PAINTING
2018-2022
SURIYA CHAYACHAROEN
Concept แนวความคิด
The inspiration for creativity comes from แรงบนั ดาลใจในการสรา้ งสรรคม์ าจากการ
observing natural phenomena. The author สงั เกตปรากฏการณท์ างธรรมชาติ ขา้ พเจา้ จึงวิเคราะห์
therefore analyzed and came up with a creative และเกิดแนวความคิดสรา้ งสรรคว์ า่
idea that the phenomenon of grassland in relation
to things, which is a normal natural phenomenon. ปรากฏการณท์ งุ่ หญา้ สมั พนั ธก์ บั ส่ิงตา่ ง ๆ ซ่งึ
is the unity that exists in the natural space It is เป็นปรากฏการณท์ างธรรมชาติปกติ คือความสามคั คี
like the rhythm and style of life. It's no different ทม่ี อี ยใู่ นพนื้ ที่ธรรมชาติ เป็นเหมือนจงั หวะและรูปแบบ
from a rhythmic poem. There's space, there's ชีวิต ก็ไม่ต่างจากบทกวีลีลา มีพืน้ ที่ มีพืน้ ท่ี แต่ภายใน
space, but inside the poem Full of concise and บทกวี เต็มไปด้วยเนือ้ หาท่ีกระชับและมีไหวพริบ
witty content. It is also a moral or even a literary นอกจากนยี้ งั เป็นสนุ ทรยี ภาพทางวรรณกรรม
aesthetic.
ในทานองเดียวกัน เมื่อคาอุปมาหรือการ
In the same way, when a metaphor or เปรยี บเทียบเกิดขนึ้ ก็เหมอื นกบั วา่ ผเู้ ขยี นกาลงั สรา้ งกวี
analogy arises, it is as if the author is creating นิพนธ์ในภาษาภาพนามธรรม โดยเนน้ องคป์ ระกอบ
poetry in an abstract visual language. By ภาพท่ีสาคัญที่เป็นท่ีมาของภาพ กล่าวคือ จุด เสน้
emphasizing the composition of important visual รูปร่าง นา้ หนกั พืน้ ท่ีว่าง และองคป์ ระกอบที่สมั พนั ธ์
elements that are the origin of the image. That is, กบั พนื้ ทีว่ า่ ง การขีด การทาซา้ ที่นาไปสกู่ ารบรู ณาการ
points, lines, shapes, weights, empty spaces and ในการทางาน ซ่ึงสื่อถึงความคล้ายคลึงกันขอ ง
compositions in relation to empty spaces, ปรากฏการณ์ทางธรรมชาติที่เปรียบเสมือนบทกวีท่ีมี
strokes, repetitions, that lead to unity in the work. ระเบยี บอนั เป็นวรรณกรรมทเ่ี ป็นทว่ งทานอง
which conveys an analogy of a natural
phenomenon that is like a poem full of order ผลงานนีจ้ ึงหมายความว่า ประกอบด้วย
which is a literary prosody. This work therefore ภาพเสมือนท่ีเป็ นภาษาภาพนามธรรม เป็ นการ
means that it is composed of visual prosody that นาเสนอความคดิ และความรูส้ กึ ของตวั เองในฐานะของ
is an abstract visual language. It presents a ผสู้ รา้ งสรรค์
representation of the author's own thoughts and
feelings as the author of the painting.
2018
Title: Concrete-Abstract Connotations of Peace and Movement:
Forests and Streams Flowing from High Mountains.
Size: 60 x 90 cm.
Technique: Crayon on paper.
Year: 2018.
Exhibition: 1st Thailand Art and Design Exhibition, Institute of Art and
Culture Rajamangala University of Technology Rattanakosin. Nakhon
Pathom, Thailand. (1-31 March 2019)
Title: Concrete-Abstract Connotations of Peace and Movement:
Meadows and Streams.
Size: 60 x 90 cm.
Technique: Crayon on paper.
Year: 2018.
Exhibition: 1st Thailand Art and Design Exhibition, Institute of Art and
Culture Rajamangala University of Technology Rattanakosin. Nakhon
Pathom, Thailand. (1-31 March 2019)
2019
Title: Wind, forest and streams.
Size: 60 x 90 cm.
Technique: Crayon on paper.
Year: 2019.
Title: Water stream in the grass field.
Size: 60 x 90 cm.
Technique: Crayon on paper.
Year: 2019.
Title: Grassland and Stream.
Size: 60 x 90 cm.
Technique: Crayon on paper.
Year: 2019.
2020
Title: Like a nightmare on a meadow in a dark night.
Size: 55 x 112 cm.
Technique: Acrylic paints and pencils on paper.
Year: 2020.
Exhibition: Online international art exhibition “Vision 2021”, Positive Energy Art website.
https://942d9eca-9f7b-456c-8983-
fda54eac66ae.filesusr.com/ugd/92baf7_5880f65baef14cf8b684531f12a9711b.pdf
Title: Climb the mountain with the wind.
Size: 55 x 112 cm.
Technique: Acrylic paints and pencils on paper.
Year: 2020.
Exhibition: Online international art exhibition “Vision 2021”, Positive Energy Art website
https://942d9eca-9f7b-456c-8983-
fda54eac66ae.filesusr.com/ugd/92baf7_5880f65baef14cf8b684531f12a9711b.pdf
Title: Reflection from the stream, the grass at the end of the rainy season.
Size: 56 x 73 cm.
Technique: Acrylic paints and pencils on paper.
Year: 2020.
Exhibition: Online international art exhibition “BLOSSOMS OF ART”, Positive Energy Art website.
https://942d9eca-9f7b-456c-8983-
fda54eac66ae.filesusr.com/ugd/92baf7_7e40cf3b3e60459bb1c937b60738daa3.pdf
Title: When the wind blows the mountain - the meadow runs beautifully.
Size: 55 x 112 cm.
Technique: Pencil and Acrylic on paper.
Year: 2020.
Title: Raining at the end of May.
Size: 50 x 80 cm.
Technique: Pencil and Acrylic on paper.
Year: 2020.
Title: The series of the poem sung on the night meadow.
Size: 50x160 cm. (Each piece size 40x50 cm).
Technique: Acrylic on canvas.
Year: 2020.
Exhibition: 2nd Thailand Art and Design Exhibition, Institute of Art and Culture
Rajamangala University of Technology Rattanakosin. Nakhon Pathom, Thailand.
(March 6 -31, 2020)
Title: The grassland in the night of yesterday.
Size: 80 x 100 cm.
Technique: Acrylic on canvas.
Year: 2020.
Exhibition: International Art, Design and Architecture Exhibition 2021, Institute of Art
and Culture Rajamangala University of Technology Rattanakosin. Nakhon Pathom,
Thailand. (March 26 to April 2, 2021).
2021
Title: Aesthetics of Mental Development (Primal).
Size: 90 x 350 cm.
Technique: Pencil, Marker Pen and Acrylic on paper.
Year: 2021.
Exhibition: Art exhibition “Aesthetic of Mental Health Devilopment”, creative works
from Decertation of Ph.D. Program (Visual Arts and Design), Burapha University,
titled “Creativity Aesthetics of Mental Development: Relational Art of Integration
Drawing with Meditation Practice” at the Institute. of Art and Culture Rajamangala
University of Technology Rattanakosin. Nakhon Pathom, Thailand.
Title: Aesthetics of Mental Development (Final).
Size: 145 x 420 cm.
Technique: Pencil, Pen, Marker Pen and Ink on paper.
Year: 2021.
creative works from Decertation of Ph.D. Program (Visual Arts and Design), Burapha
University, titled “Creativity Aesthetics of Mental Development: Relational Art of
Integration Drawing with Meditation Practice”
Title: I've been reading poems on a long road.
Size: 75x82.5 cm.
Technique: Arcylic color on paper.
Year: 2021.
Exhibition: International Exhibition of Virtual Arts organized by the Faculty of Languages
and Arts, Universitas Pendidikan Ganesha, Indonesia.
Title: Prosody of the Prairie in the Night.
Size: 55.5 x 75 cm.
Technique: Pencil and Acrylic on paper.
Year: 2021.
Title: Prosody of the night grass in the rainy season.
Size: 55.5 x 75 cm.
Technique: Pencil and Acrylic on paper.
Year: 2021.
Title: The rhythm of the trembling breath.
Size: 40x50 cm.
Technique: Acrylic on canvas.
Year: 2021.
Title: The rhythm of breathing in and out.
Size: 40x50 cm.
Technique: Acrylic on canvas.
Year: 2021.
Title: The past is past, the present is the most important.
Size: 40x50 cm.
Technique: Acrylic on canvas.
Year: 2021.
Title: Prosody of the mind.
Size: 40x50 cm.
Technique: Acrylic on canvas.
Year: 2021.
Title: If it's passed, then it's gone.
Size: 40x50 cm.
Technique: Acrylic on canvas.
Year: 2021.
Title: Today will pass.
Size: 40x50 cm.
Technique: Acrylic on canvas.
Year: 2021.
Title: When the sun is dark, the moon becomes dark and full of the lonely shouts of the meadow on a day when fog unfolds.
Size: 70 x 90 cm.
Technique: Acrylic on canvas.
Year: 2021.
Exhibition: Online international art exhibition “Blessings” International Online Exhibition will be on view from 25th Oct - 20th Nov 2021
on Positive Energy Art Link website https://www.positiveenergyart.in/_files/ugd/92baf7_dfd83566aeaf4d43bb54b493dbf53bed.pdf
Title: The wind, the meadow and the change in the traces of time.
Size: 70 x 90 cm.
Technique: Acrylic on canvas.
Year: 2021.
Exhibition: Contemporary art exhibition Imagination of Hypothesis during 21-31 August 2022
at BTU Gallery, Faculty of Fine and Applied Arts, Bangkokthonburi University, BKK, Thailand.
Title: When I looked at the meadow at night, I couldn't see anything. But everything has its own existence.
Size: 70 x 90 cm.
Technique: Acrylic on canvas.
Year: 2021.
Exhibition: Contemporary art exhibition Imagination of Hypothesis during 21-31 August 2022 at BTU Gallery,
Faculty of Fine and Applied Arts, Bangkokthonburi University, BKK, Thailand.
Title: Poetry of the Fields.
Size: 80 x 100 cm.
Technique: Acrylic on canvas.
Year: 2021.
Exhibition: International Art, Design and Architecture Exhibition 2021, Institute of Art and Culture Rajamangala University of Technology
Rattanakosin. Nakhon Pathom, Thailand. (26 March - 2 April 2021) https://drive.google.com/file/d/1y0GWWfZoLXEgQw-
HEIhD8iGuHzh21UJY/view?usp=sharing
2022
Title: Poetry: You are my universe.
Size: 70 x 90 cm.
Technique: Acrylic on canvas.
Year: 202.
Title: Poems of Shillong: Trees, Mountains, stars and fog
Size: 50 x 60 cm.
Technique: Acrylic on canvas.
Year: 2022.
Exhibition: International Multidisiplinary Art workshop and Seminar "Cross Cultural Identities: A Dialogue Through Art",project organized by
Positive Energy Art Foundation in collaboration with ICSSR-NERC on 4-8 July 2022 at ICSSR-NERC, NEHU Campus, Shillong, Meghalaya,
India.
Title: Land: Living Poems 1/2022 Inspired by the study of the symbolism of a virtual
Size: 40 x 50 cm. simulation map that is a bird's eye view from above from a
Technique: Acrylic andoil-based chemical pens on canvas. smartphone application. An aerial view of different areas from
Year: 2022. websites and social media (photos and video clips), including
Exhibition: “SILPA Creative Works Exhibition 2022” exhibition from those seen while on high ground or on an airplane. The symbols
September 15-30, 2022. At the Art and Design Gallery, Faculty of that appear are representative images of the land, area, rivers,
Decorative Arts Silpakorn University in Bangkok (Thailand) canals, nature and cities, all of which are related to humans and
ecosystems. or say The distinction of the various sub-figures is
the source of the holistic picture of a large area in which the
multi-modal integration of all things is possible. Therefore, this
creative work aims to interpret (interpret) in the semiology
approach in order to transform the map data set into a new
imagery that is composed of abstract representations. The key
idea is to create abstract paintings that are pluralistic
representations of the phenomena occurring on the land, with a
view from above that there are various chaos and ecological
rules that intertwine like poetry. with a prosody that is a literary
aesthetic and has a new meaning arising from the poet's
interpretation
แรงบนั ดาลใจจากการศึกษารูปสัญญะของแผนที่จาลองแบบ
เสมือนจรงิ ที่เป็นมมุ มองจากดา้ นบนแบบตานกมอง (Bird’s eye view)
จากแอปพลิเคช่ันในสมารท์ โฟน การไดเ้ ห็นภาพมมุ สูงของพืน้ ท่ีต่าง ๆ
จากเว็ปไซตแ์ ละสื่อสงั คม (social media) (ภาพถ่ายและคลิปวิดีโอ)
รวมถึงภาพทม่ี องเหน็ ขณะที่อยบู่ นพนื้ ทส่ี งู หรอื บนเคร่ืองบนิ ซงึ่ รูปสญั ญะ
ที่ปรากฏเป็นภาพตัวแทนของแผ่นดิน พืน้ ที่ แม่นา้ ลาคลอง ธรรมชาติ
และเมอื ง โดยทกุ พืน้ ที่ลว้ นมคี วามสมั พนั ธต์ ่อมนษุ ยแ์ ละระบบนเิ วศ หรอื
กล่าวไดว้ ่า ความแตกตา่ งของรูปสญั ญะส่วนยอ่ ยต่าง ๆ ลว้ นเป็นตน้ ทาง
ใหเ้ กดิ เป็นภาพองคร์ วมของพืน้ ที่ขนาดใหญ่ท่ีบรู ณาการสหวิถีของสรรพ
สิ่งใหด้ าเนินไปไดอ้ ย่างพหวุ ิถี ผลงานสรา้ งสรรคน์ ีจ้ ึงมีวัตถปุ ระสงคใ์ น
การตีความ (interpret) ตามแนวทางสญั วทิ ยา (Semiology) เพื่อแปรชดุ
ขอ้ มลู ของแผนท่ีใหก้ ลายเป็นจินตภาพใหมท่ ี่ประกอบสรา้ งเป็นภาพแทน
เชงิ นามธรรม. แนวความคดิ สาคญั คือการสรา้ งงานจิตรกรรมนามธรรมท่ี
เป็นเสมอื นภาพแทนพหลุ กั ษณข์ องปรากฏการณท์ ่ีเกิดขึน้ บนผืนแผ่นดิน
ดว้ ยสายตาจากมมุ ดา้ นบนท่ีมีความยงุ่ เหยงิ หลากหลายและกฎระเบียบ
เชิงนิเวศที่ผสมผสานกันราวกับการเขียนกวีนิพนธท์ ี่มีฉันทลักษณท์ ี่เป็น
สนุ ทรยี ภาพเชงิ วรรณศลิ ป์ และมีนยั ความหมายใหมท่ ีเ่ กิดจากการตีความ
ของกวี
Biography
Name Mr. Suriya Chayacharoen
Telephone 098-335-3991
E-mail [email protected]
Facebook Suriya Chaya https://www.facebook.com/suriya.chaya
Fan Page Suriya Chayacharoen https://www.facebook.com/Suriya.Chaya.art
Instagram jumpsuri https://www.instagram.com/jumpsuri/?hl=en
YouTube Suriya Chaya https://www.facebook.com/Suriya.Chaya.art/
Website http://jumpsuri.blogspot.com/
Occupation Artist, Researcher and Lecturer of Fine and Applied Arts Management, Faculty of Fine and
Applied Arts, Bangkokthonburi University. Bangkok, Thailand.
Education
2021 Ph.D (Visual Arts and Design), Burapha University, Chonburi, Thailand.
2012 M.F.A. (Art Theory), Silpakorn University, Bangkok, Thailand.
2006 B.F.A. (Painting), 2nd Class Honors, Faculty of Painting, Sculpture and Graphic Arts
Silpakorn University, Bangkok, Thailand.
Scholarships Rocky Feller Foundations for the Meeting on the Mekong Arts Culture Scholars in Resident
2004 Project, Vietnam
Surachat Kittithana Scholarship from the Faculty of Painting sculptures and prints Silpakorn
2009 University
Scholarship to promote the education of art creation Statesman Foundation General Prem
2012 Tinsulanonda
Scholarship from Siam University for field trips and creative production in Manila, Republic of
2014 the Philippines.
Fund from Siam University to support the dissemination of creative works in the contemporary
2016 painting exhibition “It’s me.” at ART CAFÉ by Brown Sugar, 1st floor, BACC.
2018-2019 Research funding from research agencies to support research research “Common
2019 intelligence in Thai critical intelligence: Emphasize important issues of the year 1932 to 2007”
2020-2021 Artist Residency Scholarship in India in the international artist project “Chittrashaala:
2021 International Art Residency - Workshop and Exhibition - at “juSTa Lake Nahargarh Palace,
Parsoli, Chittaurgarh” Rajasthan, India
2022 Research scholarship from Silpakorn University Faculty of Arts Silpakorn University and the
Kasikorn Thai Foundation In the research project entitled "13 October 2016 and the Bloom of
Thai Art" with Professor Chetana Nagavajara as the project consultant.
Scholarship from Siam University to support the dissemination of creative works in
international exhibitions International Art, Design and Architecture Exhibition 2021 at the
Institute of Arts and Culture Rajamangala University of Technology Rattanakosin Salaya
Campus
A grant from Thammasat University to support research projects on "New Generation Youth
and Art Reflecting on Contemporary Politics and Society: Perspectives, Dynamics and
Challenges of Creativity", Visual Arts
A grant from Bangkokthonburi University to support research on “Principles of Analysis and
Interpretation of Advanced Design Art Knowledge”
A scholarship from Bangkokthonburi University to support the creation of a painting titled
"Poem of the Field“
Scholarship from Positive Energy Art Foundation for artists residing in India for International
Multidisiplinary Art workshop and Seminar "Cross Cultural Identities: A Dialogue Through Art",
project organized by Positive Energy Art Foundation in collaboration with ICSSR-NERC on 4-
8 July. 2022 at ICSSR-NERC, NEHU Campus, Shillong, Meghalaya, India.
Research published in academic journals and conferences
Suriya Chayacharoen. (2012). Symbol of Thai flag in contemporary art. Siam Communication Review, Vol. 11,
No. 12, 2012, pp. 128-149.
Suriya Chayacharoen. (2012). Symbol of Thai flag in contemporary art. Proceeding 4rd Fine Arts International
Conference 2012
Suriya Chayacharoen. (2015). The process of creating line drawings, Manila 2014. Siam Communication
Review, Vol. 14, No. 16, 2015, pp. 13-22.
Suriya Chayacharoen. (2018). Produced and published a book “See-Din Comic” for use as a medium for the
dissemination of See-Din Earth: Nature and Creative Space. Silpa Bhirasri Journal of Fine
Arts. Vol. 5, Issue 2. (15 March 2018), pp. 90-109.
Suriya Chayacharoen. (2019). Drawing, Painting and Digital Painting Series "Sensoji Temple 2018" Siam
Communication Review, Vol. 18, No. 24, 2019, pp. 153-159.
Suriya Chayacharoen. (2020). Creative process for painting series "The poem sung on the night meadow".
Proceeding National Symposium Research and Creative Work in Communication Arts, the
10th edition on July 10, 2020, pp 200-208.
Suriya Chayacharoen, Suchart Thaotong, Panu SuaysuwanCreation. (2021). Operation, and Communication in
Meditative Drawing Relational Art Activities. Siam Communication Review, Vol. 20, No. 1
(January - June 2021), pp. 70-87.
Suriya Chayacharoen, Suchat Thaothong, Prof. Dr.Pichai Sodpiban, Dr.Korakot Aromdee. (2021). Principles of
analysis and interpretation of advanced design art core knowledge. Proceeding 6th
Conference on Academic, Research and Creative Arts and Architecture: When Architecture
meet Art on December 17, 2021 (pages 797-805). Phitsanulok: Faculty of Architecture, Art
and Design. Naresuan University, pp. 797-805.
Academic articles published in academic journals and conferences
Suriya Chayacharoen. (2013). Digital Art from Researching into Ruins Reconstruction. Siam Communication
Review, Vol. 12, No. 13, 2013, pp. 43-47.
Suriya Chayacharoen. (2015). Interpretative drawings of "Manila 2014". Proceeding National Symposium
Research and Creative Work in Communication Arts, the 5th edition on July 17, 2015, pp
338-352.
Suriya Chayacharoen. (2014). Workshops to teach the meaning of art in "Dreams I will be ..." under the
Volunteer Development Tao-ngoy District. Siam Communication Review, Vol. 13, No. 15,
2014, pp. 93-101.
Suriya Chayacharoen. (2016). The process of creating drawings for use in "Colorful Community" to produce
2016 Greeting Cards Gain on The Doi Kham Company. Proceeding National Symposium
Research and Creative Work in Communication Arts, the 6th edition on July 15, 2016, pp
238-244.
Suriya Chayacharoen. (2016). The Process of Creating a Painting: A Case Study of Contemporary Painting
Exhibition "It's me". Siam Communication Review, Vol. 14, No. 18, 2016, pp. 43-51.
Suriya Chayacharoen. (2017). The meaning of human sexuality in a drawing series "Nude 2016". Siam
Communication Review, Vol. 16, No. 20, 2017, pp. 66-75.
Suriya Chayacharoen. (2017). The process of creating and publishing paintings: a case study of the King
Bhumibol Adulyadej Memorial Paintings created and published between October 2016 and
June 2016. Siam Communication Review, Vol. 16, No. 21, 2017, pp. 61-70.
Suriya Chayacharoen. (2018). Hyperreality in Installation Art: Case Study of "Leandro Erlich: Seeing and
Believing" Exhibition at Mori Art Museum. Burapha Arts Journal. Vol. 21, No. 1-2, 2017, pp.
165-186.
Suriya Chayacharoen. (2018). General Description of the Sketch to Represent the Cityscape of Bangkok
Published in Facebook. Siam Communication Review, Vol. 17, No. 22, 2018, pp. 17-25.
Suriya Chayacharoen. (2018). Digital Painting Series "Sensoji Temple 2018". Proceeding National Symposium
Research and Creative Work in Communication Arts, the 8th edition on July 13, 2018, pp
469-474.
Suriya Chayacharoen. (2020). The production process of the painting "The road to the mysterious palace" in
the project "Chitrashaala: International Artist Residency 2019" in India. Siam Communication
Review, Vol. 19, No. 1, 2020, pp. 185-194.
Suriya Chayacharoen, Suchart Thaotong, Panu SuaysuwanCreation. (2021). Analysis of Visual Art of Rirkrit
Tiravanija, Sutee Kunavichayanont and Sakarin Krue-on under Relational Aesthetic
Context.. Journal of Fine Arts Research and Applied Arts, Vol. 8, No. 1 (January - June 2021),
pp. 81-120.
Solo Exhibition
2014 “The Journey of Suriya & Postcard Art Exhibition” at Hlung Raak Bar, Bangkok
2016 Contemporary Painting Exhibition “It’s me.” at ART CAFÉ by Brown Sugar, 1st Floor, Bangkok
Art & Culture Center (BACC), Thailand.
2017 Contemporary Painting Exhibition “by me.” LAZY DUDE Ratchaphruek Road, Bangkok
2021 Art exhibition “Aesthetic of Mental Health Devilopment”, creative works from Decertation of
Ph.D. Program (Visual Arts and Design), Burapha University, titled “Creativity Aesthetics of
Mental Development: Relational Art of Integration Drawing with Meditation Practice” at the
Institute. of Art and Culture Rajamangala University of Technology Rattanakosin. Nakhon
Pathom, Thailand.
Group Exhibition
2012 “Mindfulness Day” exhibition by Suriya Chayacharoen and Piangkhwuan Kamrunon
Pranakorn Bar and Gallery, Bangkok
2013 Art Exhibition “Pictures in the first house” Hlung Raak Bar, Bangkok
2014 Art Exhibition "Records of Bangkok" exhibition by Bangkok Sketchers group at
Cassia Gallery, Sukhumvit 31, Bangkok
Painting exhibition in the activity "Draw a Dream, I will be..." at the Royal Factory of Deli
No. 3 (Tao Noi), Sakon Nakhon
2015 Contemporary art exhibition INDO-THAILAND by Indian and Thai artists at Rebel Art Space
Art exhibition “PARP-PIM” Mini Prints Project 2015 at Kalwit Studio & Gallery, Bangkok
2016 Exhibition "Art works reflecting Thai way" in Songkran 2016 "BANGKOK SYMBOLIC" of 15
Thai artist at Ground Floor, Central Embassy, Bangkok
“Nightlife” Art Exhibition by Rebel Art Space” at CÉ LA VI Bangkok, Bangkok
Exhibition "THAI SPACE DIGITAL DESIGN" at Dwarawadee Srirajabhat Building Nakhon
Pathom Rajabhat University
2nd FUN Art Exhibition at River City Shopping Center, Bangkok
Art exhibition "SALON" 2nd F-FUN Art Exhibition at Rikyu hair salon, Bangkok
PROJECT OUR BELOVED KING exhibition at The Jam Factory, Bangkok
PROJECT OUR BELOVED KING Exhibition at Nova Contemporary Bangkok
2017 Painting exhibition to bring income to support the Statesman Foundation, General Prem
Tinsulanonda, in the Mini Art Camp 2017 activity and for supporting the work of the
National Park at 129 Art Museum, Ban Thew Khao, Pak Chong, Nakhon Ratchasima.
Art exhibition by the Art Creation Education Promotion Fund Statesman Foundation General
Prem Tinsulanonda 2017 at the National Museum, Art Gallery, Bangkok
Art exhibition: From The Inside Exhibition by 9 artists at Kalwit Studio & Gallery, Bangkok.
2018 Art exhibition by the Art Creation Education Promotion Fund Statesman Foundation General
Prem Tinsulanonda 2018 at Songkhla Art Mill: Songkhla Art Gallery, Songkhla
Art exhibition by the Art Creation Education Promotion Fund Statesman Foundation General
Prem Tinsulanonda 2018 at the National Museum, Art Gallery, Bangkok
2019 “Inspiration from Japan: Various Stories from the Land of the Rising Sun” exhibition at the
Faculty of Fine and Applied Arts Gallery Burapha University, Chonburi
1st Thailand Art and Design Exhibition, Institute of Art and Culture Rajamangala University of
Technology Rattanakosin. Nakhon Pathom, Thailand.
Art exhibition in the International Artist Project “Chittrashaala: International Art Residency”,
juSTa Lake Nahargarh Palace and at jüSTa Sajjangarh Resort & Spa, Udaipur, Rajasthan,
India.
2020 “REVIVED EMOTIONS” International Art Exhibition, contemporary art works from Indian,
Nepali and Thai artists, 1st floor, Rajadamnern Contemporary Art Gallery, Bangkok.
The 2nd Reform Phuket Group Exhibition, the Contemporary Art Center, Muang Khon.
Nakhon Si Thammarat Learning Park, Nakhon Si Thammarat, Thailand.
2nd Thailand Art and Design Exhibition, Institute of Art and Culture Rajamangala University of
Technology Rattanakosin. Nakhon Pathom, Thailand.
Online international art exhibition “Art During COVID-19: The Pandemic: A collection of Art
around the globe” International Online Exhibition during 15th- 31st JUlY 2020 on Positive
Energy Art Link website : https://942d9eca-9f7b-456c-8983-
fda54eac66ae.filesusr.com/ugd/92baf7_3eac9a581602425881a48a8e9f4dda1b.pdf
Online international art exhibition “BLOSSOMS OF ART”, Positive Energy Art website. Link:
https://942d9eca-9f7b-456c-8983-
fda54eac66ae.filesusr.com/ugd/92baf7_7e40cf3b3e60459bb1c937b60738daa3.pdf
2021 International Art, Design and Architecture Exhibition 2021, Institute of Art and Culture
Rajamangala University of Technology Rattanakosin. Nakhon Pathom, Thailand
Online international art exhibition “Vision 2021” International Online Exhibition on display
during 5th-20th JAN 2021 on Positive Energy Art Link website:
https://www.positiveenergyart.in/vision2021
Online international art exhibition “Blessings” International Online Exhibition will be on view
from 25th Oct - 20th Nov 2021 on Positive Energy Art Link website :
https://www.positiveenergyart.in/_files/ugd/92baf7_dfd83566aeaf4d43bb54b493dbf53bed.p
df
2022 International Art, Design and Architecture Exhibition 2022 at the Institute of Creative
Industries and Innovation Rajamangala University of Technology Rattanakosin Salaya
Campus Nakhon Pathom Province and online media
https://drive.google.com/file/d/1y0GWWfZoLXEgQw-HEIhD8iGuHzh21UJY/view?usp=sharing
Art Exhibition in International Multidisiplinary Art workshop and Seminar "Cross Cultural
Identities: A Dialogue Through Art",project organized by Positive Energy Art Foundation in
collaboration with ICSSR-NERC on 4-8 July 2022 at ICSSR-NERC, NEHU Campus, Shillong,
Meghalaya, India. https://www.positiveenergyart.in/
Contemporary art exhibition: Imagination of Hypothesis during 21-31 August 2022 at BTU
Gallery, Faculty of Fine and Applied Arts, Bangkokthonburi University, BKK, Thailand.
https://anyflip.com/ihtml/tsui/basic/51-100
TADE 4th THAILAND ART AND DESIGN EXHIBITION during 7-19 September 2022 at
Bangkok Art and Culture Center (BACC), BKK, Thailand.
SILPA Creative Works Exhibition 2022, during 15-30 September 2022 at the Art and Design
Gallery, Faculty of Decorative Arts. Silpakorn University, BKK, Thailand.
The 4th Creative Nude Drawing-Painting Art Exhibition, between 3 - 8 October 2022 at BTU
Gallery, Faculty of Fine and Applied Arts. Bangkokthonburi University.
https://anyflip.com/ihtml/hutv/basic
BRICOLAGE: International Exhibition of Virtual Arts; The 2 nd International Conference on
Languages and Arts across Culture (ICLAAC), organized by the Faculty of Languages and
Arts, Universitas Pendidikan Ganesha, Singaraja-Bali, Indonesia. September 28th-29th, 2022.
https://www.artsteps.com/view/6329ab05a4ddb6188f549746
PAINTING
2018-2022
SURIYA CHAYACHAROEN