TCSP OM&M Album Booklet

T H E C A M I N O S I D E












P R O J E C T
















































o f m o v e m e n t & m u s i c

T h e C a m i n o S i d e P r o j e c t i s a


m u s i c a l j o u r n a l i n s p i r e d b y e n d u r i n g


i m p r e s s i o n s , a c o n t i n u i n g j o u r n e y


a n d w o r l d t r a v e l s . . .

o f m o v e m e n t & m u s i c i s p a r t I , i g n i t e d


b y t h o s e e x p e r i e n c e s a s w e l l a s a


0 1 . R i g h t H e r e j o u r n e y t h r o u g h o u t A f r i c a ,



0 2 . V i l m a ' s S o u n d t r a c k S o u t h E a s t A s i a a n d b e y o n d .

0 3 . A T a s t e f o r C h a n g e
o f m o v e m e n t & m u s i c
0 4 . S i l e n t P i c t u r e w a s c o m p o s e d , r e c o r d e d , m i x e d a n d



0 5 . S u p e r m o o n m a s t e r e d o n t h e r o a d d u r i n g


0 6 . S u n r i s e , N o S u n s e t 2 0 1 7 & 2 0 1 8 , o v e r 4 c o n t i n e n t s , i n



0 7 . J a m i n t h e B u s L a n e 1 1 c o u n t r i e s a n d 1 4 s t u d i o s , b r i n g i n g


0 8 . T h e A u t o b i o g r a p h y o f M r . B o r e r n t o g e t h e r 1 3 m u s i c i a n s , 1 0 s o u n d
e n g i n e e r s a n d 2 p r o d u c e r s
0 9 . W h e e l s
o v e r 1 8 m o n t h s

1 0 . H i g h b e a m


1 1 . H u m a n F a c e s T h e C a m i n o S i d e P r o j e c t



1 2 . S i l e n t i s P a u l F a r r a n ' s f i r s t s o l o m u s i c

p r o j e c t . P r i o r , h e w a s g u i t a r i s t ,


s o n g w r i t e r a n d c o - f o u n d e r o f


M o n t r e a l - b a s e d a l t - r o c k b a n d , P a c e r .







A l l s o n g s a r e b y P a u l F a r r a n .












t h e c a m i n o s i d e p r o j e c t . c o m

RIGHT
The “big bang” moment. The momentE
ZimbawbeR
HE














































of realization and truth. The flash of

the inevitable next step.
































R i g h t h e r e , n o w h e r e , l e a v i n g , b r e a t h i n g


R i g h t h e r e , a n y w h e r e , l e a v i n g , b r e a t h i n g


N o w I k n o w h o w i t a l l s t a r t e d , T

b l a c k h o l e , o v e r l o a d H


E
N o w I k n o w w h y m y t h o u g h t s w e r e s o c l o u d e d
C
l e a v i n g , b r e a t h i n g A


M
N o w I h e a r t h e f e e l i n g o f c e r t a i n t y P I

N
C a l l i n g , f a l l i n g R O
O

I n t h i s m o m e n t I k n o w w h e r e w e b e l o n g J S
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R i g h t h e r e , a n d n o w h e r e C D
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E
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I V
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O
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I uae
M T L
A C the innocence and purity of doing

C E
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something for the first time
E O M
H R the beginnings of the journey
T P
the alternative perspectives A ' S



















































o p e n y o u r e y e s . . . t a k e i n t h e l i g h t S O U N


b e a m s a n d g l o w i n g l i g h t . . . g u i d e y o u r i n s i g h t s D


t h e i n t e n t i o n s w e h a d , t h e i n t e n t i o n s w e h a v e


. . . t h e s o u n d s o f n o w T






w a v e s a n d s h a p e s a n d g r a c e . . . f i l l t h e e y e R

b e a m s a n d g l o w i n g l i g h t . . . g u i d e y o u r i n s i g h t s


c o l o u r s a n d s h a d e s , e a s i n g t h e b r e a k A


. . . s h i n i n g s o b r i g h t C K

U n b o u n d b y t i m e -
How doubt, fear, certainty, courage and change all relate to one another.
W h a t w e m u s t d o n o w - F e a r l e s s t o

c o n s e q u e n c e s n o w -


C o u r a g e t o s h a p e - W h e n w e a r e f e a r l e s s -


O r f i l l e d w i t h f e a r a n d d o u b t l e s s -

U n s t o p p a b l e - W h a t m a k e s y o u s o s c a r e d -


N o d o u b t s n o n e e d f o r c o m p l i m e n t s


























A TASTE FOR CHANGE How doubt, fear, certainty, courage and change all relate to one another.




































































T H E C A M I N O S I D E Bali

P R O J E C T

SILENT PICTURESILENT 





































































































H
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C
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singapore P T
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the eerie silence of society’s advancement, when nature has gone R N

O
quiet and it is the relentless revving of engines and machines that O
J
S
directs our (un)consciousness E I
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S
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O BORNEO



T h r o w n i n t o t h e w i l d , m a r v e l i n g n o w a n d q u e s t i o n i n g , w o n d e r i n g , a n y h o w

B e i n g l e t l o o s e , n o w h e r e w i t h n o o n e a n d t r u s t i n g , p r e s s i n g o n t o t h e s t a r t

O
S u p e r m o o n w a s a l i v e , g u i d i n g u s t h r o u g h o u r s k i e s


D r a w i n g u s t o w a r d s i t s l i g h t , t i d a l w a v e s r e a l i g n


W a n d e r i n g a r o u n d , l o v i n g w h a t w e ’ v e f o u n d a n d b u r s t i n g , t r y i n g t o k e e p i t i n


G i v e n w a y b y t h e c l o u d s , w i t n e s s i n g t h e a w e a n d t h e f u r y , i t ' s j u s t s o l o u d
N
S u p e r m o o n w a s i n s i g h t , s h a k i n g u s i n o u r s k i e s


G r a v i t a t e i n o u r m i n d s , t i d a l b r e a k s t o s t a n d b y






























































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the moment that tests capacity and determination to thrive - it occurred at that perfect instant

The endless loop of the rising and setting sun and the splendor we witnessed. ET
SUNRISE, NO SUNS













Myanmar P T





















































































H
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IN
THE
BUS
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N P LAN
I
M demo-cracyE
A

C

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demo-craZy Of passing and the adoration witnessed. Of symbolism and realism. On the rise of populism.









collusion and confusion ... connecting to control

the king is the leader ... the army takes control

the will of the people ... the rulings of the few


bow down to the next one ... love and cherish him too





protect and serve the people ... with heart and soul

give in to the pressure ... talk of self-control

talk of law and order ... and of stability too


the king is amongst us ... paying the devil his due

T H E S T O R Y M R . B O R E R N A S H E T O L D I T - T H E I N S P I R I N G G L O W A N D L O V E F O R L I F E P T

R
H
I wish I had my O E

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car, taxi all C A
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day long ... T M

I
when I want. N

I’d see my kids O

and wife, S
I
surely lead a D

happier life. E



When I get


sick, I get THE

charged 3

bucks a day.

I drive my

boss’ car, 16 AUTOBIOGRAPHY OF


hours,

everyday.




To see my

kids, I have to MR. BORERN


pay 10 bucks a

day. Can’t take

no holiday,

have no time,

too little pay. c





I eat 1 meal a a

day, at the

local café ... m

1 dollar a day


at the local b

cafe.




None of it can o

bring me d

down, always i


smile, never

frown. a

WHEELS













Riding a bike, its how we began, it


was the moment we knew it should

never end...Wobbling across, an old

bridge made of steel, with freedom


from loss, we kept turning our

wheels...Binding the old, and creating


the new, spent our days with an old,

friend that took us through...Coming

along, a new place to roam, for the


kids it was, just a place to call

home...She’s my partner in crime,


she’s my reason I’m me, all the light

that’s shined, all the journeys to be

...end.







































E
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E O L a o s
H R
T P

HIGHBEAM
E T
D C

I E
S J
O
O R

N P TẮT HẾT LUÔN VÀ NGAY! TẮT LUÔN VÀ NGAY!
I SỨC CHỊU ĐỰNG CÓ HẠN! TẮT HAY LÀM CÀN?
M

A
C

E
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T















































His eyes start to hurt, his vision is blurred,


he’s enraged by the vain and reckless highbeams.

Causing a crash, damaging a life,

damaging the order without a care for disorder.


These drivers care, only for bright lights,

blinding all, oblivious to the danger.

Who’s next to perish, blinded by the beams, V

i
to be in the news, to be prayed for at giỗ? e

Why burn that incense? Just turn of your highbeam, t


allow us all to see, to be home safe and sound. N

Should he confront them? a

Should he control the anger? m

HUMAN FACES




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I S E E P T
















E V E R Y W H E R E I L O O K




















egypt


Here earth water wind equals fire. It was the ancients who cursed and


expired. Earth water wind fire…Never any clouds hang overhead. It is

the dark that shields from the unsaid. The masses moving


everywhere…The human faces were admired. It was the thirst that

choked and required. The human faces now expired...Here earth

water wind equals fire. It was the ancients who cursed and conspired.


Earth water wind backfire…Evolution, devolution, revolution.

Mate, create, innovate, deteriorate, stagnate...at wit’s end.


Bashouf weshoush bashareya fé kol hétta.




o n t h e c o m p l e x i t i e s o f h i s t o r y , o f o l d a n d n e w , o f n e e d i n g

A l l s o n g s b y P a u l F a r r a n P T

M a s t e r e d b y P h i l G r e i s s R H
M i x e d b y M o k h t a r E l S a y e h , e x c e p t f o r O E

J
T r a c k 2 - M i x e d b y S a m I n t h a r a p h i t a k E C
T r a c k 7 - M i x e d b y A m r H e f n y C A

T
M
o f m o v e m e n t & m u s i c p r o d u c e d a t : I
N
- V o o d o o S o n i q L o s A n g e l e s w i t h P h i l G r e i s s O

- I n s t e p S t u d i o C a i r o w i t h M o k h t a r E l S a y e h S
- G a n o u b S t u d i o C a i r o w i t h A m r H e f n y I

- I n t h a r a S t u d i o L a o s w i t h S a m I n t h a r a p h i t a k E
D
- L e g e n d S t u d i o T h a i l a n d w i t h G a r y C r a u s e

- T h i r d E y e S t u d i o M o n t r e a l w i t h D a n L e g a u l t
- P r e c i s i o n S o u n d L a b M o n t r e a l w i t h C y p r e s s H e r n a n d e z

- O t h e r s t u d i o s i n M o n t r e a l

- S A R A S t u d i o H o C h i M i n h C i t y w i t h R o b e r t V a r o
- M C I L L S t u d i o / / K a t a n a S t u d i o / / G u i t a r P l u s S t u d i o H a n o i




0 1 . R i g h t H e r e : V o c a l s a n d L y r i c s b y S u s a n n e K o z a k a n d P a u l F a r r a n ( S A R A S t u d i o / G u i t a r P l u s S t u d i o ) . D r u m s b y

P a u l F a r r a n ( G a n o u b S t u d i o ) . G u i t a r s b y P a u l F a r r a n ( I n t h a r a S t u d i o ) . A d d i t i o n a l G u i t a r s b y P a u l F a r r a n , B a s s b y
M o k h t a r E l S a y e h ( I n s t e p S t u d i o ) .

0 2 . V i l m a ’ s S o u n d t r a c k : V o c a l s a n d L y r i c s b y S u s a n n e K o z a k a n d P a u l F a r r a n ( S A R A S t u d i o ) . D r u m s b y G o p a l

D e v a n a t h a n ( P r e c i s i o n S o u n d L a b ) . G u i t a r s , B a s s a n d M a n d o l i n b y P a u l F a r r a n ( I n t h a r a S t u d i o ) .

0 3 . A T a s t e f o r C h a n g e : V o c a l s a n d L y r i c s b y P a u l F a r r a n ( G a n o u b S t u d i o ) . L e a d a n d r h y t h m G u i t a r s a n d a d d i t i o n a l
B a s s b y P a u l F a r r a n ( L e g e n d S t u d i o / I n t h a r a S t u d i o ) . M e l o d i c G u i t a r s b y C e a s a r C o y n e , B a s s b y N i c h o l a s P i r o m a l l i

( M o n t r e a l ) . D r u m s b y G o p a l D e v a n a t h a n ( P r e c i s i o n S o u n d L a b ) .

0 4 . S i l e n t P i c t u r e : G u i t a r s a n d D r u m s b y P a u l F a r r a n , B a s s b y M o k h t a r E l S a y e h ( I n s t e p S t u d i o ) . A d d i t i o n a l G u i t a r s
b y P a u l F a r r a n ( K a t a n a S t u d i o ) .

0 5 . S u p e r m o o n : L y r i c s b y P a u l F a r r a n . V o c a l s b y S u s a n n e K o z a k , D r u m s b y G o p a l D e v a n a t h a n ( T h i r d E y e S t u d i o ) .

B a s s b y N i c h o l a s P i r o m a l l i ( M o n t r e a l ) . G u i t a r s & B a c k i n g V o c a l s b y P a u l F a r r a n ( G a n o u b S t u d i o ) .
0 6 . S u n r i s e , N o S u n s e t : G u i t a r s a n d B a s s b y P a u l F a r r a n , D r u m s b y M i k e M i t c h e l ( L e g e n d M u s i c S t u d i o ) .

0 7 . J a m i n t h e B u s L a n e : L e a d a n d m e l o d i c G u i t a r s b y D o m i n i c C i f a r e l l i ( M o n t r e a l ) . L y r i c s b y P a u l F a r r a n . V o c a l s b y

S u s a n n e K o z a k a n d P a u l F a r r a n ( S A R A S t u d i o ) . B a c k i n g v o c a l s b y P a u l F a r r a n ( G a n o u b S t u d i o ) . D r u m s b y G o p a l

D e v a n a t h a n ( T h i r d E y e S t u d i o ) . B a s s b y N i c h o l a s P i r o m a l l i ( M o n t r e a l ) . R h y t h m g u i t a r s b y P a u l F a r r a n ( I n t h a r a
S t u d i o ) .

0 8 . T h e A u t o b i o g r a p h y o f M r . B o r e r n : H a r m o n i c a b y E r i c F a r r a n - T h e R a m b l e r s ( T h i r d E y e S t u d i o ) . G u i t a r s , B e a t s ,

L y r i c s a n d V o c a l s b y P a u l F a r r a n ( L e g e n d M u s i c S t u d i o ) .

0 9 . W h e e l s : L y r i c s , V o c a l s , G u i t a r s a n d D r u m s b y P a u l F a r r a n , B a s s b y M o k h t a r E l s a y e h ( I n s t e p S t u d i o ) .
1 0 . H i g h b e a m : L y r i c s a n d V o c a l s b y R a d i c a l ( M C I L L S t u d i o ) . G u i t a r s b y P a u l F a r r a n ( G a n o u b S t u d i o ) . D r u m s b y C

G o p a l D e v a n a t h a n ( T h i r d E y e S t u d i o ) . B a s s b y N i c h o l a s P i r o m a l l i ( M o n t r e a l ) . O

1 1 . H u m a n F a c e s : L y r i c s a n d V o c a l s b y P a u l F a r r a n , N a y f l u t e b y M o s t a f a S a m y , T a b l a b y L o a y G a m a l , B a s s b y Y
P
M o k h t a r E l s a y e h ( I n s t e p S t u d i o ) . G u i t a r s b y P a u l F a r r a n , O u d b y H u s s e i n G a m a l A b d E l M o n e m ( G a n o u b S t u d i o ) . R
I
D r u m s b y G o p a l D e v a n a t h a n ( T h i r d E y e S t u d i o ) . G

1 2 . S i l e n t : G u i t a r s b y P a u l F a r r a n ( I n s t e p S t u d i o / K a t a n a S t u d i o ) . T
H


A r t w o r k b y P a u l F a r r a n . P h o t o s b y P a u l F a r r a n , e x c e p t f o r Z i m b a b w e , 2
0
b y A l e x a n d r e T a s c h e r e a u a n d P a u l F a r r a n b y A n a s t a s i i a C h i r n y k h . 8
1

T o m y w i f e S u s a n n e , a n d m y 2

c h i l d r e n E l l i o t a n d J a m e s , w h o

i n s p i r e d t h e r e a l i z a t i o n o f t h i s

p r o j e c t . T h e y a r e i n a n d b e t w e e n


t h e l i n e s a n d t h e n o t e s o f a l l

t h e s e s o n g s .















































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