The words you are searching are inside this book. To get more targeted content, please make full-text search by clicking here.
Discover the best professional documents and content resources in AnyFlip Document Base.
Search
Published by Colin Savage, 2019-03-14 16:10:12

ANTIQUES AND THE ARTS WEEKLY

Issue 2018 06 01

June 1, 2018 — Antiques and The Arts Weekly — 45

NY Botanical Garden Explores O’Keeffe’s ‘Visions Of Hawaii’

BRONX, N.Y. — The New United States, best known for Harold Stein, [Georgia O’Keeffe on Leho’ula Georgia O’Keeffe, “Heliconia, Crab’s Claw
York Botanical Garden’s 2018 her depictions of the stark Beach, near ‘Aleamai, Hana, Maui], 1939, gela- Ginger,” 1939, oil on canvas, 19 by 16
exhibition “Georgia O’Keeffe: landscape and desert flora of tin silver print, 2 by 2-7/8 inches. Alfred Stieg- inches. Collection of Sharon Twigg-
Visions of Hawai’i” will focus on her beloved New Mexico. litz/Georgia O’Keeffe Archive, Yale Collection Smith. © 2018 Georgia O’Keeffe Museum /
the iconic artist’s immersion in of American Literature, Beinecke Rare Book Artists Rights Society (ARS).
the Hawaiian islands in 1939. The exhibition will explore and Manuscript Library
this lesser-known chapter in
The exhibition will run from her career, the enduring cultur- ion inspired by the traditional Alfred Stieglitz’s (1864–1946) “Pineapple Bud” (both of which
through October 28. Visitors al impact of midcentury percep- Hawaiian hale will tell the An American Place gallery in were used in the Hawaiian
will experience a lush flower tions of Hawai’i and the ecologi- story of canoe plants — useful 1940. The exhibition will spot- Pineapple Company’s adver-
show in the garden’s Enid A. cal complexity of the Hawaiian plants brought to the islands light a transformative experi- tisements and which are held
Haupt Conservatory evoking islands — one of the most bio- 1,000 years ago by Polynesian ence in the artist’s life, reveal- today in private collections);
the gardens and landscapes logically diverse places on settlers. Vignettes featuring ing O’Keeffe’s deeply felt “Hibiscus with Plumeria”
that inspired O’Keeffe, as well Earth — hidden behind native Hawaiian plants will impressions and the enduring (loaned by the Smithsonian
as the complex story of the flora O’Keeffe’s depictions. Integrat- teach visitors about modern influence of the islands’ rugged American Art Museum); and a
and unique ecology of Hawai’i. ing art, horticulture and his- efforts to preserve Hawai’i’s topography, dramatic land- series of landscape paintings
Curated by art historian The- torical interpretation, the exhi- imperiled flora. scapes and exotic plants. depicting Maui’s interior ‘Iao
resa Papanikolas, PhD, deputy bition will explore the Hawai’i Valley and lava-studded shore-
director of art and programs that O’Keeffe experienced and A display in the LuEsther T. The works in this grouping, lines (loaned by the Honolulu
and curator of European and also reveal the complex history Mertz Library Art Gallery will not seen together in New York Museum of Art).
American art at the Honolulu of the Hawaiian Islands that offer a rare focus on O’Keeffe’s since their 1940 debut, were all
Museum of Art, the exhibition she was not familiar with at works of art. Her works depict- created in 1939 and include The New York Botanical Gar-
will feature 20 of O’Keeffe’s the time. ing Hawaiian subjects garnered “Heliconia,” “Crab’s Claw Gin- den is at 2900 Southern Boule-
depictions of Hawai’i — includ- critical and popular attention ger” [plant depicted is actually vard. For information, 718-817-
ing paintings not seen together The Enid A. Haupt Conserva- when they were exhibited at a “lobster claw” heliconia] and 8700 or www.nybg.org.
in New York since their 1940 tory will showcase the remark-
debut. Visitors of all ages will able beauty and richness of
learn about Hawai’i through Hawai’i’s wild and cultivated
complementary events and pro- flora. Featuring plantings
grams, including a scholarly designed by Francisca Coelho
symposium, an original short and set pieces designed by Tony
film, a film series and an inter- Award-winning designer Scott
active mobile guide. Pask, the exhibition will also
introduce visitors to the pro-
In 1939, at the age of 51, found importance of plants in
O’Keeffe traveled on commis- Hawaiian culture and growing
sion to Hawai’i to produce concerns about threats to
images for a Hawaiian Pineap- native Hawaiian plants. Long
ple Company promotional cam- borders of colorful tropical gar-
paign. Her nine weeks on den plants such as those
O’ahu, Maui, Kaua’i and the O’Keeffe encountered and
Big Island of Hawai’i resulted painted while in Hawai’i will
in stunning depictions of moun- include ti plant, frangipani,
tains and waterfalls, as well as bougainvillea, heliconia, hibis-
her signature close-cropped cus, bird-of-paradise, ginger
views of flowers and plants she and many more tropical favor-
observed. At the time of her ites. Beyond the borders, plant-
trip, O’Keeffe was among the ing beds arranged around an
most famous artists in the open-sided thatched-roof pavil-

Text & Textile Recalls Past At Beinecke Library

NEW HAVEN, CONN. — “Text embroidered bindings; Christa side, the dressmaker’s workshop, them. The exhibition follows the which textiles call us to a remem-
and Textile,” on view at the Bei- Wolf’s Quilt Memories; Zelda the cotton field. It listens to edges of self or object: the cloth bered or imagined body, child-
necke Library through August Fitzgerald’s paper dolls for her crones telling tales to children by wrapping the book, the paper hood, past.
12, explores the intersections of daughter; Edith Wharton’s man- the fire, to sisters distracting pattern, the military uniform,
text and textile in literature and uscript drafts of The House of each other as they spin, to mill the ordinance governing dress. Beinecke Library is at 121 Wall
politics, from Eve spinning in a Mirth; an Incan quipu; poetry by workers describing the noise of “Text and Textile” invites its Street. For information, http://
Thirteenth Century manuscript Langston Hughes, Emily Dickin- the machines that surround viewers to examine the ways in beinecke.library.yale.edu or 203-
to the mill girls of New England son, Susan Howe and Walt Whit- 432-2977.
in the Nineteenth Century. man; and The Kelmscott Chaucer
by William Morris.
The exhibition features objects
in a wide variety of formats Conceived by Kathryn James,
drawn from throughout each of curator of early modern books
the Beinecke library’s curatorial and manuscripts and the Osborn
areas as well as items from the Collection at the Beinecke
Yale Center for British Art, the Library, and Katie Trumpener,
Yale University Art Gallery and Emily Sanford professor of com-
the Manuscripts and Archives parative literature and english,
Department of the Yale Univer- the exhibition was co-curated by
sity Library. James, Trumpener, and Melina
Moe, research affiliate at the
Particular highlights include: library.
Gertrude Stein’s waistcoat; man-
uscript patterns and loom cards The exhibition marks the spac-
from French Jacquard mills; the es of production and consump-
first folio edition of William tion, and how they shape the out-
Shakespeare’s plays; the “Souper” lines of the self. “Text and Textile”
paper dress by Andy Warhol; observes the shop counter and
American samplers; Renaissance factory floor, the parlor and fire-

Alice B. Toklas, Bolero-style waistcoat (detail) made for
Gertrude Stein. Yale Collection of American Literature,
Beinecke Rare Book & Manuscript Library, Yale University.

46 — Antiques and The Arts Weekly — June 1, 2018

Original Tintin Art By Hergé At Heritage’s
First European Comic Art Auction June 2

DALLAS — An extraordinary, ple of the Sun,” published in Peyo, Spirou #1447, “The Egg and the
12-panel page of original Tintin 1947, depicts Tintin and Cap- Smurfs” cover original art (Spirou, 1966).
art by Belgian cartoonist Hergé tain Haddock on an adventure Peyo himself, not any assistant, drew 100
may lead Heritage Auctions’ in the heart of the Andes. percent of this cover.
first European comic art auction
on June 2. Simulcast to Heritage From Peyo, the creator of the Hergé (Georges Rémi), “Tintin, The Red Sea
Auctions Europe in IJsselstein, internationally famous Smurfs, Sharks,” page 58 original art, Journal Tin-
the Netherlands, the sale offers comes the original cover art for tin of December 4th 1957 (Casterman, 1958),
nearly 300 lots, including vin- “Spirou #1447,” which is drawn pencil on paper, 14 by 19 inches (paper size).
tage artworks by giants of Fran- by Peyo himself and features ten
co-Belgian comics such as Peyo, characters in a single illustra- Simulcast At Heritage’s
François Schuiten and Jean- tion. European Headquarters,
Claude Mézières. IJsselstein, The Netherlands
A page of original art from
“Our team at Heritage Auc- Corto Maltese by legendary Ital- Hergé (Georges Rémi), “Red Rackham’s Treasure: The Crypt of Marlinspike Hall,” original
tions Europe has procured an ian comic book creator Hugo art (Hallmark, 1970).
offering of exceptional depth and Pratt is expected to spark spirit-
breadth,” said Jim Halperin, co- ed bidding. Corto Maltese is per- auction includes stellar exam- Frank Miller,” Halperin said. an headquarters, Energieweg 7,
founder of Heritage Auctions. haps Pratt’s greatest contribu- ples from many of the legends of The auction will be conducted 3401 MD, IJsselstein, The Neth-
“This is just the start of what we tion to European comics and the comic book and newspaper fea- erlands. For further information,
expect will be regular auctions page, from the 1978 story “And tures, from Will Eisner to George live at Heritage Auctions’ 3500 www.ha.com or 877-437-4824 or
devoted to this growing and Other Romeos and Other Herriman and Alex Raymond to Maple Avenue, 17th floor, galler- +31-(0)30-6063944.
powerful category.” Juliets,” is an iconic representa- ies and simulcast at its Europe-
tion of the artist’s signature
On offer are several pieces of black and white illustrations.
original art by Georges Remi
(known by the pen name An important painting by
“Hergé”), who is considered one François Schuiten, titled “Paris
of the most popular European in the Twentieth Century,” was
comic artists of the Twentieth created by the coauthor of The
Century. A page of rarely seen Obscure Cities for the cover of
pencil art that documents Jules Verne’s “forgotten” novel
Remi’s creative process accom- published in 1994.
panies the aforementioned origi-
nal art for page 58 of the story The original cover art by Jean-
“The Red Sea Sharks,” from Claude Mézières for Valerian
Journal Tintin published in vol. 19 (Dargaud, 2004) is con-
1958. sidered one of the finest exam-
ples of Mézières talent, who,
Additional artworks by Remi along with writer Pierre Chris-
include a full-color original illus- tin, is credited for creating the
tration for “Red Rackham’s blueprint for French science fic-
Treasure: The Crypt of Marlin- tion comics.
spike Hall,” featuring Tintin, his
trusty pup Snowy and friend A powerful original painting
Captain Haddock. A related by Spanish artist Luis Royo
original illustration published titled “Isolde and Tristan Cir-
on the front page of the newspa- cuits” (Norma, 2005) is a highly
per Le Soir announces the publi- sought after illustration which
cation of “Red Rackham’s Trea- was published in the art book
sure” in 1943. An iconic original Subversive Beauty.
art panel from “Tintin: The Tem-
“Classic American comic art
has always been popular
throughout Europe, and this

Sci-Fi Collection Dominates Auction Of Literature At Swann Galleries

Auction Action in New York City

Ernest Hemingway, Three Stories & Ten
Isaac Asimov, Foundation trilogy, first editions, signed, New York, 1951–53, from the estate of Stanley Simon, Poems, limited first edition, Paris, 1923,
finished at $9,750, a record for the work. sold for $23,750.

NEW YORK CITY — Science a high estimate of $6,000, a copies of proofs of King’s The 451, 1953, were led by the limit- of Ernest Hemingway’s first
fiction ruled on May 15 at Swann record for the work. Another Shining, 1977, inscribed, which ed author’s edition personally work, Three Stories & Ten Poems,
Galleries’ auction of Nineteenth record was achieved by a signed sold for five times its high esti- inscribed to Simon at $7,500. 1923, which sold to a collector for
and Twentieth Century litera- first edition of Ubik, 1969, at mate for $6,250, and the com- The popular asbestos-bound edi- $23,750. The first editions of
ture. Selections from the estate $5,500, while the auction debut plete six-volume set of uncor- tion reached $5,200. All six edi- Emily Dickinson’s first three
of Stanley Simon, featuring 84 of the rare galley proofs for Valis, rected proofs of King’s The Green tions offered were purchased. books of poems, 1890–96,
rare and first editions of corner- 1981, reached $5,000. Mile, 1996, exceeded its $1,200 reached $13,750.
stones of the genre, boasted a 98 high estimate to sell for $5,200. Specialist John D. Larson
percent sell-through rate. All of Simon had acquired several noted, “Sci-fi has always had a Prices are given with buyer’s
the offered titles by Isaac uncorrected proofs of important Another highlight from the multi-generational appeal; pop premium, as reported by the
Asimov, Ray Bradbury, Philip K. works, none of which had previ- Simon estate was the complete culture’s appetite for literary- auction house.
Dick and Stephen King sold, ously appeared at auction. While Foundation trilogy, 1951–53, by based films of this genre contin-
with many achieving auction not strictly science-fiction, mate- Isaac Asimov. Together, the three ues unabated.” He added, “Mate- The next auction of books at
records. rial by Stephen King outper- signed first editions achieved an rial from both the Nineteenth Swann Galleries will be early
formed in this category. The auction record of $9,750. Also by and Twentieth Centuries per- printed medical, scientific and
Leading the pack was a signed highlight was the presentation Asimov, a signed first edition of formed equally well, with a travel books on October 16. The
first edition of Dick’s dystopian copy of an uncorrected proof of I, Robot, 1950, reached $6,250, robust 86 percent sell-through house is currently accepting
novel, The Man in the High Cas- The Stand, 1978, which sold to a above a high estimate of $3,500. rate overall.” quality consignments for
tle, 1962, which was purchased collector for $9,100. Also avail- Important editions of Ray Brad- autumn auctions.
by a collector for $10,400, above able were one of apparently 28 bury’s magnum opus, Fahrenheit Further highlights from the
auction included the first edition For information, 212-254-4710
or www.swanngalleries.com.

June 1, 2018 — Antiques and The Arts Weekly — 47

A pair of late Nineteenth Century sculptured lead life-sized This French cast iron stand- Also fetching $6,250 was a rare American late Nineteenth
curly coated dogs finished at $7,800. ing figure of a Spartan glad- Century cast iron standing dog of an unknown breed with
iator was the top lot at upraised head and curly coat.
Rises To $10,625 $10,625.
In Firm’s Premier Garden Sale

A French late Nineteenth Century country table with
breadboard end plank top over long drawer all supported
on turned legs with H- form stretcher realized $3,900.

A rare set of Nineteenth Century carved limestone garden A life-size cast iron bust of
gnomes, all differing in personality and style, reached Hercules sold for $5,000.
$6,250.

Gladiator Figure Is Victorious
In Ashcroft & Moore Auction

Auction Action In Willow Grove, Penn.

WILLOW GROVE, PENN. — At more than 3,000 choosing to make A pair of late Nineteenth Cen- A late Nineteenth Century American Victorian cast iron
this time of year, any auction that their bids online via two available tury sculptured lead life-sized fence, circa 1870, nearly 50 running feet, went out at $3,900.
advertises itself as “a fine collec- platforms. “The majority of the curly coated dogs found favor with
tion of antique garden and archi- lots sold through LiveAuction- bidders, finishing at $7,800. Each personality and style. late Nineteenth Century country
tectural décor” is guaranteed to eers,” said Brouwer. had well-executed details and Additional sale highlights table with breadboard end plank
set hearts a-beating among gar- stood on contemporary associated top over long drawer all support-
denistas — and after an unusual- This sale offered material from wood base, 33 by 45 by 14 inches included a life-size cast iron bust ed on turned legs with H- form
ly long and snowstorm-plagued several estates and private collec- on base. of Hercules after the antique, stretcher.
winter, the anticipation was even tions. sporting remnants of painted sur-
more palpable when 410 lots of Two lots achieved the final price face and selling for $5,000, and a Prices are given with buyer’s
such material crossed the block at The second lot offered was also of $6,250. One was a rare Ameri- late Nineteenth Century Ameri- premium, as reported by the auc-
Ashcroft & Moore’s Premier Gar- the top lot as a French cast iron can late Nineteenth Century cast can Victorian cast iron fence, circa tion house. The firm’s next garden
den Auction, live in the firm’s gal- standing figure of a Spartan glad- iron standing dog. The breed was 1870, nearly 50 running feet, auction is May 19. For informa-
lery and online on April 28. iator sold for $10,625. Sporting a unknown, but he had an upraised which went out at $3,900. Fetch- tion, 267-317-7735 or www.ash-
Roman helmet with winged grif- head and curly coat and mea- ing the same price was a French croftandmoore.com.
The sale grossed $284,364, fin decoration resting on patrician sured 31½ by 48½ by 7 inches.
according the firm’s Lee Brouwer, profile and a well-executed phy- The other was a rare set of Nine-
and there were 3,111 registered sique, the statue on a raised plat- teenth Century carved limestone
bidders, 24 in the gallery and form base was 85 inches high. It garden gnomes, all differing in
had been estimated $2,5/4,500.

Exhibition Focuses On Chaim Soutine’s Intense Paintings Of Slaughtered Animals
as well as the still lifes of Goya, Chardin
NEW YORK CITY — An exhibition of In 1913, at the age of 20, Soutine left his and Courbet, was of particular importance Chaim Soutine, “Chicken Hung
some 30 paintings by the artist Chaim native Lithuania for Paris. He painted to Soutine. Before a Brick Wall,” 1925, oil on
Soutine (1893–1943), the Expressionist landscapes at various locations in France canvas. Kunstmuseum Bern, Swit-
known for his gestural and densely paint- and created an important body of work in Soutine painted directly from life; he zerland. Artwork ©Artists Rights
ed canvases is on view at the Jewish portraiture. This exhibition will present needed to have the motif in front of him. Society (ARS), New York; Image
Museum. “Chaim Soutine: Flesh” high- his work in still life, from the artist’s early He would bring dead fowl and rabbits and provided by Erich Lessing/Art
lights the unique visual conceptions and years in Paris and Céret, through the carcasses of beef into his studio to use as Resource, N.Y.
painterly energy that the artist brought to early 1930s, showing his development subjects for his paintings. The motif began
the tradition of still life. Soutine’s remark- from more traditional conceptions to the to occupy the entire canvas, allowing the
able paintings depicting hanging fowl, impressive achievement of the paintings artist to engage with the images as a
beef carcasses and rayfish are now consid- of the mid-1920s. Pushing the limits of the painted surface. Soutine’s haunting imag-
ered among his greatest artistic achieve- tradition, in tableaux evocative of violent ery, energized brushstrokes and rich paint
ments. These works epitomize his fusion dislocations, these paintings offer a tour have served as touchstones for subsequent
of Old Master influences with the tenets de force of visual expression and visceral generations of artists, from Francis Bacon,
of painterly Modernism. Virtuoso tech- effect. Willem de Kooning and Jackson Pollock,
nique, expressive color and disorienting to contemporary artists such as Frank
and unexpected compositions endow Sou- Soutine’s highly personal approach to Auerbach, Cecily Brown and Damien
tine’s depictions of slaughtered animals the subject of still life and the depictions Hirst.
with a striking visual power and emotion- of hanging fowl and beef carcasses were
al impact. influenced by his childhood memories of The exhibition is organized by Stephen
the shtetl of Smilovitchi, Lithuania, where Brown, Neubauer Family Foundation
The exhibition, on view through Septem- he grew up. The strict Jewish observance associate curator, the Jewish Museum,
ber 16, includes works selected from major of dietary laws, requiring the ritual with consulting curators Esti Dunow and
public and private collections in the Unit- slaughter of fowl and meat, provides a Maurice Tuchman, authors of Chaim Sou-
ed States and abroad. Lenders include the context for these emotionally charged tine (1893–1943) catalogue raisonné
Barnes Foundation; Albright-Knox Art images. Soutine’s study of Old Master (1993).
Gallery; Art Institute of Chicago; the Met- paintings in the Louvre also impacted his
ropolitan Museum of Art; Musée de dramatic and novel compositions of a sin- The Jewish Museum is at 1109 Fifth
l’Orangerie; and Stedelijk Museum gle object isolated in space. Rembrandt’s Avenue at 92nd Street. For more informa-
Amsterdam, among others. famous painting, “The Flayed Ox” (1655), tion, www.thejewishmuseum.org or 212-
423-3200.

48 — Antiques and The Arts Weekly — June 1, 2018

MAAC_JUNE_AUCTION4_9-75x15_2018.indd 1 17.05.18 18:52

June 1, 2018 — Antiques and The Arts Weekly — 49

3002_AAW_6-1-18_Color.indd 1 5/9/18 3:24 PM

50 — Antiques and The Arts Weekly — June 1, 2018

2018­JUN COMBO_halfpage Bee:HALF 5/18/2018 12:01 PM Page 1

June 1, 2018 — Antiques and The Arts Weekly — 51

3003_AAW_6-1-18_Rnd2_Color.indd 1 5/9/18 3:31 PM

52 — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 53

54 — Antiques and The Arts Weekly — June 1, 2018

memorabilia. Baseball cards include such famous names as Mickey Mantle, Ted Williams, Jackie Robin

[email protected]

www

June 1, 2018 — Antiques and The Arts Weekly — 55

Bee Two Page June 2018.indd 2 5/15/18 11:48 AM

56 — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 57

58 — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 59

60 — Antiques and The Arts Weekly — June 1, 2018

The Spring AucTion

116: Lyonel Feininger, What’s The Big Idea? 35: Max Kuehne, Motif No. 1, Rockport,
ink and watercolor, 3 5/8 x 6 3/8 in., $8,000 – 12,000 oil, 24 x 30 in., $10,000 – 15,000

2

46: William Sommer, Lake Erie, 395: Lalique ‘Cactus’ Crystal, Glass, and Chrome Table,
oil, 24 x 20 in., $4,000 – 6,000 $20,000 – 30,000

338: Tiffany Studios Five Piece Gilt Bronze Desk Set, 310: Tiffany & Co. Silver Flatware Service for Twelve,
Zodiac Pattern, $2,000 – 4,000 Audubon Pattern, $12,000 – 16,000

337: Atelier Jayne Gold and Antique Carved 357: The Colonel Everard Bierer Civil War Era Officer’s
Jadite Necklace, $1,500 – 2,500 Presentation Sword and Scabbard, $3,000 – 5,000

June 1, 2018 — Antiques and The Arts Weekly — 61

sunday, june 3 | 12 noon

392: Chinese Blue and White Vase, 29: Alfred Thompson Bricher, Summer Afternoon (Grand Manan),
$1,000 – 1,500 oil, 18 x 38 in., $30,000 – 50,000

245: Alexander Calder Silver Brooch, 246: J.E. Caldwell Platinum,
$15,000 – 25,000 Kashmir Sapphire, and Diamond Ring,

4.95 cts., $20,000 – 30,000

251: Platinum, Ceylon Sapphire, and 239: Diamond and Natural Pearl Bracelet, 238: J.E. Caldwell Platinum, Gold,
Diamond Ring, 20.05 cts., $20,000 – 40,000 Diamond, and Natural Pearl Brooch,
$25,000 – 35,000
$5,000 – 7,000

252: Tiffany & Co. Gold ‘Cypriot’ Bangle Bracelet, 40: Wolf Kahn, Deserted Farm House, Marlboro, VT, oil, 28 x 38 in.,
$6,000 – 8,000 $20,000 – 30,000

62 — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 63

ROCKEFELLER

64 — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 65

66 — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 67

68 — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 69

70 — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 71

72 — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 73

74 — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 75

76 — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 7C

8C — Antiques and The Arts Weekly — June 1, 2018

June 1, 2018 — Antiques and The Arts Weekly — 9C

10C — Antiques and The Arts Weekly — June 1, 2018

Proof: [email protected] cc: Cindy
P:\a&a COLOR Section\06-01-18\Antique City

Proof: [email protected] CC: Jillienne June 1, 2018 — Antiques and The Arts Weekly — 11C
P:\a&a COLOR Section\06-01-18\Cider House Antiques

& Sunday

Previ

12C — Antiques and The Arts Weekly — June 1, 2018


Click to View FlipBook Version