CHARLES H. FOX - WIG MAKER

THEATRICAL, MECHANICAL, AND PRIVATE

-f- Jtt/IKEl^

WHOLESALE, RETAIL, AND FOR EXPORTATION.

Miss Ellen Terry as Juliet.

(Wig made by 0, H. Fox).

TERMS:—NETT CASH. SHIPPERS SUPPLIED.

CHAS. H. FOX,

19, RUSSELL ST., COVENT GARDEN, W.C.,

JCopyright. LONDON. Entered at Stationers’ Hall

(/ -— »——-— — *

ADVERTISEMENT.

ELOCUTION.

MR. HENRY CHARLES,

(Late Manager of Three Large Provincial Theatres),

Has settled in London, arid now devotes his
time to instructing Amateurs and those desi¬

rous of adopting the STAGE as a PROFESSION
in the Art of ELOCUTION and in STAGE
DEPORTMENT.

MR, HENRY CHARLES

Is also open to Engagements to Attend, and

Personally direct Amateur Rehearsals and Performances in
Town or Country.

TERMS ^OIDER-A-TIE.

All Applications to be made by Post to

MR. HENRY CHARLES,

16, SOUTHAMPTON STR'ET, STRAND,
LONDON, W.C.

ADVERTISEMENT.

TRADE “ The Most Attractive of Nature’s Chans.”

In every grade of life, certain disturbing agencies are constantly

at work, counteracting the functions of the body, such as debility,

strong mental emotion, over study, responsibility, &c. The glands

of the hair then become enervated and the cells depleted of their

sap. The hair thus loses its vitality and falls out, or becomes

prematurely grey.

This is notably the case with Members of the Dramatic,
Operatic, and other Professions, whose daily calling im-

MAriK. poses upon the nervous system an abnormal strain.

The irregularity may however be arrested and remedied by local applications of a

proper combination of well selected ingredients.

IS31 SPECIAL ATTENTION IS THEREFORE CALLED TO

EUGENE MORPHY’S

CELEBRATED

SPECIALITIES FOR THE HAIR.

In them are to be found all the necessary stimulating tonic and nourishing proper¬
ties, which nature, under the circumstances explained above, has failed to provide.

These Specialities for the Hair are the result of many years medieal

research ; are most simple of application, and are guaranteed to contain nothing of

an injurious nature.

-o .—

EUGENE MORPHY’S SEBACEOUS WASH,

For stimulating and promoting the growth. A skilful and effective preparation

With directions for use and useful information upon the culture of the hair.

In Bottles, 2s. 6d. and 4s. 6d. each.

-o-

EUGENE MORPHY’S QUININE BALSAM.

A tonic and nourishing soluable compound, containing neither oil nor grease, As

a pomade a perfect triumph, and fast becoming a general favourite.

In Pots, with directions jor use, 2s. 6d. each.

-o-

EUGENE MORPHY’S ANTICANUM WASH.

A perfect and simple restorer. By its specific action upon the glands, reproduces
even in the most advanced stage of greyness, the former youthful shade and gloss.

In Bottles, with directions for use, 2s. 6d. and 4s. 8d. each.

-o-
The Following may be Accepted as the Greatest Novelty of the Age:—

EUGENE MORPHY’S WALNUT POMADE.

For darkening grey, red, or light hair to any shade required. It far surpasses the
most costly and best of dyes, it being perfectly harmless, and further, its effects may

easily be removed at any time. Prepared in four colours, viz. :—golden, light brown,

dark brown, and black.

In Pots, Is. 0d. and 2s, 6d. each.

NOTE.—Dramatic and Operatic Artists will find in the Walnut Pomade the
means of an excellent “ make-up.”
-o-

§ote Manufacturer cmd proprietor:—

Mr. EUGENE MOfPHY, 30, TAYISTOCK STREET, STRAND, LONDON.
Each Label bears K me and Trade Mark, otherwise the Article is a Spurious Imitation.

Sold and recoup tended by Mr. C. H. FOX, 19, Russell Street,
i Covent Garden, London.

ADVERTISEMENT.

A. MONARCH-KINO,

LADIES’ & GENTLEMEN’S

TAILOR

AND

NAVAL AND MILITARY OUTFITTER,

ONLY ESTABLISHMENTS

40 & 39, CORNHILL, E.C.

AND

87, REGENT STREET, W.

Carriage paid to any Railway Station in Great Britain and Ireland.

Before placing your orders for the ensuing season, it
would be greatly to your advantage to inspect the varied
Stock of the above Establishments, which on comparison
will be found 20 per cent, less than any other First-class
House in the Trade.

SPECIAL PRICES QUOTED FOR BICYCLE
AND TRICYCLE CLUBS.

Sri 2? 4*

THEATRICAL, MECHANICAL, AND PRIVATE

WHOLESALE, RETAIL, AND FOR EXPORTATION.

Miss Ellen Terry as Juliet.
(Wig made by 0, H. Fox).

TERMS :--NETT CASH. SHIPPERS SUPPLIED.

CHAS. H. FOX,

19, RUSSELL ST., COVENT GARDEN, W.C.,

LONDON.

A

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ADVERTISEMENT,

ADVERTISEMENT.

Property Maker, &c.

10, VINEGAR YARD, CATHERINES!.,

COVENT GARDEN, LONDON, W.C.,
Manufacturer of

TINSEL TRIMMINGS, FRINGES, LACE, BRAID, TASSELS,
ORNAMENTS, DUTCH METAL, FOIL PAPER.

—_ooo-

Ornaments for Fancy Dress Balls and Amateur Theatricals.

In Great Variety, viz :—
Ball Favors, Stars, Crescents, Comets, Suns, Hieroglyphics, Snakes,

Butterflies, Harps, Anchors, Lions, Frosting.

|ckles, Cockle autr otjjer Shells, Iones, #r.

SPANGLE CORONET FOR COSTUME OF “NIGHT.”

JTO0NIC QOTMETO § CIi0TJII]S[6.

REGALIA FOR ALL SOCIETIES.

IMPORTER OF GERMAN LACES, &c„ &c.

Orders punctually and promptly attended to.

P.O.O. PAYABLE COVENT GARDEN.

C. H. FOX'S ILLUSTRATED CATALOGUE.

D<T),o F

£?®i)s3

The issue of my New Catalogue affords me again the pleasure of conveying
my sincere thanks to my numerous customers for the hearty support that has hitherto
been extended to me, especially by the following managers and manageresses : —

Henry Irving, Esq. Kyrle Bellew, Esq.

J. L. Toole, Esq. Geo. Lovkday, Esq.

John Hollingshead, Esq. H. J. Loveday, Esq.
John Clayton, Esq. H. E. Abbey, Esq.
Arthur Cecil, Esq. John Billington, Esq.
Edgar Bruce, Esq. J. L. Shine, Esq.
Alfred Reid, Esq. Miss G. Ward.
Corny Grain, Esq. Miss Litton.
C. Wyndham, Esq.
Augustus Harris, Esq. Mrs. Bancroft.
Michael Gunn, Esq.
C. D. Marius, Esq. Miss Wallis.

Miss St. John.

Miss Mary Anderson.

I have printed the names of London managers and manageresses only, as a list ol
the actors and actresses and provincial managers who honour me with their custom
would more than fill the pages of this Catalogue.

I have now completed arrangements by which I can meet the great increase I have
experienced in my business during the last year, and in order to give an idea of the
extension of my business, I may mention that the following companies were supplied
with new wigs, and that all the orders were received and executed by me within
eight weeks :—

Henry Irving, Esq. and Company (for the American tour).
Barry Sullivan, Esq. and Company.
Kyrle Bellew, Esq. and Company.
Miss Florence St. John and Company.
Miss Wallis and Company.
Miss Kate Vaughan and Company.

Miss Genevieve Ward and Company.
Mrs. Langtry.
“ Ariel."—New Burlesque at the “ Gaiety.”

‘‘ Ingomar.”—Miss Mary Anderson’s Grand Production at the
“ Lyceum.”

“ Ihe Glass of Fashion."—New Comedy at the “ Globe.”
“ Bunch of Keys ” and “ Sparks,” at the “ Avenue.”
‘■ M.P.f at “ Toole’s.”

The above companies took in all, an aggregate of 4.038 Wigs ! ! ! The

names of the companies and the productions at the London theatres, are sufficient
guarantee that the goods supplied were of the very best quality that money could
procure.

Although the above orders came closely upon each other, they did not interfere
with the usual routine of my business, and it is with pardonable pride that I can call
attention to a few extracts from the London, Provincial and American press, and
the elite of the dramatic profession, which will be found at end of these pages.

In conclusion, I beg to say that while thanking my numerous customers for their
past favours, I will use my best endeavours to give every satisfaction to those who
may favour me with their patronage in the future.

CHAS. H. FOX.

4 C. II. fox’s illustrated catalogue.

(Wig, &c., made by C. H. Fox).

A FEW WORDS UPON THE ART OF

I “ MAKING-TIP.”N acting, the art of making-up the face is one requiring the most scrupulous
care and attention, and no stage embodiment is perfect without it, however
small or insignificant the part may be. A good and characteristic “ make-up ”
not only gratifies the people in front, but gives confidence to the actor. The
moment an actor steps upon the stage he challenges the sciutiny of his audience, and
their eyes instinctively wander over him in the most inquisitive way, searching through
his make-up and manner for the key-note to the character he is about to impersonate.
Hence it behoves any one that wishes to succeed in his profession, to pay the most
marked attention to his appearance ; for, whatever the character may be, old or young,
handsome or ugly, it is a duty he owes to the public to make that character as realistic
as possible. Any neglect of this important duty not only raises a prejudice against
the offender, but it mars the harmony of the picture and consequently destroys the
illusion of the spectator. No conscientious artist can so thoroughly embody a part as
when he feels that he looks it, therefore the study of the make-up is a necessary
and important branch of the actor’s art, and every youthful student should bear this
fact in mind.

The face is naturally the mirror, so to speak, through which the passions of the
soul are seen—rage, terror, love, despair, and every other emotion incidental to
humanity, are at various times depicted there—consequently it is imperative that the
face should receive all the assistance that art can bestow. The use of pencils and
pigments must therefore be brought into play, for the countenance is the actor’s
canvas, as it were, on which, with the aid of false hair, he paints his characters, and
according to the skill displayed therein, sinks his personal identity. The colour of
the complexion can, at his will, be heightened or deadened, as circumstances require ;
by deepening of the lashes he developes the power of the eye ; a few artistic touches
will throw up the veins of the throat and forehead, so that, in assumed anger, they
will stand out like strained cordage; an adroit line or two will intensify the muscles
of the face, while the eyebrows are in themselves a study, and well managed will
give any tone of character to the features which the owner may fancy and the part
demand.

19, RUSSELL STREET, COVENT GARDEN, W.C. 5

In the olden time actors had not the assistance in the art of making-up which
they have now, consequently the imagination of the audience was compelled to be of
a very elastic nature. Densely black streaks were supposed to represent wrinkles,
clumps of crape hair were supposed to be mistaken for beards and moustaches of
natural growth ; the whitest of white features and the pinkest of pink cheeks was the
unvarying complexion of stage youth, while bald scalps of the most palpable and
wiggy order represented old age ! And what greater monstrosity of unnaturalness
ever existed than the old-fashioned wire beards? But art, which is the hand-maiden
to nature—on the stage at least—has reformed all that with us. We have wigs that
defy detection ; we have grease paints and cosmetique pencils capable of giving, in
artistic hands, any tone to the face, from the mellowness of a ripe manly bloom to the
withered haggardness of a starved apothecary. Then with such adjuncts all ready to
his hand, no actor can shelter himself behind an excuse for a bad make-up, therefore
let every ambitious young histrion remember, that however good his impersonation
may be, it cannot possibly be perfect without due attention to the necessary detail of
make-up. The old notion that a large moustache, soaped down and powdered over
cannot be seen by the people in front, is an exploded one, and will not do in these
times of glaring gas and tell-tale lime light; in fact, any actor who neglects his
appearance, not only slights his profession, but insults his audience and wrongs
his manager !

I ADVICE TO AMATEURS.
N consequence of the great number of letters requesting information regarding
amateur theatricals, a few words addressed to those who are not initiated in these
matters will not be out of place. In the first instance, the choice of a play
has to be considered, and for this purpose a most useful work, entitled “ The
•Guide to Selecting Plays ” (one shilling) has recently been published, showing the most
suitable plays, and describing them in a very minute manner, giving the plot or advice
about each, and thus facilitating what was formerly a very arduous' task ; “ The
Amateur Guide” (one shilling) might then be consulted as to the next mode of
proceeding ; therein will be found instruction for the formation of the company,
arrangement of rehearsals, and a host of invaluable information, too extended to
mention, and to those who are taking part in the performance, a perusal of the pages
of “ The Actor's Art ” (sixpence) and the “ Art of Acting'1'1 (sixpence) would be the
means of supplying many useful hints which are beneficial to the amateur actor.
With reference to scenery, great success has recently been made with the mounted
paper scenes, and for description of these, please refer to page 34 of this Catalogue.
'‘'‘Howto Make-up ” (two shillings) is also an invaluable book, being the first work
ever published, giving a really practical method of acquiring this important art.
Coloured illustrations are therein given, showing how the face can be made to
represent the various stages and characters of life, and the proper materials to produce
the effect are described.

The great stride made of late years in the art of wig making has been universally
acknowledged. The criticisms and testimonials which I have printed on the last few
pages of this Catalogue, in conjunction with the fact that I am at present employed
by the leading artistes, both London and provincial, and receives daily an increase of
business from all parts of the globe, will suffice to show how successful my method
of business has been.

The play having been selected, the company formed, the scenery ready, it is in
most cases desirable to have a perruquier to properly make-up the various characters.
By having an efficient artiste for the purpose, and suitable wigs, greater success will
be assured than if done by an inexperienct d person.

Performances are attended in town or country with every requisite appertaining to
the make-up (including wigs) from 10/6 to 30/-. Railway fares alone are charged
extra.

QUEEN’S FAVOURITE,” OLYMPIC THEATRE
(Wigs made hy C. H. Fox)l

19, RUSSELL STREET, COVENT GARDEN, W.C.. 7

^[uatrica! Mg Jepartment

FLOWING WIGS.

Richard the Third, dark brown £ s. d.
0 15 0
Hamlet, brown 0 15 0
10 0
Hamlet, light

Macbeth ... ... ... .. ... ... ... 0 15 0
1 00
Romeo

Prince Arthur 1 00

Rochester 1 10 0

King John 1 00

Sebastian ... 1 00

Jasper Carew 1 00

Claudio 1 00

Charles the First, light brown ... ... ... ,t. 1 00

Charles the Second, with lappets 1 10 0

Don Ciesar de Bazan 1 00

Mr. Kyrle Bellew as Orlando. o 15 o
o
(Wig made by C. H. Fox). Io 6
o
Trenetz o 12 o
Pygmalion o
Peter Spyke io
Chedzoz G
Orlando, light brown o 15
Orlando, light golden O
James the Second Io O
Louis the Thirteenth I 10 O
Sir Giles ... o
Richard Cceur de Lion I 10 o
Macduff Io o
Laertes Io
Claude Duval
o 15
o 15

I 10

8 C. H. fox’s illustrated catalogue.

Mr. Forbes Robertson as Romeo.
(Wig made by C. H. Fox).

WHITE AND GREY FLOWING WIGS.

Brabantio and Beard £ s. d.
The Duke of Venice and Beard . o 15 o
Duke of Venice ...
Antonio .O 15 0
Matthew Elmore ...
Shylock .O 15 o
. IOO

. IOO

. 15/- and I 5 O

John Clayton in Burnand’s Comedy of the “Manager.”
(Wig made by C. H. Fox).

Leonanto ... ... , , , ,,, , , , ... 10 0
0
Old Gobo ... , . , ••• . . . ... . . . 0 15 0
0 15 0
King Lear and Beard ... ... ... ... ... . . , 0 15 0
10 0
Polonius and Beard ... . . . ••• ••• ... . . . 0
0 10 6
Master Walter .
10
Old Father Christmas with Beard •• ••• »»• •••
0 12
Ghost in Hamlet, as worn by Mr. J. Mead, and made by C. H. Fox, best

>» )> jj 5> 2nd quality

19, RUSSELL STREET, COVENT GARDEN, W.C. 9

J. L. Toole as Paul Pry.
(Wig made by C. H. Fox).

TIE WIGS.

Young Marlow, light £ s- d'
ioo
Snake, dark o 15 o
100
Sir Charles Pomander, light o 12 6
o 14 o
Paul Pry ...
IOO
Brown Tie Wig ...
0126
Fair Tie, human hair
IOO
,, mohair ...
IOO
Red Tie, human hair
0126
Grey ,, ,,
IOO
,, ,, mohair
IOO
Bob Acres (ist wig) red

,, (red wig)

Henry Irving as Doricourt in “The Belle’s Stratagem.”
(Wig made by C. H. Fox).

COURT WIGS (GENTLEMEN’S). ... 012 6
... 012 6
•Charles Surface ... ... ... ... ... ... ... ...
Joseph Surface ... ... ... ... ... ... ... ...

10 C. H. fox’s illustrated catalogue.

Court Wigs (Gentlemen’s)—Continued.

Sir Peter Teazle ... H. Fox, best £ s- d-
Captain Absolute ,, 2nd quality 0126
Louis the Fifteenth
Dick Dowlas (2nd wig) ... 0126
Frontignac o 12 6
Carele.^s ...
Sir Oliver Surface o 10 6
Sir Antony Absolute
Bob Acres (2nd wig) o 12 6
Flutter, as worn by Mr. W. Terriss and made by C 0126

yi 5 j 0126

0126
0126

I 5o
0126

Henry Irving as Benedict in “ Much Ado about Nothing,”
at the Lyceum Theatre.
(Wig made by C. H. Fox).

DRESS WIGS.

Captain Hawtree o 12 6
0150
Dundreary
0150
Sir Wm. Evergreen
o 17 6
D’Alroy.
0120
Red Dress (rough)
o 15 o
,, (gentleman’s)
0126
Sir George Champney ...
0176
Fair Dress (side or centre parting) 0 12 6

Brown „ ,, ,, ,, .

19, RUSSELL STREET, COVENT GARDEN, W.C. II

Dress Wigs—Continued.

£ s. d.

Grey Dress O 12 6

White ,, o io 6

Black ,, o 12 6

Sir Harcourt Courtley, as worn by Mr. Arthur Cecil, and made by

C. H. Fox, best make i 5o
Sir Harcourt Courtley, second quality
0150

Dress Wigs, all colours, side or centre parting, made of mohair o 10 6

G. Shelton as Gretch in “Stage Dora,” Toole’s Theatre.
(Wig made by C. H. Fox).

SCRATCH WIGS. ... o 7 0\0''0\OsO'iQ'>0'iOv'C'>0\0''CN
... o 7
Chalean Renand ... ... o 7
Wormwood ... o 7
Cousin Joe ... o 7
Bill Sykes ... o 7
Simmons ...
Jack Sheppard ... o 7
Walker Chalks
Cox ... o 7
Box ... o 7
John Small ... o 7
Sam WTeller
Mephistopheles, with Eyebrows, Moustache, and Chinpiece ... o 8

... o 10

BALD WIGS.

Middlewick o 12 6
o 15 o
Col. White ... .. .. 0100
o 10 o
Monk

Old Man, Comic Bald, in all colours and styles

Spriggins and Whiskers, as worn by Mr. J. L. Toole and made by

C. H. Fox . o 12 6
o 14 o
Rip Van Winkle with Beard o 10 6
o 10 6
Eccles o 10 6
o 12 6
Crepan o 10 6
o 10 6
Bouncer ... o 12 6

Old Dornton

Pickwick ...

Father Time

Captain Copp

12 C. H. fox’s illustrated catalogue

Bald Wigs—Continued.

Mr, Toole as Doublf.chick tn “The Upper Crust.”
(Wig made by C. H. Fox).

Shylock and Beard, as worn by Mr. Henry Irving, aud made by £ s. d.
C. H. Fox, best make
••• ••• • • • ... ID Fox’ iK 0
Shylock and Beard, second quality ••• ..• • • • •« « 6
Barbican ... ... ... • •. ... »•• ••• o 12 6
King Lear o 12 0
Doublechick, as worn by J. L. Toole, and made by C. 0 15
0
best make ... *•» ••• I5 6
Doublechick, second quality • • • ... o 12

Mr. Alfred Maltby as Mr. Dawson, B.A. (Nice Boy),
(Wig made by C. H. Fox).

19, RUSSELL STREET, COVENT GARDEN, W.C 13

Miss Gerard as Ophelia.
("Wig made by C. H. Fox).

LADIES’ WIGS. £ s. d.

Mrs. Candour / ,19/6, 21/-, 17/6 and 1 I o
Pompadour 17 6 17/6 and 1 1 o
Marie Antoinette and 2 2 o
Duchess of Devonshire 3°/- and 1 10 o
21/-

Marguerite, fair, with two plaits, 21/-, 30/0 40/-, 50/0 6% and 5 o o
human hair

Long, Straight, or Waved Hair at back, and Fringe on top, suitable for
light 1 5 o
dressing any style ... ... ... dark, 21./-
.20/-, 30/-, 40/-, 50/- and 3 3 o
Golden Ringlet Wigs

Short Curly Wigs, suitable for Ladies playing Boys’ parts in Burlesque,

any colour ... ... ... ... 10/6, 12/6, 15/0 2°/* anc^ 5

14 C. H. fox’s illustrated catalogue.

Ladies’ Wigs—Continued,

Present Fashion, Fringe on top, and Knob at back, dark 21/-. £ s. d.

Queen Elizabeth, auburn light 1 5 0
25/* and 1 15 0
Comic Old Woman, red, grey, or black
.. • • • • 0 15 0
,, ., any other colour ... ... 6• • • • • • 0 19
5/- and 0 7 6
Ladies’ Fronts, in every possible style and colour

Miss Genevieve Ward as Stephanie in “Forget-me-not.”
(Wig made by C. H. Fox).

Lady Teazle, as worn by Mrs. Bancroft, and made by C. H. Fox,

best make and extra fine materials ... 3 0
0 12 6
Lady Teazle, common qualities but same style 42/-, 21/-, 15/- and
3 3■5 0
Lady Teazle, as worn by Miss Marie Litton, and made by C. H. Fox, 0 12 6

best make and extra fine materials ... ... ... 33 0
1 10 0
Lady Teazle, common qualities but same style 42/-, 20/-, 15/- and

Queen Henrietta, as worn by Miss Ellen Terry, and made by C. H. Fox,

best make and extra fine materials

Queen Henrietta, second quality but same style

19, RUSSELL STREET, COVENT GARDEN, W.C r5

Miss Florence St. John as Madame Favart.

(Wig made by C. H. Fox).

£ s' d-

Madame Favart, as worn by Miss Florence St. John, and made by 3
oI
C. H. Fox, best make and extra tine materials ... ... ... to 00

Madame Favart, commoner qualities but same style 42/-, 21/-, 15/- and

Miss Ellen Terry as Letitja Harding in “Belle’s Stratagem.”

(Wig made by C. H. Fox).

i6 C. H. fox’s illustrated catalogue.

Ladies’ Wigs—Continued.

Miss Sophie Eyre in “ Youth.
(Wig made by C. H. Fox).

Stephanie, “Forget-me-not,” as worn by Miss Genevieve Ward, and £

made by C. H. Fox, best make and extra fine materials ... ... 33 °
I 10 o
Stephanie, “ Forget-me-not,” second quality .

Miss Kate Bishop in “The Comedy cf Errors.”
(Wig made by C H. Fox).

19, RUSSELL STREET, COVENT GARDEN, W.C. 17

Ladies’ Wigs—Continued.

Miss Litton as Rosalind.
(Wig made by C. H. Fox).

£ s. d.

/Esthetic Wig, as worn by Miss Myra Holme, and made by C. H. Fox,

best make and extra fine materials ... ... ... ... ...220

./Esthetic Wig, second quality ... ... ... ... ... ... ... 1 1 o

Fashionable Lady, the hair drawn up from the back and puffs on top, as

worn by Miss Sophie Eyre in “Youth,” and made by C. H. Fox,

best make and extra fine materials ... .. ... ... ... 2 2 o

Fashionable Lady, second quality ... ... ... ... ... ...15°

Rosalind, short Wavy Hair, as worn by Miss Litton and Miss Wallis,

and made by C. H. Fox ... ... ... ... ... .. 220

Rosalind, second quality ... ... ... ... ... ... ... 1 1 o

Miss Sophie Eyrr in “Youth,” Act II. 090

(Wig made by C. H. Fox). 0126

SUNDRY WIGS. o 10 o

Flaxen Curled, Country Boy o /o 6
Sir Giles Overreach
Boots at the “ Swan ”
Quaker

i8 C. H. fox’s illustrated catalogue.

Sundry Wigs—Continued.

Miss Ellen Terry as Portia. £ J. d.

(Wig made by C. H. Fox). 086
o 12 6
Chinaman 096
Old Potter o 12 6
Monk o 12 6
Japanese ...
Pantaloon with Beard o 10 o
Robinson Crusoe
Watteau ... o 12 6
Footman ...
0126

Kyrle Bellew as Romeo.
(Wig made by C. H. Fox).

Dr. Panglos o 15 o
Barrister
Judge’s Wig 1 5o

,, ,, imitation 200
Plain Skull Cap ...
Maid Servant with Cap 050
Marmaduke Magog
046

0150
O 15 c

19, RUSSELL STREET, COVENT GARDEN, W.C, 19

SUNDRY WIGS—Continued.

T. P. Haynes. Florence St. John. Mons. Marius.

“LURETTE” COMIC OPERA, AT AVENUE THEATRE.
(Wigs made by C. H. Fox).

Page, fair ... £ s. d.
o 15 o
,, dark
0126
•Clown, English ...
086
,, French, in all colours
0126
Fusbus
o 12 6
Comic Countryman, any colour
076
Bombastes Furioso
o 12 6
Padded Wigs for Pantomimes and Burlesques ... ... ... from o 10 6
o 15 o
Mechanical Wigs, the hair to fly up at will, all colours
o 15 o
Wigs with Forehead and Eyebrows complete, to represent noted characters,

such as Gladstone, Lord Wolseley, Arabi Pasha, and any character not

in stock made to order ... ... ... ... ... ... from

J. L. Toole in ‘‘Welsh Rabbits.”
(Wig made by C. H. Fox).

NIGGERS’ WIGS.

Ordinary ... ... ... ... ... ... ... ... ... ...016

,, with Brutus ... ... ... ... ... ... ... ...020

,, mechanical, to fly up at wish of wearer ... ... ... ... o 3 o

Old Nigger, grey or white ... ... ... ... ... ... ... o 2 o

,, ,, bald .040

20 C. H. fox’s illustrated catalogue.

Niggers’ Wigs—Continued.

Herbert Standing as Captain Redmund McManus—“Betsy.”

(Wig, &c., made by C. H. Fox).

Ordinary Nigger, best make, human hair, with parting £ s. d.
,, ,, grey or white, human hair
,, ,, ,, ,, bald 096
0 10 6
Crepe Masks for Nigger characters, to avoid blacking
Burnt Cork in Boxes 0 10 0

056

010

E. D. Ward as Jean Sealingwax in “Stage Dora.”

(Wig made by C. H. Fox).

BEARDS, WHISKERS, MOUSTACHES, &C.

No. I.—Beards and Moustaches on wire, ordinary ... ... ... ... o 2 o

,, ,, very full and long ... ... ... ... o 2 6

Sailors’ Beards ... ... ... ... ... .. ... o I o

Beards without Moustaches, very long, grey or white, suitable for

Father Christmas ... ... ... ... ... ... o 3 6

No. 2.—Beards, best knotted on gauze, all colours ... ... ... ... 0 2 6

No. 3.—Beards, knotted on gauze, with an invisible wire fastened inside

to avoid gumming, very superior and perfectly natural ... o 4 6

Ditto ditto with Moustache complete ... ... o 7 6

19, RUSSELL STREET, COVENT GARDEN, W.C. 21

Beards, Whiskers, &c.—Continued.

“Mr. Guffin’s Elopement,” at Toole’s Theatre.

(Wig made by C. H. Fox).

No. 4.—Whiskers on wire, all colours £ s. d.
010
,, and Moustache 016
020
,, ,, Dundreary 010
026
,, on gauze, superior ... 006
010
,, ,, with invisable wire 016

Moustaches on net, common 026
006
„ superior, on gauze 010
010
» „ >, with spring ... 010

Moustaches on hair net foundation, the very best made, perfectly 020

natural, suitable for Detective business

Imperials

,, large

Chinpieces from

Eyebrows, to stick on per pair

Eyebrows on gauze, to go across the forehead and fasten with

elastic ... .. ... ... per pair

In ordering the above, please note that the hair on the face is nearly always lighter
than the hair on the head. A bad make-up is often the result of not paying
attention to this.

Henry Irving in “The Cup,” at the Lyceum Theatre,

(Wig made by C. H. Fox).

CREPE HAIR, in every possible colour, for making false Beards, Whiskers,
Moustaches, &c., 6d. per yard.

GERMAN WOOL, as used by Mr. Herman Vezin and other artistes, for
making Moustaches, Beards, &c., 6d. and 1/- per piece.

22 C. H. FOX’S ILLUSTRATED CATALOGUE.

GIANTS’ HEADS,

MASKS, DOMINOES, NOSES, &e.

IN GREAT VARIETY, SUITABLE FOR

pantomimed, J|urledqued, fgharadeo, Halid,

PRIVATE ENTERTAINMENTS, &c.

ALSO

Hobby-Horses, Donkeys, Elephants with moving Eyes,

LIONS, TIGERS, WOLVES,

DI^0J*1ED^IE& GII^IEFEjS, mWi$, E0£E& §c., §0.

THE LARGEST STOCK OF THESE GOODS IN THE WORLD.

Besides having our own Factory, we are the Sole Agents for the
largest Manufacturer in Germany.

Managers of Theatres, cvc., will find that by paying 7/s a visit and buying
their goods ready made, they will save about 90 per cent., and can have
their goods sent home when they wish, instead of having to depend very
often upon incompetent workmen, and only getting about half their goods

for the first night's performance.

KS31 As our Stock of these Goods is so great, we are unable to give a complete list of

them in this Catalogue, but the following is a selection. We shall always be

pleased to allow our customeis to inspect the goods, and especially invite

managers to do so.

£ s. d.

Hobby-horses, the size of an ordinary pony, tastefully moulded and

finished off ... 33 0
3j 0
Donkeys ditto ditto ••• 50 0
••• O
Elephants, moveable trunk ... . • . ... ... • . ••• 20 0
• •• 0
,, Heads, life size, moveable trunk ... from 0 15
01
Lions’ Heads, large size and strong .

,, ,, small size •«* ,,, ... ... • #

Cats’ Heads '. 1/-, 2/ , 5/- and 0 10 0
Donkeys Heads’ ... . i/d 2/-, 5/d 10/- and 0
Horses’ Heads 2/6, 5/* and 0 15 6
Monkeys’ Heads ... . 1/6, 5/d 7/6 and 0
Wolves’ Heads . 6d., 1/-, 2/6, 2/6, 5/- and 0 12 6
Foxes’ Heads 2/6, 5/* and 6
Dromedaries’ Heads . 1/6, 09 0
Bullocks’ Heads ... 1/6, 7/6 and 07 0
. ••• 07
••• ... ••• 2/6 5/- and
•*. ••• *♦* 0 10

09

19, RUSSELL STREET, COVENT GARDEN, W.C.

Giraffes ... ... ... ... ... ... ... ... 2/6 and £ s- d-
076
Storks, large size, moveable beak
090

Large Heads, complete with imitation hair, &c., suitable for King’s Guard,

Comic Countrymen, &c. Hundreds of different expressions, Comical,

Stupid, Cunning, Remorseful, &c., &c. each 5/-, 7/6, 10/6 and o 12 6
o 12 6
Demons’ Heads ... ... ... ... 1 /-, 2/6, 5/- 10/- and o7 6
Comic Old Men .. ... ... ... ... 1 /-, 2/-, 5/- and o7 6
. and o7 6
,, „ Women 1/-, 2/-, 3/6 51-
Beadle, large

Country School, consisting of Schoolmaster, Beadle, and ten School Boys

and Girls, with wigs complete the set 15 o
02 6
Ditto ditto ditto separate, each 0
0 15 6
Ditto ditto the set complete, with half wigs 6
01
Ditto ditto separate ... ... ... ... each 0 10 6
o 6
Ditto ditto the set complete, painted hair 6
o3
Negroes ... ... ... ... ... 6d., 1/ 2/-, 3/6, 5/- and 0
Negro Baby, laughing, crying, or squeaking o2 6
1/6 each, or the set 01 6
02 6
Father Christmas, with long Beard 6
0I 6
Turcos and Zouaves each 6
Chinese, Male and Female 01 6
... 01
01 0
English Swell with eye-glass each 01
6
Clowns’ Faces 55 03 6
Jews with Beard ... 6
Monks and Priests, with shaved crowns ... 02
3
American Indians, Male and Female ... .•• 07
,, ,, with head-dress and pearls 0
01
Babies, crying and laughing each
Irishmen 01
Hermits with long Beards ije and
Devils, in all colours, in four faces ... 01
... 02

Oriental Nations, twelve faces each

Family, with odd noses, four faces 5>

Country Parish, consisting of Country Judge, his Wife, Clergyman,

Schoolmaster, Forester, Hedge Lawyer, Tax Collector, Policeman,

Innkeeper, Stupid Common Council, Sly Common Council. Usurer,

the set 1 5o

Ditto ditto ditto each 026
026
A German with Hat
026
A Scotchman with Cap
026
A Frenchman 5 >

24 C. H, fox’s illustrated catalogue.

J. L. Toole and Miss Linden in “ Stage Dora,” Toole’s Theatre.
(Wigs made by C. H. Fox;.

toilet

-o

Ami des Dames, containing Rouge, Blanc de Perles, Eyebrow Pencil, £ S. d.

two Puffs, Vermiel for the lips, and Lool bng Class •.• ••• 02 6
006
Armenian Boule ... ... 3d- and 0I0
6d. and 013
Blanc de Theatre (Fox’s) ••• ,,, .. 010
006
,, Perles (Pear's) •.• .• *•• .•• ••• 020
016
(Pinan’s) . •.. ... ••• ... •.• 020
0 5r* 0
,» „ „ in pots . . . ... ..• •.• 0I6
00 6
,, ,, (Dorin’s), white and pink ... ,,, • •» 1 /- and 0I0
6d., 1/-, and 002
Blossom of Roses t•• ..• 020
010
Bloom of Ninon, pink ... ... • • • 6d., 1/-, and 006
i/-» 2/6 and 002
„ „ white. » • • , , , 076
••• 026
Blue pour les Veignes, in box with stump complete ... O20
004
Blue Powder . • • • 3d- and 006
Bandoline . ... 6d. and 1 10
Brushes for lining the face 00 2
id. and 010
004
Blanc Gras ... ... 006
006
Burnt Cork ... ... 010

Brushes for applying golden fluid, &c. • . . ... ... i'om 016

Burnt Umber .•• •.• ... • • • 076
O10
Blocks for Dressing Wigs on .• .•• ... 3/- and

Balm of Columbia ... •«•
Blanc Marimon
... ...

Brown Lining Pencils ... *.• ... • • • • . •

Beauty Spots, per packet .. ••• ••• ••• •••

Boxes, “ Make-up,” ... 2/6, 3/6, a!-, 7/6, 10/6, 12/6 and
Camels’ Hair Brushes
Carmine . •••

Chalk, Prepared, white ... ... ... ... 6d. and
. • • per lb.
>> ,, pink . ... ...
..• ••♦
Chrome to lighten the hair, beards, moustaches, &c.
• • • 3d- and
Cold Cream .. ... 6d. and

Creme Imperatrice • »«• #. * • .

,, Oriza . • ... .•• •••

Cosmetique, white, black, brown •. •»• 3d- 6d., and

19, RUSSELL STREET, COVENT GARDEN, W.C. 25

Toilet Requisites, &c.—Continued.

Curling Irons 6d., 1/-, 2/0 and £ s. d.
Crepe Hair, all colours per yard 050
• ■ • ••• ••• * « # • • • 006
1/6, and
Chinese Rouge per book, i/-> 1 /- and 020
Creme de Beauts ... 2/-, and 020
• •• , , , , , , , , , • • • from
036
Curling Sticks . 6d., i/-» ••• J) 010

Domino Masks, in silk, satin, velvet and linen, all colours • • * * • • from 016
I and
,, ,, with lace ••• *«• ••• ••• • • • 006
per box
Dutch Pink ••• • ••• ••• • • • 1 10

Dressing Cases .., . . , , , ... • • • 020

,, Combs ... . 3d-» 6d., 010
Diamond Powder
...

J. L. Tgoi.e as Loris Spanoff Atiloff in “Stage Dora,”
(Wig made toy C. H. Fox).

Email Noir, for stopping out teeth in old men's parts 010

Empress Powder Puffs ... ... ... 4d., 6d., 9d., I/-, and 0 1 6

Eye Pencils, black or brown 00 6

,, blue or red 0 0 10

Etui de Maysterieuse, containing Lip Salve, Blanc, Rouge, Eye Pencil

and two Puffs 030
Etui de Flore, containing Black, Blue and Red Eye Pencils 026

Exhibition Hair Dye 026

Electric Hair Brushes ... ... ... .. ... 1 /-, 2/- and 0 3 6

Miss Marie Linden as Stage Dora.

(Wig made by C. H. Fox).

Floraline for the Teeth ... .026
Fay’s Creme, Camilla, white, pink and yellow .030
Fard Indien .016
Fard k Sourcils
Fay’s Velentine, white, pink and yellow .o 1 6
Fay’s Fin de Theatre
False Noses .030
Fuller’s Earth
Fard’s de Toilet for the Eyes .010
Fettpuder (Leichner’s) "... ... from 3d. to 0 2 6

id., 2d., 4d. and 006

.016

.010

26 C. H. fox’s illustrated catalogue.

Toilet Requisites, &c.—Continued.

Grease Paints (Fox’s celebrated), 28 different shades £ s. d.
each 0 0 6

y y yy half-dozen, in neat box ... ... .«. . , , 0 2 6

y y y y one dozen ,, • .• ... • * • 0 4 6
each 0 0 4
yy yy thin sticks for lining, &c.
half-dozen 0 I 9
y y yy yy yy one dozen 0 3 0
... ... ... 0 1 0
yy yy yy yy

y y yy (German), large sticks ...

yy yy ,, ordinary size ... • • ... 0 0 6

yy yy ,, thin, for lining, &c. ... ... ... ... 0 0 4
... ... ... 0 2 6
y y yy ,, box containing eight sticks

Gold, Silver, and Diamond Powder. per box 0 1 6

Golden Fluid (Fox’s), highly recommended . . . . ... 0 3 0
... ... ... 0 0 6
Golden Wash, perfectly harmless

Glycerine and Rose Water 2d., 4d. and 0 0 6

Grenadine for the Lips ... per stick 0 1 0

Glycerine, pure per bottle, 6d. and 0 1 0

Glycerine Toilet Soap 3d. and 0 0 6

Glycerine Balm 006

Glycerine Jelly 6d. and 0 1 0

Miss Johnson as the Countess Olga in “Stage Dora.”
(Wig made by C. H. Fox).

Hairpins, ordinary ... 00 4
00 4
,, French ... 00 4
01 0
,, Italian ... ... ... 0O 6
00 6
,, Silk per box 00 6
,, Gold ...
,, Silver ... ... ... 01 0
... ... ... 0I 0
00
,, Waving 0I 6
00
Hair Powder in Boxes, in 20 shades, for making the hair any colour 00 0
00
desired per box 00 6
0 10 6
Hair Powder (German) ditto ditto ... 99 00
00 4
Hare’s Feet 3d. and 6
01 6
,, ,, mounted on ivory ... ... ... 2
05 2
,, ,, Puffs ... ... ... ... 01 0
0
Hair Curlers, Leather, black and white per dozen, from 01 0

Hair Wavers, for producing a natural wave in the hair per pair 01 0

Ilovenden’s Violet Powder, per J lb. packet ... ... ... 01 0
0
Hair Brushes from 1/- to

Indian Ink ... ... ...

,, red ...

Invisible Hair Nets, all colours ... ... ...

Irons, Curling, Crimping, and Pinching I/*, 2/-, 3/6 and

Ivorine, a powder for the skin ... ... ... ...

Lip Salve per stick, 6d. and

per pot, 6d. and

Lime Juice and Glycerine ... 6d. and

19, RUSSELL STREET, COVENT GARDEN, W.C. 27

Toilet Requisites, &c.—Continued.

Leather Hair Rollers, for curling the hair 6d. and £ s. d.
010
Leathers for plaiting the hair per set 0I0
006
Low’s Myrtle Pomatum ••• ••• ••• 00
006
Leatheait’s Hair Dye, black, brown, or light brown ••• ••• 002
006
Lyon’s Transparent Cosmetique • • • ... ... 0I0
0I6
Lining Brushes ... • • 1 ... 000
0J0
Lemon Chrome ... ... 006
Mascaro . 020
0I6
Macassar Oil ... •••* ... 0I0
0O6
Mangolian, for Indians, &c. ... ... ... 006
006
Magnolia Balm ... per bottle 0I0

Myrtle Pomatum ... ... . .

Maintenon, white, pink and yellow per box

Noir Indien ... »>

Opiat for the Teeth ... per pot

Orange Chrome ... per box

Oxide of Zinc 3d. and

Paste, Joining, English 4d. and

,, ,, German 4d., 6d. and

Paste Powder, for enlarging the nose and cheeks, larg e box and full

directions 0I0

Paste, German, for enlarging and altering the shape of the nose, &c. ;

this is highly recommended per stick 0I 0
0I 0
Powdered Antimony, for shading the hollows of the eyes, &c. 00 6
00 6
Powders, blue per box 00 6
00 6
,, red . ... 93 00 6
00 6
,, brown ... . . . 99 0I 0
GI 0
,, black ** . 33 OI 0
>> pink . OI 0
,, white ... *' 33 OI 0
•. . 99 O1 0
00 6
Prepared Whiting for Clown’s Faces, Statuary, &c. ... OI 6
O5 0
Pomade Hengrase, for waxing the ends of moustaches, &c 6d. and O 10 6
O1 0
Pomade aux Fleurs per pot O0 6
O0 j-■>
Pomade aux Raisins for the lips O1 0
O0
Pomade aux Vermeil for the lips ... ... ... O0 4
O0 6
Pear’s Rouge per pot O0 6
6
33 3 3 ... per packet O5 0
,, Blanc de Perles ... per bottle 0
O1 6
Powder Puffs ... ... 3d., 4d., 6d., 9c!., 1/-, 2/-, 3/6 and 0
O0 0
,, Boxes ... ... ... ... 6d., 1/-, 2/-, 3/6 5/- and 6
O1 6
Poudre de Riz 6d. and 0
O1 6
Pearl Powder ... . , , ... 6
Oi 6
Pink Wool tor enlarging the no?e and cheeks ... ... ... 6
O0
Prepared Fuller’s Earth 6d. and 01
01
,, Chalk ... .;.i lb., 2d. 1 lb. 02
01
,, ,, pink ... ... ... ^ lb. packet, 3d. I lb. packet 00

,, ,, Dutch pink per box

Perfumes, assorted from

Pinching Irons ... ... ... ... per pair, f/-, 2/-, 3/6 and

Rouge, Pear’s per pot

33 33 per packet
,, de Theatre, No. 18 6d. and

,, Fin de Theatre 3d., 6d. and

,, Fin aux Fleurs, light, medium, and dark • • • ... ...

,, Jounence per box

Rose Water ... ... ... ... ... ... per bottle, 6d. and

Rimmel’s Cosmetique, brown and black ... ... ...

,, Cr&me de Beaute 1/- and

,, Velveteen, white, pink and yellow ... ... ...

Ruddy Rouge ... per box

28 C. H. fox’s illustrated catalogue.

Toilet Requisites, &c.—Continued.

Rose Leaf Powder 6d. and £ s- d-
010
Raisin Vermeil for the lips ••• ,,, ...
0I0
Spirit Gum 3d., 6d. and
0I0
Spirit Lamps for heating curling irons, &c. 2/6, 3/6, 5/' and 0 10 6
Skin Moustache Masks for covering moustaches tume pieces, &c. ... 00 6
003
Sponges from 004
010
Scalp Cement for securing scalps to the head • • • ... • • • 010

Tableaux Lights, all colours each 010

Tortoiseshell Combs from 00 6
010
,, Hair Slides 6d. and
010
Transparent Cosmetique ••• •• ••• 010
010
Toilet Vinegar 6d. and 010
036
,, Pins, glass heads per box, 6d. and 010
010
,, Soaps 2d., 4d., 6d. and
016
Violet Powder, best quality 6d. and
010
Vermillion per box, 6d. and 016
016
Velontine (Fay’s), fine face powder ... 010

,, (Dorin’s) ... ... ... 056

Vinaigre de Rouge per bottle, 6d. and 0 10 0
010
Venus’s Barrels, containing rouge and white ... ... ...

,, ,, ,, I.i p Salve ... ... ...

Velveteen Powder, white, red and pink ... ... ...

Vaseline, I lb. tins ... ... ...

,, in bottles 4d., 6d. and
Wig Blocks and Stands to dress wigs on, papier macl a

,, ,, ,, wood ... ... ...

Whisker Irons from

SCENTED TABLEAUX LIGHTS.

These are always used to heighten the effect of a scene, and anyone who has
witnessed any spectacular play knows that they are indispensable. Our Tableaux
Lights are very easily used and aie of the best manufacture. They are not liable to
spontaneous combustion, and are expressly made for amateurs. They only require to
be ignited in an ordinary flower pot saucer. Plainest directions accompany each. We
have the following colours, Red, Green, Blue, Violet, White, Pink, Yellow, and
Orange. All Colours, price each 1/-. Post free id. extra.

We particularly recommend the Red and Green, as they burn with very little
smoke or fumes. Blue and Violet cannot be made, without a little sulphur. Our
lights are dazzling in their brilliancy, requiring no reflectors.

SCENTED COLOURED FIRE IN BULK.

Put up in one-half pound packages. Not less than half-a-pound of each colour is
sold in Bulk. Price per pound (Post free 3d. per half-pound extra), 5/-.

MAGNESIUM TABLEAUX LIGHTS.

A metal capable of being ignited by a common match, and burning with great
brilliancy, producing a light that can be seen thirty miles. Unequalled in beauty and
brilliancy. This is the best light for moonlight and statuary, it is so intense that it
causes gas-light to cast a shadow. To light it, untwist half an inch of the metal and
hold it well in the flame. Price each package (Post free id. extra), 1/-.

19, RUSSELL STREET, COVENT GARDEN, W.C. 29

GUIDE BOOKS.

HOW TO MAKE-UP.—By IIaresfoot & Rouge, containing numerous Illustra¬

tions and full descriptions “ How to Make-up/’ 2/-.

THEATRICALS AND TABLEAUX VIVANTS, for Amateurs, 90 Illus¬

trations, 2/-.

FANCY DRESSES DESCRIBED (Ladies’) or What to Wear at Fancy Balls.

80 Illustrations ; 16 Colored Plates. 5/-.

GENTLEMEN’S FANCY DRESS : How to Choose it. 40 Illustrations. 3/6.

AMATEUR’S GUIDE, HANDBOOK AND MANUAL.—Containing par¬

ticulars of every necessary for the proper production of Plays, the formation of a
Company, and the Choice of Pieces. List of the most Suitable Dramas with the
number of Male and Female Characters in each. A Catalogue of all the Modern
Plays. The Law for Amateurs. The Names of Pieces actable without charge.
Practical Advice as to Deportment, Speaking, and Effective Acting ; with a
variety of Interesting Details, never before Collected or Printed. A List of
Theatrical Tradesmen, and their Addresses. Edited by T. PI. Lacy. 21st
Edition. Corrected to Jan. 1st, 1882. 1/-.

ART OF SCENE PAINTING.—By Practical Scenic Artists. Containing full

directions where to obtain, and how to prepare the necessary articles, together

with every information required on the subject. Price 6d.

GUIDE TO SELECTING PLAYS, see Page 5.

READING, SPEAKING AND ACTING, 6d.—The Essence of all Written

on the Subject. By C. Smith.

PRACTICAL HINTS ON STAGE COSTUME.-By Cyril Bowen. In¬

cluding instructions and illustrated patterns for making hats, boots, sword belts,
lace ornaments, ballet skirts, and other necessary articles of costume required by

actors. A most valuable work for Amateurs and Professionals Price 1/-.

THE GUIDE TO THE STAGE.—By Leman Francis Rede, 6d. Containing

clear and full directions for Theatrical Engagements, with complete and valuable
Instructions for Beginners, relative to salaries, rules, manner of going through
rehearsals, securing proper dresses, conduct at first appearance, &c. To wThich is
added a List of the Principal Theatres.

THE ART OF ACTING ; OR, GUIDE TO THE STAGE, 6d.- In which

the Dramatic Passions are defined, analysed, and made easy of acquirement ;
also the Requisites necessary for Performers of both sexes, heroes, gentlemen,
lovers, tradesmen, clowns, heroines, fine ladies, hoydens, characters of middle
and old age, &c.

THE ACTOR’S ART, 6d.—Its Requisites, and How to Obtain Them ; its

Difficulties, and How to Remove Them. By C. W. Smith.

30 C. H. fox’s illustrated catalouge.

mwwwwk khir w@rk,

FOR PRIVATE WEAR.

I beg to direct attention to our system of measuring the head for wigs, and to
ensure a perfect fit, I beg to impress upon my customers the necessity of sending the
exact sizes, according to the following instructions :—

RULES FOR MEASUREMENT.

1. —The Circumference of Head.
2. —Forehead to Poll.
3. —Ear to Ear across Forehead.
4. —Ear to Ear over top.
5. —Temple to Temple, round the back.

To put a wig on properly, it should be held by the back pieces on each side of the
elastics, properly adjusted in position on the forehead, and drawn over the head with
both hands.

As I am most anxious to avoid loss of time and disappointment, I beg of my
customers to forward patterns of hair, and full instructions for articles required. We
frepuently receive orders for goods without mention of the colour or length of hair
required, by which delay is often experienced.

COVERINGS FOR BALD HEADS.

We have acquired a great reputation for the above, which me make of the very

best curled hair, worked upon an invisible foundation, in fact a net, made with the

finest human hair, and is so natural that it defies the closest inspection, and the whole

though very durable, is exceedingly light and natural. The best preventative of

premature baldness is to shave that portion of the scalp which shows signs of decay;

a paper pattern may then be cut to the size of the scalp required, the charges are :—

Any shade of Hair, hair net foundation . 2/6 per inch.

,, ,, imitation hair net ... ... 2/- ,,

,, ,, gauze „ . 1/6 ,,

In all cases the hair will be of the very best quality.

19, RUSSELL STREET, COVENT GARDEN, W.C. 31

THE + LATEST + FASHION.

LADIES’ SCALPETTES.

Our Scalpettes and Coverings for thin partings are perfect imitations of human

nature. They are light, natural, and beautiful, and are very much worn by ladies

in preference to having the trouble of frizzing and spoiling their own hair. They

are made with natural curled hair and long straight hair at sides and back for lady to

mix with own ; the charges are :—

Best Hair Net Foundation .. . 3/- per inch.

Imitation Hair Net Foundation ... ... ... .. 2/6 ,,

Best Gauze ,, ,, ... ... .. ... 1/6 ,,

Forehead Fringes, Hairpin Curls, Alexandra Curls, Plaits, Twists,
Stems and Backpieces, and other descriptions of False Hair kept

in Stock and made to order.

C. H. fox’s illustrated catalogue.

A *F POPULAR + HEAD + DRESS

(VERY BECOMING),

SUITS ANY KIND OF FEATURES.

Dark Hair . 20/-, 30/-, 42/- and 63/

Auburn, Golden, or Grey. 30/-, 42/-, 63/- and 80/-

GENTLEMEN’S WIGS FOR PRIVATE WEAR.

Made of natural curled hair, and best material, is, £2 2s., £3 3s. and £4 4s

LADIES’ WIGS FOR PRIVATE WEAR.

£ s.'d.
Ladies’ Wigs of short curled hair with fringe, dark ... ... ... .. 017 6

,, golden ... ... ... ... . . ... ... ... 1 I o

,, ,, knotted on fine gauze or silk .. ... ... ... ... I 15 o

,, ,, long hair, left straight, or dressed any fashion required ... 2 10 o

*» „ >, „ >> »» golden 3 o o

,, best quality, knotted ... ... ... .. ... .. 400

19, RUSSELL STREET, COVENT GARDEN, W.C. 33

FASHIONABLE + HEAD-DRESS.

Dark Hair . 30/-, 42/-, 63/- and 84/-

Autiurn, Golden, or Grey. 35/-, 60/-, 80/- and 100/-

OUR

GUINEA SWITCHES OF REAL HAIR

Are superior to those sold at 2 and 3 Guineas at other houses.

THEY ARE MADE IN ALL COLOURS.

NOTE.—I am enabled to sell these goods very cheaply, as 1 buy in large
quantities from the Continental Merchants, thereby saving
three or four profits.

34 C. H. fox’s illustrated catalogue.

c? n Jjl tIvNt Jti?n xX>\» vX x

jU w

With a view to obviate the great difficulty experienced by Amateurs (particularly
in country houses) in obtaining Scenery, &c., to fix in a Drawing Room, and then
only by considerable outlay for hire and great damage caused to walls, we have
decided to keep a series of mounted Coloured Scenes which are ready for immediate
use or they can be had unmounted on thirty sheets of strong paper and can be joined
together or pasted on canvas or wood, according to requirement. Full directions,
with diagrams showing exact size of Back Scenes, Borders, and Wings, can be had
free on application. The following four scenes are kept in stock.

—The above is an illustration of this scene. It is kept in two
sizes. The size of the back scene of the smaller one is io feet long and 63 feet
high and extends with the Wings and Border to 15 feet long and 8 feet high. The
back scene of the large one is 13 feet long and 9 feet high and extends with the
Wings and Border to 20 feet long and 11A feet high. It is not necessary to have
the scene the height of the room, as blue paper to represent sky is usually hung

at the top. Small size, with Wings and Border complete, 63/-; unmounted on
paper sheets, 30/-; large size, mounted, 84/-; unmounted, 40/-. Blue
paper 2d. per sheet small size. A double quantity would be required if used

for the large scene.

WOOD. a—This is similar in style to the above, only wood scene is introduced

in the centre. It is kept in two sizes, as the previous scene, and blue paper can
be introduced as before indicated. Small size, with Wings and Borders complete,

mounted, 63/-; unmounted, 30/-. Large size, mounted, 84/-; unmounted 40/-.

iobr^wi^g- broom; .—This scene is only kept in the large size,

the back scene is 13 feet long and 9 feet high and extends with the Wings and
Borders to 20 feet long and 11^ feet high. In the centre is a French window,
leading down to the ground, which could be made practicable if required. On
the left Wing is a fire-place with mirror above, and on the right Wing is an oil
painting. The whole scene is tastefully ornamented and beautifully coloured,
forming a most elegant picture. Should a box scene be required, extra Wings
can be had, consisting of doors each side, which could be made practicable.

Price, with Border and one set of Wings, mounted, 84/- ; unmounted, 40/- ;
wfith Border and one set of Wings to form box scene, mounted 105/- ; un-.
mounted 50/-.

COTToScCBR IBSTX3K3RI03R.-This is also kept in the large size

only. In the centre is a door leading outside. On the left centre is a rustic fire¬
place, and the right centre is a window. On the Wings are painted shelves, &c.,
to complete the scene. A box scene can be made by purchasing extra Wings, as
before described, and forming doors on each side. Price, with Border and one

set of Wrings, mounted, 84/-; unmounted, 40/- ; with Border and two sets of
Wings, to form box scene, mounted, 105/- ; unmounted, 50/-.

The Drawing Room mounted can be seen at 19, Russell Street,
Covent Garden, W.C. Full directions accompany each Scene.

19, RUSSELL STREET, COVENT GARDEN, W.C. 35

V CL-gr-ci C«->3) b *-<$J o -0?' C> c) O '■C$£k' ■

A most effective Proscenium can be
formed by utilising the paper made for this
purpose. Three pieces of wood are merely
required, shaped according to this design,
and covered with the paper ; the Proscenium
having the appearance of light blue puffed
satin panels, in gold frames, with Shake¬

speare medallion in the centre.
Puffed satin paper, light blue or amber,

size 20 inches by 30 inches per sheet 1/-.
Imitation Gold Bordering, per sheet, 1 /-,

making 14 feet.

Shakespearian Medallion, 18 inches in diameter, 2/-.
-o-

X>003R.S.—These comprise three sheets of paper each, and can be had either

for drawing-room or cottage purposes. Size, 7 feet by 3 feet. Price complete,

5/- each.

WIHDOW. —This is a parlour window formed with two sheets of paper,

and could be made practicable to slide up and down. The introduction of
curtains each side would make it very effective. Size, 3 feet by 4^ feet. Price

4/- complete.

3FrI3R.3K3PXj.jSc03£I.—This is also made with two sheets of paper. The fire

is lighted, but should this not be required, a fire paper can be hung over it. It
will be found most useful in many farces wherein a character has to climb up a
chimney, and many plays where a fireplace is indispensable. By purchasing a
door, window, and fireplace, an ordinary room scene could easily be constructed

with the addition of some wall paper. Size 3 feet by 4^ feet. Price complete, 5/-.

MAKE-UP BOXES,

IfiROMCg!1-1! GjcHROMifi!
IwoncouarI
(nilDo, ROUcSI
||t| conh.yal
llWHITIMeU
PWWOMVf|jj!

rjTT' ■ r 1111; IHIiTTTTt n<11 n 1111

Cloth Boards, 15/-. The new Portable 21/- Tin Case.

Contains everything necessary for making up the face viz.:—Rouge, Pearl Powder,Whiting,Mongolian,
Ruddy Rouge, Powdered Antimony, Joining Paste,Violet Powder, Box and Puff, Chrome, Blue, Burnt
Cork, Pencils for the Eyelids, Spirit Gum. Indian Ink, Burnt Umber, Camel Hair Brushes, Hares’
Foot, WTool, Crape Hair, Cold Cream, Paint Saucer, Miniature Puffs, Scissors, and Looking Glass. Each
article is of the best quality. Packed neatly in a strong Cloth-covered Box, 15/-. Elegant Tin Case,21/-,
We can strongly recommend the Tin Cases. They are very durable, and anjr article can be used without
disturbing anether, a great advantage in making-up. Carriage paid, 1/- extra.

The above articles to be had separately. See preceding pages.
Also WOOD MAKE-UP BOXES, containing everything necessary fer making-up, 15/-,.
21/-, 30/-, 42/-, and 63/- each.

36 C. H. fox’s illustrated catalogue.

Arrangements have been made with LIEUT. ALBINI for giving DRAWING¬
ROOM ENTERTAINMENTS. Amongst the innumerable tricks, &c., he has the

the following Special Novelties :—

Dark Seance, a la Maskelyne & Cooke.

ZENO: THE AUTOMATON CONJUROR.

FAR SURPASSING PSYCHE,

A marvellous performance, engaged for this Establishment only.

Light Seance, as by Dr. Lynn,

Including Sack and Box Trick.

XstiLiiji w JL X\»Xw XjIj/ X x

ANYONE TOUCHING HIM GETS AN ELECTRIC SHOCK.

-o-

OR

BH3A.XJTXFXJXj FLOATING

GRAND CHANGES OF COSTUME.

Sudbury Lodge, Sudbury.
General Copeland Crawford has, on two different occasions in the past month,
witnessed Entertainments by Lieut. Albini. They were as completely successful as
.they were wonderful. General C. C. was also greatly pleased by the absence of all
vulgarity. There was nothing the most susceptible might shrink from. When the
baneful wide-spread belief in Spiritualism is considered with all the sad insanity that
too often follows in its train, there does not appear to general C. C. any more efficient
means of exposure than those afforded by the co-equal illusions and deceptions as
■exhibited with astounding skill by such men as Lieut. Albini and Maskelyne & Cooke
.the above gentlemen claiming a supernatural power, and through whom we may hope
.to realize the overthrow of Spiritualism.

■* -*
■H-

Lieut. Albini performs some very clever conjuring tricks which he introduces to the
audience in an entirely new and novel manner. This is much in favour of a conjuror,

or prestidigitateur, as he prefers to call himself.—Brighton Gazette, July 5th, 1883.
-o-

TERMS UPON APPLICATION.

19, RUSSELL STREET, COVENT GARDEN, W.C. 37

SCENERY FIT-UPS AND COSTUMES ON HIRE.

Every description of Scenery can be had and fitted-up by competent men, in Drawing

Rooms, Public Halls, &c., on moderate terms, according to distance and the quantity

required.

COSTUMES O TT £i I 3R. 3E.

ESTIMATES GIVEN FOR DRESSING ANY PI AY.

COSTUMES FOR FANCY DRESS BALLS LENT ON HIRE,

From £1 Is. to £3 3s.

All Costumes are sent home the day previous to the Ball, and should be returned the
day after, unless specially arranged.

WIGS, 4c., FOR FANCY DRESS BALLS LENT ON HIRE.

A SPECIAL STOCK OF

HISTORICAL AND FANCY WIGS,

Made of the very best materials, and finished in the most artistic style.

LIGHT, ELEGANT, GRACEFUL & CORRECT.

The White Wigs are made of Soft Floss Ilair, and the discomfort of wearing
powdered hair is entirely dispensed with.
Hiring Fee from 3/6.

DISGUISES FOR DETECTIVE BUSINESS.

Persons wishing to be disguised can be made up so that their most intimate friends
and relatives would not know them.

The Fee for Making-up (including materials), 10 6.

Mr. Fox will be most happy to give all information as to the most suitable Clothes to

wear, Sec., or any other information that may be required, gratuitously.

-o——

SHIPPING OPDEPS.

SPECIAL PRICES UPON APPLICATION.

38 C. H. fox’s illustrated catalogue.

xXXTTtLTiDivXTTiNVrvr*jr x JXi?i Q *

-o-

As we supply all the West End Theatres arid the leading Artistes
with their Wigs, our Amateur Customers may depend upon having correct
Wigs for their impersonations. We make it a rule to send the same style
of Wigs to Amateurs as worn by the most popular Artistes for the
characters, unless otherwise instructed.

WIGS, Male Characters, first night £ s. d.
o26
,, ,, ,, second night oIo
oo6
,, ,, ,, third night ... o5o
o36
,, ,, ,, per week ... o2o
oIo
,, Female Characters, first night o76

,, ,, ,, second night oo6

,, ,, ,, third night

,, ,, ,, per week...

,, Negro, per night .

BEARDS on wire, first night oIo
,, ,, second night oo6
,, ,, third night
oo 3
WHISKERS on wire, first night
,, ,, second night oo6

-o- 0o3

Goods are sent out the day previous to the performance, and
should he returned the day after.

-o—

When goods are returned in a different box to which they are sent, please enclose
name and address of sender.

OPINIONS OF THE PRESS.

O

“ STAGE DORA,” TOOLE’S THEATRE.

It has been said that Mr. Toole could never be like any one but himself,

and that he alone can parody his own style. He has never been so unlike Mr.

Toole, except in the matter of drollery, as when “made up” to suggest Mr.

Coghlan as Loris Ipanoff. When he turned round and discovered his face, the

whole house broke into a roar of laughter ; the features were altered, and few

could believe that this was the actor who had been his veritable himself as

Robert Spicer Romford in that droll piece of “Artful Cards.”—Daily Telegraph,

May *28th, ] 88k.

■vf -/f

Some of the characters are marvellously made up. Where, for instance,
are there to lie found two men more totally dissimilar in appearance and voice
than Mr. Coghlan and Mr. Toole? Yet the make-up of the latter gentleman
in imitation of the former is wonderfully clever. A black wig, eyebrows and
moustache to match, and a pair of abnormally square shoulders did wonders,
and Loris Ipanoff Atiloff, the commander of the “Reserved Forces,” was a

capital copy of the real character.—Society, June 2nd, 1883.

■Sf *

*

Mr. Toole’s get-up as Loris Ipanoff was comically grotesque, and his whole
performance was mirthful. His resemblance to Mr. Coghlan did not extend
beyond the get-up, which was copied closely from that of his original, and
Mr. Ward’s representation of Mr. Bancroft as Jean de Siriex was so truthful

that it elicted shouts of applause. — The Pall Mall Gazette, May 28th, 1883.

**
*

Mr. Toole, wonderfully made-up, caused much amusement by his imitation

of Mr. Coghlan.—The Globe, May 28th, 1883.

-Jr ~/c

As to the makes-up, they were simply “quiet too all but.” De Siriex
was Mr. Bancroft to the life, and his allusion to the number of “sticks” on
the stage was most apropos ; indeed, Mr. Ward’s was a finished study, at
which even the great original might condescend to smile. Mr. G. Shelton
spoke his few lines and looked Gretcli to the last lock of hair ; while Mr.
Cheeseman, as Boroff, was equally simple and unobtrusive. Mr. Toole, as
Loris, simply surprised us by his admirable take-off of Mr. Coghlan.—The

Sunday Times, May 27th, 1883.

7T Tf

The best part of Mr. Toole’s representation was his make-up in imitation

of Mr. Coghlan.—The Echo, May 28th, 1883.

40 C. H. fox’s illustrated catalogue.

How Mr. Toole contrives to counterfeit the presentment of Mr. Charles
Coghlan only with the aid of a wig and a black moustache is one of the
mysteries of the costumier. Before concluding, it is a matter of duty to
mention that Mr. G. Shelton makes up extraordinarly as the police agent

Gretch.—Referee, May 27th, 1883.

■¥r J4

Mr. Toole makes-up with surprising skill to imitate Mr, Coghlan.—Times

May 28th, 1883.

•JS" 7S'
•X-

Mr. E. D. Ward reproduces Mr. Bancroft, manner and person with the
closest fidelity and laughter provoking attention to detail ; and the figure of
Mr. Toole, pale-faced, sleek-haired, stern and stiff, as Mr. Coghlan, the
supposed apostle of “reserved force,” cannot be recalled with the most distant
approach to gravity. Miss Marie Linden, who lets no single point of the
original performer escape her caught Mrs. Beere’s manner and tone of voice
very happily. Mr. Augustus Stanley is so cleverly made up as the musician
that he might be the original gentleman just stepped over from the Hay-
market after “doing his piece” there, and the remaining “makes-up,” (or
“make-ups,” if you like) are carefully reproduced.—Fun, June 6th.

* -X-

Mr. J. L. Toole’s “ get up ” for the character represented an sG’ieux by

Mr. Coghlan is laughable in the extreme.—Morning Post, May 28th.

**

Mr. Toole’s embodiment of Ipanoff is exceedingly grotesque, though chiefly
in a facial appearance, which simulates Mr. Coghlan’s in the oddest possible

manner.—Illustrated Sporting and Dramatic News, June 2nd, 1883.

■X- *
•X-

To Mr. E. D. Ward we must give great praise for his remarkable imper¬
sonation of Mr. Bancroft, whom he hit off to the life.—The Weekly Times, May

27th, 1883. ■¥r -iS-

*

With these and a clever caricature of the Detective Police Officer by

Mr. Shelton, and an almost faithfull reproduction of the queer figure of the

Bussian Composer, now known as the “ Blessusitz Fiddleinski, ” in the peison

of Mr. Stanley, the element of mimicry is almost exhausted.— The Daily Neves,

May 28th, 1883. Jr ■*

■3c

Mr. Toole cannot, of course, sink his strong individuality into so close

an imitation of Mr. Coghlan, but he is intensely funny as Loris Ipanoff

Atiloff. His facial make-up is wonderful. Mr. Shelton as Gretch, the police
agent, is grotesquely made up about the head. — The Morning Advertiser, May

28th, 1883.

* -X-

Mr. E. D. Ward, as Jean de Siriex, carried the palm over all. When
the curtain ascended he stood with his back to the audience, and spoke his
first few words in that position. Wonderfully like Mr. Bancroft’s sounded
voice, and really throughout the trifle he sustained that effect. A copy in
get-up, style, and speaking (especially when he makes Mr. Bancroft sing),
his was certainly one of the happiest hits. Of Mr. J. L. Toole it has been
remarked he cannot disguise himself, but whoever said that never saw him
make up d la Mr. Coghlan for Loris Ipanoff Atiloff. It was all the more
remarkable that the resemblance was in the face, though seen a few fe6t
only from the footlights. Mr. (Shelton was a living copy of Mr. Brookfield
as Gretch, and even the minor characters were minute copies of the originals.

—Lloyd's Weekly, May 27th, 1883.

IMITATION DIAMOND JEWELLERY,

VERY BRILLIANT. FULL OF FIRE.

BRACELETS, NECKLETS,

BROOCHES, EMRIMS,
’this imitation x>iitMOwrr> .TRwnr.r.TiBY
STARS. R1RGS.
IS TSTOW BAtRG-EXY WOEE 33Y T3E3EE 3P3R.OEESSIOXT.
NECKLET EARRINGS

Same as Drawing, In Case,
Price in Case,

6 GUINEAS. Price 12/6,

THE MOST PERFECT IMITATION DIAMOND NECKLET EVER PRODUCED.

Illustrated Catalogues forwarded Post Free on application to LIONEL & ALFRED PYKE. Head
Offices:—4 and 5, Union Bank Buildings, Ely Place. Holborn, London. Retail Establishments : —
153,Cheapside; 153a, Cheapside; 68, Fleet Street; 24, King William Street; 53, St. George’s Place

Hyde Park, S.W.; Crystal Palace, Sydenham.

ADVERTISEMENT.

OPINIONS OF THE PRESS

ON

LIONEL & ALFRED PYKE’8

Imitation Diamond Jewellery.

“THE ERA.”

Imitation Jewellery.—Members of the theatrical profession should be pleased
to hear of any means by which, when called upon to put off their own personalities,
and to become for a few hours kings, queens, earls, countesses, lords and ladies of
high degree, boasting the possession of great wealth and of all that wealth will bring,
they can the better realise their altered circumstances and seem to be what the

dramatist has created. Thus they should welcome The Imitation Diamond

Jewellery introduced by Messrs. Lionel & Alfred Pyke, of Union Bank Buildings,
Ely Place, Holborn, whose names must be well known in connection with Abyssinian
gold jewellery. The poet has told us that “things are not what they seem,” but in
looking at the diamond necklets, earrings, bracelets, &c., which the gentlemen named
presented to our notice recently, we are sure that poet even would have had some
hesitation in applying his theory to them. These diamonds certaintly were not what
they seemed to be, but the imitation wras so like the real thing that it was not
easy to detect the difference. In every article submitted to our notice there was a
finish and a beauty that compelled admiration, and there can be no doubt that when
once known this imitation jewellery will be extensively utilised for stage purposes.

“ SOCIETY.”

I hear that Messrs. Pyke, of “Abyssinian Gold” renown, are introducing their

invention largely for use upon the stage, and that the remarkable Imitation
Diamonds with which the various ornaments are set defy detection, even upon

close examination, while their effect from the front of the house is superb. In these
days of realism it is highly desirable that stage ornaments should be something very
much better than the thwdry counterfeits which were formerly thought good enough,
and from what I have seen of Messrs. Pyke’s jewellery, I fancy it will soon be “the
only wear ” behind the footlights.

“PICTORIAL WORLD.”

Abyssinian Gold and Imitation Diamonds.—The recent discussion as to
the merits of various imitation or “manufactured” diamonds has aroused public
interest to such an extent that it was with feelings something very much akin to plea¬
sure that we received an invitation to inspect and report on the jewellery introduced
by Messrs. L. and A. Pyke. The first articles submitted to us was a tray of Imitation
Diamond Rings. We examined them very carefully, and a real diamond ring valued
at thirty guineas was placed amongst them, and we were asked to pick it out. There
were only three dozen rings in the tray, and after ten attempts we were compelled to
give it up, the imitation and the real being so much alike. Indeed, worn on the
finger, detection is impossible.

Illustrated Catalogues forwarded Post Free on application to

LIONEL & ALFRED PYKE,

Offices: 4 & S, Union Bank Buildings, Ely Place, Holborn, London.

Retail Establishments ;—

153, CHEAPSIDE; 153a, CHEAP8IDE; 68, FLEET STREET; 24, KING WILLIAM STREET;
53, ST. GEORGE’S PLACE, HYDE PARK, S.W.; CRYSTAL PALACE, SYDENHAM.

ADVERTISEMENT.

OLDRIDGE’S

Is the best and only certain remedy ever discovered for
preserving, strengthening, beautifying, or restoring the

Hair,Whiskers, or Moustaches

AND PREVENTING THEM TURNING GREY.

For children it is invaluable, as it forms the basis of a
magnificent head of hair, prevents baldness in mature
age, and obviates the use of dyes and poisonous

restoratives.

Sold by all Perfumers and Chemists at 3s.6d.,
6s. and 11s. per Bottle.

WHOLESALE AND RETAIL BY THE PROPRIETORS.

22, WELLINGTON ST., STRAND, W.C.

Established ADVERTISEMENT.

A.D. 1821. Philadelphia.

THE FLIGHT OF TIME.

OLDRIDGE’S

BALM OF COLUMBIA,

An important Chemical Discovery, made by

JOHN OLDRIDGE, by the power of Chemistry.

The grand desideratum of preventing the hair from falling off and
of restoring hair on bald places.

By frequent use it will prevent baldness even to old age.

It rapidly made its way over the European Continent, from the plan
adopted by Mr. Oldridge of gratuitously supplying the Balm to all
applicants. It soon obtained a reputation, the value of which is known
and acknowledged in every civilized land.

In A.D. 1824, the Balm of Columbia was introduced into London by
Messrs. Oldridge, and it has gained a name surpassing all others for
its restorative properties, it3 rich perfumes, its unlimited patronage,
and, above all, its being free from any injurious ingredients.

Tne further advantages of the Balm of Columbia may be summed
up in its freeing the hair from scurf, producing a beautiful gloss and
curl, preserving it from premature greyness, and its excellent adaptation
to the nursery, which should never be without it.

Price 3s. 6d., 6s., and 11s. per Bottle.

Sold Wholesale and Betail by the Proprietors,

No. 22, Wellington St., Strand, London.