Gilbert & Gubar's
Tke Madwoman in the Attic
After Thirty Years
Foreword by S a n d r a M . G i l b e r t
Edited witn a n Introduction by
A n n e t t e R. Federico
University o fMissouri Press
Columbia a n d London
Contents ix
xv
Foreword: 1
Conversions of the Mind
27
Sandra M. Gilbert 34
60
Acknowledgments
76
Introduction: 94
"Bursting All the Doors":
The Madwoman in the Attic after Thirty Years
53-{- Annette R. Federico
1. After Gilbert and Gubar:
Madwomen Inspired by Madwoman
;Q£- Susan Fraiman
2. Modeling the Madwoman:
Feminist Movements and the Academy
;Q£- Marlene Tromp
3. Gilbert and Gubar's Daughters:
The Madwoman in the Attic's Spectre in Milton Studies
23f- Carol Blessing
4. Feminism to Ecofeminism:
The Legacy of Gilbert and Gubar's Readings of Mary
Shelley's Frankenstein and The Last Man
Katey Castellano
5. Enclosing Fantasies:
Jane Eyre
Madeleine Wood
viii Contents
6. Jane Eyre's Doubles? 111
Colonial Progress and the Tradition of New Woman Writing in India 127
3f- Narin Hassan 149
170
7. Revisiting the Attic: 183
Recognizing the Shared Spaces of Jane Eyre and Beloved 203
Sf- Danielle Russell 217
237
8. The Legacy of Hell: 257
Wuthering Heights on Film and Gilbert and Gubar's Feminist Poetics 261
Sf- Hila Shachar
9. The Veiled, the Masked, and the Civil War Woman:
Louisa May Alcott and the Madwoman Allegory
3 f Keren Fite
10. Sensationalizing Women's Writing:
Madwomen in Attics, the Sensational Canon, and Generic Confinement
J3£- Tamara Silvia Wagner
11. Ghosts in the Attic:
Gilbert and Gubar's The Madwoman in the Attic and the Female Gothic
23f- Carol Margaret Davison
12. Elizabeth Gaskell:
A Well-Tempered Madness
«Jf Thomas P. Fair
13. Mimesis and Poiesis:
Reflections on Gilbert and Gubar's Reading of Emily Dickinson
Sf- Lucia Aiello
Contributors
Index