” Concert proudly presented by The Chinese University of Hong Kong Chorus (CU Chorus). Today, CU Chorus is going to take us into the enchanting world of music under the masterful direction of the talented Taiwanese conductor, Mr Shanglun Wu. I am sure their meticulous selection of choral pieces ranging from Renaissance masterpieces to contemporary a cappella works will reach the depths of our soul and inspire us to ponder upon the meaning of hope and life. With years of unwavering commitment to artistic pursuit by successive generations of singers and conductors, CU Chorus has prospered as one of the most esteemed choral groups in Hong Kong. This concert will be another opportunity for them to touch our hearts with their beautiful singing and remind us of the power of music to evoke emotions, bring back and create heartwarming memories, and heal lost souls. May the concert be a resounding success! Rocky S Tuan Vice-Chancellor and President The Chinese University of Hong Kong 香港中文大學校長獻辭 Message from the Vice-Chancellor 獻辭MESSAGE
4 C 大調第一創意曲，BWV 772 曲：巴赫 鋼琴 黃歷琛 唱名 曲：帕特 彌撒曲《Ut, Re, Mi, Fa, Sol, La》 曲：帕勒斯替拿 �：���� 拉丁��唱 垂憐頌 光榮頌 信德頌 歡呼頌 羔羊頌 – 中場休息 Intermission – 在巴比倫河邊 曲：帕勒斯替拿 詞：詩篇 137:1-2 拉丁語演唱 我雖然黑，卻是秀美 曲：迪施華 詞：雅歌 1:4-5 拉丁語演唱 高唱詩歌 曲：蒙台威爾第 詞：高秉尼 拉丁語演唱 北國之光 曲：雅羅 詞：雅歌 6:3-4 拉丁語演唱 如鹿切慕溪水 曲：帕勒斯替拿 詞：詩篇 42:1 拉丁語演唱 節目 PROGRAMME Invention No.1 in C major, BWV 772 Music: Johann Sebastian Bach Piano Alexander Wong Solfeggio Music: Arvo Pärt Missa "Ut, Re, Mi, Fa, Sol, La" Music: Giovanni Pierluigi da Palestrina Lyrics: Ordinary mass Sung in Latin Kyrie Gloria Credo Sanctus Agnus Dei Super flumina Babylonis Music: Giovanni Pierluigi da Palestrina Lyrics: Psalm 137:1-2 Sung in Latin Nigra sum sed formosa Music: Andreas de Silva Lyrics: Song of Solomon 1:4-5 Sung in Latin Cantemus laeti Music: Claudio Monteverdi Lyrics: Aquilino Coppini Sung in Latin Northern Lights Music: Ola Gjeilo Lyrics: Song of Solomon 6:3-4 Sung in Latin Sicut cervus Music: Giovanni Pierluigi da Palestrina Lyrics: Psalm 42:1 Sung in Latin
本場音樂會設中、英文字幕 Surtitles in Chinese and English are available 5 節目 PROGRAMME 演出者 Performers 香港中文大學合唱團 The Chinese University of Hong Kong Chorus 客席指揮 Guest Conductor 吳尚倫 Shanglun Wu 鋼琴 Piano 黃歷琛 Alexander Wong 詠嘆調，選自《哥德堡變奏曲》，BWV 988 曲：巴赫 鋼琴 黃歷琛 尊主頌 曲：帕特 詞：路加福音 1:46-55 拉丁語演唱 何處有仁愛 曲：�羅 �：傳��� 拉丁語演唱 只有在睡夢中 曲：艾森華茲 詞：蒂斯黛 英語演唱 女高音獨唱 陳泳姸 Aria, from Goldberg Variations, BWV 988 Music: Johann Sebastian Bach Piano Alexander Wong Magnificat Music: Arvo Pärt Lyrics: Luke 1:46-55 Sung in Latin Ubi Caritas Music: Ola Gjeilo Lyrics: Traditional hymn text Sung in Latin Only in Sleep Music: Ēriks Ešenvalds Lyrics: Sara Teasdale Sung in English Soprano Solo Chan Wing Yin
德國作曲家巴赫約於 1720 年開始為長子威廉．費德曼．巴赫（1710-1784）的音樂教育而 製作一本鍵盤作品集，這本最後題為《給威廉．費德曼．巴赫的鍵盤小曲集》後來也成為 巴赫指導學生的教材。於 1723 年寫成的二部及三部創意曲（BWV 772-801，各 15 首）也 有收錄在內，對巴赫而言，掌握二部及三部對位作品演奏，是養成鍵盤演奏技巧及學習對 位法的重要基石。這首 C 大調的二部創意曲是系列中的第一首。 German composer Bach began compiling a collection of keyboard pieces around 1720 for his eldest son, Wilhelm Friedemann Bach (1710-1784), as part of his music education. This collection, eventually titled Klavierbüchlein für Wilhelm Friedemann Bach, became musical exercises for his students. It includes two-part and three-part inventions written in 1723 (BWV 772-801, 15 pieces each). For Bach, mastering the performance of two-part and three-part contrapuntal works was an important foundation for developing keyboard playing skills and learning counterpoint. This two-part invention in C major is the first piece in the series. 愛沙尼亞作曲家帕特生於派德，成長於拉克韋雷，七歲入讀當地音樂學校，已嘗試作曲。 完成兵役後入讀塔林音樂學院繼續深造音樂，1963 年畢業。根據網站 Bachtrack 統計，他 是 2012-18 年及 2022 年世上最多人演出其作品的在世作曲家，2023 年則屈居第二位，被 約翰威廉士超越。《唱名》(1963) 是帕特第一首無伴奏合唱作品，全曲要求四部順次序以唱 名逐一唱出 C 大調音階上每一個音，從而堆疊成音群。這部實驗作品既反映了帕特當時受 波蘭「音響音樂」學派的影響，也預告了帕特之後走向神聖簡約主義及創製「鐘鳴作曲法」。 The Estonian composer Arvo Pärt was born in Paide and grew up in Rakvere. At the age of seven, he began studying music at a local music school and started composing. After completing his military service, he enrolled in the Tallinn Conservatory to further his musical education and graduated in 1963. According to the website Bachtrack, he was the most frequently performed living composer worldwide for his works between 2012 and 2018, as well as in 2022. However, in 2023, he was surpassed by John Williams, ranked second. Solfeggio is Pärt's first a cappella choral work, it requires four parts to sing each note of the C major scale in sequence, gradually building up sound clusters. This experimental piece not only reflects Pärt's influence from the Polish sonoristic music at the time but also foreshadows his later move towards “holy minimalism” and the creation of the “tintinnabuli” technique. 6 樂曲簡介 PROGRAMME NOTES C 大調第一創意曲，BWV 772 曲：巴赫（1685-1750） Invention No.1 in C major, BWV 772 Music: Johann Sebastian Bach (1685-1750) 唱名 曲：帕特 (1935-) Solfeggio Music: Arvo Pärt (1935-)
意大利作曲家帕勒斯替拿是文藝復興時期羅馬樂派的代表人物，他對複調音樂及對位法發 展有莫大貢獻，巴赫也對帕勒斯替拿推崇備至。自小擔任教堂詩班歌手，一生致力教會音 樂創作，單是彌撒曲流傳�今就過百首。彌撒曲《Ut, Re, Mi, Fa, Sol, La》收錄在 1570 年 出版的《彌撒曲集》第三冊。文藝復興作曲家創作彌撒曲時，流行採用現成曲調作貫穿 全曲反覆出現的「固定旋律」，彌撒曲就以原曲標題命名。這部彌撒曲以中世紀唱名「Ut, Re, Mi, Fa, Sol, La」為標題，顧名思義就是以簡單的六聲音階當成「固定旋律」。當音階 以不同的時值長短反覆上下行走出現，帕勒斯替拿以出色的對位手法製造出微妙的音響效 果，而〈光榮頌〉與〈信德頌〉則應用到主調寫法，為音樂加添變化。 Italian composer Palestrina was a representative figure of the Roman School of music during the Renaissance period. He made significant contributions to the development of polyphonic music and counterpoint, and he was highly esteemed by Johann Sebastian Bach. Starting from a young age, Palestrina served as a singer in a church choir, dedicating his life to composing sacred music. He has composed over a hundred masses, many of which are still widely performed today. Missa “Ut, Re, Mi, Fa, Sol, La” is included in the third book of Missarum, which was published in 1570. During the Renaissance, composers often used pre-existing melodies as “cantus firmus” (fixed melody) which is a fixed tune that appeared repeatedly throughout the entire mass; the mass would be named after the original title of the tune. In this mass, Palestrina took the solmization “Ut, Re, Mi, Fa, Sol, La” as the title, indicating that the fixed melody was based on the hexachord (six-note series). Palestrina created subtle sonic effects with his tremendous counterpoint skills. “Gloria” and “Credo”, on the other hand, employed a homophonic approach, adding variation to the music. 垂憐頌 Kyrie 上主，求祢垂憐。 基督，求祢垂憐。 上主，求祢垂憐。 Kyrie eleison. Christe eleison. Kyrie eleison. Lord, have mercy. Christ, have mercy. Lord, have mercy. 7 樂曲簡介 PROGRAMME NOTES 彌撒曲《Ut, Re, Mi, Fa, Sol, La》 曲：帕勒斯替拿 (1525/26-1594) �：彌撒經文 Missa �Ut, Re, Mi, Fa, Sol, La� Music: Giovanni Pierluigi da Palestrina (1525/26-1594) Lyrics: Ordinary mass
光榮頌 Gloria 信德頌 Credo 天主在天受光榮。 主愛的人在世享平安。 讚美祢、稱頌祢、 朝拜祢、顯揚祢。 我們為了祢無上的光榮，感謝祢。 主、天主、天上的君王，全能的天 主聖父， 主、耶穌基督、獨生子， 主、天主、天主的羔羊，聖父之子， 除免世罪者，求祢垂憐我們。 除免世罪者，求祢俯聽我們的祈禱。 坐在聖父之右者，求祢垂憐我們。 因為只有祢是聖的，只有祢是主， 只有祢是至高無上的，耶穌基督， 祢和聖神，同享天主聖父的光榮。 亞孟。 我信唯一的天主，全能的聖父， 天地萬物，無論有形無形，都是祂 所創造的。 我信唯一的主，耶穌基督， 天主的獨生子。 祂在萬世之前，由聖父所生。 祂是出自天主的天主，出自光明的 光明， 出自真天主的真天主。 祂是聖父所生，而非聖父所造，與 聖父同性同體， 萬物是藉著祂而造成的。 祂為了我們人類， 並為了我們的得救，從天降下。 祂因聖神由童貞瑪利亞取得肉軀， 而成為人。 祂在般雀比拉多執政時，為我們被 釘在十字架上，受難而被埋葬。 祂正如聖經所載，第三日復活了。 Gloria in excelsis Deo. Et in terra pax hominibus bonae voluntatis. Laudamus te. Benedicimus te. Adoramus te. Glorificamus te. Gratias agimus tibi propter magnam gloriam tuam. Domine Deus, Rex caelestis, Deus Pater omnipotens. Domine Fili unigenite, Jesu Christe. Domine Deus, Agnus Dei, Filius Patris. Qui tollis peccata mundi, miserere nobis. Qui tollis peccata mundi, suscipe deprecationem nostram. Qui sedes ad dexteram Patris, miserere nobis. Quoniam tu solus Sanctus. Tu solus Dominus. Tu solus Altissimus, Jesu Christe. Cum Sancto Spiritu, in gloria Dei Patris. Amen. Credo in unum Deum. Patrem omnipotentem, Factorem caeli et terrae, visibilium omnium et invisibilium. Et in unum Dominum Jesum Christum, Filium Dei unigenitum, Et ex Patre natum ante omnia saecula. Deum de Deo, lumen de lumine, Deum verum de Deo vero. Genitum, non factum, consubstantialem Patri: Per quem omnia facta sunt. Qui propter nos homines Et propter nostram salutem descendit de caelis. Et incarnatus est de Spiritu Sancto ex Maria Virgine: Et homo factus est. Crucifixus etiam pro nobis sub Pontio Pilato: passus, et sepultus est. Et resurrexit tertia die, secundum Scripturas. Glory to God in the highest, And on earth peace to people of good will. We praise you, we bless you, we adore you, we glorify you. We give you thanks for your great glory. Lord God, heavenly King, O God, almighty Father, Lord Jesus Christ, Only Begotten Son, Lord God, Lamb of God, Son of the Father, You take away the sins of the world, have mercy on us; You take away the sins of the world, receive our prayer; You are seated at the right hand of the Father, have mercy on us. For you alone are the Holy one, you alone are the Lord, You alone are the Most High, Jesus Christ, With the Holy spirit, in the glory of God the Father. Amen. I believe in one God, the Father almighty, Maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, The Only Begotten Son of God, Born of the Father before all ages. God from God, Light from Light, True God from true God, Begotten, not made, consubstantial with the Father; Through him all things were made. For us men, And for our salvation, he came down from heaven, And by the Holy Spirit was incarnate of the Virgin Mary, And became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, And rose again on the third day in accordance with the Scriptures. 8 樂曲簡介 PROGRAMME NOTES
歡呼頌 Sanctus 羔羊頌 Agnus Dei 聖，聖，聖，上主萬有的天主。 祢的光榮充滿天地。 歡呼之聲，響徹雲霄。 奉主名而來的，當受讚美。 歡呼之聲，響徹雲霄。 除免世罪的天主羔羊，求祢垂憐我 們。 除免世罪的天主羔羊，求祢垂憐我 們。 除免世罪的天主羔羊，求祢賜給我 們平安。 我信聖神，祂是主及賦予生命者， 由聖父聖子所共發。 祂和聖父聖子，同受欽崇，同享光 榮， 祂曾藉先知們發言。 祂升了天，坐在聖父的右邊。 祂還要光榮地降來，審判生者死者， 祂的神國萬世無疆。 我信唯一、至聖、至公、從宗徒傳 下來的教會。 我承認赦罪的聖洗，只有一個。 我期待死人的復活， 及來世的生命。 亞孟。 Sanctus, Sanctus, Sanctus, Dominus Deus Sabaoth. Pleni sunt caeli et terra gloria tua. Hosanna in excelsis. Benedictus qui venit in nomine Domini. Hosanna in excelsis. Agnus Dei, qui tollis peccata mundi, miserere nobis. Agnus Dei, qui tollis peccata mundi, miserere nobis. Agnus Dei, qui tollis peccata mundi, dona nobis pacem. Et in Spiritum sanctum Dominum, et vivificantem: Qui ex Patre, Filioque procedit. Qui cum Patre, et Filio simul adoratur, et conglorificatur: Qui locutus est per Prophetas. Et unam, sanctam, catholicam et apostolicam Ecclesiam. Confiteor unum baptisma in remissionem peccatorum. Et exspecto resurrectionem mortuorum Et vitam venturi saeculi. Amen. Holy, Holy, Holy, Lord God of hosts. Heaven and earth are full of your glory. Hosanna in the highest. Blessed is he who comes in the name of the Lord. Hosanna in the highest. Lamb of God, you take away the sins of the world, have mercy on us. Lamb of God, you take away the sins of the world, have mercy on us. Lamb of God, you take away the sins of the world, grant us peace. I believe in the Holy Spirit, the Lord, the giver of life, Who proceeds from the Father and the Son; Who with the Father and the Son is adored and glorified, Who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins. And I look forward to the resurrection of the dead, And the life of the world to come. Amen. Et ascendit in caelum: sedet ad dexteram Patris. Et iterum venturus est cum gloria judicare vivos et mortuos: Cujus regni non erit finis. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead, And his kingdom will have no end. 9 樂曲簡介 PROGRAMME NOTES
經文歌是帕勒斯替拿重要的創作類別，現存超過 250 首。《在巴比倫河邊》1604 年首次 出版，收錄於《節日經文歌》第二冊，那時帕勒斯替拿已離世 10 年。歌詞取材自《聖經》 的《詩篇》137 篇首兩節經文。開首「在巴比倫河邊」各聲部互相模仿旋律的半音與下 行旋律預示流淚的意象，到「我們坐在那裏」匯集成主調織體，猶如眾人同聲一哭。曲 終時「掛上我們的豎琴」配上下行音階旋律，既以文字著色處理歌詞，也表達了詞中失 去錫安而流亡巴比倫的以色列人悲傷之情。 Motet is an important part in Palestrina's compositions, consisting of over 250 pieces. Super flumina Babylonis (By the Rivers of Babylon) was first published in Motecta festorum (Festive Motets) Book 2. At that time, Palestrina had already passed away for 10 years. The lyrics are derived from the first two verses of Psalm 137 in the Bible. The opening descending melody with a half-step, foreshadows the imagery of shedding tears. As the piece progresses to “illic sedimus” (there we sat down), the voices converge into a homophonic texture, as if everyone is yearning collectively. Towards the end of the composition, the phrase “suspendimus organa nostra” (we hanged our harps) is set to another descending melody, providing both word painting to the lyrics and expressing the sorrow of the Israelites who were in exile in Babylon after losing Zion. 學術界對作曲家迪施華生平所知甚少，僅知道他曾在羅馬為教宗良十世工作，1522 年 起轉職至曼圖亞家族。1510 至 30 年間是他創作力最旺盛的日子，儘管今天只留下少量 作品，他的作品仍被奉為 16 世紀初聖樂瑰寶。《我雖然黑，卻是秀美》以四部輪唱開始， 由第五聲部唱出貫穿全曲的「固定旋律」，全曲氣氛溫暖動人。 There is little known about the composer de Silva, except that he once worked in Rome for Pope Leo X and later in the service of the Mantua family starting in 1522. The period from 1510 to 1530 was his most prolific time as a composer, and although only a small number of his works have survived to this day, they are still regarded as treasures of sacred music from the early 16th century. Nigra sum sed formosa (I am Black, but Comely) begins with a fourpart canon, with the fifth voice singing the “cantus firmus” that runs throughout the entire composition, creating a warm and flowing atmosphere. 在巴比倫河邊 曲：帕勒斯替拿 �：詩篇 137: 1-2 我雖然黑，卻是秀美 曲：迪施華 (fl. 1520) �：雅歌 1: 4-5 Super flumina Babylonis Music: Giovanni Pierluigi da Palestrina Lyrics: Psalm 137: 1-2 Nigra sum sed formosa Music: Andreas de Silva (fl. 1520) Lyrics: Song of Solomon 1: 4-5 在巴比倫河邊， 我們坐在那裏，就哭了， 就在我們追想錫安時。 在一排柳樹中，我們 掛上我們的豎琴。 耶路撒冷的女子啊，我雖然黑，卻 是秀美， 所以我取悅王，他領我進入他的內 室。 Super flumina Babylonis, illic sedimus et flevimus, dum recordaremur Sion. In salicibus in medio ejus, suspendimus organa nostra. Nigra sum sed formosa filiae Jerusalem Ideo dilexit me rex et introduxit me in cubiculum suum. By the rivers of Babylon, there we sat down, we wept, when we remembered Zion. Upon the willows in the midst thereof, we hanged our harps. I am black, but comely, daughters of Jerusalem, Therefore have I pleased the King and he hath brought me into his chamber. 10 樂曲簡介 PROGRAMME NOTES
雖有不少重要聖樂作品傳世，蒙台威爾第在世俗音樂似乎更多姿多彩，他的牧歌一直為 人稱道，而他更是最早創作歌劇的作曲家之一。教會甚至委託蒙台威爾第將他的牧歌填 上新詞當成聖樂使用，《高唱詩歌》是為一例。原曲為 1603 年寫成的牧歌《那閃亮的一 瞥》（瓜里尼詩作），歌曲前後氣氛有極大對比，音樂本來描述情人的可愛與殘忍，在作 曲家的好友高秉尼筆下，這個在 1609 年填上新詞的版本則變成萬物欣欣向榮與在黑暗地 獄受盡折磨者的可憐對照。高秉尼為音樂貼切的遣詞用字，保留了蒙台威爾第為原詩設計 的文字著色效果。 Although Monteverdi has left behind many important sacred music compositions, he appears to be even more diverse in secular music. His madrigals have always been highly acclaimed, and he is considered one of the earliest composers of opera. The church even commissioned Monteverdi to set his madrigals to new lyrics for sacred use. Cantemus laeti (Sing Joyfully) is one such example. The original piece was a madrigal titled A un giro sol (A Shining Glance) written in 1603 (poem by Giovanni Battista Guarini). There is a stark contrast in atmosphere between the first and second half of the song. The music originally depicted the charm and cruelty of a lover, but under the pen of Monteverdi’s friend, Aquilino Coppini, who provided new lyrics in 1609, the revised version portrays a poignant contrast between vibrant nature and the suffering of one in hell. Coppini’s choice of words resonates well with the music and retains the word painting effect of Monteverdi’s setting to the original poem. 高唱詩歌 曲：蒙台威爾第 (1567-1643) 詞：高秉尼 (d. 1629) Cantemus laeti Music: Claudio Monteverdi (1567-1643) Lyrics: Aquilino Coppini (d. 1629) 讓我們為神所作高唱詩歌， 天上的飛星、 海、地與風、 青草與萬物。 身處幽暗者， 身受永劫者， 在地獄裡為死亡哭泣。 Cantemus laeti quae Deus effecit, stellas, aethra volantes, mare et terram et ventos, et gramina et omnes animantes, Qui colunt loca tenebrosa qui supplicia ferunt aeterna in Inferno plorent amaram mortem. Let us sing for joy in what God has accomplished: The stars that fly in the Aether, The sea, the earth, and the winds, and the plants, And all the living beings. Those who haunt the dark places, Those who endure eternal punishment, In hell they cry the bitter death. 11 樂曲簡介 PROGRAMME NOTES
挪威作曲家雅羅是目前最炙手可熱的合唱作曲家之一，作品廣受世界各地合唱團愛戴。先 後在挪威音樂學院、美國茱利亞音樂學院及英國皇家音樂學院（RCM）學習作曲，2001 年 起移居美國，現為自由身作曲家。《北國之光》創作於 2007 年聖誕，正值雅羅返回挪威渡 假之時。從閣樓望向湖面倒影的星光，想到自己因為在南部長大只看過兩次北極光，興起 念頭以音樂描繪北極光懾人之美，以純人聲唱出如極光幻化的和聲，配上同樣描繪強大而 震懾人心美態的《雅歌》第六章作歌詞。 Norwegian composer Gjeilo is one of the most sought-after choral composers, and his works are highly acclaimed by choirs worldwide. He studied composition at the Norwegian Academy of Music, the Juilliard School in the United States, and the Royal College of Music in the United Kingdom. In 2001, he moved to the United States and is now a freelance composer. Northern Lights was composed during Christmas in 2007, when Gjeilo returned to Norway for vacation. Looking down from the attic at the reflection of starlight on the lake, he was reminded that he had only seen the northern lights twice in his life as he was growing up in the southern part of the country. This inspired him to depict the breathtaking beauty of the northern lights through music, using human voices to produce colourful harmonies that resemble the ethereal transformations of the aurora borealis. He chose Song of Solomon 6 as the lyrics, as it similarly portrays a powerful and awe-inspiring beauty. 北國之光 曲：雅羅 (1978-) �：雅歌 6: 3-4 Northern Lights Music: Ola Gjeilo (1978-) Lyrics: Song of Solomon 6: 3-4 我美麗的佳偶啊， 秀美的耶路撒冷女兒， 我美麗的佳偶啊， 秀美如耶路撒冷， 威武如展開旌旗的軍隊。 求你轉眼不要看我， 因你的眼睛使我慌亂。 Pulchra es amica mea, suavis et decora filia Jerusalem, Pulchra es amica mea, suavis et decora sicut Jerusalem, terribilis ut castrorum acies ordinata. Averte oculos tuos a me quia ipsi me avolare fecerunt. Thou art beautiful, O my love, sweet and beautiful daughter of Jerusalem, Thou art beautiful, O my love, sweet and beautiful as Jerusalem, terrible as an army with banners. Turn away thine eyes from me, for they have overcome me. 12 樂曲簡介 PROGRAMME NOTES
同樣收錄於《節日經文歌》第二冊在 1604 年首次出版，同樣是以河流為意象的歌詞，帕 勒斯替拿在經文歌《如鹿切慕溪水》展示的卻是一片平靜安寧。歌詞僅用了《詩篇》42 篇 第一節，配上光明而溫暖的大調旋律。而每逢歌詞「切慕」出現時，帕勒斯替拿就在節奏 上製造不穩，含蓄地表達人類的渴望。這首簡短的經文歌真摯而純粹，是帕勒斯替拿最受 歡迎的作品，也是文藝復興複調音樂的表表者。 Also included in the Motecta festorum Book 2 which was first published in 1604, also featuring the imagery of the river in lyrics, however, the song Sicut cervus portrayed tranquillity and peace. The lyrics only use the first verse of Psalm 42, which is set on a bright and warm melody in a major key. Whenever “desiderat” (panteth) appears, Palestrina deliberately creates rhythmic instability, subtly expressing the yearning from human beings. This short hymn is sincere and pure, and it stands as Palestrina’s most popular work, and a perfect model of Renaissance polyphony. 《哥德堡變奏曲》於 1741 年出版，由一首詠嘆調與 30 個變奏組成。關於創作緣起，目前 最流行的說法來自巴赫傳記作者福克爾在 1802 年（作品出版後 60 年，巴赫死後 52 年） 所記載，是為了一直受失眠困擾的前俄羅斯駐薩克森候選國大使凱薩寧而寫，好讓他身邊 只有 14 歲的天才鍵盤手哥德堡能夠在他失眠時為他彈奏助眠，而哥德堡則是巴赫父子（威 廉．費德曼）的學生。儘管這說法多年來一直受到質疑，《哥德堡變奏曲》是為安眠而寫的 故事已深入民心。用作變奏主題的詠嘆調是一首以 G 大調寫成的三拍子薩拉班德舞曲，旋 律有豐富的裝飾音。 The Goldberg Variations was published in 1741 and consists of an aria and 30 variations. The most popular explanation for its creation comes from Johann Nikolaus Forkel, a biographer of Bach, in 1802 (60 years after the work’s publication and 52 years after Bach’s death). According to Forkel, the variations were written for Count Kaiserling, a former Russian ambassador to the electoral court of Saxony, who suffered from insomnia. Bach composed the variations to provide solace during his sleepless nights, and the 14-yearold keyboard prodigy, Johann Gottlieb Goldberg (a student of Bach and his son Wilhelm Friedemann), was there to play for him. Although this explanation has been questioned over the years, the story of the Goldberg Variations being composed for insomnia relief has become deeply ingrained in popular culture. The aria used as the basis for the variations is a sarabande dance in triple time, written in G major, with a richly ornamented melody. 如鹿切慕溪水 曲：帕勒斯替拿 �：詩篇 42: 1 詠嘆調，選自《哥德堡變奏曲》，BWV 988 曲：巴赫 Sicut cervus Music: Giovanni Pierluigi da Palestrina Lyrics: Psalm 42: 1 Aria, from Goldberg Variations, BWV 988 Music: Johann Sebastian Bach 如鹿切慕溪水， 神啊，我的心切慕你。 Sicut cervus desiderat ad fontes aquarum, ita desiderat anima mea ad Te, Deus. As the hart panteth after the water brooks, so panteth my soul after thee, O God. 13 樂曲簡介 PROGRAMME NOTES
1976 年，帕特在塔林發表了鋼琴獨奏曲《給愛琳娜》，自此開始了鐘鳴作曲法的應用。帕 特創製的鐘鳴作曲法有著極大制約，一首作品只由兩個聲部組成：T 聲部是貫穿全曲永恆 不變的指定和弦，M 聲部是從那指定和弦裡面挑選其中一個音發展出的旋律，順著音階上 下行走。當兩個聲部同時進行，不變的和弦與常變的旋律就會碰撞出奇特的音響效果。對 帕特來說，常變的 M 聲部代表了世俗的罪，不變的 T 聲部代表了寬恕，這一重神學意義， 令帕特的音樂風格也稱作「神聖簡約主義」。隨著作品的實驗性與宗教色彩愈見濃厚，帕 特與蘇聯政府對立愈深。1980 年，帕特與家人被逼流亡外國，經維也納到柏林定居。《尊 主頌》於 1989 年寫成，1990 年在史圖格首演。作品完美展示了鐘鳴作曲法的特色：簡單 純粹，但不時流露掙扎。蘇聯於 1991 年解體，帕特重新與愛沙尼亞音樂界聯繫，2010 年 重返愛沙尼亞定居。 In 1976, Pärt premiered his solo piano piece Für Alina in Tallinn, marking the beginning of his application of the tintinnabuli compositional technique. The tintinnabuli method, created by Pärt, is a highly constrained compositional approach. A piece consists of only two voices: the T-voice, which represents a designated chord that remains constant throughout the composition, and the M-voice, which develops a melody by selecting one of the notes from the designated chord and moving up and down the scale. When both voices interact simultaneously, the unchanging chord and the ever-changing melody collide to produce unique sonic effects. For Pärt, the ever-changing M-voice represents secular sin while the unchanging T-voice symbolises forgiveness. This theological significance led to Pärt’s musical style being referred to as “holy minimalism”. As his works became more experimental and infused with religious themes, Pärt’s conflict with the Soviet government deepened. In 1980, he was forced into exile with his family and settled in Berlin via Vienna. Magnificat was composed in 1989 and premiered in 1990 in Stuttgart. The piece perfectly showcases the characteristics of the tintinnabuli technique: simple and pure, yet occasionally revealing moments of struggle. With the dissolution of the Soviet Union in 1991, Pärt reconnected with the Estonian music scene and returned to settle in Estonia in 2010. 尊主頌 曲：帕特 �：路加福音 1: 46-55 Magnificat Music: Arvo Pärt Lyrics: Luke 1: 46-55 我心尊主為大； 我靈以神我的救主為樂； 因為他顧念他使女的卑微； 從今以後，萬代要稱我有福。 因為那有權能的為我做了大事； 他的名是聖的。 他憐憫敬畏他的人，直到世世代代。 他用膀臂施展大能； 他趕散心裏妄想的狂傲人。 他叫有權柄的失位， 叫卑賤的升高。 他叫飢餓的飽餐美食， 叫富足的空手回去。 Magnificat anima mea Dominum; et exsultavit spiritus meus in Deo salutari meo, quia respexit humilitatem ancillae suae; Ecce enim ex hoc beatam me dicent omnes generationes. Quia fecit mihi magna, qui potens est, et sanctum nomen eius, Et misericordia eius a progenie in progenies timentibus eum. Fecit potentiam in brachio suo; dispersit superbos mente cordis sui; deposuit potentes de sede, et exaltavit humiles; esurientes implevit bonis et divites dimisit inanes. My soul doth magnify the Lord, and my spirit hath rejoiced in God my Saviour. For he hath regarded the low estate of his handmaiden: for, behold, from henceforth all generations shall call me blessed. For he that is mighty hath done to me great things; and holy is his name. And his mercy is on them that fear him from generation to generation. He hath shewed strength with his arm; he hath scattered the proud in the imagination of their hearts. He hath put down the mighty from their seats, and exalted them of low degree. He hath filled the hungry with good things; and the rich he hath sent empty away. 14 樂曲簡介 PROGRAMME NOTES
Suscepit Israel puerum suum, recordatus misericordiae suae, sicut locutus est ad patres nostros, Abraham et semini eius in saecula. Magnificat anima mea Dominum. 他扶助了他的僕人以色列， 不忘記施憐憫， 正如他對我們的列祖說過， 憐憫亞伯拉罕和他的後裔，直到永 遠。 我心尊主為大。 He hath holpen his servant Israel, in remembrance of his mercy; as he spake to our fathers, to Abraham, and to his seed for ever. My soul doth magnify the Lord. 15 樂曲簡介 PROGRAMME NOTES
於 2001 年寫成的《何處有仁愛》是雅羅最廣為傳唱的作品。與 1960 年法國作曲家杜魯飛 以相同經文創作的同名歌曲一樣，這首作品深受格雷果聖歌影響，不同之處是杜魯飛確實 引用了格雷果聖歌旋律，而雅羅的作品是百分百原創作品。此曲原為無伴奏合唱，2011 年 雅羅在華盛頓中部大學室樂合唱團一次演出中作即興鋼琴伴奏，相關影片在網上大受歡迎， 遂將該次即興演奏記譜並於 2014 年出版。鋼琴引子後，歌曲開始了女高音與女低音對答， 有著向杜魯飛致敬的意味。旋律樸實，和聲隨著歌曲推進逐漸加厚變化出更豐富音色，也 襯托出全團同音齊唱的段落如何展現團結合一彼此相愛。 Ubi Caritas, written in 2001, is Gjeilo’s most widely sung composition. Similar to the song of the same name composed by the French composer Maurice Duruflé in 1960 using the same text, this piece is deeply influenced by the Gregorian chant. However, the difference lies in the fact that Duruflé actually quotes the melody of the Gregorian chant, whereas Gjeilo’s work is entirely original. Originally composed as an a cappella choral piece, Gjeilo improvised a piano accompaniment during a performance with the Central Washington University Chamber Choir in 2011. This impromptu piano accompaniment gained significant popularity when the video of the performance was shared online. As a result, Gjeilo transcribed the improvised performance and published the sheet music in 2014. The piano introduction is followed by an antiphonal dialogue between soprano and alto, paying homage to Duruflé. The melody is simple, and as the song progresses, the harmonies gradually thicken, producing richer tones. This serves to highlight how the sections where the entire ensemble sings in unison demonstrate unity and love. 何處有仁愛 曲：雅羅 �：傳統經文 Ubi Caritas Music: Ola Gjeilo Lyrics: Traditional hymn text 何處有仁愛，天主必常在。 在基督愛內我們團結一致。 歡欣，在基督內我們踴躍愉快。 我們敬畏愛慕永生的神， 也誠心誠意地彼此相愛。 Ubi caritas et amor, Deus ibi est. Congregavit nos in unum Christi amor. Exsultemus, et in ipso jucundemur. Timeamus, et amemus Deum vivum. Et ex corde diligamus nos sincero. Where charity and love are, God is there. Love of Christ has gathered us into one. Let us rejoice in Him and be glad. Let us fear, and let us love the living God. And from a sincere heart let us love one. 16 樂曲簡介 PROGRAMME NOTES
拉脫維亞作曲家艾森華茲廣受世界各地合唱團喜愛，在音樂會與合唱比賽經常見到團隊選 唱他的作品。求學時期已加入拉脫維亞國立合唱團，2004 年從拉脫維亞音樂學院獲碩士學 位後即留校任教，2022 年出任作曲系主任。2010 年寫成的《只有在睡夢中》以美國詩人 蒂絲黛同名詩作寫成，女高音獨唱在夢幻般的合唱團和唱中沉浸在一個回到童年的夢。溫 暖的和聲與民歌似的獨唱旋律，交織出童年回憶的美麗與哀愁。 Latvian composer Ēriks Ešenvalds is widely beloved by choirs around the world, and his works are frequently chosen for concerts and choral competitions. He joined the Latvian National Choir during his studies and, after obtaining a master’s degree from the Latvian Academy of Music in 2004, he remained at the Academy as a teacher. In 2022, he was appointed as the head of the composition department. Only in Sleep, composed in 2010, is based on the poem of the same title by American poet Sara Teasdale. The piece features a solo soprano immersed within a dreamlike choir, evoking a dream about childhood memories. The warm harmonies and folk-like solo melody intertwine to create a beautiful and melancholic portrayal of childhood reminiscence. 只有在睡夢中 曲：艾森華茲 (1977-) �：蒂絲黛 (1884-1933) Only in Sleep Music: Ēriks Ešenvalds (1977-) Lyrics: Sara Teasdale (1884-1933) 只有在睡夢中，我看見他們的臉龐， 那些我在兒時一起玩耍的孩童， 露易絲回來了，帶著她棕色的髮辮， 安妮的鬈髮溫暖又狂野。 只有在睡夢中，時間會被遺忘， 他們經歷了甚麼，有誰知道？ 我們昨晚一起玩耍，就像當年， 而洋娃娃的玩具屋，就放在樓梯轉角。 歲月沒有磨蝕他們標緻的臉龐， 我看著他們的眼睛，都是如此柔善， 他們也會夢見我嗎？我在想， 而在他們的夢中，我是否也是個小孩？ Only in sleep I see their faces, Children I played with when I was a child, Louise comes back with her brown hair braided, Annie with ringlets warm and wild. Only in sleep Time is forgotten — What may have come to them, who can know? Yet we played last night as long ago, And the doll-house stood at the turn of the stair. The years had not sharpened their smooth round faces, I met their eyes and found them mild — Do they, too, dream of me, I wonder, And for them am I too a child? 樂曲介紹由朱振威撰寫 All programme notes by Leon Chu 歌詞中譯 : 彌撒曲《Ut, Re, Mi, Fa, Sol, La》 參考自天主教香港教區聖樂委員會《中文彌撒曲禮儀文詞》(2015)，按拉丁文原文調節 http://musicasacra.org.hk/database/PDF/ordinarylyrics_pdf.pdf 所有《聖經》經文參考自《和合本修訂版》，按實際音樂編排調節 《高唱詩歌》、《何處有仁愛》、《只有在睡夢中》：朱振威 English translations: Missa “Ut, Re, Mi, Fa, Sol, La” © 2010, International Commission on English in the Liturgy Corporation. All rights reserved. All Biblical text adapted from King James Version. “Cantemus laeti”,“Ubi Caritas” : Reprinted from the score. 17 樂曲簡介 PROGRAMME NOTES
18 吳尚倫 Shanglun WU 客席指揮 Guest Conductor 台灣新生代合唱指揮名家吳尚倫先生於台灣樂壇一直以其學養深厚，能對樂譜抽絲剝繭透 徹分析而著稱。吳尚倫先生為台北愛樂合唱團、台北愛樂室內合唱團前任指揮，期間經常 與國家交響樂團等台灣重要音樂團體合作。除在台灣的演出與教學外，曾受邀於美國、加 拿大、法國、中國內地、韓國等地指揮演出，並曾擔任世界各地包括香港學校音樂節及多 個合唱比賽的評審。 其音樂面向多元，涵蓋文藝復興及當代無伴奏人聲曲目、巴洛克及古典樂派人聲器樂作品， 乃至對於大型合唱管弦作品之合唱訓練，皆有專精。吳尚倫先生近年專注於巴洛克及古典 時期作品的演出與講學，尤其深入鑽研巴赫音樂，並致力於清唱劇、神劇等歌詞文本之中 文翻譯及註釋工作。他亦為台北看透人聲重唱團藝術指導，獲邀擔任香港中文大學合唱團 2019-20 年度駐團藝術家。 Mr Wu is reputable in the Taiwanese music field for his profound understanding and thorough analysis in music. He served as conductor of the Taipei Philharmonic Chorus and Taipei Philharmonic Chamber Choir, and had worked with international orchestras including the National Symphony Orchestra. Apart from his commitment in music education, he was invited to perform widely in the States, Canada, France, Mainland China and Korea, etc., and served as the assistant to Maestro Helmuth Rilling of Germany and Maestro Gábor Hollerung of Hungary. Mr Wu is a regular member of juries at choral competitions including the Hong Kong Schools Music Festival. His repertoire is diverse, covering a wide range from Renaissance and contemporary a cappella pieces to vocal-instrumental works of the Baroque and Classical periods. He is also experienced in coaching choirs for large-scale choral orchestral works. Mr Wu focuses on performing and lecturing of the works from the Baroque and Classical periods, especially works by J.S. Bach, and also devotes himself to the under-processing project of annotations and literal translations of the German librettos of cantatas and oratorios into Chinese. He is also the artistic advisor of the vocal ensemble Canto Sei, based in Taipei, and was invited as artist-in-residence of The Chinese University of Hong Kong Chorus, 2019-20. 演出者簡介 PERFORMERS' BIOGRAPHY
19 黃歷琛畢業於伊士曼音樂學院及香港中文大學音樂系，分別取得音樂碩士 ( 鋼琴伴奏及室 內樂 ) 及文學士 ( 一級榮譽 ) 學位。在學期間先後隨梁靜宜老師、吳美樂博士及巴爾博士 學習鋼琴，黃健羭老師學習管風琴。畢業後曾於夏威夷演藝節中擔任聲樂課程伴奏；其後 透過香港藝術發展局所資助的「音樂藝術人才培育計劃」獲聘為非凡美樂之全職練唱指導 (2015-17)。近期參與的製作包括《渴望之書》、《英宮遺恨》、《假園丁》、《芝麻經理人》、 《血灑英廷》等。 黃�現為香港兒童合唱團丶聖保羅男女中學附屬小學合唱團丶聖保羅書院小學合唱團丶學 士合唱團及非凡美樂之排練伴奏。 Wong holds a Master of Music degree in Piano Accompanying and Chamber Music from Eastman School of Music and a Bachelor of Arts degree in Music (first class honors) from The Chinese University of Hong Kong. His major mentors include Jeffie Leung, Dr Mary Wu, Wong Kin Yu and Dr Jean Barr. After his graduation, he participated in the Hawaii Performing Arts Festival as a collaborative pianist in the Voice Program. He was then employed as a full-time répétiteur at Musica Viva through Hong Kong Arts Development Council’s “Music Artistic Internship Scheme” (2015-17). Recent years he collaborated in various productions such as Book of Longing, Anna Bolena, La finta semplice, L'impresario in angustie, and Maria Stuarda. Currently Wong is an accompanist of Hong Kong Children’s Choir, St. Paul's Co-educational College Primary School Choir, St. Paul's College Primary School Choir, The Learners Chorus and Musica Viva. 演出者簡介 PERFORMERS' BIOGRAPHY 黃歷琛 Alexander WONG 鋼琴 Piano
20 經過半世紀努力不懈追求卓越，香港中文大學合唱團已經成為香港其中一隊最具實力的大學合唱團。植根香港， 放眼國際，在香港舞台耕耘之外，多年來已踏遍華南地區以至多個東南亞國家。中大合唱團一直致力以高水準的 演出，充滿創意的節目，向普羅大眾推廣合唱藝術。 中大合唱團於 1972 年由一班中大學生自發成立，早期由學生擔任指揮。九十年代起設立固定音樂總監兼指揮一 職，歷任總監有伍德榮、葉長盛及現任朱振威。現在中大合唱團每年演出活動已擴展至包括周年公演、免費校園 音樂會、海外交流演出、聖誕演出、指揮工作坊、公益外展演出不等。 合唱團曾推出多個廣受歡迎而內容多元化的主題節目，如韋塔克（Eric Whitacre）、雅羅（Ola Gjeilo）、冉天豪、 顧嘉煇、伍卓賢及伯恩斯坦的原創及改編作品專場音樂會，與爵士樂大師侯活麥格尼（Howard McCrary）合作之 聖誕音樂會等，為本地合唱開拓曲目發揮影響力，更藉著網絡將影響伸至全球 ― 2009 年以色列《新消息報》專 題報道，中大合唱團的一段 YouTube 錄影於世界各地猶太人間流傳，引發巨大迴響。 多年來曾與中大合唱團合作的本地及海外藝人不計其數，近期例子有香港流行音樂大師顧嘉煇、聲樂家葉葆菁、 鍾嘉欣、莫子慧、連皓忻、譚天樂、顏嘉樂、林俊、敲擊樂演奏家邵俊傑、管風琴家林芍彬、香港中樂團、香港 電台弦樂四重奏、台灣指揮家杜黑、古育仲、吳尚倫、匈牙利指揮家嘉保豪勒隆（Gábor Hollerung）、保加利亞 指揮家帕羅薇琪（Theodora Pavlovitch）、美國指揮家韓多普（Paul Hondorp）以及艾力史達克（Eric Stark）等。 自 1970 年代起，中大合唱團持續與中國內地及東南亞各地合唱團作音樂交流，曾到訪城市包括北京、上海、台 北、台南、馬尼拉、曼谷、新加坡、新山等。合唱團多次應邀參與海外演出，如 2006 年澳門國際音樂節、2013 年暹羅愛樂樂團馬勒第八交響曲泰國首演、2015 年上海之春音樂節冼星海《黃河大合唱》莫斯科原版的世界首演 及 2019 台北國際合唱音樂節。 從成立之始，推動香港合唱創作就是中大合唱團的使命之一。合唱團不斷邀請香港作曲家如胡銘堯、蘇梓安、楊 嘉輝、鄧樂妍、伍華晞、伍卓賢、黃旨穎、以及台灣作曲家冉天豪譜寫新曲，2016 年更與演戲家族合作，委約多 位作曲家改編粵語原創音樂劇選曲，為建立富香港色彩的合唱作品而努力。 2014 年 6 月，中大合唱團推出首張商業錄音專輯《春風吻上我的臉⸺冉天豪合唱作品選》，由現代音像發行。 甫推出後反應熱烈，得到不少樂迷支持，更榮獲「IFPI 香港唱片銷量大獎 2014」全年「最暢銷古典、戲曲唱片」 之一。而第二張專輯《唱自己的歌⸺香港粵語合唱曲選》在 2019 年 8 月由中大合唱團出版，由此開始進軍數 碼音樂發行，在各大網上音樂平台提供串流及下載。合唱團亦由 2019 年開始出版樂譜及書籍，至今已發行 30 多 首合唱作品樂譜，另有出版台灣學者查太元編著的《冼星海年鑑》，以及入選為「2023 十大樂聞」的《聽之不 完⸺中大合唱團五十年》。 為了打下更穩固的基礎，持續發展永不止息的藝術追求，2012 年 1 月合唱團以慈善團體有限公司形式成立「中大 合唱協會」。透過藝術、管理、行政三部份的分工，讓源自中大、立足中大的中大合唱團，能夠在中大本科生、 研究生及校友三方面的同心協力下，繼續翻過一座又一座的藝術高峰。 香港中文大學合唱團 「…唱來熱情充沛，正是年輕人的精神可貴之處。」 ― 李歐梵《明報》 演出者簡介 PERFORMERS' BIOGRAPHY
21 With relentless pursuit of excellence for half a century, The Chinese University of Hong Kong Chorus (CU Chorus) is one of the best university choirs in Hong Kong, presenting performances not only for local audiences, but also for music lovers across China and Southeast Asia. CU Chorus is dedicated to promoting the art of choral music with its high quality performances and innovative programmes. CU Chorus was founded in 1972 by a group of CUHK students. In the early days, the role of conductor was taken up by students. Since the 1990s, the formal post of Music Director & Conductor has been established. The post was first taken up by Dennis Ng, followed by Yeh Cheung-shing from 2000 to 2005, and currently Leon Chu from 2006. CU Chorus expanded its range of performances in recent years including public concerts, free campus concerts, overseas exchange performances, Christmas caroling, conducting workshops and charity outreach performances. CU Chorus presented a number of popular programmes with diverse themes, such as a number of composer-portrait concerts featuring original choral works and arrangements by Eric Whitacre, Ola Gjeilo, Jan Tien-hao, Joseph Koo, Ng Cheuk-yin and Leonard Bernstein, and Christmas concerts with the American jazz legend Howard McCrary, making an influence in repertoire expansion on local music scene. CU Chorus’ performances also made an impact through the internet — a YouTube video of CU Chorus received coverage in the Israeli newspaper, Yedioth Ahronoth, for its wide circulation and resonance in Jewish communities worldwide. Over the years, CU Chorus has collaborated with numerous local and overseas artists, including Cantopop iconic figure Joseph Koo, vocalists Yuki Ip, Candice Chung, Athene Mok, Carol Lin, Alex Tam, Henry Ngan, Albert Lim, percussionist Louis Siu, organist Anne Lam, Hong Kong Chinese Orchestra, the RTHK Quartet, Taiwanese conductors Dirk DuHei, Johnny Ku and Shanglun Wu, Hungarian conductor Gábor Hollerung, Bulgarian conductor Theodora Pavlovitch and American conductors Paul Hondorp and Eric Stark. Since the 1970s, CU Chorus has constantly engaged in exchange activities with choirs in mainland China and Southeast Asia, visiting cities such as Beijing, Shanghai, Taipei, Tainan, Manila, Bangkok, Singapore and Johor Bahru. CU Chorus has been invited to various guest performances in overseas music festivals, including the 20th Macau International Music Festival in 2006, the Thai première of Mahler’s Symphony No. 8 by Siam Philharmonic Orchestra in 2013, the world première of the original Moscow version of Xian Xing-hai’s Yellow River Cantata in the 2015 Shanghai Spring International Music Festival, and the 2019 Taipei International Choral Festival. Promoting Hong Kong choral compositions is one of the missions of CU Chorus since its establishment. CU Chorus has been commissioning new pieces from a number of composers, including Hong Kong composers Dennis Wu, Andy So, Samson Young, Tang Lok-yin, Ng Wah-hei, Ng Cheuk-yin, Cynthia Wong, and Taiwanese composer Jan Tien-hao. In 2016, in collaboration with Actors’ Family, CU Chorus commissioned choral arrangements of various numbers from the company’s original Cantonese musicals, altogether forming a unique and local voice in Hong Kong choral music. CU Chorus released its first commercial album Spring Breeze Kisses My Face — The Choral Music of Jan Tien-hao on The Modern Audio label in June 2014, which was well-received by music lovers, and awarded as one of the Best Sales Releases (Classical and Operatic Works Recording) in the IFPI Hong Kong Top Sales Music Award 2014. The second album Sing Our Own Song — Selected Hong Kong Choral Works in Cantonese was released by CU Chorus in August 2019, since then CU Chorus is actively releasing their recordings on digital music platforms for streaming and downloads. In 2019, CU Chorus launched their own publications, including sheet music of over 30 choral compositions, A Chronology of the Life of Sin Sing-hoi (Xian Xing-hai) by Taiwanese scholar Zha Tai-yuan, and CU Chorus: The First 50 Years, which was selected as “2023 Top 10 Music Headlines”. To lay a better foundation for its never-ending artistic pursuit, CU Chorus registered charitable organisation status with CU Chorus Association (a limited-liability company) in January 2012. The new governing body, with its finer division of labour in artistic, management and administrative aspects, better facilitates the collaboration of CUHK undergraduates, postgraduates and alumni in their efforts to raise CU Chorus – a group coming from and based in CUHK – to ever-higher artistic heights. “CU Chorus were splendid in their collaboration with Siam Philharmonic in our complete Mahler Cycle. They sang like angels — just as the composer intended!” - Somtow Sucharitkul, Music Director of Siam Philharmonic The Chinese University of Hong Kong Chorus “CU Chorus is a wonderful youth choir with amazing abilities! Having worked with them and their conductor - my former student Leon Chu, I will keep forever my memories about the great spirit, sensitivity and beautiful music they can create! I am happy to know you, my dear friends!” - Prof. Theodora Pavlovitch 演出者簡介 PERFORMERS' BIOGRAPHY
22 朱振威 Leon CHU 香港中文大學合唱團音樂總監 Music Director, CU Chorus 朱振威出生於香港一個草根家庭，在學時期未有接受正統音樂訓練，直至初中時無意中接觸到馬勒交響曲並為 之著迷，始立志學習音樂。他的音樂訓練始於高中音樂科中央訓練計劃，同時跟隨蔡立德學習敲擊樂。因緣際 會考入香港中文大學現代語言及文化系後仍積極參與多個合唱團及樂團，亦隨林俊學習聲樂。後隨漢肯（Kåre Hanken）、帕羅薇琪（Theodora Pavlovitch）及豪勒隆（Gábor Hollerung）等歐洲名家研習合唱指揮。2014 年， 朱氏在澳門聖若瑟大學考獲合唱指揮碩士，期間受業於 Colin Mawby、Nancy Telfer 及 Pedro Monteiro，近年亦曾 隨支韻怡深造聲樂。 2006 年，朱氏獲邀出任香港中文大學合唱團音樂總監，除活躍於香港舞台，亦帶領合唱團出訪國內、台灣、馬來 西亞、泰國等地。2014 年他與合唱團灌錄首張專輯《春風吻上我的臉⸺冉天豪合唱作品選》，獲該年度「IFPI 香港唱片銷售大獎」全年「最暢銷古典、戲曲唱片」殊榮，2019 年與合唱團灌錄第二張專輯《唱自己的歌⸺香 港粵語合唱曲選》也大受好評。除中大合唱團外，朱氏在多隊合唱團擔任指揮。身為富經驗的合唱指導，近年數 度與閻惠昌及香港中樂團合作，也曾到曼谷為暹羅愛樂樂團的馬勒第二交響曲演出擔任客席合唱指導。 朱氏自大學時代起為《Hi-Fi 音響》雜誌撰寫唱片評論。他的評論文章亦見於《信報財經新聞》、《香港經濟日報》、 《明報》、《謬斯客》、《上海藝術家》等報刊，也有為香港管弦樂團、香港中樂團、飛躍演奏香港等機構撰寫 及翻譯場刊，曾任香港電台第四台《藝壇快訊》客席主持。近年主力於博客 leonchu.net 發表文章，以及為立場新 聞、輔仁媒體及國際演藝評論家協會（香港分會）等網站供稿，題材包括各式評論、音樂專題，近年更涉足香港 音樂掌故。音樂以外，朱氏於 2010 年聯同朱耀偉及陳英凱合著《文化研究 60 詞》一書。 Born in a grassroot family, Leon Chu did not receive any formal music training during his teens. His first encounter with Mahler’s Symphonies ignited his interest in music, leading him to pursue his musical studies, starting with the Centralised Scheme of Music Training for Senior Secondary Students, and percussion studies with Choy Lap-tak. Upon his admission to the Modern Languages and Intercultural Studies in The Chinese University of Hong Kong, he participated in a number of choruses and orchestras, and studied vocal under Albert Lim. He later studied choral conducting under renowned European masters including Kåre Hanken, Theodora Pavlovitch, and Gábor Hollerung. In 2014, Chu attained the Master degree of Choral Conducting from the University of Saint Joseph, Macau, under the tutelage of Colin Mawby, Nancy Telfer and Pedro Monteiro. He had also furthered vocal studies under Myra Chih in recent years. In 2006, Chu took up the position as the Music Director of The Chinese University of Hong Kong Chorus (CU Chorus). Besides local performances, he led the Chorus to stages across mainland China, Taiwan, Malaysia and Thailand. He conducted CU Chorus in their first commercial recording, Spring Breeze Kisses My Face — The Choral Music of Jan Tien-hao, which was soon awarded as one of the Best Sales Releases (Classical and Operatic Works Recording) in the IFPI Hong Kong Top Sales Music Award 2014. His second album with CU Chorus in 2019, Sing Our Own Song — Selected Hong Kong Choral Works in Cantonese, is also widely acclaimed. Apart from CU Chorus, he also conducts various choirs in Hong Kong. As an experienced chorus master, Chu collaborated with Yan Huichang and Hong Kong Chinese Orchestra on their symphonic choral concerts, and was invited by Siam Philharmonic as the guest chorus master in their performance of Mahler's Symphony No. 2, Resurrection. Chu started contributing CD reviews to HiFi Review magazine from his university years. His review writings are published in Chinese newspapers and magazines including Hong Kong Economic Journal, Hong Kong Economic Times, Ming Pao Daily, MUZIK of Taiwan, and Shanghai Artists. He also annotated and translated the house programmes for Hong Kong Philharmonic Orchestra, Hong Kong Chinese Orchestra and Premiere Performances of Hong Kong, and was invited as guest host for Arts News programme on RTHK Radio 4. His recent writings are uploaded on his blog leonchu.net, and contributed to online sites such as Stand News, VJMedia and International Association of Theatre Critics (Hong Kong), covering critiques, topics on music and even anecdotes about Hong Kong music history. He is the co-author of the book 60 Keywords in Cultural Studies with Stephen Chu Yiu-wai and Anthony Chan. 演出者簡介 PERFORMERS' BIOGRAPHY
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24 香港中文大學合唱團 CU CHORUS 音樂總監兼指揮：朱振威 Music Director and Conductor：Leon Chu 莊琬婷 Chong Yuen Ting 張賢賢 Cheung Yin Yin 李凱怡 Li Hoi Yi 黃卓妮 Wong Cheuk Ni Cherie 馮詠琳 Fung Wing Lam Sophie 陳泳姸 Chan Wing Yin 女低音 Altos 伍嘉瑤 Ng Ka Yiu 黃可欽 Huang Keqin 梁曉儀 Liang Hiu Yee 楊采兒 * Yeung Tsoi Yi * 鄧頴彤 Tang Wing Tung 李若嵐 * Lee Yeuk Laam * 林籽瑤 Lam Tsz Yiu 林麗奈 Lam Rena 梁嘉儀 Liang Ka Yee 張文虛 Zhang Wenxu 楊寶玲 Yeung Po Ling 甄珮誼 Yan Pui Yee 鄧鈺怡 Tang Yuk Yi 張巧怡 Cheung Hau Yi 潘宇珩 Poon Yu Hang 羅玉鈴 #* Law Yuk Ling #* 龐希平 Pong Heather 女高音 Sopranos
25 香港中文大學合唱團 CU CHORUS 袁天逸 Yuen Tin Yat Nathaniel 林輝亮 Lam Fai Leong 陳伯韜 Chan Pak To Hugo 王子翹 Wong Tsz Kiu 男高音 Tenors 李以諾 Li Yee Nok 谷旻軒 Kuk Man Hin 劉卓賢 Lau Cheuk Yin Joshua 黃澤謙 Wong Chak Him Myron 李雲龍 Li Wan Lung David 李曉晶 Li Hiu Ching 張偉文 # Cheung Wai Man # 張嘉祐 Cheung Ka Yau 男低音 Basses 林俊 Albert Lim 聲樂指導 Vocal Coach 休假 On Leave 方諾恩 Fong Lok Yan 李愛珊 Li Oi Shan 何雨菲 Elizabeth Sophie Hehl 吳恩言 Ng Yan Yin Martha 吳頌恩 Ghaw Sheong Oon 周怡安 Zhou Joanna 殷孝琳 Yun Hau Lam 孫臣 Suen Sen 陳蘊明 Chan Wan Ming 許家榮 Hsu Chia-Jung 黃泳旋 Wong Wing Shuen 黄俊錕 Huang Junkun 劉琪琦 Liu Ki Kei 盧潤宇 Lu Runyu 簡卓軒 Kan Cheuk Hin 譚穎雯 Tam Wing Man # 助理指揮 Assistant Conductors * 聲部長 Part-leaders 依中文姓名筆劃排序 Arranged according to number of strokes in Chinese surnames 黃天寶 * Wong Tin Po * 黃智衡 * Wong Chi Hang *
The Voice that Resonates Endlessly CU Chorus 2023-24 Review 一聲響起 一世迴盪 中大合唱團 2023-24 年度回顧 2023-24 年度，我們繼續努力不懈，力求進步，分享我們的合唱音樂。拼一口氣，唱出和聲，與觀眾共鳴，只盼 歌聲響起，在眾人心間迴盪。 We continue striving for improvement and excellence, sharing our choral music with all our hearts. Resonating with the audience, we sing in harmony, in hope of our voices echoing in the hearts of all. 1. 曾葉發合唱作品錄音 Recording of Richard Tsang’s Choral Works 2023 年 8 月 12 日 12 August 2023 聖公會鄧肇堅中學 SKH Tang Shiu Kin Secondary School 在 2023 年的仲夏，我們將曾葉發師兄的五首合唱作品⸺《當我死 時》、《郊遊樂》、《全賴愛》（混聲版本）、《真善美》及《安眠曲》 進行灌錄。有賴聖公會鄧肇堅中學演奏室製作組的同學和導師以及舊 團員程啟翔的協助，是次錄音順利完成。五首作品的錄音已上載至我 們的 YouTube 頻道。 In the summer of 2023, with the great assistance of students and teachers of the SKH Tang Shiu Kin Secondary School Recital Studio Production Team and our former member, Angelos Ching, we have successfully recorded five choral works of Richard Tsang, famous composer and former member of the CU Chorus, namely And When I Die, Countryside, All for Love (SATB version), Friendship and Lullaby. Recordings of these works have been uploaded to our YouTube channel. 2. 莫扎特小彌撒曲全集講座音樂會 III Mozart’s Complete Missae Breves Lecture-Concert III 2023 年 12 月 1 日 1 December 2023 中環聖約瑟堂 St. Joseph’s Church, Central 在莫扎特小彌撒曲全集演出系列的第三集，我們繼續以講座音樂會形 式呈現莫扎特兩部充滿節慶色彩的小彌撒曲：K. 192 及 K. 220。是 次演出亦為 2023 香港聖詠節節目之一。完整演出錄影和錄音已上載 至我們的 YouTube 頻道及各串流平台。 In the 3rd instalment of the lecture-concert series of Mozart’s Complete Missae Breves, CU Chorus continued to share two festive Missae Breves by Mozart: K. 192 and K. 220. The concert was also one of the 2023 Hong Kong Hymnos Festival programmes. The live recording of the complete performance has been uploaded to our YouTube channel and various streaming platforms. 3. 原創粵語音樂劇《遇上 1941 的女孩》圍讀演出 Original Cantonese Musical 1941 Girl! in Reading 2023 年 12 月 23 日 23 December 2023 香港中文大學 The Chinese University of Hong Kong 適逢經典原創粵語音樂劇《遇上 1941 的女孩》首演 30 周年，中大 合唱團聯同演戲家族合辦一次閉門演出，由 13 位團員以鋼琴伴奏圍 讀形式，足本演繹該劇。是次演出亦為試驗演戲家族在 2022 年出版 的《遇上 1941 的女孩⸺劇本及樂譜》的實際運作。演出後更設演 後座談，由該劇曲詞原作者鍾志榮及一眾劇場工作者分享當年創作及 搬演時的點滴回憶。 At the 30th anniversary of the original Cantonese musical 1941 Girl!'s premiere, CU Chorus and Actors' Family co-organised a closed-door musical-in-reading performance of the musical with piano accompaniment by 13 members of ours. This performance also served as a test for the actual operation of 1941 Girl! – Libretto/Vocal Book published in 2022 by Actors' Family. After the performance, there was a post-show talk, where the original musical's composer and lyricist, Chung Chi-wing, and other theatre professionals shared their memories of the production. 26
4. 香港麗思卡爾頓酒店聖誕演出 Christmas Performance at The Ritz-Carlton, Hong Kong 2023 年 12 月 24-25 日 24-25 December 2023 香港麗思卡爾頓酒店 The Ritz-Carlton, Hong Kong 2023 年的聖誕，我們再次在香港麗思卡爾頓酒店報佳音。我們平安 夜及聖誕夜連續兩晚在酒店的各家餐廳及酒吧為食客獻上聖誕歌聲， 增添節日氣氛。 At Christmas 2023, we performed carols at The Ritz-Carlton, Hong Kong again, sharing festive music in their restaurants and bars. 5. 《聽之不完⸺中大合唱團五十年》出版榮登香港電台第四台「2023 十大樂聞」 第四位 Release of CU Chorus: The First 50 Years Ranked Fourth in “Top 10 Music Headlines” Presented by RTHK Radio 4 2024 年 1 月 20 日 20 January 2024 我們於去年出版《聽之不完⸺中大合唱團五十年》，紀錄合唱團半世紀發展史， 有幸獲得提名及得到樂迷和專業樂評人支持，榮登香港電台第四台舉辦之「2023 十大樂聞」第四位。 Last year, we published our 50th anniversary commemorative book CU Chorus: The First 50 Years to record our history and development. The publishment of the book was honoured to be nominated and ranked fourth in “Top 10 Music Headlines” presented by RTHK Radio 4 with the support of listeners and professional critics. 6. 《嘉保・豪勒隆與中大合唱團》⸺羅西尼《小莊嚴彌撒曲》現場錄音上架 Online Release of Rossini’s Petite messe solennelle Live Recording in Gábor Hollerung conducts CU Chorus 2024 年 3 月 14 日 14 March 2024 2023 年 6 月 4 日上演的中大合唱團 50 周年音樂會，匈牙利指揮大師嘉 保・豪勒隆指揮中大合唱團演出羅西尼的《小莊嚴彌撒曲》。適逢《小莊 嚴彌撒曲》於巴黎首演 160 周年，當晚演出現場錄音已在各串流平台上 架。 In the CU Chorus 50th Anniversary Concert on 4 June 2023, the Hungarian maestro Gábor Hollerung conducted the CU Chorus to perform Gioachino Rossini’s Petite messe solennelle. At the 160th anniversary of the mass' premiere, the live recording of our performance was released on various streaming platforms. 7. 香港中文大學（深圳）10 周年慶典演出 Performance at CUHK-Shenzhen 10th Anniversary Celebration 2024 年 3 月 23 日 23 March 2024 香港中文大學（深圳）禮文堂 Liwen Hall, CUHK-Shenzhen 香港中文大學（深圳）成立 10 周年，我們派出�位團員與中大（深 圳）合唱團和樂團於慶典攜手演出助慶。 At The Chinese University of Hong Kong, Shenzhen’s 10th anniversary, five members of ours joined the performance of the Chorus of CUHK-Shenzhen and their orchestra in the celebration. 27
8. 香港中文大學崇基禮拜堂主日崇拜獻唱 Performance at Sunday Service of Chung Chi College Chapel, CUHK 2024 年 3 月 24 日 24 March 2024 香港中文大學崇基禮拜堂 Chung Chi College Chapel, CUHK 我們再次應邀在崇基禮拜堂的主日崇拜獻詩，與管風琴家林芍彬博士 合作演出孟德爾遜的《願主賜我們平安》。 We were invited to sing in the Sunday service of Chung Chi College Chapel, CUHK again. Collaborating with organist Dr Anne Lam, we performed Mendelssohn’s Verleih uns Frieden gnädiglich. 9. 《嘉保・豪勒隆與中大合唱團》⸺克里道《聖殤》現場錄音上架 Online Release of Reed Criddle’s Pietà Live Recording in Gábor Hollerung conducts CU Chorus 2024 年 3 月 30 日 30 March 2024 於 2023 年 6 月 4 日的音樂會，由許榮臻擔任中提琴獨奏，嘉保・豪勒隆指揮中 大合唱團，演唱美國合唱指揮家兼作曲家克里道以米開蘭基羅同名雕塑為靈感的 無詞歌《聖殤》，當晚現場錄音已在各串流平台上架。 Featuring violist Mark Hui and conducted by Gábor Hollerung, CU Chorus performed American choral conductor and composer Reed Criddle’s wordless song Pietà, which is inspired by the famous sculpture by Michelangelo with the same title, in our concert on 4 June 2023. The live recording of our performance was released on various streaming platforms. 10. 香港電台第四台《室樂雅敍》錄音及錄影 RTHK Radio 4 Music of Friends Recording 2024 年 4 月 14 日 14 April 2024 香港電台二號錄音室 Studio 2, RTHK 有幸獲得香港電台第四台邀請，我們在最近完成翻新的二號錄音室進 行錄音及錄影，為最新一輯《室樂雅敍》節目灌錄了一系列的歌曲， 節目將於香港電台第四台及港台電視 31 台播放。 Invited by RTHK Radio 4, we performed a series of songs for the programme Music of Friends, which will be broadcast on RTHK Radio 4 and RTHK TV 31 soon, in the newly renovated Studio 2, RTHK. 11.《清唱經典》校園音樂會 Campus Concert A Cappella Masterpieces 2024 年 4 月 18 日 18 April 2024 香港中文大學崇基禮拜堂 Chung Chi College Chapel, CUHK 闊別六年，我們重返崇基禮拜堂，為中大教職員生及校外音樂愛好者 送上免費校園音樂會《清唱經典》，演唱從文藝復興到現代的無伴奏 作品。適逢奧地利交響樂大師布魯克納誕生 200 周年，我們特意挑 選並演出四首出自其手筆的合唱小品，讓大家認識其另一面。 For the first time in six years, we finally returned to Chung Chi Chapel to present a free campus concert, A Cappella Masterpieces, for members of the CUHK and music enthusiasts. In the concert, we performed a captivating repertoire of unaccompanied choral works, spanning from the Renaissance to the modern era. To celebrate the Austrian symphonic master Anton Bruckner’s 200th birth anniversary, we selected and performed four short choral pieces that reveal a different side of his talent. www.cuchorus.org.hk 28 cuchorus cuchorus cuhkchorus
30 2023-24 年度贊助名錄 Patrons 2023-24 中大合唱團在此向以下熱心人士及機構表達衷心謝意。 您的支持，讓合唱團能夠提升藝術水平，教育學生合唱藝術，委約創 作新合唱曲，為香港合唱努力貢獻。 CU Chorus would like to thank the following persons and institutions who have supported the Chorus. We endeavour to perfect our art, pass on our spirits and sing new songs to make this a better choral community. 贊助人 PATRONS 「乘著歌聲的翅膀」計劃 On Wings of Song Sponsorship Scheme 白金贊助人 Platinum Patrons (HK$2,500 或以上 or above) Ronald Fan Ms. Dorothy Wong Mr. Kelvin Yeung 白金贊助人 Platinum Patrons (HK$2,500 或以上 or above) China Taiping Life Insurance (Hong Kong) Co. Ltd Mr. LI Kwok Heem John 無名氏 Anonymous 白金贊助人 Platinum Patrons (HK$2,500 或以上 or above) Dr. Amy Lam Ms. Lina Yan 銀贊助人 Silver Patrons (HK$1,000 或以上 or above) LEE Long Sing Rico Reap in Joy 金贊助人 Gold Patrons (HK$2,000 或以上 or above) Katie and Terry May and Wai Yee Chan 金贊助人 Gold Patron (HK$2,000 或以上 or above) 無名氏 Anonymous 銀贊助人 Silver Patrons (HK$1,000 或以上 or above) Hong Kong Hymnos Festival Society Ms. Lydia Siu Prof. Tam Siu Mi Maria 銅贊助人 Bronze Patron (HK$500 或以上 or above) Miss Leung Juliana 銅贊助人 Bronze Patrons (HK$500 或以上 or above) Mr. Wai Shing Chan Mr. Chan YY 銀贊助人 Silver Patrons (HK$1,000 或以上 or above) LEE Long Sing Rico 無名氏 Anonymous (2) 常年經費贊助 Annual Fund Sponsors 學生票計劃 Student Ticket Sponsorship Scheme 機票贊助 Flight Sponsor 香港新聲 Canticum Novum H.K. 莫扎特小彌撒曲全集 Mozart Cycle 如欲贊助中大合唱團，可參閱捐款表格， 或瀏覽本團網頁 www.cuchorus.org.hk For donation and supporting CU Chorus, please refer to the Donation Form or visit our webpage www.cuchorus.org.hk 藍寶石贊助人 Sapphire Patron (HK$10,000 或以上 or above) 何家鷹 Percy Hawk 藍寶石贊助人 Sapphire Patron (HK$10,000 或以上 or above) Mrs Charlotte Chan 銀贊助人 Silver Patron (HK$1,000 或以上 or above) 無名氏 Anonymous 中大合唱團之友 Friends of CU Chorus Au Wai Chun Chan Pinky Choi Erik Chu Chun Wing Ho ERMINIA Lam Hoi Cheong Lau Mun yee Leung Joseph MOK TSZ KING Dr. Qingsen Wang Wong Cynthia
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Choral Conducting Masterclass with 1 2 香港中文大學合唱團主辦 Presented by The Chinese University of Hong Kong Chorus 來⾃保加利亞的合唱⼤師 A choral maestro from Bulgaria 前世界合唱聯盟副主席 現任索菲亞⼤學及保加利亞國⽴⾳樂學院 教授 經常擔任國際合唱⽐賽評審 曾任世界⻘年合唱團指揮 Former Vice-President of International Federation for Choral Music Professor in choral conducting at the Bulgarian National Academy of Music and Sofia University A regular member of juries at international choral competitions Conducted the World Youth Choir 帕羅薇琪 合唱指揮大師班 Prof.Theodora Prof.Theodora Pavlovitch Pavlovitch 3 14/7/2024 [指揮預備課，只限指揮正式⽣ Preparatory Session, active students only] (⽇ SUN) 3-6pm 薔薇樂森 Shoshana Music Forest (⽇、⼆、三及五 SUN, TUE, WED & FRI) 7:30-10pm ⻑沙灣天主教英⽂中學 Cheung Sha Wan Catholic Secondary School ＊ 26/7/2024為結業演出及綵排 Closing Performance and Dress Rehearsal 正式⽣名額 Places for Active Students: 6 $5,400 報名截⽌⽇期 Application deadline: 16/6/2024 課堂設計 Course Design ⼀節預備課堂，由本團⾳樂總監朱振威先 ⽣任教（只限正式⽣） 四節密集式課堂 每節20分鐘個別指導 全程指揮中⼤合唱團 於結業演出指揮中⼤合唱團 One preparatory session by Mr Leon Chu, Music Director of CU Chorus (active students only) Four sessions of intensive class 20-minute individual coaching in each session Conducting CU Chorus in the masterclass Performing with CU Chorus in closing performance 費⽤已包括購買正版樂譜⼀套。 A set of scores is included in the registration fee. 全⽇制學⽣七折優惠 30%-off for full-time students (佐敦 Jordan) 旁聽⽣名額 Places for Observing Students: 60 (額滿即⽌ First-come-first-served) $1,200 報名截⽌⽇期 Application deadline: 30/6/2024 課程資料及報名 Course Details and Registration www.cuchorus.org.hk/2024TP 21 23 24 26/7/2024 ＊ , ,, (共四節 4 sessions − 21, 23, 24 & 26/7) (全五節 All 5 sessions)
33 香港中文大學合唱團 CU CHORUS 中大合唱協會 2023-24 理事會 Board 2023-24, CU Chorus Association 主席 President 黃卓妮 Cherie Wong 副主席 Vice-president 黃智衡 Wong Chi Hang 成員 Members 陳泳姸 Joey Chan 朱振威 Leon Chu 林麗奈 Rena Lam 香港中文大學合唱學會 2024-25 幹事會 Committee 2024-25, Choral Society, CUHK 會長及秘書 Chairperson & Secretary 林麗奈 Lam Rena 副會長 Vice-chairperson 李曉晶 Li Hiu Ching 財政 Treasurer 梁曉儀 Liang Hiu Yee 聲部長 Part-leaders 黃天寶 Wong Tin Po 楊采兒 Yeung Tsoi Yi 李若嵐 Lee Yeuk Laam 中大合唱協會 CU Chorus Association 九龍旺角彌敦道 664 號惠豐中心 17 樓 1701 室 Room 1701, 17/F, Wai Fung Plaza, 664 Nathan Road, Mongkok, Kowloon 電郵 Email: [email protected] 傳真 Fax: (852) 3007 0344 網頁 Website: www.cuchorus.org.hk 中大合唱協會行政人員 Management Team of CU Chorus Association 行政總監 Executive Director 陳蘊明 Monica Chan 副行政總監 Deputy Executive Director 羅玉鈴 Kirstie Law 市場及發展 Marketing and Development 陳倩鈺 Katie Chan 許家榮 Ron Hsu 鄧鈺怡 Katie Tang 節目及製作 Programme and Production 楊采兒 Cherry Yeung 票務 Ticketing 黃天寶 David Wong 項目統籌 Project Coordination 潘宇珩 Beatrice Poon 龐希平 Heather Pong 音樂會製作 Concert Production 舞台監督 Stage Management 陳凱浩 Alston Chan 字幕器材 Surtitle Equipment 尚。制作有限公司 ONEvent Productions Limited 字幕控制 Surtitle Operation 何文政 Rachael Ho 攝影 Photography 李志權 Martin Lee 譚子健 Terry Tam 錄影 Video Recording KarlRecord 錄音 Audio Recording 程啟翔 Angelos Ching 工作人員 Helpers 司徒嘉欣 Viola Si Tou 李諾蘊 Chloe Lee 吳頌恩 Stephanie Ghaw 陳倩鈺 Katie Chan 陳蘊明 Monica Chan 許家榮 Ron Hsu 童駿敏 Queenie Tung 蔡菁華 Ivy Choi 譚琛元 Chloe Tam 出版 Publication 編輯 Editing 羅玉鈴 Kirstie Law 龐希平 Heather Pong 設計 Design 李鏡輝 Alpha Li
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36 香港創意音樂學院 Hong Kong iMusic Academy 威威店 Win Win Shop 香港兒童合唱團 Hong Kong Children's Choir 聲蜚合唱節 SingFest 長沙灣紅火雞煲火鍋鮮料點心專門店 Contrast 樂記煲仔飯粥麵專家 陳記潮味館 鳴謝 ACKNOWLEDGEMENT 鳴謝 Acknowledgement 機票贊助 Flight Sponsor 長榮航空 EVA Airways 現場 LED 字幕器材 LED Surtitle Equipment 尚。制作有限公司 ONEvent Productions Limited 香港中文大學段崇智校長 Prof. Rocky S. Tuan, Vice-Chancellor and President, CUHK 香港中文大學校友事務處 CUHK Alumni Affairs Office 香港中文大學傳訊及公共關係處 CUHK Communications and Public Relations Office Published by CU Chorus Association Limited Copyright © 2024 CU Chorus Association Limited No reproduction is allowed without written consent from the association 香港電台第四台 RTHK Radio 4 頭條日報 Headline Daily 吳尚倫先生 Mr Shanglun Wu 黃歷琛先生 Mr Alexander Wong 李志權博士 Dr Martin Lee 譚子健先生 Mr Terry Tam 葉嘉樂先生 Mr Karl Ip 程啟翔先生 Mr Angelos Ching 林凱昌先生 Mr Lam Hoi Cheong 李鏡輝先生 Mr Alpha Li 陳凱浩先生 Mr Alston Chan 何文政先生 Mr Rachael Ho 司徒嘉欣女士 Ms Viola Si Tou 李諾蘊女士 Ms Chloe Lee 吳頌恩女士 Ms Stephanie Ghaw 許家榮先生 Mr Ron Hsu 童駿敏女士 Ms Queenie Tung 蔡菁華女士 Ms Ivy Choi 譚琛元女士 Ms Chloe Tam 林家琦女士 Ms Kathy Lam 馬盈盈女士 Ms Tina Ma 成俊曦先生 Mr Shing Chun Hay 劉國業先生 Mr Lau Kwok Yip 林浩恩先生 Mr Dominic Lam （排名不分先後 In no particular order） 票務及宣傳 Ticketing and Promotion Art-Mate
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