Klinic Slab 2016 book order

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"4 weights
Matching Italics
2 sets of figures
small &caaltpss"

Ligatures

"Awarm & versatile slab serif

with distinctive details,

a comprehensive character set

& many OpenType features.

for both text and display"

Designed by Joe Prince,

Klinic Slab is heavily influenced by
modern geometry and simple forms.

Klinic Slab

"In 4 weights (and italics), the 8
font Klinic Slab family is one of
our most comprehensive releases
to date. A contemporary, versatile
Slab Serif, Klinic is a workhorse
that marries personality and
functionality."

—The Lost Type Co-Op

Anat

SERIF BAR BOWL

CAP HEIGHT

HeXHEIGHT

BASELINE

tomy

elloASCENDER HEIGHT STEM COUNTER

Aa Bb Cc Dd Ee Ff Gg Hh Ii 300 Light
Jj Kk Ll Mm Nn Oo Pp Qq
Rr Ss Tt Uu Vv Ww Xx Yy Zz 36 Light

24/28 Light

Aa Bb Cc Dd Ee Ff Gg Hh Ii
Jj Kk Ll Mm Nn Oo Pp Qq
Rr Ss Tt Uu Vv Ww Xx Yy Zz

Ll 24/28LightandItalic

Klinic Slab Light

The 115 Light
48 Light
quick fox 33 Light
28 Light
jumps nightly

above a wizard.

0123456789
!#%&&@?*#
([{)]}/†\
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$ ¢ £ ¥ € ", ."
˜=+'°-¤¶№

30/36 Light

Aa Bb Cc Dd Ee Ff Gg Hh Ii 300 Book
Jj Kk Ll Mm Nn Oo Pp Qq
Rr Ss Tt Uu Vv Ww Xx Yy Zz 36 Book

24/28Book

Aa Bb Cc Dd Ee Ff Gg Hh Ii
Jj Kk Ll Mm Nn Oo Pp Qq
Rr Ss Tt Uu Vv Ww Xx Yy Zz

Aa24/28BookandItalic

Klinic Slab Book

Big 115 Book
dwarves
52 Book
heckle my 42 Book
28 Book
top quiz of jinx.

0123456789
!#%&&@?*#
([{)]}/†\
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30/36 Book

Aa Bb Cc Dd Ee Ff Gg Hh Ii 300 Medium
Jj Kk Ll Mm Nn Oo Pp Qq
Rr Ss Tt Uu Vv Ww Xx Yy Zz 36 Medium

24/28 Medium

Aa Bb Cc Dd Ee Ff Gg Hh Ii
Jj Kk Ll Mm Nn Oo Pp Qq
Rr Ss Tt Uu Vv Ww Xx Yy Zz

Ff24/28MediumandItalic

Klinic Slab Medium

Who

packed 90Medium
60 Medium

five dozen old
30 Medium

quart jugs in my box?

18 Medium

0123456789
!#%&&@?*#
([{)]}/†\
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$ ¢ £ ¥ € ", ."
˜=+'°-¤¶№

30/36 Medium

Aa Bb Cc Dd Ee Ff Gg Hh Ii 300 Bold
Jj Kk Ll Mm Nn Oo Pp Qq
Rr Ss Tt Uu Vv Ww Xx Yy Zz 36 Bold

24/28 Bold

Aa Bb Cc Dd Ee Ff Gg Hh Ii
Jj Kk Ll Mm Nn Oo Pp Qq
Rr Ss Tt Uu Vv Ww Xx Yy Zz

Bb24/28BoldandItalic

Klinic Slab Bold

The 110 Bold
28 Bold
wizard quickly 22 Bold
18 Bold
jinxed the gnomes

before they vaporized.

0123456789
!#%&&@?*#
([{)]}/†\
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$ ¢ £ ¥ € ", ."
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30/36 Bold

fb ff fh fi fj fk fl ft ffb ffh ff iff j ff k ff l ff t t t
fb ff fh fi fj fk fl ft ffb ffh ff iff j ff k ff l ff t t t

18/24 Light and Italic

fb ff fh fi fj fk fl ft ffb ffh ff iff j ff k ff l ff t t t
fb ff fh fi fj fk fl ft ffb ffh ff iff j ff k ff l ff t t t

18/24 Book and Italic

fb ff fh fi fj fk fl ft ffb ffh ff if j f k f l f t t t
fb ff fh fi fj fk fl ft ffb ffh ff iff j ff k ff l ff t t t

18/24 Medium and Italic

fb ff fh fi fj fk fl ft ffb ffh ff if j f k f l f t t t
fb ff fh fi fj fk fl ft ffb ffh ff if j f k f l f t t t

18/24 Bold and Italic

TThh cctt sstt
53pt Bold and Italic Discretionary Ligatures

Th ct st Th ct st
24pt Medium 24pt Medium Italic

Th ct st Th ct st

24pt Book 24pt Book Italic

Th ct st Th ct st

24pt Light 24pt Light Italic

ÀÁÂÃÄÅĀĂĄÆǼÇĆĈĊ
ČĎĐĒĔĖĘĚÈÉÊËĜĞĠ
ĢĤĦÌÍÎÏĨĪĬĮİĴĶĹĻĽĿŁ
ÑŃŅŇŊÒÓÔÕÖØǾŌŎ
ŐŒŔŖŘŚŜŞŠȘŢŤŦÙÚÛ
ÜŨŪŬŮŰŲŴÝŶŸŹŻŽÞ

Łąñģüåġĕş

ààááââããääååąąæǽ
çćĉċðďđèéêëēĕėęěĝ
ĝğğġġģģĥħìíîïĩīĭįıĵķ
ĺļľŀłñńņňʼnŋòóôõöøō
ŏőǿœþŕŗřśŝşšșţťŧùú
ûüũūŭůűųŵý ÿŷźżžß

Slab

Slab serif, previously called “square serif” then “Egyptian” after
that, is one of the most popular genres of seriffed letterforms in
use during the past 200 years. It first emerged in 1817 in England,
a time when William Caslon IV was minimizing serifs while other
typefounders were increasing their weights instead. The first
copies of Vincent Figgins’ “Antique” specimen were developed in
1815 and 1817, the first specimens of slab serif type. Meanwhile
in the early 19th century, there was a rising interest in Egyptian
artifacts in Europe and North America. Figgins’ “Antique,” as
consequence, inspired other typefounders to produce slab serifs
based off of Figgins’ work, leading the genre to eventually adopt the
term “Egyptian.” It is possible that the new title was due to the bold
serifs’ similarity to the base and capital to the Egyptian columns
in conjunction with the reputation of the Egyptian artifacts. Slab
serifs began to become common in use during the 19th century
with the production of Clarendon. This typeface was made in 1845
by R. Besley & Co, The Fan Street Foundry. Its bold characteristics
served as a general purpose headline and display typeface, which
in turn helped it gain popularity for use in advertising.
Slab serifs are classified under serifs, and typically have thick,
“block-like” serifs, usually unbracketed, and are often thicker than
the strokes in the typeface. Because of these features, slab serif
fonts are not usually used for prolonged reading purposes. Slab
serif fonts can have slight variations, such as the shape of the
serif terminal (angular, blunt, or rounded) or the serif thickness
compared to the stems of the characters. Despite their differences,

Serif
160pt Bold with Small Caps

all slab serifs are bold and eye-catching, which would explain their
prevalence in advertising work.
However, the differences between the typefaces created sub-
categories within slab serif as four models: Clarendon, Neo-
grotesque, Italienne, and Typewriter—all based off of the Modern
style typeface. Clarendon is built off of the original typeface of the
same name from 1845. Clarendon typefaces are unique because
they are the most contradictory of the slab serif genre due to
having both bracketing and comparable contrast in size of the
serif. The Neo-grotesque model is the most common slab serif
typeface, following the rules of lacking bracketing and having
equal-weighted stems and serifs. Italienne model slab serifs have
a more dramatic effect with heavier serifs than stems, giving some
slab serifs a kind of Western appearance. Typewriter model slab
serifs are based on the fixed-width mechanics of the typewriter.
Because of how the typewriter functions, each character takes up
the same amount of space horizontally. Overall, people disregard
these differences since most changes in stroke weight go unnoticed.
“To many readers, slab serif type styles look like sans serif designs
with the simple addition of heavy (stroke weight) serifs.”
Slab serif typefaces give a bold impression of industrialization,
authority, and geometric-like in structure. With the right font and
tactical usage, slab serif can be one of the most versatile typefaces
one can use, escaping its borders as an advertisement-only
stereotype.

12/14 Book