Data Analysis Project II
Vanessa Ralph
Description
After collecting interview data via the notability application on the iPad that replays the
conversation between the researcher and student while tracking students’ sketches, the data
were analyzed to account for both the audio and visual manifestations of students’
problem-solving processes. A graphic that articulates the various perspectives and
methodologies used to code and analyzes the data is provided in Figure 1 below. This process
involves the researcher playing back the interview recording at least three times following its
transcription and provides an in-depth review of the data collected.
Figure 1. Methodological approach.
First, each students’ interview was organized into a series of stages mapped onto the
steps along a hypothesized solution path for the solving the stoichiometry prompt provided to
the student during the interview (denoted as grey rectangles in the figure above). The beginning
and end of the dialogue related to each step were identified using process coding. Organizing
the interview along the hypothesized solution path allowed the researchers to analyze discrete
segments that serve as microcosms of the students’ expressed challenges, the questions asked
by the researcher to engage the student about the challenge, and their successes with regard to
arriving at a solution. The hypothesized solution mapped used during process coding to identify
dialogue related to each step is depicted below in Figure 2.
Figure 2. The solution map used for the stoichiometry item in the protocol.
Then, rounds of causation coding (denoted as ➡ in Figure 1) through the data were used
to identify shifts in areas of difficulty and the bidirectional dialogic exchange that allowed the
student to progress. These areas in which the student struggled to express or model how to
proceed with their solution were analyzed using three different, second cycle coding
approaches: 1) A deductive coding scheme designed in the author’s prior work (Ralph et al. ,
2018b; see Table 1) was used to identify students’ observed difficulties that aligned with a priori
expectations as informed by the literature base cited in the article, 2) any emergent and
meaningful codes not encapsulated by the deductive coding scheme were coded inductively
using the student’s averments (e.g. In Vivo coding), and 3) via illustrated analytic memos drawn
by the first author used to envision an interpreted internal visuosketchpad or cognitive map
before each dialogic exchange flagged via causation coding. Each of these tools were used to
assess and provided greater detail as to what was known of students’ challenges with
stoichiometry, emergent challenges un- or underexplored in previous scholarly works, and a
nuanced visual analyses of the researcher’s interpretation of their learning progression in
connecting what they’ve learned in lecture to the prompt.
Table 1. Deductive coding scheme for the stoichiometry assessment items
Theme Category
Systematic Conversion Factors between Units of Measure (Mass to Moles; Moles to
Proportional Mass)
Reasoning (S)
Setting up Mole Ratios (Mole to Mole Conversions)
Logical Arrangement of Steps Resulting in Appropriate Units
Matching an Elemental Symbol with its Atomic Mass (Elemental Symbols
and the Periodic Table)
Representational Mole Ratios as Conversion Factors between Chemical Species (Moles to
Competency (R) Moles; Subscripts and Coefficients)
Using the Chemical Formula to Calculate Formula Mass (Subscripts)
Conceptual Diatomic Molecules vs. Elements (H2 vs. H and O2 vs. O)
Mass is Conserved
Understanding (C) “Mass” vs. “Moles”
“Molar/Formula Mass” vs. “Mass”
“Excess” Reagents are not Limiting
Finally, a third cycle coding approach was then enacted, known as pattern coding, on the
codes and visual memos to devise categories and themes comprising the evidence-base
collected as pertinent to the research questions regarding the visualization of molecules and
the proportions by which they react. Ultimately, elements of ethnography and arts-based
research were used to develop theoretical constructs observed for students linking
representational competency and proportional reasoning and the challenges observed by the
participating students. No studies, to date, have contributed to a theoretical framework
regarding the connection students make in visualizing the interactions between particles and
the proportional relationships by which they interact (particularly for those of low math
aptitude). Thus, a detailed account of these students and their interactions with the researchers
regarding contributes a novel source of information that could be used to inform intervention,
instruction, and assessment design.
In the interest of reflexivity, and thereby transparency, the researcher subscribes to
Gardner’s theory of multiple intelligences and observes that while students of low math aptitude
struggle disproportionately with assessment items in chemistry, if provided a means to
communicate that is not alphanumeric, their likelihood to succeed may be better supported.
This emphasis on visual aids is congruent with an appreciation for what visuals provide as an
alternative means of communication. This is the rationale behind arts-based research and one
adopted by the researcher to better serve as the instrument of measure in this qualitative study.
These individual student progressions as documented as visual analytic memos were then
compared between the students' interviews to generate hypotheses as to the challenges
particular types of assessment items could elicit in students of low math aptitude. These
features can then be measured quantitatively in future studies of which the scope would include
comparing the performance of students of variable math aptitude score on assessment items
that are representative of the types identified.
Results
Each student manifested a variety of challenges associated with interpreting chemical
equations and using these stoichiometric proportions to arrive at a numerical value for the
quantity of a product. Dividing these findings into themes, students’ responses demonstrated a
variety of misconceptions along representational, conceptual, and algorithmic realms of the
topic.
Representational Competency
In translating a chemical equation to the more pictorial submicroscopic diagram, more nuance
is achieved. The most striking difference between these two forms of representation (see Figure
3 for a model of each) is how bonded atoms and the phase states of compounds are
communicated. In a chemical equation (the alphanumeric representation provided in Figure 3a),
stoichiometric proportions - or the ratio by which these species react - are communicated with
the coefficients preceding each chemical formula. The chemical formulae of each species
follow the coefficient in which each capital letter marks the start of a new element which can be
represented using one- or two-letter abbreviations. Subscripts in the chemical formula are
meant to note how many of each element comprises the compound. No differences in a
chemical formula are found for the various phase states a chemical compound occupies. These
states are instead represented by the italicized s, l, aq, a nd s found enclosed in parentheses
following the chemical formula to identify solid, liquid, aqueous, and solid states of matter,
respectively.
Submicroscopic diagrams tend to present each elemental symbol contained within a
circle.Overlapping circles are intended to be representative of covalently bound atoms. Atoms
bound ionically can be represented in one of two ways depending on the state of the compound.
When using a chemical formula, the charges of ionically bounded elements are not depicted.
Instead, chemical formulae comprised of elements with both metallic and non-metallic
characteristics are expected to be known by the reader as an ionic compound in which charged
atoms hold proximity as a result of electrostatic interactions. These interactions are more
explicit in submicroscopic diagrams while also reflecting the added nuance of the state these
compounds occupy. Atoms comprising ionic compounds are typically represented in
submicroscopic diagrams by denoting each atom’s elemental symbol enclosed in a circle along
with the charge of its nucleus (demonstrated using superscripts). Solid ionic compounds are
drawn in close, but not overlapping, proximity to one another to demonstrate the electrostatic
nature of the bond in concordance with the solid state lattice observed within these solids.
Aqueous ionic compounds, however, have been dissolved by a solvent (often water) and are
depicted as diffuse in the diagram (see sulfate or SO42 + in Figure 3b).
In both forms of representation, it is often assumed each chemical species is directly
involved in the chemical reaction. Therefore other chemicals inherently involved in the aqueous
component of the reaction (e.g. water molecules) but not taking part in the reaction are
excluded from the balanced chemical equation. Students at this stage in their exploration of
chemistry, are not expected to know electron or molecular geometries and thus are not
discounted for portraying polyatomic ions as a single unit. In fact, conversations with the
instructors suggest they are explicitly told polyatomic ions “stick together” and do not dissolve
in water. This primary model is often used to simplify the concept of bond energy and
resonance until later coursework. Figure 4 presents the responses of 3 first-semester, general
chemistry students to the semi-structured, cognitive interview prompt below:
Consider the following balanced chemical equation:
2 Al (s ) + 3 H2SO4 (aq) → Al2 (SO4) 3 (s ) + 3 H2 (g )
1. Draw a picture representing this balance chemical reaction between Al (s) and
H2 S O4 (a q):
The first student (Figure 4a) mirrors the chemical equation with an accurate
representation of the proportions of reacting chemicals no representation in the differences of
the states to which they exist. An understanding of these differences with phase states and how
they are depicted on submicroscopic diagrams was assessed on students’ first interim exam.
These images were drawn up to one week following their second interim exam. The second
student (Figure 4b) uses colors to represent the different atoms and does not include elemental
symbols. The students’ response process to this item is important here in a way that the picture
does not communicate. Here, it was imperative to have a video recording of the student
describing the steps and corrections made to the illustration. Starting with two conjoined
spheres to represent “2 Al” the student quickly identifies (with no prompting) that these atoms
are not covalently bound.
“Wait, that’s not Al2 it’s 2 Al”.
The student draws an “X” over this pair of atoms and redraws the diagram showing two
spheres of aluminium that are not overlapping or covalently bound. The student then sees “H2”
in “3 H2SO4” and begins drawing three pairs of two conjoined circles representative of 3
molecules of hydrogen gas and not two charged hydrogen ions in aqueous solution with a
sulfate ion. The student then pauses and whispers “SO4… ” as they consider where the
polyatomic ion fits in with the submicroscopic diagram. Ultimately the student illustrates a blue
sulfur atom to the right of each pair of grey hydrogen atoms and surrounds the hydrogen with
four, red oxygen atoms. This representation separates the polyatomic ion in a way that would
not occur in aqueous solution but still maintains the description of “sticking together”. The
compound overall is illustrated as either a solid or covalently-bound compound. Seeing “H2 ”
again in the products, the student repeats their representation of 3, diatomic hydrogen gas
molecules; this time the student is accurate in their representation. The student then draws the
compound Al2 ( SO4) 3 accurately as a unified, solid compound without using elemental symbols
nor superscripts denoting the charges of each atom which inaccurately conveys this solid
compound as covalently bound.
The third and final student (Figure 4c) presents a submicroscopic diagram with more
fundamental errors than the prior two. First and foremost, aluminium is represented in this
drawing using an “A” and not “Al”. Plus signs “+” used in a chemical equation to separate
reacting species of chemicals are included in this student’s submicroscopic diagram
suggesting the physical space between these two chemical species in the equation may be
separated by the abstract force of the plus sign. This is another example of the mirroring that
occurs when students are asked to translate between these two forms of chemical
representation. The student proceeds to draw 3 circles around “3 H2S O4” thereby depicting 9
moles of this chemical species. Upon prompting by the interviewer, the student eventually
realizes this error and corrects it by scratching out the “3” before each chemical formula. This
student, as did each other student, does not depict “H2S O4” as 2 atoms of positively charged
hydrogen atoms ionically bonded in aqueous solution to a sulfate polyatomic ion (SO42 -) but
instead sticks keeps the atoms together in a manner that mirrors the chemical equation without
making the cognitive divide toward the benefits of using a submicroscopic diagram. When
illustrating the products, this student misattributes the parentheses of “Al2( SO4)3” as “(Al2 SO4) 3”
thereby altering the provided molecular proportions and does not illustrate this substance as a
covalently bound solid. Molecular hydrogen atoms are then illustrated as 3 circles of “H” and not
“H2” again inaccurately depicting the molecular proportions of the products and depicting a lone
H atom rather than the diatomic that typically exists as gaseous hydrogen. How these images
are constructed overtime matters and these screenshots do not accurately depict how the
students arrived at these responses. This is where the strategy of illustrated analytical memos
can more accurately demonstrate the challenges faced by students responding to cognitive
prompts. While including video data in a research article (ala Harry Potter newspaper articles) is,
to date, not an available option for researchers in communicating their findings. At the very
least, the stages for changes made by students to their solution response processes is more
accurate in presenting the data acquired in cognitive elaboration interviews. Illustrative
analytical memos add elements of narrative and arts-based research by including
participant-voiced quotations and the exasperations or (very rarely) laughter students express
when solving chemistry problems along with these stages of students’ response processes
allowing for the researcher to both explore the implications of visual data and communicate
these abstract concepts visually to the reader. Figure 5 presents analytical memos created from
each of the 3 students responses to this cognitive elaboration prompt and quotations relating to
the changes made to their illustrations.
Reflection
In the results, I describe a few benefits of the illustrative analytical memo technique used to
serve almost as an extension of and amalgamation between narrative and art-based inquiry
methodologies. Cognitive interviews, often via the think-aloud approach, in discipline-based
education research is common practice. The data is often either a theme-coded transcript or
photographs of the students’ solution process communicated via scratch paper. The limitations
of these modes of collecting the data are that researchers and later, the readers of this
research, lose the nuance of ordering, correcting, and elaboration by which students construct
these responses. Images built in stages with the quoted text inherent to the students’ change of
the diagram can amend the data lost to the chosen method of data analysis. These images are
what can comprise illustrated analytical memos. I chose to include a bit more illustration in
these as it helped me to resolve the questions in my mind about the students’ journey through a
solution process and illustrated response.
Ultimately, I found the process clarifying and helpful as a researcher but I do worry about
its interpretation as “robust” or even inaccurate/biased by other researchers. While I’ve learned
about qualitative research that the researcher is the tool used to analyze the data, I am also
aware of what researchers in my field often think of how and what constitutes trustworthy
methodologies and representations of qualitative data. By incorporating what could be
described as cartoon-like figures illustrating my mental and visual processes of the data, I could
leave myself open to criticism in a way that may not be prevalent in a figure comprised of
students’ processes built in stages surrounded by quotes that resulted in these changes to the
diagrams or solution process. Regardless, I find the latter (stages and quotes) helpful for
communicating my findings to others in a way that ameliorates some of the data lost by images
of student solution processes and the former (illustrated analytical memos) a helpful way for
me to visualize my data and the cognitive processes that may be occurring within the student
while solving these prompts.