James Pett Travis Clausen-Knight
Supported by
We are truly grateful to our sponsors for providing crucial funding towards our performances. We are constantly looking for sponsorships to help us continue to present dance to the community. If you are interested in becoming a patron, please feel free to contact us. บางกอกซิตี้ บัลเลต์ บัญชี: บจก. อาร์ทเทค เอ็นเตอร์ไพรส์ info@bangkokcityballet.com
GREETING MESSAGE ご挨拶 本日はご来場いただき、心より感謝の意を表明し、熱烈な歓迎を申し上げます。 この度は、英国のコンテンポラリーダンサー、James Pett氏とTravis Clausen-Knight氏をゲストにお迎 えしました。彼らがヨーロッパツアーで好評を博した「IMAGO」を、皆様に披露いたします。彼らはその創造 性と驚異的な技術で、世界中の観客を魅了してきました。James Pett氏はまた、バンコクシティバレエのメン バーのために、タイと西洋の文化を融合させたコンテンポラリー作品を制作し、その作品の中で自ら踊ります 。この公演が本邦初演となります。彼の作品は、新たな表現と感動をもたらすことでしょう。この公演の実現に は、ブリティシュカウンシルの協賛が欠かせませんでした。彼らは私たちの目的を支えるために、貴重なご協 力をいただきましたことに深く感謝申し上げます。また、日本人のバレエダンサー横山瑠華がドンキホーテの キトリを、イタリアのダンサーGeordano Bozzaがバジルを踊り、バンコクシティバレエダンサーと共演いた します。彼らの息の合った踊りは、興奮をもたらすでしょう。 今年は、日本アセアン50周年記念事業の一環として、日本大使館から後援をいただきました。この重要な節 目を共に祝えることを光栄に思っております。 さらに、今年はタイ・イタリア友好年155周年にあたり、イタリア大使館からもこの公演への後援をいただき ました。このような素晴らしいパートナーシップを持てることを誇りに思っております。また、B.Grimmをはじ めとするスポンサーの皆様にも心から感謝申し上げます。皆様のご支援により、本公演はさらなる輝きを与 えられました。ご厚意に心から感謝いたします。そして、私たちの素晴らしいダンサーたちへのねぎらいの言 葉もお伝えしたいと思います。彼らは多くの努力と情熱を注ぎ、この公演のために日夜練習に励んできました 。彼らの才能と奉仕精神に深い感銘を受けています。彼らの献身とパフォーマンスによって、私たちは魅惑的 な世界へと誘われます。彼らに対する敬意と感謝の念をお伝えいたします。また、将来のタイのパフォーミン グアートを支えていく、今日ご紹介する若いダンサーたちに、これからも皆様の応援をよろしくお願いいたし ます。最後になりますが、ご来場いただいた観客の皆様に心から感謝いたします。私たちの情熱と創造力がお 客様と共有できることを願ってやみません。 Greetings, We sincerely express our gratitude and offer a warm welcome to all of you who have joined us today. We are delighted to have the esteemed presence of British contemporary dancers, Mr. James Pett and Mr. Travis Clausen-Knight, as our special guests. They will be presenting their highly acclaimed "IMAGO," which has garnered praise during their European tour, captivating audiences worldwide with their creativity and astonishing skills. Mr. James Pett has also choreographed a contemporary piece fusing Thai and Western cultures specifically for the Bangkok City Ballet, in which he will be performing. This performance marks its debut in Thailand and is sure to bring forth new expressions and inspiration. We are immensely grateful for the support and sponsorship of the British Council, without which this performance would not have been possible. Their invaluable assistance in furthering our mission is deeply appreciated. Furthermore, we have the pleasure of witnessing a collaborative performance by Japanese ballet dancer, Ms. Ruika Yokoyama, portraying Kitri in Don Quixote, and Italian dancer, Mr. Giordano Bozza, as Basil, along with the dancers from the Bangkok City Ballet. Their synchronized movements will undoubtedly bring excitement to the stage. This year, we are honored to receive support from the Embassy of Japan as part of the “50th Commemorative year of ASEAN-Japan relations” Project, allowing us to celebrate this significant milestone together. In addition, we are proud to have the sponsorship from the Embassy of Italy, as this year marks the “155th anniversary of Thai-Italian friendship”. Such remarkable partnerships are a source of pride for us. We would also like to express our heartfelt gratitude to our sponsors, including B.Grimm, whose support has added further brilliance to this performance. We are truly thankful for your generosity. Now, we would like to extend words of appreciation to our exceptional dancers. Their dedication and passion have been evident as they have tirelessly rehearsed and poured their talents into this performance. We are deeply impressed by their commitment and performances, which transport us to a captivating world. Please accept our utmost respect and gratitude. Furthermore, we kindly request your continued support for the young dancers we are introducing today, as they contribute to the future of Thailand's performing arts. Lastly, we express our heartfelt gratitude to all the audience members who have graced us with their presence. We hope to share our passion and creativity with you, and we remain hopeful for the opportunity to do so. Thank you sincerely.
¢ÍáÊ´§¤ÇÒÁ¢Íº¤Ø³Í‹ҧ¨ÃÔ§ã¨áÅÐÂÔ¹´ÕµŒÍ¹ÃѺ·Ø¡·‹Ò¹ÊÙ‹§Ò¹áÊ´§¢Í§àÃÒã¹Çѹ¹Õ้ àÃÒÁÕ¤ÇÒÁÂÔ¹´Õ·Õ่ ¤Ø³ James Pett áÅФس Travis Clausen-Knight Êͧ¹Ñ¡àµŒ¹Ã‹ÇÁÊÁѪÒÇÍѧ¡ÄÉ ä´Œ ãËŒà¡ÕÂõÔÁÒáÊ´§ã¹°Ò¹ÐÈÔÅ»¹ÃѺàªÔÞ ·Ñ้§Êͧ¨Ð¹Óàʹͼŧҹ·Õ่ä´ŒÃѺ¤Óª×่¹ªÁÁÒ¡ÁÒÂÃÐËÇ‹Ò§¡Ò÷ÑÇÃÂØâû ´Ö§´Ù´¼ÙŒ ªÁ·Ñ่ÇâÅ¡´ŒÇÂá¹Ç¤Ô´ÊÌҧÊÃäáÅзѡÉÐÍѹⴴഋ¹¢Í§¾Ç¡à¢Ò 㹪ش “IMAGO” ¹Í¡¨Ò¡¹Õ้ ¤Ø³ James Pett Âѧ䴌 Í͡Ẻ·‹Òൌ¹¤Í¹à·็Áâ¾ÃÒÃÕá´¹«¢Ö้¹ãËÁ‹ãËŒ¡Ñº¤³ÐºÒ§¡Í¡«ÔµÕ้ºÑÅàŵâ´Â੾ÒÐ «Ö่§¡ÒÃáÊ´§ªØ´¹Õ้ä´Œ¼ÊÁ¼ÊÒ¹ ÇѲ¹¸ÃÃÁä·ÂáÅеÐÇѹµ¡à¢ŒÒ´ŒÇ¡ѹ â´Âà¢Ò¨ÐËÇÁáÊ´§´ŒÇ ¡ÒÃáÊ´§¹Õ้¶×Í໚¹¡ÒÃáÊ´§¤ÃÑ้§áá㹻ÃÐà·Èä·Â áÅРṋ¹Í¹Ç‹Ò¨Ð¹ÓÁÒ«Ö่§¡ÒÃáÊ´§ÍÍ¡áÅÐáçºÑ¹´ÒÅã¨ãËÁ‹æ ÍÕ¡´ŒÇ ¢ÍáÊ´§¤ÇÒÁ¢Íº¤Ø³à»š¹Í‹ҧÂÔ่§µ‹ÍºÃÔµÔª à¤Ò¹«ÔÅ ¡ÒÃáÊ´§ã¹¤ÃÑ้§¹Õ้¨Ðà¡Ô´¢Ö้¹äÁ‹ä´ŒàÅ ËÒ¡äÁ‹ä´ŒÃѺ¡ÒáÒà ¼ÅÑ¡´Ñ¹ áÅСÒÃʹѺʹع¨Ò¡Í§¤¡Ã¹Õ้ àÃÒÃÙŒÊÖ¡«Òº«Ö้§ã¹¤ÇÒÁª‹ÇÂàËÅ×ÍÍѹÅ้Ó¤‹Ò¹Õ้·Õ่ä´Œ·ÓãËŒ¾Ñ¹¸¡Ô¨¢Í§àÃÒä´ŒÃѺ¡ÒÃÊÒ¹ µ‹Í¨¹ÊÓàÃ็¨ÅØŋǧ àÃÒÁÕ¤ÇÒÁÂÔ¹´Õ·Õ่¨Ð¹Óàʹ͡ÒÃáÊ´§Ã‹ÇÁ¡Ñ¹¢Í§¹Ñ¡ºÑÅàŵªÒÇÞÕ่»Ø†¹ Ms. Ruika Yokoyama ¼ÙŒÃѺº· Kitri ã¹àÃ×่ͧ Don Quixote áÅйѡൌ¹ªÒÇÍÔµÒÅÕ ¤Ø³ Giordano Bozza ¼ÙŒÃѺº· Basil ¾ÃŒÍÁ´ŒÇ¹ѡൌ¹¨Ò¡¤³ÐºÒ§¡Í¡ «ÔµÕ้ºÑÅàŵ ¡ÒÃà¤Å×่͹äËÇ·Õ่ÊÍ´»ÃÐÊÒ¹¡Ñ¹¢Í§¹Ñ¡áÊ´§·Ø¡¤¹ ¨Ð¹Ó¤ÇÒÁµ×่¹àµŒ¹¢Í§¡ÒÃáÊ´§º¹àÇ·ÕÁÒÊÙ‹¼ÙŒªÁÍ‹ҧäÁ‹ µŒÍ§Ê§ÊÑ 㹻‚¹Õ้ àÃÒÃÙŒÊ֡໚¹à¡ÕÂõԷÕ่ä´ŒÃѺ¡ÒÃʹѺʹع¨Ò¡Ê¶Ò¹àÍ¡ÍѤÃÃÒª·ÙµÞÕ่»Ø†¹ã¹°Ò¹Ð·Õ่໚¹Ê‹Ç¹Ë¹Ö่§¢Í§â¤Ã§¡Òà “¤ÃºÃͺ 50 »‚ ¤ÇÒÁÊÑÁ¾Ñ¹¸ ÍÒà«Õ¹-ÞÕ่»Ø†¹” ·ÓãËŒàÃÒ䴌ËÇÁà©ÅÔÁ©Åͧ¤ÇÒÁÊÓàÃ็¨¤ÃÑ้§ÊÓ¤ÑÞ¹Õ้ä»´ŒÇ¡ѹ ¹Í¡¨Ò¡¹Õ้àÃÒÁÕ¤ÇÒÁÂÔ¹´ÕÂÔ่§ ·Õ่ä´ŒÃѺ¡ÒÃʹѺʹع¨Ò¡Ê¶Ò¹àÍ¡ÍѤÃÃÒª·ÙµÍÔµÒÅÕ à¹×่ͧã¹ÇÒÃÐ “¤ÃºÃͺ 155 »‚¤ÇÒÁÊÑÁ¾Ñ¹¸·Ò§¡Ò÷ٵÃÐËÇ‹Ò§ä·Â-ÍÔµÒÅՔ㹻‚¹Õ้ ¤ÇÒÁËÇÁÁ×ÍÍѹⴴഋ¹´Ñ§¡Å‹ÒǹѺ໚¹ÍÕ¡¤ÇÒÁÀÒ¤ ÀÙÁÔ㨢ͧàÃÒ ÂÔ่§ä»¡Ç‹Ò¹Ñ้¹ àÃÒ¢ÍáÊ´§¤ÇÒÁ¢Íº¤Ø³¨Ò¡ã¨¨ÃÔ§µ‹Í¼ÙŒÊ¹ÑºÊ¹Ø¹·Ø¡æ ·‹Ò¹ ÃÇÁ¶Ö§ ºÃÔÉÑ· ºÕ.¡ÃÔÁ ·Õ่ãËŒ¡Òà ʹѺʹعà¾Ô่ÁàµÔÁ ¹ÓÁÒ«Ö่§¤ÇÒÁµÃСÒõÒãËŒ¡Ñº¡ÒÃáÊ´§ã¹¤ÃÑ้§¹Õ้ ¢Í¢Íº¾ÃФسÍ‹ҧ¨ÃÔ§ã¨ÊÓËÃѺ¤ÇÒÁ¡ÃØ³Ò âÍ¡ÒʹÕ้ ¢ŒÒ¾à¨ŒÒ¢ÍáÊ´§¤ÇÒÁª×่¹ªÁµ‹Í¹Ñ¡àµŒ¹·Õ่ÂÍ´àÂÕ่ÂÁ·Ø¡¤¹¢Í§àÃÒ ¤ÇÒÁ·Ø‹Áà·áÅФÇÒÁÁØ‹§ÁÑ่¹¢Í§¹Ñ¡ áÊ´§·Ø¡¤¹¹Ñ้¹à»š¹·Õ่»ÃШѡɪѴਹ ·Ø¡¤¹½ƒ¡½¹Í‹ҧäÁ‹ÃÙŒ¨Ñ¡à˹็´à˹×่ÍÂáÅз؋Áà·¤ÇÒÁÊÒÁÒöãËŒ¡Ñº¡ÒÃáÊ´§ã¹¤ÃÑ้§ ¹Õ้ àÃÒÁÕ¤ÇÒÁ»ÃзѺã¨Í‹ҧÂÔ่§ã¹¤ÇÒÁÁØ‹§ÁÑ่¹áÅСÒÃáÊ´§¢Í§¾Ç¡à¢Ò «Ö่§¨Ð¹Ó¼ÙŒªÁä»ÊÙ‹âÅ¡·Õ่¹‹ÒËŧãËÅ ¢ŒÒ¾à¨ŒÒ¢ÍáÊ´§ ¤ÇÒÁª×่¹ªÁáÅТͺ¤Ø³Í‹ҧÊØ´«Ö้§ 㹡ÒùÕ้ àÃÒËÇѧ໚¹Í‹ҧÂÔ่§Ç‹Ò ¨Ðä´ŒÃѺ¡ÒÃʹѺʹع¨Ò¡·‹Ò¹Í‹ҧµ‹Íà¹×่ͧÊÓËÃѺ¹Ñ¡àµŒ¹ÃØ‹¹ãËÁ‹«Ö่§àÃÒá¹Ð¹Óã¹ Çѹ¹Õ้ à¹×่ͧ¨Ò¡¾Ç¡à¢Ò¨Ð໚¹¡ÓÅѧÊÓ¤ÑÞã¹Í¹Ò¤µ¢Í§ÈÔŻСÒÃáÊ´§ã¹»ÃÐà·Èä·Â ÊØ´·ŒÒ¹Õ้ ¢ŒÒ¾à¨ŒÒ¢ÍáÊ´§¤ÇÒÁ¢Íº¤Ø³¨Ò¡ã¨¨ÃÔ§µ‹Í¼ÙŒªÁ·Ø¡·‹Ò¹·Õ่ãËŒà¡ÕÂõÔÁÒÃѺªÁ ËÇѧNjҡÒÃáÊ´§¢Í§àÃÒ ¨ÐÊ‹§µ‹ÍÍÒÃÁ³ áÅФÇÒÁ¤Ô´ÊÌҧÊÃäãËŒ¡Ñº¼ÙŒªÁ·Ø¡·‹Ò¹ áÅÐËÇѧ໚¹Í‹ҧÂÔ่§Ç‹Ò¨ÐÁÕâÍ¡ÒÊ·Õ่¨Ð¹Óàʹ͡ÒÃáÊ´§·Õ่ ÊÌҧÊÃäẺ¹Õ้ãËŒà¡Ô´¢Ö้¹ÍÕ¡ ¢ÍáÊ´§¤ÇÒÁ¢Íº¤Ø³Í‹ҧ¨Ãԧ㨠ÁÒ«Òâ¡Ð ÎÔÃÒµÒ ¼ÙŒÍӹǡÒúҧ¡Í¡«ÔµÕ้ºÑÅàŵ Director of Bangkok City Ballet GREETING MESSAGE
BRITISH COUNCIL THAILAND GREETING MESSAGE On behalf of the British Council, it is my great pleasure to congratulate the Bangkok City Ballet on the Bangkok City Ballet Dance Gala 2023, which features a collaboration between Bangkok City Ballet and the UK’s talented dancers and choreographers, James Pett and Travis Clausen-Knight. In addition to presenting a duet “IMAGO”, James and Travis have organised workshops and masterclasses for Thai dancers to exchange creative processes and innovative practice. James has also worked with the Bangkok City Ballet to explore traditional Thai dancing with fusion and modernisation from his experience to develop a new choreographic process and movements, and will be featured as part of the performance tonight. This collaborative project between the Bangkok City Ballet and the UK artists is enabled by the British Council Connections Through Culture grant programme, which supports new creative connections, exchanges and collaborations between Southeast Asia and the UK. Since 2019, we have administered 25 grants to 50 Thai and UK artists to work together on a variety of artistic and creative projects across diverse art forms both in the UK and Thailand. We are delighted to have this opportunity to support this excellent artistic collaboration, which nurtures and deepens artistic partnerships and friendships between Thailand and the UK, and has strengthened cultural connections and mutual understanding going forward. I would like to congratulate all the artists and staff involved and wish you a very successful performance. ã¹¹ÒÁ¢Í§ºÃÔµÔª à¤Ò¹«ÔÅ ´Ô©Ñ¹¢ÍáÊ´§¤ÇÒÁÂÔ¹´Õ໚¹Í‹ҧÂÔ่§¡ÑººÒ§¡Í¡«ÔµÕ้ºÑÅàŵ ÊÓËÃѺ¡Òà áÊ´§ Bangkok City Ballet Dance Gala 2023 «Ö่§¹ÓàʹͤÇÒÁËÇÁÁ×ÍÃÐËÇ‹Ò§ºÒ§¡Í¡«ÔµÕ้ºÑÅàŵ áÅйѡ ൌ¹áÅйѡÍ͡Ẻ·‹Òൌ¹·Õ่ÁÕª×่ÍàÊÕ§¨Ò¡ÊËÃÒªÍҳҨѡà 䴌ᡋ à¨ÁÊ à¾็· áÅÐ ·ÃÒÇÔÊ à¤ÅÒà«‹¹-ä¹· ¹Í¡¨Ò¡¡ÒùÓàʹͼŧҹ¡ÒÃáÊ´§¤Ù‹ª×่Í “IMAGO” à¨ÁÊáÅзÃÒÇÔÊÂѧ䴌¨Ñ´ àÇÔáª็Í»áÅÐÁÒÊàµÍäÅÒÊ ÊÓËÃѺ¹Ñ¡àµŒ¹ªÒÇä·Â à¾×่ÍáÅ¡à»ÅÕ่¹¡Ãкǹ¡Ò÷ӧҹÊÌҧÊÃäáÅÐá¹Ç·Ò§ãËÁ‹ æ 㹡Ò÷ӧҹ¹Ò¯Â ÈÔÅ»Š à¨ÁÊä´Œ·Ó§Ò¹¡ÑººÒ§¡Í¡«ÔµÕ้ºÑÅàŵ à¾×่ÍÊÓÃǨÇÔ¸Õ¡ÒÃൌ¹ÃӢͧä·ÂẺ´Ñ้§à´ÔÁ áÅйÓÁÒ¼ÊÁ¼ÊÒ¹ áÅлÃѺ»ÃاãËŒÁÕ¤ÇÒÁËÇÁÊÁÑ¢Ö้¹¨Ò¡»ÃÐʺ¡Òó¢Í§à¢Òã¹´ŒÒ¹¡ÒÃÍ͡Ẻ·‹Òൌ¹áÅСÒÃà¤Å×่͹äËÇ áÅÐ ¹ÓÁÒáÊ´§à»š¹Ê‹Ç¹Ë¹Ö่§¢Í§¡ÒÃáÊ´§ã¹¤×¹¹Õ้ â¤Ã§¡ÒäÇÒÁËÇÁÁ×ÍÃÐËÇ‹Ò§ºÒ§¡Í¡«ÔµÕ้ºÑÅàŵáÅÐÈÔÅ»¹¨Ò¡ÊËÃÒªÍҳҨѡÃä´ŒÃѺ¡ÒÃʹѺʹع ¨Ò¡â¤Ã§¡Ò÷ع Connections Through Culture ¢Í§ºÃÔµÔª à¤Ò¹«ÔÅ «Ö่§Ê¹ÑºÊ¹Ø¹¡ÒÃÊÌҧ¤ÇÒÁàª×่ÍÁ⧠·Ò§¤ÇÒÁ¤Ô´ÊÌҧÊÃä ¡ÒÃáÅ¡à»ÅÕ่¹ áÅФÇÒÁËÇÁÁ×ÍÃÐËÇ‹Ò§àÍàªÕµÐÇѹÍÍ¡à©Õ§㵌áÅÐÊËÃÒªÍҳҨѡà µÑ้§áµ‹»‚ 2562 ໚¹µŒ¹ÁÒ àÃÒä´ŒÁͺ·Ø¹¨Ó¹Ç¹ 25 ·Ø¹á¡‹ÈÔÅ»¹ä·ÂáÅÐÊËÃÒªÍҳҨѡà ¨Ó¹Ç¹ 50 ¤¹ ·Ó§Ò¹Ã‹ÇÁ¡Ñ¹ã¹â¤Ã§¡ÒÃÈÔÅ»Ðã¹ËÅÒÂÃٻẺ ·Ñ้§ã¹»ÃÐà·Èä·ÂáÅÐÊËÃÒªÍҳҨѡà àÃÒÁÕ¤ÇÒÁÂÔ¹´Õ໚¹Í‹ҧÂÔ่§·Õ่ä´ŒÁÕâÍ¡ÒÊʹѺʹع¤ÇÒÁËÇÁÁ×Í·Ò§ÈÔŻЪÑ้¹àÂÕ่ÂÁ¤ÃÑ้§¹Õ้ «Ö่§ª‹ÇÂÊ‹§ àÊÃÔÁ¤ÇÒÁËÇÁÁ×Í·Ò§ÈÔÅ»ÐáÅÐÁÔµÃÀÒ¾ÃÐËÇ‹Ò§»ÃÐà·Èä·ÂáÅÐÊËÃÒªÍҳҨѡà áÅЪ‹ÇÂÊÌҧ¤ÇÒÁࢌÁá¢็§ ãËŒ¡Ñº¤ÇÒÁàª×่ÍÁ⧷ҧÇѲ¹¸ÃÃÁ ·ÓãËŒà¡Ô´¤ÇÒÁࢌÒ㨫Ö่§¡Ñ¹áÅСѹµ‹Íä»ã¹Í¹Ò¤µ ´Ô©Ñ¹¢ÍáÊ´§¤ÇÒÁÂÔ¹´Õ ÍÕ¡¤ÃÑ้§¡ÑºÈÔÅ»¹áÅÐ਌Ò˹ŒÒ·Õ่¼ÙŒÁÕʋǹà¡Õ่ÂÇ¢ŒÍ§¡Ñº¡ÒÃáÊ´§·Ø¡¤¹ã¹¤ÃÑ้§¹Õ้ áÅТÍãËŒ¡ÒÃáÊ´§ã¹¤ÃÑ้§¹Õ้»ÃÐʺ ¤ÇÒÁÊÓàÃ็¨´ŒÇÂ´Õ àÎÅ¡Ò ÊàµÅÁÒà¡Íà ¼ÙŒÍӹǡÒúÃÔµÔª à¤Ò¹«ÔÅ »ÃÐà·Èä·Â Helga Stellmacher Country Director, British Council Thailand
I would like to extend my heartfelt congratulations to the Bangkok City Ballet on resuming their performance for the first time in four years with the staging of "Dance Gala 2023" on June 15th 2023. Bangkok City Ballet, the first professional ballet troupe in Thailand, was founded by Ms. Masako Hirata in 1996. Since launching its first professional performance in Thailand in 2003 with The Nutcracker, the Bangkok City Ballet’s members have steadily increased, leading to many outstanding performances by the organization. It is a great pleasure to see on the year of the 50th anniversary of Japan-ASEAN’s friendship and cooperation, Thai and Japanese dancers performing on the same stage at the Bangkok City Ballet. I hope that this paves the way toward cultivating deeper exchanges and mutual understanding between our two cultures through the arts. My best wishes go to the Bangkok City Ballet dancers and organizers for a successful performance, and for Thai-Japanese interactions to deepen in the world of ballet over many years to come. 梨田 和也 ¹ÐªÔ´Ð ¤ÐÊØÂÐ NASHIDA Kazuya 在タイ日本国大使館特命全権大使 àÍ¡ÍѤÃÃÒª·ÙµÞÕ่»Ø†¹»ÃШӻÃÐà·Èä·Â Ambassador of Japan to Thailand ¢ŒÒ¾à¨ŒÒ¢ÍáÊ´§¤ÇÒÁÂÔ¹´Õ´ŒÇÂ㨨ÃÔ§ÊÓËÃѺ¡ÒÃáÊ´§ “Dance Gala 2023” 㹤ÃÑ้§ ¹Õ้ ËÅѧ¨Ò¡·Õ่ Bangkok City Ballet ä´Œ¨Ñ´¡ÒÃáÊ´§¤ÃÑ้§ÊØ´·ŒÒÂä»àÁ×่Í 4 »‚·Õ่áÅŒÇ Bangkok City Ballet ¡‹ÍµÑ้§¢Ö้¹ã¹»ÃÐà·Èä·Â àÁ×่Í»‚ ¾.È. 2539 â´Â ¤Ø³ÎÔÃÒµÒ ÁÒ«Òâ¡Ð µ‹ÍÁÒã¹»‚ ¾.È. 2546 ä´Œ·Ó¡ÒÃáÊ´§ã¹àÃ×่ͧ “The Nutcracker” «Ö่§à»š¹¡ÒÃáÊ´§ºÑÅ àŵâ´ÂàËŋҹѡáÊ´§ºÑÅàŵÁ×ÍÍÒªÕ¾¢Ö้¹à»š¹¤ÃÑ้§áá㹻ÃÐà·Èä·Â ¨Ò¡¹Ñ้¹à»š¹µŒ¹ÁÒ¨Ö§àÃÔ่ÁÁըӹǹ ÊÁҪԡࢌÒÁÒ㹡ÅØ‹ÁÁÒ¡¢Ö้¹áÅÐä´Œ·Ó¡ÒÃáÊ´§ºÑÅàŵÍÕ¡ËÅÒ¤ÃÑ้§¨¹¶Ö§»˜¨¨ØºÑ¹ ¢ŒÒ¾à¨ŒÒÃÙŒÊÖ¡ÂÔ¹´Õ໚¹Í‹ҧÂÔ่§ ·Õ่¹Ñ¡ºÑÅàŵªÒÇä·ÂáÅЪÒÇÞÕ่»Ø†¹ä´ŒÃ‹ÇÁ¡Ñ¹áÊ´§¼Å§Ò¹ 㹡ÒÃáÊ´§¢Í§ Bangkok City Ballet ã¹âÍ¡ÒʹÕ้ «Ö่§¶×Í໚¹»‚áË‹§¡ÒÃà©ÅÔÁ©Åͧ¤ÃºÃͺ 50 »‚ ¤ÇÒÁÊÑÁ¾Ñ¹¸ÍÒà«Õ¹-ÞÕ่»Ø†¹ «Ö่§ËÇѧNjҡÒÃáÊ´§ã¹¤ÃÑ้§¹Õ้¨Ð໚¹¡ÒÃÊ‹§àÊÃÔÁ¤ÇÒÁࢌÒã¨Íѹ´ÕÃÐËÇ‹Ò§ ¡Ñ¹ãËŒÂÔ่§ÅÖ¡«Ö้§ÁÒ¡¢Ö้¹â´Â¼‹Ò¹¡ÒÃáÅ¡à»ÅÕ่¹·Ò§´ŒÒ¹ÇѲ¹¸ÃÃÁáÅÐÈÔŻРÊØ´·ŒÒ¹Õ้¢ŒÒ¾à¨ŒÒ¢ÍÍǾôŒÇÂ㨨ÃÔ§ ¢ÍãËŒ¡ÒÃáÊ´§ã¹¤ÃÑ้§¹Õ้»ÃÐʺ¤ÇÒÁÊÓàÃ็¨ áÅÐ ¡ÒÃáÅ¡à»ÅÕ่¹ÊÒÂÊÑÁ¾Ñ¹¸ÃÐËÇ‹Ò§ä·Â-ÞÕ่»Ø†¹â´Â¼‹Ò¹ºÑÅàŵ¨ÐÂÔ่§¾Ñ²¹ÒÊ׺à¹×่ͧµ‹Íä»ã¹Í¹Ò¤µ この度、バンコクシティバレエの4年ぶりの公演となる「Dance Gala 2023」が上演されますこ とを、心よりお祝い申し上げます。 バンコクシティバレエは、1996年、平田昌子代表によってここタイで結成されました。2003年 にはタイ国初のプロフェッショナルダンサーによるバレエ公演として「くるみ割り人形」を上演し 、その後着実に団員を増やしつつ、これまで数々のバレエ公演を開催してこられました。 日アセアン友好協力50周年という記念の年にタイと日本のダンサーが共に活躍するバンコクシ ティバレエの公演が開催されることは大変喜ばしいことであり、この度の公演が文化や芸術交 流を通じて相互理解をさらに深めるための一歩となることを期待しております。 本公演の成功とバレエを通じた日タイ交流が今後益々発展しますことを心より願っております。 AMBASSADOR OF JAPAN GREETING MESSAGE
On behalf of the Embassy of Italy in Bangkok, I would like to extend my warmest congratulations to the Bangkok City Ballet for successfully organizing the BCB Dance Gala 2023. 2023 marks the 155 Anniversary of the establishment of diplomatic relations between Italy and Thailand and there is no better way to celebrate it through the noblest art, that of ballet. I am therefore happy that a great dancer like Giordano Bozza, now a global star, comes to Bangkok and dances together with other excellent artists of the Bangkok City Ballet, an institution that is growing further on the international dance scene. I am sure BCB Dance Gala 2023 will inspire further collaborations and opportunities between Italy and Thailand and will offer a vibrant program to the Thai public, with a broad approach to arts and creating a diverse artistic exchange. I look very much forward to this exciting event and thank again the Bangkok City Ballet for making it possible. ã¹¹ÒÁ¢Í§Ê¶Ò¹·ÙµÍÔµÒÅÕ ¢ŒÒ¾à¨ŒÒ¢Í§áÊ´§¤ÇÒÁÂÔ¹´ÕÍ‹ҧÂÔ่§¡ÑººÒ§¡Í¡«ÔµÕ้ºÑÅàŵ¡Ñº¤ÇÒÁÊÓàÃ็¨ 㹡ÒèѴ§Ò¹ BCB Dance Gala 2023 »‚ ¤È. òðòó ໚¹ÇÒÃФúÃͺ ñõõ »‚ ¢Í§¤ÇÒÁÊÑÁ¾Ñ¹¸·Ò§¡Ò÷ٵÃÐËÇ‹Ò§»ÃÐà·ÈÍÔµÒÅÕáÅÐ »ÃÐà·Èä·Â áÅÐà¾×่Í©ÅͧâÍ¡ÒʹÕ้ äÁ‹ÁÕÇÔ¸Õ㴨дաNjҡÒéÅͧ¼‹Ò¹ÈÔŻЪÑ้¹ÊÙ§¤×Í¡ÒÃáÊ´§ºÑÅàŵ ´Ñ§¹Ñ้¹ ¢ŒÒ¾à¨ŒÒ¨Ö§ÃÙŒÊÖ¡ÁÕ¤ÇÒÁÊØ¢·Õ่¹Ñ¡àµŒ¹ºÑÅàŵ¼ÙŒÂÔ่§ãËÞ‹Í‹ҧ ¨ÍôÒâ¹ ºÍÊ«Ò «Ö่§¢³Ð¹Õ้໚¹´ÒÇ ´Ñ§ÃдѺâÅ¡à´Ô¹·Ò§ÁÒ¡ÃØ§à·¾Ï áÅÐáÊ´§¤ÇÒÁÊÒÁÒöËÇÁ¡ÑºÈÔÅ»¹ªÑ้¹¹Ó¢Í§·Ò§ºÒ§¡Í¡«ÔµÕ้ºÑÅ àŵ Íѹ໚¹Ê¶ÒºÑ¹·Õ่¡ÓÅѧàµÔºâµÊًǧ¡ÒÃൌ¹ºÑÅàŵÃдѺ¹Ò¹ÒªÒµÔ ¢ŒÒ¾à¨ŒÒṋã¨Ç‹Ò§Ò¹ BCB Dance Gala 2023 ¨Ð¨Ø´»ÃСÒÂãËŒà¡Ô´¤ÇÒÁËÇÁÁ×ÍáÅÐâÍ¡ÒÊÃÐËÇ‹Ò§ »ÃÐà·ÈÍÔµÒÅÕ áÅлÃÐà·Èä·Âµ‹Íä» áÅÐÊÒÁÒöÁͺÃÒ¡ÒÃáÊ´§ÍѹÁÕªÕÇÔµªÕÇÒá´‹ÊÒ¸Ò󪹪ÒÇ ä·Â¼‹Ò¹¡ÒùÓàʹʹŒÒ¹ÈÔŻРáÅÐÊÌҧÊÃä¼Å§Ò¹ÈÔÅ»ÐÍѹËÅÒ¡ËÅÒÂËÇÁ¡Ñ¹ ¢ŒÒ¾à¨ŒÒ¨ÐཇÒÃͪÁ¡Ô¨¡ÃÃÁÍѹ¹‹Òµ×่¹àµŒ¹¹Õ้ áÅТÍáÊ´§¤ÇÒÁ¢Íº¤Ø³ºÒ§¡Í¡«ÔµÕ้ºÑÅàŵÍÕ¡¤ÃÑ้§·Õ่¨Ñ´§Ò¹¹Õ้¢Ö้¹ à»ÒâÅ ´ÔâÍ¹Ô«Ô àÍ¡ÍѤÃÒª·ÙµÍÔµÒÅÕ Paolo Dionisi Ambassador of Italy AMBASSADOR OF ITALY GREETING MESSAGE
GOVERNOR OF BANGKOK GREETING MESSAGE Bangkok City Ballet Company, with great success and popularity, has continuously been organizing the ballet performance since 1996 until the COVID-19 pandemic, and the latest performance is "Bangkok City Ballet Dance Collection 2019: The Contemporary Dance Performance with James Pett. This Performance indicates Bangkok City Ballet Company's capacity in developing dancers and performers as well as strong determination to work on disseminating western dramatic arts, including ballet and contemporary dancing arts of various types to the public in Thailand. Such dedication is, therefore, considered the precious and proud success not only to Bangkok City Ballet Company itself, but also to students, parents, and audiences. It is a wonderful opportunity for this year that Bangkok City Ballet Company will organize "Bangkok City Ballet Dance Gala 2023". May I express my heartfelt congratulations to all artists and Bangkok City Ballet Company on tireless perseverance in creating the good activity for this time, and I hope that the activity will be endlessly continued in the future. In this connection, I wish Bangkok City Ballet Company and all its performers every success to objectives. (Mr. Chadchart Sittipunt) Governor of Bangkok ¤³ÐºÒ§¡Í¡«ÔµÕ้ºÑÅàŵ ä´Œ¨Ñ´¡ÒÃáÊ´§ºÑÅàŵÁÒÍ‹ҧµ‹Íà¹×่ͧ µÑ้§áµ‹»‚ ¾.È. 2539 ¨¹¶Ö§ª‹Ç§¡‹Í¹·Õ่¨ÐÁÕâäÃкҴâ¤ÇÔ´ 19 «Ö่§ä´ŒÃѺ¤ÇÒÁÊÓàÃ็¨ áÅÐÁÕ¡ÃÐáʵͺÃѺ ໚¹Í‹ҧ´Õ¨Ò¡¼ÙŒªÁ â´Â¡ÒÃáÊ´§¤ÃÑ้§Å‹ÒÊØ´¤×Í Bangkok City ballet Dance Collection 2019: The Contemporary Dance Performance with James Pett áÊ´§ãËŒ àË็¹¶Ö§ÈÑ¡ÂÀÒ¾¢Í§·Ò§¤³ÐºÒ§¡Í¡«ÔµÕ้ºÑÅàŵ㹡ÒþѲ¹Ò¹Ñ¡àµŒ¹¹Ñ¡áÊ´§ áÅÐÂѧ¤§ÁØ‹§ ÁÑ่¹·Õ่¨Ð·Ó˹ŒÒ·Õ่à¼Âá¾Ã‹¹Ò¯ÂÈÔÅ»ŠµÐÇѹµ¡ ·Ñ้§ºÑÅàŵ áÅÐÈÔŻСÒÃൌ¹áººÃ‹ÇÁÊÁÑÂã¹ ËÅÒ¡ËÅÒÂÃٻẺãËŒà¡Ô´¢Ö้¹ã¹»ÃÐà·Èä·Â ¹Ñºà»š¹¼ÅÊÓàÃ็¨·Õ่·Ã§¤Ø³¤‹Ò¡‹ÍãËŒà¡Ô´¤ÇÒÁ ÀÒ¤ÀÙÁÔ㨠äÁ‹à©¾ÒÐᵋà¾Õ§¤³ÐºÒ§¡Í¡«ÔµÕ้ºÑÅàŵ ÂѧÃÇÁ件֧µÑǹѡàÃÕ¹ ¼ÙŒ»¡¤Ãͧ µÅÍ´¨¹¼ÙŒªÁÍÕ¡´ŒÇ ÊÓËÃѺ㹻‚¹Õ้ ¹Ñºà»š¹âÍ¡ÒÊ·Õ่¹‹Òª×่¹ªÁ໚¹Í‹ҧÂÔ่§·Õ่¤³ÐºÒ§¡Í¡«ÔµÕ้ºÑÅàŵ¨Ð ¨Ñ´§Ò¹ “Bangkok City Ballet Dance Gala 2023” ¼Á¢ÍáÊ´§¤ÇÒÁÂÔ¹´Õ¡ÑºÈÔÅ»¹ ·Ø¡·‹Ò¹áÅФ³ÐºÒ§¡Í¡«ÔµÕ้ºÑÅàŵ㹤ÇÒÁà¾ÕÂþÂÒÂÒÁ·Õ่¨ÐÊÌҧ¡Ô¨¡ÃÃÁ´ÕæãËŒà¡Ô´¢Ö้¹ 㹤ÃÑ้§¹Õ้ áÅе‹Íà¹×่ͧä»äÁ‹ËÂØ´ÂÑ้§ ·Ñ้§¹Õ้ ¢ÍÍǾÃãËŒ¤³ÐºÒ§¡Í¡«ÔµÕ้ºÑÅàŵáÅйѡáÊ´§ ·Ø¡·‹Ò¹¨§»ÃÐʺ¤ÇÒÁÊÓàÃ็¨µÒÁÇѵ¶Ø»ÃÐʧ¤·Ø¡»ÃСÒÃ
DIRECTOR OF CONTEMPORARY ART AND CULTURE GREETING MESSAGE On behalf of the Office of Contemporary Art and Culture, Ministry of Culture, I would like to extend my heartfelt appreciation and felicitation to Bangkok City Ballet which has held various valuable activities, shows and artwork to the audience for longer than 20 years. Today, Bangkok City Ballet holds Bangkok City Ballet Dance Gala Performance 2023. Apart from being the international cooperation, the show has achieved universally-recognized standard. It also provides the stage and opportunities for the youth and rising star dancers from other institutes to be parts of the show. This can be said as a significant mission to preserve and pass on the talents from generation to generation. Lastly, I hope that Bangkok City Ballet will be blessed with successive achievements and honours in the years to come. Prasop Riangngoen Director – General Office of Contemporary Art and Culture ã¹¹ÒÁ¢Í§Êӹѡ§Ò¹ÈÔÅ»ÇѲ¹¸ÃÃÁËÇÁÊÁÑ ¡ÃзÃǧÇѲ¹¸ÃÃÁ ¢ÍáÊ´§¤ÇÒÁª×่¹ªÁ áÅÐÂÔ¹´Õ¡Ñº¤³ÐºÒ§¡Í¡«ÔµÕ้ºÑÅàŵÍ‹ҧ¨Ãԧ㨠·Õ่·Ò§¤³Ð ºÒ§¡Í¡«ÔµÕ้ºÑÅàŵ ä´Œ¤Ñ´ÊÃáԨ¡ÃÃÁ áÅСÒÃáÊ´§µ‹Ò§ æ ÊÌҧ¼Å§Ò¹à¼Âá¾Ã‹ ÊÙ‹¼ÙŒªÁµÅÍ´ÃÐÂÐàÇÅÒÁÒ¡¡Ç‹Ò òð »‚ ¡Ô¨¡ÃÃÁµ‹Ò§ æ àËÅ‹Ò¹Õ้ŌǹÁդس¤‹ÒÍ‹ҧÂÔ่§ ã¹Çѹ¹Õ้ ¤³ÐºÒ§¡Í¡«ÔµÕ้ºÑÅàŵ䴌¨Ñ´§Ò¹ Bangkok City Ballet Dance Gala Performance 2023 ¢Ö้¹¹Í¡¨Ò¡¡ÒÃáÊ´§ã¹¤ÃÑ้§¹Õ้¨Ð໚¹¡ÒÃáÊ´§ ·Õ่໚¹¤ÇÒÁËÇÁÁ×ÍÃдѺ¹Ò¹ÒªÒµÔ ໚¹¡ÒÃáÊ´§·Õ่ÁÕÁҵðҹÃдѺÊÒ¡ÅáÅŒÇ ¡Òà áÊ´§ã¹Çѹ¹Õ้Âѧ໚¹àÇ·Õ·Õ่ä´ŒÁͺâÍ¡ÒÊãËŒàÂÒǪ¹¹Ñ¡àµŒ¹´ÒÇÃØ‹§¨Ò¡Ê¶ÒºÑ¹Í×่¹ æ ÁÒËÇÁáÊ´§º¹àÇ·ÕÍÕ¡´ŒÇ ¹Ñºà»š¹ÍÕ¡¾Ñ¹¸¡Ô¨·Õ่ÊÓ¤ÑÞÂÔ่§ã¹¡ÒÃÊ׺ÊÒ¹áÅÐÊ‹§µ‹Í ÈÔÅ»Ðᢹ§¹Õ้¨Ò¡ÃØ‹¹ÊÙ‹ÃØ‹¹ ¢ÍÍǾÃãËŒ¡ÒèѴ§Ò¹ã¹¤ÃÑ้§¹Õ้»ÃÐʺ¤ÇÒÁÊÓàÃ็¨·Ø¡»ÃСÒà áÅТÍãËŒ ¤³ÐºÒ§¡Í¡«ÔµÕ้ºÑÅàŵ¡ŒÒÇ˹ŒÒÃØ‹§àÃ×ͧÂÔ่§ æ ¢Ö้¹ä»
BANGKOK CITY BALLET Thursday 15 June 2023 Talented Dance Youth 2023 (7 Mins) Swanilda variation from Coppélia, Act 1 Albretch variation from Giselle, Act 2 “Modulate”- Contemporary Dance Drifting into I (31 Mins) Intermission 20 minutes IMAGO (25 Mins) Don Quixote Divertissement (31 mins) - Finalé Dance Gala 2023 (1.52 Hrs)
SYNOPSIS DRIFTING INTO I Life is a constantly altering path. We fall, we drift, we transform into ever moving landscapes that lead us through chapters of loss, joy, the spirit and connection. And amidst these spaces are crowds of unique individuals, reciting their own chapters, their own lives. Through the six chapters of “Drifting into I” we are brought to question who we are within the crowd. Where the strong influences of the many makes us forget we all have voices, that we are individual minds amidst the constant energetic flow of bodies. Inspired by many everyday lives across various landscapes, “Drifting into I” looks to unravel our fear of individualism amidst community and the understanding that we are constantly changing beings. ªÕÇÔµ¤×ÍàÊŒ¹·Ò§·Õ่ÁÕ¡ÒÃà»ÅÕ่¹á»Å§µÅÍ´àÇÅÒ àÃÒÅŒÁŧ àÃÒŋͧ ÅÍ àÃÒà»ÅÕ่¹ä»à»š¹·ÔÇ·Ñȹ·Õ่à¤Å×่͹äËǵÅÍ´àÇÅÒ «Ö่§¹ÓàÃÒ¼‹Ò¹ª‹Ç§ áË‹§¡ÒÃÊÙÞàÊÕ ¤ÇÒÁÊØ¢ ¨ÔµÇÔÞÞÒ³ áÅСÒÃàª×่ÍÁµ‹Í áÅз‹ÒÁ¡ÅÒ§¾×้¹·Õ่àËÅ‹Ò¹Õ้¤×Í ¡ÅØ‹Á¤¹·Õ่ŌǹÁÕàÍ¡Åѡɳ੾ÒÐ µÑÇ ¼ÙŒ¡ÓÅѧ·‹Í§ÍÒ¢ÂÒ¹º·¢Í§µÑÇàͧ «Ö่§¹Ñ่¹¤×Í ªÕÇÔµ¢Í§¾Ç¡à¢Òàͧ µÅÍ´Ë¡º·¢Í§ “Drifting into I” àÃÒ¶Ù¡µÑ้§¤Ó¶ÒÁÇ‹ÒàÃÒ໚¹ã¤Ãã¹½Ù§ ª¹ ·Õ่«Ö่§ÍÔ·¸Ô¾ÅÍѹáç¡ÅŒÒ¢Í§ÊÔ่§µ‹Ò§æ ÁÒ¡ÁÒ·ÓãËŒàÃÒÅ×Áä»Ç‹Ò àÃÒ·Ø¡ ¤¹µ‹Ò§¡็ÁÕàÊÕ§ Å×Áä»Ç‹ÒàÃÒ໚¹à¾Õ§¨Ôµ·Õ่໚¹»˜¨à¨¡·‹ÒÁ¡ÅÒ§¡ÒÃäËÅ àÇÕ¹¢Í§Ã‹Ò§¡Ò·Õ่¡ÃЩѺ ¡ÃÐ੧µÅÍ´àÇÅÒ “Drifting into I” ä´ŒÃѺáçºÑ¹´ÒÅ㨨ҡªÕÇÔµ»ÃШÓÇѹÁÒ¡ÁÒ ã¹ËÅÒ¡ËÅÒÂÀÙÁÔ»ÃÐà·È ´ÙàËÁ×͹¨Ð¤ÅÕ่¤ÅÒ¤ÇÒÁ¡ÅÑÇ·Õ่ÁÕµ‹Í»˜¨à¨¡ ¹ÔÂÁ·‹ÒÁ¡ÅÒ§ªØÁª¹áÅФÇÒÁࢌÒ㨷Õ่Ç‹ÒàÃÒ໚¹ÊÔ่§ÁÕªÕÇÔµ·Õ่ÁÕ¡ÒÃà»ÅÕ่¹ á»Å§ÍÂÙ‹µÅÍ´àÇÅÒ
SYNOPSIS IMAGO What lies beneath our connection with another human, and in particular, what is the hidden voice that shares the truth of this connection? Are we truly ourselves or are we simply constructed through another, darker influence? Imago interrogates the nature of the human condition seen from the perspective of the hidden dysfunctions in relationships, experienced in various intoxications that alter, shape and deform the self as well as our relationships. Exploring the toxic natures, represented through floral symbolism inspired by the historical 'Language of Flowers', that we exhibit in our relationships such as abuse, distrust, alienation, manipulation, fear, addiction and more, Imago unfolds this journey of experience between two men. The white pillars on which the bouquets are arranged create ever-changing visual architectures as the couple navigate their internal landscapes and interactions. Imago reflects on a universal condition that we all experience to varying degrees, and on the progression of our being towards fulfilments and autonomy. ÁÕÍÐäë‹Í¹ÍÂÙ‹ÀÒÂ㵌¤ÇÒÁàª×่ÍÁ⧢ͧàÃҡѺÁ¹ØÉÂÍÕ¡¤¹Ë¹Ö่§? ÂÔ่§ä»¡Ç‹Ò ¹Ñ้¹ àÊÕ§·Õ่«‹Í¹¹Õ้¡ÓÅѧ¶‹Ò·ʹ¤ÇÒÁ¨ÃÔ§ÍÐäÃÀÒÂ㵌¤ÇÒÁÊÑÁ¾Ñ¹¸¹Õ้? àÃÒÁÕµÑǵ¹¢Í§ àÃÒÍ‹ҧ᷌¨ÃÔ§ËÃ×Í໚¹à¾Õ§ÊÔ่§¶Ù¡ÊÌҧâ´ÂÍÔ·¸Ô¾ÅÍ×่¹·Õ่Á×´Á¹¡Ç‹Ò? Imago ä´ŒÊ׺¤Œ¹Å֡ŧ件֧¸ÃÃÁªÒµÔ¢Í§Á¹ØÉ·Õ่«Ö่§ÊÒÁÒöÁͧàË็¹ä´Œ¨Ò¡ ¤ÇÒÁ¼Ô´»¡µÔ·Õ่´ÓçÍÂً㹤ÇÒÁÊÑÁ¾Ñ¹¸ ÃÇÁ¶Ö§»ÃÐʺ¡ÒóÍѹºÔ´àºÕ้Âǵ‹Ò§ æ ·Õ่ à»ÅÕ่¹á»Å§áÅС‹ÍËҧµÑǵ¹¢Í§àÃÒ¢Ö้¹ÁÒ ¡ÒÃÊÓÃǨ¸ÃÃÁªÒµÔ¢Í§¤ÇÒÁÊÑÁ¾Ñ¹¸ Íѹ໚¹¾ÔɹÕ้áÊ´§¼‹Ò¹ÊÑÞÅѡɳ´Í¡äÁŒ«Ö่§ä´ŒÃѺáçºÑ¹´ÒÅ㨨ҡ¹Ç¹ÔÂÒÂàÃ×่ͧ 'ºÒ´á¼Å¢Í§´Í¡äÁŒ' «Ö่§áÊ´§ÍÍ¡´Ñ§àª‹¹ ¡Òâ‹Áà˧ ¤ÇÒÁäÁ‹äÇŒÇҧ㨠¡ÒÃá»Å¡á¡ ¡ÒÃËÅÍ¡Åǧ ¤ÇÒÁ¡ÅÑÇ ¡ÒÃàʾµÔ´ áÅÐÍ×่¹æ ÍÕ¡ÁÒ¡ÁÒ ÍÔÁÒâ¡ä´Œ ¤ÅÕ่¤ÅÒÂáÅÐ¹Ó àʹͼ‹Ò¹»ÃÐʺ¡Òó㹤ÇÒÁÊÑÁ¾Ñ¹¸¹Õ้ÃÐËÇ‹Ò§¤¹Êͧ¤¹ ª‹Í´Í¡äÁŒ»ÃдѺº¹àÊÒÊÕ¢ÒÇ໚¹Ê¶Ò»˜µÂ¡ÃÃÁ·Õ่Ê×่Ͷ֧¡ÒÃà»ÅÕ่¹á»Å§µÅÍ´ àÇÅÒ àÁ×ً่ͤÃÑ¡ä´Œ´Ó´Ô่§Å§ä»ÊÓÃǨµÑǵ¹ÀÒÂã¹¼‹Ò¹¨Ò¡ÀÙÁÔ·ÑȹáÅл¯ÔÊÑÁ¾Ñ¹¸ÃÐËÇ‹Ò§ ¡Ñ¹ Imago ä´ŒÊзŒÍ¹¶Ö§ÊÀÒÇÐÍѹ໚¹ÊÒ¡Å·Õ่àÃÒ·Ø¡¤¹à¤ÂÁÕ»ÃÐʺ¡Òóã¹ÃдѺ ·Õ่ᵡµ‹Ò§¡Ñ¹ áÅÐÊÔ่§¹Õ้¹Óä»ÊÙ‹¡ÒÃàµÔÁàµ็ÁáÅСÒÃ໚¹µÑǢͧµÑÇàͧ㹰ҹÐÁ¹ØÉ·Õ่ÁÕ ªÕÇÔµ¤¹Ë¹Ö่§
SYNOPSIS Don Quixote Divertissement This ballet was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented in 1869. Don Quixote is a romantic comedy, a love story between Kitri and Basilio. Besides, Don Quixote and Sancho Panza live a series of adventures around the couple. The adventure of Don Quixote and Sancho lead them to Kitri, the daughter of an innkeeper, who is avoiding marriage to the wealthy Gamache in favour of her true love, Basilio, the barber. Ever the romantic, Don Quixote helps to save Kitri from marrying without love and helps a young lover to live together. In Dance Gala 2023, Bangkok City Ballet presents you the divertissement of Don Quixote to bring you the enjoyment. The stage will come alive with the Seguidilla - the dance of the villagers, the flirtation between Kitri and Basilio, Mercedes - the street dancer, Espada - the matador and his bullfighting fellows, and the very famous grand pas de deux from wedding scene. ºÑÅàŵàÃ×่ͧ “Don Quixote” ä´ŒÃѺ¡ÒÃÍ͡Ẻ·‹Òൌ¹â´Â Marius Petipa áÅÐ »Ãоѹ¸à¾Å§â´Â Ludwig Minkus ÍÍ¡áÊ´§¤ÃÑ้§áá㹻‚ ¾.È. 2412 µ‹ÍÁÒä´ŒÁÕ¡ÒûÃѺ ᵋ§·‹Òൌ¹ à¾Ô่ÁÃÐºÓ ÃÇÁ¶Ö§¡ÒÃàÃÕºàÃÕ§ÅӴѺ¡ÒÃáÊ´§ãËÁ‹ÍÕ¡ËÅÒ¤ÃÑ้§ ºÑÅàŵ “Don Quixote” ໚¹ÅФÃÃÑ¡ªÇ¹ËÑÇ áÊ´§¶Ö§àÃ×่ͧÃÒǤÇÒÁÃÑ¡¢Í§Ë¹Ø‹ÁÊÒÇ ¤Ù‹Ë¹Ö่§ Kitri - Basilio áÅÐàÃ×่ͧÃÒÇ¡Òü¨ÞÀÑ¢ͧ Don Quixote ¡ÑºÊËÒ¼ٌÃٌ㨠Sancho Panza ¡ÒÃà´Ô¹·Ò§¢Í§ Don Quixote áÅÐ Sancho Panza ¤ÃÑ้§¹Õ้ ·ÓãËŒ·Ñ้§¤Ù‹ 䴌仾º¡ÑºÅÙ¡ÊÒÇáʹÊÇ¢ͧ਌ҢͧâçáÃÁ “Kitri” «Ö่§¾ÂÒÂÒÁ»¯Ôàʸ¡ÒÃᵋ§§Ò¹¡Ñº àÈÃÉ°Õ “Gamache” áÅзÑ้§¤Ù‹Âѧ䴌ª‹ÇÂãËŒ Kitri ä´Œ¤ÃͧÃÑ¡¡Ñº “Basilio” ªÒÂ˹؋Áª‹Ò§µÑ´¼Á ¼ÙŒ·Õ่໚¹ÃÑ¡á·Œ¢Í§à¸Í ¡ÒÃáÊ´§ “Dance Gala 2023” ¤ÃÑ้§¹Õ้ ·Ò§ºÒ§¡Í¡«ÔµÕ้ºÑÅàŵ䴌ËÂԺ¡¡ÒÃáÊ´§ ºÒ§Ê‹Ç¹¨Ò¡àÃ×่ͧ “Don Quixote” ÁÒÊÌҧ¤ÇÒÁʹءʹҹᡋ¼ÙŒªÁ äÁ‹Ç‹Ò¨Ð໚¹ÃÐºÓ Seguidilla «Ö่§ä´ŒÃѺÍÔ·¸Ô¾Å¨Ò¡ÃкӾ×้¹àÁ×ͧ¢Í§Ê໹·Õ่ÁըѧËÇÐàÃ็ÇáÅÐʹءʹҹ, ¡Òà à¡Õ้ÂǾÒÃÒÊաѹ¢Í§ Kitri áÅÐ Basilio, ºÃôÒ˹؋Áæ ¹Ñ¡ÊÙŒÇÑÇ¡Ãзԧ ÃÇÁ¶Ö§ “Espada” ¹Ñ¡ ÊÙŒÇÑÇ¡ÃзԧÁ×Í˹Ö่§ áÅÐ “Mercedes” ¹Ñ¡àµŒ¹¤Ù‹ÃÑ¡¢Í§ Espada áÅзÕ่¢Ò´äÁ‹ä´Œ¤×Í ÃкӪش ൌ¹¤Ù‹ã¹Í§¡·Õ่ 3 ¨Ò¡©Ò¡§Ò¹áµ‹§§Ò¹¢Í§ Kitri ¡Ñº Basilio ¾ÃŒÍÁ·Ñ้§ÃкӨҡà¾×่͹æ à¨ŒÒ ÊÒÇ ·Õ่·ÓãËŒºÑÅàŵ Don Quixote ä´ŒÃѺ¤ÇÒÁ¹ÔÂÁÁÒ¨¹¶Ö§»˜¨¨ØºÑ¹
Bangkok City Ballet Company Dance Gala 2023 CAST Talented Dance Youth 2023 Swanilda variation from Coppelia, Act 1 Sumarilyn Ly Albretch Variation from Giselle, Act 2 Wipob Hansomboon “Modulate” Contemporary Dance Kamolnuth Sornplang Drifting into I James Pett Anchalika Toragsaskul Chanakarn Panpijit Napatachanatorn Preuksirisohpon Natchaporn Sornrasawan Paengpim Somjai Pitchaya Sirinanuwat Sarassanan Chaisinlapin Supatchai Lappakornkul Wonbunjong Piyasantiwong Yitong Wang Anurak Ngamta Karnjanakorn Sapianchai Napichaya Ampunsang Nichapat Thawanwanichkul Pattarawadee Tinanun Sangtip Wareesangtip Sathonthorn Proramattamasakol Varisara Chaikraveephand Wuttipong Mongkolphan IMAGO James Pett Travis Clausen-Knight
CAST Don Quixote Divertissement Town Square Scene from Act 1 Kitri Basilio Mercedes Espada Kitri’s Friends Villagers Bull Fighters Napichaya Ampunsang Anurak Ngamta Sarassanan Chaisinlapin Chanakarn Panpijit Natchaporn Sornrasawan Paengpim Somjai Anchalika Toragsaskul Karnjanakorn Sapianchai Margaerie Muangsuwana Nichapat Thawanwanichkul Pattarawadee Tinanun Pitchaya Sirinanuwat Sangtip Wareesangtip Supassara Khamsura Thanchanok Buasai Varisara Chaikraveephand Yitong Wang Napatachanatorn Preuksirisohpon Sathonthorn Proramattamasakol Supatchai Lappakornkul Wonbunjong Piyasantiwong Wuttipong Mongkolphan The Wedding’s Grand pas de deux from Act 3 Grand Pas de Deux Kitri Basilio Queen of Dryad Variation Bridesmaid Variation 1 Bridesmaid Variation 2 Corps de Ballet Finalé Ruika Yokoyama Giordano Bozza Samita Tanglaocharoen Sarassanan Chaisinlapin Karnjanakorn Sapianchai Anchalika Toragsaskul Margaerie Muangsuwana Natchaporn Sornrasawan Nichapat Thawanwanichkul Paengpim Somjai Varisara Chaikraveephand All
GUEST PROFILE James Pett competed as a gymnast for ten years before graduating from the Laban Dance Centre with a first-class degree and was awarded The Marion North Award for outstanding achievement in performance. From 2011- 2013 James danced for Richard Alston Dance Company. As well as touring internationally with the company, he was awarded New York Times critics’ top dance pick for 2013 from his performance of the duet in Alston's Unfinished Business. James joined Company Wayne McGregor in 2013, where he toured several of Wayne McGregor’s works internationally over 6 years. Highlights during his time include Tree of Codes, collaborative production performing alongside dancers from the Paris Opera Ballet, dancing on the Bolshoi Theatre stage for the Benois De La Danse gala of stars and dancing a duet with Alessandra Ferri as part of the BBC Performance Live documentary broadcasted on BBC Two. From 2019 James progressed into becoming an independent artist he was selected to be the international guest choreographer with Bangkok City Ballet, where he choreographed Unfolding on the full company. He was supported by the British Council of Mexico to create his new work The Behind Me with a cast of ten Mexican dancers which toured to three venues including the prestigious Government Cultural Centre ‘Los Pinos’ in Mexico City. His brand new self-produced and full length duet work IMAGO. Has been programmed at t London. James Pett ໚¹¹Ñ¡ÂÔÁ¹Òʵԡ·Õ่ŧᢋ§¢Ñ¹à»š¹àÇÅÒÂÒǹҹ¶Ö§ÊÔº»‚ ¡‹Í¹·Õ่¨Ð¨º¡ÒÃÈÖ¡ÉÒ¨Ò¡ Laban Dance Center ´ŒÇÂÃдѺÂÍ´àÂÕ่ÂÁ áÅÐä´ŒÃѺÃÒ§ÇÑÅ The Marion North Award ¨Ò¡¼Å§Ò¹¡ÒÃáÊ´§·Õ่â´´à´‹¹ µÑ้§áµ‹»‚ 2554-2556 à¨ÁÊáÊ´§ãËŒ¡Ñº¤³Ð Richard Alston Dance Company ¹Í¡¨Ò¡¨ÐÍÍ¡·ÑÇÃáÊ´§§Ò¹ã¹ µ‹Ò§»ÃÐà·È¡Ñº¤³Ð¹Ñ¡àµŒ¹áÅŒÇ à¢ÒÂѧ䴌ÃѺÃÒ§ÇÑÅ¢ÇÑÞ㨹ѡÇÔ¨Òó¢Í§ New York Times ã¹»‚ 2556 ¨Ò¡¡Òà áÊ´§¤Ù‹¢Í§à¢Òã¹ Alston’s Unfinished Business James ࢌÒËÇÁ¡Ñº¤³Ð Wayne McGregor ã¹»‚ 2556 «Ö่§à¢Òä´Œà´Ô¹·Ò§à¾×่ÍáÊ´§¼Å§Ò¹¡ÒÃൌ¹ÁÒ¡ÁÒ ¢Í§ Wayne McGregor ã¹µ‹Ò§»ÃÐà·È໚¹àÇÅÒ¡Ç‹Ò 6 »‚ à˵ءÒóÊÓ¤ÑÞ㹪‹Ç§àÇÅҢͧà¢Ò 䴌ᡋ Tree of Codes «Ö่§à»š¹¼Å§Ò¹¡ÒüÅԵËÇÁ¡Ñ¹·Õ่áÊ´§Ã‹ÇÁ¡Ñº¹Ñ¡àµŒ¹¨Ò¡¤³Ð Paris Opera Ballet ൌ¹º¹àÇ·Õ Bolshoi Theatre ã¹ §Ò¹áÊ´§¡ÒÅ‹Ò Benois De La Danse ¢Í§àËÅ‹Ò´ÒÃÒ â´Âà¨ÁÊ䴌ൌ¹¤Ù‹¡Ñº Alessandra Ferri «Ö่§à»š¹Ê‹Ç¹Ë¹Ö่§¢Í§ ÊÒä´Õ BBC Performance ·Õ่ÍÍ¡ÍÒ¡ÒÈÊ´·Ò§ BBC Two µÑ้§áµ‹»‚ 2562 à¨ÁÊ¡ŒÒÇࢌÒÊÙ‹¡ÒÃ໚¹ÈÔÅ»¹ÍÔÊÃÐ à¢Òä´ŒÃѺàÅ×Í¡ãˌ໚¹¹Ñ¡Í͡Ẻ·‹Òൌ¹ÃѺàªÔÞ¹Ò¹ÒªÒµÔ ¢Í§¤³Ð Bangkok City Ballet «Ö่§à¢Òä´ŒÍ͡Ẻ¡ÒÃáÊ´§·Õ่ÁÕª×่ÍÇ‹Ò Unfolding ãËŒ¡Ñº¹Ñ¡áÊ´§·Ñ้§¤³Ð à¢Òä´ŒÃѺ¡Òà ʹѺʹع¨Ò¡ºÃÔµÔªà¤Ò¹«ÔÅáË‹§àÁ็¡«Ôâ¡ãËŒÊÌҧ¼Å§Ò¹ªÔ้¹ãËÁ‹¢Í§à¢Ò·Õ่ÁÕª×่ÍÇ‹Ò The Behind Me ËÇÁ¡Ñº¹Ñ¡àµŒ¹ªÒÇ àÁ็¡«Ô¡Ñ¹ 10 ¤¹ «Ö่§ÍÍ¡·ÑÇÃä»Âѧʶҹ·Õ่ 3 áË‹§ «Ö่§ÃÇÁ¶Ö§ÈÙ¹ÂÇѲ¹¸ÃÃÁ·Õ่ÁÕª×่ÍàÊÕ§¢Í§ÃÑ°ºÒÅÍ‹ҧ 'Los Pinos' ã¹àÁ็¡«Ôâ¡«ÔµÕ้ IMAGO ¼Å§Ò¹¡ÒÃáÊ´§¤Ù‹·Õ่à¨ÁÊÍ͡Ẻ¢Ö้¹ãËÁ‹´ŒÇµÑÇàͧẺàµ็Áͧ¡ ä´ŒÃѺ¡ÒèѴáÊ´§·Õ่âçÅФà Teatro Grande Íѹ·Ã§à¡ÕÂõÔã¹»ÃÐà·ÈÍÔµÒÅÕ ¼Å§Ò¹·Õ่ËÅÒ¡ËÅÒ¢ͧà¢ÒÂѧ¤§àµÔºâµÍ‹ҧÃÇ´àÃ็Ç áÅÐàÁ×่ÍäÁ‹¹Ò¹ÁÒ ¹Õ้à¢Òà¾Ô่§à»´µÑǼŧҹªØ´ãËÁ‹ÊÒÁªØ´«Ö่§à»š¹Ê‹Ç¹Ë¹Ö่§¢Í§¡ÒÃáÊ´§ªØ´ MOMENTUM ã¹à´×͹¡Ñ¹ÂÒ¹ 2565 º¹àÇ·Õ ËÅÑ¡·Õ่ Sadler’s Wells 㹡ÃاÅ͹´Í¹ ジェームズ・ペットは、ラバン・ダンスセンターを卒業し、一等学位を取得し、演技の優れた成果 に対してマリオン・ノース賞を受賞する前に、10年間体操競技選手として活躍しました。2011年から 2013年まで、ジェームズはリチャード・オールストン・ダンス・カンパニーで踊り、国際ツアーの演目『 Alstonʼs Unfinished Business』でのデュエットのパフォーマンスにより、2013年のニューヨーク・タイ ムズ批評家のトップダンスピック賞を受賞しました。 ジェームズは2013年にカンパニー・ウェイン・マクレガーに入団し、6年間にわたりウェイン・マ クレガーの作品を踊り、国際的ツアーに参加しました。その間の彼の活動のハイライトには、パリ・オペラ 座のダンサーと共演したコラボレーション作品『Tree of Codes』、ボリショイ劇場でのベノワ・ド・ラ・ダ ンスガラのステージでの踊り、BBC Twoで放送されたBBC Performance Liveドキュメンタリーの一 環としてアレッサンドラ・フェリとのデュエットがあります。 2019年からは独立アーティストとして活動し始め、バンコク・シティ・バレエの国際ゲスト・コレ オグラファーとして、フルカンパニーに『Unfolding』を振り付けました。また、メキシコの10人のダンサー からなるキャストと共に新作『The Behind Me』を制作するために、メキシコの名門文化センター「ロス・ ピノス」を含む3つの会場にツアーを行う際には、メキシコのブリティシュカウンシルの支援を受けました。 彼の最新の自主制作であり、フルレングスのデュエット作品『IMAGO』は、イタリアの名門劇場テアトロ・ グランデで上演されました。彼の作品の幅は急速に拡大し続けており、最近では2022年9月にロンドン のサドラーズ・ウェルズのメインステージで開催された"MOMENTUM"ショーの一環として、3つの新作 が初演されました。 JAMES PETT
GUEST PROFILE TRAVIS CLAUSEN-KNIGHT Travis Clausen-Knight was born in South Africa, Travis has developed a significant career dancing for choreographers such as Wayne McGregor CBE, Michael Clark, Matthew Bourne, Bawren Tavaziva, Holly Noble, Tim Podesta and Alexander Whitley. As a dancer for these renowned artists he has undertaken international tours performing on stages such as the Bolshoi, New York City Centre, Sadlers Wells, Palais Garnier, Bastille and many more. Among a number of other awards in both film and dance, Travis received the award for Best Choreography with: Exposure at the Korean International Contemporary Dance Competition (2021); A Space Left Blank at the New Renaissance Film festival (2022). With Exposure, he also received the Audience Award and Best Performance Award at the Solocoreografico Festival 2022. He has choreographed a variety of works such as Linear, Exposure, ProXimity, Stutter and Informal Between which have all had international premieres in countries such as Japan, Australia, Italy, Korea and UK. After leaving Wayne McGregor’s Company in 2019, Travis has continued on as a freelance dancer and choreographer. Together with James Pett he has been creating several works such as Man of the Crowd, Eye of the Storm, Thou Art the Man, I Stood Amid the Roar and several more. Additionally, he has successfully directed a number of dance films such as A Space Left Blank, honorably mentioned for best choreography at the New Renaissance Film Festival, Doldrums music video by Silverhours (2023) and Beast by Veronica Furman (2023). His long lasting artistic partnership with James Pett led them to create their company Pett | Clausen-Knight. Their works have been presented in international theatres, platforms and festivals such as: Sadler’s Wells Theatre, Teatro Grande in Brescia, Festival Exister in Milan, Festival Morelos Danza (Mexico), Korea, Australia, Black Box Festival in Bulgaria, Florence Dance Festival, New National Theatre in Japan, and many more. Over the years they have been called by international companies to work as guest choreographers and artists, creating works for: Bangkok City Ballet (Thailand), Los Talleres (Mexico), DANCEHAUSpiù, Encore Dance Company. November 2022 was official premiere of IMAGO, their first full piece, in Brescia (Teatro Grande) and Milan (Festival Exister, Dancehaus). IMAGO is continuing to tour throughout 2023 and has been presented in New York and Mexico. Starting January 2023 they became associate artists with DANCEHAUSpiù, who supports their latest creations In the Absence and After Echoes. Travis Clausen-Knight à¡Ô´ã¹áÍ¿ÃÔ¡Ò㵌 Travis ä´Œ¾Ñ²¹ÒÍÒªÕ¾·Õ่ÊÓ¤ÑÞ¼‹Ò¹¡ÒÃൌ¹ãËŒ¡Ñº¹Ñ¡Í͡Ẻ·‹Òൌ¹ÁÒÂÁÒ ઋ¹ Wayne McGregor CBE, Michael Clark, Matthew Bourne, Bawren Tavaziva, Holly Noble, Tim Podesta áÅÐ Alexander Whitley 㹰ҹйѡൌ¹¢Í§ÈÔÅ»¹·Õ่ÁÕª×่ÍàÊÕ§àËÅ‹Ò¹Õ้ ·ÓãËŒà¢Òä´ŒµÃÐàǹÍÍ¡·ÑÇÃà¾×่ÍáÊ´§º¹àÇ·ÕÃдѺ¹Ò¹ÒªÒµÔ ઋ¹ Bolshoi, New York City Centre, Sadlers Wells, Palais Garnier, Bastille áÅÐÍÕ¡ÁÒ¡ÁÒ 㹺ÃôÒÃÒ§ÇÑŵ‹Ò§æ ÁÒ¡ÁÒ·Ñ้§ÀҾ¹µÃáÅСÒÃൌ¹ Travis ä´Œ ÃѺÃÒ§ÇÑÅ¡ÒÃÍ͡Ẻ·‹Òൌ¹ÂÍ´àÂÕ่ÂÁ¨Ò¡§Ò¹áÊ´§·Õ่ Korean International Contemporary Dance Competition (2564); A Space Left Blank ã¹à·È¡ÒÅÀҾ¹µÃÂؤàÃÍà¹Ê«Í§ÊãËÁ‹ (2565) 㹡ÒÃáÊ´§¹Ñ้¹ à¢ÒÂѧ䴌ÃѺÃÒ§ÇÑÅ¢ÇÑÞ㨼ٌªÁ áÅÐ ÃÒ§ÇÑŹѡáÊ´§ÂÍ´àÂÕ่ÂÁ ¨Ò¡ Solocoreografico Festival 2565 ÍÕ¡´ŒÇ à¢ÒÁռŧҹ¡ÒÃÍ͡Ẻ·‹Òൌ¹ÁÒ¡ÁÒ ઋ¹ Linear, Exposure, ProXimity, Stutter áÅÐ Informal Between «Ö่§ÅŒÇ¹ÁռŠ§Ò¹¡ÒÃáÊ´§Ãͺ»°Á·Ñȹ㹵‹Ò§»ÃÐà·È ÍÒ·Ô ÞÕ่»Ø†¹ ÍÍÊàµÃàÅÕ ÍÔµÒÅÕ à¡ÒËÅÕ áÅÐÊËÃÒªÍҳҨѡà ËÅѧ¨Ò¡ÍÍ¡¨Ò¡¤³Ð Wayne McGregor ã¹»‚ 2562 Travis ä´Œ¼Ñ¹µÑÇàͧÁÒ໚¹¹Ñ¡àµŒ¹áÅйѡÍ͡Ẻ·‹Òൌ¹ÍÔÊÃÐ à¢Òä´ŒÊÌҧÊÃä¼Å§Ò¹ËÅÒªÔ้¹Ã‹ÇÁ¡Ñº James Pett ઋ¹ Man of the Crowd, Eye of the Storm, Thou Art the Man, I Stood Amid the Roar áÅÐÍÕ¡ÁÒ¡ÁÒ ¹Í¡¨Ò¡¹Õ้ à¢ÒÂѧ»ÃÐʺ¤ÇÒÁÊÓàÃ็¨ã¹ ¡ÒáӡѺÀҾ¹µÃൌ¹ËÅÒÂàÃ×่ͧ ઋ¹ A Space Left Blank «Ö่§ä´ŒÃѺ¡ÒáŋÒǶ֧Í‹ҧÊÁà¡ÕÂõÔã¹ÊÒ¢Ò¡ÒÃÍ͡Ẻ·‹Òൌ¹·Õ่´Õ·Õ่ÊØ´ã¹à·È¡ÒÅ ÀҾ¹µÃàÃÍà¹Ê«Í§ÊãËÁ‹ ÃÇÁ¶Ö§ÁÔÇÊÔ¤ÇÔ´ÕâÍà¾Å§ Doldrums â´Â Silverhours (2566) áÅÐ Beast â´Â Veronica Furman (2566) ¨Ò¡¤ÇÒÁËÇÁÁ×Í·Ò§ÈÔÅ»ÐÍѹÂÒǹҹ¢Í§à¢Ò¡Ñº James Pett ·Ñ้§Êͧ䴌ËÇÁ¡Ñ¹¡‹ÍµÑ้§¤³Ð Pett | Clausen-Knight ¼Å§Ò¹¢Í§ ¾Ç¡à¢Òä´ŒÃѺ¡ÒùÓàʹÍã¹ÃдѺ¹Ò¹ÒªÒµÔ·Ñ้§ã¹âçÅФà àÇ·Õ áÅеÒÁà·È¡Òŵ‹Ò§æ ઋ¹ Sadler's Wells Theatre, Teatro Grande ã¹ Brescia, Festival Exister ã¹ÁÔÅÒ¹, Festival Morelos Danza (àÁ็¡«Ôâ¡), à¡ÒËÅÕ, ÍÍÊàµÃàÅÕÂ, Black Box Festival 㹺ÑÅá¡àÃÕÂ, Florence Dance Festival ÃÇÁ¶Ö§ New National Theatre ã¹ÞÕ่»Ø†¹ áÅÐÍ×่¹æ ÍÕ¡ÁÒ¡ÁÒ ËÅÒ»‚·Õ่¼‹Ò¹ÁҾǡà¢Òä´ŒÃѺ¡ÒÃàÃÕ¡µÑǨҡ¤³Ðµ‹Ò§æ ã¹ÃдѺ¹Ò¹ÒªÒµÔãˌËÇÁ§Ò¹ã¹°Ò¹Ð¹Ñ¡Í͡Ẻ·‹Òൌ¹ÃѺàªÔÞáÅÐÈÔÅ»¹ÊÌҧÊÃä ¼Å§Ò¹ 䴌ᡋ Bangkok City Ballet (ä·Â), Los Talleres (àÁ็¡«Ôâ¡), DANCEHAUSpiù, Encore Dance Company ã¹à´×͹ ¾ÄȨԡÒ¹ 2565 ໚¹¡ÒÃáÊ´§Ãͺ»°Á·Ñȹ¢Í§ IMAGO «Ö่§à»š¹¼Å§Ò¹àµ็ÁÃٻẺ¢Í§¾Ç¡à¢Òã¹ Brescia (Teatro Grande) áÅÐ Milan (Festival Exister, Dancehaus) IMAGO ¡ÓÅѧÍÂً㹪‹Ç§¢Í§¡ÒõÃÐàǹáÊ´§Í‹ҧµ‹Íà¹×่ͧµÅÍ´»‚ 2566 áÅÐä´Œ¶Ù¡¹ÓÁÒáÊ´§·Ñ้§ ã¹¹ÔÇÂÍááÅÐàÁ็¡«Ôâ¡ µÑ้§áµ‹à´×͹Á¡ÃÒ¤Á 2566 ¾Ç¡à¢Ò䴌໚¹ÈÔÅ»¹Ã‹ÇÁ¡Ñº DANCEHAUSpiù «Ö่§Ê¹ÑºÊ¹Ø¹¼Å§Ò¹ÊÌҧÊÃäŋÒÊØ´¢Í§ ¾Ç¡à¢ÒªØ´ In the Absence áÅÐ After Echoes トラビスは南アフリカで生まれ、Wayne McGregor CBE、Michael Clark、Matthew Bourne、Bawren Tavaziva、Holly Noble、Tim Podesta、Alexander Whitleyなどの著名な振付家のもとでダンサーとして重要なキャリアを築いてきました。これらのアーティストの作品をボリショイ劇場 、ニューヨークシティセンター、サドラーズウェルズ、パレ・ガルニエ、バスティーユなどの舞台で国際ツアーで踊ってきました。トラビスは映画やダンスの分野で 数々の賞を受賞しており、韓国国際現代舞踊コンクール（2021年）の「Exposure」と、ニュールネサンス映画祭（2022年）での「A Space Left Blank」でどち らも最優秀振付賞を受賞しました。また、Solocoreografico Festival 2022で「Exposure」を踊り、観客賞と最優秀パフォーマンス賞も受賞しました。 彼は「Linear」「Exposure」「ProXimity」「Stutter」「Informal Between」などさまざまな作品の振付を手掛け、これらはすべて日本、オースト ラリア、イタリア、韓国、イギリスなどで世界初演を果たしました。2019年にWayne McGregorのカンパニーを離れた後、トラビスはフリーランスのダンサー 兼振付家として活動を続けています。ジェームズ・ペットと共に、『Man of the Crowd』、『Eye of the Storm』、『Thou Art the Man』、『I Stood Amid the Roar』など、いくつかの作品を制作してきました。さらに彼は、「A Space Left Blank」というダンスフィルムや、ニュールネサンス映画祭で最優秀振付賞を受 けた「Doldrums」のシルバーアワーズ（2023）のミュージックビデオ、およびVeronica Furman（2023）の「Beast」など、数々のダンスフィルムを成功裏に監 督しています。彼の長きにわたる芸術的パートナーシップは、ジェームズ・ペットとの間でPett | Clausen-Knightという会社を設立することにつながりました 。彼らの作品は、サドラーズ・ウェルズ・シアターやブレシアのテアトロ・グランデ、ミラノのフェスティバル・エグジステール、メキシコのフェスティバル・モレロス ・ダンサ、韓国、オーストラリア、ブルガリアのブラックボックス・フェスティバル、フィレンツェ・ダンス・フェスティバル、日本の新国立劇場など、国際的な劇場、プ ラットフォーム、フェスティバルで上演されています。これまでに、彼らは国際的なカンパニーから招かれて、客演振付家やアーティストとして仕事をする機会が ありました。彼らが作品を制作したカンパニーに、バンコク・シティ・バレエ（タイ）、ロス・タジェレス（メキシコ）、ダンスハウスピウ、アンコール・ダンス・カンパニ ーがあります。2022年11月、彼らの最初のフル作品である「IMAGO」が公式に初演されました。初演はブレシア（テアトロ・グランデ）とミラノ（フェスティバル ・エグジステール、ダンスハウス）で行われました。また、「IMAGO」は2023年を通じてツアーを続け、ニューヨークやメキシコでも上演されました。また、2023 年1月から彼らはダンスハウスピウのアソシエイトアーティストとなり、彼らの最新作品「In the Absence」と「After Echoes」をサポートしています。
GUEST PROFILE COMPOSER SEAN PETT Sean Pett is a Composer/Producer based in the UK. Sean studied Audio production (Hons) at SAE Institute. For the last 5 years Sean has been writing contemporary music for UK and US TV networks, along with custom music for dance choreographies & film projects. Sean Pett ¼ÙŒ»Ãоѹ¸áÅмٌ¼ÅÔµ¨Ò¡ÊËÃÒªÍҳҨѡà ¬Í¹ ÊÓàÃ็¨¡ÒÃÈÖ¡ÉÒ´ŒÒ¹ Audio Production (¡ÒüÅÔµàÊÕ§) áÅÐä´ŒÃѺ à¡ÕÂõԹÔÂÁ ¨Ò¡Ê¶ÒºÑ¹ SAE 㹪‹Ç§ 5 »‚·Õ่¼‹Ò¹ÁÒ à¢Ò䴌ᵋ§à¾Å§Ã‹ÇÁ ÊÁÑÂãËŒ¡ÑºÃÒ¡Òà â·Ã·ÑȹÊËÃÒªÍҳҨѡÃáÅÐã¹ÊËÃÑ°ÍàÁÃÔ¡Ò ÃÇÁ¶Ö§ä´Œáµ‹§à¾Å§à¾×่Í㪌 »ÃСͺ¡ÒÃÍ͡Ẻ·‹Òൌ¹áÅÐÀҾ¹µÃ ショーン・ペットは、イギリスを拠点とする作曲家・プ ロデューサーです。ショーンはSAE Instituteでオーディオ 制作を学びすぐれた成績で修了しました。 過去5年間、ショーンは英国とアメリカのテレビネットワー ク向けに現代音楽を制作しており、またダンスの振り付け や映画プロジェクトのためにカスタムミュージックも作って います。 of IMAGO and Drifting into I
GUEST PROFILE RUIKA YOKOYAMA Ruika Yokoyama started ballet in Niigata, Japan at the age of 4. At the age of 15, she traveled alone to the Portuguese National Ballet School. During her studies there, she performed leading roles in productions. She was recruited by Nina Ananiashvili, who was serving as the artistic director, to join STATE BALLET OF GEORGIA at the age of 18, as a special guest director for their graduation performance. Despite being a corps de ballet member at the time, she was selected as the lead in "The Sleeping Beauty" at the age of 20 and was promoted to soloist that same year. She later became a principal dancer and performed leading roles in most of the ballet company's productions. After leaving the company, she held workshops and ballet seminars primarily in Europe. She has also been invited as a guest to numerous galas and performances around the world. Ruika Yokoyama àÃÔ่ÁàÃÕ¹ºÑÅàŵ·Õ่àÁ×ͧ Niigata »ÃÐà·ÈÞÕ่»Ø†¹àÁ×่ÍÍÒÂØ 4 »‚ àÁ×่ÍÍÒÂØ ä´Œ 15 »‚ à¸Íà´Ô¹·Ò§ä»âçàÃÕ¹ºÑÅàŵáË‹§ªÒµÔâ»ÃµØà¡Êà¾Õ§ÅӾѧ ÃÐËÇ‹Ò§àÃÕ¹·Õ่¹Ñ่¹ à¸Íä´ŒÃѺàÅ×Í¡ ãËŒáÊ´§¹Ó㹡ÒÃáÊ´§µ‹Ò§æ 㹡ÒÃáÊ´§¨º¡ÒÃÈÖ¡ÉÒ àÁ×่ÍÍÒÂØ 18 »‚ à¸Íä´ŒÃѺ¤Ñ´àÅ×Í¡¨Ò¡ Nina Ananiashvili «Ö่§à»š¹¼ÙŒ¡Ó¡ÑºÃѺàªÔÞ¾ÔàÈɢͧ¡ÒÃáÊ´§¹Ñ้¹ áÅдÓçµÓá˹‹§¼ÙŒÍӹǡÒý†Ò ÈÔÅ»Š ãˌࢌÒËÇÁ¤³Ð STATE BALLET OF GEORGIA áÁŒ¨Ð໚¹à¾Õ§ corps de ballet (¹Ñ¡ºÑÅàŵ¡ÅØ‹Á)ã¹àÇÅÒ¹Ñ้¹ ᵋà¸Í¡็ä´ŒÃѺàÅ×Í¡ãËŒáÊ´§¹Óã¹ "The Sleeping Beauty" àÁ×่ÍÍÒÂØä´Œ 20 »‚ áÅÐä´ŒÃѺ¡ÒÃàÅ×่͹µÓá˹‹§ãˌ໚¹ÈÔÅ»¹à´Õ่ÂÇã¹»‚à´ÕÂǡѹ¹Ñ้¹ µ‹ÍÁÒà¸Íä´Œ¡ÅÒÂ໚¹¹Ñ¡àµŒ¹ ËÅÑ¡áÅÐáÊ´§º·¹Ó㹡ÒÃáÊ´§Ê‹Ç¹ãËÞ‹¢Í§¤³ÐºÑÅàŵ ËÅѧ¨Ò¡ÍÍ¡¨Ò¡¤³ÐºÑÅàŵ à¸Í¨Ñ´ àÇÔäª็Í»áÅЧҹÊÑÁÁ¹ÒºÑÅàŵã¹ÂØâû໚¹ËÅÑ¡ à¸ÍÂѧ䴌ÃѺàªÔÞãˌ໚¹¹Ñ¡áÊ´§ÃѺàªÔÞ㹧ҹ ¡ÒÅ‹ÒáÅСÒÃáÊ´§ÁÒ¡ÁÒ·Ñ่ÇâÅ¡ 元ジョージア国立バレエプリンシパル（最高位） 現在フリーランス ４歳より新潟にてバレエを始める。１５歳でポルトガル国立バレエ学校へ単身 留学。在学中公演では主役を務めた。卒業公演に特別監督として訪校していたニーナ ・アナニアシヴィリに引き抜かれ１８歳で彼女が芸術監督を務めるジョージア国立バ レエに入団。２０歳でコールドバレエだったにも関わらず「眠れる森の美女」の主役に 抜擢され同年ソリストに昇格。その後プリンシパルに昇格しバレエ団のほとんどの作 品で主役を務めた。退団後ヨーロッパを中心に各地でワークショップ・バレエセミナー を開催。世界中で開催されているガラや公演にもゲストとして数多く招待されている。 Former Principal Dancer at STATE BALLET OF GEORGIA (highest rank) Currently freelancing Í´Õµ¹Ñ¡áÊ´§¹Ó (µÓá˹‹§ÊÙ§ÊØ´) »ÃШӤ³Ð STATE BALLET OF GEORGIA »˜¨¨ØºÑ¹à»š¹ÈÔÅ»¹ÍÔÊÃÐ
GUEST PROFILE GIOrDANO BOZZA Giordano Bozza was born in Taranto, Italy, and raised in Rome, where he began his ballet training. In 2007, he studied at the Accademia Nazionale di Danza in Rome and received the Anita Bucchi Award from the Teatro dell'Opera di Roma and a scholarship to the Royal Academy of Dance in 2009. That same year, he enrolled at the John Neumeier Ballet School in Hamburg, Germany. In 2011, he transferred and began working at the Palucca Hochschule für Tanz Dresden. In 2012, Bozza joined the National Moravian-Silesian National Ballet Theatre (Czech Republic) as a soloist. In 2016, he was nominated for the Thalia Price for Best Male Dancer for his performance in the role of "Puck" in Youri Vamos' production of "A Midsummer Night's Dream." In 2017, he performed at the Arena di Verona and participated in a project by Carla Fracci. In 2018, he transferred to the Greek National Opera Ballet, where he primarily danced leading roles. In 2021, he joined STATE BALLET OF GEORGIA as a soloist. He has participated in world tours in Dubai, Spain, Italy, and other countries. He continues to be invited as a guest to ballet galas in various countries. Giordano Bozza à¡Ô´·Õ่àÁ×ͧ Taranto »ÃÐà·ÈÍÔµÒÅÕ áÅÐàµÔºâµã¹¡ÃاâÃÁ «Ö่§à¢ÒàÃÔ่Á½ƒ¡ºÑÅàŵ ã¹»‚ 2550 à¢ÒÈÖ¡ÉÒ·Õ่ Accademia Nazionale di Danza 㹡ÃاâÃÁ áÅÐä´ŒÃѺÃÒ§ÇÑÅ Anita Bucchi Award ¨Ò¡ Teatro dell'Opera di Roma áÅзع¡ÒÃÈÖ¡ÉÒ¨Ò¡ Royal Academy of Dance ã¹»‚ 2552 ã¹»‚à´ÕÂǡѹ¹Ñ้¹ à¢Ò䴌ࢌÒàÃÕ¹·Õ่ John Neumeier Ballet âçàÃÕ¹ã¹àÁ×ͧÎÑÁºÙá »ÃÐà·ÈàÂÍÃÁ¹Õ ã¹»‚ 2554 à¢Ò䴌⡌ÒÂáÅÐàÃÔ่Á·Ó§Ò¹·Õ่ Palucca Hochschule für Tanz Dresden ã¹»‚ 2555 Bozza 䴌ࢌÒËÇÁ¤³ÐºÑÅàŵáË‹§ªÒµÔ Moravian-Silesian (ÊÒ¸ÒóÃÑ°àª็¡) ã¹ °Ò¹ÐÈÔÅ»¹à´Õ่ÂÇ ã¹»‚ 2559 à¢Òä´ŒÃѺ¡ÒÃàʹͪ×่ÍࢌҪԧÃÒ§ÇÑÅ Thalia Price ÊҢҹѡൌ¹ªÒÂÂÍ´àÂÕ่ÂÁ¨Ò¡ ¡ÒÃáÊ´§¢Í§à¢Ò㹺· "¾Ñ¤" ¨Ò¡¡ÒÃáÊ´§ "A Midsummer Night's Dream" ÀÒÂ㵌¡ÒáӡѺ¢Í§ Youri Vamos ã¹»‚ 2560 à¢ÒáÊ´§·Õ่ Arena di Verona áÅÐËÇÁáÊ´§ã¹§Ò¹¢Í§ Carla Fracci ã¹»‚ 2561 à¢Ò ÂŒÒÂࢌҤ³Ð Greek National Opera Ballet «Ö่§ä´ŒáÊ´§ã¹º·¹ÓáÊ´§ÁÒ¡ÁÒ 㹻‚ 2564 à¢ÒࢌÒËÇÁ¤³Ð STATE BALLET OF GEORGIA ã¹°Ò¹ÐÈÔÅ»¹à´Õ่ÂÇ à¢Ò䴌ࢌÒËÇÁ·ÑÇÃáÊ´§ÃͺâÅ¡ã¹»ÃÐà·È´Ùäº Ê໹ ÍÔµÒÅÕ áÅлÃÐà·ÈÍ×่¹æ à¢ÒÂѧ¤§ä´ŒÃѺàªÔÞãˌ໚¹¹Ñ¡áÊ´§ÃѺàªÔÞ㹧ҹºÑÅàŵ¡ÒÅ‹Òã¹»ÃÐà·Èµ‹Ò§æ ÍÕ¡´ŒÇ 元ジョージア国立バレエソリスト 現在フリーランス イタリア、タラント生まれ、ローマ育ち。ローマにてバレエを始める。 2007年ローマのアカデミー・ナツィオナーレ・ダンツァで学び、2009年ローマ国立劇場のアニタ・ブッキ賞とロイヤル ・アカデミー・オブ・ダンスのスカラシップを獲得する。同年、ジョン・ノイマイヤー・バレエスクール（ハンブルグ）に入学。 2011年、パルッカ舞踊大学（ドレスデン）に転校し就業した。 2012年、国立モラヴィア・シレジアン・バレエ団（チェコ共和国）にソリストとして入団。2016年、ユリ・ヴァ―モス演出・ 振付の「パック」役（「真夏の夜の夢」）の演技でタリア賞（部門：最優秀男性ダンサー）候補にノミネートされた。2017 年にはアレーナ・ディ・ヴェローナで踊ったほかカーラ・フラッチのプロジェクトに参加した。2018年、ギリシャ国立歌 劇場バレエ団に移籍し主に主役を務めた。2021年からはジョージア国立バレエにソリストとして移籍。ドバイ、スペイ ン、イタリアをはじめとする各国のワールドツアーに参加した。現在も各国のバレエガラにゲストとして招待されている。 Former Soloist of STATE BALLET OF GEORGIA Currently freelancing Í´ÕµÈÔÅ»¹à´Õ่ÂÇ»ÃÐ¨Ó STATE BALLET OF GEORGIA »˜¨¨ØºÑ¹à»š¹ÈÔÅ»¹ÍÔÊÃÐ
TALENTED DANCE YOUTH 2023 One of BCB’s most significant missions is to pass on the value of staging dance art performance to the dance community and next generation. BCB, therefore, provide young potential Thai dance students (coached by various different dance schools’ teachers) with an opportunity to dance in the same project as the professional dancers. We believe that these talented rising stars would also inspire and motivate next generation dance students. SUMARILYN LY WIPOB HANSOMBOON KAMOLNUTH SORNPLANG Please scan for the dancers’ profiles
BCB DANCERS Napichaya Ampunsang Sarassanan Chaisinlapin Anchalika Toragsaskul Paengpim Somjai Pattarawadee TinanUn Karnjanakorn Sapianchai Natchaporn Sornrasawan Nichapat Thawanwanichkul Sangtip Wareesangtip Varisara Chaikraveephand Yitong Wang Pitchaya Sirinanuwat Please scan for the dancers’ profiles
BCB SEASON DANCERS Samita Tanglaocharoen Anurak Ngamta Napatachanatorn Preuksirisohpon Chanakarn Panpijit Sathonthorn Proramattamasakol Wuttipong Mongkolphan Supatchai Lappakornkul Wonbunjong Piyasantiwong Margaerie Muangsuwana Supassara Khamsura Thanchanok Buasai BCB DANCERS Please scan for the dancers’ profiles
PRODUCTION TEAM DIRECTOR Masako Hirata Masako Hirata was born in Tokyo, Japan. Masako began her ballet training at Hisako Fukuzawa Ballet in Setagaya, Tokyo. Enrolled in Hakodate Ballet Academy and graduated from Tachibana Ballet School in March 1983 as the 31st graduating class of Tachibana Ballet School. Since Masako was still a student of Tachibana Ballet School, she joined ballet performances with Maki Asami Ballet Company as corps de ballet and also as soloist. Under the guidance of Asami Maki, Kyozou Mitani, Yuriko Kawaguchi and any other. She appeared at the premiere performance of “Swan Lake” choreographed by Terry Westmorland, and performed Big Swans, Italian Princess. She appeared in all company’s performances such as “Sleeping Beauty”, “Raymonda”. She also performed in “NHK Night of Ballet” and “Performing Arts Festival Tour” of “Cultural Properties Department of the Agency for Cultural Affairs”. Having discerned the possibilities and future potential of Classical Ballet in Thailand, she established Bangkok City Ballet in 1996. Annual school performance has been held once every year until present. This year marked Bangkok City Ballet School’s 26th Junior Ballet Concert which was the annual school performance. Bangkok City Ballet Company’s first full length performance, performing by Thai local ballet dancers was held in 2007 “Sleeping Beauty” has been completed successfully. Bangkok City Ballet Company performed “The Nutcracker” full length in December 2013 with Ms.Kirsty Martin and Mr.Damien Welch from Australian Ballet and Asami Sakanishi from Asami Maki Ballet Company as guest dancers. Since then, Bangkok City Ballet Company started to be the active professional ballet company in Thailand. Bangkok City Ballet is continuing to transmit talented Thai dancers and choreographers to the society and to the world.
PRODUCTION TEAM ASSISTANT Director Sarassanan Chaisinlapin Sarassanan Chaisinlapin was originally from Lamphun, Thailand, and had been trained classical ballet at Chiang Mai Ballet Academy since age of four. Sarassanan graduated Advanced 2 in classical ballet of RAD of UK and has been awarded in jazz ballet by CSTD, Australia. She is certified in Ballet teaching (CBTS program) by RAD; assessed in Progressing Ballet Technique (PBT) Junior, Senior & Advanced Programs; and certified in completion the Vaganova Teacher Course for teaching Vaganova method.Participating in many dance competitions, held in Thailand and overseas, she won the prizes in various styles of dance; classical ballet, neo-classical, jazz dance, contemporary dance and national dance. For example; she won the Ballet Championship from the 28th C.S.T.D. Theatrical Festival in Perth, Australia (2007), she also won an aggregate trophy from the 8th Asia-Pacific Dance Competition in Singapore (2006), etc. Sarassanan was first appeared with the Bangkok City Ballet during 2009. In 2014, she was promoted to a principle dancer. Her repertoire includes The Nutcracker, Don Quixoté, Coppélia, Raymonda, Swan Lake, Flower Festival in Genzano, Sleeping Beauty and La Bayadère. In addition to ballet, she is also active as a dancer in productions of new promising choreographers. Sarassanan was invited to perform in the “Chorea Gala 2019”, an international dance festival, in Bratislava, The Slovak Republic. As dance instructor, Sarassanan has experienced in teaching ballet since 2000; mainly Chiang Mai Ballet Academy and Bangkok City Ballet School, and many more schools and studios in Bangkok. Sarassanan provides teaching classical ballet for junior and adult students, RAD syllabus class, stretching class, repertoire variation, and coaching. She also had choreographed many routines for junior students, both classical and neo-classical. AssistanT Director Naporn Wattanakasaem Naporn Wattanakasaem was born and raised in Bangkok, Thailand. She graduated with the BA in dance from University of North Carolina, Greensboro in 2013 and came back to join Bangkok City Ballet as a choreographer, dancer and instructor since then. Naporn performed both contemporary dance and ballet and choreographed and directed many works for the company including “Rather Be”(2014), “Fourth Dimension”(2015), “Initiation”(2016), “Norm”(2016), “Silent”(2017-2018) and Ruam-Atta-Rak (2021). She also did the dance films such as “Mystified”(2012) which was selected to present at the American College Dance Festival Association 2013 and the Salt Lake 2013 Screendance Festival. In 2018, Naporn received the best choreography award from the ATOD International Dance Competition and was selected as a short-listed candidate for the Women of the Future Award, Southeast Asia, in Art and Culture category. In 2019 Naporn completed MFA in choreography from Jacksonville University. She is interested in exploring the relationship between performing body and its environment as a metaphor for the interconnection between the self and the world we live in.
PRODUCTION TEAM Ballet Education Director TIROLARN KRITYAKIERNE Starting ballet at Tokyo Ballet Institute at the age of four; Tirolarn or Ting has continued her dance in Bangkok with Kanchana Jalavicharana, William Morgan and Thanpuying Varaporn Pramoj at Varaporn-Kanchana Ballet School and later with Pornpimol Kanthatham at Pornpimol-Sophatai Ballet School and Bangkok City Ballet School, under the direct guidance of Masako Hirata. She successfully completed RAD Advanced level in 1998 and completed BCBS curriculum in 2002, taking the role of "Princess Aurora" in the full-length Sleeping Beauty. She took many dance workshops held in Singapore, Japan and Malaysia. She was selected as an Outstanding Youth (Art Section) by Her Royal Highness Sirindhorn in 2003. Ting graduated from the faculty of Arts, Chulalongkorn University (Hons) and Chanapatana International Design Institute in 2007. She is also Certified in Ballet Teaching (CBTS) by RAD, Progressing Ballet Technique (PBT) and continuing professional development in Vaganova methods annually with Pedro Carneiro. Teaching at BCBS as a full-time instructor since 2004, she also joined BCB as a company member and was BCB principal dancer during 2005-2012, taking many leading roles and solos in Bangkok City Ballet annual productions. She was invited as a guest dancer to various performances including “Spring Ballet Concert 2010" in Isesaki, Japan. Moreover, she was a guest lecturer for the faculty of Fine and Applied Arts at Chulalongkorn University (2004-2006) and the faculty of Fine and Applied Arts at Thammasart University (2008-2010). Presently, Tirolarn is Bangkok City Ballet School’s Ballet Education Director. Technical Director Viladda Vanadurongwan Viladda Vannadurongwan, A member of "Crescent Moon Theatre" founders, Viladda has many experiences in theatrical field both directing and acting. She is an assistant director (continuity) to "Bar 21" film, by Director Euthana Mukdasanit, modifier and director child's play, "Max und Meli", in the name of theatre group "Puen Dek" Besides her talent on directing, she also experienced in acting by starring in "The Exception & The Rule" by Director Bertold Brecht and "Chukchok" theatrical play, directed by Dr. Wolfram Mehring, Music Composed and Directed by Bruce Gaston. At present Viladda is a founder and board of director of Grass Root Micro Media Foundation and the theatre group "Makhampom" and "Theatre 28" also managing director of Karaked Entertainment Co., Ltd. Begin working with BCB since 2003.
PRODUCTION TEAM Scenery Designer Supatanit Thitachaiyasit Graduating from Bangkok University, Supatanit Thitachaiyasit or Rong has been a propsmaster for the performance and plays of the faculty of Communication Arts, he has many experiences on stage design, and proved himself to be the famous scenery designer. After graduated, he has worked with the professional theatre production house such as Dass Entertainment, Dream Box and also with Bangkok City Ballet where he started to make a scenery for ballet production. Rong started working with BCB in The Nutcracker 2003 for the first production and he continuously making marvelous scenes for BCB until now both Junior Ballet Concerts and The Bangkok City Ballet Performances. Lighting Designer Arunroj Thomma Arunroj Thomma is a lighting designer based in Bangkok,Thailand. After graduated from Dramatics Art, Faculty of Art, Chulalongkorn University. She started a career path as one of lighting team (Lighting Operator and Lighting Designer) in Khon Performance sine 2010-2022 was held at Main Hall, Thailand Cultural center. She has worked with professional production in many fields such as Khon performance, “Muskim” live in Bangkok in Bangkok dance and music theatre festival 2022, also worked with the Opera Siam in Jesus Christ Superstar, La Boheme Sama The faithful son, Anne frank, The Silent prince ,directed by Somtao Sucharitkul.
PRODUCTION TEAM Costume Designer (Drifting into I) Yotsatham Sarisri Administrator Sumiko Fukuda Costume Atelier Coupie Marketing Communication Wissara Buntupa Scenery Designer Supatanit Thitachaiyasit Sound System Who Sound Co., Ltd. Video Recording & Editing NP1974 Creation Co., Ltd Photographer NP1974 Creation Co., Ltd Lighting System Leko lite co., Ltd. Graphic Designer Sapa Director Masako Hirata Ballet Mistress Yuko Nakamura Napichaya Ampunsang Ballet Master Anurak Ngamta Ballet Education Director Tirolarn Krityakierne Technical Director Viladda Vanadurongwan Assistant Technical Director Vitcha Sudprasert Stage Management Karaked Entertainment Co., Ltd. Lighting Designer Assistant Kantinattapoj Dechowongdee Lighting Designer Arunroj Thomma Assistant Director Sarassanan Chaisinlapin Naporn Wattanakasaem
SPEACIAL THANKS TO B.Grimm British Council Yuanta Securities Siam Takashimaya T.S.K. SPRING MANUFACTORY Shiseido Yoshimoto Entertainment Ganon Personnel Consultant Manpower Samitivej Hospital Sonata WOM-Bangkok Asia Suzuki Embassy of Japan in Thailand Ambasciata d’Italia Bangkok Metropolitan Administration Office of Contemporary Art and Culture Japanese Association in Thailand Birathon Kasemsri Na Ayudhaya Lipda Chantayasakorn (BCBS Graduate 2022) Tipaluck Krityakierne (BCBS Graduate 2004) Pimpilai Naknaul (Former BCB Member)