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THEORY OF MUSIC

GRADE 1
( Primary )
Based on new syllabus of the
Associated Board of Royal School of Music,

London

For R.E. Seminar

TOPICS

Chapter 1: Time Values of Notes
Chapter 2: Bar-Lines & Time Signatures
Chapter 3: The Stave & Notes
Chapter 4: Treble Clef & Bass Clef
Chapter 5: Rests
Chapter 6: Dots after Notes
Chapter 7: Sharps, Flats & Naturals
Chapter 8: C,G,D & F Major & Key Signature
Chapter 9: Interval
Chapter10: The Tonic Triad

Chapter 1:
The Values of Notes

Chapter 1:
The Values of Notes

Note & Name

Semibreve (Whole note) Quaver (Eight note)

Minim (Half note) Semiquaver (Sixteenth note)

Crotchet (Quarter note)

Chapter 1
The Values of Notes

Semibreve
Minim
Crotchet
Quaver
Semiquaver

Chapter 2:
Bar-Lines & Time Signatures

Chapter 2:
Bar-Lines & Time Signatures

Bar-line Double bar-line

Bar Bar Bar Bar

Chapter 2:
Bar-Lines & Time Signatures

The numbers you see at the beginning of a piece is call
TIME SIGNATURE:

Chapter 2:
Bar-Lines & Time signature

= 2 crotchets in a bar Common Time
= 3 crotchets in a bar

* Another way of writing this Time signature:
OR

Chapter 3:
The Stave & Notes

Chapter 3:
The Stave & Notes

5
44
33
22
11

The stave has five lines which we count from the bottom and four spaces

Remember: 5 lines and 4 spaces

Chapter 3:
The Stave & Notes

An extra line drawn above or below the stave is called a
LEDGER LINE

Notes on ledger lines

Note above ledger line

Note below ledger line

Chapter 3:
The Stave & Notes

All notes except the semibreve has stem which goes up on the right hand side
And down on the left hand side

On the middle line stems can go either up or down

The stems of notes below the middle line go up, the stems of notes above
The middle line go down

Chapter 3:
The Stave & Notes

Right hand side

Left hand side

Chapter 4:
Treble Clef & Bass Clef

Chapter 4:
Treble Clef

E F
C D
A B
F G
E
MIDDLE C

Chapter 4: MIDDLE C
Bass Clef
A
G F
E
C D
A
B
G

Chapter 5:
Rest

Chapter 5:
Five Kinds of REST

SEMIBREVE REST
(whole rest)

Also called A BAR REST as it is used to show that there
are no notes in a bar.

Chapter 5:
Five Kinds of REST

MINIM REST
( half rest )

Chapter 5:
Five Kinds of REST

CROTCHET REST
( quarter rest )

Chapter 5:
Five Kinds of REST

QUAVER REST
(eight rest)

Chapter 5:
Five Kinds of REST

SEMIQUAVER REST
( sixteenh rest )

Chapter 6:
Dots after Notes

Chapter 6: Dots after Notes

„ A dot after a note
makes it half as
much longer

„ Ex. .

Chapter 7:
Sharps, Flats and Naturals

Chapter 7: Sharps = Sharps

C#
C

Placed in front of a note

Chapter 7: Flats = Flat

D Placed in front of a note

D

Chapter 7: Natural = Natural

Chapter: 8
C, G, D and F Major Scales

and Key Siganature

Chapter 8:

C D EF G ABC

TTS TTTS

•In a major scales there are Seven Degrees (note) made up
of tones and semitones
•All major scales are made up of the same patterns of tones
and semitones

Chapter 8:

Chapter 8

F#

Chapter 8:

Bb

Chapter 9:
Interval

Chapter 9: Interval

The space between two notes (or 2 degrees) in a scale is
Call an INTERVAL

M 2nd M 3rd P 4th P 5th M 6th M 7th Octave

Chapter 10:
The Tonic triad

Chapter 10: The Triad Tonic

“Tonic” is another name for key note or the 1st
note of a scale

“A triad” is a chord made up of 3 notes ( a group of
notes )

Ex. Fifth
Third
Tonic

TONIC TRIAD OF C

Chapter 10: The Triad Tonic

Name the key in which the following are tonic triads
a. b.

G note D note
TONIC TRIAD OF G MAJOR TONIC TRIAD OF D MAJOR