Title: Enterance To The Heaven - Hampi
Size: 36" x 44"
Medium: Giclee Print On Hahnemuhle Fine Art Paper
Year: 2016
Title: Surya Baba , Prayag , Kumbh
Size: 36" x 40"
Medium: Giclee Print On Hahnemuhle Fine Art Paper
Year: 2019
Title: Naga Baba, A er A Holy Dip - Ujjain , Kumbh
Size: 38" x 26"
Medium: Giclee Print On Hahnemuhle Fine Art Paper
Year: 2016
Meghna Agarwal
Perturbed by urbanization and its toll to the fauna of the country,
Meghna works actively on the theme of globalization that how in
the name of the development, our today’s society is cutting down
trees for creating urban spaces for their own needs and thus
leading to the displacement and later extinction of animals.
The negative impact on environment also include substantial
increases in air, water and soil pollution, decreases in biodiversity,
includes a massive loss of crop and livestock varieties, depletion
of ocean sheries and signicant increase in invasions of exotic
species including animal pathogens.
She intends to show the loss of habitat, which is caused due to
human activities. If we change and think about animals then
probably, we might save a few in future before making them
extinct.
Title: Terror
Medium: Acrylic on canvas
Size in ft: 2ft X 2ft
Year: 2019 December
Title: Zebra Crossing
Medium: Acrylic on paper
Size in ft: 1.5ft by 1ft (excluding the frame)
Year: 2019
Title: Globalization 2
Medium: Acrylic, pen and ink on paper
Size in inches: 31” X 43” (excluding the frame)
Year: 2014 December
Title: Globalization 32
Medium: Acrylic on canvas
Size in ft: 5ft by 3ft
Year: 2018 December
Priti Samyukta
Priti’s works emerge as chronicles of her life, family and neighboring
world echoing intransigent social norms and the multifaceted roles of
women. She consciously renders her mufed spaces with ora and fauna
as she believes that women are always strongly associated with design
and decoration. Hence the self portraits show dissimilar attires with
fashionable hair dresses and with meticulously painted oral designs all
over the canvas. In an unfussy engagement with her work, one can see
a kind of disinterestedness in exercising proigacy of imagery other
than the crawly creepy oral motifs as apparent in her small scale work
mostly done in ink using masses of lines and cross hatchings. By doing
so, Priti gives an utmost attention to the expressions of the portraits
which evoke a sort of narcissism occupying the entire surface. The self
depictions redene femininity bringing everything into the space with
inquisitiveness. Her ‘persistence of memory’ is deciphered deliberately
within the contours of the image and the imagery that is derived from
her house-hold things such as old pillow covers. Her nostalgic opus
inspired from oriental zest against a multi-layered back ground, sings
the lullaby of the past and the celebration of present as she afrms,
‘journey is more important than the destination’. Her etched plates
and lithographs hold tremendous craftsmanship, where by each
quarter of the space is worked out systematically in order to articulate
the signicant entity of each form and to delve into deeper meanings.
Title: My Self - I
Medium: pen on paper
Size: 11” x 14”
Year: 2020
Title: My Self - II
Medium: pen on paper
Size: 11” x 14”
Year: 2020
Ramakrishna G
Ramakrishna attempts to traverse upon a journey of discovering
the relation between human and nature led me to a series of
sculptures like - balance, urbanization, construction, circus, play,
y, spring play, etc.In every series of his, he has juxtaposed the
elements of nature with human developing a beautiful bond.
it is a divine connection that renders each other balancing the
importance of one another. The nature itself is a divine power
which enhances his strength. He combines nature with human
as the free standing sculpture wearing a dress made of leaf, show
the beauty of being together.
Side A Side B Side C
Title: Bloom - 1
Sizes: 14 X 8 X 8 inches
Medium: Bronze
Year: 2019
Side A Side B Side C
Title: PLAY - 31
Size: 13" x 7" x 8"
Medium: Bronze
Year: 2019
Rohini Reddy
Rohini has carved a niche for herself as a sculptress par excellence.
As one of the few female sculptors of Hyderabad, Rohini is well known
for her bronze gurines. They have won her critical acclaim which
represent ‘womanhood’ and feminine in power. The sculptures express
mute conversations, displaying their strength as all encompassing nature,
bestowed with powers of birth, growth and nurture. In their meek yet
dignied postures, these bronze gurines occupy thrones; sit under tree
branches or beside their male counterparts. However the male characters
appear to be submissive, while the female protagonists enjoy their own
space and individuality. The female body itself becomes a spiritual
ground for her as she takes inspiration from temple sculptures and
architecture while making use of metaphors like seeds, creepers,
doorways etc to talk about the inner realm within the body, i. e the soul.
Her recent pen drawings display her skill and hard work done on large
scale. The arduous rendering of the pen generates subliminal quality by
bringing forth her theme and her entity together as one. Unlike the
earlier sculptures where the female stands on her own, here the male and
female gures share a space complimenting each other in a space lled
with wondrous ora and fauna.
Title: Un tled - I
Medium: PAINTED FIBRE GLASS
Size: 33"x23"x20"
Year: 2020
Title: Un tled - II
Medium: PAINTED FIBRE GLASS
Size: 33"x18"x19"
Year: 2020
Sachin Jaltare
Sachin Jaltare, who has constantly challenged the norms of
abstract and gurative by seamlessly combining the elements of
form and formlessness. Sachin's journey hasn't been an easy one.
The artist had to take up a job as an illustrator before pursuing
his lifelong dream of painting.
The uidity of his compositions weave vibrant characters with
fragments of haunting silhouettes. Sachin's mystical world is
comprised of the contemporary and traditional Indian brought
together in his unique style. Deeply spiritual, his paintings are a
foray into the unknown and the mesmerizing inner world that is
beyond human imagination.
Title: Un tled - I
Medium: Mixed media on canvas
Size: 24 x 24 inches
Title: Un tled - II
Medium: Mixed media on canvas
Size: 36 x 60 inches
Sachin Sagare
Born in the holy town of Pandharpur, Sachin Sagare's art is a
peek into his world. Inspired by the role of women in our society,
Sachin brings the myriad expressions, and sometimes the
unexpressed voice through his artwork, which is real, simple
and at times ercely honest. His art is dedicated to those women
who have silently dedicated lives for their families. Reds, golden,
yellows, oranges and dark blues help him recreate reality.
Title: Un tled - I
Size: 15x15 inches
Medium: Acrylic on canvas
Title: Un tled - II
Size: 15x15 inches
Medium: Acrylic on canvas
Title: Un tled - III Title: Un tled
Size: 15x15 inches Size: 24x24 in
Medium: Acrylic on canvas Medium: Acr
d - IV Title: Un tled - V
nches Size: 36x36 inches
rylic on canvas Medium: vAcrylic on canvas
Sanjay Ashtaputre
Born On 1st May 1957 in Maharashtra , Sanjay Ashtaputre was
awarded G.D in Art from Govt. School of Art Aurangabad in 1978,
and J.J.School of art , mumbai. Sanjay Worked as freelance
Illustrator and designer for many ad agencies and started his own
ad-designing studio. He has illustrated more than 60 comic books
for children which he has published from New Delhi till 1994 then
became fulltime Painter. Articles on his works , life and journey
are published in the prominent news papers like Times of India,
Maharashtra times, The Hindu,Loksatta,Deccan Chronicle,Indian
Express, The Hans India, Metro India, Hindi Milap, Enadu,Varta.
and etc.
Sanjay Ashtaputre’s is a long journey with every medium of art
contributing to his evolution as an artist.
Title: Un tled
Size: 21 x 30 inches
Medium: Charcoal on paper
Title: Un tled
Size: 21 x 30 inches
Medium: Acrylic on paper
Title: Un tled
Size: 21 x 30 inches
Medium: Acrylic on paper
Title: Un tled
Size: 32 x 38 inches
Medium: Acrylic on paper
Sanjay Das
India’s rich cultural diversity and its many unique customs and
traditions have been a major source of inspiration for the
photographer. It has always been his endeavor to bring forth the
untold stories that this country has to offer and showcasing them
to the world at large. The objective is to create imagery that tells
a story – in color, in texture, in light and in shadow and form a
unique blend, which is spiritually as well as mentally rewarding.
Sanjay’s works are a merger of theoretical and conceptual
assertions with experiences, interests or fascination which nally
forms the image and its meaning. Advertising professional turned
Fine Art Photographer; Sanjay completed his qualication from
College of Art, New Delhi. Photography developed as a passion
in his early college days and ever since his involvement with
photography has spanned more than two decades. Sanjay have
been a part of many national and international shows. Born on
4th July, 1969 in New Delhi, the photographer lives and works
from New Delhi, India.
Title: Teraco a Panel - I
Size: 50 x 59 inches
Medium: Archival print on Paper (Edi on Prints)
Title: Door - I
Size: 22 x 33 inches
Medium: Archival print on canvas (Edi on Prints)
Title: Krishna Leela
Size: 40 x 40 inches
Medium: Archival p
(Edi on Prints)
Title: Cosmic Rhythm - I
Size: 40 x 50 inches
Medium: Archival print on Canvas
(Edi on Prints)
s Title: Resonance - II
print on Canvas Size: 22 x 33 inches
Medium: Archival print on canvas
(Edi on Prints)
Shampa Sircar Das
Shampa Sircar's works addressess that oneness in the essence of all; the
unity of existence. Unity is the song of life; it is the grand theme
underlying the rich variations that exist throughout the cosmos.
Whatever we see, whatever we experience, is only a manifestation of
this eternal oneness. The inner voice embraces and enlivens all aspects
of reality. This energy takes a wide variety of forms, including nature,
creation, life force, movement, mind, and strength, as well as the power
to dominate or destroy. Time is cyclical, and in the world of change and
becoming; the relative world, everything is transient and nothing endures.
There is birth and death, growth and decay; there is combination and
separation, full of changes and transformations. The canvas becomes a
large area of space, a void, where forms are constantly resonating,
emerging out, expanding and then dissolving into it. Transience and a
sense of movement in these paintings touch the viewer with the play
between form and emptiness. Replete with cosmic energies and
symbolisms oating all over her canvas, her works is a study in the power
of the spirit within the domain of human and earthly ancestry.
Shampa uses a synthesis of philosophy, aesthetics and technique to create
her own language on the canvas. Symbols fascinate her, as they have a
language of their own and encompass the power of silence within them.
The forms and elements are an integral part of the space where sometimes
they cross the threshold; the boundaries dissolve and become part of the matrix.
Title: Un tled
Size: 36 x 36 inches
Medium: Acrylic on canvas
Title: Prakri III
Size: 36 x 36 inches
Medium: Acrylic on canvas
Shankar Parmarthy
Shankar Pamarthy, born in Nalgonda in 1963, never studied academic art
but admired ne arts right from his childhood and began doodling at the
age of ten years. Soon after his graduation, he started working as a
drawing teacher and later on, he moved to the capital city of Hyderabad
at the age of 28 in order to shape his career as a journalist/political
cartoonist.
A ne quality of colour pencil rendering is dexterously done by fragmenting
and mutilating but with accurate characteristic features, as the physiognomies
evidently show a faultless visualization of the gifted artist. He does not believe
in any sort of stereotypical exaggeration instead captures the soul of the character
with a distinct style that he developed over the years. Be it Mother Teresa,
M.S Subbu Lakshmi or Charlie Chaplin the naturalistic features are duly captured
and the mannerism is attained. The forms transgress the idea of provocation,
satire and criticism as they are pretty, adorable and thoughtful depictions of reality.
These remarkable renderings on paper reveal Shankar’s unfathomable artistic insights,
his natural skill of capturing the essence and his philosophical interpretation of the
sub consciousness while re-presenting the spoong.
Title: Charlie Chaplin
Size: 18x13 inches
Medium: Coloured pencil on acid free paper
Title: Charlie Chaplin with Rose
Medium: Coloured pencil on acid free paper
Size: 11x15 inches
Title: The Beatles
Size: 15x20 inches
Medium: Coloured pencil on acid free paper
Shifali Mehra
Born into a business family, Shifali identied her love for art
fairly young. Today an experienced artist and entrepreneur for
nearly two decades, she credits her education to be instrumental
in her journey - as she holds a Bachelor and Master’s degree from
College of Art, Delhi and a second Master’s degree from the
prestigious Central Saint Martins – University of Arts London.
Shifali has presented her work at several group and solo art
shows and has an impressive clientele in India and abroad,
who savour the visual experience she offers through her artworks.
In the words of Shifali herself, “Art is my internal dialogue,
and my works are guided by my inner impulse, a longing for
certain forms, colours and materials, and it is not until they are
on canvas that they tell me what they want.”
Title: BLiss
Size: 48 x 12 inches (Each Panel)
Medium: Oil on canvas
Year: 2012
Title: Can't wait to get to Heaven
Size: 48 x 72 inches
Medium: Oil on canvas
Year: 2012
Siddharth Shingade
Siddharth’s ouvre has always included the Shakyamuni Buddha,
and Shiv-Parvati, and with these iconic gures he becomes more
than a visual artist. He turns storyteller. It seems as if he
personally witnessed the spectacle of Lord Krishna lifting the
hill to save the farmers and their cattle from the wrath of Indra.
The meticulous detail will leave you breathless . He embellishes
his paintings with details hitherto unseen on his earlier work.
Conveying many parallels such as oppression, the oppressed,
the deance, and karma, a wonderful tale is woven creatively
and awlessly by Siddharth through the medium of his paintings.
Title: Goldfish
Size: 32x38 inches
Medium: Acrylic on canvas prise
Title: Door
Size: 36”x48”
Medium: Acrylic on canvas
Year: 2020
Title: Shiv Parva - I Title: Shiv Parv
Size: 15”x15” Size: 4x4
Medium: Acrylic on canvas Medium: Acryl
Year: 2019 rice paper on c
Year: 2020
va - II Title: Yellow door
Size: 15 x 15 inches
lic gold foil and Medium: Acrylic on canvas
canvas Year: 2020
Sreekanth Kuruva
One of the leading contemporary Indian artists Sreekanth Kurva
spent the rst 38 years of his life in Begum Bazaar in Hyderabad,
and there his lifelong fascination with animals began. He would
keenly observe as tribals from Rajasthan brought goats, buffalos
and roosters to the bazaar. Through his original paintings of the
animal world, he engages with human traits such as passion,
anger, vanity and submissiveness as well as virtues of patience,
benevolence vigilance and pragmatism.
Art by Sreekanth Kurva is heavily inuenced by his studies in
printmaking, a medium that gave him the opportunity to
experiment with various materials and techniques. Since line is
the most important element in the printmaking process, he
prioritizes its role in dening the contours of his animal subjects.
He rst experimented by lling in their forms with glossy
swatches and patterns from fashion magazines, and later he
began using textile pieces and ethnic prints in silk, brocade and
zari. Today, his highly textured paintings incorporate acrylic
brushstrokes and fabric collages on canvas.
Title: Un tled - II
Size: 15/15 inches
Medium: Acrylic on fiberglass;
Drawing with waterproof pen
Title: Un tled - I
Size: 15/15 inches
Medium: Acrylic on fiberglass;
Drawing with waterproof pen
Title: Un tled
Size: 15x22 inches
Medium: Mixed media on canvas board
Srinivas Reddy
Srinivas' oval shaped faces and heads in bre-glass are portrayal of human
intellectual and spiritual powers. Using the metaphor of Buddha in Dhyana
Mudra or in an introspective mode, his heads seem to search within as they
appear calm in their peaceful posturing. The inlayed impressions and
markings suggesting a paradoxical stance highlighting an interface between
nature and man, between classical motifs and urban popular symbols and
between human desires and fears as a psychic play of the transition from
rural to the urban. His base colours are solid and often offer a contrast to
the central gure and inlayed drawing in a meditative or trance-like stance
and to quote the artist, everything "emerges from here in a spiral form".
Experimenting in various mediums, wood, stone, bronze, terracotta, bre
glass, drawing and painting, the artist creates captivating art that adorns
a universal look. His earlier work primarily in bronze were im human form
and life size with an earthly look that seemed inspired by mythology and
classical forms including the Ajantha frescos engulfed in nature and full of
mythical creatures. His drawings, using graphite pencils are noteworthy
for their intricate detailing of the human anatomy, a nesse of perception
and their tonal and textural variations. The rendering in water colours
impressionistic strokes make interesting studies of people and places while
his terracotta and wooden work in narrative mode is inspired by Indian
sculptural traditions while also displaying an appreciation of western
modern trends.
His head sculptures illustrate his technical skills in creating
art that is also conceptually strong where the surface of the head becomes a
space for painterly expression embossed around the center projected as the
focal point for intellectual and spiritual powers within a simplies form just
like Brancusi. But then Srinivas diverges in another direction as he takes
recourse to a local idiom-prehistoric on the one hand and contemporary
popular culture on the other. Looking upward and facing the sky his heads
stage a tableaux en-capturing people, animals, spaces, ideas or media images.
Title: Un tled - I
Medium: PATINA ON BRONZE
Size: 1”X8"X8"
Year: 2020
Title: Un tled - II
Medium: PATINA ON BRONZE
Size: 1”X8"X8"
Year: 2020
Title: Un tled - III
Medium: PATINA ON BRONZE
Size: 1”X8"X8"
Year: 2020
Subrata Das
The works of Subrata Das exudes his poetic imagination and his deep
interest in depicting characters from the Indian mythology. His most
famous series focuses on the divine love of Radha and Krishna. His canvas
tries to capture a celebrated mythical love that exists beyond the mundane
conjugal relationships. Subrata Das experiments with mixed media and
acrylic to create a mood of mystique that surrounds Krishna and Radha,
with a layer of surreal owers and twines that intersperse these art works.
The ute is a recurring motif, which speaks of the allure of Lord Krishna
and the divine love that Radha is mesmerized in. Unlike the usual
depictions of Gods, which tend to be very ornate, Krishna and Radha are
painted as young lovers in simple village attires, austere yet evocative in
their bearing.
A reection of notions of the aesthetic beauty in Bengal can also be seen
in a series of paintings done by Subrata Das where he depicts Bengali
women. His art shows Bengali women in sarees wore in the traditional
Bengali style with a calm smile on their faces, adorned in shringar and
vermillion which is slightly smudged. The backgrounds of these paintings
sometimes have goddess Durga, showing the fortitude of these women
beneath their calm selves. These paintings of Bengali femininity are as
sought after as his portrayals of Radha-Krishna, and his paintings adorn
the walls of the famous and have been exhibited across India and abroad.
Title: Krishna
Size: 24 x 24 inches
Medium: Acrylic on canvas
Title: Couple - I
Size: 18x36 inches
Medium: Acrylic on canvas
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Sight & Insights-II catalogue
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